Thao & Mirah is a collaborative studio album by Thao Nguyen & Mirah, released in 2011 on Kill Rock Stars. In support of the album Thao and Mirah toured with indie music artists such as BOBBY. It was well-received by music critics; according to Pitchfork, "everything on Thao & Mirah feels of a cohesive collaborative piece, separate from either artist's solo work, a combination that synthesizes their individual strengths to outstanding effect."
In early 2010, Mirah performed with Thao Nguyen at the Noise Pop Festival in San Francisco. The two later announced a 2010 North American tour, billed under the name Thao and Mirah With The Most of All. Mirah and Thao performed a collaborative set and shared vocal duties on each artist's respective songs. The two artists subsequently recorded Thao and Mirah.
Thao & Mirah was produced by Merrill Garbus of Tune-Yards and recorded in San Francisco, California. It was released on April 26, 2011 (2011-04-26) on the record label Kill Rock Stars.
Mirah (born Mirah Yom Tov Zeitlyn, September 17, 1974, in Philadelphia, Pennsylvania), is an American musician and songwriter based in Brooklyn, New York. After getting her start in the music scene of Olympia, Washington in the late 1990s, she released a number of well-received solo albums on K Records, including You Think It's Like This but Really It's Like This (1999) and Advisory Committee (2001). Her 2009 album (a)spera peaked on the Billboard Top Heatseekers chart at #46, while her 2011 collaborative album Thao + Mirah peaked at #7.
She has released ten full-length solo and collaborative recordings, numerous EP's and 7" vinyl records, and has contributed tracks to a wide variety of compilations. Mirah has collaborated with artists such as Phil Elvrum of The Microphones, Tune-Yards, Susie Ibarra, Jherek Bischoff and Thao Nguyen. A new solo album, Changing Light, was released on May 13, 2014 on her imprint Absolute Magnitude Records.
Her style encompasses indie pop, acoustic, and experimental pop. According to The Rumpus in 2011, "Mirah's early records...are DIY mini-masterpieces that express a punk sensibility through broken drum machines, reverb-drenched guitars and ukulele. Her more recent albums...are mature, complex and immaculately-produced."
Mirah (formerly known as Duby) is a programming language based on Ruby syntax, local type inference, hybrid static/dynamic type system, and a pluggable compiler toolchain. Mirah was created by Charles Oliver Nutter to be "a 'Ruby-like' language, probably a subset of Ruby syntax, that [could] compile to solid, fast, idiomatic JVM bytecode." The word mirah refers to the gemstone ruby in the Javanese language, a play on the concept of Ruby in Java.
In order to foster more participation in the JRuby project from Ruby community members, Nutter began to explore the possibility of presenting Ruby syntax, but with a static type model and direct-to-native compilation. In this context, "native" meant primarily the JVM, but Mirah has been designed around the possibility of having alternative backends for other object-oriented runtimes like the CLR. The language needed to look and feel like Ruby, but without introducing any new library dependencies into JRuby (which ruled out most other JVM languages) and without suffering a performance penalty (which meant writing in Ruby itself was out).
Mirah may refer to the following:
If you start to think that it's all over now
That the work you have done has been lost somehow
You wake up hungry in this world you've made
So much so how could you be turned away
Under thunder we drove through a black sky,
Paved with the threat we might die, oh we were so afraid
You can throw your body up against the glass but you can't stop the rain
From pouring in once the cracks have been made
But there's still time to sing
Hallelujah, hallelujah, hallelujah, hallelujah
Who could stay sleepin' when that garbage man came?
He stormed up the street 'cause we called out his name
With the sounds of us choking on the mess that's been made
Dig us out from this slumber
We've given salt, we've sweated off, done all this and more
So heed when you hear us knockin' on your door
We don't want to be the currency gets spent on war
And then come home wondering what was it all for
That's no way to sing
Hallelujah, hallelujah, hallelujah, hallelujah
We been hard hard working
We've got a plan
Send home dollar bills
And fistfuls of honey