Saint Jerome
Saint Jerome visited by angels by Bartolomeo Cavarozzi
Priest, Confessor, Theologian, Historian and Doctor of the Church: Doctor Biblicus[1]
Born	c. 347 Stridon (possibly Strido Dalmatiae, on the border of Dalmatia and Pannonia)
Died	420 Bethlehem, Judea
Honored in	Roman Catholic Church Eastern Orthodoxy Anglican Communion Lutheranism Oriental Orthodoxy Aglipayan Church
Major shrine	Basilica of Saint Mary Major, Rome, Italy
Feast	30 September (Western Christianity) 15 June (Eastern Christianity)
Attributes	lion, cardinal attire, cross, skull, trumpet, owl, books and writing material
Patronage	archeologists; archivists; Bible scholars; librarians; libraries; school children; students; translators
Major work(s)	The Vulgate De viris illustribus Chronicon

Saint Jerome (c. 347 – 30 September 420; (also Hierom or Jerom) (Latin: Eusebius Sophronius Hieronymus; Ancient Greek: Εὐσέβιος Σωφρόνιος Ἱερώνυμος) was a Roman Christian priest, confessor, theologian and historian, and who became a Doctor of the Church. He was the son of Eusebius, of the city of Stridon, which was on the border of Dalmatia and Pannonia. He is best known for his translation of the Bible into Latin (the Vulgate), and his list of writings is extensive.^[2]

He is recognised by the Catholic Church as a saint and Doctor of the Church, and the Vulgate is still an important text in Catholicism. He is also recognized as a saint by the Eastern Orthodox Church, where he is known as St. Jerome of Stridonium or Blessed Jerome.^[3]

Life[link]

St. Jerome in His Study (1480), by Domenico Ghirlandaio.

Eusebius Sophronius Hieronymus was born at Stridon around 347.^[4] He was not baptized until about 360 or 366, when he had gone to Rome with his friend Bonosus (who may or may not have been the same Bonosus whom Jerome identifies as his friend who went to live as a hermit on an island in the Adriatic) to pursue rhetorical and philosophical studies. He studied under the grammarian Aelius Donatus. There Jerome learned Latin and at least some Greek,^[5] though probably not the familiarity with Greek literature he would later claim to have acquired as a schoolboy.^[6]

As a student in Rome, he engaged in the superficial activities of students there, which he indulged in quite casually but suffered terrible bouts of repentance afterwards. To appease his conscience, he would visit on Sundays the sepulchers of the martyrs and the Apostles in the catacombs. This experience would remind him of the terrors of hell:

Often I would find myself entering those crypts, deep dug in the earth, with their walls on either side lined with the bodies of the dead, where everything was so dark that almost it seemed as though the Psalmist’s words were fulfilled, Let them go down quick into Hell.^[7] Here and there the light, not entering in through windows, but filtering down from above through shafts, relieved the horror of the darkness. But again, as soon as you found yourself cautiously moving forward, the black night closed around and there came to my mind the line of Vergil, “Horror ubique animos, simul ipsa silentia terrent”.^[8][9]

Jerome used a quote from Vergil — “The horror and the silences terrified their souls” — to describe the horror of hell. Jerome initially used classical authors to describe Christian concepts such as hell that indicated both his classical education and his deep shame of their associated practices, such as pederasty. Although initially skeptical of Christianity, he was eventually converted.^[10] After several years in Rome, he travelled with Bonosus to Gaul and settled in Trier where he seems to have first taken up theological studies, and where he copied, for his friend Tyrannius Rufinus, Hilary of Poitiers' commentary on the Psalms and the treatise De synodis. Next came a stay of at least several months, or possibly years, with Rufinus at Aquileia, where he made many Christian friends.

Some of these accompanied him when he set out about 373 on a journey through Thrace and Asia Minor into northern Syria. At Antioch, where he stayed the longest, two of his companions died and he himself was seriously ill more than once. During one of these illnesses (about the winter of 373–374), he had a vision that led him to lay aside his secular studies and devote himself to God. He seems to have abstained for a considerable time from the study of the classics and to have plunged deeply into that of the Bible, under the impulse of Apollinaris of Laodicea, then teaching in Antioch and not yet suspected of heresy.

