Grammy Awards
54th Grammy Awards
The Grammy awards are named for the trophy: a small, gilded gramophone statuette.
Awarded for	Outstanding achievements in the music industry
Presented by	National Academy of Recording Arts and Sciences
Country	United States
First awarded	1959
Official website	grammy.com
Television coverage
Network	NBC (1959–1970) ABC (1971–1972) CBS (1973–present)

A Grammy Award (originally called Gramophone Award) – or Grammy – is an accolade by the National Academy of Recording Arts and Sciences of the United States to recognize outstanding achievement in the music industry. The annual presentation ceremony features performances by prominent artists, and some of the awards of more popular interest are presented in a widely viewed televised ceremony. It is the music equivalent to the Emmy Awards for television, the Tony Awards for stage performances, and the Academy Awards for motion pictures.

The first Grammy Awards ceremony was held on May 4, 1959, and it was set up to honor musical accomplishments by performers for the year 1958. Following the 2011 ceremony, NARAS overhauled many Grammy Award categories for 2012. The 54th Grammy Awards were held on February 12, 2012, at the Staples Center in Los Angeles, California.

History[link]

The Grammy Awards had their origin in the Hollywood Walk of Fame project in the 1950s.^[1][2] As the recording executives chosen for the Walk of Fame (Tabinda Walk) committee worked at compiling a list of important recording industry people who might qualify for a Walk of Fame star, they realized there were many more people who were leaders in their business who would never earn a star on Hollywood Boulevard. The music executives decided to rectify this by creating an award given by their industry similar to the Oscars and the Emmys. This was the beginning of the National Academy of Recording Arts and Sciences. After it was decided to create such an award, there was still a question of what to call it; one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of Edison's invention, the gramophone, for the awards, which were first given for the year 1958.^[3][4][5]

Gramophone trophy[link]

The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, and making the trophy bigger and grander.^[6] The trophies with the recipient's name engraved on them are not available until after the award announcements, so "stunt" trophies are re-used each year for the broadcast.^[7]

As of February 2009, 7,578 Grammy trophies had been awarded.^[8]

Categories[link]

Bonnie Raitt holding the Grammys she won at the 1990 Grammy Awards.

The "General Field" are four awards which are not restricted by genre.

• Album of the Year is awarded to the performer and the production team of a full album.
• Record of the Year is awarded to the performer and the production team of a single song.
• Song of the Year is awarded to the writer(s)/composer(s) of a single song.
• Best New Artist is awarded to a performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist (which is not necessarily their first proper release).

Other awards are given for performance and production in specific genres, as well as for other contributions such as artwork and video. Special awards are given for longer-lasting contributions to the music industry.

Because of the large number of award categories (78 in 2012), and the desire to feature several performances by various artists, only the ones with the most popular interest are presented directly at the televised award ceremony.

2012 category restructuring[link]

On April 6, 2011, The Recording Academy announced a drastic overhaul of many Grammy Award categories for 2012.^[9] The number of categories were diminished from 109 to 78. The most important change is the elimination of the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, R&B, country, and rap). Also, several categories for instrumental soloists were discontinued. Recordings in these categories now fall under the general categories for best solo performances.

In the rock field, the separate categories for hard rock and metal albums have been combined and the Best Rock Instrumental Performance category were be eliminated due to a waning number of entries.

In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated. They now feature in one, general Best R&B Album category.

In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category.

The most eliminations occurred in the roots category. Up to and including 2011, there were separate categories for various regional American music forms, such as Hawaiian music, Native American music and Zydeco/Cajun music. Due to the consistently low number of entries for these categories, The Recording Academy decided to combine all these music variations into the new Best Regional Roots Music Album, including polka, which lost its own separate category in 2009.

In the same genre field, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre, due to the number of entries and given the challenges in distinguishing between contemporary folk and Americana, and contemporary and traditional blues. In the world music genre field, the traditional and contemporary categories have also been merged.

In the classical genre field, its main category Best Classical Album has been discontinued because most recipients in this category had also won in one of the other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category.

There are also a few minor name changes to better reflect the nature of the separate categories. It was determined by the Recording Academy that the word "gospel" in the gospel genre field tends to conjure up the images and sounds of traditional soul gospel and leaves out the current contemporary Christian music (CCM). Therefore the genre field and some categories have been renamed as Gospel/Contemporary Christian Music.

Nomination process[link]

Record companies and individuals may submit recordings to be nominated. Nominations are made online and a physical copy of the work is sent to the National Academy of Recording Arts and Sciences. Once a work is entered, reviewing sessions are held, by more than 150 experts from the recording industry, to determine whether the work is eligible and entered in the correct category for official nomination.

The resulting list is circulated to all NARAS members, each of whom may vote to nominate in the general field (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees. There may be more than five nominees if there is a tie in the nomination process.

Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of movies nominated for Oscars, NARAS members do not receive nominated recordings.

After nominees have been determined, final voting ballots are sent to Recording Academy members, who may then vote in the general fields and in no more than eight of the 30 fields. NARAS members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu.^[10] Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie. Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination.

In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the academy.

The eligibility period for the 2012 Grammy Awards was October 1, 2010 to September 30, 2011.

Venue[link]

Prior to 1971, the Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined being a host city in 1962, and then Nashville became the fourth location in 1965.

The 1971 ceremony, held at the Hollywood Palladium in Los Angeles, was the first to take place in one location. The ceremony was then moved to Madison Square Garden's Felt Forum in New York City, and then Nashville's Tennessee Theatre in the following two years. Then from 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles. Notable locations included New York City's Madison Square Garden and Radio City Music Hall; and Los Angeles' Shrine Auditorium, the Staples Center and the Hollywood Palladium.

In 2004, the Staples Center became the permanent home of the award ceremonies. The Grammy Museum was built across the street from Staples Center in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks at the museum streets are bronze disks, similar to the Hollywood Walk of Fame, honoring each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year.

Leading winners[link]

With 31 Grammy Awards, Sir Georg Solti is the artist with the most Grammy wins.^[11] Alison Krauss is the biggest winner among female artists with 27 awards.^[12] U2, with 22 Grammy Awards, holds the record for most awards won by a group.

Criticism[link]

The Grammy Awards has received criticism from various recording artists and music journalists.

When his band Pearl Jam won a Grammy in the category Best Hard Rock Performance in 1996, singer Eddie Vedder commented on stage: "I don't know what this means. I don't think it means anything."^[13] Glen Hansard, leader of the Irish rock group The Frames, stated in 2008 that the Grammys represent something outside of the real world of music "that's fully industry based." He said he wasn't that interested in attending that year's ceremony, even though he had been nominated for two different awards.^[13] Maynard James Keenan, lead singer of metal band Tool, did not attend the Grammy Awards ceremony to receive one of their awards. He explained his reasons:

It has also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful albums.^[15][16] In a 2011 article, Los Angeles Times writer Randall Roberts was critical of the nominations for the 54th Grammy Awards, particularly for the Album of the Year category, noting the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy, "the most critically acclaimed album of the year, a career-defining record", as a snub in favor of nominating less substantial albums.^[17] Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends amongs music listeners such as music sharing, stating:

In an article for Time, journalist Touré also responded to the snub and expressed his general displeasure with the awards, stating "I don’t pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye’s masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year."^[18] He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead.^[18]

