| Name | Marlene Dietrich |
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| Caption | From the trailer for Stage Fright (1950) |
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| Birth date | December 27, 1901 |
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| Birth place | Schöneberg, Germany |
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| Death date | |
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| Death place | Paris, France |
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| Birth name | Maria Magdalene Dietrich |
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| Occupation | Actress/Singer |
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| Years active | 1919–1984 |
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| Spouse | Rudolf Sieber (1924–1976) |
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| Children | Maria Riva, born December 13, 1924 |
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| Relations | John Michael Riva (grandson), born June 28, 1948 |
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| Website | http://www.marlene.com/ |
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Marlene Dietrich (; 27 December 1901 – 6 May 1992) was a German actress and singer.
Dietrich remained popular throughout her long career by continually re-inventing herself. In 1920s Berlin, she acted on the stage and in silent films. Her performance as Lola-Lola in The Blue Angel, directed by Josef von Sternberg, brought her international fame and a contract with Paramount Pictures in the US. Hollywood films such as Shanghai Express and Desire capitalised on her glamour and exotic looks, cementing her stardom and making her one of the highest paid actresses of the era. Dietrich became a US citizen in 1939; during World War II, she was a high-profile frontline entertainer. Although she still made occasional films in the post-war years, Dietrich spent most of the 1950s to the 1970s touring the world as a successful show performer.
In 1999 the American Film Institute named Dietrich the ninth greatest female star of all time.
Childhood
Dietrich was born
Maria Magdalene Dietrich on 27 December 1901 in
Schöneberg, a district of Berlin, Germany. She was the younger of two daughters (her sister Elisabeth being a year older) of Louis Erich Otto Dietrich and Wilhelmina Elisabeth Josephine Felsing, who married in December 1898. Dietrich's mother was from a well-to-do Berlin family who owned a
clockmaking firm and her father was a police lieutenant. Her father died in 1911. His best friend, Eduard von Losch, an
aristocrat first lieutenant in the
Grenadiers courted Wilhelmina and eventually married her in 1916, but he died soon after as a result of injuries sustained during
World War I. Eduard von Losch never officially adopted the Dietrich children, hence Dietrich's surname was never von Losch, as is sometimes claimed. She was nicknamed "Lena" and "Lene" (pronounced Lay-neh) within the family. Around the age of 11, she contracted her two first names to form the then-novel name of "Marlene".
Dietrich attended the Auguste Victoria School for Girls from 1906 to 1918. She studied the violin and became interested in theatre and poetry as a teenager. Her dreams of becoming a concert violinist were cut short when she injured her wrist.
Early career
In 1921, Dietrich auditioned unsuccessfully for theatrical director and impresario
Max Reinhardt's drama academy; however, she soon found herself working in his theatres as a chorus girl and playing small roles in dramas, without attracting any special attention at first. She made her film debut playing a
bit part in the 1922 film,
So sind die Männer. She met her future husband, Rudolf Sieber, on the set of another film made that year,
Tragödie der Liebe. Dietrich and Sieber were married on 17 May 1924. Her only child, daughter
Maria Elisabeth Sieber, later known as Maria Riva, was born on 13 December 1924.
Dietrich continued to work on stage and in film both in Berlin and Vienna throughout the 1920s. On stage, she had roles of varying importance in Frank Wedekind's Pandora's Box, William Shakespeare's The Taming of the Shrew and A Midsummer Night's Dream as well as George Bernard Shaw's Back to Methuselah and Misalliance. It was in musicals and revues, such as Broadway, Es Liegt in der Luft and Zwei Krawatten, however, that she attracted the most attention. By the late 1920s, Dietrich was also playing sizable parts on screen, including Café Elektric (1927), Ich küsse Ihre Hand, Madame (1928) and Das Schiff der verlorenen Menschen (1929).
In 1929, Dietrich landed the breakthrough role of Lola-Lola, a cabaret singer who causes the downfall of a hitherto respected schoolmaster, in UFA's production, The Blue Angel (1930). The film was directed by Josef von Sternberg, who thereafter took credit for having "discovered" Dietrich. The film is also noteworthy for having introduced Dietrich's signature song "Falling in Love Again".
