Look up John or john in Wiktionary, the free dictionary.

John is a common English name and surname:

• John (given name)
• John (surname)

John may also refer to:

People[link]

Religious figures[link]

• John Hyrcanus, ruler of Judea 134–104 BC
• John the Baptist (c. 7 BC – c. 30 AD), regarded as a prophet and the forerunner of Jesus Christ
• John the Apostle (c. 6 – c. 100 AD), one of the twelve apostles of Jesus
  • John the Evangelist, alleged author of the Fourth Gospel, traditionally identified with the Apostle
  • John of Patmos, the Seer of the Book of Revelation, traditionally identified with the Apostle
  • John the Presbyter, an obscure figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos
• John Mark, possibly the same as Mark the Evangelist
• Pope John of Alexandria (disambiguation), 19 Patriarchs of Alexandria
• Saint John (disambiguation), various people

Popes and Antipopes[link]

• Pope John or Antipope John (disambiguation), a Roman Catholic papal name
• Pope John I
• Pope John II
• Pope John III
• Pope John IV
• Pope John V
• Pope John VI
• Pope John VII
• Pope John VIII
• Pope John IX
• Pope John X
• Pope John XI
• Pope John XII
• Pope John XIII
• Pope John XIV
• Pope John XV
• Antipope John XVI
• Pope John XVII
• Pope John XVIII
• Pope John XIX
• Pope John XX, a numbering never actually used
• Pope John XXI
• Pope John XXII
• Pope John XXIII
• Antipope John XXIII

Rulers and other political figures[link]

• John of Austria (disambiguation) (three people)
• John of Bohemia (1296–1346), called John the Blind, king from 1310
• John of Denmark, Norway, and Sweden, better known as Hans of Denmark (1455–1513)
• John of England (1166–1216), king and younger brother of Richard I
• John I of Hungary or János Szapolyai (1487–1540), king from 1526
• John II Sigismund Zápolya (1540–1571), king of Hungary and Prince of Transylvania
• John of Poland (disambiguation), three people
• John of Scotland also known as John de Balliol (c. 1249–1314), king from 1292–1296
• Infante João, Duke of Valencia de Campos (1349–1397)
• Infante João of Portugal (1400–1442), Lord of Reguengos de Monsaraz
• Infante John of Coimbra, Prince of Antioch (1431–1457)
• Infante John, Duke of Viseu (1448–1472), 3rd Duke of Viseu, 2nd Duke of Beja, King Manuel I's older brother
• João, Crown Prince of Portugal (1537–1554)
• Infante João, Duke of Beja (1842–1861)

• Iohannes (consul 456), a politician of the Eastern Roman Empire
• Iohannes (consul 467), a politician of the Eastern Roman Empire, advisor to Emperor Zeno
• John the Scythian, a general and politician of the Eastern Roman Empire, consul in 498
• John the Hunchback, a general and politician of the Eastern Roman Empire, consul in 499

Others[link]

• John of Antioch (chronicler), a chronicler of the 7th century

Fictional characters[link]

• John Arbuckle, fictional character in the comic strip, Garfield
• Dr. John Watson (Sherlock Holmes), best friend of Sherlock Holmes
• John Clayton, English name of Tarzan
• John Carter (character), Edgar Rice Burroughs' protagonist in a series of novels set on Mars
• John (John and Gillian), appearing in the Doctor Who TV comic strip
• John (Tomorrow People), appearing in the children's science-fiction TV series The Tomorrow People
• John from Cincinnati, eponymous TV character
• John, the head of the Visitors force in the science-fiction franchise V
• Red John, the antagonist of The Mentalist
• Dr. John Michael "J.D." Dorian, of the TV sitcom Scrubs
• John Sheppard (Stargate), a US Air Force officer on the TV series Stargate Atlantis
• John Bosley (Charlie's Angels), in the 1976-1981 television series Charlie's Angels
• Detective John Munch, on the TV series Law & Order
• Master Chief (Halo) (John-117), main character in the Halo video game series
• Big Boss (Metal Gear), whose real name is John, one of the main characters from the video game series Metal Gear Solid
• John Marston, the protagonist of Red Dead Redemption

Books of the Bible[link]

• Gospel of John
• 1 John
• 2 John
• 3 John

Songs[link]

• "John" (song), by French singer Desireless
• "John" (Lil Wayne song)
• "john", an iamamiwhoami song

Other[link]

• John Doe, generic name for a male whose identity is either unknown or withheld
• John, slang for a person who patronizes prostitutes
• John, slang for toilet
• John (ship), which disappeared off the coast of Australia in 1806
• Tropical Storm John (disambiguation), tropical cyclones appearing in the eastern Pacific Ocean
• John the bookmaker controversy, a cricket betting scandal in 1994–95 in which Australian cricketers were involved with an Indian bookmaker identified only as "John"
• John the Ripper, a password strength checking program (the executable program is simply "john")
• John, a 1927 play by Philip Barry

See also[link]

• All pages beginning with "John"
• All pages with titles containing "John"
• Yahya
• Johnny (disambiguation)
• Jon
• Ivan (disambiguation)
• Yohannan

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Henry John Deutschendorf, Jr. (December 31, 1943 – October 12, 1997), known professionally as John Denver, was an American singer/songwriter, activist, and humanitarian. After traveling and living in numerous locations while growing up in his military family, Denver began his music career in folk music groups in the late 1960s. His greatest commercial success was as a solo singer. Throughout his life Denver recorded and released approximately 300 songs, about 200 of which he composed. He performed primarily with an acoustic guitar and sang about his joy in nature, his enthusiasm for music, and relationship trials. Denver's music appeared on a variety of charts including country & western, the Billboard Hot 100, and adult contemporary, in all earning him 12 gold and 4 platinum albums with his signature songs "Sunshine on My Shoulders", "Take Me Home, Country Roads", "Leaving on a Jet Plane", "Rocky Mountain High", "Annie's Song", and "Calypso".

Denver further starred in films and several notable television specials in the 1970s and 1980s. In the following decades he continued to record, but also focused on calling attention to environmental issues, lent his vocal support to space exploration, and testified in front of Congress to protest censorship in music. He is known for his love of the state of Colorado, which he sang about numerous times. He lived in Aspen, Colorado, for much of his life, and influenced the governor to name him Poet Laureate of the state in 1974. The Colorado state legislature also adopted "Rocky Mountain High" as one of its state songs in 2007. He was an avid pilot, and died while flying his personal aircraft at the age of 53. Denver was one of the most popular acoustic artists of the 1970s.^[1]

Biography[link]

Early years[link]

Henry John Deutschendorf, Jr., was born in Roswell, New Mexico, to Erma Louise Swope and Lt. Col. Henry John Deutschendorf, Sr.,^[2] an Air Force Lieutenant Colonel (who set three speed records in the B-58 Hustler bomber and earned a place in the Air Force Hall of Fame). Henry Sr. was of German ancestry, and met and married his "Oklahoma Sweetheart".^[3] Denver's Irish Catholic and German maternal grandmother was the one who imbued Denver with his love of music. In his autobiography, Take Me Home, Denver described his life as the eldest son of a family shaped by a stern father who could not show his love for his children.