St. Jerome reading in the countryside, by Giovanni Bellini

Seized with a desire for a life of ascetic penance, he went for a time to the desert of Chalcis, to the southwest of Antioch, known as the Syrian Thebaid, from the number of hermits inhabiting it. During this period, he seems to have found time for study and writing. He made his first attempt to learn Hebrew under the guidance of a converted Jew; and he seems to have been in correspondence with Jewish Christians in Antioch. Around this time he had copied for him a Hebrew Gospel, of which fragments are preserved in his notes, and is known today as the Gospel of the Hebrews, and which the Nazarenes considered was the true Gospel of Matthew.^[11] Jerome translated parts of this Hebrew Gospel into Greek.^[12]

Returning to Antioch in 378 or 379, he was ordained by Bishop Paulinus, apparently unwillingly and on condition that he continue his ascetic life. Soon afterward, he went to Constantinople to pursue a study of Scripture under Gregory Nazianzen. He seems to have spent two years there, then left, and the next three (382–385) he was in Rome again, attached to Pope Damasus I and the leading Roman Christians. Invited originally for the synod of 382, held to end the schism of Antioch as there were rival claimants to be the proper patriarch in Antioch. Jerome had accompanied one of the claimants, Paulinus back to Rome in order to get more support for him, and distinquished himself to the pope, and took a prominent place in his councils.

He was given duties in Rome, and he undertook a revision of the Latin Bible, to be based on the Greek manuscripts of the New Testament. He also updated the Psalter containing the Book of Psalms then at use in Rome based on the Septuagint. Though he did not realize it yet, translating much of what became the Latin Vulgate Bible would take many years and be his most important achievement (see Writings– Translations section below).

In Rome he was surrounded by a circle of well-born and well-educated women, including some from the noblest patrician families, such as the widows Lea, Marcella and Paula, with their daughters Blaesilla and Eustochium. The resulting inclination of these women to the monastic life and from the indulgent lasciviousness in Rome, and his unsparing criticism of the secular clergy of Rome, brought a growing hostility against him among the Roman clergy and their supporters. Soon after the death of his patron Damasus (10 December 384), Jerome was forced by them to leave his position at Rome after an inquiry was brought up by the Roman clergy into allegations that he had an improper relationship with the widow Paula.

Additionally, his condemnation of Blaesilla's hedonistic lifestyle in Rome had led her to adopt aescetic practices, but it affected her health and worsened her physical weakness to the point that she died just four months after starting to follow his instructions; much of the Roman populace were outraged at Jerome for causing the premature death of such a lively young woman, and his insistence to Paula that Blaesilla should not be mourned, and complaints that her grief was excessive, were seen as heartless, polarising Roman opinion against him.^[13]

In August 385, he left Rome for good and returned to Antioch, accompanied by his brother Paulinianus and several friends, and followed a little later by Paula and Eustochium, who had resolved to end their days in the Holy Land. In the winter of 385, Jerome acted as their spiritual adviser. The pilgrims, joined by Bishop Paulinus of Antioch, visited Jerusalem, Bethlehem, and the holy places of Galilee, and then went to Egypt, the home of the great heroes of the ascetic life.

At the Catechetical School of Alexandria, Jerome listened to the catechist Didymus the Blind expounding the prophet Hosea and telling his reminiscences of Anthony the Great, who had died 30 years before; he spent some time in Nitria, admiring the disciplined community life of the numerous inhabitants of that "city of the Lord," but detecting even there "concealed serpents," i.e., the influence of Origen of Alexandria. Late in the summer of 388 he was back in Israel, and spent the remainder of his life in a hermit's cell near Bethlehem, surrounded by a few friends, both men and women (including Paula and Eustochium), to whom he acted as priestly guide and teacher.

Painting by Niccolò Antonio Colantonio, showing St. Jerome's removal of a thorn from a lion's paw.

Amply provided by Paula with the means of livelihood and of increasing his collection of books, he led a life of incessant activity in literary production. To these last 34 years of his career belong the most important of his works; his version of the Old Testament from the original Hebrew text, the best of his scriptural commentaries, his catalogue of Christian authors, and the dialogue against the Pelagians, the literary perfection of which even an opponent recognized. To this period also belong most of his polemics, which distinguished him among the orthodox Fathers, including the treatises against the Origenism later declared anathema, of Bishop John II of Jerusalem and his early friend Rufinus. Later, as a result of his writings against Pelagianism, a body of excited partisans broke into the monastic buildings, set them on fire, attacked the inmates and killed a deacon, forcing Jerome to seek safety in a neighboring fortress (416).