In a 2011 profile for The New York Times following the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked his opinion of the Grammys and how he would react to a nomination for his group, to which he responded, "You know I was thinking about that a couple of months ago, someone asked me that, and I was like 'I would go and I would' – and I don’t think the Bon Iver record is the kind of record that would get nominated for a Grammy – 'I would get up there and be like, ‘This is for my parents, because they supported me,’' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: 'Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important.' That’s what I would say."^[19] He reaffirmed this sentiment and felt the Grammys are held in too, saying:

98 percent of the people in that room, their art is compromised by the fact that they’re thinking that, and that they’re hoping to get that award. And who is that award given by? It’s like they think it’s literally handed down by the musical-history gods. And I don’t know who the voters are. Like, I have a friend who’s a voter who was like, “I had to be a voter because I don’t trust the other voters.” And I was like, “Me either!” And it’s just not important and people spend too much time thinking about it.^[19]

—Justin Vernon

Bon Iver subsequently received four nominations in November for the 54th Grammy Awards.^[19] After winning the award, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here."^[20]

In his article "Everything Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music, and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change."^[21] He cited the Grammy successes of Lauryn Hill's The Miseducation (1999), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys dropp[ing] a boatload of awards on a young female singer-songwriter and her breakthrough album." Of Kanye West's absence from the ceremony, Caramanica stated, "He didn’t even bother to show up for the broadcast, which was well enough, because hip-hop was almost completely marginalized".^[21]

In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic."^[22] Stoute accused them of snubbing artists with more cultural impact, citing respective loses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category, and stated:

As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984.^[22]

—Steve Stoute

TV broadcasts and ratings[link]

Prior to the first live Grammys telecast in 1971 on American Broadcasting Company (ABC), a series of taped annual specials in the 1960s called The Best on Record were broadcast on National Broadcasting Company (NBC). The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series Sunday Showcase, which was normally devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two. Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast.^[23] CBS Broadcasting bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC (by Dick Clark) as a result.

The Recording Academy announced on June 21, 2011 that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. CBS also broadcasted the annual nominations concert special on November 30, 2011 from Los Angeles. The Grammys aired on February 12, 2012. The 2011 Grammy Award show had 26.6 million viewers.

See also[link]

• National Academy of Recording Arts & Sciences
• Latin Academy of Recording Arts & Sciences
• Latin Grammy Awards
• Grammy Museum

Notes and references[link]

External links[link]

Look up Grammy in Wiktionary, the free dictionary.

• Official website
• Grammy Awards winners at Grammy.com (searchable database)

v t e Music industry Genres Avant-garde · Blues · Contemporary R&B · Country · Crossover · Dance · Drum and bass · Easy listening · Electronica · Experimental · Folk · Funk · Gospel · Hip hop · Instrumental · Jazz · Latin · Motown · New age · Operatic pop · Pop · Reggae · Rock · Soul · Soundtrack · World Sectors and roles Album cover design · Artists and repertoire (A&R) · Distribution · Entertainment law · Music education · Music executive · Music journalism · Music publisher · Music venue · Musical instruments · Promotion · Radio promotion · Record label · Record shop · Road crew · Talent manager · Tour promoter Production Arrangement · Record producer · Recording artist · Session musician · Songwriter · Sound engineer Record labels Major: EMI · Sony Music Entertainment · Universal Music Group · Warner Music Group · Independent: Independent UK record labels Release formats Album · Extended play (EP)/Mini album · Single Awards American Music Award · ARIA Music Awards · Billboard Music Awards · Brit Awards · Choice Music Prize · Classic Brit Awards · Diapason d'Or · Echo Award · Golden Disk Awards · Grammy Award · Grand Prix du Disque · Juno Award · Latin Grammy Awards · Meteor Music Awards · MTV Europe Music Awards · MTV Video Music Awards · MuchMusic Video Awards · Music of Black Origin Awards · New Zealand Music Awards · NRJ Music Award · TEC Awards · World Music Awards Charts ARIA Charts · Billboard Hot 100 · Canadian Hot 100 · RIANZ Singles Chart · Irish Singles Chart · UK Singles Chart Sales certifications ARIA (Gold · Platinum) · BPI (Silver · Gold · Platinum) · CRIA (Gold · Platinum · Multi-Platinum · Diamond) · PROMUSICAE (Gold · Platinum) · RIAA (Gold · Platinum · Multi-Platinum · Diamond) Publications Billboard · HitQuarters · Hot Press · Kerrang! · Mojo · NME · Q · Rolling Stone · Smash Hits · Top of the Pops Retailers Amazon.com · Fnac · HMV Group · Online music stores (iTunes Store) · Trans World Entertainment · Virgin Megastores Television Black Entertainment Television · Country Music Television · Fuse TV · Idol · Juice TV · MTV · MuchMusic · The Music Factory · Star Academy · Viva · The Voice · The X Factor Other A-side and B-side · Christian music industry  · Hidden track  · Grammy Museum  · White label Category

Nicki Minaj
Minaj at 2010 MTV Music Awards
Background information
Birth name	Onika Tanya Maraj
Born	(1982-12-08) December 8, 1982 (age 29)[1] Saint James, Trinidad and Tobago
Origin	South Jamaica, Queens, New York, U.S.
Genres	Hip hop, R&B, pop
Occupations	Rapper, singer-songwriter
Years active	2002–present
Labels	Cash Money Records, Young Money Entertainment, Universal Republic Records, Universal Motown
Associated acts	Young Money
Website	mypinkfriday.com

Onika Tanya Maraj (born December 8, 1982), known by her stage name Nicki Minaj ( /mɪˈnɑːʒ/), is a Trinidadian-born American rapper and singer-songwriter. She was born in Saint James, Trinidad and Tobago and when she was 5 years of age she moved to the New York City borough of Queens, where she grew up.

After releasing three mixtapes between 2007 and 2009 and being signed to Young Money Entertainment in August 2009, Minaj released her debut album, Pink Friday, in November 2010. It quickly became a commercial success, peaking at number one on the U.S. Billboard 200 and being certified Platinum by the Recording Industry Association of America (RIAA) a month after its release.^[2][3] She became the first female solo artist to have seven singles on the Billboard Hot 100 at the same time.^[4] Her second single, "Your Love", reached number 1 on the Billboard Hot Rap Songs chart, making Minaj the first female artist to top the chart unaccompanied since 2002.^[5] She also became the first female artist to be included on MTV's Annual Hottest MC List.^[6] Minaj was named the 2011 Rising Star by Billboard.^[7] Her second studio album, Pink Friday: Roman Reloaded was released on April 3, 2012.

