Events[link]

42 BC – Roman Republican civil wars: Second Battle of Philippi – Mark Antony and Octavian decisively defeat Brutus's army. Brutus commits suicide.

425 – Valentinian III is elevated as Roman Emperor, at the age of 6.

502 – The Synodus Palmaris, called by Gothic king Theodoric the Great, discharges Pope Symmachus of all charges, thus ending the schism of Antipope Laurentius.

1086 – At the Battle of az-Zallaqah, the army of Yusuf ibn Tashfin defeats the forces of Castilian King Alfonso VI.

1157 – The Battle of Grathe Heath ends the civil war in Denmark. King Sweyn III is killed and Valdemar I restores the country.

1295 – The first treaty forming the Auld Alliance between Scotland and France against England is signed in Paris.

1641 – Outbreak of the Irish Rebellion of 1641.

1642 – Battle of Edgehill: First major battle of the First English Civil War.

1694 – British/American colonial forces, led by Sir William Phipps, fail to seize Quebec from the French.

1707 – The first Parliament of Great Britain meets.

1739 – War of Jenkins' Ear starts: British Prime Minister, Robert Walpole, reluctantly declares war on Spain.

1812 – Claude François de Malet, a French general, begins a conspiracy to overthrow Napoleon Bonaparte, claiming that the Emperor died in Russia and that he is now the commandant of Paris.

1850 – The first National Women's Rights Convention begins in Worcester, Massachusetts, United States.

1861 – U.S. President Abraham Lincoln suspends the writ of ''habeas corpus'' in Washington, D.C., for all military-related cases.

1864 – American Civil War: Battle of Westport – Union forces under General Samuel R. Curtis defeat Confederate troops led by General Sterling Price at Westport, near Kansas City.

1867 – 72 Senators are summoned by Royal Proclamation to serve as the first members of the Canadian Senate.

1870 – Franco-Prussian War: the Siege of Metz concludes with a decisive Prussian victory.

1906 – Alberto Santos-Dumont flies an airplane in the first heavier-than-air flight in Europe at Champs de Bagatelle, Paris, France.

1911 – First use of aircraft in war: An Italian pilot takes off from Libya to observe Turkish army lines during the Turco-Italian War.

1912 – First Balkan War: The Battle of Kumanovo between the Serbian and Ottoman armies begins.

1915 – Woman's suffrage: In New York City, 25,000-33,000 women march on Fifth Avenue to advocate their right to vote.

1917 – Lenin calls for the October Revolution.

1929 – Great Depression: After a steady decline in stock market prices since a peak in September, the New York Stock Exchange begins to show signs of panic.

1929 – The first North American transcontinental air service begins between New York City and Los Angeles, California.

1935 – Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at a saloon in Newark, New Jersey in what will become known as The Chophouse Massacre.

1941 – World War II: Field Marshal Georgy Zhukov takes command of Red Army operations to prevent the further advance into Russia of German forces and to prevent the Wehrmacht from capturing Moscow.

1942 – World War II: Second Battle of El Alamein: – At El Alamein in northern Egypt, the British Eighth Army under Field Marshal Montgomery begins a critical offensive to expel the Axis armies from Egypt.

1942 – All 12 passengers and crewmen aboard an American Airlines DC-3 airliner are killed when it is struck by a U.S. Army Air Forces bomber near Palm Springs, California. Amongst the victims is award-winning composer and songwriter Ralph Rainger ("Thanks for the Memory", "Love in Bloom", "Blue Hawaii").

1942 – World War II: The Battle for Henderson Field begins during the Guadalcanal Campaign and ends on October 26.

1944 – World War II: Battle of Leyte Gulf – The largest naval battle in history begins in the Philippines.

1944 – World War II: The Soviet Red Army enters Hungary.

1946 – The United Nations General Assembly convenes for the first time, at an auditorium in Flushing, Queens, New York City.

1956 – Thousands of Hungarians protest against the government and Soviet occupation. (The Hungarian Revolution is crushed on November 4).

1958 – The Springhill Mine Bump – An underground earthquake traps 174 miners in the No. 2 colliery at Springhill, Nova Scotia, the deepest coal mine in North America at the time. By November 1, rescuers from around the world had dug out 100 of the victims, marking the death toll at 74.