It is recorded that Jerome died near Bethlehem on 30 September 420. The date of his death is given by the Chronicon of Prosper of Aquitaine. His remains, originally buried at Bethlehem, are said to have been later transferred to the basilica of Santa Maria Maggiore in Rome, though other places in the West claim some relics — the cathedral at Nepi boasting possession of his head, which, according to another tradition, is in the Escorial.

Translations and commentaries[link]

St Jerome, by Michelangelo Merisi da Caravaggio, 1607, at St John's Co-Cathedral, Valletta, Malta

Jerome was a scholar at a time when that statement implied a fluency in Greek. He knew some Hebrew when he started his translation project, but moved to Jerusalem to strengthen his grip on Jewish scripture commentary. A wealthy Roman aristocrat, Paula, funded his stay in a monastery in Bethlehem and he completed his translation there. He began in 382 by correcting the existing Latin language version of the New Testament, commonly referred to as the Vetus Latina. By 390 he turned to translating the Hebrew Bible from the original Hebrew, having previously translated portions from the Septuagint which came from Alexandria. He was aware the Council of Jamnia, or the mainstream rabbinical Judaism, had rejected the Septuagint as valid Jewish scriptural texts because of what were ascertained as mistranslations along with its Hellenistic heretical elements.^[14][15] He completed this work by 405. Prior to Jerome's Vulgate, all Latin translations of the Old Testament were based on the Septuagint not the Hebrew. Jerome's decision to use a Hebrew text instead of the previous translated Septuagint went against the advice of most other Christians, including Augustine, who thought the Septuagint inspired. Modern scholarship, however, has cast doubts on the actual quality of Jerome's Hebrew knowledge; the Greek Hexapla is now considered as still the main source also for Jerome's "iuxta Hebraeos" translation of the Old Testament.^[16]

For the next 15 years, until he died, Jerome produced a number of commentaries on Scripture, often explaining his translation choices in using the original Hebrew rather than suspect translations. His patristic commentaries align closely with Jewish tradition, and he indulges in allegorical and mystical subtleties after the manner of Philo and the Alexandrian school. Unlike his contemporaries, he emphasizes the difference between the Hebrew Bible "apocrypha" and the Hebraica veritas of the protocanonical books. Evidence of this can be found in his introductions to the Solomonic writings, the Book of Tobit, and the Book of Judith. Most notable, however, is the statement from his introduction to the Books of Samuel:

This preface to the Scriptures may serve as a helmeted [i.e. defensive] introduction to all the books which we turn from Hebrew into Latin, so that we may be assured that what is outside of them must be placed aside among the Apocryphal writings.^[17]

Jerome's commentaries fall into three groups:

• His translations or recastings of Greek predecessors, including fourteen homilies on the Book of Jeremiah and the same number on the Book of Ezekiel by Origen (translated ca. 380 in Constantinople); two homilies of Origen of Alexandria on the Song of Solomon (in Rome, ca. 383); and thirty-nine on the Gospel of Luke (ca. 389, in Bethlehem). The nine homilies of Origen on the Book of Isaiah included among his works were not done by him. Here should be mentioned, as an important contribution to the topography of Israel, his book De situ et nominibus locorum Hebraeorum, a translation with additions and some regrettable omissions of the Onomasticon of Eusebius. To the same period (ca. 390) belongs the Liber interpretationis nominum Hebraicorum, based on a work supposed to go back to Philo and expanded by Origen.
• Original commentaries on the Old Testament. To the period before his settlement at Bethlehem and the following five years belong a series of short Old Testament studies: De seraphim, De voce Osanna, De tribus quaestionibus veteris legis (usually included among the letters as 18, 20, and 36); Quaestiones hebraicae in Genesim; Commentarius in Ecclesiasten; Tractatus septem in Psalmos 10-16 (lost); Explanationes in Michaeam, Sophoniam, Nahum, Habacuc, Aggaeum. After 395 he composed a series of longer commentaries, though in rather a desultory fashion: first on Jonah and Obadiah (396), then on Isaiah (ca. 395-ca. 400), on Zechariah, Malachi, Hoseah, Joel, Amos (from 406), on the Book of Daniel (ca. 407), on Ezekiel (between 410 and 415), and on Jeremiah (after 415, left unfinished).
• New Testament commentaries. These include only Philemon, Galatians, Ephesians, and Titus (hastily composed 387-388); Matthew (dictated in a fortnight, 398); Mark, selected passages in Luke, Revelation, and the prologue to the Gospel of John. Treating Revelation in his cursory fashion, he made use of an excerpt from the commentary of the North African Tichonius, which is preserved as a sort of argument at the beginning of the more extended work of the Spanish presbyter Beatus of Liébana. But before this he had already devoted to the Revelation another treatment, a rather arbitrary recasting of the commentary of Saint Victorinus, with whose chiliastic views he was not in accord, substituting for the chiliastic conclusion a spiritualizing exposition of his own, supplying an introduction, and making certain changes in the text.