Early life[link]

Maraj was born in 1982^{[1][note 1]} in Saint James, a suburb of Trinidad and Tobago's capital city Port of Spain.^[8][9][10] Her parents are of mixed Indian and Afro-Trinidadian ancestry^[11][12] and she lived in Saint James with her grandmother until age five, because her parents were looking for a place to live in the Queens borough of New York City at the time. Her mother would occasionally visit, and one day, when Minaj was five, her mother picked her up to move to Queens.^[13] According to Minaj, her father drank heavily, took drugs, and once tried to kill her mother by setting the house on fire.^[14]

She attended Elizabeth Blackwell Middle School 210, where she played the clarinet.^[13] She graduated from LaGuardia High School.^[15][16] At LaGuardia, a school specializing in music and the visual and performing arts, Minaj participated in the drama program.^[15] She had initially planned to sing at LaGuardia but lost her voice on the day of the audition.^[15]

Career[link]

2007–09: Mixtapes and Young Money[link]

Minaj released her first mixtape in 2007 after releasing Playtime Is Over with Dirty Money Records. She released another mixtape on July 7, 2008, titled Sucka Free, under the label Be. On April 18, 2009, Minaj released a third mixtape and appeared in XXL magazine.^[17] She won the Female Artist of the Year award at the 2008 Underground Music Awards.^[18] Minaj released Beam Me Up Scotty, another mixtape, in April 2009 under the label of Trapaholics Records; it received positive coverage on both BET and MTV.^[19][20]

In August 2009, Minaj signed a record deal with Young Money Entertainment, with distribution from Universal Motown Records, after fellow American rapper Lil Wayne discovered her and secured the record deal.^[17][21] She then had a solo rap verse in their single "BedRock," which became a commercial success, reaching number 2 on the Billboard Hot 100. Minaj also appeared on "Roger That", which charted at number 56. The song, and in particular Minaj, received positive reviews from critics.^[22] Both songs were included in Young Money Entertainment's debut collaborative studio album We Are Young Money, which was released in December 2009. The album charted in the top ten on the Billboard 200, reaching number 9 and later receiving a Gold Certification by the RIAA. She was then chosen by Mariah Carey to be featured on her single and music video for "Up Out My Face". Critics praised her collaboration for helping to maintain Carey's feminine image and providing a polite track for the female R&B singer.^[23]

[edit] 2010–11: Pink Friday

Britney Spears and Minaj performing the Femme Fatale Remix of "Till the World Ends" in the Femme Fatale Tour.

After a major record label bidding war, Young Money Entertainment announced on August 31, 2009 that Minaj had been released from a 360 deal with the label in which she retains and owns all of her 360 rights – including merchandising, sponsorships, endorsements, touring and publishing.^[24] In an interview with 95.8 Capital FM, Rihanna stated that after the two collaborated on "Raining Men" from her album Loud that the duo would be teaming up together for a possible second collaboration on Minaj's Pink Friday.^[25] Hip-hop rap artist and producer Kanye West was also confirmed for the album.^[26] On August 3, 2010 Minaj revealed on a Ustream.tv channel that the album's name would be Pink Friday, in reference to Black Friday.^[27]

Pink Friday was released on November 19, 2010 in both standard and deluxe versions.^[28][29] A buzz single, "Massive Attack", was released in April.^[30] In August, Minaj released "Your Love" as the first official single from her debut album. The single peaked at 14 on the Billboard Hot 100, 7 on the Hot R&B/Hip-Hop Songs chart and topped the Rap Songs chart. Minaj became the first female artist to be included on MTV's Annual Hottest MC List^[6] and the first female artist to top the chart unaccompanied since 2002.^[31] In October 2010, Minaj became the first artist to have seven songs on the Billboard Hot 100 chart simultaneously.^[4] Minaj released a joint single with The Black Eyed Peas front man, will.i.am titled, "Check It Out", which is Minaj's most successful single to date in Europe. "Right thru Me" was released September 24, 2010; the music video was released in late October. "Moment 4 Life" was released as the fourth single. The track featured Canadian rapper Drake and was released on December 7, 2010, becoming a success on the Billboard Hot 100. The single peaked at number 5 on the Hot Rap Songs.^[32] The album gained a Platinum certification in the United States a month after the release.^[3]

On January 29, 2011, Minaj appeared on Saturday Night Live as the musical guest, performing "Right Thru Me" and "Moment 4 Life". On February 9, 2011, it was announced that Pink Friday had reached number one on the Billboard 200 in its eleventh week on the chart.^[33] It was hinted by Simon Cowell that Minaj would join the judging panel of the American version of the The X Factor.^[34] Starting in June 2011, Minaj will be supporting Pink Friday by serving as an opening act along with Jessie and the Toy Boys and Nervo on Britney Spears' sixth concert tour, the Femme Fatale Tour, in support of her seventh studio album, Femme Fatale.^[35] She also was featured on the official remix of Spears' track "Till the World Ends" along with Spears and singer Kesha, which charted at number 3 in the US in April 2011.^[36] "Super Bass" was released from Pink Friday in May 2011, the single charted within the top 10 in many countries including; United Kingdom, United States, Australia, Canada and more.^[37] The song gained positive reviews from critics.^[38][39] Minaj will voice a character in the 3D animated film, Ice Age: Continental Drift, as an unknown character.^[40][41] Minaj is also featured on French DJ David Guetta's 2011 album, Nothing but the Beat on "Where Them Girls At" and "Turn Me On".

[edit] 2011–present: Pink Friday: Roman Reloaded

Minaj's second studio album, Pink Friday: Roman Reloaded, was first announced through Twitter in November 2011 and was released on April 2, 2012 in the United Kingdom and April 3, 2012 in the United States. The album features collaborations with producers Hit-Boy, Dr. Luke, Rico Beats, Kenoe, RedOne and Oak. Cash Money A&R Joshua Berkman told HitQuarters that Minaj was extremely particular about the beats and music she used saying: "She wouldn't just rap or sing on anything – I could give her a thousand tracks and she may only like one or two."^[42] Preceding the album's release, three promotional singles were released: Roman in Moscow (which didn't make the final cut of the album), "Stupid Hoe," and "Roman Reloaded." The album's first single, "Starships", was released on February 14.^[43] "Starships" became Minaj's best-peaking single in the United Kingdom, when it reached a peak of 2. It has also peaked at number 5 on the US Billboard Hot 100, making it her second top 10 arrival following, "Super Bass" in 2011. The music video was released on April 26th, 2012.^[44]

On February 12, 2012, Minaj debuted her song "Roman Holiday" at the 54th Grammy Awards. It was the first song ever performed on the Grammy stage by a solo female rapper.^[45] The exorcism-themed performance drew a mixed response online.^[46][47]

She was featured on Madonna's twelfth studio album, titled MDNA, alongside M.I.A. on its lead single "Give Me All Your Luvin'", for which a music video has been directed by Megaforce.^[48] The trio performed the song for the Super Bowl XLVI halftime show.^[49] She was also featured on a song called "I Don't Give A", another track from the album.

She released her second single, "Right by My Side", which features Chris Brown, on March 27, 2012, after premiering on Minaj's website on March 20, 2012.^[50] Following the album's release, it peaked at number 24 on the US Hot R&B/Hip-Hop Songs Chart. It also peaked in the lower regions of the UK singles chart, at position #101. The third single, "Beez in the Trap", which features 2 Chainz was released to U.S. Urban radio on April 24, 2012. It was premiered on DJ Flex's radio show at Hot 97 on March 20, 2012. It has peaked at number 24 on the US Billboard Rap Songs Chart.^[51] The video was premiered on April 6, 2012 on Minaj's official VEVO account.^[52]

Artistry[link]

Minaj in 2011 during Femme Fatale Tour

Image[link]

Minaj has been noted by the media for her curvaceous figure.^{[53][54][55][56]} In an interview with Vibe Minaj discussed her sexual image stating, "[w]hen I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot... and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing."^[57] In an interview with Interview, Minaj commented on her sexual image again stating, "I made a conscious decision to try to tone down the sexiness, I want people—especially young girls—to know that in life, nothing is going to be based on sex appeal. You’ve got to have something else to go with that.”^[58] Minaj has a tattoo in Chinese characters that reads "上帝與你常在" (shàngdì yǔ nǐ cháng zài)^[59] on her left arm, meaning, "God is always with you."^[60]