Because Denver's father was in the military, the family moved often, making it difficult for Denver to make friends and fit in with people of his own age. Constantly being the new kid was agony for the introverted child, and he grew up always feeling as if he should be somewhere else, but never knowing where that "right" place was.^[4] While living in Tucson, Arizona, Denver was a member of the Tucson Arizona Boys Chorus for two years. Denver was happy living in Tucson, but his father was transferred to Montgomery, Alabama, then in the midst of the Montgomery boycotts. The family later moved to Fort Worth, Texas, where Denver graduated from Arlington Heights High School. Attending high school in Fort Worth was a distressing experience for the disenfranchised Denver. In his third year of high school, he borrowed his father's car and ran away to California to visit family friends and begin his music career. His father flew to California to bring him back, and Denver unhappily returned to finish high school.^[5]

At the age of 11, Denver received an acoustic guitar from his grandmother.^[6] He learned to play well enough to perform at local clubs by the time he was in college. He adopted the surname "Denver" after the capital of his favorite state, Colorado. He decided to change his name when Randy Sparks, founder of The New Christy Minstrels, suggested that "Deutschendorf" wouldn't fit comfortably on a marquee.^[7] Denver attended Texas Tech University in Lubbock and sang in a folk-music group called "The Alpine Trio" while pursuing architecture studies.^[8] He was also a member of Delta Tau Delta Fraternity. Denver dropped out of the Texas Tech School of Engineering in 1963,^[6] and moved to Los Angeles, California, where he sang in folk clubs. In 1965, Denver joined the Chad Mitchell Trio, a folk group that had been renamed "The Mitchell Trio" prior to Chad Mitchell's departure and before Denver's arrival, and then "Denver, Boise, and Johnson" (John Denver, David Boise, and Michael Johnson).^[6]

Solo career[link]

In 1969, John Denver abandoned the band life to pursue a solo career and released his first album for RCA Records: Rhymes & Reasons. Two years prior Denver had made a self-produced demo recording of some of the songs he played at his concerts. He included in the demo a song called "Babe I Hate to Go," later renamed "Leaving on A Jet Plane." Denver made several copies and gave them out as presents for Christmas.^[9] Mitchell Trio manager Milt Okun brought the unreleased "Jet Plane" song to the high-profile folk group Peter, Paul and Mary. Their version of the song hit number one on the Billboard Hot 100.^[10]

Although RCA did not actively promote Rhymes & Reasons with a tour, Denver himself embarked on an impromptu supporting tour throughout the Midwest, stopping at towns and cities as the fashion took him, offering to play free concerts at local venues. When he was successful in convincing a school, college, American Legion Hall, or local coffee-house to let him play, he would spend a day or so postering the town and could usually be counted upon to show up at the local radio station, guitar in hand, offering himself for an interview.^{[citation needed]} With his foot-in-the-door of having authored "Leaving on a Jet Plane", he was often successful in gaining some valuable promotional airtime, usually featuring one or two songs performed live. Some venues would let him play for the "door"; others restricted him to selling copies of the album at intermission and after the show. After several months of this constant low-key touring schedule, however, he had sold enough albums to convince RCA to take a chance on extending his recording contract. He had also built a sizable and solid fan base, many of whom remained loyal throughout his career.^[6]

Denver recorded two more albums in 1970, Take Me to Tomorrow and Whose Garden Was This, including a mix of songs he had written and cover versions of other artists' compositions.

Career peak[link]

His next album, Poems, Prayers, and Promises (released in 1971), was a breakthrough for him in the U.S., thanks in part to the single "Take Me Home, Country Roads", which went to No.2 on the Billboard charts despite the first pressings of the track being distorted. Its success was due in part to the efforts of his new manager, future Hollywood producer Jerry Weintraub, who signed Denver in 1970. Weintraub insisted on a re-issue of the track and began a radio-airplay campaign that started in Denver, Colorado. Denver's career flourished from then on, and he had a series of hits over the next four years. In 1972, Denver scored his first Top Ten album with Rocky Mountain High, with its title track reaching the Top Ten in 1973.^[11] Between 1974 and 1975, Denver experienced an impressive chart dominance, with a string of four No.1 songs ("Sunshine on My Shoulders", "Annie's Song", "Thank God I'm a Country Boy", and "I'm Sorry") and three No.1 albums (John Denver's Greatest Hits, Back Home Again, and Windsong).^[12]

In the 1970s, Denver's onstage appearance included long blond hair, embroidered shirts emblazoned with images commonly associated with the American West (created by designer & appliqué artist Anna Zapp), and "granny" glasses. His manager, Jerry Weintraub, insisted on a significant number of television appearances, including a series of half-hour shows in England, despite Denver's protests at the time, "I've had no success in Britain...I mean none."^[13] Weintraub explained to Maureen Orth of Newsweek in December 1976, "I knew the critics would never go for John. I had to get him to the people."

After appearing as a guest on many shows, Denver went on to host his own variety/music specials, including several concerts from Red Rocks Amphitheatre near Denver. His seasonal special, Rocky Mountain Christmas, was watched by more than 60 million people and was the highest-rated show for the ABC network at that time.^{[citation needed]}

His live concert special, An Evening with John Denver, won the 1974–1975 Emmy for Outstanding Special, Comedy-Variety or Music.^[14] When Denver ended his business relationship because of Weintraub's focus on other projects, Weintraub threw Denver out of his office and called him a Nazi. Denver would later tell Arthur Tobier, when the latter transcribed his autobiography^{[citation needed]}, "...I'd bend my principles to support something he wanted of me. And of course every time you bend your principles – whether because you don't want to worry about it, or because you're afraid to stand up for fear of what you might lose – you sell your soul to the devil."^[15]

Denver was also a guest star on The Muppet Show, the beginning of the lifelong friendship between Denver and Jim Henson that spawned two television specials with The Muppets. He also tried his hand at acting, appearing in the The Colorado Cattle Caper episode of the McCloud television movie on February 24, 1974, and starring in the 1977 film Oh, God! opposite George Burns. Denver hosted the Grammy Awards five times in the 1970s and 1980s and guest-hosted The Tonight Show on multiple occasions.^[16] In 1975, Denver was awarded the Country Music Association's Entertainer of the Year award. At the ceremony, the outgoing Entertainer of the Year Charlie Rich presented the award to his successor, but in protest of what he considered the inappropriateness of Denver's selection, Rich set fire to the envelope containing the official notification of the award.^[17] However, Denver's music was defended by country singer Kathy Mattea, who told Alanna Nash of Entertainment Weekly, "A lot of people write him off as lightweight, but he articulated a kind of optimism, and he brought acoustic music to the forefront, bridging folk, pop, and country in a fresh way.... People forget how huge he was worldwide."

In 1977, Denver cofounded The Hunger Project with Werner Erhard and Robert W. Fuller. He served for many years and supported the organization until his death. Denver was also appointed by President Jimmy Carter to serve on the President's Commission on World Hunger, writing the song "I Want to Live" as its theme song. In 1979, Denver performed "Rhymes & Reasons" at the Music for UNICEF Concert. Royalties from the concert performances were donated to UNICEF.^[18] His father taught him to fly in the mid-1970s, which led to a reconciliation between father and son.^[8] In 1980, Denver and his father, Lt. Col. “Dutch” Deutschendorf, co-hosted an award winning television special, "The Higher We Fly: the History of Flight."^[3] It won the Osborn Award from the Aviation/Space Writers’ Association, and was honored by the Houston Film Festival.^[3]

Political activism[link]

Denver became outspoken in politics in the mid-1970s. In 1976, he campaigned for Jimmy Carter, who became a close friend and ally. Denver was a supporter of the Democratic Party and of a number of charitable causes for the environmental movement, the homeless, the poor, the hungry, and the African AIDS crisis. He founded the charitable Windstar Foundation in 1976, to promote sustainable living. His dismay at the Chernobyl disaster led to precedent-setting concerts in parts of communist Asia and Europe.^[8]

During the 1980s, Denver was critical of the Ronald Reagan Presidential Administration, but he remained active in his campaign against hunger, for which Reagan awarded Denver the Presidential World Without Hunger Award in 1985.^[8] Denver's criticism of the conservative politics of the 1980s was expressed in his autobiographical folk-rock ballad "Let Us Begin (What Are We Making Weapons For)." Denver was also critical of the Republican-dominated Congress and American Conservatism of the 1990s. He denounced the National Rifle Association (NRA) as a corrupt political machine that could buy off politicians, and in an open letter to the media, he wrote that he opposed oil drilling in the Arctic National Wildlife Refuge. Denver had battled to expand the refuge in the 1980s, and he praised President Bill Clinton for his opposition to the proposed drilling. The letter, which he wrote in the midst of the 1996 presidential election, was one of the last he ever wrote.^[8] Denver was also on the Board of Governors of the National Space Society for many years.

