Look up help in Wiktionary, the free dictionary.

Help is any form of assistance.

Help may also refer to:

In computing:

• Help (command), a command that invokes documentations and helping information
• Online help, documentation that accompanies computer application software
  • Context-sensitive help, a kind of online help that is obtained from a specific point in the state of the software, providing help for the situation that is associated with that state
• Help desk, a point of contact between product users and technical support

In films and television:

• Help! (film), a 1965 film directed by Richard Lester starring The Beatles
• Help (film), a 2010 Bollywood horror film
• Help (Australian TV series), a documentary series
• Help (UK TV series), a comedy series
• Help (Dutch TV series), a drama series
• The Help (TV series), a 2004 American series
• H.E.L.P., an American TV drama series
• The Help (film), a film adaptation of the Stockett novel
• "Help" (Buffy episode)
• "Help", an episode of The Protector
• "Help!", an episode of Samantha Who?

In literature:

• Help! (magazine)
• Help!! (manga)
• The Help, a historical novel by Kathryn Stockett

In music:

• Help! (album), the 1965 Beatles album which includes songs from the film
  • "Help!" (song), the number one single and theme song of the film
• The Help Album, a musical compilation album to benefit the War Child charity
• "Help" (song), a song by Lloyd Banks

Acronyms:

• Heat escape lessening position, a way to position oneself to reduce heat loss in cold water
• Higher Education Loan Programme, an Australian government loan scheme for students
• Hydrologic Evaluation of Landfill Performance, a model developed by the United States Environmental Protection Agency
• United States Senate HELP Committee or United States Senate Committee on Health, Education, Labor, and Pensions

See also[link]

• Emergency, a situation which poses a dangerous risk of health, life, property, or environment
  • Emergency telephone numbers around the world
  • Hue and cry, a shouted command to arrest a felon
• Distress signal, a message from a person or a craft such as a ship or airliner to inform others it is in difficulty
  • Mayday (distress signal)
  • SOS
• Assistance (disambiguation)
• Help me (disambiguation)
• HELLP Syndrome, a medical condition affecting pregnant women.
• All pages beginning with "Help"
• All pages with titles containing "Help"

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

In computational linguistics, word-sense disambiguation (WSD) is an open problem of natural language processing, which governs the process of identifying which sense of a word (i.e. meaning) is used in a sentence, when the word has multiple meanings (polysemy). The solution to this problem impacts other computer-related writing, such as discourse, improving relevance of search engines, anaphora resolution, coherence, inference et cetera.

Research has progressed steadily to the point where WSD systems achieve sufficiently high levels of accuracy on a variety of word types and ambiguities. A rich variety of techniques have been researched, from dictionary-based methods that use the knowledge encoded in lexical resources, to supervised machine learning methods in which a classifier is trained for each distinct word on a corpus of manually sense-annotated examples, to completely unsupervised methods that cluster occurrences of words, thereby inducing word senses. Among these, supervised learning approaches have been the most successful algorithms to date.

Current accuracy is difficult to state without a host of caveats. In English, accuracy at the coarse-grained (homograph) level is routinely above 90%, with some methods on particular homographs achieving over 96%. On finer-grained sense distinctions, top accuracies from 59.1% to 69.0% have been reported in recent evaluation exercises (SemEval-2007, Senseval-2), where the baseline accuracy of the simplest possible algorithm of always choosing the most frequent sense was 51.4% and 57%, respectively.

About[link]

A disambiguation process requires two strict things: a dictionary to specify the senses which are to be disambiguated and a corpus of language data to be disambiguated (in some methods, a training corpus of language examples is also required). WSD task has two variants: "lexical sample" and "all words" task. The former comprises disambiguating the occurrences of a small sample of target words which were previously selected, while in the latter all the words in a piece of running text need to be disambiguated. The latter is deemed a more realistic form of evaluation, but the corpus is more expensive to produce because human annotators have to read the definitions for each word in the sequence every time they need to make a tagging judgement, rather than once for a block of instances for the same target word.

To give a hint how all this works, consider two examples of the distinct senses that exist for the (written) word "bass":

1. a type of fish
2. tones of low frequency

and the sentences:

1. I went fishing for some sea bass.
2. The bass line of the song is too weak.

To a human, it is obvious that the first sentence is using the word "bass (fish)", as in the former sense above and in the second sentence, the word "bass (instrument)" is being used as in the latter sense below. Developing algorithms to replicate this human ability can often be a difficult task, as is further exemplified by the implicit equivocation between "bass (sound)" and "bass" (musical instrument).

History[link]

WSD was first formulated as a distinct computational task during the early days of machine translation in the 1940s, making it one of the oldest problems in computational linguistics. Warren Weaver, in his famous 1949 memorandum on translation,^[1] first introduced the problem in a computational context. Early researchers understood the significance and difficulty of WSD well. In fact, Bar-Hillel (1960) used the above example to argue^[2] that WSD could not be solved by "electronic computer" because of the need in general to model all world knowledge.

In the 1970s, WSD was a subtask of semantic interpretation systems developed within the field of artificial intelligence, but since WSD systems were largely rule-based and hand-coded they were prone to a knowledge acquisition bottleneck.

By the 1980s large-scale lexical resources, such as the Oxford Advanced Learner's Dictionary of Current English (OALD), became available: hand-coding was replaced with knowledge automatically extracted from these resources, but disambiguation was still knowledge-based or dictionary-based.

In the 1990s, the statistical revolution swept through computational linguistics, and WSD became a paradigm problem on which to apply supervised machine learning techniques.

The 2000s saw supervised techniques reach a plateau in accuracy, and so attention has shifted to coarser-grained senses, domain adaptation, semi-supervised and unsupervised corpus-based systems, combinations of different methods, and the return of knowledge-based systems via graph-based methods. Still, supervised systems continue to perform best.

Difficulties[link]

Differences between dictionaries[link]

One problem with word sense disambiguation is deciding what the senses are. In cases like the word bass above, at least some senses are obviously different. In other cases, however, the different senses can be closely related (one meaning being a metaphorical or metonymic extension of another), and in such cases division of words into senses becomes much more difficult. Different dictionaries and thesauruses will provide different divisions of words into senses. One solution some researchers have used is to choose a particular dictionary, and just use its set of senses. Generally, however, research results using broad distinctions in senses have been much better than those using narrow ones.^[3][4] However, given the lack of a full-fledged coarse-grained sense inventory, most researchers continue to work on fine-grained WSD.

Most research in the field of WSD is performed by using WordNet as a reference sense inventory for English. WordNet is a computational lexicon that encodes concepts as synonym sets (e.g. the concept of car is encoded as { car, auto, automobile, machine, motorcar }). Other resources used for disambiguation purposes include Roget's Thesaurus^[5] and Wikipedia.^[6]

Part-of-speech tagging[link]

In any real test, part-of-speech tagging and sense tagging are very closely related with each potentially making constraints to the other. And the question whether these tasks should be kept together or decoupled is still not unanimously resolved, but recently scientists incline to test these things separately (e.g. in the Senseval/SemEval competitions parts of speech are provided as input for the text to disambiguate).

It is instructive to compare the word sense disambiguation problem with the problem of part-of-speech tagging. Both involve disambiguating or tagging with words, be it with senses or parts of speech. However, algorithms used for one do not tend to work well for the other, mainly because the part of speech of a word is primarily determined by the immediately adjacent one to three words, whereas the sense of a word may be determined by words further away. The success rate for part-of-speech tagging algorithms is at present much higher than that for WSD, state-of-the art being around 95% accuracy or better, as compared to less than 75% accuracy in word sense disambiguation with supervised learning. These figures are typical for English, and may be very different from those for other languages.

Inter-judge variance[link]

Another problem is inter-judge variance. WSD systems are normally tested by having their results on a task compared against those of a human. However, while it is relatively easy to assign parts of speech to text, training people to tag senses is far more difficult.^[7] While users can memorize all of the possible parts of speech a word can take, it is often impossible for individuals to memorize all of the senses a word can take. Moreover, humans do not agree on the task at hand – give a list of senses and sentences, and humans will not always agree on which word belongs in which sense.^[8]

Thus, a computer cannot be expected to give better performance on such a task than a human (indeed, since the human serves as the standard, the computer being better than the human is incoherent),^{[citation needed]} so the human performance serves as an upper bound. Human performance, however, is much better on coarse-grained than fine-grained distinctions, so this again is why research on coarse-grained distinctions^[9][10] has been put to test in recent WSD evaluation exercises.^[3][4]

Common sense[link]

Some AI researchers like Douglas Lenat argue that one cannot parse meanings from words without some form of common sense ontology. For example, comparing these two sentences:

• "Jill and Mary are sisters." – (they are sisters of each other).
• "Jill and Mary are mothers." – (each is independently a mother).

To properly identify senses of words one must know common sense facts.^[11] Moreover, sometimes the common sense is needed to disambiguate such words like pronouns in case of having anaphoras or cataphoras in the text.

Sense inventory and algorithms' task-dependency[link]

A task-independent sense inventory is not a coherent concept^[12]: each task requires its own division of word meaning into senses relevant to the task. For example, the ambiguity of 'mouse' (animal or device) is not relevant in English-French machine translation, but is relevant in information retrieval. The opposite is true of 'river', which requires a choice in French (fleuve 'flows into the sea', or rivière 'flows into a river').

Also, completely different algorithms might be required by different applications. In machine translation, the problem takes the form of target word selection. Here, the "senses" are words in the target language, which often correspond to significant meaning distinctions in the source language ("bank" could translate to the French "banque" -- that is, 'financial bank' or "rive" -- that is, 'edge of river'). In information retrieval, a sense inventory is not necessarily required, because it is enough to know that a word is used in the same sense in the query and a retrieved document; what sense that is, is unimportant.