Alter egos[link]

While growing up, Minaj's home life was often chaotic, with her parents constantly fighting.^[61] As a means of escape, she would create characters and live her life through them.^[61] In an interview with New York she stated, "To get away from all their fighting, I would imagine being a new person. 'Cookie' was my first identity – that stayed with me for a while. I went on to 'Harajuku Barbie,' then 'Nicki Minaj'. Fantasy was my reality."^[61]

On November 18, 2010, Minaj assumed a different alter-ego named "Nicki Teresa".^[62] Wearing a colorful scarf around her head, she went around as the "healer to her fans" as she visited them at The Garden of Dreams Foundation at Fuse studios in New York City.^[62] Minaj made an appearance on Lopez Tonight on December 6, 2010 and presented a different alter-ego for the Spanish-inspired occasion, named "Rosa" (pronounced Rrrrrosa).^[63]

In April 2012, Minaj was asked if Roman, Martha and Rosa come out in the bedroom saying “No, they don’t come out in the bedroom, but other people come out in the bedroom,” she told Big Boy during his “Backstage Breakfast,” adding, “And there’s only one person that would know who that personality is". Minaj did not name her alter-ego.^[64]

For her debut album, Minaj created another alter-ego named "Roman Zolanski".^[65] She stated that in songs like "Bottoms Up" with Trey Songz it is not Minaj rapping, but instead Roman Zolanski, and claims that Roman is her "twin brother". She claims that he was born inside her, out of rage, and becomes him when she is angry. She has also said 'He is a demon inside her'. Roman has been compared to Eminem's alter ego Slim Shady, and on the song "Roman's Revenge" from Pink Friday, Minaj and Eminem collaborate, using these alter egos.^[66] On the collaboration, she said "The new album is going to have a lot of Roman on it ... And if you're not familiar with Roman, then you will be familiar with him very soon. He’s the boy that lives inside of me. He's a lunatic and he's gay and he'll be on there a lot."^[67] Roman also has a "mother" called "Martha Zolanski",^[68] who also appeared on the song "Roman's Revenge", with a British accent,^[69] and on "Roman Holiday", singing for the first time.^[70][71] Martha appears in the video for "Moment 4 Life" where she appears to be Minaj's magical Godmother. In songs such as "All I Do Is Win (Remix)" it is Minaj rapping.^[65] Minaj stated that on her debut album, fans will get to "meet" Nicki, Roman and Onika.^[65]

Influences[link]

Minaj has stated that artists who have influenced her musical style include Lisa "Left Eye" Lopes, Lil Wayne, Lauryn Hill, Jadakiss, Natasha Bedingfield, Foxy Brown, Lil' Kim and Missy Elliott.^[72][73] She was also inspired by Janet Jackson,^[74] Madonna, Britney Spears, Marilyn Monroe, Grace Jones,^[75] M.I.A. and Cyndi Lauper.^[76][77][78]

Product and endorsements[link]

During her career, Minaj has signed contracts with a variety of corporate interests. Companies she contracted with include soft drink manufacturer Pepsi;^[79] Mattel, which produced a custom a Nicki Minaj-themed Barbie;^[80] and MAC Cosmetics, as part of an AIDS-awareness campaign in Latin America.^[81]

Personal life[link]

Minaj is a Christian, and on Christmas Day in 2011, she indicated her faith in Jesus by tweeting John 3:16.^[82][83] In addition, she states that after her father went to rehab and started attending church, "he got saved and started changing his life."^[84] Minaj states that her heroes are "God. And my mother."^[85][86]

While some songs and interviews have implied that Minaj is bisexual,^[87][88] she has said that she does not date nor have sex with women,^[15] but added in an interview with Out magazine, "I don’t date men either."^[89] In an interview with Vibe she commented, "I just embrace all people of all lifestyles and I don’t tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don’t have anyone to tell them that and mean it, I’m gonna tell them that. But I feel like people always wanna define me and I don’t wanna be defined."^[90] She reiterated her dislike of being labeled in an interview with Out, saying: "The point is, everyone is not black and white. There are so many shades in the middle, and you’ve got to let people feel comfortable with saying what they want to say when they want to say it."^[89]

During an interview in the May 2010 issue of Details, Minaj was asked if she felt hip-hop was becoming more gay-friendly. She responded, "I think the world is getting more gay-friendly, so hip-hop is too. But it's harder to imagine an openly gay male rapper being embraced, people view gay men as having no street credibility. But I think we'll see one in my lifetime."^[88]

In July 2011, Minaj's cousin Nicholas Telemaque was murdered near his home in Brooklyn, New York City.^[91] Telemaque was referenced in Minaj's song "Champion" in her second studio album.^[92]

Discography[link]

• Pink Friday (2010)
• Pink Friday: Roman Reloaded (2012)

Touring[link]

• Pink Friday Tour (2012)

See also[link]

Nicki Minaj portal

• List of awards and nominations received by Nicki Minaj

References[link]

Notes[link]

External links[link]

	Book: Nicki Minaj
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Official website
• Nicki Minaj at the Internet Movie Database
• Media related to Nicki Minaj at Wikimedia Commons

Diana Ross
Diana Ross performing at the 2008 Nobel Peace Prize concert in Oslo
Background information
Birth name	Diana Ernestine Earle Ross
Born	(1944-03-26) March 26, 1944 (age 68) Detroit, Michigan
Genres	R&B, soul, disco, jazz, pop, dance
Occupations	Singer, record producer, actress
Years active	1959-present
Labels	Lu Pine, Motown, RCA, EMI
Associated acts	The Supremes, The Temptations, The Jackson 5, Marvin Gaye, Michael Jackson, Lionel Richie
Website	www.dianaross.com

Diana Ernestine Earle Ross (born March 26, 1944^[1]) is an American singer, record producer, and actress.

Diana Ross was lead singer of the Motown group The Supremes during the 1960s. After leaving the group in 1970, Ross began a solo career that has included successful ventures into film and Broadway. She received a Best Actress Academy Award nomination for her role as Billie Holiday in Lady Sings the Blues (1972), for which she won a Golden Globe award. She has won seven American Music Awards, was honored with a 2012 Lifetime Achievement Grammy Award,^[2] and won a Tony Award for her one-woman show, An Evening with Diana Ross, in 1977.^[3]

In 1976, Billboard magazine named her the "Female Entertainer of the Century."^[4] In 1993, the Guinness Book of World Records declared Diana Ross the most successful female music artist in history due to her success in the United States and United Kingdom for having more hits than any female artist in the charts with a career total of 18 number one records in the United States. Diana Ross has sold more than 100 million records worldwide.^[5]

Ross is one of the few recording artists to have two stars on the Hollywood Walk of Fame—one as a solo artist and the other as a member of The Supremes. In December 2007, she received the Kennedy Center Honors.