1958 – The Smurfs, a fictional race of blue dwarves, later popularized in a Hanna-Barbera animated cartoon series, appear for the first time in the story ''La flute à six schtroumpfs'', a ''Johan and Peewit'' adventure by Peyo which is serialized in the weekly comics magazine ''Spirou''.

1965 – Vietnam War: The 1st Cavalry Division (United States) (Airmobile), in conjunction with South Vietnamese forces, launches a new operation seeking to destroy North Vietnamese forces in Pleiku in the II Corps Tactical Zone (the Central Highlands).

1970 – Gary Gabelich sets a land speed record in a rocket-powered automobile called the Blue Flame, fueled with natural gas.

1972 – Operation Linebacker, a US bombing campaign against North Vietnam in response to its Easter Offensive, ends after five months.

1973 – The Watergate Scandal: US President Richard M. Nixon agrees to turn over subpoenaed audio tapes of his Oval Office conversations.

1973 – A United Nations sanctioned cease-fire officially ends the Yom Kippur War between Israel and Syria.

1983 – Lebanon Civil War: The U.S. Marines barracks in Beirut is hit by a truck bomb, killing 241 U.S. military personnel. A French army barracks in Lebanon is also hit that same morning, killing 58 troops.

1989 – The Hungarian Republic is officially declared by president Mátyás Szűrös, replacing the communist Hungarian People's Republic.

1989 – Phillips Disaster in Pasadena, Texas kills 23 and injures 314.

1992 – Emperor Akihito becomes the first Emperor of Japan to stand on Chinese soil.

1993 – Shankill Road bombing: A Provisional IRA bomb prematurely detonates in the Shankill area of Belfast, killing the bomber and nine civilians.

1998 – Israeli-Palestinian Conflict: Israeli Prime Minister Benjamin Netanyahu and Palestinian Chairman Yasser Arafat reach a "land for peace" agreement.

2001 – Apple announces the iPod.

2002 – Moscow Theatre Siege begins: Chechen terrorists seize the House of Culture theater in Moscow and take approximately 700 theater-goers hostage.

2004 – A powerful earthquake and its aftershocks hit Niigata prefecture, northern Japan, killing 35 people, injuring 2,200, and leaving 85,000 homeless or evacuated.

2007 – A powerful cold front in the Bay of Campeche causes the Usumacinta Jackup rig to collide with Kab 101, leading to the death and drowning of 22 people during rescue operations after evacuation of the rig.

2011 – A powerful 7.2 magnitude earthquake strikes Van Province, Turkey, killing 582 people and injuring thousands.

Births[link]

∗ 64 BC – Marcus Vipsanius Agrippa, Roman general and brother of Emperor Augustus [d. 12 BC]

1503 – Isabella of Portugal, queen of Spain and empress of Germany (d. 1539)

1516 – Charlotte de Valois, princess of France (d. 1524)

1634 – Hedvig Eleonora of Holstein-Gottorp, Queen of Sweden (d. 1715)

1654 – Johann Bernhard Staudt, Austrian Jesuit composer (d. 1712)

1698 – Ange-Jacques Gabriel, French architect (d. 1782)

1705 – Maximilian Ulysses Count Browne, Austrian field marshal (d. 1757)

1715 – Tsar Peter II of Russia (d. 1730)

1762 – Samuel Morey, American inventor (d. 1843)

1766 – Emmanuel, Marquis de Grouchy, French marshal (d. 1847)

1771 – Jean-Andoche Junot, French general (d. 1813)

1790 – Chauncey Allen Goodrich, American clergyman (d. 1860)

1796 – Stefano Franscini, Swiss Federal Councilor (d. 1857)

1801 – Albert Lortzing, German composer (d. 1851)

1805 – John Russell Bartlett, American linguist (d. 1886)

1813 – Ludwig Leichhardt, German explorer (d. 1848)

1815 – João Maurício Wanderley, Brazilian magistrate and politician (d. 1889)

1817 – Pierre Athanase Larousse, French lexicographer (d. 1875)

1835 – Adlai Stevenson I, American politician, and 23rd Vice President of the United States (d. 1914)

1844 – Robert Bridges, English poet (d. 1930)

1865 – Neltje Blanchan, American writer (d. 1918)

1869 – John Heisman, American football player and coach (d. 1936)

1870 – Francis Kelley, Catholic Bishop of Oklahoma (d. 1948)

1873 – William D. Coolidge, American physicist and inventor (d. 1975)

1875 – Gilbert N. Lewis, American chemist (d. 1946)