Film star
(1930)]]
On the strength of The Blue Angel's international success, and with encouragement and promotion from von Sternberg, who was already established in Hollywood, Dietrich then moved to the U.S. on contract to Paramount Pictures. The studio sought to market Dietrich as a German answer to MGM's Swedish sensation, Greta Garbo. Her first American film, Morocco, directed by von Sternberg, earned Dietrich her only Oscar nomination. However, at the time she knew very little English and so spoke her lines phonetically.
Dietrich starred in six films directed by von Sternberg at Paramount between 1930 and 1935: Morocco, Dishonored, Shanghai Express, Blonde Venus, The Scarlet Empress, and The Devil is a Woman. In Hollywood, von Sternberg worked very effectively with Dietrich to create the image of a glamorous femme fatale. He encouraged her to lose weight and coached her intensively as an actress – she, in turn, was willing to trust him and follow his sometimes imperious direction in a way that a number of other performers resisted.
and Marlene Dietrich in Shanghai Express (1932)]]
A crucial part of the overall effect was created by von Sternberg's exceptional skill in lighting and photographing Dietrich to optimum effect—the use of light and shadow, including the impact of light passed through a veil or slatted blinds (as for example in Shanghai Express)—which, when combined with scrupulous attention to all aspects of set design and costumes, make this series of films among the most visually stylish in cinema history. Critics still vigorously debate how much of the credit belonged to von Sternberg and how much to Dietrich, but most would agree that neither consistently reached such heights again after Paramount fired von Sternberg and the two ceased working together.
(1948)]]
Without von Sternberg, Dietrich — along with Fred Astaire, Joan Crawford, Mae West, Dolores del Río, Katharine Hepburn and others — was labeled "box office poison" after her 1937 film, Knight Without Armour, proved an expensive flop. In 1939, however, her stardom revived when she played the cowboy saloon girl Frenchie in the light-hearted western Destry Rides Again opposite James Stewart. The movie also introduced another favorite song, "The Boys in the Back Room". She played a similar role in 1942 with John Wayne in The Spoilers.
While Dietrich arguably never fully regained her former screen glory, she continued performing in the movies, including appearances for such distinguished directors as Billy Wilder, Fritz Lang, Alfred Hitchcock and Orson Welles, in films that included A Foreign Affair, Witness for the Prosecution, Rancho Notorious, Stage Fright and Touch of Evil.
World War II
Dietrich was known to have strong political convictions and the mind to speak them. In interviews, Dietrich stated that she had been approached by representatives of the
Nazi Party to return to Germany, but had turned them down flat. Dietrich, a staunch anti-Nazi, became an American citizen in 1939.
During two extended tours for the USO in 1944 and 1945, musical propaganda broadcasts designed to demoralize enemy soldiers. Dietrich, the only performer who was made aware that her recordings would be for OSS use, recorded a number of songs in German for the project, including Lili Marleen, a favourite of soldiers on both sides of the conflict. William Joseph Donovan, head of the OSS, wrote to Dietrich, "I am personally deeply grateful for your generosity in making these recordings for us.
Dietrich was awarded the Presidential Medal of Freedom by the US in 1947. She said that this was her proudest accomplishment.
Dietrich's recording career spanned over half a century. Prior to international stardom, she recorded a duet, "Wenn die Beste Freundin", with Margo Lion. This song, with its lesbian overtones, was a hit in Berlin in 1928. In 1930, Dietrich recorded English and German language selections from her film The Blue Angel, for Electrola in Berlin. It was at this time that she recorded Friedrich Hollaender's "Falling in Love Again (Can't Help It)" for the first time—it would become her theme song, to be sung in thousands of concerts.
A 1933 Parisian recording session for Polydor produced several classic tracks, including Franz Waxman's "Allein in Einer Grossen Stadt." Dietrich recorded "The Boys in the Back Room" from Destry Rides Again for Decca Records in 1939. In 1945, she recorded her version of "Lili Marleen". Dietrich signed with Columbia Records in the 1950s, with Mitch Miller as her producer. The 1950 LP Marlene Dietrich Overseas, with Dietrich singing German translations of American songs of the World War II era, was a hit. She also recorded several duets with Rosemary Clooney; these tapped into a younger market and charted.