Early life[link]

Diana Ross, the daughter of Ernestine (née Moten) (January 27, 1916 – October 9, 1984), a schoolteacher, and Fred Ross, Sr. (July 4, 1920 – November 21, 2007), a former United States Army soldier, was born at Hutzel Women's Hospital^[6] in Detroit, Michigan. Ross said that she did not see her father until he returned from serving in World War II. Much has been made of whether her first name ends in an "a" or an "e". According to Ross, her mother actually named her "Diane" but a clerical error resulted in her name being recorded as "Diana" on her birth certificate. She always went by "Diane" at home and at school. Her high school yearbook listed her as "Diana" and as early as 1963, when The Supremes released their first album, she was listed in the liner notes as "Diana". At The Supremes' first Copacabana engagement in 1965, she introduced herself to the audience as "Diane", but later that year she started introducing herself as "Diana". Her intimates still call her "Diane".^[7][8]

After living on Belmont Road in Detroit's North End for several years, Ross's family settled on St. Antoine Street in the Brewster-Douglass housing projects on Ross' fourteenth birthday in 1958. Ross aspired to be a fashion designer, and studied design, millinery, pattern-making and seamstress skills while attending Cass Technical High School, a four-year college preparatory magnet school, in downtown Detroit. In her late teens, Ross worked at Hudson's Department Store where, it was claimed in biographies, that she was the first black employee "allowed outside the kitchen". Ross graduated in January 1962, one semester earlier than her classmates. Ross' parents had a difficult marriage and separated when Ross was still in her teens.

Career[link]

The Supremes: 1959–1970[link]

In 1959, Ross was brought to the attention of Milton Jenkins, the manager of the local doo-wop group The Primes, by Mary Wilson. Primes member Paul Williams convinced Jenkins to enlist Ross in the sister group The Primettes, which included Wilson, Florence Ballard and Betty McGlown. Ross, Wilson and Ballard each sang lead during live performances. In 1960, Lu Pine Records signed the group and issued the Ross-led single "Tears of Sorrow" backed with the Wilson-led "Pretty Baby". After winning a singing contest in Winnipeg, Manitoba, Ross approached former neighbor Smokey Robinson for an audition at the label with which he recorded, Motown Records. The group garnered the audition and impressed Motown's CEO, Berry Gordy (who arrived at the audition during the group's performance), but declined to work with the group due to their being underaged. Undeterred, the group would stand outside the label's Hitsville U.S.A. studios hoping to grab attention, eventually providing backing vocals & hand claps for many of Motown's more established artists. Meanwhile during the group's struggling early years, Ross earned pay in the day as Berry Gordy's secretary. She also served at the group's main hair stylist, make-up artist, seamstress & costume designer during this period.

In 1961, having already replaced McGlown with Barbara Martin, the quartet signed with Motown Records under their new moniker, The Supremes, chosen by Florence Ballard, who was the only member to be present when the group was offered a name change. Both Ross and Wilson initially disliked the name, afraid they would be mistaken for a men's group (Ruby & the Romantics' original name was The Supremes) but the name stuck regardless.

Following Martin's exit in 1962, the group remained a trio. In 1963, Ross became the group's lead singer, as Berry Gordy felt the group could "cross over" to the pop charts with Ross' unique vocal quality, and the Ross-led "When the Lovelight Starts Shining Through His Eyes" became the group's first Billboard Top 40 Pop single. The Supremes hit number one with "Where Did Our Love Go", a song rejected by The Marvelettes, and then achieved unprecedented success: between August 1964 and May 1967, Ross, Wilson and Ballard sang on ten number-one hit singles, all of which also made the UK Top 40.

Gordy removed Florence Ballard from the group in July 1967 and chose Cindy Birdsong, a member of Patti LaBelle and the Bluebelles, as her replacement. At about the same time, he changed the group's name to Diana Ross & the Supremes.

Motown initially conceived of a solo career for Diana Ross in 1966, but did not act on it until 1968. Television specials such as TCB (1968) and G.I.T. on Broadway (1969) were designed to spotlight her as a star in her own right, and much of the later Ross-led Supremes material was recorded by Ross with session singers The Andantes, not Wilson and Birdsong, on backing vocals. By the summer of 1969, Ross began her first solo recordings. In November of the same year, three years after it was first rumored, Billboard magazine confirmed Ross's departure from the group to begin her solo career. That same year, Ross introduced Motown's newest act, The Jackson 5, to national audiences on The Hollywood Palace television variety program.

Ross recorded her initial solo sessions with a number of producers, including Bones Howe and Johnny Bristol. Her first track with Bristol, "Someday We'll Be Together", was tagged as a potential solo single, but it instead was issued as the final Diana Ross & the Supremes release. "Someday We'll Be Together" was the 12th and final number-one hit for the Supremes and the last American number-one hit of the 1960s. Ross made her final appearance with the Supremes at the Frontier Hotel in Las Vegas on January 14, 1970.

Early solo career: 1970–1981[link]

After a half-year of recording material with various producers, Ross settled with the production team of Nickolas Ashford and Valerie Simpson, the creative force behind Marvin Gaye's and Tammi Terrell's hit duets and Diana Ross & the Supremes' "Some Things You Never Get Used To". Ashford and Simpson helmed most of Ross's first album, Diana Ross, and continued to write and produce for her for the next decade.

In 1994, The Supremes were recognized with a star on Hollywood Walk of Fame at 7060 Hollywood Blvd.

In May 1970, Diana Ross was released on Motown. The first single, the gospel-influenced waltz, "Reach Out and Touch (Somebody's Hand)", peaked at number 20 on the Billboard Hot 100. The album's second single, a fully rearranged cover of Gaye's and Terrell's 1967 hit, and another Ashford and Simpson composition, "Ain't No Mountain High Enough", was an international hit, and gave Ross her first #1 pop single and gold record award as a solo artist. "Ain't No Mountain High Enough" received a Grammy nomination for Best Pop Vocal Performance, Female. In 1971, Motown released Ross's second album Everything Is Everything, which produced Ross's first UK number-one solo single, "I'm Still Waiting". Several months later, Ross released Surrender, which included the top-20 pop hit, "Remember Me". That year, she hosted her first solo television special, Diana!, featuring guest appearances by The Jackson 5, Bill Cosby and Danny Thomas.

In 1973 Ross returned to number-one with the single "Touch Me in the Morning". The album of the same name became her first top five charted pop release. Later that same year, Ross and fellow Motown star Marvin Gaye released a duet album, Diana & Marvin. The duo scored an international hit with their cover of The Stylistics' "You Are Everything". Also in 1973, she was the first entertainer in Japan's history to receive an invitation to the Imperial Palace for a private audience with the Empress Nagako, wife of Emperor Hirohito.

Ross' 1974 follow-up album, Last Time I Saw Him, wasn't as successful despite the success of its country-tinged title track. Two years later Ross ventured into disco with "Love Hangover", which returned her to number-one. The self-titled parent album became another top five hit and included her previous number-one, the movie theme, "Do You Know Where You're Going To (Theme from Mahogany)". Ross' subsequent follow-ups, including Baby It's Me (1977) and Ross (1978) fell off the charts soon after they appeared. Ross did have success with her first Broadway one-woman show, An Evening with Diana Ross. Her performance later won her a Tony. She was featured in TV special with the same name.

In 1979 Ross hired former collaborators Ashford & Simpson, who had left Motown in 1973 due to contractual issues with Berry Gordy, to overlook the production of her next album, The Boss. That album produced the hit title track and the modestly successful "It's My House". Ross' working relationship with Berry Gordy had deteriorated at that point as Gordy refused to be an executive producer of the project. In 1980, Ross hired Nile Rodgers and Bernard Edwards of the group CHIC to overlook production of her final contractual Motown album, diana. That album led to major success with "Upside Down" returning Ross to number-one on the pop charts for the first time since "Love Hangover". Its follow-up, "I'm Coming Out", was as successful and both songs found major success overseas.