Later years and humanitarian work[link]

He had a few more U.S. Top 30 hits as the 1970s ended, but nothing to match his earlier success. He began to focus more on humanitarian and sustainability causes, focusing extensively on conservation projects. He made public expression of his acquaintances and friendships with ecological-design researchers such as Richard Buckminster Fuller and Amory Lovins, from whom he said he learned much. He also founded two environmental groups; the Windstar Foundation and Plant-It 2020 (originally Plant-It 2000). Denver had a keen interest in solutions to world hunger. He visited Africa during the 1980s to witness first-hand the suffering caused by starvation and to work with African leaders toward solutions.

John Denver testifies before the US Senate, 1985

Testimony continued

In 1983 and 1984, Denver hosted the annual Grammy Awards. In the 1983 finale, Denver was joined on stage by folk-music legend Joan Baez with whom he led an all-star version of "Blowin' in the Wind" and Let The Sunshine In, joined by such diverse musical icons as Jennifer Warnes, Donna Summer, and Rick James.

In 1984, Roone Arlidge, president of ABC Sports, asked Denver to compose and sing the theme song for the 1984 Winter Olympics in Sarajevo. Denver worked as both a performer and a skiing commentator (skiing was another avocation of Denver's). He had written "The Gold and Beyond", and sang it for the Olympic Games athletes, as well as local venues including many schools.^[3]

In 1985, Denver asked to participate in the singing of "We Are the World" but was turned down. According to Ken Kragen (who helped to produce the song), the reason that John Denver was turned down was that many people felt his image would hurt the credibility of the song as a pop-rock anthem. "I didn't agree" with this assessment, Kragen said, but reluctantly turned Denver down anyway.^[19]

For Earth Day 1990, Denver was the on-camera narrator of a well-received environmental TV program, "In Partnership With Earth," with then–EPA Administrator William K. Reilly.

With Denver's innate love of flying he was naturally attracted to NASA and became dedicated to America’s work in outer space. He conscientiously worked to help bring into being the “Citizens in Space” program. Denver received the NASA Public Service Medal, in 1985 for “helping to increase awareness of space exploration by the peoples of the world,” an award usually restricted to spaceflight engineers and designers. Also in 1985, Denver passed NASA’s rigorous physical exam and was in line for a space flight, a finalist for the first citizen’s trip on the Space Shuttle in 1986. He was not chosen. After the Challenger disaster with teacher Christa McAuliffe aboard, John dedicated his song “Flying for Me”, to all astronauts, and he continued to support NASA.^[3]

Denver testified before the Senate Labor and Commerce Committee on the topic of censorship during a Parents Music Resource Center hearing in 1985. Denver also toured Russia in 1985. His 11 Soviet Union concerts were the first by any American artist in more than 10 years, and they marked a very important cultural exchange that culminated in an agreement to allow other western artists to perform there.^[20] He returned two years later to perform at a benefit concert for the victims of the Chernobyl disaster. In October 1992, John undertook a multiple-city tour of the People's Republic of China. He also released a greatest-hits CD, "Homegrown," to raise money for homeless charities.

In 1994, he published his autobiography, Take Me Home, in which he candidly spoke of his marijuana, LSD, and cocaine use, his marital infidelities, history of domestic violence, and a suicide attempt in a London hotel room.^[21][22] In 1996, he was inducted into the Songwriters Hall of Fame.

In early 1997, Denver filmed an episode for the Nature series, centering on the natural wonders that inspired many of his best-loved songs. The episode contains his last song, "Yellowstone, Coming Home," which he composed while rafting along the Colorado River with his son and young daughter.^[23]

In the summer of 1997, Denver recorded a children's train album for Sony Wonder, entitled All Aboard!, produced by long-time friend Roger Nichols.^[24] The album consisted of old-fashioned swing, big band, folk, bluegrass, and gospel styles of music woven into a theme of railroad songs. This album won a posthumous Best Musical Album For Children Grammy for Denver, which was his only Grammy.^[25]

Personal life[link]

Denver's first marriage was to Annie Martell of St. Peter, Minnesota. Their wedding was held at the Christ Chapel at Gustavus Adolphus College. Annie was the subject of his hit Annie's Song, which he composed in only ten minutes while on a ski lift in 1974.^[8] The couple lived in Edina, Minnesota from 1968 to 1971. Following the success of "Rocky Mountain High," Denver purchased a residence in Colorado and owned one home in Colorado continuously until his death.^[26] He and Annie adopted a son, Zachary, and daughter, Anna Kate, who John would say were “meant to be” theirs.^[3] John once said, "I'll tell you the best thing about me. I'm some guy's dad; I'm some little gal's dad. When I die, Zachary John and Anna Kate's father, boy, that's enough for me to be remembered by. That's more than enough."^[27] Zachary was the subject of "A Baby Just Like You," a song that included the line "Merry Christmas, little Zachary" and which he wrote for Frank Sinatra. Denver and Annie Martell divorced in 1982 and the ensuing property settlement caused Denver to become so enraged he nearly choked his ex-wife, then used a chainsaw to cut the marital bed in half.^{[8][21][22][28]} Martell continues to live in Aspen, Colorado.

John Denver married Australian actress Cassandra Delaney in 1988, after a two-year courtship. Settling in Aspen, the couple had a daughter, Jesse Belle. Denver and Delaney separated in 1991 and divorced in 1993.^[8] Of his second marriage, Denver would later recall that "before our short-lived marriage ended in divorce, she managed to make a fool of me from one end of the valley to the other."^[22] In 1993, Denver pleaded guilty to a drunken driving charge, and was placed on probation.^[28] In August 1994, while still on probation, he was again charged with misdemeanor driving under the influence after crashing his Porsche into a tree in Aspen, Colorado.^[28] Though a jury trial in July 1997 resulted in a hung jury on the second DUI charge, prosecutors later decided to reopen the case, which was only closed after Denver's accidental death in October 1997.^[28][29] In 1996, the FAA decided that Denver could no longer fly a plane due to medical disqualification for failure to abstain from alcohol, a condition that the FAA had imposed in October 1995 after his prior drunk driving conviction.^[30][31]

Denver's talent extended beyond music. He was a painter as well but because of his limiting schedule, he pursued photography. He once said that "photography is a way to communicate a feeling." Denver was an avid skier and golfer. His love of flying was secondary only to his love for music.^[32] He collected vintage biplanes, and in 1974, he bought a Learjet, which he used to fly himself to concerts. He also bought a Christen Eagle aerobatic plane, two Cessna 210 and in 1997, an experimental, amateur-built Rutan Long-EZ.^[3][31][32]

A Long-EZ two seat canard plane similar to Denver's

Death[link]

On October 12, 1997, Denver was killed at the age of 53 when his experimental Rutan Long-EZ plane, aircraft registration number N555JD, crashed into the Pacific Ocean near Pacific Grove, California, while making a series of touch-and-go landings at the nearby Monterey Peninsula Airport.^[33] National Transportation Safety Board]] (NTSB) accident ID is LAX98FA008.^[34] As the crash badly disfigured Denver's head and body, making identification by dental records impossible, records of his fingerprints taken from his arrests for intoxicated driving were used to confirm that the fallen pilot was indeed the singer.^[35][36]

A pilot with over 2,700 hours of experience, Denver had single-engine land and sea, multi-engine land, glider, and instrument ratings. He also held a type rating in his Learjet. He had recently purchased the Long-EZ aircraft, and had taken a half-hour checkout flight with the aircraft the day before the accident.^[37] However, Denver did not possess a valid FAA medical certification.^[30][31] Denver was the sole occupant of the aircraft.^[38]

In 1996, nearly a year before the accident, the Federal Aviation Administration had learned of Denver's failure to abstain entirely from alcohol after his drunk driving arrests, and had previously revoked his medical certification.^[30][31] Since Denver was required by the FAA to have at least a third-class medical certification in order to exercise the privileges of his pilot certificate, he was not legally able to fly at the time of the accident. However, there was no trace of alcohol or drugs in Denver's body at autopsy.^[31]