Jerome in the desert, tormented by his memories of the dancing girls of Rome.

The works of Hippolytus of Rome and Irenaeus greatly influenced Jerome's interpretation of prophecy.^[18] He noted the distinction between the original Septuagint and Theodotion's later substitution.^[19]

Jerome warned that those substituting false interpretations for the actual meaning of Scripture belonged to the “synagogue of the Antichrist”.^[20] “He that is not of Christ is of Antichrist,” he wrote to Pope Damasus I.^[21] He believed that “the mystery of iniquity” written about by Paul in 2 Thessalonians 2:7 was already in action when “every one chatters about his views.”^[22] To Jerome, the power restraining this mystery of iniquity was the Roman Empire, but as it fell this restraining force was removed. He warned a noble woman of Gaul:

“He that letteth is taken out of the way, and yet we do not realize that Antichrist is near. Yes, Antichrist is near whom the Lord Jesus Christ “shall consume with the spirit of his mouth.” “Woe unto them,” he cries, “that are with child, and to them that give suck in those days.”... Savage tribes in countless numbers have overrun all parts of Gaul. The whole country between the Alps and the Pyrenees, between the Rhine and the Ocean, has been laid waste by hordes of Quadi, Vandals, Sarmatians, Alans, Gepids, Herules, Saxons, Burgundians, Allemanni, and—alas! for the commonweal!-- even Pannonians.^[23]

His Commentary on Daniel was expressly written to offset the criticisms of Porphyry,^[24] who taught that Daniel related entirely to the time of Antiochus IV Epiphanes and was written by an unknown individual living in the 2nd century BC. Against Porphyry, Jerome identified Rome as the fourth kingdom of chapters two and seven, but his view of chapters eight and 11 was more complex. Jerome held that chapter eight describes the activity of Antiochus Epiphanes, who is understood as a "type" of a future antichrist; 11:24 onwards applies primarily to a future antichrist but was partially fulfilled by Antiochus. Instead, he advocated that the “little horn” was the Antichrist:

We should therefore concur with the traditional interpretation of all the commentators of the Christian Church, that at the end of the world, when the Roman Empire is to be destroyed, there shall be ten kings who will partition the Roman world amongst themselves. Then an insignificant eleventh king will arise, who will overcome three of the ten kings... after they have been slain, the seven other kings also will bow their necks to the victor.^[25]

In his Commentary on Daniel, he noted, “Let us not follow the opinion of some commentators and suppose him to be either the Devil or some demon, but rather, one of the human race, in whom Satan will wholly take up his residence in bodily form.”^[25] In interpreting 2 Thessalonians's claim that the Antichrist will sit in God's temple, Jerome preferred the view that the "temple" should be interpreted as the Church, not as the Temple in Jerusalem.^[26]

Jerome identified the four prophetic kingdoms symbolized in Daniel 2 as the Neo-Babylonian Empire, the Medes and Persians, Macedon, and Rome.^[27] Jerome identified the stone cut out without hands as "namely, the Lord and Savior".^[28]

Jerome refuted Porphyry's application of the little horn of chapter seven to Antiochus. He expected that at the end of the world, Rome would be destroyed, and partitioned among ten kingdoms before the little horn appeared.^[29]

Jerome believed that Cyrus of Persia is the higher of the two horns of the Medo-Persian ram of Daniel 8:3.^[30] The he-goat is Greece smiting Persia.^[31] Alexander is the great horn, which is then succeeded by Alexander's half brother Philip and three of his generals.

Historical and hagiographic writings[link]

This unreferenced section requires citations to ensure verifiability.

In the Middle Ages, Jerome was often ahistorically depicted as a cardinal.

Jerome is also known as a historian. One of his earliest historical works was his Chronicle (or Chronicon or Temporum liber), composed ca. 380 in Constantinople; this is a translation into Latin of the chronological tables which compose the second part of the Chronicon of Eusebius, with a supplement covering the period from 325 to 379. Despite numerous errors taken over from Eusebius, and some of his own, Jerome produced a valuable work, if only for the impulse which it gave to such later chroniclers as Prosper, Cassiodorus, and Victor of Tunnuna to continue his annals.