In 1981, Ross decided not to renew her Motown contract only to discover that everything she thought she had owned was only leased to her by Berry Gordy. Ross accepted a $20 million deal with RCA in 1981, then the most lucrative contract in music. To complete contractual obligations to Motown, Ross recorded several songs with Lionel Richie, one of which, "Endless Love", led to the duo having an international number-one hit. The song was the theme song of the movie of the same name. When "Endless Love" hit #1 in 1981, Diana Ross became the first woman in music history to chart six #1 records. Combining her 12 as lead singer of The Supremes, Diana Ross' career total of number one records is 18, the most for any female recording artist in music history. Mariah Carey tied Ross' record in 2007. Motown issued a compilation album, To Love Again, to compete with Ross' RCA debut.

Film career: 1972–1999[link]

Though Ross had previously appeared in two films while a member of The Supremes, it wasn't until the early 1970s when Berry Gordy began to focus on making Ross an actress. In late 1971, Motown announced that Diana Ross was going to portray jazz icon Billie Holiday in a Motown-produced film loosely based on Holiday's autobiography Lady Sings the Blues (1956) written by Holiday and William Dufty. The movie co-starred Billy Dee Williams as Holiday's lover, Louis McKay. The cast also included comedian Richard Pryor as the "Piano Man".

Some critics ridiculed Ross's casting in the role. Ross and Holiday were considered to be "miles apart" in vocal styling and appearance. Undeterred, Ross immersed herself in Holiday's music and life story. She went to drug clinics and talked with doctors as research for the role. Ross made a crucial decision when it came to interpreting Holiday's music. Instead of imitating Billie Holiday's voice, Ross focused on Holiday's seemingly inimitable vocal phrasing.

Opening in October 1972, Lady Sings the Blues was a major success, and Ross's performance was lauded and well received. Jazz critic Leonard Feather, a friend of Billie Holiday, praised Ross for "expertly capturing the essence of Lady Day." In 1973, Ross was nominated for both a Golden Globe Award and an Academy Award for "Best Actress". Ross along with fellow nominee that year Cicely Tyson, were the second African American actresses to be nominated for an Academy Award for Best Actress after Dorothy Dandridge. Ross won the Golden Globe for Best Newcomer, but lost the Best Actress Oscar to her friend Liza Minnelli for her role in Cabaret. The soundtrack album for Lady Sings the Blues reached number one on the Billboard 200 for two weeks and broke then industry records by shipping 300,000 copies during its first eight days of release. The double-pocket custom label record is one of Ross's best-selling albums of all time, with total sales to date of nearly two million copies.

In 1975, Ross again co-starred with Billy Dee Williams in the Motown film Mahogany. The story of an aspiring fashion designer who becomes a runway model and the toast of the industry, Mahogany was a troubled production from its inception. The film's original director, Tony Richardson, was fired during production and Berry Gordy assumed the director's chair himself. In addition, Gordy and Ross clashed during filming, with Ross leaving the production before shooting was completed, forcing Gordy to use secretary Edna Anderson as a body double for Ross. While a box office success, the film was not well received by the critics: Time magazine's review of the film chastised Gordy for "squandering one of America's most natural resources: Diana Ross".^[9]

In 1977, Motown acquired the film rights to the Broadway play The Wiz, an African-American reinterpretation of L. Frank Baum's The Wonderful Wizard of Oz. Although teenage Stephanie Mills, a veteran of the play, was originally cast as Dorothy, Ross convinced Universal Pictures producer Rob Cohen to have Ross cast as Dorothy. Because of Ross' age, the script was modified to make the protagonist a school teacher rather than a schoolgirl. Among Ross's costars were Lena Horne, Michael Jackson, Richard Pryor, Nipsey Russell and Ted Ross. Upon its October 1978 release, the film adaptation of The Wiz, a $24 million production, earned $21,049,053 at the box office.^[10][11][12] Though pre-release television broadcast rights had been sold to CBS for over $10 million, the film produced a net loss of $10.4 million for Motown and Universal.^[11][12] At the time, it was the most expensive film musical ever made.^[13] The film's failure ended Ross' short career on the big screen and contributed to the Hollywood studios' reluctance to produce the all-black film projects which had become popular during the blaxploitation era of the early-to-mid 1970s for several years.^[14][15][16] The Wiz was Ross' final film for Motown.

Ross had success with movie-themed songs. While her version of Holiday's "Good Morning Heartache" only performed modestly well in early 1973, her recording of "Theme from Mahogany (Do You Know Where You're Going To)" gave Ross her third number-one hit, in late 1975. Three years later, Ross and Michael Jackson had a modest dance hit with their recording of "Ease on Down the Road". Their second duet, actually as part of the ensemble of The Wiz, "Brand New Day", found some success overseas. Ross scored a Top 10 hit in late 1980 with the theme song to the 1980 film It's My Turn. The following year, she collaborated with former Commodores singer-songwriter Lionel Richie on the theme song for the film Endless Love. The Academy Award-nominated "Endless Love" single became her final hit on Motown Records, and the number one record of the year. Several years later, in 1988, Ross recorded the theme song to The Land Before Time. "If We Hold On Together" became an international hit reaching number-one in Japan.

Ross would be given movie offers over the years but reportedly turned them down because of either contractual obligations or fears of being typecast. Ross had campaigned to portray pioneering entertainer Josephine Baker in a feature film even during her later years in Motown. However, in 1991, the feature film turned into a TV film with Lynn Whitfield playing Baker instead of Ross. Ross was also offered a role in an early adaptation of The Bodyguard with Ryan O'Neal. However, plans of this adaptation fell through. Years later, Whitney Houston and Kevin Costner assumed the roles of Ross and O'Neal in the 1992 film. In 1993, Ross returned to making movies with a dramatic role in the TV film, Out of Darkness. Ross won acclaim for her role in the film and a well earned third Golden Globe nomination. In 1999, she and Brandy Norwood co-starred in the film, Double Platinum, which was released prior to the release of Ross' album, Every Day Is a New Day.

Later solo career: 1981–1999[link]

Diana Ross's RCA Records debut, Why Do Fools Fall in Love, was issued in October 1981. The album yielded three Top 10 hits including the title track "Why Do Fools Fall in Love", a remake of the 1956 Frankie Lymon & the Teenagers classic of the same name, and the single "Mirror Mirror". A third single, "Work That Body", hit the Top Ten in the UK. That success was repeated if only more modestly with the 1982 album, Silk Electric. Ross' recording of Michael Jackson's "Muscles" gave Ross another top ten hit. Ross' 1983 album, Ross, failed to produce any major success. It's single "Pieces Of Ice" peaked at #31 on the Hot 100 and was more popular as a music video than a Pop hit.

On January 24, 1982, Diana Ross sang the National Anthem at Super Bowl XVI.