1876 – Franz Schlegelberger, German judge and politician (d. 1970)

1880 – Una O'Connor, Irish actress (d. 1959)

1885 – Lawren Harris, Canadian painter (d. 1970)

1888 – Onésime Gagnon, Canadian politician (d. 1961)

1893 – Gummo Marx, American actor (d. 1977)

1894 – Rube Bressler, baseball player (d. 1966)

1896 – André Lévêque, French engineer (d. 1930)

1900 – Douglas Jardine, English cricketer (d. 1958)

1904 – Harvey Penick, American golfer (d. 1995)

1905 – Felix Bloch, Swiss physicist, Nobel Prize laureate (d. 1983)

1905 – Gertrude Ederle, American swimmer (d. 2003)

1908 – Ilya Frank, Russian physicist, Nobel Prize laureate (d. 1990)

1909 – Zellig Harris, American linguist (d. 1992)

1910 – Richard Mortensen, Danish painter (d. 1993)

1910 – Hayden Rorke, American actor (d. 1987)

1918 – James Daly, American actor (d. 1978)

1918 – Peggy Moran, American actress d. 2002

1919 – Manolis Andronikos, Greek archaeologist, professor at the Aristotle University of Thessaloniki (d. 1992)

1920 – Ted Fujita, Japanese meteorologist (d. 1998)

1922 – Coleen Gray, American actress

1923 – Aslam Farrukhi, Pakistani scholar and poet

1923 – Ned Rorem, American composer

1923 – Harold P. Warren, American movie director (d. 1985)

1923 – Frank Sutton, American actor (d. 1974)

1925 – Johnny Carson, American television host (d. 2005)

1925 – Manos Hadjidakis, Greek composer (d. 1994)

1925 – Fred Shero, Canadian hockey player and coach (d. 1990)

1927 – Leszek Kołakowski, Polish philosopher (d. 2009)

1927 – Sonny Criss, American alto saxophonist (d. 1977)

1928 – Bella Darvi, Polish-born French actress (d. 1971)

1929 – Shamsur Rahman, Bangladeshi poet, columnist and journalist (d. 2006)

1931 – Jim Bunning, American baseball player and politician

1931 – William P. Clark, American jurist, and 44th United States Secretary of the Interior

1931 – Diana Dors, British actress (d. 1984)

1935 – Juan "Chi-Chi" Rodríguez, Puerto Rican golfer

1936 – Philip Kaufman, American film director

1937 – Carlos Lamarca, Brazilian military turned guerrilla leader (d. 1971)

1939 – Stanley Anderson, American actor

1940 – Ellie Greenwich, American singer (d. 2009)

1940 – Baby Jane Holzer, American art collector, film producer and Andy Warhol "superstar"

1940 – Pelé, Brazilian footballer

1941 – Mel Winkler, American actor

1941 – Igor Smirnov, Moldovan politician

1942 – Michael Crichton, American writer (d. 2008)

1942 – Bernd Erdmann, German football player and manager

1942 – Anita Roddick, founder of The Body Shop (d. 2007)

1944 – Mike Harding, English singer and comedian

1945 – Maggi Hambling, English sculptor and painter

1945 – Kim Larsen, Danish singer

1946 – Mel Martinez, American politician

1948 – Hermann Hauser, Austrian-born entrepreneur

1948 – Brian Ross, American journalist

1949 – Michael 'Wurzel' Burston, British musician (Motörhead)

1949 – Nick Tosches, American writer

1951 – Charly García, Argentine singer

1951 – Fatmir Sejdiu, former (2nd) President of Kosovo

1952 – Pierre Moerlen, French drummer and percussionist (d. 2005)

1953 – Taner Akçam, Turkish historian

1954 – Ang Lee, Taiwanese-born director

1956 – Dwight Yoakam, American singer

1956 – Dianne Reeves, American jazz singer

1957 – Martin Luther King III, American human rights advocate

1958 – Michael Eric Dyson, American activist, professor, author

1958 – Rose Nabinger, German singer

1959 – Nancy Grace, American former prosecutor

1959 – Sam Raimi, American film director

1959 – "Weird Al" Yankovic, American musical parodist

1960 – Randy Pausch, American computer science professor, author (d. 2008)

1960 – Wayne Rainey, American motorcyclist

1961 – Laurie Halse Anderson, American writer

1961 – Andoni Zubizarreta, Spanish footballer

1962 – Doug Flutie, American football player

1963 – Gordon Korman, Canadian-American Author

1964 – Robert Trujillo, American bassist (Metallica)

1965 – Augusten Burroughs, American writer

1965 – Al Leiter, American baseball player

1966 – Alex Flinn, American writer

1966 – Alex Zanardi, Italian race car driver

1967 – Dale Crover, American musician (Melvins, The Men of Porn, Altamont)

1969 – Trudi Canavan, Australian writer

1969 – Brooke Theiss, American actress

1970 – Grant Imahara, American TV Mythbuster

1970 – Zoe Wiseman, American Model and Photographer

1971 – Carlo Forlivesi, Italian composer

1971 – Christopher Horner, American cyclist

1972 – Bryan Pratt, Missouri Politician

1972 – Jasmin St. Claire, Former pornographic actress

1973 – Christian Dailly, Scottish footballer

1974 – Sander Westerveld, Dutch footballer

1975 – Michelle Beadle, American television personality

1975 – Odalys García, Cuban actress

1975 – Jessicka, American artist

1975 – Keith Van Horn, American basketball player

1976 – Cat Deeley, English model and television personality

1976 – Ryan Reynolds, Canadian actor

1977 – Brad Haddin, Australian cricket player

1978 – Jimmy Bullard, English footballer

1978 – Wang Nan, Chinese table tennis player

1978 – Steve Harmison, English cricketer

1978 – Archie Thompson, Australian footballer

1979 – Simon Davies, Welsh footballer

1979 – Jorge Solís, Mexican professional boxer

1979 – Ramón Castro, Venezuelan baseball player

1980 – Pedro Liriano, Dominican baseball player

1980 – Mate Bilić, Croatian footballer

1981 – Jeroen Bleekemolen, Dutch racing driver

1981 – Ben Francisco, American baseball player

1981 – Shoo, South Korean singer and actress

1982 – Valentin Badea, Romanian footballer

1982 – Aleksandar Luković, Serbian footballer

1983 – Filippos Darlas, Greek footballer

1983 – Josh Strickland, American entertainer

1984 – Izabel Goulart, Brazilian model

1984 – Simone Masini, Italian footballer

1984 – Meghan McCain, American author and daughter of John McCain

1985 – Masiela Lusha, Albanian-American writer and actress

1985 – Luca Spinetti, Italian footballer

1986 – Briana Evigan, American actress

1986 – Jake Robinson, English footballer

1986 – Jessica Stroup, American actress

1987 – Faye Hamlin, Swedish singer (Play)

1990 – Stevie Brock, American singer

1990 – Axel Ehnström, Finnish singer

1990 – Stan Walker, Australian/New Zealand recording artist and actor.

1991 – Princess Mako of Akishino of Japan

1992 – Álvaro Morata, Spanish footballer

1993 – Taylor Spreitler, American actress

1998 – Amandla Stenberg, American teen actress

Deaths[link]

42 BC – Marcus Junius Brutus, Roman senator (b. 85 BC)

877 – Ignatius, Greek Orthodox Patriarch of Constantinople (b. 797)

891 – Yazaman al-Khadim, Emir of Tarsus

930 – Daigo, Emperor of Japan (b. 885)

1456 – Giovanni da Capistrano, Italian saint (b. 1386)

1550 – Tiedemann Giese, Polish Catholic bishop (b. 1480)

1581 – Michael Neander, German mathematician and astronomer (b. 1529)

1616 – Leonhard Hutter, German theologian (b. 1563)

1688 – Charles du Fresne, sieur du Cange, French philologist (b. 1610)

1730 – Anne Oldfield, English actress (b. 1683)

1764 – Emmanuel-Auguste de Cahideuc, Comte Dubois de la Motte, French naval officer (b. 1683)

1774 – Michel Benoist, French Jesuit missionary and scientist (b. 1715)

1867 – Franz Bopp, German linguist (b. 1791)

1869 – Edward Smith-Stanley, 14th Earl of Derby, Prime Minister of the United Kingdom (b. 1799)

1872 – Théophile Gautier, French writer (b. 1811)

1885 – Charles S. West, Texas jurist and politician (b. 1829)

1893 – Alexander Battenberg, prince of Bulgaria (b. 1857)

1910 – Chulalongkorn, King of Thailand (b. 1853)

