Donna may refer to:

People[link]

• Donna (given name); includes name origin, and people with the name.

Surname

• Roberto Di Donna

Fictional characters[link]

• Donna Duck, character from the 1937 Disney short Don Donald
• Donna Freedman, character from Neighbours
• Donna Hayward, character from Twin Peaks
• Donna Martin, character from Beverly Hills 90210
• Donna Meagle, character from Parks and Recreation
• Donna Moss, character from The West Wing
• Donna Noble, character from Doctor Who
• Donna Pinciotti, character from That '70s Show
• Donna Troy, character from the Teen Titans aka "Wonder Girl"
• Donna Sheridan, character in Mamma Mia!
• Donna Tubbs, character from The Cleveland Show
• Donna Henshaw, character in Two Pints of Lager and a Packet of Crisps

Places[link]

• Donna, Texas, USA
• Dønna, Norway

Music[link]

• "Donna" (song), song by Ritchie Valens (covered in the United Kingdom by Marty Wilde)
• "Donna" (10cc song), song by "10cc"
• "Donna Donna", song also known as "Dona Dona" or "Dos Kelbl"
• The Donnas, American all-girl rock band
• Donna (radio station), former Flemish music radio station located in Belgium
• "Donna Lee", a bebop jazz standard

Miscellanea[link]

• The Italian word for woman
• Hurricane Donna (1960)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Donna Summer
Donna Summer at a recording studio in 1977
Background information
Birth name	LaDonna Adrian Gaines
Also known as	Donna Gaines
Born	(1948-12-31)December 31, 1948 Boston, Massachusetts, United States
Died	May 17, 2012(2012-05-17) (aged 63) Englewood, Florida, U.S.
Genres	Pop, disco, dance-pop, rock
Occupations	Singer, songwriter
Instruments	Vocals, piano
Years active	1969–2012
Labels	Oasis, Casablanca (1975–80), Geffen (1980–88), Atlantic (1988–91), Mercury (1994–96), Warner-Elektra-Atlantic (1980–91), Epic (1999–2001), Burgundy (2006–12)
Associated acts	Giorgio Moroder, Brooklyn Dreams

LaDonna Adrian Gaines (December 31, 1948 – May 17, 2012),^[1] known by the stage name Donna Summer, was an American singer and songwriter who gained prominence during the disco era of the late 1970s. She had a mezzo-soprano vocal range, and was a five-time Grammy Award winner. Summer was the first artist to have three consecutive double albums reach number one on the United States Billboard chart, and she also charted four number-one singles in the United States within a 13-month period.

Born into a devoutly Christian lower middle class African American family in Boston, Massachusetts, Summer first became involved with singing through church choir groups before joining a number of bands influenced by the Motown Sound. Influenced by the counterculture of the 1960s, she became the front singer of a psychedelic rock band named Crow and moved to New York City. Joining a touring version of the musical Hair, she spent several years living in West Germany, where she married Helmut Sommer, whose surname she adopted as her stage name.

Returning to the United States, Summer co-wrote the song "Love to Love You Baby" with Pete Bellotte; music producer Giorgio Moroder convinced her to sing it herself, and it was released to mass commercial success in 1975, particularly on the disco scene. Over the following years, Summer followed this success with a string of other disco hits, such as "I Feel Love", "MacArthur Park", "Hot Stuff" and "No More Tears (Enough is Enough)". Becoming known as the "Queen of Disco", she regularly appeared at the Studio 54 club in New York City, while her music gained a particularly large following within the gay community, for whom she became a gay icon. Struggling with drug addiction and depression, she subsequently became a born-again Christian.^[2]

Diagnosed with lung cancer, Summer died in May 2012, at her home on Manasota Key in Englewood, Florida, after a battle with the disease. She was posthumously described as the "undisputed queen of the Seventies disco boom" who reached the status of "one of the world's leading female singers."^[2] Her work with Moroder, particularly "I Feel Love", has also been described as "really the start of electronic dance" music, by Moroder himself.^[3]

Early life[link]

Summer was born LaDonna Adrian Gaines on December 31, 1948 in Boston, Massachusetts, to her parents, Andrew and Mary Gaines, and was one of seven children.^[4] She and her family were raised in the Boston neighborhood of Mission Hill. Her father, Andrew Gaines, was a butcher, and her mother Mary, was a schoolteacher.^[5] Summer's mother later recalled that from the time she could talk, Summer would often sing: "She literally loved to sing. She used to go through the house singing, singing. She sang for breakfast and for lunch and for supper."^[5]

Summer's performance debut occurred at church when she was ten years old, when she replaced a vocalist who had failed to show up.^[5] Her priest invited Summer to perform, judging from her small frame and speaking voice that she would be an "amusing spectacle", but instead Summer's voice recalled a voice older than her years and frame.^[5] Summer herself recalled that as she sang, "I started crying, everybody else started crying. It was quite an amazing moment in my life and at some point after I heard my voice came out I felt like God was saying to me 'Donna, you're going to be very, very famous' and I knew from that day on that I would be famous."^[5]

Summer later attended Boston's Jeremiah E. Burke High School, where she performed in school musicals and was considered popular.^[5] She was also something of a troublemaker, skipping home to attend parties, circumventing her parents' strict curfew.^[5] In 1967, just weeks before graduation, Summer left for New York where she was a member of the blues-rock band, Crow. After they were passed by every record label, they agreed to break up. Summer stayed in New York and auditioned for a role in the counterculture musical, Hair. When Melba Moore was cast in the part, Summer agreed to take the role in the Munich production of the show. She moved to Munich, Germany after getting her parents' reluctant approval.^[5]

Summer eventually became fluent in German, singing various songs in German. She participated in the musicals Ich Bin Ich (the German version of The Me Nobody Knows), Godspell and Show Boat. Within three years, she moved to Vienna, Austria and joined the Vienna Volksoper. She briefly toured with an ensemble vocal group called FamilyTree, the creation of producer Guenter "Yogi" Lauke. In 1968, Summer released (as Donna Gaines) on Polydor her first single, a German version of the title Aquarius from the musical Hair, followed in 1971 by a second single, a cover of The Jaynetts' "Sally Go 'Round the Roses", from a one-off European deal with Decca Records.^[6] In 1972, she issued the single, "If You Walkin' Alone" on Philips Records.^[6]

In 1973, she married Austrian actor Helmuth Sommer and had a daughter, Mimi, the same year. Citing marital problems caused by her affair with German artist (and future live-in boyfriend) Peter Mühldorfer, she divorced Helmuth. She kept his last name, but Anglicized it to "Summer". She provided backing vocals on producer-keyboardist Veit Marvos on his 1972 Ariola Records release, Nice to See You, credited as "Gayn Pierre". Several subsequent singles included Summer performing with the group, but she often denied singing on any of the Marvos releases. The name "Gayn Pierre" was also used by Donna while performing in Godspell with Helmuth Sommer during 1972.^[6]

Music career[link]

1974–1979: Initial success[link]

While singing background in a recording session at Munich's Musicland Studios for Three Dog Night, Summer met German-based producers Giorgio Moroder and Pete Bellotte. The trio forged a working partnership and began collaborating on songs together starting in 1974. A demo tape of Summer's work with Moroder and Bellotte led to a deal with the European-distributed label, Groovy Records. The label issued Summer's first album, Lady of the Night. The album became a hit success in selected countries with two songs, "The Hostage" and "Lady of the Night", reaching the top of the charts in countries such as the Netherlands and Belgium.

In mid-1975, while working on another album, Summer passed on an idea for a song that Moroder was working on for another artist in the then-nascent disco sound, writing part of the song and labeling it as "Love to Love You". Summer would later say that she had imagined how Marilyn Monroe would sing this song and demonstrated how she felt Monroe would've approached it. Prior to recording the song and to get into the mood, she requested Moroder to turn off the lights while they sat on a sofa with him inducing her moans and groans. Moroder liked what he heard after hearing its playback and felt Summer's song should be released. The song was then sent to Casablanca Records president Neil Bogart in hopes of getting an American release. Bogart informed Summer and Moroder he would release the song (now called "Love to Love You Baby") but requested that Moroder produce a longer version for discothèques. Moroder, Bellotte, and Summer returned with a 17 minute version and Casablanca signed Summer and released the single in November 1975. The shorter version of the single was promoted to radio stations while clubs regularly played the 17 minute version (the longer version would also appear on the album). Casablanca became one of the first record labels to popularize the 12" single format.

By early 1976, "Love to Love You Baby" had reached No. 2 on the US Billboard Hot 100, while the parent album of the same name sold over a million copies. The song generated controversy due to Summer's moans and groans and some American and European radio stations, including the BBC, refused to play it.^[7] "Love to Love You Baby" found chart success in several European countries, and made the Top 5 in the United Kingdom despite the BBC ban. Other upcoming singles included "Try Me, I Know We Can Make It", US No. 80; "Could It Be Magic", US No. 52; "Spring Affair", US No. 58; and "Winter Melody", US No. 43. The subsequent albums Love Trilogy and Four Seasons of Love both went gold in the US.