On July 21, 1983, Ross performed a concert in Central Park for a taped Showtime special. Proceeds of the concert would be donated to build a playground in the singer's name. Midway through the beginning of the show, a torrential downpour occurred. Ross tried to keep on performing, but the severe weather required that the show be stopped. Ross urged the large crowd to exit the venue safely, promising to perform the next day. The second concert held the very next day was without rain. The funds for the playground were to be derived from sales of different items at the concert; however, all profits earned from the first concert were spent on the second. When the mainstream media discovered the exorbitant costs of the two concerts, Diana Ross faced criticism and poor publicity. Although representatives of Diana Ross originally refused to pay anything for the proposed playground, Ross later paid the $250,000 required to build the park. The Diana Ross Playground was finally built three years later.^[17] The Diana Ross Playground at 83rd and Central Park West is a beautiful assortment of wood structures and classic outdoor children's gym obstacles making it a lovely addition to the park.

In 1984, Ross' career spiked yet again with the release of the million-selling Swept Away. The title track became an international hit as did the chart-topping ballad, "Missing You", which was a tribute to Marvin Gaye, who had died earlier that year. Her 1985 album, Eaten Alive, found major success overseas with the title track and "Chain Reaction", although neither of the songs became the best-sellers she was once accustomed to in America. Earlier in 1985, she appeared as part of the supergroup USA for Africa on the "'We Are the World'" charity single, which sold over 20 million copies world wide. Ross' 1987 follow up to Eaten Alive, Red Hot Rhythm & Blues, found less success than the prior album. In 1988, Ross chose to not renew her RCA contract.

Motown Records was being sold by Berry Gordy for $60 million. Ross advised Gordy not to make the move. Before leaving Motown, Gordy offered Ross a contract back to Motown. Ross was at first hesitant to return to the label but agreed after Gordy offered her part-ownership of the label. Despite initial promotion, Ross' next album, Workin' Overtime, bombed. Subsequent follow-ups including The Force Behind the Power (1991), Take Me Higher (1995) and Every Day Is a New Day (1999) produced similarly disappointing sales. Ross had more success overseas with the albums than she did in America. In 1994, Ross performed at the opening ceremony of the FIFA World Cup, hosted in the USA. Her performance has become a running joke in football circles due to her obvious miming and for missing the goal from close range.^[18][19]

On January 28, 1996, Diana Ross performed the Halftime Show at Super Bowl XXX.

In 1999, she was named the most successful female singer in the history of the United Kingdom charts, based upon a tally of her career hits. Madonna would eventually succeed Ross as the most successful female artist in the UK.

Later that year, Ross presented at the 1999 MTV Video Music Awards in September of the year and shocked the audience by touching rapper Lil' Kim's exposed breast, pasty-covered nipple, amazed at the young rapper's brashness.^[20]

Supremes reunions and Return to Love[link]

In 1983, Ross reunited with former Supremes Mary Wilson and Cindy Birdsong for the television special Motown 25: Yesterday, Today, Forever. The three performed their 1969 number-one hit "Someday We'll Be Together", although alleged onstage altercations between Ross and Wilson became an issue during and after the taping of the special. A four-song Supremes set was planned but Ross, suffering from influenza, declined to rehearse with "The Girls" and stated that they would have to be happy just doing "Someday We'll Be Together". Before the special was taped later that evening, Wilson allegedly planned with Birdsong to take a step forward every time Ross did the same. This appeared to frustrate Ross, causing her to push Wilson's shoulder. Later, Wilson was not aware of the script set by producer Suzanne DePasse, in which Ross was to introduce Berry Gordy. Wilson took it upon herself to do so,^[21] at which point Ross pushed down Wilson's hand-held microphone, stating "It's been taken care of." Ross, then, introduced Gordy.^[22] These incidents were excised from the final edit of the taped special, but still made their way into the news media; People magazine reported that "Ross [did] some elbowing to get Wilson out of the spotlight."^[23]

The original Supremes were inducted to the Rock and Roll Hall of Fame in 1988. Original member Florence Ballard had died twelve years earlier. Ross was performing around the time of the induction ceremony and was unable to attend; Mary Wilson accepted the award.^{[citation needed]} In 1999, Ross, Wilson, Cindy Birdsong & mega-tour promoter SFX(Now LiveNation began negotiations regarding a Supremes tour in which all living former Supremes would participate(See Barbra Walters interview video below.). The negotiations failed, however, and Ross and SFX hired 1970s Supremes members Lynda Laurence and Scherrie Payne, who were touring as the Former Ladies of the Supremes, to participate. The Return to Love tour was launched in June 2000. The tour performed well in large markets, but, struggled in medium markets. Despite selling out its final performance, at Madison Square Garden in New York City, the tour ended abruptly after fourteen performances.^{[citation needed]}

Current work[link]

Wikinews has related news: Kennedy Center names 2007 honors recipients

Following successful European and American tours in 2004, Diana Ross returned to the Billboard music charts with two duets in 2005. "I've Got a Crush on You", recorded with Rod Stewart for his album The Great American Songbook, reached number 19 on the Billboard Hot Adult Contemporary chart. The second, recorded with Westlife, was a remake of Ross's 1991 number-2 UK single, "When You Tell Me You Love Me", and reached number 2 in the UK, just as the original had, and number 1 in Ireland. In January, 2005, M.A.C. Cosmetics named Diana Ross its beauty icon for 2005. In June 2006, Motown released the shelved Blue album, which peaked at number 2 on Billboard's Jazz Albums chart. Ross' new studio album, I Love You, was released worldwide on October 2, 2006 and January 16, 2007, in North America, on the Manhattan Records/EMI label.^[24] Since its release in 2007, EMI Inside reports that I Love You has sold more than 622,000 copies worldwide.

Diana Ross is applauded by her fellow Kennedy Center honorees as she is recognized for her career achievements by President George W. Bush in the East Room of the White House Sunday, Dec. 2, 2007, during the Kennedy Center Gala Reception. From left are singer-songwriter Brian Wilson; filmmaker Martin Scorsese; Ross; comedian, actor and author Steve Martin and pianist Leon Fleisher.

In January 2007, Ross appeared on a number of television shows across the U.S. to promote her new album and began touring in the spring. She appeared on American Idol as a mentor to the contestants^[25] Ross's United States "I Love You" tour garnered positive reviews,^[26] as did her European tour of the same year.^[27]

At the 2007 BET Awards, Ross was presented with a Lifetime Achievement Award by her five children and singer Alicia Keys. Stevie Wonder, Erykah Badu and Chaka Khan performed musical tributes to Ross, covering several of her most popular recordings. During her acceptance speech, Ross lambasted the declining level of professional standards among the younger generation's musicians, as well as their overabundant use of vulgarity and profanity to garner press attention and record sales. Later that year, the prestigious Kennedy Center Honors committee, which recognizes career excellence, cultural influence and contributions to American culture, named Diana Ross as one of its honorees. Past honoree and fellow Motown alumni Smokey Robinson and actor Terrence Howard spoke on her behalf at the official ceremony that December, and singers Ciara, Vanessa L. Williams, Yolanda Adams and American Idol winner Jordin Sparks performed musical tributes.

The lectures are designed to present prolific and influential characters to speak about their life and inspirations. During her lecture Ross stated that it is "unlikely" that she would undertake any further movie projects.