Post-accident investigation by the NTSB showed that the experimental Rutan as built had an unusual reconfiguration of the fuel selector valve handle, which had been moved from the instrument panel to behind the left shoulder of the pilot.^[30][31] Wreckage examination by NTSB investigators revealed that the selector handle was not placarded or marked for any operating position.^[30][31] According to a pilot who had flown the aircraft in a prior checkout flight, the handle in the right position was for the left tank, the handle in the down position was for the right tank, and the off position was up.^[30][31] An NTSB interview with the aircraft mechanic servicing Denver's plane revealed that he and Denver had discussed the inaccessibility of the cockpit fuel selector valve handle and its resistance to being turned.^[30][31] Before the flight, Denver and the mechanic had attempted to extend the reach of the handle, using a pair of vice grip pliers.^[30][31] However, this did not solve the problem as the pilot could still not reach the handle while strapped into his seat.^[30][31] When investigators attempted to switch fuel tanks in a similar Long EZ, each time while an investigator turned his body the 90 degrees required to reach the valve, his natural tendency was to extend his right foot against the right rudder pedal to support his body as he turned in the seat, causing the aircraft to yaw and pitch up.^[30][31]

After the mechanic noted that the fuel sight gauges were only visible to the rear cockpit occupant, Denver asked him about the quantity of fuel shown.^[30][31] The mechanic told Denver that he had "less than half in the right tank and less than a quarter in the left tank".^[30][31] The mechanic then provided Denver with a shop inspection mirror so that he could look over his shoulder at the fuel sight gauges; the mirror was later recovered in the wreckage.^[30][31] Denver told the mechanic that he would use the autopilot inflight, if necessary, to hold the airplane level while he turned the fuel selector valve.^[30][31] Denver declined an offer to take on additional fuel, telling the mechanic that he would only be flying for about one hour.^[30][31]

Twenty witnesses to the accident were interviewed by the NTSB, some of whom observed the plane's crash into the ocean near Point Pinos.^[30][31] Four of the witnesses indicated that the airplane was originally heading west; five of them observed the airplane in a steep bank, with four of those five reporting the bank was to the right (north). Twelve witnesses saw the airplane in a steep nose-down descent, and 6 of them saw the airplane hit the water. Witnesses estimated the plane's height at 350 to 500 feet while heading toward the shoreline. Eight of the witnesses said that they heard a "pop" or "backfire," along with a reduction in the engine noise level just before the airplane descended into the water.

The National Transportation Safety Board determined the probable cause of the crash was the pilot's diversion of attention from the operation of the airplane and his inadvertent application of right rudder that resulted in the loss of airplane control while attempting to manipulate the fuel selector handle, resulting in a crash into the ocean.^[30][31] The Board also determined that the pilot's inadequate transition training, lack of total flight experience in type, and inadequate preflight planning and preparations, specifically his failure to refuel the airplane, were causal.^[30][31] The Board also singled out the aircraft builder's decision to locate the unmarked fuel selector handle in a hard-to-access position along with installing unmarked fuel quantity sight gauges as factors in the accident.^[30][31]

Upon announcement of Denver's death, Colorado governor Roy Romer ordered all state flags to be lowered to half staff in his honor. Funeral services were held at Faith Presbyterian Church in Aurora, Colorado, on October 17, 1997, being officiated by Pastor Les Felker, a retired Air Force chaplain. Later, Denver's ashes were scattered in the Rocky Mountains. Further tributes were made at the following Grammys and Country Music Association Awards. On September 23, 2007, nearly ten years after his death, his brother Ron witnessed the dedication of a plaque placed near the crash-site in Pacific Grove, California, commemorating the singer.

Posthumous recognition[link]

In 2000, CBS presented the television movie Take Me Home: The John Denver Story loosely based on his memoirs, starring Chad Lowe. Denver's brother, Ron Deutschendorf, voiced the feelings of many of the singer's fans when he wrote a letter to the Los Angeles Times criticizing the film's many inaccuracies: multiple chronological errors, exaggerated difficulties in his relationship with his father, and a completely superficial treatment of Denver's commitment to his various causes. As the New York Post observed, "An overachiever like John Denver couldn't have been this boring."^[39]

Denver's music remains extremely popular around the world. Previously unreleased and unnoticed recordings are now sought-after collectibles in pop, folk and country genres. Also in demand are copies of Denver's many television appearances, especially his one-hour specials from the 1970s and his six-part series for Britain's BBC, The John Denver Show. Despite strong interest in these programs, no sign of "official" release is evident for the vast majority of this material. An anthology musical featuring John Denver's music, Back Home Again: A John Denver Holiday, premiered at the Rubicon Theatre Company in November 2006.^[40]

On March 12, 2007, Colorado's Senate passed a resolution to make Denver's trademark 1972 hit "Rocky Mountain High" one of the state's two official state songs, sharing duties with its predecessor, "Where the Columbines Grow."^[41] The resolution passed 50–11 in the House, defeating an objection by Rep. Debbie Stafford (R-Aurora) that the song reflected drug use, most specifically the line, "Friends around the campfire and everybody's high." Sen. Bob Hagedorn, the Aurora Democrat who sponsored the proposal, defended the song as nothing to do with drugs, but everything to do with sharing with friends the euphoria of experiencing the beauty of Colorado's mountain vistas. Nancy Todd (D-Aurora) said that "John Denver to me is an icon of what Colorado is."^[42] Similar proposals have also been made to the West Virginia House of Delegates to make "Take Me Home Country Roads" the official song of that particular state, so far without success.

The lyrics to "Rocky Mountain High", one of Colorado's official state songs, in Rio Grande Park^[43] near Denver's hometown of Aspen, Colorado.

On September 24, 2007, the California Friends of John Denver and The Windstar Foundation unveiled a bronze plaque near the spot where his plane went down near Pacific Grove. The site had been marked by a driftwood log carved (by Jeffrey Pine of Colorado) with the singer's name, but fears that the memorial could be washed out to sea sparked the campaign for a more permanent memorial. Initially the Pacific Grove Council denied permission for the memorial, fearing the place would attract ghoulish curiosity from extreme fans. Permission was finally granted in 1999, but the project was put on hold at the request of the singer's family. Eventually, over 100 friends and family attended the dedication of the plaque, which features a bas-relief of the singer's face and lines from his song "Windsong": "So welcome the wind and the wisdom she offers. Follow her summons when she calls again."^[44]

To mark the 10th anniversary of Denver's death, his family released a set of previously unreleased recordings of Denver's 1985 concert performances in the Soviet Union. This two-CD set, John Denver – Live in the USSR, was produced by Denver's friend Roger Nichols, and released by AAO Music. These digital recordings were made during 11 concerts, and then rediscovered in 2002. Included in this set is a previously unpublished rendition of "Annie's Song" in Russian. The collection was released November 6, 2007.^[20]

On October 13, 2009, a DVD box set of previously unreleased concerts recorded throughout Denver's career was released by Eagle Rock Entertainment. "Around the World Live" is a 5-disc DVD set featuring three complete live performances with full band from Australia in 1977, Japan in 1981, and England in 1986. These are complemented by a solo acoustic performance from Japan in 1984, and performances at Farm Aid from 1985, 1987 and 1990. The final disc has two hour-long documentaries made by Denver.

On April 21, 2011, John Denver became the first inductee into the Colorado Music Hall of Fame. A benefit concert was held at Broomfield's 1STBANK Center and hosted by Olivia Newton-John. Other performers participating in the event included Nitty Gritty Dirt Band, Lee Ann Womack and John Oates. Both of his ex-wives were in attendance, and the award was presented to his three children.

Related artists[link]

Denver began his recording career with a group that had started as the Chad Mitchell Trio; his distinctive voice can be heard where he sings solo on Violets of Dawn, among other songs. He recorded three albums with the Mitchell Trio, replacing Chad Mitchell himself as high tenor.^[6] The group Denver, Boise and Johnson, which had evolved from the Mitchell Trio, released a single before he moved on to a solo career.^[7]

Bill Danoff and Taffy Nivert, credited as co-writers of Denver's song "Take Me Home, Country Roads", were close friends of Denver and his family, appearing as singers and songwriters on many of Denver's albums until they formed the Starland Vocal Band in 1976. The band's albums were released on Denver's Windsong Records (later known as Windstar Records) label. Denver's solo recording contract resulted in part from the recording by Peter, Paul and Mary of his song "Leaving on a Jet Plane", which became the sole number 1 hit single for the group.^[6] Denver recorded songs by Tom Paxton, Eric Andersen, John Prine, David Mallett, and many others in the folk scene. His record company, Windstar, is still an active record label today.^{[citation needed]} Country singer John Berry considers Denver the greatest influence on his own music and has recorded Denver's hit "Annie's Song" with the original arrangement.