Important also is De viris illustribus, written at Bethlehem in 392, the title and arrangement of which are borrowed from Suetonius. It contains short biographical and literary notes on 135 Christian authors, from Saint Peter down to Jerome himself. For the first seventy-eight authors Eusebius (Historia ecclesiastica) is the main source; in the second section, beginning with Arnobius and Lactantius, he includes a good deal of independent information, especially as to western writers.

Four works of a hagiographic nature are:

• the Vita Pauli monachi, written during his first sojourn at Antioch (ca. 376), the legendary material of which is derived from Egyptian monastic tradition;
• the Vitae Patrum (Vita Pauli primi eremitae), a biography of Saint Paul of Thebes;
• the Vita Malchi monachi captivi (ca. 391), probably based on an earlier work, although it purports to be derived from the oral communications of the aged ascetic Malchus originally made to him in the desert of Chalcis;
• the Vita Hilarionis, of the same date, containing more trustworthy historical matter than the other two, and based partly on the biography of Epiphanius and partly on oral tradition.

The so-called Martyrologium Hieronymianum is spurious; it was apparently composed by a western monk toward the end of the 6th or beginning of the 7th century, with reference to an expression of Jerome's in the opening chapter of the Vita Malchi, where he speaks of intending to write a history of the saints and martyrs from the apostolic times.

Letters[link]

This unreferenced section requires citations to ensure verifiability.

Jerome's letters or epistles, both by the great variety of their subjects and by their qualities of style, form an important portion of his literary remains. Whether he is discussing problems of scholarship, or reasoning on cases of conscience, comforting the afflicted, or saying pleasant things to his friends, scourging the vices and corruptions of the time, exhorting to the ascetic life and renunciation of the world, or breaking a lance with his theological opponents, he gives a vivid picture not only of his own mind, but of the age and its peculiar characteristics.

The letters most frequently reprinted or referred to are of a hortatory nature, such as Ep. 14, Ad Heliodorum de laude vitae solitariae; Ep. 22, Ad Eustochium de custodia virginitatis; Ep. 52, Ad Nepotianum de vita clericorum et monachorum, a sort of epitome of pastoral theology from the ascetic standpoint; Ep. 53, Ad Paulinum de studio scripturarum; Ep. 57, to the same, De institutione monachi; Ep. 70, Ad Magnum de scriptoribus ecclesiasticis; and Ep. 107, Ad Laetam de institutione filiae.

Theological writings[link]

St. Jerome, by Palma il Vecchio

Practically all of Jerome's productions in the field of dogma have a more or less vehemently polemical character, and are directed against assailants of the orthodox doctrines. Even the translation of the treatise of Didymus the Blind on the Holy Spirit into Latin (begun in Rome 384, completed at Bethlehem) shows an apologetic tendency against the Arians and Pneumatomachoi. The same is true of his version of Origen's De principiis (ca. 399), intended to supersede the inaccurate translation by Rufinus. The more strictly polemical writings cover every period of his life. During the sojourns at Antioch and Constantinople he was mainly occupied with the Arian controversy, and especially with the schisms centering around Meletius of Antioch and Lucifer Calaritanus. Two letters to Pope Damasus (15 and 16) complain of the conduct of both parties at Antioch, the Meletians and Paulinians, who had tried to draw him into their controversy over the application of the terms ousia and hypostasis to the Trinity. At the same time or a little later (379) he composed his Liber Contra Luciferianos, in which he cleverly uses the dialogue form to combat the tenets of that faction, particularly their rejection of baptism by heretics.

In Rome (ca. 383) he wrote a passionate counterblast against the teaching of Helvidius, in defense of the doctrine of the perpetual virginity of Mary and of the superiority of the single over the married state. An opponent of a somewhat similar nature was Jovinianus, with whom he came into conflict in 392 (Adversus Jovinianum, Against Jovinianus) and the defense of this work addressed to his friend Pammachius, numbered 48 in the letters). Once more he defended the ordinary Catholic practices of piety and his own ascetic ethics in 406 against the Gallic presbyter Vigilantius, who opposed the cultus of martyrs and relics, the vow of poverty, and clerical celibacy. Meanwhile the controversy with John II of Jerusalem and Rufinus concerning the orthodoxy of Origen occurred. To this period belong some of his most passionate and most comprehensive polemical works: the Contra Joannem Hierosolymitanum (398 or 399); the two closely connected Apologiae contra Rufinum (402); and the "last word" written a few months later, the Liber tertius seu ultima responsio adversus scripta Rufini. The last of his polemical works is the skilfully composed Dialogus contra Pelagianos (415).