In May 2008, Ross headlined at New York City's Radio City Music Hall's 'Divas with Heart' concert event, which also featured fellow performers Gladys Knight, Chaka Khan and Patti LaBelle. The following month she was a headliner at the City Stages music festival in Birmingham, AL, next to The Flaming Lips. The New York Times said about the duo, "the most incongruous headliners at an outdoor urban concert series, with the once-in-a-lifetime-at-most combination of Diana Ross and the Flaming Lips. Something for everyone, surely." She performed at two major events in the UK in July 2008: the famous Liverpool Pops Festival and the National Trust Summer Festival at Petworth House, West Sussex. In June 2009, Diana Ross' recording of "Ain't No Mountain High Enough" was voted a Legendary Michigan Song.^[28] On October 16–17, 2009, Diana Ross headlined the annual Dutch concert event, Symphonica in Rosso, in the 34,000-seat Gelredome Stadium, in Arnhem, The Netherlands. She was accompanied by a 40-piece orchestra. Each of the two concerts was sold out.

Ross performed a cross-country tour in the summer of 2010. The More Today Than Yesterday: The Greatest Hits Tour featured an all-new set list, stage design, and costumes galore, and was dedicated to her friend Michael Jackson who died in June 2009. The tour, which commenced on May 15, 2010, in Boston, Massachusetts, earned Ross excellent reviews in every city in which she performed, and concluded in Saratoga, California. An extended American leg of the tour began in September, 2010, and is scheduled to continue until March 2011, in Stamford, Connecticut, after which, another American leg of her tour will begin on September 11, 2011, at Temecula, CA's Pechanga Resort and Casino, & continuing throughout autumn, 2011. It is rumored that Ross will mount European & Asian legs of the tour. In June 2011, Diana Ross was voted into the Michigan Rock and Roll Legends online Hall of Fame.^[29] On December 21, 2011, The Recording Academy has announced, along with several legendary artists, including bossa nova originator Antonio Carlos Jobim & late Apple CEO Steve Jobs, Diana Ross received a Grammy Special Merit Lifetime Achievement Award on February 11, 2012. On February 23, 2012, Ross will begin the fifth US leg of her highly successful More Today Than Yesterday: The Greatest Hits Tour at the Seminole Hard Rock Hotel & Casino, in Hollywood, Fla. On May 15, 2012, television studio Shout Out Factory! released an official DVD version of Ross' seminal July 22, 1983 Central Park concert, "For One & For All". Featuring commentary by director Steve Binder, the DVD also features both days' concerts in their entirety. As of May 23, 2012, the DVD is #5 on Amazon's Music Videos & Concerts Best Sellers List.

Personal life[link]

While Ross' mother was supportive of her career, her father was disappointed in her choice to be an entertainer rather than attend college like her other siblings. Biographies later stated Ross' drive was inspired by a lack of a support she felt from her father. Ross and her father's relationship repaired over the years until Fred Ross died in 2007. Ross' mother died in 1984.

Ross' elder sister Barbara found success as a doctor and in 1993, was appointed as dean of the Ohio University College of Osteopathic Medicine, becoming the first black American woman to administer a medical school in the United States. Rita Ross, Diana's younger sister, became a teacher. Brothers Arthur and Wilbert "Chico" Ross followed their sister into the recording industry and entertainment business, respectively. Arthur became a songwriter for Motown writing hits for Michael Jackson, The Miracles and Marvin Gaye while Chico became a professional dancer and choreographer joining his elder sister as a choreographer on her shows during the 1970s and 1980s. Eldest brother Fred Ross, Jr., a veteran of the Vietnam War, never followed his sister into show business settling for civilian life in his native Detroit. Brother Arthur and his wife, Patricia Robinson, were murdered in 1996 in the northern Detroit suburb of Oak Park, Michigan. Their bodies were found bound and gagged in their basement. As of this writing, no one has been convicted of the murders. A state's witness disappeared before the case's primary suspect could be tried.

Ross married twice. Her first husband was music business manager Robert Ellis Silberstein, whom she married in January 1971. They divorced in March 1977. In January 1986, after a romantic courtship, Ross married billionaire Norwegian shipping magnate Arne Næss, Jr.. After several years of legal separation, the couple were officially divorced in 2000. Næss was later killed in a mountain climbing accident in 2004. Ross attended his funeral.

Ross is the mother of five children. Daughter Rhonda Suzanne Silberstein was born on August 14, 1971, Rhonda's biological father is Berry Gordy. She is now married; her married name is Rhonda Ross Kendrick. Ross and Silberstein had two daughters: Tracee Joy Silberstein, born October 29, 1972 (now known as Tracee Ellis Ross) and Chudney Lane Silberstein, born November 4, 1975 (now known as Chudney Ross). Ross had two sons with Næss. Their sons are Ross Arne Næss (born October 7, 1987) and Evan Olav Næss (born August 26, 1988), now known as Evan Ross). Ross became a grandmother when daughter Rhonda gave birth to a boy, Raif-Henok Emmanuel Kendrick, on August 7, 2009.

Solo discography[link]

Filmography[link]

• 1964: T.A.M.I. Show (with The Supremes)
• 1965: Beach Ball (with The Supremes)
• 1972: Lady Sings the Blues
• 1975: Mahogany
• 1978: The Wiz
• 1994: Out of Darkness
• 1999: Double Platinum
• 2002: The Making and Meaning of We Are Family (documentary)
• 2010: Met With Sandra Ellison and Tamia Holmes

Television[link]

• 1968: Tarzan (with The Supremes)
• 1968: T.C.B. (with The Supremes)
• 1981: diana
• 1981: Standing Room Only: Diana Ross
• 1983: Motown 25: Yesterday, Today, Forever
• 1983: For One And For All – Diana Ross Live! in Central Park
• 1987: Diana Ross: Red Hot Rhythm and Blues
• 1989: Diana Ross: Workin' Overtime
• 1992: Diana Ross Live! The Lady Sings... Jazz & Blues: Stolen Moments
• 1994: Out of Darkness
• 1996: Super Bowl XXX
• 1999: Double Platinum
• 2000: VH1 Divas 2000: A Tribute to Diana Ross
• 2005: Tsunami Aid
• 2007: BET Awards 2007
• 2007: Kennedy Center Honors
• 2008: Nobel Peace Prize Concert

Autobiographies[link]

• Ross, Diana (October 1993). Secrets of a Sparrow. Random House. ISBN 0-679-42874-7. 
• Ross, Diana; Rosanne Shelnutt (ed.) (December 2002). Diana Ross: Going Back. New York: Universe. ISBN 0-7893-0797-9.  (A scrapbook-style collection of photographs)

See also[link]

	Book: Diana Ross
Wikipedia books are collections of articles that can be downloaded or ordered in print.

The Supremes portal

• List of awards and nominations received by Diana Ross
• List of best-selling music artists
• List of number-one hits (United States)
• List of artists who reached number one in the United States
• List of number-one dance hits (United States)
• List of artists who reached number one on the U.S. dance chart

References[link]

Further reading[link]

• Taraborrelli, J. Randy (2007-05-01). Diana Ross: A Biography. Citadel. ISBN 0-8065-2849-4. 

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (April 2012)

• Official website
• International Diana Ross website
• Diana Ross Tribute Fansite website
• Barbara Walters interviews Diana Ross about "Return To Love" Tour
• International Diana Ross Fanclub website
• Diana Ross Superstar website
• Diana Ross discography at Discogs
• Diana Ross discography at MusicBrainz
• Carlo's Supremes website
• Mark's Diana Ross website
• unofficial biography page
• Supremes 9.0 — fansite
• Diana Ross interview recorded 10.13.1968
• [2] on the Pop Chronicles
• Diana Ross at the Internet Movie Database