Olivia Newton-John, an Australian singer whose across-the-board appeal to pop, MOR, and country audiences in the mid-1970s was similar to Denver's, lent her distinctive backup vocals to Denver's 1975 single "Fly Away"; she performed the song with Denver on his 1975 Rocky Mountain Christmas special. She also covered his "Take Me Home, Country Roads", and had a hit in the United Kingdom (#15 in 1973) and Japan (#6 in a belated 1976 release) with it.^{[citation needed]} In 1976, John Denver appeared as a guest star, along with Olivia Newton-John, who made a cameo appearance, on The Carpenters Very First Special, a one-hour TV special broadcast on the ABC television network. A highlight of the program was John singing a duet with Karen Carpenter of a medley of "Through the Rye" and "Good Vibrations", although the medley was never released commercially as a single or on an album.^{[citation needed]}

September 2008 saw the premiere of the musical Whisper the Wind in New Zealand, a tribute presentation covering highlights of Denver's life and career, with the younger Denver played by 21-year-old Dunedin musician Bevan Gardiner, whose vocal impersonation of the late singer was considered so accurate Denver's business manager Harold Thau could not tell them apart.^[45]

Awards and recognition[link]

Academy of Country Music

• 1974 Album of the Year for "Back Home Again"

American Music Awards

• 1975 Favorite Pop/Rock Male Artist
• 1976 Favorite Country Album for "Back Home Again"
• 1976 Favorite Country Male Artist

Country Music Association

• 1975 Entertainer of the Year
• 1975 Song of the Year for "Back Home Again"

Emmy Awards

• 1975 Emmy for Outstanding Variety, Music or Comedy Special for "An Evening With John Denver"^[3]

Grammy Awards

• 1997 Best Musical Album For Children for "All Aboard!"
• 1998 Grammy Hall of Fame Award for "Take Me Home, Country Roads"

Songwriters Hall of Fame

• Inducted in 1996

Other recognition[link]

• Poet Laureate of Colorado, 1977^[3]
• People's Choice Awards, 1977^[3]
• Ten Outstanding Young Men of America, 1979^[3]
• Carl Sandburg’s People’s Poet Award, 1982
• NASA Public Service Medal, 1985
• Albert Schweitzer Music Award, 1993
• "Rocky Mountain High" declared state song of Colorado, 2007

Discography[link]

Filmography[link]

Selected writings[link]

• Alfie the Christmas Tree (1990) ISBN 0-945051-25-5
• Take Me Home: An Autobiography (1994) ISBN 0-517-59537-0
• Poems, Prayers and Promises: The Art and Soul of John Denver (2004) ISBN 1-57560-617-8

References[link]

Sources[link]

• Flippo, Chet (1998) "John Denver," The Encyclopedia of Country Music, Paul Kingsbury, Editor, New York: Oxford University Press. p. 143.
• Martin, James M. (1977) "John Denver: Rocky Mountain Wonderboy," Pinnacle Books. (Out of print) Biography of Denver with insight into Denver's impact of the 1970s music industry.
• Orth, Maureen, "Voice of America," Newsweek, December 1976. Includes information on the role of Weintraub in shaping Denver's career, which has since been edited out of later versions of his biography.

External links[link]

Wikiquote has a collection of quotations related to: John Denver

• Official website
• Windstar Foundation, cofounded by Denver
• Clips of his songs from the Songwriters Hall of Fame website
• John Denver at the Internet Movie Database
• Official John Denver Fan Club based in Germany - bilingual site English and German

John Lennon MBE
Lennon rehearses "Give Peace a Chance" in Montreal, Canada, in 1969
Background information
Birth name	John Winston Lennon
Born	(1940-10-09)9 October 1940 Liverpool, England, UK
Died	8 December 1980(1980-12-08) (aged 40) New York, New York, US
Genres	Rock, pop
Occupations	Musician, singer-songwriter, record producer, artist, writer
Instruments	Vocals, guitar, piano, harmonica, harmonium, electronic organ, six-string bass
Years active	1957–75, 1980
Labels	Parlophone, Capitol, Apple, EMI, Geffen, Polydor
Associated acts	The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, Yoko Ono
Website	www.johnlennon.com
Notable instruments
Rickenbacker 325 Epiphone Casino Gibson J-160E

Lennon's signature

John Winston Ono Lennon, MBE (9 October 1940 – 8 December 1980) was an English musician and singer-songwriter who rose to worldwide fame as one of the founder members of The Beatles, one of the most commercially successful and critically acclaimed acts in the history of popular music. Together with Paul McCartney, he formed one of the most celebrated songwriting partnerships of the 20th century.

Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to devote time to raising his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.

Lennon revealed a rebellious nature and acerbic wit in his music, writing, drawings, on film, and in interviews. Controversial through his political and peace activism, he moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement.

As of 2012 Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. In 2002 a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.

History[link]

1940–57: Early years[link]

Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth.^[1] He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill.^[2] His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother,^[3] but the cheques stopped when he went absent without leave in February 1944.^[4][5] When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea.^[6] After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946 Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him.^[7] Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her.^[8] It would be 20 years before he had contact with his father again.^[9]

251 Menlove Avenue, the home of George and Mimi Smith, where Lennon lived for most of his childhood and adolescence

Throughout the rest of his childhood and adolescence he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton.^[10] His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles.^[11] Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, learning how to play "Ain't That a Shame" by Fats Domino.^[12]

In September 1980 he talked about his family and his rebellious nature:

Part of me would like to be accepted by all facets of society and not be this loudmouthed lunatic musician. But I cannot be what I am not. Because of my attitude, all the other boys' parents ... instinctively recognised what I was, which was a troublemaker, meaning I did not conform and I would influence their kids, which I did ... I did my best to disrupt every friend's home ... Partly, maybe, it was out of envy that I didn't have this so-called home, but I really did ... There were five women who were my family. Five strong, intelligent women. Five sisters. Those women were fantastic ... that was my first feminist education ... One happened to be my mother ... she just couldn't deal with life. She had a husband who ran away to sea and the war was on and she couldn't cope with me, and when I was four-and-a-half, I ended up living with her elder sister ... the fact that I wasn't with my parents made me see that parents are not gods.^[13]

He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas.^[14] During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby.^[15] After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16."^[16] He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).^[17]

Lennon was raised as an Anglican and attended Dovedale Primary School.^[18] From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad."^[19] He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl,^[20] but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."^[21]

His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations.^[22] As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it".^[23] On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.^[24]

Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened.^[25] Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class.^[26] He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."^[27]

1957–70: The Quarrymen to The Beatles[link]

1957–65: Formation, commercial break-out, and touring years[link]

Lennon playing with The Beatles in 1964 at the height of Beatlemania

The Beatles evolved from Lennon's first band, the Quarrymen. Named after Quarry Bank High School, the group was established by him in September 1956 when he was 15, and began as a skiffle group.^[28] By the summer of 1957 the Quarrymen played a "spirited set of songs" made up of half skiffle, and half rock and roll.^[29] Lennon first met Paul McCartney at the Quarrymen's second performance, held in Woolton on 6 July at the St. Peter's Church garden fête, after which McCartney was asked to join the band.^[30]

McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon.^[31] According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble";^[32] although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road.^[33][34] During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.^[35]

George Harrison joined the band as lead guitarist,^[36] even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played "Raunchy" for Lennon.^[37] Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist.^[38] Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them.^[39] Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead.^[40] After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg,^[41] and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.^[42]

Brian Epstein, The Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage.^[43] Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me".^[44] McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963,^[45] a day when Lennon was suffering the effects of a cold,^[46] which is evident in the vocal on the last song to be recorded that day, Twist and Shout.^[47] The Lennon–McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant".^[45] In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".^[48]

The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery."^[49] After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works.^[50] The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.^[51]

Lennon grew concerned that fans attending Beatles' concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result.^[52] Lennon's "Help!" expressed his own feelings in 1965: "I meant it ... It was me singing 'help'".^[53] He had put on weight (he would later refer to this as his "Fat Elvis" period),^[54] and felt he was subconsciously seeking change.^[55] The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug.^[56] When they wanted to leave, their host revealed what they had taken, and strongly advised them not to leave the house because of the likely effects. Later, in an elevator at a nightclub, they all believed it was on fire: "We were all screaming ... hot and hysterical."^[56] A few months later in March, during an interview with Evening Standard reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity."^[57] The comment went virtually unnoticed in England but caused great offence in the US when quoted by a magazine there five months later. The furore that followed—burning of Beatles' records, Ku Klux Klan activity, and threats against Lennon—contributed to the band's decision to stop touring.^[58]

1966–70: Studio years, break-up and solo work[link]

Deprived of the routine of live performances after their final commercial concert on 29 August 1966, Lennon felt lost and considered leaving the band.^[59] Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year."^[60] According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity".^[61] 1967 saw the release of "Strawberry Fields Forever", hailed by TIME magazine for its "astonishing inventiveness",^[62] and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon–McCartney's early years.