Discreteness of senses[link]

Finally, the very notion of "word sense" is slippery and controversial. Most people can agree in distinctions at the coarse-grained homograph level (e.g., pen as writing instrument or enclosure), but go down one level to fine-grained polysemy, and disagreements arise. For example, in Senseval-2, which used fine-grained sense distinctions, human annotators agreed in only 85% of word occurrences.^[13] Word meaning is in principle infinitely variable and context sensitive. It does not divide up easily into distinct or discrete sub-meanings.^[14] Lexicographers frequently discover in corpora loose and overlapping word meanings, and standard or conventional meanings extended, modulated, and exploited in a bewildering variety of ways. The art of lexicography is to generalize from the corpus to definitions that evoke and explain the full range of meaning of a word, making it seem like words are well-behaved semantically. However, it is not at all clear if these same meaning distinctions are applicable in computational applications, as the decisions of lexicographers are usually driven by other considerations. Recently, a task – named lexical substitution – has been proposed as a possible solution to the sense discreteness problem.^[15] The task consists of providing a substitute for a word in context that preserves the meaning of the original word (potentially, substitutes can be chosen from the full lexicon of the target language, thus overcoming discreteness).

Approaches and methods[link]

As in all natural language processing, there are two main approaches to WSD – deep approaches and shallow approaches.

Deep approaches presume access to a comprehensive body of world knowledge. Knowledge, such as "you can go fishing for a type of fish, but not for low frequency sounds" and "songs have low frequency sounds as parts, but not types of fish", is then used to determine in which sense the word is used. These approaches are not very successful in practice, mainly because such a body of knowledge does not exist in a computer-readable format, outside of very limited domains.^[16] However, if such knowledge did exist, then deep approaches would be much more accurate than the shallow approaches.^{[citation needed]} Also, there is a long tradition in computational linguistics, of trying such approaches in terms of coded knowledge and in some cases, it is hard to say clearly whether the knowledge involved is linguistic or world knowledge. The first attempt was that by Margaret Masterman and her colleagues, at the Cambridge Language Research Unit in England, in the 1950s. This attempt used as data a punched-card version of Roget's Thesaurus and its numbered "heads", as an indicator of topics and looked for repetitions in text, using a set intersection algorithm. It was not very successful,^[17] but had strong relationships to later work, especially Yarowsky's machine learning optimisation of a thesaurus method in the 1990s.

Shallow approaches don't try to understand the text. They just consider the surrounding words, using information such as "if bass has words sea or fishing nearby, it probably is in the fish sense; if bass has the words music or song nearby, it is probably in the music sense." These rules can be automatically derived by the computer, using a training corpus of words tagged with their word senses. This approach, while theoretically not as powerful as deep approaches, gives superior results in practice, due to the computer's limited world knowledge. However, it can be confused by sentences like The dogs bark at the tree which contains the word bark near both tree and dogs.

There are four conventional approaches to WSD:

• Dictionary- and knowledge-based methods: These rely primarily on dictionaries, thesauri, and lexical knowledge bases, without using any corpus evidence.
• Supervised methods: These make use of sense-annotated corpora to train from.
• Semi-supervised or minimally supervised methods: These make use of a secondary source of knowledge such as a small annotated corpus as seed data in a bootstrapping process, or a word-aligned bilingual corpus.
• Unsupervised methods: These eschew (almost) completely external information and work directly from raw unannotated corpora. These methods are also known under the name of word sense discrimination.

Almost all these approaches normally work by defining a window of n content words around each word to be disambiguated in the corpus, and statistically analyzing those n surrounding words. Two shallow approaches used to train and then disambiguate are Naïve Bayes classifiers and decision trees. In recent research, kernel-based methods such as support vector machines have shown superior performance in supervised learning. Graph-based approaches have also gained much attention from the research community, and currently achieve performance close to the state of the art.

Dictionary- and knowledge-based methods[link]

The Lesk algorithm^[18] is the seminal dictionary-based method. It is based on the hypothesis that words used together in text are related to each other and that the relation can be observed in the definitions of the words and their senses. Two (or more) words are disambiguated by finding the pair of dictionary senses with the greatest word overlap in their dictionary definitions. For example, when disambiguating the words in "pine cone", the definitions of the appropriate senses both include the words evergreen and tree (at least in one dictionary).

An alternative to the use of the definitions is to consider general word-sense relatedness and to compute the semantic similarity of each pair of word senses based on a given lexical knowledge base such as WordNet. Graph-based methods reminiscent of spreading activation research of the early days of AI research have been applied with some success. More complex graph-based approaches have been shown to perform almost as well as supervised methods^[19] or even outperforming them on specific domains.^[3][20] Recently, it has been reported that simple graph connectivity measures, such as degree, perform state-of-the-art WSD in the presence of a sufficiently rich lexical knowledge base.^[21] Also, automatically transferring knowledge in the form of semantic relations from Wikipedia to WordNet has been shown to boost simple knowledge-based methods, enabling them to rival the best supervised systems and even outperform them in a domain-specific setting.^[22]

The use of selectional preferences (or selectional restrictions) is also useful, for example, knowing that one typically cooks food, one can disambiguate the word bass in "I am cooking basses" (i.e., it's not a musical instrument).

Supervised methods[link]

Supervised methods are based on the assumption that the context can provide enough evidence on its own to disambiguate words (hence, world knowledge and reasoning are deemed unnecessary). Probably every machine learning algorithm going has been applied to WSD, including associated techniques such as feature selection, parameter optimization, and ensemble learning. Support Vector Machines and memory-based learning have been shown to be the most successful approaches, to date, probably because they can cope with the high-dimensionality of the feature space. However, these supervised methods are subject to a new knowledge acquisition bottleneck since they rely on substantial amounts of manually sense-tagged corpora for training, which are laborious and expensive to create.

Semi-supervised methods[link]

Because of the lack of training data, many word sense disambiguation algorithms use semi-supervised learning, which allows both labeled and unlabeled data. The Yarowsky algorithm was an early example of such an algorithm.^[23] It uses the ‘One sense per collocation’ and the ‘One sense per discourse’ properties of human languages for word sense disambiguation. From observation, words tend to exhibit only one sense in most given discourse and in a given collocation.

The bootstrapping approach starts from a small amount of seed data for each word: either manually tagged training examples or a small number of surefire decision rules (e.g., 'play' in the context of 'bass' almost always indicates the musical instrument). The seeds are used to train an initial classifier, using any supervised method. This classifier is then used on the untagged portion of the corpus to extract a larger training set, in which only the most confident classifications are included. The process repeats, each new classifier being trained on a successively larger training corpus, until the whole corpus is consumed, or until a given maximum number of iterations is reached.

Other semi-supervised techniques use large quantities of untagged corpora to provide co-occurrence information that supplements the tagged corpora. These techniques have the potential to help in the adaptation of supervised models to different domains.

Also, an ambiguous word in one language is often translated into different words in a second language depending on the sense of the word. Word-aligned bilingual corpora have been used to infer cross-lingual sense distinctions, a kind of semi-supervised system.

Unsupervised methods[link]

Unsupervised learning is the greatest challenge for WSD researchers. The underlying assumption is that similar senses occur in similar contexts, and thus senses can be induced from text by clustering word occurrences using some measure of similarity of context,^[24] a task referred to as word sense induction or discrimination. Then, new occurrences of the word can be classified into the closest induced clusters/senses. Performance has been lower than other methods, above, but comparisons are difficult since senses induced must be mapped to a known dictionary of word senses. If a mapping to a set of dictionary senses is not desired, cluster-based evaluations (including measures of entropy and purity) can be performed. Alternatively, word sense induction methods can be tested and compared within an application. For instance, it has been shown that word sense induction improves Web search result clustering by increasing the quality of result clusters and the degree diversification of result lists.^[25] It is hoped that unsupervised learning will overcome the knowledge acquisition bottleneck because they are not dependent on manual effort.

Other approaches[link]

Other approaches may vary differently in their methods:

• Identification of dominant word senses;^[26][27][28]
• Domain-driven disambiguation;^[29][30]
• WSD using Cross-Lingual Evidence.^[31][32]

Local impediments and summary[link]

The knowledge acquisition bottleneck is perhaps the major impediment to solving the WSD problem. Unsupervised methods rely on knowledge about word senses, which is barely formulated in dictionaries and lexical databases. Supervised methods depend crucially on the existence of manually annotated examples for every word sense, a requisite that can so far be met only for a handful of words for testing purposes, as it is done in the Senseval exercises.

Therefore, one of the most promising trends in WSD research is using the largest corpus ever accessible, the World Wide Web, to acquire lexical information automatically.^[33] WSD has been traditionally understood as an intermediate language engineering technology which could improve applications such as information retrieval (IR). In this case, however, the reverse is also true: Web search engines implement simple and robust IR techniques that can be successfully used when mining the Web for information to be employed in WSD. Therefore, the lack of training data provoked appearing some new algorithms and techniques described here:

External knowledge sources[link]

Knowledge is a fundamental component of WSD. Knowledge sources provide data which are essential to associate senses with words. They can vary from corpora of texts, either unlabeled or annotated with word senses, to machine-readable dictionaries, thesauri, glossaries, ontologies, etc. They can be^[34][35] classified as follows:

1. Structured:
   • Thesauri
   • Machine-readable dictionaries (MRDs)
   • Ontologies
2. Unstructured:
   • Corpora: raw corpora and sense-annotated corpora
   • Collocation resources
   • Other resources (such as word frequency lists, stoplists, domain labels,^[36] etc.)