Reception by later Christianity[link]

Jerome is the second most voluminous writer (after St. Augustine) in ancient Latin Christianity. In the Roman Catholic Church, he is recognized as the patron saint of translators, librarians and encyclopedists.

He acquired a knowledge of Hebrew by studying with a Jew who converted to Christianity, and took the unusual position (for that time) that the Hebrew, and not the Septuagint, was the inspired text of the Old Testament. The traditional view is that he used this knowledge to translate what became known as the Vulgate, and his translation was slowly but eventually accepted in the Catholic Church.^[32] The later resurgence of Hebrew studies within Christianity owes much to him.

He showed more zeal and interest in the ascetic ideal than in abstract speculation. It was this strict asceticism that made Martin Luther judge him so severely. In fact, Protestant readers are not generally inclined to accept his writings as authoritative. The tendency to recognize a superior comes out in his correspondence with Augustine (cf. Jerome's letters numbered 56, 67, 102-105, 110-112, 115-116; and 28, 39, 40, 67-68, 71-75, 81-82 in Augustine's).

Despite the criticisms already mentioned, Jerome has retained a rank among the western Fathers. This would be his due, if for nothing else, on account of the great influence exercised by his Latin version of the Bible upon the subsequent ecclesiastical and theological development.

In art[link]

The vision of Saint Jerome by Louis Cretey, 17th century, oil on canvas, 150,5 x 127 cm, private collection.

In art, he is often represented as one of the four Latin doctors of the Church along with Augustine of Hippo, Ambrose, and Pope Gregory I. As a prominent member of the Roman clergy, he has often been portrayed anachronistically^[33] in the garb of a cardinal. Even when he is depicted as a half-clad anchorite, with cross, skull and Bible for the only furniture of his cell, the red hat or some other indication of his rank as cardinal is as a rule introduced somewhere in the picture.

He is also often depicted with a lion, "a figment" found in the thirteenth-century Golden Legend by Jacobus de Voragine,^[34] and less often with an owl, the symbol of wisdom and scholarship.^[35] Hagiographies of Jerome talk of his having spent a lot of his years in the Syrian desert, and multiple artists have titled their works "St Jerome in the wilderness"; some of them include Pietro Perugino and Lambert Sustris.^[36] Writing materials and the trumpet of final judgment are also part of his iconography.^[35] He is commemorated on 30 September with a memorial.

See also[link]

Wikisource has original works written by or about: Jerome

• Church Fathers
• Bible translations
• Order of St. Jerome
• Genesius of Arles
• Letter of Jerome to Pope Damasus
• Ferdinand Cavallera

References[link]

Notes

Bibliography

• J.N.D. Kelly, "Jerome: His Life, Writings, and Controversies" (Peabody, MA 1998)
• S. Rebenich, "Jerome" (London and New York, 2002)
• "Biblia Sacra Vulgata," Stuttgart, 1994. ISBN 3-438-05303-9
• This article uses material from Schaff-Herzog Encyclopedia of Religion.

External links[link]

Wikiquote has a collection of quotations related to: Jerome

Wikimedia Commons has media related to: Saint Jerome

• St. Jerome (pdf) from Fr. Alban Butler's Lives of the Saints
• The Life of St. Jerome, Priest, Confessor and Doctor of the Church
•  "St. Jerome". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. 
• Jewish Encyclopedia: Jerome
• St. Jerome – Catholic Online
• St Jerome (Hieronymus) of Stridonium Orthodox synaxarion
• Early Church Fathers. Jerome: Great Translator
• Further reading of depictions of Saint Jerome in art
• What happened on July 21, 365 A.D.? Jerome vindicated

Latin texts[link]

Latin Wikisource has original text related to this article: Biblia Sacra

• Chronological list of Jerome's Works with modern editions and translations cited
• Opera Omnia (Complete Works) from Migne edition (Patrologia Latina, 1844-1855) with analytical indexes, almost complete online edition

Facsimiles[link]

• Migne volume 23 part 1 (1883 edition)
• Migne volume 23 part 2 (1883 edition)
• Migne volume 24 (1845 edition)
• Migne volume 25 part 1 (1884 edition)
• Migne volume 25 part 2 (1884 edition)
• Migne volume 28 (1890 edition?)
• Migne volume 30 (1865 edition)

English translations[link]