In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales,^[63] and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared".^[64] They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.^[65]

The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles' full-length film, was shown in cinemas in October 1967.^[66] McCartney organised the group's first post-Epstein project,^[67] the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired "I am the Walrus", was a success.^[68][69] With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure",^[70] but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple's chief executive by Lennon, Harrison and Starr,^[71] but McCartney never signed the management contract.^[72]

	"Give Peace a Chance" noicon Sample of "Give Peace a Chance", recorded in 1969 during Lennon and Ono's second Bed-In for Peace. As described by biographer Bill Harry, Lennon wanted to "write a peace anthem that would take over from the song 'We Shall Overcome'—and he succeeded ... it became the main anti-Vietnam protest song."[73]
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At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film.^[74] Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon,^[75] eight of which were deemed indecent and most of which were banned and confiscated.^[76] Lennon's creative focus continued to move beyond The Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: Unfinished Music No.1: Two Virgins^[77] (known more for its cover than for its music), Unfinished Music No.2: Life with the Lions and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War,^[78] Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced.^[79] Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969),^[80] "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin^[81]) and "Instant Karma!".

Lennon left the group in September 1969,^[82] and agreed not to inform the media while the band renegotiated their recording contract, but he was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!"^[83] He later wrote, "I started the band. I disbanded it. It's as simple as that."^[84] In later interviews with Rolling Stone magazine, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record."^[85] He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"^[86]

1970–80: Solo career[link]

1970–72: Initial solo success and activism[link]

Advertisement for "Imagine" from Billboard, 18 September 1971.

In 1970, Lennon and Ono went through primal therapy with Dr. Arthur Janov in Los Angeles, California. Designed to release emotional pain from early childhood, the therapy entailed two half-days a week with Janov for four months; he had wanted to treat the couple for longer, but they felt no need to continue and returned to London.^[87] Lennon's emotional debut solo album, John Lennon/Plastic Ono Band (1970), was received with high praise. Critic Greil Marcus remarked, "John's singing in the last verse of 'God' may be the finest in all of rock."^[88] The album featured the songs "Mother", in which Lennon confronted his feelings of childhood rejection,^[89] and the Dylanesque "Working Class Hero", a bitter attack against the bourgeois social system which, due to the lyric "you're still fucking peasants", fell foul of broadcasters.^[90][91] The same year, Tariq Ali's revolutionary political views, expressed when he interviewed Lennon, inspired the singer to write "Power to the People". Lennon also became involved with Ali during a protest against Oz magazine's prosecution for alleged obscenity. Lennon denounced the proceedings as "disgusting fascism", and he and Ono (as Elastic Oz Band) released the single "God Save Us/Do the Oz" and joined marches in support of the magazine.^[92]

	"Imagine" noicon Sample of "Imagine", Lennon's "most famous post-Beatles' track."[93] Like "Give Peace a Chance", the song became an anti-war anthem, but its lyrics offended religious groups. Lennon's explanation was, "If you can imagine a world at peace, with no denominations of religion—not without religion, but without this 'my God is bigger than your God' thing—then it can be true."[94]
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With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant".^[95] The album's title track would become an anthem for anti-war movements,^[96] while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed,^[97] were directed at him and Ono. However, Lennon softened his stance in the mid-1970s and said he had written "How Do You Sleep?" about himself.^[98] He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and The Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".^[99]

Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)".^[100] To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT".^[101] The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.^[102]

Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card,^[103] the album was poorly received—unlistenable, according to one critic.^[104] "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger".^[105] Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility.^[106] Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.^[107]

1973–75: "Lost weekend"[link]

Publicity photo of John Lennon and host Tom Snyder from the television program Tomorrow. Done in 1975, this was the last television interview Lennon gave before his death in 1980.

While Lennon was recording Mind Games (1973), he and Ono decided to separate. The ensuing 18-month period apart, which he later called his "lost weekend",^[108] was spent in Los Angeles and New York in the company of May Pang. Mind Games, credited to the "Plastic U.F.Ono Band", was released in November 1973. Lennon also contributed "I'm the Greatest", to Starr's album Ringo (1973), released the same month. (an alternate take, from the same 1973 Ringo sessions, with Lennon providing a guide vocal, appears on John Lennon Anthology).

In early 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson made headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation "towel" on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers.^[109] Lennon decided to produce Nilsson's album Pussy Cats and Pang rented a Los Angeles beach house for all the musicians^[110] but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than 30 years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).^[111]

Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano.^[112] A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano.^[113] On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There", which he introduced as "a song by an old estranged fiancee of mine called Paul".^[114]

Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording.^[115] The same month, Elton John topped the charts with his cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals (Lennon is credited on the single under the moniker of "Dr. Winston O'Boogie"). He and Ono were reunited shortly afterwards. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. "Stand by Me", taken from the album and a US and UK hit, became his last single for five years.^[116] He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June.^[117] Playing acoustic guitar, and backed by an eight-piece band, Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine".^[117]

1975–80: Retirement and return[link]

With the birth of his second son Sean on 9 October 1975, Lennon took on the role of househusband, beginning what would be a five-year hiatus from the music industry during which he gave all his attention to his family.^[13] Within the month, he fulfilled his contractual obligation to EMI/Capitol for one more album by releasing Shaved Fish, a compilation album of previously recorded tracks.^[13] He devoted himself to Sean, rising at 6 am daily to plan and prepare his meals and to spend time with him.^[118] He wrote "Cookin' (In the Kitchen of Love)" for Starr's Ringo's Rotogravure (1976), performing on the track in June in what would be his last recording session until 1980.^[119] He formally announced his break from music in Tokyo in 1977, saying, "we have basically decided, without any great decision, to be with our baby as much as we can until we feel we can take time off to indulge ourselves in creating things outside of the family."^[120] During his career break he created several series of drawings, and drafted a book containing a mix of autobiographical material and what he termed "mad stuff",^[121] all of which would be published posthumously.