In 1977, Summer released the concept album I Remember Yesterday. This album, again co-produced by Moroder and Bellotte, included her second top ten single, "I Feel Love", which reached number six in the US and number one in the UK. Another concept album, also released in 1977, was Once Upon a Time, a double album which told of a modern-day Cinderella "rags to riches" story through the elements of orchestral disco and ballads. This album would also attain gold status. In 1978, Summer released her version of the Jimmy Webb ballad, "MacArthur Park", which became her first US number one hit. The song was featured on Summer's first live album, Live and More, which also became her first album to hit number one on the US Billboard 200 chart, and went platinum selling over a million copies. Other studio tracks included the top ten hit, "Heaven Knows", which featured the group Brooklyn Dreams accompanying her on background and Joe "Bean" Esposito singing alongside her on the verses. Summer would later be romantically involved with Brooklyn Dreams singer Bruce Sudano and the couple married two years after the song's release. Also in 1978, Summer acted in the film, Thank God It's Friday, playing a singer determined to perform at a hot disco club. The film met modest success, but a song from the film, titled "Last Dance", reached number three on the Hot 100 and resulted in Summer winning her first Grammy Award. Its writer, Paul Jabara, won an Academy Award for the composition.

In 1979, Summer performed at the world-televised Music for UNICEF Concert, joining contemporaries such as Abba, Olivia Newton-John, the Bee Gees, Andy Gibb, Rod Stewart, John Denver, Earth, Wind & Fire, Rita Coolidge and Kris Kristofferson for an hour's TV special that raised funds and awareness for the world's children. Artists donated royalties of certain songs, some in perpetuity, to benefit the cause.

[edit] 1979–1980: Bad Girls and the break from disco

Summer began work on her next project with Moroder and Bellotte, Bad Girls, an album that had been in production for nearly two years. Summer based the whole concept on prostitution (revisiting the theme for 1974's Lady of the Night), even dressing as a hooker herself on the cover art.

The album became a huge success, spawning the number one hits "Hot Stuff" and the title track and the number two "Dim All the Lights". With "MacArthur Park", "Hot Stuff", "Bad Girls", and the Barbra Streisand duet "No More Tears (Enough is Enough)", Summer achieved four number one hits within a thirteen month period. Those aforementioned songs, along with "Heaven Knows", "Last Dance", "Dim All the Lights", and "On the Radio" (from her upcoming double-album) would give her eight US Top 5 singles within a two year period. "Hot Stuff" later won her a second Grammy in the Best Female Rock Vocal Performance, the first time the category was included. That year, Summer played eight sold-out nights at the Universal Amphitheater in Los Angeles.

Summer released On the Radio: Greatest Hits Volumes I & II, her first (international) greatest hits set in 1979. The double album reached number one in the United States, becoming her third consecutive number one album. A new song from the compilation, "On the Radio", reached the US top five, selling over a million copies in the United States alone.

1980–1985: Continued success[link]

After the release of the On the Radio hits album, Summer wanted to branch out into other musical styles in addition to disco, which led to tensions between her and Casablanca Records as Casablanca wanted her to continue to record in the disco format while Summer wanted to sing more rock and pop-based music. Sensing that they could no longer come to terms, Summer and the label parted ways in 1980, and she signed with Geffen Records, the new label started by David Geffen.

Summer's first Geffen album, The Wanderer, featured an eclectic mixture of sounds similar to Bad Girls but with only little emphasis on Summer's past disco success, instead, bringing elements of rock, rockabilly, new wave and gospel music. The album continued Summer's streak of gold albums with the title track peaking at No. 3 in the US, though its follow-up singles, "Cold Love" and "Who Do You Think You're Foolin'" were only modestly received.

When Summer presented Geffen with her projected second album, I'm a Rainbow, the label disapproved of its production sensing Moroder's sound had grown stale and advised Summer to change producers, leading to an argument between the artist and the label. Eventually, Moroder and Bellotte and Summer agreed to part ways with Geffen hiring top R&B and pop producer Quincy Jones to produce Summer's next album, the eponymously titled Donna Summer, released in 1982 and which took over six months to record, which was unusual for Summer's recordings. Among its releases included the top ten hit, "Love Is in Control (Finger on the Trigger)", and the more moderately received "State of Independence" (No. 41 pop) and "The Woman in Me" (No. 33 pop). Problems then increased between Summer and Geffen Records after they were notified by Polygram Records, Summer's former label Casablanca was by then a wholly owned subsidiary, that she needed to deliver them one more album to fulfill her contract with them.

Summer delivered the album, She Works Hard for the Money, and Polygram released it on its Mercury imprint in 1983. The title song became a hit reaching number three on the US Hot 100, and would provide Summer with a Grammy nomination. The album also featured the reggae-flavored UK Top 20 hit "Unconditional Love", which featured the British group Musical Youth who were riding high from the success of their single "Pass the Dutchie". The third US single, "Love Has A Mind of Its Own", reached the top forty of the Billboard R&B chart. The album itself was certified gold.

In late 1984, with her obligation to Polygram complete, Summer returned on Geffen Records with her next release. Geffen, wanting to keep the momentum going, enlisted She Works Hard for the Money's producer Michael Omartian to produce Cats Without Claws. The album, however, was not as successful as She Works Hard for the Money and failed to attain gold status in the US, becoming her first album since her 1974 debut not to do so. It did include a moderate hit in The Drifters cover "There Goes My Baby", which peaked at No. 21. Jellybean Benitez remixed two of the songs for the album that were released as 12" singles for club play "Eyes" & "I'm Free".

On January 19, 1985, she sang at the nationally-televised 50th Presidential Inaugural Gala, the day before the second inauguration of Ronald Reagan. She was introduced by Merv Griffin.

Controversy over alleged anti-gay comments[link]

In the mid 1980s, Summer was embroiled in a controversy. She had allegedly made anti-gay remarks regarding the then-relatively new disease, AIDS, which as a result had a significantly negative impact on her career. Summer, by this time a born-again Christian, was alleged to have said that AIDS was a punishment from God for the immoral lifestyles of homosexuals. ^[8][9] However, she denied that she had ever made any such comment and, in a letter to the AIDS campaign group ACT UP in 1989, she said that it was "a terrible misunderstanding. I was unknowingly protected by those around me from the bad press and hate letters... If I have caused you pain, forgive me." She went on to apologize for the delay in refuting the rumours and closed her letter with Bible quotes (from Chapter 13 of 1 Corinthians).^[10]

Also in 1989, Summer told The Advocate magazine that "A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference."^[11] A couple of years later she filed a lawsuit against New York magazine when it reprinted the rumours as fact just as she was about to release her album Mistaken Identity in 1991.^[12] According to a Biography television program dedicated to Summer in which she participated in 1995, the lawsuit was settled out of court though neither side was able to divulge any details.^[13][14]

1987–1989: Continued success in Europe[link]

In 1987, Summer returned with the album All Systems Go, which did not sell well, becoming her second consecutive album not to achieve gold status. It featured the single "Dinner with Gershwin" (written by Brenda Russell), which was only a minor US hit, though it peaked at No. 13 in the UK. The album's title track, "All Systems Go", was released only in the UK where it peaked at No. 54.

For Summer's next album, Geffen Records hired the British hit production team of Stock Aitken Waterman (or SAW), who had enjoyed incredible success by writing and producing for such acts as Kylie Minogue, Dead or Alive, Bananarama, and Rick Astley among others. However, Geffen decided not to release the album, entitled Another Place and Time, and Summer and Geffen Records parted ways in 1988. The album was released in Europe in March 1989 on Warner Bros. Records, which had been Summer's label in Europe since 1982. The single "This Time I Know It's for Real" had become a top ten hit in several countries in Europe, prompting the Warner Bros. subsidiary company Atlantic Records to sign Summer in the US and pick up the album for a North American release soon after. The single peaked at No. 7 on the Hot 100 in the US, and became her twelfth gold single there. It was also Summer's final Top 40 hit on the American pop charts, though she scored two more UK hits from the album, "I Don't Wanna Get Hurt" (UK No. 7) and "Love's About to Change My Heart" (UK No. 20).

[edit] 1990–1999: Mistaken Identity, acting, and Live & More Encore

In 1990, a Warner compliation, The Best of Donna Summer, was released. The album went gold after the song "State of Independence" had been re-released there to promote the album. The following year, Summer emerged with the album, Mistaken Identity, which included elements of R&B as well as new jack swing. While the album itself failed to become a success, the song "When Love Cries" continued her success on the R&B charts, reaching No. 18. In 1992, Summer embarked on a world tour to promote the album and later that year received her star on the Hollywood Walk of Fame. In 1993, Polygram issued the two-disc set, The Donna Summer Anthology, which included 34 tracks of all of Summer's material with Casablanca and Mercury while also including songs from her tenures with Atlantic and Geffen.

Summer signed with Mercury/Polygram that same year and in 1994, issued the the Christmas album, Christmas Spirit which included renditions of classic Christmas songs such as "O Holy Night" and "Joy To The World", while also including Summer-penned songs as well. Another hits collection, Endless Summer: Greatest Hits, was released, featuring eighteen songs, that were single cuts of the songs differentiating from the Anthology set where fuller length recordings were featured. In 1992, she reunited with Giorgio Moroder recording the dance song, "Carry On", which later won Summer the first Grammy given to anyone in its dance category. The 1995 dance tune "Melody of Love (Wanna Be Loved)" went number-one on the dance charts in the U.S. while becoming a top 30 hit in the UK, peaking at number 21.

During this time, Summer was offered a guest role on the sitcom Family Matters as Steve Urkel's (Jaleel White) Aunt Oona. She made a second appearance in 1997. In 1998, Summer received a Grammy Award for Best Dance Recording, being the first to do so, after a remixed version of her 1992 collaboration with Giorgio Moroder, "Carry On", was released in 1997. In 1999, Summer taped a live television special for VH1 titled Donna Summer – Live and More Encore, producing the second highest ratings that year for the network, after their annual Divas special. A CD of the event was released by Epic Records and featured two studio recordings, "I Will Go with You (Con te partirò)" and "Love Is the Healer", both of which reached number one on the US dance charts.

[edit] 2000–2009: Later recordings and Crayons

Summer performing at the Nobel Peace Prize Concert in 2009

In 2000, Summer participated in VH-1's third annual Divas special, dedicated to Diana Ross, though Summer sung mostly her own material for the show. In 2003, Summer issued her autobiography, Ordinary Girl: The Journey and that same year released a best-of set titled The Journey: The Very Best of Donna Summer. In 2004, Summer was inducted to the Dance Music Hall of Fame alongside the Bee Gees and Barry Gibb as an artist. Her classic song, "I Feel Love", was also inducted that night. In 2004 and 2005, Summer's success on the dance charts continued with the songs "You're So Beautiful" and "I Got Your Love".

Summer, in a 2008 interview with The Daily Telegraph, claimed that one month before the September 11 Attacks she had a premonition that they would occur. Summer was living in Manhattan at the time of the attacks. In the same interview she said for a period of time after the attacks she was so depressed she was unable to leave her bedroom and left her blinds closed.^[15]

In 2008, Summer released her first studio album of fully original material in 17 years, entitled Crayons. Released on the Sony BMG label Burgundy Records, it peaked at No. 17 on the United States Top 200 Album Chart (her highest placing on the chart since 1983), and achieved modest international success. The songs "I'm a Fire", "Stamp Your Feet", and "Fame (The Game)" reached number one on the United States Billboard Dance Chart. The ballad "Sand on My Feet" was released to adult contemporary stations and reached number thirty on that chart. While commenting on the album, Summer said "I wanted this album to have a lot of different directions on it. I did not want it to be any one baby. I just wanted it to be a sampler of flavors and influences from all over the world. There's a touch of this, a little smidgeon of that, a dash of something else...like when you're cooking." On the song "The Queen Is Back", Summer reveals her wry and witty self-awareness of her musical legacy and her public persona. "I'm making fun of myself," she admits. "There's irony, it's poking fun at the idea of being called a queen. That's a title that has followed me, followed me, and followed me. We were sitting and writing and that title kept popping up in my mind and I'm thinking, 'Am I supposed to write this? Is this too arrogant to write?' But people call me 'the queen,' so I guess it's ok to refer to myself as what everybody else refers to me as. We started writing the song and thought it was kind of cute and funny." Summer wrote "The Queen Is Back" and "Mr. Music" with J. R. Rotem and Evan Bogart, the son of Casablanca Records founder, Neil Bogart.

On December 11, 2009, Summer performed at the Nobel Peace Prize Concert in Oslo, Norway, in honor of United States President Barack Obama. She was backed by the Norwegian Radio Orchestra.

2010–2012: Final recordings[link]

In August 2010, she released the single "To Paris With Love", co-written with Bruce Roberts and produced by Peter Stengaard. In October 2010, the single reached No. 1 on the US Billboard Dance Chart (it would be her last charted single). Also that month, Summer appeared in the PBS Television Special Hitman Returns: David Foster and Friends. In it, Summer performed with Seal on a medley of the songs "Unbreak My Heart / Crazy / On the Radio", before Summer closed the show with "Last Dance".^[16]

On July 29, 2010, Summer gave an interview with Allvoices.com, wherein she was asked if she would consider doing an album of standards. She replied:

I actually am, probably in September. I will begin work on a standards album. I will probably do an all-out dance album and a standards album. I'm gonna do both, and we will release them however were gonna release them. We are not sure which is going first.^[17]

On September 15, 2010, Summer appeared as a guest celebrity singing alongside rising star Prince Poppycock on the television show America's Got Talent.

On October 16, 2010, she performed at a benefit concert at the Phoenix Symphony.^[18]

On June 6, 2011, Summer was a guest judge on the show, Platinum Hit in week two titled, "Dance Floor Royalty". Platinum Hit is a reality competition series on Bravo launched in 2011, in which 12 singer-songwriters compete through innovative songwriting challenges that test their creativity, patience and drive. Every episode features a different topic, from a dance track to a love ballad, that requires the contestants to write and perform lyrics from a multiple of genres, for a cash prize of $100,000, a publishing deal with songwriting collective The Writing Camp, and a recording deal with RCA/Jive label.

In July 2011, Summer was working at Paramount Recording Studios in Los Angeles with her nephew, the rapper and producer O'Mega Red. Together they worked on a track titled "Angel".

Personal life[link]

LaDonna Gaines was one of seven children born and raised in Boston's Mission Hill neighborhood, living on the first floor of a three-decker home. Following her move to Austria in 1971, she met and fell in love with actor Helmuth Sommer while the two were acting in Godspell. In 1973, the couple married^[19] and that year Gaines gave birth to her first child, daughter Mimi Sommer. In 1975, the couple divorced.^[19] Gaines took her husband's last name, translated to English, as her stage name.

In 1978, while working on the hit track, "Heaven Knows" which featured Brooklyn Dreams member Joe "Bean" Esposito on vocals, Summer met fellow member Bruce Sudano. Within a few months, Summer and Sudano became a couple. They married on July 16, 1980. In 1981, Summer gave birth to another daughter (her first child with Sudano), Brooklyn Sudano, named after Sudano's group. In 1982, Summer and Sudano had their second child, Amanda Sudano. (Brooklyn would grow up to star in the hit ABC production My Wife and Kids.)

In 1995, Summer and her family moved from Sherman Oaks, California to Nashville,^[20] where she took time out from show business to focus on painting, a hobby she began back in the 1980s. Also during 1995, Summer's beloved mother, Mary Gaines, died of lung cancer. Her father, Andrew Gaines, died in 2004 of natural causes.

Death and aftermath[link]

Death[link]

Summer died on the morning of May 17, 2012, at her home in Englewood, Florida at the age of 63.^[21][22] She had been diagnosed with lung cancer not related to smoking,^[23][24] reportedly being a non-smoker. She believed she contracted the illness by inhaling toxic particles following the 9/11 terrorist attacks in New York.^[25][26] Summer is survived by her husband Bruce Sudano, their daughters Brooklyn and Amanda, as well as her daughter Mimi from a previous marriage. Her funeral was held in Nashville, Tennessee on May 23, 2012.^[27] Her body was buried in Harpeth Hills Memory Gardens Cemetery in Nashville, Tennessee.^[28]

Reactions[link]

Donna Summer's memorial made by fans in the Castro District, San Francisco

Singers and music industry professionals around the world reacted to Donna Summer's death.^[29][30] Gloria Gaynor, a famous disco performer during the late 1970s,^[31] said that she was "deeply saddened" and that Donna was "a fine lady and human being." Gaynor said she was devastated by the death of her longtime friend, and that she had not known about Summer's cancer.^[32] Harry Wayne Casey of KC and the Sunshine Band said he and Donna "ran in the same circles and are part of the same generation."^[30] Liza Minnelli said, "She was a queen, the queen of disco, and we will be dancing to her music forever." She said that her "thoughts and prayers are with her family always."^[30] Dolly Parton said, "Donna, like Whitney, had one of the greatest voices ever. I loved her records. She was the disco queen, and will remain so. I knew her and found her to be one of the most likable and fun people ever. She will be missed and remembered."^[30] Janet Jackson wrote that Donna "changed the world of music with her beautiful voice and incredible talent."^[30] Barbra Streisand wrote: "I loved doing the duet with her. She had an amazing voice and was so talented. . . It's so sad."^[30] Quincy Jones wrote that Donna's voice was "the heartbeat and soundtrack of a decade."^[30] Aretha Franklin said, "It's so shocking to hear about the passing of Donna Summer. In the 70s, she reigned over the disco era and kept the disco jumping. Who will forget 'Last Dance.' A fine performer and a very nice person."^[33] Chaka Khan said: "Donna and I had a friendship for over 30 years. She is one of the few black women I could speak German with and she is one of the few friends I had in this business."^[33] Gloria Estefan wrote that "It's the end of an era," and posted a photo of herself with Summer.^[33] Elton John said, "I'm so sad. This woman was the queen of disco and so much more. Her records sound as good today as they ever did. That she has never been inducted into the Rock and Roll Hall of Fame is a total disgrace, especially when I see the second-rate talent that has been inducted. She is a great friend to me and to the Elton John AIDS Foundation and I will miss her greatly."^[34]

United States President Barack Obama said: "Michelle and I were saddened to hear about the passing of Donna Summer. A five-time Grammy Award winner, Donna truly was the 'Queen of Disco.' Her voice was unforgettable, and the music industry has lost a legend far too soon. Our thoughts and prayers go out to Donna's family and her dedicated fans."^[30][35]

Donna Summer was honored at the 2012 Billboard Music Awards ceremony.^[36][37] Singer Natasha Bedingfield honored Summer, calling her "a remarkable woman who brought so much light, and who inspired many women, including myself through her music. And if we can remember her through her music, this will never really be the last dance." After her statement, she began to sing the "Last Dance", Summer's song that received an Academy Award.^[37] As she sang the song, photos of Summer were displayed on a screen overhead.^[37] Many fans of Summer noticed and were unsatisfied that the Summer's tribute was cut off, supposedly for commercial benefits.^[37]

Fans paid a tribute to Donna by leaving flowers and memorabilia on her star on the Hollywood Walk of Fame.^[38] A few days after her death, her album sales increased by a 3,277 percent, according to Nielsen SoundScan. Billboard reported that the week before she died, Summer sold about 1,000 albums. After her death, that number increased to 26,000.^[39]

Funeral[link]

Summer's funeral service was held in the Christ Presbyterian Church in Nashville, Tennessee on the afternoon of May 23, 2012.^[27][40][41] The exact location and time of the service was kept secret.^[42] Several hundred of Summer's friends and family appeared at the singer's funeral, according to CNN.^[41] The funeral was a private ceremony^[41] and cameras were not allowed inside the church.^[41] TMZ obtained a copy of Summer's funeral program.^[43][44][45] The program includes a Proverb dedicated to Summer about a "wife of noble character".^[44] According to the program, Pastor Tim Johnson started the service and welcomed the guests.^[44] Afterward, Ricky Gaines, who is a relative of Summer's, gave a speech.^[44] Summer's sisters: Linda Gaines Lotman, Mary Ellen Bernard, Dara Bernard, and Jenette Yancey, performed "We've Come This Far By Faith."^[44] Mary Ellen Bernard performed "Because of Whose You Are".^[44] After that, Rick Dohler, the husband of one of Summer's daughters, gave a speech. Next, Pastor Tim Johnson spoke, again.^[44] The service was closed by David Foster and Natalie Grant performing "The Prayer".^[41][44] Guests left the church, entered their cars, and followed the black hearse with Summer's body to the Harpeth Hills Memory Gardens cemetery in Nashville, where she was buried.^[28][44] Other guests included Giorgio Moroder, who produced several of Summer's hits, and singer Tony Orlando.^[41]

Awards and recognition[link]

Cover versions by other artists[link]

"I Feel Love" has been sampled several times. The song was sampled by artists such as David Guetta, Darren Hayes, Whitney Houston, Madonna, Bette Midler, Moby, Moloko, Mylo, Stuart Price, Diana Ross, Britney Spears, and Robbie Williams. Italian company Gucci used a special version of it in the "Flora" perfume advertising, filmed by Chris Cunningham. "I Feel Love" has been covered onstage by Madonna, the Red Hot Chili Peppers' John Frusciante, Kylie Minogue, Blondie, Basement Jaxx, and Finnish progressive rock band Kingston Wall. Venus Hum with Blue Man Group also performed this song with Japanese singer Kumi Koda for their album The Complex, and in 2006, Tracy Bonham stood in for Hum on the Blue Man Group tour, performing the song. Bronski Beat and Marc Almond released the track as a duet with an added bridge section and titled it "I Feel Love/Johnny Remember Me", reaching number 3 in the UK charts in April 1985. In 1992 U.K. alterna-pop group Curve recorded a version for the NME's 40th anniversary compilation Ruby Trax, which became an instant underground classic.

"Love to Love You Baby" was sampled in Beyoncé Knowles's "Naughty Girl" and by TLC on their original version of "I'm Good at Being Bad", but was removed by request of Summer on later editions. The song has been covered in portions onstage by Dionne Warwick. Summer's "Starting Over Again" was a number one hit on the Hot Country Songs chart as a single for Dolly Parton in 1980. It also was a top-forty hit for Parton on the Billboard Hot 100. Reba McEntire named her 1995 album after the song, and McEntire's version hit No. 17 on the country singles chart in 1996. McEntire stated in the album's liner notes that her recording of the song was intended as something of a tribute to Summer and Parton, both artists whom she admired. Summer's "On the Radio" was covered by country artist Emmylou Harris for her 1983 album White Shoes. British singer and actress Martine McCutcheon recorded a version that reached number seven in the UK charts in February 2001.

Legacy[link]

According to longtime synthpop/electropop musician Marc Almond, Donna Summer's collaboration with producer Georgio Moroder "changed the face of music".^[46] Giorgio Moroder himself has stated in a BBC Radio 5 Live interview that her song I Feel Love was "really the start of electronic dance".^[3] Summer was the first artist to have three double albums reach No. 1 on Billboard's album chart: Live and More, Bad Girls, and On the Radio: Greatest Hits Volumes I & II. She became a cultural icon, not only as one of the defining voices of the era, but also as an influence on pop divas ranging from Madonna to Beyoncé. Unlike some other stars of disco who faded as the music became less popular in the 1980s and beyond, Summer was able to grow beyond the genre and later segued to a pop-rock sound. She had one of her biggest hits in the 1980s with "She Works Hard For the Money", which became another anthem, this time for women's rights. Although, Summer was never inducted into the Rock Hall of Fame, she was garnered as Queen of Disco. Summer was the first African American woman to be nominated for an MTV Video Music Award. Summer remained a force on the Billboard Dance/Club Play Songs chart all through her career, fitting, for the Queen of Disco. She notched 14 No. 1s on the chart – all the way up through her most recent hit, 2010's "To Paris With Love". Her last studio album, 2008's Crayons, spun off three No. 1 dance/club hits with "I'm a Fire", "Stamp Your Feet", and "Fame (The Game)". In May 2012, it was announced that "I Feel Love" was included in the list of preserved recordings at the Library of Congress' National Recording Registry.^[47]

Concert tours[link]

Discography[link]

• 1974: Lady of the Night
• 1975: Love to Love You Baby
• 1976: A Love Trilogy
• 1976: Four Seasons of Love
• 1977: I Remember Yesterday
• 1977: Once Upon a Time
• 1979: Bad Girls
• 1980: The Wanderer
• 1981: I'm a Rainbow
• 1982: Donna Summer
• 1983: She Works Hard for the Money
• 1984: Cats Without Claws
• 1987: All Systems Go
• 1989: Another Place and Time
• 1991: Mistaken Identity
• 1994: Christmas Spirit
• 2008: Crayons

References[link]

External links[link]

Wikimedia Commons has media related to: Donna Summer

Wikinews has related news: Disco diva Donna Summer dies at 63

	Book: Donna Summer
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Official website
• Donna Summer at the Internet Movie Database
• Donna Summer collected news and commentary at The New York Times
• Donna Summer collected news and commentary at The Guardian
• Works by or about Donna Summer in libraries (WorldCat catalog)

Joan Baez
Baez performing in 2003
Background information
Birth name	Joan Chandos Báez
Born	(1941-01-09) January 9, 1941 (age 71)
Origin	Staten Island, New York City, New York, United States
Genres	Folk, folk rock, country
Occupations	Musician, songwriter, activist
Instruments	Vocals, guitar, piano, ukulele
Years active	1958–present
Labels	Vanguard (1960–1971) A&M (1972–1977) Portrait/CBS (1977–1981) Gold Castle (1987–1991) Virgin (1991–1993) Guardian (1995–2002) Koch (2003–present)
Associated acts	Jackson Browne, Mary Chapin Carpenter, Judy Collins, Donovan, Bob Dylan, Steve Earle, Mimi Fariña, the Grateful Dead, Janis Ian, the Indigo Girls, Odetta, Pete Seeger, Paul Simon, Rocker T, Dar Williams
Website	joanbaez.com

Joan Chandos Baez ( /ˈbaɪ.ɛz/) (born January 9, 1941 as Joan Chandos Báez) is an American folk singer, songwriter, musician and a prominent activist in the fields of human rights, peace and environmental justice.

Baez has a distinctive vocal style, with a strong vibrato.^[1] Her recordings include many topical songs and material dealing with social issues.

Baez began her career performing in coffeehouses in Boston and Cambridge, and rose to fame as an unbilled performer at the 1959 Newport Folk Festival. She began her recording career in 1960, and achieved immediate success. Her first three albums, Joan Baez, Joan Baez, Vol. 2, and Joan Baez in Concert all achieved gold record status, and stayed on the charts for two years.^[2]

Baez has had a popular hit song with "Diamonds & Rust" and hit covers of Phil Ochs's "There but for Fortune" and The Band's "The Night They Drove Old Dixie Down". Other songs associated with Baez include "Farewell, Angelina", "Love Is Just a Four-Letter Word", "Joe Hill", "Sweet Sir Galahad" and "We Shall Overcome". She performed three of the songs at the 1969 Woodstock Festival, helped to bring the songs of Bob Dylan to national prominence, and has displayed a lifelong commitment to political and social activism in the fields of nonviolence, civil rights, human rights and the environment.^[3]

Baez has performed publicly for over 53 years, releasing over 30 albums. Fluent in Spanish as well as in English, she has also recorded songs in at least six other languages. She is regarded as a folk singer, although her music has diversified since the 1960s, encompassing everything from folk rock and pop to country and gospel music. Although a songwriter herself, Baez is generally regarded as an interpreter of other people's work, having recorded songs by The Allman Brothers Band, The Beatles, Jackson Browne, Bob Dylan, Violeta Parra, Woody Guthrie, The Rolling Stones, Pete Seeger, Paul Simon, Stevie Wonder, Leonard Cohen, and many others. In recent years, she has found success interpreting songs of modern songwriters such as Ryan Adams, Josh Ritter, Steve Earle and Natalie Merchant.

Early life[link]

Baez was born on Staten Island, New York in 1941.^[4] Her father, Albert Baez, was born in 1912 in Puebla, Puebla, Mexico, and died March 20, 2007.^[5] His father, Joan's grandfather, the Reverend Alberto Baez, left Catholicism to become a Methodist minister and moved to the U.S. when Albert was two years old. Albert grew up in Brooklyn, New York, where his father preached to—and advocated for—a Spanish-speaking congregation.^[6] Albert first considered becoming a minister but instead he turned to the study of mathematics and physics, where he later became a co-inventor of the x-ray microscope^[7][8][9] and author of one of the most widely used physics textbooks^[10] in the U.S. The Baez family converted to Quakerism during Joan's early childhood, and she has continued to identify with the tradition, particularly in her commitment to pacifism and social issues.

Her mother, Joan (Bridge) Baez, referred to as Joan Senior or "Big Joan", was born in Edinburgh, Scotland, the second daughter of an English Anglican priest descended from the Dukes of Chandos.^[11] Joan Senior and Albert met at a high-school dance in Madison, New Jersey, and quickly fell in love. After their marriage, the newlyweds moved to California.

Baez had two sisters — the elder, Pauline, and the younger, Mimi Fariña. Mimi died of cancer in California in 2001.

Because of her father's work in health care and with UNESCO, the family moved many times, living in towns across the U.S, as well as in England, France, Switzerland, Spain, Canada, and the Middle East, including Iraq, where they were in 1951. Joan became involved with a variety of social causes early in her career, including civil rights and non-violence.^[12] Social justice, she stated in the PBS series American Masters, is the true core of [her] life, looming larger than music.'^[13]

Music career[link]

Early years[link]

A friend of Joan's father gave her a ukulele. She learned four chords, which enabled her to play rhythm and blues, the music she was listening to at the time. Her parents, however, were fearful that the music would lead her into a life of drug addiction.^[14] When she was 8, at her aunt's behest, Baez attended a concert by folk musician Pete Seeger, and found herself strongly moved by his music.^[14] She soon began practicing the songs of his repertoire and performing them publicly. One of her very earliest public performances was at a retreat in Saratoga, California, for a youth group from Temple Beth Jacob, a Redwood City, California, congregation. In 1957, Baez bought her first Gibson acoustic guitar.

College music scene in Massachusetts[link]

In 1958, her father accepted a faculty position at MIT, and moved his family to Massachusetts. At that time, it was within the center of the up-and-coming folk-music scene, and Baez began walking near home in Boston and nearby Cambridge. She also performed in clubs, and attended Boston University for about six weeks.^[13] In 1958, at the Club 47 in Cambridge, she gave her first concert. When designing the poster for the performance, Baez considered changing her performing name to either Rachel Sandperl, the surname of her long-time mentor, Ira Sandperl or Maria from the song "They Call the Wind Maria". She later opted against it, fearing that people would accuse her of changing her last name because it was Spanish. The audience consisted of her parents, her sister Mimi, and a small group of friends to a total of eight patrons. She was paid ten dollars. Baez was later asked back and began performing twice a week for $25 per show.^[15]

A few months later, Baez and two other folk enthusiasts made plans to record an album in the cellar of a friend's house. The three sang solos and duets, a family friend designed the album cover, and it was released on Veritas Records that same year as Folksingers 'Round Harvard Square. Baez later met Bob Gibson and Odetta, who was at the time one of the most prominent vocalists singing folk and gospel music. Baez cites Odetta as a primary influence along with Marian Anderson and Seeger.^[16] Gibson invited Baez to perform with him at the 1959 Newport Folk Festival, where the two sang two duets, "Virgin Mary Had One Son" and "We Are Crossing Jordan River". The performance generated substantial praise for the "barefoot Madonna" with the otherworldly voice, and it was this appearance that led to Baez signing with Vanguard Records the following year^[17] although Columbia Records tried to sign her first.^[18] Baez later claimed that she felt she would be given more artistic license at a more "low key" label.^[19]

First albums and 1960s breakthrough[link]

Joan Baez at the March on Washington in August 1963.

Her true professional career began at that 1959 Newport Folk Festival; following that appearance, she recorded her first album for Vanguard, Joan Baez (1960), produced by Fred Hellerman of The Weavers, who produced many albums by folk artists. The collection of traditional folk ballads, blues and laments sung to her own guitar accompaniment sold moderately well. It featured many popular Child Ballads of the day, such as "Mary Hamilton" and was recorded in only four days in the ballroom of New York City's Manhattan Towers Hotel. The album also included "El Preso Numero Nueve", a song sung entirely in Spanish. That same song later appeared on her Spanish-language album, Gracias a la Vida (1974).

Her second release, Joan Baez, Vol. 2 (1961) went "gold", as did Joan Baez in Concert, Part 1 (1962) and Joan Baez in Concert, Part 2 (1963). Like its immediate predecessor, Joan Baez, Vol. 2 contained strictly traditional material. Her two albums of live material, Joan Baez in Concert, Part 1 and its second counterpart, were unique in that, unlike most live albums, they contained only new songs, rather than established favorites. It was Joan Baez in Concert, Part 2 that featured Baez's first-ever Dylan cover. From the early-to-mid-1960s, Baez emerged at the forefront of the American roots revival, where she introduced her audiences to the then-unknown Bob Dylan (the two became romantically involved in late 1962, remaining together through early 1965), and was emulated by artists such as Judy Collins, Emmylou Harris, Joni Mitchell and Bonnie Raitt.

Though primarily an albums artist, several of Baez' singles have charted and the first being her 1965 cover of Phil Ochs' "There but for Fortune", which became a mid-level chart hit in the U.S. and a top-ten single in the United Kingdom. Baez added other instruments to her recordings on Farewell, Angelina (1965), which features several Dylan songs interspersed with more traditional fare. Deciding to experiment after having exhausted the folksinger-with-guitar format, Baez turned to Peter Schickele, a classical music composer, who provided classical orchestration for her next three albums: Noël (1966), Joan (1967) and Baptism: A Journey Through Our Time (1968). Noël was a Christmas album of traditional material, while Baptism was akin to a concept album, featuring Baez reading and singing poems written by celebrated poets such as James Joyce, Federico García Lorca and Walt Whitman.

In 1968, Baez traveled to Nashville, Tennessee, where a marathon recording session resulted in two albums. The first, Any Day Now (1968), consists exclusively of Dylan covers. The other, the country-music-infused David's Album (1969) was recorded for husband David Harris, a prominent anti-Vietnam War protester eventually imprisoned for draft resistance. Harris, a country-music fan, turned Baez toward more complex country-rock influences beginning with David's Album. Later in 1968, she published her first memoir, Daybreak (by Dial Press). In 1969, her appearance at Woodstock in upstate New York afforded her an international musical and political podium, particularly upon the successful release of the documentary film Woodstock (1970). Beginning in the late 1960s, Baez began writing many of her own songs, beginning with "Sweet Sir Galahad" and "A Song For David", both songs appearing on her 1970 (I Live) One Day at a Time album; the former song was written about her sister Mimi's second marriage, while the later was a tribute to Harris.

Baez's distinctive vocal style and political activism had a significant impact on popular music. She was one of the first musicians to use her popularity as a vehicle for social protest, singing and marching for human rights and peace. Baez came to be considered the "most accomplished interpretive folksinger/songwriter of the 1960s."^[20] Her appeal extended far beyond the folk-music audience.^[20] Of her fourteen Vanguard albums, thirteen made the top 100 of Billboard's mainstream pop chart, eleven made the top forty, eight made the top twenty, and four made the top ten.^[21]

1970s and the end of Vanguard years[link]

Baez playing in Hamburg, 1973

After eleven years with Vanguard, Baez decided in 1971 to cut ties with the label that had released her albums since 1960. She delivered them one last success with the gold-selling album Blessed Are... (1971) which spawned a top-ten hit in Robbie Robertson's "The Night They Drove Old Dixie Down", her cover of The Band's signature song. With Come from the Shadows (1972), Baez switched to A&M Records, where she remained for four years and six albums.

Joan Baez wrote and performed "The Story of Bangladesh" at the Concert for Bangladesh, Madison Square Garden in 1971. This song was based on the Pakistan Army crackdown on unarmed sleeping Bengali students at Dhaka University on March 25, 1971, which ignited the prolonged nine-month Bangladesh Liberation War.^[22] The song was later entitled "The Song of Bangladesh" and released in a 1972 album from Chandos Music.^[23]

During this period, in late 1971, she reunited with Schickele to record two tracks, "Rejoice in the Sun" and "Silent Running" for the science-fiction film, Silent Running. The two songs were issued as a single on Decca (32890). In addition, another LP was released on Decca (DL 7-9188), and was later reissued by Varese Sarabande on black (STV-81072) and green (VC-81072) vinyl. In 1998 a limited release on CD by the "Valley Forge Record Groupe" was released.

Where Are You Now, My Son? (1973) featured a 23-minute title song which took up all of the B-side of the album. Half spoken word poem and half tape-recorded sounds, the song documented Baez's visit to Hanoi, North Vietnam, in December 1972, during which she and her traveling companions survived the 11-day long Christmas Bombings campaign over Hanoi and Haiphong.^[24] (See Vietnam War in Civil rights section below.)

Gracias a la Vida (1974) (the title song written and first performed by Chilean folk singer Violeta Parra) followed and was a success in both the U.S. and Latin America. It included the song "Cucurrucucú paloma". Flirting with mainstream pop music as well as writing her own songs for Diamonds & Rust (1975), the album became the highest selling of Baez's career and spawned a second top-ten single in the form of the title track.

After Gulf Winds (1976), an album of entirely self-composed songs, and From Every Stage (1976), a live album that had Baez performing songs "from every stage" of her career, Baez again parted ways with a record label when she moved to CBS Records for Blowin' Away (1977) and Honest Lullaby (1979).

1980s and 1990s[link]

In 1980, Baez was given honorary Doctor of Humane Letters degrees by Antioch University and Rutgers University for her political activism and the "universality of her music". In 1983, she appeared on the Grammy Awards, performing Dylan's anthemic "Blowin' in the Wind", a song she first performed twenty years earlier.

Bob Dylan, Joan Baez, Carlos Santana, performing in May 1984, Hamburg.

Baez also played a significant role in the 1985 Live Aid concert for African famine relief, opening the U.S. segment of the show in Philadelphia, Pennsylvania. She has toured on behalf of many other causes, including Amnesty International's 1986 A Conspiracy of Hope tour and a guest spot on their subsequent Human Rights Now! tour.

Baez found herself without an American label for the release of Live Europe 83 (1984), which was released in Europe and Canada, but not released commercially in the U.S. She did not have an American release until the album Recently (1987) on Gold Castle Records.

In 1987, Baez's second autobiography called And a Voice to Sing With was published and became a New York Times bestseller. That same year, she traveled to the Middle East to visit with and sing songs of peace for Israel and the Palestinians.

In May 1989, Baez performed at a music festival in communist Czechoslovakia, called Bratislavská lýra. While there, she met future Czechoslovakian president Václav Havel, whom she let carry her guitar so as to prevent his arrest by government agents. During her performance, she greeted members of Charter 77, a dissident human-rights group, which resulted in her microphone being shut off abruptly. Baez then proceeded to sing a cappella for the nearly four thousand gathered. Havel cited her as a great inspiration and influence in that country's Velvet Revolution, the revolution in which the Soviet-dominated communist government there was overthrown.

Baez recorded two more albums with Gold Castle, Speaking of Dreams, (1989) and Brothers in Arms (1991). She then landed a contract with a major label, Virgin Records, recording Play Me Backwards (1992) for Virgin shortly before the company was purchased by EMI. She then switched to Guardian, with whom she produced a live album, Ring Them Bells (1995), and a studio album, Gone from Danger (1997).

In 1993, at the invitation of Refugees International and sponsored by the Soros Foundation, she traveled to the war-torn Bosnia and Herzegovina region of then-Yugoslavia in an effort to help bring more attention to the suffering there. She was the first major artist to perform in Sarajevo since the outbreak of the Yugoslav civil war.

In October of that year, Baez became the first major artist to perform in a professional concert presentation on Alcatraz Island (a former U.S. federal prison) in San Francisco, California, in a benefit for her sister Mimi's Bread and Roses organization. She later returned for another concert in 1996.

2000 to present[link]

Beginning in 2001, Baez has had several successful long-term engagements as a lead character at San Francisco's Teatro ZinZanni.^[25] In August 2001, Vanguard began re-releasing Baez's first 13 albums, which she recorded for the label between 1960 and 1971. The reissues, being released through Vanguard's Original Master Series, feature digitally restored sound, unreleased bonus songs, new and original artwork, and new liner-note essays written by Arthur Levy. Likewise, her six A&M albums were reissued in 2003.

Hardly Strictly Bluegrass Festival 2005 at Golden Gate Park.

In 2003, Baez was also a judge for the third annual Independent Music Awards to support independent artists' careers.^[26] Her album, Dark Chords on a Big Guitar (2003), features songs by composers half her age, while a November 2004 performance at New York City's Bowery Ballroom was recorded for a live release, Bowery Songs (2005).

On October 1, 2005, she performed at the Hardly Strictly Bluegrass festival, at San Francisco's Golden Gate Park. Then, on January 13, 2006, Baez performed at the funeral of Lou Rawls, where she led Jesse Jackson, Sr., Wonder, and others in the singing of "Amazing Grace". On June 6, 2006, Baez joined Bruce Springsteen on stage at his San Francisco concert, where the two performed the rolling anthem "Pay Me My Money Down". In September 2006, Baez contributed a live, retooled version of her classic song "Sweet Sir Galahad" to a Starbucks's exclusive XM Artist Confidential album. In the new version, she changed the lyric "here's to the dawn of their days" to "here's to the dawn of her days", as a tribute to her late sister Mimi, about whom Baez wrote the song in 1969. Later on, October 8, 2006, she appeared as a special surprise guest at the opening ceremony of the Forum 2000 international conference in Prague, Czech Republic. Her performance was kept secret from former Czech Republic President Havel until the moment she appeared on stage. Havel was a great admirer of both Baez and her work. During Baez's next visit to Prague, in April 2007, the two met again when she performed in front of a sold-out house at Prague's Lucerna Hall, a building erected by Havel's grandfather. On December 2, 2006, she made a guest appearance at the Oakland Interfaith Gospel Choir's Christmas Concert at the Paramount Theatre in Oakland, California. Her participation included versions of "Let Us Break Bread Together" and "Amazing Grace". She also joined the choir in the finale of "O Holy Night".

Joan Baez concert in Dresden, Germany, July 2008

In February 2007, Proper Records reissued her live album Ring Them Bells (1995), which featured duets with artists ranging from Dar Williams and Mimi Fariña to the Indigo Girls and Mary Chapin Carpenter. The reissue features a 16-page booklet and six unreleased live tracks from the original recording sessions, including "Love Song to a Stranger", "You Ain't Goin' Nowhere", "Geordie", "Gracias a la Vida", "The Water Is Wide" and "Stones in the Road", bringing the total tracklisting to 21 songs (on two discs). In addition, Baez recorded a duet of "Jim Crow" with John Mellencamp which appears on his album Freedom's Road (2007). He has called the album a "Woody Guthrie rock album". The recording was heavily influenced by albums from the 1960s, which is why he invited an icon from that era to appear with him.^{[citation needed]} Also in February 2007, she received the Grammy Lifetime Achievement Award. The day after receiving the honor, she appeared at the Grammy Awards ceremony and introduced a performance by the Dixie Chicks.^{[citation needed]}

August 13, 2009, Seattle.

September 9, 2008, saw the release of the studio album Day After Tomorrow, produced by Steve Earle and featuring three of his songs.^[27][28] On June 29, 2008, Baez performed on the Acoustic Stage at the Glastonbury Festival in Glastonbury, U.K.,^[29] playing out the final set to a packed audience.^{[citation needed]} On July 6, 2008, she played at the Montreux Jazz Festival in Montreux, Switzerland. During the concert's finale, she spontaneously danced on stage with a band of African percussionists.^[30]

On August 2, 2009, Baez played at the 50th Newport Folk Festival, which also marked the 50th anniversary of her breakthrough performance at the first festival.^[31] On October 14, 2009, PBS aired an episode of its documentary series, American Masters, entitled, Joan Baez: How Sweet the Sound. It was produced and directed by Mary Wharton. A DVD and CD of the sound track were released at the same time.^[13]

Social and political involvement[link]

1950s[link]

In 1956, Baez first heard Martin Luther King, Jr. speak about nonviolence, civil rights and social change which brought tears to her eyes.^[13] Several years later, the two became friends,^[13] with Baez participating in many of the demonstrations that King had planned and organized.

In 1957, at age 16, Joan committed her first act of civil disobedience by refusing to leave her Palo Alto High School classroom in Palo Alto, California for an air-raid drill. After the bells rang, students were to leave the school, make their way to their home air-raid shelters, and pretend they were surviving an atomic blast. Protesting what she believed to be misleading government propaganda, Baez refused to leave her seat when instructed and continued reading a book. For this act she was punished by school officials, and was ostracized by the local population for being a supposed "Communist infiltrator."

Civil Rights[link]

The early years of Joan Baez's career saw the civil-rights movement in the U.S. become a prominent issue. Her performance of "We Shall Overcome", the civil-rights anthem, at King's 1963 March on Washington for Jobs and Freedom permanently linked her to the song. Baez again sang "We Shall Overcome" in Sproul Plaza during the mid-1960s Free Speech Movement demonstrations at the University of California, Berkeley in Berkeley, California, and at many other rallies and protests.

Her recording of the song "Birmingham Sunday" (1964),written by her brother-in-law, Richard Fariña, was used in the opening of 4 Little Girls (1997), Spike Lee's documentary film about the four young victims killed in the 1963 bombing.

Baez joined King on his 1965 march from Selma to Montgomery, Alabama, singing for the marchers in the town of St. Jude, Alabama, as they camped the night before arriving in Montgomery. She linked arms with King to protect African-American schoolchildren in Grenada, Mississippi who were trying to attend "white" schools.^{[clarification needed]}

In 1966, she stood in the fields alongside César Chávez and California's migrant farm workers as they fought for fair wages and safe working conditions and performed at a benefit on behalf of the United Farm Workers (UFW) union in December of that year. In 1972, she was at Chávez's side during his 24-day fast to draw attention to the farmworkers struggle and can be seen singing "We Shall Overcome" during that fast in the film about the UFW, "Si Se Puede" ("It can be done").^{[clarification needed]}

Vietnam War[link]

Highly visible in civil-rights marches, Baez became more vocal about her disagreement with the Vietnam War. In 1964, she publicly endorsed resisting taxes by withholding sixty percent of her 1963 income taxes. In 1964, she founded the Institute for the Study of Nonviolence (along with her mentor Sandperl) and encouraged draft resistance at her concerts.

Baez was arrested twice in 1967^[33] for blocking the entrance of the Armed Forces Induction Center in Oakland, California and spent over a month in jail. (See also David Harris section below.)

She was a frequent participant in anti-war marches and rallies, including:

• numerous protests in New York City organized by the Fifth Avenue Vietnam Peace Parade Committee, starting with the March 1966 Fifth Avenue Peace Parade,^[34]
• a free 1967 concert at the Washington Monument in Washington, D.C., that had been opposed by the Daughters of the American Revolution which attracted a crowd of 30,000 to hear her anti-war message,^[35]
• the 1969 Moratorium to End the War in Vietnam protests.

There were many others, culminating in Ochs's The War Is Over celebration in New York City in May 1975.^[36]

During the Christmas season 1972, Baez joined a peace delegation traveling to North Vietnam, both to address human rights in the region, and to deliver Christmas mail to American prisoners of war. During her time there, she was caught in the U.S. military's "Christmas bombing" of Hanoi, North Vietnam, during which the city was bombed for eleven straight days.

Her disquiet at the human-rights violations of communist Vietnam made her increasingly critical of its government and she organized the May 30, 1979, publication, of a full-page advertisement (published in four major U.S. newspapers)^[37] in which the communists were described as having created a nightmare.

Human rights[link]

Baez was instrumental in founding the USA section of Amnesty International in the 1970s, and has remained an active supporter of the organization.

Baez' experiences regarding Vietnam's human-rights violations ultimately led her to found her own human-rights group, Humanitas International, whose focus was to target oppression wherever it occurred, criticizing right and left-wing régimes equally.

In 1976, she was awarded the Thomas Merton Award for her ongoing activism.^[38]

She toured Chile, Brazil and Argentina in 1981, but was prevented from performing in any of the three countries, for fear her criticism of their human-rights practices would reach mass audiences if she were given a podium. While there, she was kept under surveillance and subjected to death threats. A film of the ill-fated tour, There but for Fortune, was shown on PBS in 1982.

In 1989, after the Tiananmen Massacre in Beijing Baez wrote and released the song "China" to condemn the Chinese Communist Party for its bloody slaughter of thousands of student protesters who called for establishment of democratic republicanism.

In a second trip to Southeast Asia, Baez assisted in an effort to take food and medicine into the western regions of Cambodia, and participated in a United Nations Humanitarian Conference on Kampuchea.

On July 17, 2006, Baez received the Distinguished Leadership Award from the Legal Community Against Violence. At the annual dinner event they honored her for her lifetime of work against violence of all kinds.

Opposing death penalty[link]

In December 2005, Baez appeared and sang "Swing Low, Sweet Chariot" at the California protest at the San Quentin State Prison against the execution of Tookie Williams.^[39][40] She had previously performed the same song at San Quentin at the 1992 vigil protesting the execution of Robert Alton Harris, the first man to be executed in California after the death penalty was reinstated. She subsequently lent her prestige to the campaign opposing execution of Troy Davis by the State of Georgia.^[41][42]

Gay and lesbian rights[link]

Baez has also been prominent in the struggle for gay and lesbian rights. In 1978, she performed at several benefit concerts to defeat the Briggs Initiative, which proposed banning all gay people from teaching in the public schools of California. Later that same year, she participated in memorial marches for the assassinated San Francisco city supervisor, Harvey Milk, who was openly gay.

In the 1990s, she appeared with her friend Janis Ian at a benefit for the National Gay and Lesbian Task Force, a gay lobbying organization, and performed at the San Francisco Lesbian, Gay, Bisexual and Transgender Pride March.

Her song "Altar Boy and the Thief" from Blowin' Away (1977) was written as a dedication to her gay fanbase.^{[citation needed]}

Iran's people[link]

On June 25, 2009, Baez created a special version of "We Shall Overcome" with a few lines of Persian lyrics in support of peaceful protests by Iranian people. She recorded it in her home and posted the video on YouTube^[43] and on her personal website. She dedicated the song "Joe Hill", to the people of Iran during her concert at Merrill Auditorium, Portland, Maine on July 31, 2009.

Environmental causes[link]

On Earth Day 1999, Baez and Bonnie Raitt honored environmental activist Julia Butterfly Hill with Raitt's Arthur M. Sohcot Award in person on her 180-foot (55 m)-high redwood treetop platform, where Hill had camped to protect ancient redwoods in the Headwaters Forest from logging.^[44]

War in Iraq[link]

In early 2003, Baez performed at two rallies of hundreds of thousands of people in San Francisco protesting the U.S. invasion of Iraq (as she had earlier done before smaller crowds in 1991 to protest the Gulf War).

In August 2003, she was invited by Emmylou Harris and Steve Earle to join them in London, U.K., at the Concert For a Landmine-Free World.

In the summer of 2004, Joan joined Michael Moore's "Slacker Uprising Tour" on American college campuses, encouraging young people to get out and vote for peace candidates in the upcoming national election.

In August 2005, Baez appeared at the Texas anti-war protest that had been started by Cindy Sheehan.

Poverty[link]

On May 23, 2006, Baez once again joined Julia "Butterfly" Hill, this time in a "tree sit" in a giant tree on the site of the South Central Farm in a poor neighborhood of downtown Los Angeles, California. Baez and Hill were hoisted into the tree, where they remained overnight. The women, in addition to many other activists and celebrities, were protesting the imminent eviction of the community farmers and demolition of the site, which is the largest urban farm in the state. Because many of the South Central Farmers are immigrants from Central America, Baez sang several songs from her 1974 Spanish-language album, Gracias a la Vida, including the title track and "No Nos Moverán" ("We Shall Not Be Moved").

2008 Presidential election[link]

	"We Shall Overcome" Joan Baez performs "We Shall Overcome" at the White House in front of President Barack Obama, at a celebration of music from the civil rights era (February 9, 2010). "We Shall Overcome" Audio Only
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Throughout most of her career, Baez remained apprehensive about involving herself in party politics. However, on February 3, 2008, Baez wrote a letter to the editor at the San Francisco Chronicle endorsing Barack Obama in the 2008 U.S. presidential election. She noted: "Through all those years, I chose not to engage in party politics.... At this time, however, changing that posture feels like the responsible thing to do. If anyone can navigate the contaminated waters of Washington, lift up the poor, and appeal to the rich to share their wealth, it is Sen. Barack Obama."^[45]

Playing at the Glastonbury Festival in June, Baez said during the introduction of a song that one reason she likes Obama is because he reminds her of another old friend of hers: Martin Luther King, Jr.^[46]

Although a highly political figure throughout most of her career, Baez had never publicly endorsed a major political party candidate prior to Obama. She performed at The White House on February 10, 2010 as part of an evening celebrating the music associated with the civil rights movement, performing "We Shall Overcome".^[47]

Joan Baez Award[link]

On March 18, 2011 Joan Baez was honored by Amnesty International at their 50th Anniversary Annual General Meeting in San Francisco. The tribute to Joan Baez was the inaugural event for the Amnesty International Joan Baez Award ^[48] for Outstanding Inspirational Service in the Global Fight for Human Rights. Joan Baez was presented with the first award in recognition of her human rights work with Amnesty International and beyond, and the inspiration she has given activists around the world. In future years, the award is to be presented to an artist - music, film, sculpture, paint or other medium - who has similarly helped advance human rights.

Occupy Wall Street[link]

On November 11, 2011, Joan Baez played as part of a musical concert for the protestors at Occupy Wall Street.^[49] Her three-song set included "Joe Hill", a cover of the Rolling Stones' "Salt of the Earth" and her own composition "Where's My Apple Pie?".

Personal life[link]

Early relationships[link]

Baez's first real boyfriend was Michael New, a young man whom she met at college. Years later in 1979, he inspired her song "Michael". New was a fellow student from Trinidad, West Indies, who, like Baez, attended classes only occasionally. The two spent a considerable amount of time together, but Baez was unable to balance her blossoming career and her relationship. The two bickered and made up repeatedly, but it was apparent to Baez that New was beginning to resent her success and new-found local celebrity. One night she saw him kissing another woman on a street corner. Despite this, the relationship remained intact for several years, long after the two moved to California together in 1960.

Bob Dylan[link]

Joan Baez with Bob Dylan at the civil rights March on Washington, August 28, 1963.

Baez first met Dylan in 1961 at Gerde's Folk City in New York City's Greenwich Village. At the time, Baez had already released her debut album and her popularity as the emerging "Queen of Folk" was on the rise. Baez was initially unimpressed with the "urban hillbilly", but was impressed with one of Dylan's first compositions, "Song to Woody", and remarked that she would like to record it.

At the start, Dylan was more interested in Baez's younger sister, Mimi, but under the glare of media scrutiny that began to surround Baez and Dylan, their relationship began to develop into something more.

By 1963, Baez had already released three albums, two of which had been certified gold, and she invited Dylan on stage to perform alongside her at the Newport Folk Festival. The two performed the Dylan composition "With God on Our Side", a performance that set the stage for many more duets like it in the months and years to come. Typically while on tour, Baez would invite Dylan to sing on stage partly by himself and partly with her, much to the chagrin of her fans.^[13]

Before meeting Dylan, Baez's topical songs were very few: "Last Night I Had the Strangest Dream", "We Shall Overcome", and an assortment of negro spirituals. Baez would later say that Dylan's songs seemed to update the topics of protest and justice.

By the time of Dylan's 1965 tour of the U.K., their relationship had slowly begun to fizzle out after they had been romantically involved off and on for nearly two years. The tour and simultaneous disintegration of their relationship was documented in D.A. Pennebaker's documentary film Dont Look Back (1967).

Baez toured with Dylan as a performer on his Rolling Thunder Revue in 1975–76. She sang four songs with Dylan on the live album of the tour, The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, released in 2002. Baez appeared with Dylan in the one hour TV special, Hard Rain, filmed at Fort Collins, Colorado, in May 1976. Baez also starred as 'The Woman In White' in the film Renaldo and Clara (1978), directed by Bob Dylan and filmed during the Rolling Thunder Revue. Dylan and Baez toured together again in 1984 along with Carlos Santana.

Baez discussed her relationship with Dylan in Martin Scorsese's documentary film No Direction Home (2005), and in the PBS American Masters biography of Baez, How Sweet the Sound (2009).

Baez penned at least three songs about Dylan. In "To Bobby", written in 1972, she urged Dylan to return to political activism, while in "Diamonds & Rust", the title track from her 1975 album, she revisited her feelings for him in warm, yet direct terms.^[50] "Winds of the Old Days", also on the Diamonds & Rust album, is a bittersweet reminiscence about her time with "Bobby".

References to Baez in Dylan's songs are far less clear. Baez herself has suggested that she was the subject of both "Visions of Johanna" and "Mama, You Been on My Mind", although the latter was more likely about his relationship with Suze Rotolo.^[51][52] As for "Visions of Johanna", "She Belongs to Me" and other songs alleged to have been written about Baez, neither Dylan nor biographers such as Clinton Heylin and Michael Gray have had anything definitive to say one way or the other regarding the subject of these songs.

David Harris[link]

In October 1967, Baez, her mother, and nearly 70 other women were arrested at the Oakland, California, Armed Forces Induction Center for blocking the doorways of the building to prevent entrance by young inductees, and in support of young men who refused military induction. They were incarcerated in the Santa Rita Jail, and it was here that Baez met David Harris, who was kept on the men's side but who still managed to visit with Baez regularly.

The two formed a close bond upon their release and Baez moved into his draft-resistance commune in the hills above Stanford, California. The pair had known each other for three months when they decided to wed. After confirming the news to The Associated Press, media outlets began dedicating ample press to the impending nuptials (at one point, Time magazine referred to it as the "Wedding of the Century").

After finding a pacifist preacher, a church outfitted with peace signs and writing a blend of Episcopalian and Quaker wedding vows, Baez and Harris married each other in New York City on March 26, 1968. Her friend Judy Collins sang at the ceremony. After the wedding, Baez and Harris moved into a home in the Los Altos Hills on 10 acres (40,000 m²) of land called Struggle Mountain, part of a commune, where they tended gardens and were strict vegetarians.

A short time later, Harris refused induction to the armed forces and was indicted. On July 16, 1969, Harris was taken by federal marshals to prison.^[53] Baez was visibly pregnant in public in the months that followed, most notably at Woodstock Festival, where she performed a handful of songs in the early morning. The documentary film Carry It On was produced during this period, and was released in 1970.^[54] The film's behind-the-scenes looks at Harris's views and arrest and Baez on her subsequent performance tour was positively reviewed in Time Magazine and the New York Times.^[55][56]

Among the songs Baez wrote about this period of her life are "A Song for David", "Myths", "Prison Trilogy (Billy Rose)" and "Fifteen Months" (the amount of time Harris was imprisoned).

Their son, Gabriel, was born in December 1969. Harris was released from Texas prison after 15 months, but the relationship began to dissolve and the couple divorced amicably in 1973. They shared custody of Gabriel, who primarily lived with Baez.^[57] Explaining the split, Baez wrote in her autobiography, "I am made to live alone."^[58] Baez and Harris remained on friendly terms throughout the years; they reunited on-camera for the 2009 American Masters documentary for PBS. As of 2012^[update], she has not remarried. Their son Gabriel is a drummer and occasionally tours with his mother.

Later-life relationships[link]

She dated Apple Computer cofounder Steve Jobs during the early 1980s.^[59] A number of sources have stated that Jobs had considered asking Baez to marry him, except that her age at the time (early 40s) made the possibility of their having children unlikely.^[60] Baez mentioned Jobs in the acknowledgments in her 1987 memoir, And a Voice to Sing With, and performed at the memorial for him in 2011.

Recent years[link]

Baez is a resident of Woodside, California, and lives with her mother in a house that has a backyard tree house in which she spends a good deal of time meditating, writing, and "being close to nature."^[61]

Baez's son, percussionist Gabriel Harris, has been a member of her touring band in recent years; he and his wife Pamela live with their daughter Jasmine, in close proximity to Baez' home in Woodside.

Popular culture[link]

• The comedy album National Lampoon's Radio Dinner (1972) includes a Baez parody, "Pull the Triggers, Niggers" (deliberately misspelled as "Pull the Tregroes" on the album's outside liner notes), performed by Baez sound-alike Diana Reed. The satiric song made specific reference to Baez's ex-boyfriend Dylan's defense of Black Panther and convicted murderer, George Jackson.
• A character based on Baez appears in I'm Not There and is portrayed by Julianne Moore.
• "Here's to You" (music by Ennio Morricone, lyrics by Baez), a song Baez originally performed for the Italian film Sacco e Vanzetti (1971), became a hymn for the 1960s and 1970s civil-rights movement. It also appears on the soundtrack for the film The Life Aquatic with Steve Zissou (2004). The song is also played over the credits of the quasi-documentary film Deutschland im Herbst (1977) and was recently used in the video game Metal Gear Solid 4: Guns of the Patriots.
• Cartoonist Al Capp, creator of the comic strip Li'l Abner, during the 1960s satirized Baez as "Joanie Phoanie". Joanie was an unabashed communist radical who sang songs of class warfare while hypocritically traveling in a limousine and charging outrageous performance fees to impoverished orphans.^[62] Capp had this character singing bizarre songs such as "A Tale of Bagels and Bacon" and "Molotov Cocktails for Two". Although Baez was upset by the parody in 1966, she admits to being more amused in recent years. "I wish I could have laughed at this at the time", she wrote in a caption under one of the strips, reprinted in her autobiography. "Mr. Capp confused me considerably. I'm sorry he's not alive to read this, it would make him chuckle".^[63] Capp stated at the time, ""Joanie Phoanie is a repulsive, egomaniacal, un-American, non-taxpaying horror, I see no resemblance to Joan Baez whatsoever, but if Miss Baez wants to prove it, let her."^[64]
• Baez was featured in the Joan Didion essay "Where the Kissing Never Stops" (1966), in Didion's compilation Slouching Towards Bethlehem (1968).
• Baez has been lampooned multiple times on Saturday Night Live by comedienne Nora Dunn. One skit features a game show entitled Make Joan Baez Laugh! where a dour Baez is ushered onstage while celebrity guests try their hand at getting her to a crack a smile.

Discography[link]

References[link]