• English translations of Biblical Prefaces, Commentary on Daniel, Chronicle, and Letter 120 (tertullian.org)
• Jerome's Letter to Pope Damasus: Preface to the Gospels
• English translation of Jerome's De Viris Illustribus
• The Perpetual Virginity of Blessed Mary
• Lives of Famous Men (CCEL)
• Apology Against Rufinus (CCEL)
• Letters, The Life of Paulus the First Hermit, The Life of S. Hilarion, The Life of Malchus, the Captive Monk, The Dialogue Against the Luciferians, The Perpetual Virginity of Blessed Mary, Against Jovinianus, Against Vigilantius, To Pammachius against John of Jerusalem, Against the Pelagians, Prefaces (CCEL)

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Lykke Li
A studio portrait of Lykke Li
Background information
Birth name	Li Lykke Timotej Svensson Zachrisson
Born	(1986-03-18) 18 March 1986 (age 26) Ystad, Skåne, Sweden
Genres	Indie pop, indie rock, dream pop, electronic, folk pop, indie folk, folktronica, indietronica, wonky pop
Occupations	Singer-songwriter
Years active	2007–present
Labels	LL, Atlantic
Website	www.lykkeli.com

Lykke Li (Swedish pronunciation: [ˈlʏˌkɛ ˈliː]; born Li Lykke Timotej Svensson Zachrisson; 18 March 1986 in Ystad), is a Swedish singer-songwriter. Her music often blends elements of pop, indie rock and electronic; various instruments can also be found in her songs, including violins, synthesizers, tambourines, trumpets, saxophones and cellos.^[1] Her debut album, Youth Novels, was released in 2008.

Early life[link]

Li Lykke Timotej Zachrisson was born in Ystad, Skåne; her mother is a photographer and her father, a musician, is a member of Dag Vag.^[2] The family moved to Stockholm when Zachrisson was a toddler and when she was six moved to a mountaintop in Portugal where they lived for five years. The family also spent time in Lisbon and Morocco, and winters in Nepal and India.^[2][3] She moved to the neighborhood of Bushwick, Brooklyn in New York for three months when she was 19.^[4][5][6] She returned when she was 21 to record her album.^[7]

Career[link]

Music career[link]

Performing at Paradiso, 2011

Lykke Li, modelling Levi's Curve ID Collection

Lykke had some success with the EP "Little Bit" in 2007. Stereogum named her an artist to watch in October 2007 and described her music as a mix of soul, electro and "powdered-sugar pop".^[8]

Lykke's debut album, Youth Novels, was released on LL Recordings in the Nordic region on 30 January 2008 and received a wider European release in June 2008. The album was produced by Björn Yttling of Peter Bjorn and John and Lasse Mårtén and was reportedly inspired by a previous relationship of three years.^{[citation needed]} It was released in the United States on 19 August 2008. The album was released in the UK and Ireland in June 2008, promoted by a performances of "Little Bit" on Later... with Jools Holland on 25 May 2008.

She appeared on Swedish musician Kleerup's self titled album, contributing vocals to the track "Until We Bleed". She also worked with Norwegian electronic duo Röyksopp on their 2009 album Junior, contributing vocals to "Miss It So Much" and "Were You Ever Wanted".

Lykke appeared on Last Call with Carson Daly on 18 February 2009. She covered "Knocked Up", originally recorded by Kings of Leon who had approached Lykke to cover a song of her choice, and "Gifted" in which she performs with Kanye West. Lykke performed at the 2009 Coachella Valley Music and Arts Festival on 19 April, as well as the 2009 Lollapalooza festival on 8 August as part of the promotional tour for Youth Novels.

A remixed version of her song "I'm Good, I'm Gone" was featured in the 2009 horror film Sorority Row.

The song "Possibility" was written for the 2009 film The Twilight Saga: New Moon. Lykke had been asked to write a song to the film soundtrack but she was reluctant to commit to the project. It was after she had seen an early screening of the film that she decided she wanted to contribute to the soundtrack. The soundtrack was released on 16 October 2009.

The song "Get Some" was featured in the fifteenth episode of the first season of Hawaii Five-0 titled "Kai e'e" which aired January 23,2011. The song was also used in ABC Family's drama Pretty Little Liars in the eighteenth episode of the second season which was titled "A Kiss Before Lying" which aired January 30, 2012. It was also featured in The Vampire Diaries.

Lykke's song "Melodies and Desires" was featured in the 2010 Australian film Griff the Invisible and an edited version of "Get Some" was featured in the Catwoman trailer for the video game, Batman: Arkham City.

She collaborated with singer Kleerup on the song "Until We Bleed", which was featured on an episode of UK TV series Misfits.

Her second album Wounded Rhymes was released in 2011. The album was featured on several lists of 2011's best albums, including Q, Mojo, The Observer, The New York Times, The Huffington Post and Rolling Stone.^[9]

On 30 April 2011, she performed on Later... with Jools Holland in the UK, playing "Get Some", "Sadness Is a Blessing" and "I Follow Rivers". Lykke played at the 2011 Latitude Festival, held between 14 and 18 July 2011 at Henham Park in Suffolk, England. She appeared with her band on US late night talk show The Tonight Show with Jay Leno in August 2011 and on The Late Show with David Letterman in November 2011.

The Magician remix version of "I Follow Rivers" is featured in Jacques Audiard's 2012 film De rouille et d'os in competition at the Cannes festival.

Model career[link]

In September 2010, she was announced as the official face of the Levi's Curve ID Collection, alongside Pixie Geldof and Miss Nine.^[10] In January 2012, she signed up to the books of the Viva Model Management agency.^[11]

Discography[link]

Albums[link]

Singles[link]

B-sides

• "I Don't Mind (Jump on It)" included on the Swedish and UK two-track single of "I'm Good, I'm Gone"
• "After Laughter" split single with El Perro del Mar for Record Store Day 18 April 2009
• "Until We Bleed" – Kleerup featuring Lykke Li included on the Swedish two-track single of "Tonight"
• "Paris Blue" included on the "Get Some" single

Guest appearances

• 2008: "Until We Bleed" – Kleerup featuring Lykke Li (Kleerup)
• 2009: "Gifted" – N.A.S.A. featuring Kanye West, Santogold and Lykke Li (The Spirit of Apollo)
• 2009: "Little Bit" – Drake and Lykke Li (So Far Gone)
• 2009: "Miss It So Much" – Röyksopp featuring Lykke Li (Junior)
• 2008: "Knocked Up" (Lykke Li vs. Rodeo Remix) – Kings of Leon ("Use Somebody")
• 2008: "Starchasers" (as a sample of "Little Bit") – Charles Hamilton (It's Charles Hamilton)
• 2009: "Were You Ever Wanted" – Röyksopp featuring Lykke Li (Junior) [Japanese bonus track]
• 2009: "Leaving You Behind" – Amanda Blank featuring Lykke Li (I Love You)
• 2011: "Let Me Go" - Logic featuring Lykke Li (Young Sinatra)
• 2011: "A New Name To Go By" - Deportees (Island & Shores)
• 2012: "Black Tin Box" - Miike Snow (Downtown Records)

Covers

• "After Laughter Comes Tears" – originally recorded by Wendy Rene
• "Can I Kick It?" – originally recorded by A Tribe Called Quest (regular live cover/performed with Q-Tip at MTVu Awards)
• "Cape Cod Kwassa Kwassa" – originally recorded by Vampire Weekend (regular live cover)
• "Hustlin'" – originally recorded by Rick Ross
• "Knocked Up" – originally recorded by and featuring Kings of Leon
• "A Milli" – originally recorded by Lil Wayne
• "Velvet" – originally recorded by The Big Pink
• "Will You Still Love Me Tomorrow?" – originally recorded by The Shirelles

Music videos

Awards and nominations[link]

Remixes[link]

Her song "I'm Good, I'm Gone" was remixed by Fred Falke and featured in Hed Kandi's Lounge 2009^[15] "I'm Good, I'm Gone" was also covered by British group Friendly Fires in 2009.^[16] Her song "Little Bit" was remixed by Drake, as well as a bootleg remix by AutoErotique. Her song "Little Bit" was sampled and remixed by Charles Hamilton. Her song "Love until We Bleed" was remixed by QuESt. Her song "Dance, Dance, Dance" was remixed by Buraka Som Sistema and Dada life.^[17] Her song "I'm Good, I'm Gone" was also remixed by 3OH!3 as a collaboration.^[18][19] Most recently however her song "I Follow Rivers" was remixed by rapper Tyler, The Creator. A remix of her track "I Follow Rivers" by The Magician has been a huge club success in Europe, taking the track to number 1 in Romania and number 7 in Greece.

References[link]

External links[link]

• Official website
• Lykke Li at Allmusic
• Lykke Li at the Internet Movie Database
• Lykke Li on RCRD LBL
• Lykke Li at Lollapalooza 2011