Evaluation[link]

Comparing and evaluating different WSD systems is extremely difficult, because of the different test sets, sense inventories, and knowledge resources adopted. Before the organization of specific evaluation campaigns most systems were assessed on in-house, often small-scale, data sets. In order to test one's algorithm, developers should spend their time to annotate all word occurrences. And comparing methods even on the same corpus is not eligible if there is different sense inventories.

In order to define common evaluation datasets and procedures, public evaluation campaigns have been organized. Senseval (now renamed SemEval) is an international word sense disambiguation competition, held every three years since 1998: Senseval-1 (1998), Senseval-2 (2001), Senseval-3 (2004), and its successor, SemEval (2007). The objective of the competition is to organize different lectures, preparing and hand-annotating corpus for testing systems, perform a comparative evaluation of WSD systems in several kinds of tasks, including all-words and lexical sample WSD for different languages, and, more recently, new tasks such as semantic role labeling, gloss WSD, lexical substitution, etc. The systems submitted for evaluation to these competitions usually integrate different techniques and often combine supervised and knowledge-based methods (especially for avoiding bad performance in lack of training examples).

Task Design Choices[link]

Sense Inventories. During the first Senseval workshop the HECTOR sense inventory was adopted. The reason for adopting a previously unknown sense inventory was mainly to avoid the use of popular fine-grained word senses (such as WordNet), which could make the experiments unfair or biased. However, given the lack of coverage of such inventories, since the second Senseval workshop the WordNet sense inventory has been adopted.

A set of testing words. Comparison of methods can be divided in 2 groups by amount of words to test. The difference consists in the amount of analysis and processing:

• all-words task implies disambiguating all the words of the text
• lexical sample consists in disambiguating some previously chosen target words.

It is assumed that the former one is more realistic evaluation, although with very laborious testing of results. Initially only the latter was used in evaluation but later the former was included.

Lexical sample organizers had to choose samples on which the systems were to be tested. A criticism of earlier forays into lexical-sample WSD evaluation is that the lexical sample had been chosen according to the whim of the experimenter (or, to coincide with earlier experimenters' selections). For English Senseval, a sampling frame was devised in which words were classified according to their frequency (in the BNC) and their polysemy level (in WordNet). Also, inclusion POS-tagging problem was a matter of discussion and it was decided that samples should be words with known part of speech and some indeterminants (for ex. 15 noun tasks, 13 verb tasks, 8 adjectives, and 5 indeterminates).

Baselines. For comparison purposes, known, yet simple, algorithms named baselines are used. These include different variants of Lesk algorithm or most frequent sense algorithm.

Sense inventory. WSD exercises require a dictionary, to specify the word senses which are to be disambiguated, and a corpus of language data to be disambiguated. WordNet is the most popular example of sense inventory. The reason for adopting the HECTOR database during Senseval-1 was that the WordNet inventory was already publicly available.^[37]

Evaluation measures. During the evaluation of WSD systems two main performance measures are used:

• Precision: the fraction of system assignments made that are correct
• Recall: the fraction of total word instances correctly assigned by a system

If a system makes an assignment for every word, then precision and recall are the same, and can be called accuracy. This model has been extended to take into account systems that return a set of senses with weights for each occurrence.

Software[link]

• WordNet::SenseRelate, is a project that includes free, open source systems for word sense disambiguation and lexical sample sense disambiguation.
• UKB: Graph Base WSD, is a collection of programs for performing graph-based Word Sense Disambiguation and lexical similarity/relatedness using a pre-existing Lexical Knowledge Base (LKB).

See also[link]

• Ambiguity
• Lesk algorithm
• Lexical substitution
• Part-of-speech tagging
• Polysemy
• Semeval
• Syntactic ambiguity
• Word sense
• Word sense induction

Notes[link]

Works cited[link]

• Agirre, E.; Lopez de Lacalle, A.; Soroa, A. (2009) "Knowledge-based WSD on Specific Domains: Performing better than Generic Supervised WSD" Proc. of IJCAI http://www.ijcai.org/papers09/Papers/IJCAI09-251.pdf 
• Agirre, E.; M. Stevenson. 2006. Knowledge sources for WSD. In Word Sense Disambiguation: Algorithms and Applications, E. Agirre and P. Edmonds, Eds. Springer, New York, NY.
• Bar-Hillel, Y. (1964). Language and information. Reading, MA: Addison-Wesley. 
• Buitelaar, P.; B. Magnini, C. Strapparava and P. Vossen. 2006. Domain-specific WSD. In Word Sense Disambiguation: Algorithms and Applications, E. Agirre and P. Edmonds, Eds. Springer, New York, NY.
• Chan, Y. S.; H. T. Ng. 2005. Scaling up word sense disambiguation via parallel texts. In Proceedings of the 20th National Conference on Artificial Intelligence (AAAI, Pittsburgh, PA).
• Edmonds, P. 2000. Designing a task for SENSEVAL-2. Tech. note. University of Brighton, Brighton. U.K.
• Fellbaum, Christiane (1997) "Analysis of a handwriting task" Proc. of ANLP-97 Workshop on Tagging Text with Lexical Semantics: Why, What, and How? Washington D.C., USA 
• Gliozzo, A.; B. Magnini and C. Strapparava. 2004. Unsupervised domain relevance estimation for word sense disambiguation. In Proceedings of the 2004 Conference on Empirical Methods in Natural Language Processing (EMNLP, Barcelona, Spain).
• Ide, N.; T. Erjavec, D. Tufis. 2002. Sense discrimination with parallel corpora. In Proceedings of ACL Workshop on Word Sense Disambiguation: Recent Successes and Future Directions (Philadelphia, PA).
• Kilgarriff, A. 1997. I don't believe in word senses. Comput. Human. 31(2), pp. 91–113.
• Kilgarriff, A.; G. Grefenstette. 2003. Introduction to the special issue on the Web as corpus. Computational Linguistics 29(3), pp. 333–347
• Kilgarriff, Adam; Joseph Rosenzweig, English Senseval: Report and Results May–June, 2000, University of Brighton
• Lapata, M.; and F. Keller. 2007. An information retrieval approach to sense ranking. In Proceedings of the Human Language Technology Conference of the North American Chapter of the Association for Computational Linguistics (HLT-NAACL, Rochester, NY).
• Lenat, D. "Computers versus Common Sense". http://www.youtube.com/watch?v=KSrUHGaUE_c. Retrieved 2008-12-10.  (GoogleTachTalks on YouTube)
• Lenat, D.; R. V. Guha. 1989. Building Large Knowledge-Based Systems, Addison-Wesley
• Lesk; M. 1986. Automatic sense disambiguation using machine readable dictionaries: How to tell a pine cone from an ice cream cone. In Proc. of SIGDOC-86: 5th International Conference on Systems Documentation, Toronto, Canada.
• Litkowski, K. C. 2005. Computational lexicons and dictionaries. In Encyclopaedia of Language and Linguistics (2nd ed.), K. R. Brown, Ed. Elsevier Publishers, Oxford, U.K.
• Magnini, B; G. Cavaglià. 2000. Integrating subject field codes into WordNet. In Proceedings of the 2nd Conference on Language Resources and Evaluation (LREC, Athens, Greece).
• McCarthy, D.; R. Koeling, J. Weeds, J. Carroll. 2007. Unsupervised acquisition of predominant word senses. Computational Linguistics 33(4): 553–590.
• McCarthy, D.; R. Navigli. 2009. The English Lexical Substitution Task, Language Resources and Evaluation, 43(2), Springer.
• Mihalcea, R. 2007. Using Wikipedia for Automatic Word Sense Disambiguation. In Proc. of the North American Chapter of the Association for Computational Linguistics (NAACL 2007), Rochester, April 2007.
• Mohammad, S; G. Hirst. 2006. Determining word sense dominance using a thesaurus. In Proceedings of the 11th Conference on European chapter of the Association for Computational Linguistics (EACL, Trento, Italy).
• Navigli, R. 2006. Meaningful Clustering of Senses Helps Boost Word Sense Disambiguation Performance. Proc. of the 44th Annual Meeting of the Association for Computational Linguistics joint with the 21st International Conference on Computational Linguistics (COLING-ACL 2006), Sydney, Australia.
• Navigli, R.; G. Crisafulli. Inducing Word Senses to Improve Web Search Result Clustering. Proc. of the 2010 Conference on Empirical Methods in Natural Language Processing (EMNLP 2010), MIT Stata Center, Massachusetts, USA.
• Navigli, R.; M. Lapata. An Experimental Study of Graph Connectivity for Unsupervised Word Sense Disambiguation. IEEE Transactions on Pattern Analysis and Machine Intelligence (TPAMI), 32(4), IEEE Press, 2010.
• Navigli, R.; K. Litkowski, O. Hargraves. 2007. SemEval-2007 Task 07: Coarse-Grained English All-Words Task. Proc. of Semeval-2007 Workshop (SemEval), in the 45th Annual Meeting of the Association for Computational Linguistics (ACL 2007), Prague, Czech Republic.
• Navigli, R.;P. Velardi. 2005. Structural Semantic Interconnections: a Knowledge-Based Approach to Word Sense Disambiguation. IEEE Transactions on Pattern Analysis and Machine Intelligence (TPAMI), 27(7).
• Palmer, M.; O. Babko-Malaya and H. T. Dang. 2004. Different sense granularities for different applications. In Proceedings of the 2nd Workshop on Scalable Natural Language Understanding Systems in HLT/NAACL (Boston, MA).
• Ponzetto, S. P.; R. Navigli. Knowledge-rich Word Sense Disambiguation rivaling supervised systems. In Proc. of the 48th Annual Meeting of the Association for Computational Linguistics (ACL), 2010.
• Pradhan, S.; E. Loper, D. Dligach, M. Palmer. 2007. SemEval-2007 Task 17: English lexical sample, SRL and all words. Proc. of Semeval-2007 Workshop (SEMEVAL), in the 45th Annual Meeting of the Association for Computational Linguistics (ACL 2007), Prague, Czech Republic.
• Schütze, H. 1998. Automatic word sense discrimination. Computational Linguistics, 24(1): 97–123.
• Snow, R.; S. Prakash, D. Jurafsky, A. Y. Ng. 2007. Learning to Merge Word Senses, Proceedings of the 2007 Joint Conference on Empirical Methods in Natural Language Processing and Computational Natural Language Learning (EMNLP-CoNLL).
• Snyder, B.; M. Palmer. 2004. The English all-words task. In Proc. of the 3rd International Workshop on the Evaluation of Systems for the Semantic Analysis of Text (Senseval-3), Barcelona, Spain.
• Weaver, Warren (1949). "Translation". In Locke, W.N.; Booth, A.D.. Machine Translation of Languages: Fourteen Essays. Cambridge, MA: MIT Press. http://www.hutchinsweb.me.uk/MTNI-22-1999.pdf. 
• Wilks, Y.; B. Slator, L. Guthrie. 1996. Electric Words: dictionaries, computers and meanings. Cambridge, MA: MIT Press.
• Yarowsky, D. Word-sense disambiguation using statistical models of Roget's categories trained on large corpora. In Proc. of the 14th conference on Computational linguistics (COLING), 1992.
• Yarowsky, D. 1995. Unsupervised word sense disambiguation rivaling supervised methods. In Proc. of the 33rd Annual Meeting of the Association for Computational Linguistics.

External links and suggested reading[link]

Look up disambiguation in Wiktionary, the free dictionary.

• Computational Linguistics Special Issue on Word Sense Disambiguation (1998)
• Evaluation Exercises for Word Sense Disambiguation The de-facto standard benchmarks for WSD systems.
• Roberto Navigli. Word Sense Disambiguation: A Survey, ACM Computing Surveys, 41(2), 2009, pp. 1–69. An up-to-date state of the art of the field.
• Word Sense Disambiguation as defined in Scholarpedia
• Word Sense Disambiguation: The State of the Art (PDF) A comprehensive overview By Prof. Nancy Ide & Jean Véronis (1998).
• Word Sense Disambiguation Tutorial, by Rada Mihalcea and Ted Pedersen (2005).
• Word Sense Disambiguation: Algorithms and Applications, edited by Eneko Agirre and Philip Edmonds (2006), Springer. Covers the entire field with chapters contributed by leading researchers. www.wsdbook.org site of the book
• Bar-Hillel, Yehoshua. 1964. Language and Information. New York: Addison-Wesley.
• Edmonds, Philip & Adam Kilgarriff. 2002. Introduction to the special issue on evaluating word sense disambiguation systems. Journal of Natural Language Engineering, 8(4):279-291.
• Edmonds, Philip. 2005. Lexical disambiguation. The Elsevier Encyclopedia of Language and Linguistics, 2nd Ed., ed. by Keith Brown, 607-23. Oxford: Elsevier.
• Ide, Nancy & Jean Véronis. 1998. Word sense disambiguation: The state of the art. Computational Linguistics, 24(1):1-40.
• Jurafsky, Daniel & James H. Martin. 2000. Speech and Language Processing. New Jersey, USA: Prentice Hall.
• Litkowski, K. C. 2005. Computational lexicons and dictionaries. In Encyclopaedia of Language and Linguistics (2nd ed.), K. R. Brown, Ed. Elsevier Publishers, Oxford, U.K., 753–761.
• Manning, Christopher D. & Hinrich Schütze. 1999. Foundations of Statistical Natural Language Processing. Cambridge, MA: MIT Press. http://nlp.stanford.edu/fsnlp/
• Mihalcea, Rada. 2007. Word sense disambiguation. Encyclopedia of Machine Learning. Springer-Verlag.
• Resnik, Philip and David Yarowsky. 2000. Distinguishing systems and distinguishing senses: New evaluation methods for word sense disambiguation, Natural Language Engineering, 5(2):113-133. http://www.cs.jhu.edu/~yarowsky/pubs/nle00.ps
• Yarowsky, David. 2001. Word sense disambiguation. Handbook of Natural Language Processing, ed. by Dale et al., 629-654. New York: Marcel Dekker.

Junior Wells
Wells performing at the New Orleans Jazz & Heritage Festival, 1996
Background information
Birth name	Amos Wells Blakemore Jr.
Born	(1934-12-09)December 9, 1934
Origin	Memphis, Tennessee or West Memphis, Arkansas
Died	January 15, 1998(1998-01-15) (aged 63) Chicago, Illinois, United States
Genres	Chicago blues
Occupations	Musician, Songwriter
Instruments	Vocals, harmonica
Years active	1950s – 1997
Labels	States, Chief, Profile, Delmark, Vanguard, Telarc
Associated acts	The Aces Junior Wells Chicago Blues Band Buddy Guy

Junior Wells (December 9, 1934 – January 15, 1998), born Amos Wells Blakemore Jr.,^[1] was an American Chicago blues vocalist, harmonica player, and recording artist. Wells, who was best known for his performances and recordings with Muddy Waters, Earl Hooker, and Buddy Guy, also performed with Bonnie Raitt, The Rolling Stones, and Van Morrison.^[1]

Life and career[link]

Junior Wells was born in Memphis, Tennessee, United States,^[1] and raised in West Memphis, Arkansas, though other sources report that his birth was in West Memphis.^[2] Initially taught by his cousin, Junior Parker, and Sonny Boy Williamson II, Wells learned how to play the harmonica by the age of seven with surprising skill. He moved to Chicago in 1948 with his mother after her divorce and began sitting in with local musicians at house parties and taverns.^[3] Wild and rebellious but needing an outlet for his talents, he began performing with The Aces (guitarist brothers Dave and Louis Myers and drummer Fred Below) and developed a more modern amplified harmonica style influenced by Little Walter.^[3] In 1952, he made his first recordings, when he replaced Little Walter in Muddy Waters' band and appeared on one of Muddy's sessions for Chess Records in 1952.^[3] His first recordings as a band leader were made in the following year for States Records.^[4] In the later 1950s and early 1960s he also recorded singles for Chief Records and its Profile Records subsidiary, including "Messin' with the Kid", "Come on in This House", and "It Hurts Me Too", which would remain in his repertoire throughout his career. His 1960 Profile single "Little by Little" (written by Chief owner and producer Mel London) reached #23 in the Billboard R&B chart, making it the first of two Wells' singles to enter the chart.^[5]

Junior Wells worked with guitarist Buddy Guy in the 1960s, and featured Guy on guitar when he recorded his first album, Hoodoo Man Blues for Delmark Records.^[3][6] Wells and Guy supported the Rolling Stones on numerous occasions in the 1970s.^[6] Although his albums South Side Blues Jam (1971) and On Tap (1975) proved he had not lost his aptitude for Chicago blues, his 1980s and 1990s discs were inconsistent.^[6] However, 1996's Come On in This House was an intriguing set of classic blues songs with a rotating cast of slide guitarists, among them Alvin Youngblood Hart, Corey Harris, Sonny Landreth^[6] and Derek Trucks. Wells made an appearance in the film Blues Brothers 2000, the sequel to The Blues Brothers, which was released in 1998.^[3]

Wells continued performing until he was diagnosed with cancer in the summer of 1997.^[3] That fall, he suffered a heart attack while undergoing treatment, sending him into a coma.^[3] Wells died in Chicago, after succumbing to lymphoma on January 15, 1998, and was interred in the Oak Woods Cemetery, Chicago.^[1]

Wells was mentioned in the Steppenwolf song, "Tighten Up Your Wig", in which the lyrics explicitly state that they copied the music from Junior Wells' tune, "Messing with the Kid".

Album discography[link]

{† Albums that feature Buddy Guy)

See also[link]

• Chicago Blues Festival

References[link]

External links[link]

• Centerstage Chicago Obituary
• Junior Wells at Find a Grave
• Elvis Pelvis Obituary
• Island Net Obituary
• Junior Wells at Allmusic

50 Cent
50 Cent in 2009
Background information
Birth name	Curtis James Jackson III
Born	(1975-07-06) July 6, 1975 (age 36)
Origin	South Jamaica, Queens, New York City, New York, United States
Genres	Hip hop
Occupations	Rapper
Years active	1997–present
Labels	Aftermath, Shady, G-Unit
Associated acts	G-Unit, Dr. Dre, Eminem, Sha Money XL, DJ Whoo Kid
Website	50cent.com

Curtis James Jackson III (born July 6, 1975), better known by his stage name 50 Cent, is an American rapper, entrepreneur, investor, record producer, and actor. He rose to fame with the release of his albums Get Rich or Die Tryin' (2003) and The Massacre (2005). His album Get Rich or Die Tryin' has been certified eight times platinum by the RIAA.^[1]

Born in the South Jamaica of Queens, New York City, Jackson began drug dealing at the age of twelve during the 1980s crack epidemic.^[2] After leaving drug dealing to pursue a rap career, he was shot at and struck by nine bullets during an incident in 2000. After releasing his album Guess Who's Back? in 2002, Jackson was discovered by rapper Eminem and signed to Interscope Records. With the help of Eminem and Dr. Dre, who produced his first major commercial successes, Jackson became one of the world's highest selling rappers. In 2003, he founded the record label G-Unit Records, which signed several successful rappers such as Young Buck, Lloyd Banks, and Tony Yayo.

Jackson has engaged in feuds with other rappers including Ja Rule, Nas, Fat Joe, Jadakiss, Cam'ron, Puff Daddy, Rick Ross, and former G-Unit members The Game and Young Buck. He has also pursued an acting career, appearing in the semi-autobiographical film Get Rich or Die Tryin' in 2005, the Iraq War film Home of the Brave in 2006, and Righteous Kill in 2008. 50 Cent was ranked as the sixth-best artist of the 2000s by Billboard magazine. The magazine also ranked him as the fourth top male artist and as the third top rapper behind Eminem and Nelly.^[3] Billboard magazine also ranked him as the sixth best and most successful Hot 100 Artist of the 2000s^[4] and as the number one rap artist of the 2000s.^[5] Billboard ranked his album Get Rich or Die Tryin' as the twelfth best album of the 2000s^[6] and his album The Massacre as the 37th best album of the 2000s.^[7] As of September 2011, 50 Cent is working on his fifth studio album, which is set to be released in 2012.^[8]

Early life[link]

Curtis Jackson III grew up in South Jamaica, a poverty-stricken urban neighborhood in Queens, New York City. He grew up without a father and was raised by his mother, Sabrina, who gave birth to him at the age of fifteen. Sabrina, a cocaine dealer, raised Jackson until the age of eight, when she was killed in 1983. Twenty-seven years old at the time, she became unconscious after someone drugged her drink. She was then left for dead after the gas in her apartment was turned on and the windows shut closed.^[9][10]

After her death, Jackson moved into his grandparents' house with his eight aunts and uncles.^[11][12][13] He recalls, "My grandmother told me, 'Your mother's not coming home. She's not gonna come back to pick you up. You're gonna stay with us now.' That's when I started adjusting to the streets a little bit".^[14]

Jackson began boxing around the age of eleven. At fourteen, a neighbor opened a boxing gym for local kids. "When I wasn't killing time in school, I was sparring in the gym or selling crack on the strip", he recalled.^[15] In the mid 1980s, he competed in the Junior Olympics as an amateur boxer. He recounts, "I was competitive in the ring and hip-hop is competitive too... I think rappers condition themselves like boxers, so they all kind of feel like they're the champ".^[16] At the age of twelve, Jackson began dealing narcotics when his grandparents thought he was at after-school programs.^[17] He also took guns and drug money to school. In the tenth grade, he was caught by metal detectors at Andrew Jackson High School. He later stated, "I was embarrassed that I got arrested like that... After I got arrested I stopped hiding it. I was telling my grandmother [openly], 'I sell drugs.'"^[14]

Following time spent in a correctional boot camp, Jackson adopted the nickname "50 Cent" as a metaphor for "change".^[18] The name was derived from Kelvin Martin, a 1980s Brooklyn robber known as "50 Cent". Jackson chose the name "because it says everything I want it to say. I'm the same kind of person 50 Cent was. I provide for myself by any means".^[19]

Music career[link]

1996–99: Early career[link]

Jackson started rapping in a friend's basement where he used turntables to record over instrumentals.^[20] In 1996, a friend introduced him to Jam Master Jay of Run-DMC who was organizing his label Jam Master Jay Records.

Jay taught him how to count bars, write choruses, structure songs, and how to make a record.^[21][22] Jackson's first official appearance was on a song titled "React" with the group Onyx on their 1998 album Shut 'Em Down. He credited Jam Master Jay as an influence who helped him improve his ability to write hooks.^[16] Jay produced Jackson's first album; however, it was never released.^[9]

In 1999, after leaving Jam Master Jay, the platinum-selling producers Trackmasters took notice of Jackson and signed him to Columbia Records. They sent him to a studio in Upstate New York where he produced thirty-six songs in two weeks.^[10] Eighteen were included on his unofficially released album, Power of the Dollar in 2000.^[23] He also started the now-defunct Hollow Point Entertainment with former G-Unit affiliate Bang 'Em Smurf.^[24][25]

Jackson's popularity started to increase after the successful but controversial underground single, "How to Rob", which he wrote in half an hour while in a car on the way to a studio.^[18][26] The track comically explains how he would rob famous artists. He explained the reasoning behind song's content as, "There's a hundred artists on that label, you gotta separate yourself from that group and make yourself relevant".^[18] Rappers Jay-Z, Kurupt, Sticky Fingaz, Big Pun, DMX, Wyclef Jean and the Wu-Tang Clan replied to the song^[26] and Nas, who received the track positively, invited Jackson to travel on a promotional tour for his Nastradamus album.^[13] The song was intended to be released with "Thug Love" featuring Destiny's Child, but two days before he was scheduled to film the "Thug Love" music video, Jackson was shot and confined to a hospital due to his injuries.^[27]

2000–01: Shooting[link]

On May 24, 2000, Jackson was attacked by a gunman, alleged to be Darryl "Hommo" Baum, outside his grandmother's former home in South Jamaica, Queens. He went into a friend's car, but was asked to return to the house to get jewelry.

His son was in the house, while his grandmother was in the front yard.^[10] Upon returning to the back seat of the car and already seated, another car pulled up nearby. An assailant then walked up to Jackson's left side with a 9mm handgun and fired nine shots at close range. He was shot nine times: in the hand (a round hit his right thumb, to where the bullet passed through and out his little finger), arm, hip, both legs, chest, and his face (his left cheek).^[9][14][28] The face wound resulted in a swollen tongue, the loss of a wisdom tooth, and a small slur in his voice.^[13][14][29] His friend also sustained a gunshot wound to the hand. They were driven to the hospital where Jackson spent thirteen days.

Baum, the alleged shooter, was killed three weeks later.^[30]

Baum was also Mike Tyson's close friend and bodyguard.^[31]

Jackson recalled the incident saying, "It happens so fast that you don't even get a chance to shoot back.... I was scared the whole time.... I was looking in the rear-view mirror like, 'Oh @#!*% , somebody shot me in the face! It burns, burns, burns.'"^[14] In his autobiography, From Pieces to Weight: Once upon a Time in Southside Queens, he wrote, "After I got shot nine times at close range and didn't die, I started to think that I must have a purpose in life... How much more damage could that shell have done? Give me an inch in this direction or that one, and I'm gone".^[11] He used a walker for the first six weeks and fully recovered after five months. When he left the hospital, he stayed in the Poconos with his then-girlfriend and son. His workout regime helped him attain his muscular physique.^[9][14][32]

While in the hospital, Jackson signed a publishing deal with Columbia Records. However, he was dropped from the label and "blacklisted" in the recording industry because of his song "Ghetto Qu'ran".

Unable to find a studio to work with in the U.S, he traveled to Canada.^[33][34] Along with his business partner Sha Money XL, he recorded over thirty songs for mixtapes, with the purpose of building a reputation.

According to Shady Records A&R Marc Labelle in an interview with HitQuarters, Jackson shrewdly used the mixtape circuit to his own advantage saying, "He took all the hottest beats from every artist and flipped them with better hooks. They then got into all the markets on the mixtapes and all the mixtape DJs were messing with them."^[35] Jackson's popularity rose and in 2002, he released material independently on the mixtape, Guess Who's Back?. Beginning to attract interest, and now backed by G-Unit, Jackson continued to release music including 50 Cent Is the Future. The mixtape revisited material by Jay-Z and Raphael Saadiq.^[23]

2002–09: Rise to fame[link]

In 2002, Eminem listened to a copy of Jackson's Guess Who's Back? CD. He received the CD through Jackson's attorney, who was working with Eminem's manager Paul Rosenberg.^[27] Impressed with the album, Eminem invited Jackson to fly to Los Angeles, where he was introduced to Dr. Dre.^[9][21][27] After signing a $1 million record deal,^[21] Jackson released the mixtape, No Mercy, No Fear. It featured one new track, "Wanksta", which was put on Eminem's 8 Mile soundtrack.^[23] He was also signed to Chris Lighty's Violator Management and Sha Money XL's Money Management Group.

In February 2003, Jackson released his commercial debut album, Get Rich or Die Tryin'. Allmusic described it as "probably the most hyped debut album by a rap artist in about a decade".^[36] Rolling Stone noted the album for its "dark synth grooves, buzzy keyboards and a persistently funky bounce" with Jackson complementing the production in "an unflappable, laid-back flow".^[37]

It debuted at number one on the Billboard 200, selling 872,000 copies in the first four days.^[38] The lead single, "In da Club", which The Source noted for its "blaring horns, funky organs, guitar riffs and sparse hand claps",^[39] broke a Billboard record as the most listened-to song in radio history within a week.^[40]

Interscope granted Jackson his own label, G-Unit Records in 2003.^[41] He signed Lloyd Banks, Tony Yayo, and Young Buck as the established members of G-Unit. The Game was later signed under a joint venture with Dr. Dre's Aftermath Entertainment.

In March 2005, Jackson's second commercial album, The Massacre, sold 1.14 million copies in the first four days-the highest in an abbreviated sales cycle^[38]- and peaked at number one on the Billboard 200 for six weeks.^[42]

He became the first solo artist to have three singles on the Billboard top five in the same week with "Candy Shop", "Disco Inferno", and "How We Do".^[43] Rolling Stone noted that "50's secret weapon is his singing voice - the deceptively amateur-sounding tenor croon that he deploys on almost every chorus".^[44]

From left: With Olivia, Lloyd Banks, and Young Buck in Bangkok, Thailand, February 2006

After The Game's departure, Jackson signed singer Olivia and rap veterans Mobb Deep to G-Unit Records. Spider Loc, M.O.P., 40 Glocc and Young Hot Rod later joined the label.^[45][46] Jackson expressed interest in working with rappers outside of G-Unit, such as Lil' Scrappy of BME, LL Cool J from Def Jam, Mase from Bad Boy, and Freeway of Roc-A-Fella, some of whom he recorded with.^[47] In September 2007, he released his third album Curtis, which was inspired by his life before Get Rich or Die Tryin'.^[48] It debuted at number two on the Billboard 200, selling 691,000 units in the first week,^[49] behind Kanye West's Graduation, whom he had a sales competition with, as both albums were released on the same day.

He confirmed on TRL on September 10, 2008 that his fourth studio album, Before I Self Destruct, will be "done and released in November".

On May 18, 2009, Jackson released a song entitled "Ok, You're Right". The song was produced by Dr. Dre and was included in Before I Self Destruct.

In Fall 2009, 50 Cent appeared in the new season of VH1's Behind The Music.

On September 3, 2009 months upon the release of his "Before I Self Destruct" album 50 Cent posted a video^[50] for the Soundkillers' Phoenix^[51] produced track "Flight 187" which introduced his mixtape, the 50th LAW, and was also featured as a bonus track on his iTunes release of Before I Self Destruct. The song ignited speculation that there was tension between rapper 50 Cent and Jay Z for Jackson's comments in the song.^[52]

2010–present[link]

In an interview with the British entertainment website ContactMusic, 50 Cent announced that he was working on a dance album named Black Magic. 50 Cent said he was inspired by the European nightclubs. "First they played hip-hop which suddenly changed to uptempo songs, known as Eurodance".^[53] He went on The Invitation Tour in the summer of 2010, in support of Before I Self Destruct album, and the then shelved Black Magic album. He "recorded 20 songs to a whole different album concept" before he put those to the side and did something different.^[54]

50 Cent revealed that he wanted his new album to have the same "aggression" as his debut record, Get Rich or Die Tryin'.^[55][56]

He later tweeted that the album was "80 percent done", and stated that fans can expect the album in the summer of 2011; however, the album has been delayed to 2012 at the earliest, due to tensions and disagreements at Interscope Records, Later 50 Cent said that he will release his album in November 2011^[8] and it has also been confirmed that "Black Magic" will not be the album's title.^[8] 50 Cent has already confirmed that Eminem will appear on the album, but he also confirmed that he has been working with new producers such as Boi-1da and Alex da Kid.^[57] Cardiak, who produced Lloyd Banks' “Start It Up”, also confirmed that he had produced a song for the upcoming album.^[58]

DJ Whoo Kid confirmed in an interview that 50 Cent was filming a new movie with Robert DeNiro in New Orleans.^[59]

50 Cent released the first song from his fifth studio album, titled "Outlaw", to the Internet on June 16, 2011.^[60]

The single was produced by Cardiak.

It was released to iTunes on July 19, 2011,^[61] although 50 Cent confirmed through his Twitter account that the song was not the album's first single.^[62]

50 Cent is set to release a book titled Playground.

Unlike his previous literary efforts — which focus on his life story and the rules of power — this time he's aiming at a teen audience with a semi-autobiographical novel about bullying. According to a statement from the book's publisher, the first-person novel is slated for release in January 2012 and will tell the story of a 13-year-old schoolyard bully "who finds redemption as he faces what he's done."^[63]

50 Cent has promised to deliver his fifth studio album album over the past few years, but the LP may be delayed until 2012. In a series of tweets, 50 Cent explained that him and his label Interscope Records aren’t on the same page on how to roll out the album and that he’s delaying its release until they see eye to eye.^[8]

50 Cent later suggested that his album will be releasing in November 2011, along with his headphone line SMS by 50.^[8]

50 Cent spoke to MTV in relation to the possibility of leaving Interscope Records. "I don't know," 50 told MTV News when asked if he would ink back with Interscope once his five-album deal was fulfilled. "It will all be clear in the negotiations following me turning this actual album in. And, of course, the performance and how they actually treat the work will determine whether you still want to stay in that position or not."^[64]

On June 20, 2011, 50 Cent announced that he will release an LP titled Before I Self Destruct II. The announced sequel to his 2009 LP is suggested to be released after his fifth studio album.^[65]

On June 26, 2011, 50 Cent planned to shoot a music video for the lead single from his fifth studio album titled I'm On It.^[66] However, the music video never surfaced.^[67]

50 Cent spoke to Shade45 in relation guest appearances for his fifth studio album. "I did four songs in Detroit with Eminem. I did two with Just Blaze, a Boi-1da joint, and I did something with Alex da Kid. We made two that are definite singles and the other two are the kinds of records that we been making, more aimed at my core audience, more aggressive, more of a different kind of energy to it."^[68]

In September 2011, 50 Cent released a song titled "Street King Energy Track #7" in attempt to promote his charitable energy drink Street King.^[69]

On September 28, 2011, it was confirmed that 50 Cent is shooting a music video for his lead single from his fifth studio album titled "Girls Go Wild", which features Jeremih.^[70][71]

On October 26, 2011, 50 Cent announced that his fifth studio album will be released in December 2011.^[72] However, the album was delayed, and it was announced that the album will now be released on July 2, 2012.^[73]

Other ventures[link]

Jackson has established himself in a variety of fields. In November 2003, he signed a five-year deal with Reebok to distribute a "G-Unit Sneakers" line as part of his G-Unit Clothing Company.^[74][75] He provided the voice-over as the protagonist in the video game 50 Cent: Bulletproof, which was released for PlayStation 2, Xbox, and the PlayStation Portable.

Its sequel, 50 Cent: Blood on the Sand, was released in early 2009.^[76][77] He worked with Glacéau to create a vitamin water drink called Formula 50. In 2007, Coca-Cola purchased Glacéau for US$4.1 billion. Forbes estimated Jackson, who owns a stake in the company, earned $100 million from the deal after taxes.^[78] He has teamed up with Right Guard to launch a body spray called Pure 50 RGX Body Spray and a condom line called Magic Stick Condoms,^[79] in which he planned to donate part of the proceeds to HIV awareness.^[80]

Jackson has signed a multi-year deal with Steiner Sports to sell his memorabilia.^[81]

In 2005, Jackson made a cameo appearance on The Simpsons episode "Pranksta Rap", in which he makes light of his legal troubles. The same year, he starred alongside Terrence Howard in the semi-autobiographical film Get Rich or Die Tryin'. He starred in the 2006 film Home of the Brave, as a soldier returning home from the Iraq War, traumatized after killing an Iraqi woman.^[82]

Jackson is working^[when?] on a role as a fighter in an Angola State Prison in Spectacular Regret alongside Nicolas Cage, and starred opposite Al Pacino and Robert De Niro in 2008's Righteous Kill, a movie regarding a police death.^[83]

He also started the film production companies G-Unit Films in 2007 and Cheetah Vision in 2008.^[84][85]

In August 2007, Jackson announced plans to launch a dietary supplement company in conjunction with his movie Spectacular Regret.^[86]

50 Cent with Val Kilmer at the AMAs 2009

In August 2005, shortly before appearing in Get Rich or Die Tryin', Jackson published an autobiography entitled From Pieces to Weight: Once upon a Time in Southside Queens. In it, Jackson explores the cultural and economic forces that led him to sell cocaine and crack, details his entrepreneurship as a drug-dealer and then as a rapper, and reflects on his own ethos and on society.

On January 4, 2007, Jackson launched his G-Unit Books imprint at the Time Warner Building.^[87] He also co-wrote The Ski Mask Way, a novel about a small-time drug dealer who attempts to rob his employers, which is to be turned into a film.^[80] Jackson said he read Robert Greene's The 33 Strategies of War and worked with the author on a book titled The 50th Law, an urban take on The 48 Laws of Power.^[80][88] In May 2008, Jackson met billionaire Patrice Motsepe to forge a joint venture selling 50 Cent-branded platinum.^[89]

In 2008, Jackson started a reality television show on MTV titled 50 Cent: The Money and the Power; the winning contestant, Ryan Mayberry, won a $100,000 investment from Jackson.^[90]

On September 8, 2009, he published his book The 50th Law.^[91]

In 2010, Jackson's film company Cheetah Vision landed $200 million in funding.^[92]

In July 2011, 50 Cent revealed his initiative to provide food for millions of people in Africa by 2016. 50 Cent teamed up with Pure Growth Partners to launch a charitable energy drink called Street King that will help aid in combating world hunger. For every purchase of Street King, a portion of the sales will go to providing a daily meal to an underprivileged child around the world. The partnership coincides with Fiddy’s mission statement of feeding a billion people in Africa over the next five years.

“50 Cent and I share a common vision: To address the world’s problems through smart and sustainable business models,” said Chris Clark, the founder and CEO of Pure Growth Partners. “With the rampant starvation in Africa and hunger afflicting children worldwide, we need socially responsible businesses that affect real change now more than ever.”

50 concurs, stating, “I’m inspired by Clarke’s vision and innovative approaches to tackling serious issues. It’s our mission with Street King to really change children’s lives around the world.”^[93][94]

Jackson founded SMS Audio, selling headphones with the name Street by 50. He has pledged to donate a portion of the sales to charity.^[95]

Personal life[link]

Jackson has a tattoo of "Marquise" with an axe on his right biceps. "The axe is 'cause I'm a warrior. I don't want him to be one, though,"^[34] he explains. He also has "50", "Southside", and "Cold World" inscribed on his back because "I'm a product of that environment. It's on my back, though, so it's all behind me."^[34]

Family[link]

On October 13, 1997, Jackson's then-girlfriend Shaniqua Tompkins gave birth to a son, Marquise Jackson.^[2][96]

The birth of his son changed Jackson's outlook on life: "When my son came into my life, my priorities changed, because I wanted to have the relationship with him, that I didn't have with my father."^[97] He credited his son for inspiring his career and being "motivation to go in a different direction".^[98]

Politics[link]

In 2005, Jackson expressed support for President George Walker Bush after rapper Kanye West criticized him for the slow response in assisting the Hurricane Katrina victims.^[99]

If his felony convictions did not prevent him from voting, he claimed he would have voted for Bush.^[100] Jackson identifies with the Republican Party.^[101]

He later stated that Bush "has less compassion than the average human. By all means, I don't aspire to be like George Bush."^[102]

In response to Obama's endorsement of gay marriage, 50 cent said he also supports legalizing it.^[103]

Wealth[link]

In 2007, Jackson was the second wealthiest performer in the rap industry, behind Jay-Z.^[104] He resides in Farmington, Connecticut, in the former mansion of ex-boxer Mike Tyson.^[105] He is consistently ranked among the richest figures in the American hip hop scene. In 2011, Jackson was ranked the fifth richest figure in American hip hop with a net worth estimated at $100 million.^[106]

He put the mansion for sale at $18.5 million to move closer to his son who lives in Long Island with his ex-girlfriend.^[107] On October 12, 2007, the Mayor of Bridgeport, Connecticut declared it "50 Cent Curtis Jackson Day". He was honored with a key to the city and an official proclamation.^[108]

One of his homes in New York purchased for 2.4 million dollars in January 2007 and at the center of a lawsuit between Jackson and ex-girlfriend Shaniqua Tompkins caught fire on May 30, 2008 while he was out of town filming for a movie in Louisiana.^[109]

In December 2008 Jackson told the Canadian press that he had been affected by the recession, losing several million dollars in the stock market as an investor. He also went on to say that he had been unable to sell his Connecticut mansion and pushed Before I Self-Destruct back because of the recent economic downturn.^[110]

Legal issues[link]

On June 29, 1994, Jackson was arrested for helping to sell four vials of cocaine to an undercover police officer. He was arrested again three weeks later when police searched his home and found heroin, ten ounces of crack cocaine, and a starter gun.

He was sentenced to three to nine years in prison, but managed to serve six months in a shock incarceration boot camp where he earned his GED. Jackson said that he did not use cocaine himself, he only sold it.^{[11][111][112]}

His ex-girlfriend Shaniqua Tompkins sued Jackson for $50 million, claiming that he said that he would take care of her for life; the suit, which includes 15 claims was later dismissed by a judge, calling it "an unfortunate tale of a love relationship gone sour."^[113]

50 Cent was sentenced to two years probation on July 22, 2005 from an incident in May 2004 when 50 Cent jumped into the audience after being hit with a water bottle.^[114] He was charged with three counts of assault and battery.^[114]

Lawsuits[link]

On July 21, 2007, Jackson filed a $1 million lawsuit against advertising company Traffix Inc. of Pearl River, New York for using his image in a promotion which he claims threatens his safety.

He became aware of the internet ad after one of his staff members saw it on a MySpace page. According to court documents, the ad features a cartoon image of the rapper and the message: "shoot the rapper and you will win $5000 or five ring tones guaranteed".

Though the ad did not use his name, the image allegedly intended to resemble him, suggesting he endorsed the ad.

The lawsuit calls it a "vile, tasteless and despicable" use of 50 Cent's image that "quite literally calls for violence against him". The lawsuit seeks for unspecified punitive damages and a permanent injunction against the use of his image without permission.^[115][116]

In November 2009, 50 Cent won in a lawsuit against Taco Bell over the fast food chain using his name to promote the brand without his permission.^[117]

Feuds[link]

How to Rob[link]

50 Cent said that he intended the single to be a joke, and not meant to disrespect anybody. Nevertheless, a number of rappers mentioned on the song responded on record.

The comments made towards the Wu-Tang Clan were responded to on the Ghostface Killah album Supreme Clientele on a track called "Ghost Deini" and even more directly on a skit called "Clyde Smith" which included one of the Wu-Tang Clan members talking about how they intended to harm the rapper, which is identifiable as Raekwon when the track is sped up. A supposed diss song, "Who the Fuck Is 50 Cent", which circulated the web in the beginning of 2001 was rumored to be by the Clan, but was proven to be recorded by Polite of American Cream Team (Raekwon's then-side project).

Jay-Z also reacted to the comments in the track called "It's Hot (Some Like It Hot)", off the album Vol. 3... Life and Times of S. Carter:

"Go against Jigga yo' ass is dense
I'm about a dollar, what the fuck is 50 Cents?"

Sticky Fingaz responded to the diss with the track "Jackin' for Beats."

"The real 50 from Brooklyn god bless he got outed
You just a fake clown who front and rout about it."

Big Pun responds to this track on his album Yeeeah Baby, in the song "My Turn."

"And to the 50 Cent Rapper, very funny – get your nut off, 'cuz in real life, we all know I'd blow your motherfucking head off...If I'm gonna write a song, it'll be about how I had to beat your mothafuckin' ass. And that'll be the name of the motherfucker: 'That's Why I Had To Beat Your Motherfucking Ass', featuring Tony Sunshine."

Kurupt responded on the diss track "Callin' Out Names."

"Now it's 50 mc's that ain't worth shit
Get ya ass kicked 50 times, beat to 10 cent"

Wyclef Jean responded on the song "Low Income", from his 2000 album, The Ecleftic.

"I stay so hungry that if 50 Cent came to rob me
he'd be part of my charity."

The Inc.[link]

Before signing with Interscope, Jackson engaged in a well-publicized dispute with rapper Ja Rule and his label The Inc.. Jackson claims that a friend robbed Ja Rule of his jewelry and that Ja Rule accused him of setting it up.^[118] However, Ja Rule claimed the conflict stemmed from a video shoot in Queens because Jackson did not like seeing him "getting so much love" from the neighborhood.^[119] In March 2000, while at The Hit Factory studio in New York, Jackson had an altercation with Murder Inc. associates. He was treated for three stitches after receiving a stab wound.^[118][120] Rapper Black Child claimed responsibility for the stabbing, saying he acted in self-defense because he thought someone reached for a gun.^[121]

An affidavit by an IRS agent suggested that Murder Inc. had ties to Kenneth "Supreme" McGriff, a New York drug lord who was suspected of being involved in the murder of Jam Master Jay and the shooting of Jackson. An excerpt of the affidavit read:

The investigation has uncovered a conspiracy involving McGriff and others to murder a rap artist who has released songs containing lyrics regarding McGriff's criminal activities. The rap artist was shot in 2000, survived and thereafter refused to cooperate with law enforcement regarding the shooting. Messages transmitted over the Murder Inc. pager indicate that McGriff is involved in an ongoing plot to kill this rap artist, and that he communicates with Murder Inc. employees concerning the target.^[33]

In an interview with MTV, Ja Rule acknowledged his defeat against 50 Cent and stated that his new album, The Mirror, will not be continuing any past feuds that he has engaged in. He said: There was a lot of things I wanted to say, and I didn't want there to be any bitter records on the album. Because I'm not bitter about anything that happened [in the past few years].

Fat Joe, Nas & Jadakiss[link]

Before releasing The Massacre, Jackson recorded a song "Piggy Bank", a response to Ja Rule's song "New York", which was leaked before the album's release. The song takes aim at rappers including Fat Joe, Nas, and Jadakiss.^[122] Fat Joe responded with a song, "My Fofo", accusing Jackson of taking steroids, hiding in his home, and being jealous of The Game. Jadakiss also responded with a song, "Checkmate", and said that Jackson was trying to "create a buzz for his new album".^[123] The "Piggy Bank" music video portrays animated caricatures of Jadakiss (as a Ninja turtle), Fat Joe (as King Hippo from Mike Tyson's Punch-Out), Nas (as a kid chasing a "milkshake" truck in a Superman costume), and The Game (as Mr. Potato Head). He also disses all of them on the beef version of his single "Window Shopper"^[124] Kelis, Nas's then-wife, responded to the song on her single "Bossy".^{[citation needed]} Nas later responded with "Don't Body Ya Self (MC Burial)." Nas later dissed 50 on the song "Street Ridaz" on Game's mixtape "Brake Lights".

Sean Combs[link]

Jackson spoke negatively about Bad Boy Entertainment mogul Sean Combs and recorded a song, "Hip-Hop", revealing the reasons behind his negative feelings: primarily, a contract dispute over Mase. In the song, he implied that Diddy knew about The Notorious B.I.G.'s murder and threatened to expose him through former associates.^[125] The feud was resolved, with both rappers appearing on MTV's TRL and Sucker Free, respectively, stating that there were no longer problems.^[126] The feud reignited in 2010 with 50 Cent dissing Diddy, saying his music "sucks".

Cam'ron[link]

On February 1, 2007, Cam'ron and Jackson had a live argument on The Angie Martinez Show on Hot 97 radio. Jackson commented that Koch Entertainment was a "graveyard", meaning major record labels would not work with their artists.^[127] Cam'ron then ridiculed the record sales of G-Unit members Lloyd Banks and Mobb Deep by stating that Jim Jones outsold their albums despite being signed to an independent label and that his group, The Diplomats, had a distribution deal from several labels.^[127] Both rappers released "diss" songs with videos on YouTube. Jackson suggested in "Funeral Music" that Cam'ron is no longer able to lead The Diplomats and that Jim Jones should take his place. Cam'ron responded with "Curtis" and "Curtis Pt. II", in which he makes fun of Jackson's appearance, calling him "a gorilla, with rabbit teeth".^[128] Jackson responded by releasing "Hold On" with Young Buck.

Game[link]

Although he was close with The Game, before The Game released his debut album The Documentary, they soon became at odds. After its release, Jackson felt The Game was disloyal for saying he did not want to participate in G-Unit's feuds with other rappers and even wanting to work with artists they were feuding with. He also claimed that he wrote six songs on the album and was not receiving proper credit for his work, which The Game denied.^[129]

50 Cent performing at a concert in 2007

Jackson later dismissed The Game from G-Unit on Hot 97 radio. After the announcement, The Game, who was a guest earlier in the evening, attempted to enter the building with his entourage. After being denied entry, one of his associates was shot in the leg during a confrontation with a group of men leaving the building.^[130][131] When the situation escalated, both rappers held a press conference to announce their reconciliation.^[132] Fans had mixed feelings as to whether the rappers created a publicity stunt to boost the sales of the albums they had just released.^[133] Nevertheless, even after the situation deflated,^[134] G-Unit criticized The Game's street credibility. The group denounced The Game and announced that they will not be featured on his albums. During a Summer Jam performance, The Game launched a boycott of G-Unit called "G-Unot".^[135]

After the performance at Summer Jam, The Game responded with "300 Bars and Runnin'", an extended "diss" aimed at G-Unit as well as members of Roc-A-Fella Records on the mixtape You Know What It Is Vol. 3. Jackson responded through his "Piggy Bank" music video, which features The Game as a Mr. Potato Head doll and also parodies other rivals.^[136] Since then both groups continued to attack each other. The Game released two more mixtapes, Ghost Unit and a mixtape/DVD called Stop Snitchin, Stop Lyin.

Jackson posted a cover of The Game's head on the body of a male stripper for "Hate It or Love It (G-Unit Radio Part 21)" mixtape, as a response to The Game displaying pictures of G-Unit dressed as Village People.^[137] Although he was signed to Aftermath Entertainment, The Game left the label and signed with Geffen Records to terminate his contractual obligations with G-Unit (although others claim Jackson pressured Dr. Dre to kick him off).^[138] G-Unit member Spider Loc had also began to insult The Game on various songs. In addition, The Game released "240 Bars (Spider Joke)" and "100 Bars (The Funeral)" both attacking G-Unit, Spider Loc and others. Jackson's response was "Not Rich, Still Lyin'" where he mocks The Game.^[139] Lloyd Banks replied to the Game on a Rap City freestyle booth session. The Game quickly released a "diss" record called "SoundScan" where The Game pokes fun at Lloyd Banks' album Rotten Apple falling thirteen spots on the Billboard 200 chart and disappointing second week sales. Lloyd Banks replied on his mixtape Mo' Money In The Bank Pt. 5: Gang Green Season Continues with a song called "Showtime (The Game's Over)". Lloyd Banks states that Jackson wrote half of The Game's first album The Documentary and pokes fun at The Game's suicidal thoughts.

In October 2006, The Game extended a peace treaty to Jackson, which was not immediately replied to.^[140] However, a couple days later, on Power 106, he stated that the treaty was only offered for one day.^[141] On The Game's album, Doctor's Advocate, he claims that the feud is over on a few of the songs.

In July 2009, The Game stated the beef was squashed with help from Michael Jackson and Diddy,^[142] and he apologized for his actions during the beef.^[143] Tony Yayo said that neither Jackson (50 Cent) or G-Unit would accept his apology.^[144] Since then, The Game continued his old "G-Unot" ways at live concerts. Jackson released "So Disrespectful" a diss song on Before I Self Destruct targeting Jay-Z, The Game and Young Buck.^[145] Game later responded with the song "Shake", poking fun of the music video for 50's single "Candy Shop", quote, "Me and 50 aint agreeing on shit so I had to (Shake) Aint no telling what he putting in that protein (Shake) Seen the candy shop video look at this nigga (Shake) And thats the same shit that made the nigga Young Buck (Shake)". He also takes shots at Lloyd Banks and Tony Yayo, in which he says, "I'm surprised that Lloyd Banks and Yayo didn't (Shake) Wasn't selling no records Jimmy Iovine said (Shake)". Game also dissed G-Unit several times on the song "400 Bars".

In September 2011, 50 Cent dissed Game on the song "Love, Hate, Love", in which Game responded to on his twitter, saying he was going to diss him back after his tour was finished, quote:

[@50Cent I'm on tour doin shows but as soon as @avanterose find a studio for me i'm killin yo "Planet of the Apes" face havin ass nigga

Rick Ross[link]

In January 2009, Rick Ross started a feud with 50 Cent because he supposedly looked at him the wrong way at the BET Awards. However, Jackson told news sources that he did not even remember seeing Rick Ross there.^[146] In late January, a track entitled "Mafia Music" by Rick Ross, leaked onto the Internet. There were several lines that seem to diss Jackson. Days later, Jackson released "Officer Ricky (Go Head, Try Me)" in response to Rick Ross's disparaging remarks on his "Mafia Music" song. The next day Rick Ross appeared on Shade 45, and told Jackson to come up with something better in 24 hours.

Before going to Venezuela, Jackson uploaded a video entitled "Warning Shot", where he warns Rick Ross: "I'ma fuck your life up for fun". In addition, Jackson released the first of a series of "Officer Ricky" cartoons. Early February, Jackson once again made a video which he uploaded to YouTube where he interviews "Tia", the mother of one of Rick Ross's children. She verifies his being a correctional officer and claims his whole persona is fake and fraudulent.^[147] On Thursday, February 5, 2009, The Game, who Jackson has a long-standing "beef" with, called up Seattle's KUBE 93 Radio Station. When asked about the beef between Jackson and Rick Ross, The Game sided with Jackson and said that things are not looking good for Rick Ross. However, he offered to help Rick Ross get out of this situation, stating "Rick Ross, holla at your boy, man," and "50 eating you, boy."^[148]

On his album Deeper Than Rap, Ross references Jackson in the song "In Cold Blood". A video for the song was released that portrayed Jackson's mock funeral. Upon release, Ross stated that he has ended Jackson's career.^[149]

In an interview, Jackson said: "Rick Ross is Albert From CB4. You ever seen the movie? He's Albert," he added. "It never gets worse than this. You get a guy that was a correctional officer come out and base his entire career on writing material from a drug dealer's perspective such as "Freeway" Ricky Ross."^[150]

Lil Wayne[link]

After hearing word that Lil Wayne had prepared a song for him after 50 made some unkind remarks, 50 lashed out at Wayne first on August 17, 2007 with the song "Part Time Lover".^[151] Wayne never really responded to the song, although a 50 Cent diss track called "Louisianimal" did leak much later on November 17, 2008.^[152] Jackson responded to Lil Wayne in January 2009 in a song entitled "Play This On The Radio".^[153] As of August 14, 2009, the controversy between Jackson and Lil Wayne seems to have ended after Jackson appeared and performed at Lil Wayne's America's Most Wanted Musical Festival stop in Anaheim, California.^[154]

Young Buck[link]

Main article: 50 Cent vs. Young Buck

After numerous rumors of a "beef" within G-Unit, Jackson officially dismissed Young Buck from the group, in 2008. He later assured that he was still signed with the label.^[155] Numerous slander songs then arose on the internet from both camps, with Young Buck appearing in a music video of former rival The Game.^[156][157] Jackson then leaked a taped phone conversation between himself and Young Buck, which showed one of the true reasons for the falling out; Jackson was owed money by the Southern rapper. Young Buck later stated the conversation took place over a year before the leak.^[158] The two camps have since released a multitude of songs against each other, with the feud settling down by 2009, with Young Buck stating he's been working on his latest album, which is still to be released under the G-Unit label.^[159]

In April 2012, after being ousted from the crew back in 2008, Young Buck has entered talks to work with the label. Days after indicating that he would be open to re-teaming with his old crew at G-Unit Records, Young Buck now confirms that he has begun negotiations with the label about making his return. Buck provided the update in a recent interview stating "I'ma be honest with you," he said, "Finally we're at a point where we're having some kind of negotiations with what they're going to be able to do for us at G-Unit."^[160] The Nashville, Tennessee native said he was ready to make his return to music, whether as a part of G-Unit or not. "Y’all are gonna be hearing from me," he said. "I don't want to put a timing on it, but the wait is absolutely over, and we're just trying to figure out what's the best situation for us, where I'm gonna go." Buck stated in an interview after a concert in California April 4, 2012. Young Buck's last album was the 2010 independent release The Rehab. It’s been a rough go for Buck since he was expelled from 50’s crew in 2008, he has run into financial troubles and he recently escaped an attempted drive-by shooting in his hometown. Although it doesn’t look like the rapper has straightened out his relationship with 50 Cent, but he says the label has finally agreed to negotiate. The negotiations may not lead to a new deal between Young Buck and G-Unit, but the rapper remains optimistic and explained that it’s only a matter of time before he ends up finding a place to take his talent.^[161][162]

Discography[link]

• Get Rich or Die Tryin' (2003)
• The Massacre (2005)
• Curtis (2007)
• Before I Self Destruct (2009)
• Fifth studio album (2012)^[163][164]

Awards and nominations[link]

Filmography[link]

Voice work[link]

References[link]