(1961)]]
During the 1960s, Dietrich recorded several albums and many singles, mostly with Burt Bacharach at the helm of the orchestra. Dietrich in London, recorded live at the Queen's Theatre in 1964, is an enduring document of Dietrich in concert. In 1978, Dietrich's performance of the title track from her last film, Just a Gigolo, was issued as a single. She made her last recordings from her Paris apartment in 1987: spoken introductions to songs for a nostalgia album by Udo Lindenberg.
Asked by Maximilian Schell in his documentary, Marlene (1984), which of her own recordings were her favorites, Dietrich replied that she thought Marlene singt Berlin-Berlin (1964) – an album featuring her singing old Berlin schlager (popular songs) – was her best-recorded work.
Stage and cabaret
From the early 1950s until the mid-1970s, Dietrich worked almost exclusively as a highly-paid cabaret artist, performing live in large theaters in major cities worldwide.
In 1953, Dietrich was offered a then-substantial $30,000 per week to appear live at the Sahara Hotel on the Las Vegas Strip. The show was short, consisting only of a few songs associated with her. Her daringly sheer costumes, designed by Jean Louis, attracted a lot of publicity and attention. This engagement was so successful that she was signed to appear at the Cafė de Paris in London the following year, and her Las Vegas contracts were also renewed. When Dietrich signed Burt Bacharach as her musical arranger in the mid-1950s, her show started to evolve from a mere nightclub act to a more ambitious one-woman show featuring an array of new material. Her repertoire included songs from her films as well as popular songs of the day. Bacharach's arrangements helped to disguise Dietrich's limited vocal range – she was a contralto – and allowed her to perform her songs to maximum dramatic effect.
Dietrich's return to Germany in 1960 for a concert tour elicited a mixed response. Many Germans felt she had betrayed her homeland by her actions during World War II. During her performances at Berlin's Titania Palast theatre, protesters chanted, "Marlene Go Home!" On the other hand, Dietrich was warmly welcomed by other Germans, including Berlin Mayor Willy Brandt. The tour was an artistic triumph, but a financial failure. She also undertook a tour of Israel around the same time, which was well-received; she sang some songs in German during her concerts, including, from 1962, a German version of Pete Seeger's anti-war anthem "Where Have All the Flowers Gone", thus breaking the unofficial taboo against the use of German in Israel.
Dietrich appeared in the Royal Variety Show in November 1963 (co-incidentally the only Royal Variety Show at which The Beatles ever performed) and at the Edinburgh Festival, with Bacharach as conductor, in 1964 and 1965. She made appearances on Broadway twice (1967 and 1968), winning a special Tony Award for her performance. Her costumes (body-hugging dresses covered with thousands of crystals as well as a swansdown coat), body-sculpting undergarments, careful stage lighting helped to preserve Dietrich's glamorous image well into old age.
In November 1972, a version of the show Dietrich had performed on Broadway was filmed in London. She was paid $250,000 for her cooperation, but she was unhappy with the result. The show, originally titled I Wish You Love, was broadcast in the UK on the BBC on 1 January 1973 and in the US on CBS on 13 January 1973. The show was retitled An Evening With Marlene Dietrich for the later VHS and DVD releases.
Final years
Dietrich's show business career largely ended on 29 September 1975, when she broke her leg during a stage performance in Sydney, Australia. Her husband, Rudolf Sieber, died of cancer on 24 June 1976.
Dietrich's final on-camera film appearance was a cameo role in Just a Gigolo (1979), starring David Bowie and directed by David Hemmings. Dietrich also performed the title track in the film, and recorded the song for the soundtrack LP.
directed by David Hemmings.]]
An alcoholic and dependent on painkillers, Dietrich withdrew to her apartment at 12 avenue Montaigne in Paris. She spent the final 11 years of her life mostly bedridden, allowing only a select few—including family and employees—to enter the apartment. During this time, she was a prolific letter-writer and phone-caller. Her autobiography, Nehmt nur mein Leben, was published in 1979.
In 1982, Dietrich agreed to participate in a documentary film about her life, Marlene (1984), but refused to be filmed. The film's director, Maximilian Schell, was only allowed to record her voice. He used his interviews with her as the basis for the film, set to a collage of film clips from her career. The final film won several European film prizes and received an Academy Award nomination for Best Documentary in 1984. Newsweek named it "a unique film, perhaps the most fascinating and affecting documentary ever made about a great movie star".
Abschied vom Leben (Farewell from Life) by Theodor Körner.]] She began a close friendship with the biographer David Bret, one of the few people allowed inside her Paris apartment. Bret is thought to have been the last person outside her family that Dietrich spoke to, two days before her death: "I have called to say that I love you, and now I may die." She was in constant contact with her daughter, who came to Paris regularly to check on her.
In an interview with the German magazine Der Spiegel in November 2005, Dietrich's daughter and grandson claim that Dietrich was politically active during these years. She kept in contact with world leaders by telephone, including Ronald Reagan and Mikhail Gorbachev, running up a monthly bill of over US$3,000. In 1989, her appeal to save the Babelsberg studios from closure was broadcast on BBC Radio, and she spoke on television via telephone on the occasion of the fall of the Berlin Wall in 1990.
Dietrich died of renal failure on 6 May 1992 at the age of 90 in Paris. A service was conducted at La Madeleine in Paris before 3,500 mourners and a crowd of well-wishers outside. Her body, covered with an American flag, was then returned to Berlin, where she was interred at the Städtischer Friedhof III, Berlin-Schöneberg, Stubenrauchstraße 43–45, in Friedenau Cemetery, near her mother's grave and not far away from the house where she was born.
Private life
Unlike her professional celebrity, which was carefully crafted and maintained, Dietrich's personal life was kept out of public view. Dietrich, who some suspect was bisexual, enjoyed the thriving gay scene of the time and drag balls of 1920s Berlin.
She married only once, assistant director Rudolf Sieber, who later became an assistant director at Paramount Pictures in France, responsible for foreign language dubbing. Dietrich's only child, Maria Elisabeth Sieber, was born in Berlin on 13 December 1924. She would later become an actress, primarily working in television, known as Maria Riva. When Maria gave birth to a son in 1948, Dietrich was dubbed "the world's most glamorous grandmother". After Dietrich's death, Riva published a frank biography of her mother, titled Marlene Dietrich (1992).
Throughout her career Dietrich had an unending string of affairs, some short-lived, some lasting decades; they often overlapped and were almost all known to her husband, to whom she was in the habit of passing the love letters of her men, sometimes with biting comments. In 1938, Dietrich met and began a relationship with the writer Erich Maria Remarque, and in 1941, the French actor and military hero Jean Gabin. Their relationship ended in the mid-1940s. She also had an affair with the Cuban-American writer Mercedes de Acosta, who was Greta Garbo's lover. Her last great passion, when she was in her 50s, appears to have been for the actor Yul Brynner, but her love life continued well into her 70s. She counted George Bernard Shaw and John F. Kennedy among her conquests. Dietrich maintained her husband and his mistress first in Europe and later on a ranch in the San Fernando Valley, California.
She was raised a Protestant but lost her faith due to battlefront experiences during her time with the US Army as an entertainer after hearing preachers from both sides invoking God as their support. "I lost my faith during the war and can't believe they are all up there, flying around or sitting at tables, all those I've lost." She once said: “If God exists, he needs to review his plan.”
Image and legacy
Dietrich was a fashion icon to the top designers as well as a screen icon that later stars would follow. She once said, "I dress for myself. Not for the image, not for the public, not for the fashion, not for men." Her public image and some of her movies included strong sexual undertones, including bisexuality.
A significant volume of academic literature, especially since 1975, analyzes Dietrich's image, as created by the movie industry, within various theoretical frameworks, including that of psycho-analysis. Emphasis is placed, inter alia, on the "fetishistic" manipulation of the female image.
In 1992, a plaque was unveiled at Leberstraße 65 in Berlin-Schöneberg, the site of Dietrich's birth. A postage stamp bearing Dietrich's portrait was issued in Germany on 14 August 1997.
Luxury pen manufacturer MontBlanc produced a limited edition 'Marlene Dietrich' pen to commemorate Dietrich's life. It is platinum-plated and has an encrusted deep blue sapphire.
For some Germans, she remained a controversial figure as a war-time traitor. In 1996, after some controversy, it was decided not to name a street after Dietrich in Berlin-Schöneberg, her birthplace. However, on 8 November 1997, the central Marlene-Dietrich-Platz was unveiled in Berlin to honor Dietrich. The commemoration reads Berliner Weltstar des Films und des Chansons. Einsatz für Freiheit und Demokratie, für Berlin und Deutschland ("Berlin world star of film and song. Dedication to freedom and democracy, to Berlin and Germany").
Dietrich was made an honorary citizen of Berlin on 16 May 2002.
The U.S. Government awarded Marlene Dietrich the Presidential Medal of Freedom for her war work. Dietrich has been quoted as saying this was the honor of which she was most proud in her life. She was also made a chevalier (later commandeur) of the Légion d'honneur by the French government.
Estate
On 24 October 1993, the largest portion of Dietrich's estate was sold to the Stiftung Deutsche Kinemathek—after U.S. institutions showed no interest—where it became the core of the exhibition at the
Filmmuseum Berlin. The collection includes: over 3,000 textile items from the 1920s through the 1990s, including film and stage costumes as well as over a thousand items from Dietrich's personal wardrobe; 15,000 photographs, by
Cecil Beaton,
Horst P. Horst,
George Hurrell,
Lord Snowdon and
Edward Steichen; 300,000 pages of documents, including correspondence with
Burt Bacharach,
Yul Brynner,
Maurice Chevalier,
Noël Coward,
Jean Gabin,
Ernest Hemingway,
Karl Lagerfeld,
Nancy and
Ronald Reagan,
Erich Maria Remarque,
Josef von Sternberg,
Orson Welles, and
Billy Wilder; as well as other items like film posters and sound recordings.
The contents of Dietrich's Manhattan apartment, along with other personal effects such as jewelry and items of clothing, were sold by public auction by Sotheby's (Los Angeles) on 1 November 1997. The apartment itself (located at 993 Park Avenue) was sold for $615,000 in 1998.
Works
Filmography
Selected discography
;Singles (selected)
1928: "Wenn die beste Freundin"
1928: "Es liegt in der Luft"
1930: "Nimm Dich in acht vor blonden Frauen"
1930: "Ich bin von Kopf bis Fuß auf Liebe eingestellt"
1930: "Falling in Love Again"
1930: "Ich bin die fesche Lola"
1930: "Wenn ich mir was wünschen dürfte"
1930: "Kinder, heut' abend, da such' ich mir was aus"
1931: "Leben ohne Liebe kannst du nicht"
1931: "Give Me the Man"
1931: "Peter"
1931: "Quand L´Amour meurt"
1931: "Johnny, wenn du Geburtstag hast"
1933: "Mein blondes Baby"
1933: "Ja so bin ich"
1933: "Allein in einer großen Stadt"
1933: "Wo ist der Mann?"
1939: "The Boys in the Backroom"
1945: "Lili Marleen" (English version)
1954: "Ich hab' noch einen Koffer in Berlin"
1960: "Lili Marleen" (German version)
1962: "Sag mir wo die Blumen sind"
1963: "Für alles kommt die Zeit"
1964: "Die Antwort weiß ganz allein der Wind"
1964: "Der Trommelmann"
1965: "Such Trying Times"
1966: "Still war die Nacht"
1978: "Just a Gigolo"
;Albums
1951: Marlene Dietrich Overseas
1954: Live at the Café de Paris
1959: Dietrich in Rio
1960: Wiedersehen mit Marlene
1964: Marlene singt Berlin
1964: Die neue Marlene
1964: Dietrich in London
;Compilations (selected)
1949: Souvenir Album
1952: M.D. Live 1932–1952
1959: Lil Marlene
1969: Marlene Dietrich
1973: The Best of Marlene Dietrich
1974: Das war mein Milljöh
1982: Her Complete Decca Recordings
1992: The Marlene Dietrich Album
1992: Art Deco Marlene Dietrich
2007: Marlene Dietrich with the Burt Bacharach Orchestra
Radio
Notable appearances include:
Lux Radio Theater: The Legionnaire and the Lady opposite Clark Gable (1 August 1936)
Lux Radio Theater: Desire opposite Herbert Marshall (22 July 1937)
Lux Radio Theater: song of Songs opposite Douglas Fairbanks, Jr (20 December 1937)
The Chase and Sanborn Program with Edgar Bergen and Don Ameche (2 June 1938)
Lux Radio Theater: Manpower opposite Edward G Robinson and George Raft (15 March 1942)
The Gulf Screen Guild Theater: Pittsburgh opposite John Wayne (12 April 1943)
Theatre Guild on the Air: Grand Hotel opposite Ray Milland (24 March 1948)
Studio One: Arabesque (29 June 1948)
Theatre Guild on the Air: The Letter opposite Walter Pidgeon (3 October 1948)
Ford Radio Theater: Madame Bovary opposite Claude Rains (8 October 1948)
Screen Director's Playhouse: A Foreign Affair opposite Rosalind Russell and John Lund (5 March 1949)
MGM Theatre of the Air: Anna Karenina (9 December 1949)
MGM Theatre of the Air: Camille (6 June 1950)
Lux Radio Theater: No Highway in the Sky opposite James stewart (21 April 1952)
Screen Director's Playhouse: A Foreign Affair opposite Lucille Ball and John Lund (1 March 1951)
The Big Show starring Tallullah Bankhead (2 October 1951)
The Child, with Godfrey Kenton, radio play produced by Richard Imison for the BBC on 18 August 1965
Dietrich's appeal to save the Babelsburg studios was broadcast on BBC radio
Dietrich made several appearances on Armed Forces Radio Services shows like The Army Hour and Command Performance during the war years. In 1952, she had her own series on American ABC entitled, Cafe Istanbul. During 1953–54, she starred in 38 episodes of Time for Love on CBS. She recorded 94 short inserts, "Dietrich Talks on Love and Life", for NBC's Monitor in 1958.
Dietrich gave many radio interviews worldwide on her concert tours. In 1960, her show at the Tuschinski in Amsterdam was broadcast live on Dutch radio. Her 1962 appearance at the Olympia in Paris was also broadcast.
Television
Complete list of television appearances (excluding news footage):
Unicef Gala (Düsseldorf, 1962): Guest Appearance
Cirque d'hiver (Paris, 9 March 1963): Cameo as "Garcon de Piste"
Deutsche-Schlager-Festspiele (Baden-Baden, 1963): Guest Appearance
Grand Gala du Disque (Edison Awards) (The Hague, 1963): Guest Appearance
Galakväll pa Berns (Stockholm, 1963): Concert, with introduction by Karl Gerhardt and orchestra conducted by Burt Bacharach
Royal Variety Performance (London, 4 November 1963): Guest Appearance
The Stars Shine for Jack Hylton (London, 1965): Guest Appearance
The Magic of Marlene (Melbourne, October 1965): Concert, with orchestra conducted by William Blezard.
The 22nd Annual Tony Awards (New York, 21 April 1968): Acceptance Speech
Guest Star Marlene Dietrich (Copenhagen – for Swedish Television, 1970): Interview
I Wish You Love (An Evening with Marlene Dietrich) (London, 23 & 24 November 1972): Concert TV Special, with orchestra conducted by Stan Freeman.
Published works
References
Further reading
External links
Marlene Dietrich Collection, Berlin (MDCB)
Marlene Dietrich – Daily Telegraph obituary
WWII: Marlene Dietrich and the Boys - slideshow by Life magazine
Category:1901 births
Category:1992 deaths
Category:People from Berlin
Category:American female singers
Category:American film actors
Category:American radio actors
Category:American television actors
Category:Bisexual actors
Category:Cabaret singers
Category:Deaths from renal failure
Category:Disease-related deaths in France
Category:English-language singers
Category:American people of German descent
Category:German expatriates in the United States
Category:German female singers
Category:German film actors
Category:Former Calvinists
Category:German atheists
Category:German immigrants to the United States
Category:German silent film actors
Category:German stage actors
Category:American actors of German descent
Category:German-language singers
Category:LGBT people from the United States
Category:LGBT parents
Category:Liberty Records artists
Category:Naturalized citizens of the United States
Category:Tony Award winners
Category:Torch singers
Category:Women in World War II
Category:LGBT musicians from Germany
Category:Presidential Medal of Freedom recipients
Category:German autobiographers
Category:Commandeurs of the Légion d'honneur
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