Cities of the ancient Near East

The largest cities in the Bronze Age ancient Near East housed several tens of thousands. Memphis in the Early Bronze Age with some 30,000 inhabitants was the largest city of the time by far. Ur in the Middle Bronze Age is estimated to have had some 65,000 inhabitants; Babylon in the Late Bronze Age similarly had a population of some 50–60,000, while Niniveh had some 20–30,000, reaching 100,000 only in the Iron Age (ca. 700 BC).

The KI 𒆠 determinative was the Sumerian term for a city or city state. In Akkadian and Hittite orthography, URU𒌷 became a determinative sign denoting a city, or combined with KUR𒆳 "land" the kingdom or territory controlled by a city, e.g. 𒄡𒆳𒌷𒄩𒀜𒌅𒊭 LUGAL KUR ^URUHa-at-ti "the king of the country of (the city of) Hatti".

Mesopotamia

Lower Mesopotamia

(ordered from north to south)

Uru

Uru or URU may refer to:

Rafael Urdaneta University

Language

Places

Uru: Ages Beyond Myst

Uru: Ages Beyond Myst is an adventure video game developed by Cyan Worlds and published by Ubisoft. Released in 2003, the title is the fourth game in the Myst canon. Departing from previous games of the franchise, Uru takes place in the modern era and allows players to customize their onscreen avatars. Players use their avatars to explore the abandoned city of an ancient race known as the D'ni, uncover story clues and solve puzzles.

Cyan began developing Uru shortly after completing Riven in 1997, leaving future Myst sequels to be produced by third-party developers. Uru required five years and $12 million to complete. Uru was initially conceived as a multiplayer game; the single-player portion was released, but the multiplayer component, Uru Live, was delayed and eventually canceled. The online video game service GameTap released the multiplayer portion of Uru as Myst Online: Uru Live in February 2007, but the service was canceled again the following year due to a lack of subscribers. GameTap passed the rights to Uru Live back to Cyan, who re-launched the game for free in 2010.

Uru (boat)

The Uru, or "Fat Boat", is a generic name for large Dhow-type wooden ships made by vishwabrahmins in Beypore, a village south of Kozhikode, Kerala, in the southwestern coast of India.

This type of boat has been used by the Arabs since ancient times as trading vessels, and even now, urus are being manufactured and exported to Arab nations from Beypore. These boats used to be built of several types of wood, the main one being teak. The teak was taken from Nilambur forests in earlier times, but now imported Malaysian teak is used. A couple of boat-building yards can still be found near the Beypore port.

See also

References

External links

Ù (cuneiform)

The cuneiform ù sign ('u, no. 3'), is found in both the 14th century BC Amarna letters and the Epic of Gilgamesh. Its use is as a conjunction, (translated as for example: and, but, else, until, etc.), but rarely it is substituted for alphabetic u, but that vowel u is typically represented by 'u, no. 2', (u prime), ú; occasionally 'u, no. 1', (u (cuneiform)), , (mostly used for a conjunction, and numeral 10), is also substituted for the "alphabetic u".

The use of ù is often as a "stand-alone" conjunction, for example between two listed items, but it is used especially as a segue in text, (example Amarna letters), when changing topics, or when inserting segue-pausing positions. In the Amarna letters, it is also commonly immediately followed by a preposition: a-na, or i-na, used as "...And, to....", or "...And, in...."; also "...But, for....", etc. This usage with a preposition is also a better example of the segue usage.

Of the three u's, by graphemic analysis (Buccellati, 1979), the commonness is as follows:

Cuneiform script

Cuneiform script is one of the earliest systems of writing, distinguished by its wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus. The name cuneiform itself simply means "wedge shaped", from the Latin cuneus "wedge" and forma "shape," and came into English usage probably from Old French cunéiforme.

Emerging in Sumer in the late fourth millennium BCE (the Uruk IV period), cuneiform writing began as a system of pictograms. In the third millennium, the pictorial representations became simplified and more abstract as the number of characters in use grew smaller, from about 1000 in the Early Bronze Age to about 400 in Late Bronze Age (Hittite cuneiform). The system consists of a combination of logophonetic, consonantal alphabetic and syllabic signs.

The original Sumerian script was adapted for the writing of the Akkadian, Eblaite, Elamite, Hittite, Luwian, Hattic, Hurrian, and Urartian languages, and it inspired the Ugaritic alphabet and Old Persian cuneiform. Cuneiform writing was gradually replaced by the Phoenician alphabet during the Neo-Assyrian Empire. By the second century CE, the script had become extinct, and all knowledge of how to read it was lost until it began to be deciphered in the 19th century.

Cuneiform bones

There are three cuneiform bones in the human foot:

They are located between the navicular bone and the first, second and third metatarsal bones and are medial to the cuboid bone.

Structure

There are three cuneiform bones: