‘Art’ is a French language play by Yasmina Reza that premiered on 28 October 1994 at Comédie des Champs-Élysées in Paris. The English language adaptation, translated by Christopher Hampton opened in London's West End on 15 October 1996, starring Albert Finney. It played on Broadway in New York from Feb. 12, 1998 to Aug. 8, 1999. The March 1, 1998 opening night cast featured Alan Alda (Marc), Victor Garber (Serge), and Alfred Molina (Yvan) who was nominated for a Tony Award for Best Actor in a Play for his performance. ART won the Tony for Best Play and went on to a 600 performance run. Replacement actors included Judd Hirsch, Joe Morton, George Wendt, Buck Henry, George Segal, and Wayne Knight.

The comedy, which raises questions about art and friendship, concerns three long-time friends, Serge, Marc, and Yvan. Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting. Marc is horrified, and their relationship suffers considerable strain as a result of their differing opinions about what constitutes "art". Yvan, caught in the middle of the conflict, tries to please and mollify both of them.

Art is a term that describes a diverse range of human activities and the products of those activities, but is most often understood to refer to painting, film, photography, sculpture, and other visual media. Music, theatre, dance, literature, and interactive media are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences, but in modern usage the fine arts are distinguished from acquired skills in general.

Many definitions of art have been proposed by philosophers and others who have characterized art in terms of mimesis, expression, communication of emotion, or other values. During the Romantic period, art came to be seen as "a special faculty of the human mind to be classified with religion and science".

The nature of art, and related concepts such as creativity and interpretation, are explored in a branch of philosophy known as aesthetics.

The Encyclopædia Britannica Online defines art as "the use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with others". By this definition of the word, artistic works have existed for almost as long as humankind: from early pre-historic art to contemporary art; however, some theories restrict the concept to modern Western societies. The first and broadest sense of art is the one that has remained closest to the older Latin meaning, which roughly translates to "skill" or "craft." A few examples where this meaning proves very broad include artifact, artificial, artifice, medical arts, and military arts. However, there are many other colloquial uses of the word, all with some relation to its etymology.

Yasmina Reza (born 1 May 1959 or 1960 in Paris) is a French playwright, actress, novelist and screenwriter best known for her plays 'Art' and God of Carnage.

Reza's parents were both of Jewish origin, her father Iranian of Russian descent (whose family left Moscow after the Bolsheviks came to power), her mother Hungarian.

At the beginning of her career, Reza acted in several new plays as well as in plays by Molière and Marivaux.

In 1987 she wrote Conversations after a Burial, which won the Molière Award, the French equivalent of the Laurence Olivier Award or the Tony Award, for Best Author. Following this, she translated Kafka's "The Metamorphosis" for Roman Polanski and was nominated for a Molière Award for Best Translation.

Her second play, Winter Crossing, won the 1990 Molière Award for Best Fringe Production, and her next play, The Unexpected Man, enjoyed successful productions in England, France, Scandinavia, Germany and New York.

In 1995, 'Art' premiered in Paris and went on to win the Molière Award for Best Author. Since then it has been produced worldwide and translated and performed in over 30 languages. The London production, produced by David Pugh and Dafydd Rogers, received the 1996–97 Laurence Olivier Award and Evening Standard Award. It also won the Tony Award for Best Play. Life X 3 has also been produced in Europe, North America and Australia. Screenwriting credits include See You Tomorrow, starring Jeanne Moreau and directed by Reza's then-partner Didier Martiny.

Pierre Arditi was born on 1 December 1944 in Paris, child of the French painter Georges Arditi (fr), from Marseille, and a Belgian mother. He is an award-winning French film and stage actor. He is the brother of French actress Catherine Arditi.

Being born before 1967 from a Belgian mother married to a foreign citizen, he is a famous example of non-transmission of Belgian citizenship by mother's blood.

He has often played romantic, womanizing roles, similar to those played by Marcello Mastroianni.

In 1987 he won a César Award for Best Actor in a Supporting Role for his role in Mélo, and in 1994, a César Award for Best Actor for his role in Smoking/No Smoking.

Although his work has primarily been in French film and theater, Arditi is known in the Anglophone world as the French voice of Christopher Reeve. Arditi dubbed Christopher Reeve on the French-language version of the three first Superman movies by Richard Donner and Richard Lester (See the French Wikipedia article on Pierre Arditi for more information). Because of the added footage in the DVD Special Edition of Donner's Superman, the movie had to be re-dubbed with a different voice actor, much to the chagrin of the generation of moviegoers who had grown up with the original soundtrack and identified Superman's voice with Arditi's. He also provided the French voice for Reeve in the comedy/whodunit Deathtrap. Finally, he was the voice of the documentary serie Untamed Africa, written and produced by Frederic Lepage.

Fabrice Luchini (born 1 November 1951) is a French stage and film actor.

Fabrice Luchini was born in Île-de-France, Paris, into an Italian immigrant family, who were fruit and vegetable vendors. He grew up around the neighbourhood of Goutte d'Or in Paris's 18th arrondissement. When he was 13, his mother apprenticed him to a hairdresser in a trendy parlor on Avenue Matignon, where he would take the name of the hairdresser's son, Fabrice, in place of his real name, Robert. At the same time he developed a great interest for literature (Balzac, Flaubert, Proust). His passion for soul music (James Brown) made him a regular of discothèques. This is where he met Philippe Labro, who gave him his first role in Tout peut arriver in 1969. He then studied acting under Jean-Laurent Cochet. However, it was his collaboration with Éric Rohmer that would make him popular for Le Genou de Claire in 1970, in which he played a small role as an adolescent. He appeared in Rohmer's Perceval le Gallois, and Les Nuits de la pleine lune, and in films directed by Nagisa Oshima, Pierre Zucca, Claude Lelouch, Cedric Klapisch, Édouard Molinaro.