He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June,^[122] that reflected Lennon's fulfilment in his new-found stable family life.^[123] Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984).^[124] Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".^[125]

8 December 1980: Death[link]

At around 10:50 pm on 8 December 1980, as Lennon and Ono returned to their New York apartment in The Dakota, Mark David Chapman shot Lennon in the back four times at the entrance to the building. Lennon was taken to the emergency room of the nearby Roosevelt Hospital and was pronounced dead on arrival at 11:07 pm.^[126] Earlier that evening, Lennon had autographed a copy of Double Fantasy for Chapman.^[127]

Ono issued a statement the next day, saying "There is no funeral for John", ending it with the words, "John loved and prayed for the human race. Please pray the same for him."^[128] His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created.^[129] Chapman pleaded guilty to second-degree murder and was sentenced to 20 years to life; as of 2011, he remains in prison, having been denied parole six times.^[130][131]

Personal relationships[link]

Cynthia Lennon[link]

Lennon and Cynthia Powell met in 1957 as fellow students at the Liverpool College of Art.^[132] Although being scared of Lennon's attitude and appearance, she heard that he was obsessed with French actress Brigitte Bardot, so she dyed her hair blonde. Lennon asked her out, but when she said that she was engaged, he screamed out, "I didn't ask you to fuckin' marry me, did I?"^[133] She often accompanied him to Quarrymen gigs and travelled to Hamburg with McCartney's girlfriend at the time to visit him.^[134] Lennon, jealous by nature, eventually grew possessive and often terrified Powell with his anger and physical violence.^[135] Lennon later said that until he met Ono, he had never questioned his chauvinistic attitude to women. The Beatles' song "Getting Better", he said, told his own story, "I used to be cruel to my woman, and physically—any woman. I was a hitter. I couldn't express myself and I hit. I fought men and I hit women. That is why I am always on about peace".^[13]

Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married."^[136] The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on.^[137] Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.^[138]

Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her.^[139] When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolise the ending of their marriage.^[140] After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.^[141]

Brian Epstein[link]

The Beatles were performing at Liverpool's Cavern Club in 1962, when all four Beatles were introduced to Epstein after a midday concert. Epstein was homosexual. According to biographer Philip Norman, one of his reasons for wanting to manage the group was that he was physically attracted to Lennon. Almost as soon as Julian was born, Lennon went on holiday to Spain with Epstein, leading to speculation about their relationship. Questioned about it later, Lennon said, "Well, it was almost a love affair, but not quite. It was never consummated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was homosexual. We used to sit in a café in Torremolinos looking at all the boys and I'd say, 'Do you like that one? Do you like this one?' I was rather enjoying the experience, thinking like a writer all the time: I am experiencing this."^[142] Soon after their return from Spain, at McCartney's twenty-first birthday party in June 1963, Lennon physically attacked Cavern Club MC Bob Wooler for saying "How was your honeymoon, John?" The MC, known for his wordplay and affectionate but cutting remarks, was making a joke,^[143] but ten months had passed since Lennon's marriage, and the honeymoon, deferred, was still two months in the future.^[144] To Lennon, who was intoxicated with alcohol at the time, the matter was simple: "He called me a queer so I battered his bloody ribs in".^[145]

Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish.^[146] When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys".^[147] He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't."^[146] During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".^[148][149]

Julian Lennon[link]

Julian Lennon at the unveiling of the John Lennon Peace Monument in Liverpool, 2010

Lennon's first son, Julian, was born as his commitments with The Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with The Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten The Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'"^[150] Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song."^[151] McCartney corroborated Lennon's explanation that Julian innocently came up with the name.^[151] Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into The Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."^[152]

Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973.^[153] With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland.^[154] Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track.^[155] He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques.^[155] Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."^[156]

In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future."^[13] After his death it was revealed that he had left Julian very little in his will.^[157]

Yoko Ono[link]

John Lennon with Yoko Ono by Jack Mitchell, 1980

Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica Gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar.^[158] Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of The Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in."^[13] The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".^[159]

Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit".^[160] In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn."^[161] When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi."^[162] Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968,^[129] a few weeks after Lennon's divorce from Cynthia was granted.^[163]

During Lennon's last two years in The Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry,^[164] so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance".^[165] They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in The Beatles' song "The Ballad of John and Yoko".^[166] Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by The Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth.^[167] After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on The Beatles' last album, Abbey Road.^[168] To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971.

They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.^[169]

May Pang[link]

May Pang

ABKCO Industries, formed in 1968 by Allen Klein as an umbrella company to ABKCO Records, recruited May Pang as a receptionist in 1969. Through involvement in a project with ABKCO, Lennon and Ono met her the following year. She became their personal assistant. After she had been working with the couple for three years, Ono confided that she and Lennon were becoming estranged from one another. She went on to suggest that Pang should begin a physical relationship with Lennon, telling her, "He likes you a lot." Pang, 22, astounded by Ono's proposition, eventually agreed to become Lennon's companion. The pair soon moved to California, beginning an 18-month period he later called his "lost weekend".^[108] In Los Angeles, Pang encouraged Lennon to develop regular contact with Julian, whom he had not seen for two years. He also rekindled friendships with Starr, McCartney, Beatles' roadie Mal Evans, and Harry Nilsson. Whilst drinking with Nilsson, after misunderstanding something Pang said, Lennon attempted to strangle her, relenting only when physically restrained by Nilsson.^[170]

On moving to New York, they prepared a spare room in their newly rented apartment for Julian to visit.^[170] Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking. But after the meeting he failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.^[171]

Sean Lennon[link]

When Lennon and Ono were reunited, she became pregnant, but having previously suffered three miscarriages in her attempt to have a child with Lennon, she said she wanted an abortion. She agreed to allow the pregnancy to continue on condition that Lennon adopt the role of househusband; this he agreed to do.^[172] Sean was born on 9 October 1975, Lennon's 35th birthday, delivered by Caesarean section. Lennon's subsequent career break would span five years. He had a photographer take pictures of Sean every day of his first year, and created numerous drawings for him, posthumously published as Real Love: The Drawings for Sean. Lennon later proudly declared, "He didn't come out of my belly but, by God, I made his bones, because I've attended to every meal, and to how he sleeps, and to the fact that he swims like a fish."^[173]

Former Beatles[link]

Lennon (left) and the rest of The Beatles arriving in the US in 1964

Although his friendship with Starr remained consistently warm during the years following The Beatles' break-up in 1970, Lennon's relationship with McCartney and Harrison varied. He was close to Harrison initially, but the two drifted apart after Lennon moved to America. When Harrison was in New York for his December 1974 Dark Horse tour, Lennon agreed to join him on stage, but failed to appear after an argument over Lennon's refusal to sign an agreement that would finally dissolve The Beatles' legal partnership. (Lennon eventually signed the papers while holidaying in Florida with Pang and Julian.^[174]) Harrison incensed Lennon in 1980 when he published an autobiography that made little mention of him. Lennon told Playboy, "I was hurt by it. By glaring omission ... my influence on his life is absolutely zilch ... he remembers every two-bit sax player or guitarist he met in subsequent years. I'm not in the book."^[175]

Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get The Beatles to reunite on the show.^[176] The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired.^[13] Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."^[177]

Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product".^[178] When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he could not get the tune out of his head.^[178] Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."^[13]

Political activism[link]

Recording "Give Peace a Chance" during the Bed-In for Peace at the Queen Elizabeth Hotel, Montreal

Lennon and Ono used their honeymoon as what they termed a "Bed-In for Peace" at the Amsterdam Hilton Hotel; the March 1969 event attracted worldwide media ridicule.^[179][180] At a second Bed-In three months later at the Queen Elizabeth Hotel in Montreal^[181] Lennon wrote and recorded "Give Peace a Chance". Released as a single, it was quickly taken up as an anti-war anthem and sung by a quarter of a million demonstrators against the Vietnam War in Washington, DC, on 15 October, the second Vietnam Moratorium Day.^[80][182]

Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence.^[183] Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene."^[184] In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty",^[78] and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.^[185]

Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000.^[186] On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman.^[187] Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug.^[188] In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others.^[189] Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair's crimes and three days after the rally, he was released on bail.^[190] The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).^[191]

Following the Bloody Sunday incident in Northern Ireland in 1972, in which 13 unarmed civil rights protesters were shot dead by the British Army, Lennon said that given the choice between the army and the IRA (who were not involved in the incident) he would side with the latter. Lennon and Ono wrote two songs protesting British presence and actions in Ireland for their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, David Shayler, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA though this was swiftly denied by Ono.^[192] Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a Republican slant.^[193]

According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968.^[194] However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".^[195]

Deportation attempt[link]

Following the impact of "Give Peace a Chance" and "Happy Xmas (War Is Over)", both strongly associated with the anti–Vietnam War movement, the Nixon administration, hearing rumours of Lennon's involvement in a concert to be held in San Diego at the same time as the Republican National Convention,^[196] tried to have him deported. Nixon believed that Lennon's anti-war activities could cost him his re-election;^[197] Republican Senator Strom Thurmond suggested in a February 1972 memo that "deportation would be a strategic counter-measure" against Lennon.^[198] The next month the United States Immigration and Naturalization Service (INS) began deportation proceedings, arguing that his 1968 misdemeanor conviction for cannabis possession in London had made him ineligible for admission to the United States. Lennon spent the next three and a half years in and out of deportation hearings until on 8 October 1975, when a court of appeals barred the deportation attempt, stating " ... the courts will not condone selective deportation based upon secret political grounds."^[199][103] While the legal battle continued, Lennon attended rallies and made television appearances. Lennon and Ono co-hosted the Mike Douglas Show for a week in February 1972, introducing guests such as Jerry Rubin and Bobby Seale to mid-America.^[200] In 1972, Bob Dylan wrote a letter to the INS defending Lennon, stating:

John and Yoko add a great voice and drive to the country's so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country's got plenty of room and space. Let John and Yoko stay!^[201][202]

On 23 March 1973, Lennon was ordered to leave the US within 60 days.^[203] Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York City Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people".^[204] Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon.^[205] Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence.^[206] Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.^[207]

FBI surveillance and declassified documents[link]

The FBI conducted clandestine surveillance on Lennon in the early 1970s. Here is a confidential letter from J. Edgar Hoover to the Attorney General about the surveillance. Historian Jon Wiener used the Freedom of Information Act with help from ACLU lawyers to push for the eventual release of these documents.

After Lennon's death, historian Jon Wiener filed a Freedom of Information Act request for FBI files documenting the Bureau's role in the deportation attempt.^[208] The FBI admitted it had 281 pages of files on Lennon, but refused to release most of them on the grounds that they contained national security information. In 1983, Wiener sued the FBI with the help of the American Civil Liberties Union of Southern California. It took 14 years of litigation to force the FBI to release the withheld pages.^[209] The ACLU, representing Wiener, won a favourable decision in their suit against the FBI in the Ninth Circuit in 1991.^[210] The Justice Department appealed the decision to the Supreme Court in April 1992, but the court declined to review the case.^[211] In 1997, respecting President Bill Clinton's newly instigated rule that documents should be withheld only if releasing them would involve "foreseeable harm", the Justice Department settled most of the outstanding issues outside court by releasing all but 10 of the contested documents.^[211] Wiener published the results of his 14-year campaign in January 2000. Gimme Some Truth: The John Lennon FBI Files contained facsimiles of the documents, including "lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges".^[212] The story is told in the documentary The U.S. vs. John Lennon. The final 10 documents in Lennon's FBI file, which reported on his ties with London anti-war activists in 1971 and had been withheld as containing "national security information provided by a foreign government under an explicit promise of confidentiality", were released in December 2006. They contained no indication that the British government had regarded Lennon as a serious threat; one example of the released material was a report that two prominent British leftists had hoped Lennon would finance a left-wing bookshop and reading room.^[213]

Further information: Jon_Wiener#Wiener_battles_with_the_FBI

Writing and art[link]

Lennon's biographer Bill Harry writes that Lennon began drawing and writing creatively at an early age with the encouragement of his uncle. He collected his stories, poetry, cartoons, and caricatures in a Quarry Bank High School exercise book that he called the Daily Howl. The drawings were often of crippled people, and the writings satirical, and throughout the book was an abundance of wordplay. According to classmate Bill Turner, Lennon created the Daily Howl to amuse his best friend and later Quarrymen band mate, Pete Shotton, to whom he would show his work before he let anyone else see it. Turner said that Lennon "had an obsession for Wigan Pier. It kept cropping up", and in Lennon's story A Carrot In A Potato Mine, "the mine was at the end of Wigan Pier." Turner described how one of Lennon's cartoons depicted a bus stop sign annotated with the question, "Why?". Above was a flying pancake, and below, "a blind man wearing glasses leading along a blind dog—also wearing glasses".^[214]

Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around The Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".^[215]

In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date.^[216] After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.

Musicianship[link]

Instruments played[link]

Lennon's Les Paul Jr.

His playing of a mouth organ during a bus journey to visit his cousin in Scotland caught the driver's ear. Impressed, the driver told Lennon of a harmonica he could have if he came to Edinburgh the following day, where one had been stored in the bus depot since a passenger left it on a bus.^[217] The professional instrument quickly replaced Lennon's toy. He would continue to play harmonica, often using the instrument during The Beatles' Hamburg years, and it became a signature sound in the group's early recordings. His mother taught him how to play the banjo, later buying him an acoustic guitar. At 16, he played rhythm guitar with the Quarrymen.^[218] As his career progressed, he played a variety of electric guitars, predominantly the Rickenbacker 325, Epiphone Casino and Gibson J-160E, and, from the start of his solo career, the Gibson Les Paul Junior.^[219][220] Occasionally he played a six-string bass guitar, the Fender Bass VI, providing bass on some Beatles' numbers that occupied McCartney with another instrument.^[221] His other instrument of choice was the piano, on which he composed many songs, including "Imagine", described as his best-known solo work.^[222] His jamming on a piano with McCartney in 1963 led to the creation of The Beatles' first US number one, "I Want to Hold Your Hand".^[223] In 1964, he became one of the first British musicians to acquire a Mellotron keyboard, though it was not heard on a Beatles' recording until "Strawberry Fields Forever" in late 1966.^[224]

Vocal style[link]

When Lennon recorded "Twist and Shout", the final track during the mammoth one-day session that captured the band's 1963 debut album Please Please Me, his voice, already compromised by a cold, came close to giving out. Lennon said, "I couldn't sing the damn thing, I was just screaming."^[225] In the words of biographer Barry Miles, "Lennon simply shredded his vocal cords in the interests of rock 'n' roll."^[226] The Beatles' producer, George Martin, tells how Lennon "had an inborn dislike of his own voice which I could never understand. He was always saying to me: 'DO something with my voice! ... put something on it ... Make it different.'"^[227] Martin obliged, often using double-tracking and other techniques. Music critic Robert Christgau says that Lennon's "greatest vocal performance ... from scream to whine, is modulated electronically ... echoed, filtered, and double tracked."^[228]

As his Beatles' era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band."^[229] David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style.^[230] Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair"^[231] Music historian Ben Urish recalls hearing The Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."^[232]

Legacy[link]

John Lennon Peace Monument, Liverpool

Music historians Schinder and Schwartz, writing of the transformation in popular music styles that took place between the 1950s and the 1960s, say that The Beatles' influence cannot be overstated: having "revolutionized the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts", the group then "spent the rest of the 1960s expanding rock's stylistic frontiers".^[233] Liam Gallagher, his group Oasis among the many who acknowledge the band's influence, identifies Lennon as a hero; in 1999 he named his first child Lennon Gallagher in tribute.^[234] On National Poetry Day in 1999, after conducting a poll to identify the UK's favourite song lyric, the BBC announced "Imagine" the winner.^[94]

In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today."^[235] Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."^[236]

Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon's 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon.^[237] The sculpture entitled 'Peace & Harmony' exhibits peace symbols and carries the inscription "Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980".

Awards and sales[link]

Statue in John Lennon Park, Havana, Cuba

The Lennon–McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 25 number one singles on the US Hot 100 chart.^a His album sales in the US stand at 14 million units.^[238] Double Fantasy, released shortly before his death, and his best-selling, post-Beatles' studio album^[239] at three million shipments in the US,^[240] won the 1981 Grammy Award for Album of the Year.^[241] The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon.^[242]

Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons".^[243] Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time"^[244] and 38th of "100 Greatest Artists of All Time",^[245] and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time".^[245][246] He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965.^[51] He was posthumously inducted into the Songwriters Hall of Fame in 1987^[247] and into the Rock and Roll Hall of Fame in 1994.^[107]

Discography[link]

Statue outside the Cavern Club, Liverpool

• Unfinished Music No.1: Two Virgins (with Yoko Ono) (1968)
• Unfinished Music No.2: Life with the Lions (with Yoko Ono) (1969)
• Wedding Album (with Yoko Ono) (1969)
• John Lennon/Plastic Ono Band (1970)
• Imagine (1971)
• Some Time in New York City (with Yoko Ono) (1972)
• Mind Games (1973)
• Walls and Bridges (1974)
• Rock 'n' Roll (1975)
• Double Fantasy (with Yoko Ono) (1980)
• Milk and Honey (with Yoko Ono) (1984)
• Menlove Ave. (1986)

Notes[link]

Citations[link]