1915 – W. G. Grace, English cricketer (b. 1848)

1921 – John Boyd Dunlop, Scottish inventor (b. 1840)

1939 – Zane Grey, American author (b. 1872)

1942 – Ralph Rainger, American composer (b. 1901)

1943 – Wakashima Gonshirō, Japanese sumo wrestler, the 21st Yokozuna (b. 1876)

1944 – Charles Glover Barkla, English physicist, Nobel Prize laureate (b. 1877)

1944 – Hana Brady, Holocaust victim (b. 1931)

1950 – Al Jolson, American singer and actor (b. 1886)

1953 – Adrien-Maurice-Victurnien-Mathieu, 8th duc de Noailles (b. 1869)

1957 – Christian Dior, French fashion designer (b. 1905)

1959 – George Bouzianis, Greek painter (b. 1885)

1959 – Gerda Lundequist, Swedish actress (b. 1871)

1978 – Maybelle Carter, American guitarist and musical innovator (b. 1909)

1983 – Jessica Savitch, American journalist (b. 1947)

1984 – James Petrillo, leader of the U.S. musicians union (b. 1892)

1984 – Oskar Werner, Austrian actor (b. 1922)

1986 – Edward Adelbert Doisy, American biochemist, recipient of the Nobel Prize in Physiology or Medicine (b. 1893)

1988 – Asashio Tarō III, Japanese sumo wrestler, the 46th Yokozuna (b. 1929)

1989 – Armida, Mexican actress (b. 1911)

1990 – Louis Althusser, French philosopher (b. 1918)

1994 – Robert Lansing, American actor (b. 1928)

1996 – Bob Grim, American baseball player (b. 1930)

1997 – Bert Haanstra, Dutch filmmaker (b. 1916)

1998 – Barnett Slepian, American physician (b. 1946)

2000 – Rodney Anoa'i aka Yokozuna, Samoan-American professional wrestler (b. 1966)

2001 – Ronald William "Josh" Kirby, British artist (b. 1928)

2001 – Daniel Wildenstein, French art dealer and racehorse owner (b. 1917)

2002 – Adolph Green, American lyricist and playwright (b. 1915)

2003 – Tony Capstick, English actor, comedian, and musician (b. 1944)

2003 – Soong May-ling, wife of Chiang Kai-shek (b. 1897)

2004 – Robert Merrill, American baritone (b. 1919)

2004 – Bill Nicholson, English Footballer (b.1919)

2005 – William Hootkins, American actor (b. 1948)

2005 – John Muth, American economist (b. 1930)

2005 – Stella Obasanjo, Nigerian first lady (b. 1945)

2006 – Lebo Mathosa, South African entertainer (b. 1977)

2007 – John Ilhan, Australian entrepreneur (b. 1965)

2007 – Lim Goh Tong, Malaysian-born Chinese businessman (b. 1918)

2008 – Kevin Finnegan, British boxer (b. 1948)

2010 – Francis Crippen, American long-distance swimmer (b. 1984)

2010 – Leo Cullum, American cartoonist (b. 1942)

2011 – Marco Simoncelli, Italian motorcycle racer (b. 1987)

2011 – John McCarthy, American computer scientist and pioneer in the field of Artificial Intelligence, inventor of the Lisp programming language.(b. 1927)

Holidays and observances[link]

Christian Feast Day:

*Anicius Manlius Severinus Boethius

*Giovanni da Capistrano

*Ignatius of Constantinople

*Severin of Cologne

*October 23 (Eastern Orthodox liturgics)

Chulalongkorn Day (Thailand)

Day of the Macedonian Revolutionary Struggle (Republic of Macedonia)

Mole Day (Chemists)

National Day (Hungary)

External links[link]

BBC: On This Day

On This Day in Canada

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Category:Days of the year Category:October

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Name	B.B. King
background	solo_singer
birth name	Riley King
alias	B.B. King King of the Blues
birth date	September 16, 1925
origin	Itta Bena, Mississippi, United States
instrument	Vocals, guitar, piano
genre	Blues, soul blues, jazz, blues rock, electric blues, rhythm and blues, soul
Occupation	Musician, songwriter, producer
Years active	1949–present
Label	Geffen/Interscope/Universal, Bullet Records, RPM Records, Crown, ABC, MCA, Reprise/Warner Bros., Virgin/EMI
Associated acts	Bobby Bland, Eric Clapton, Pappo
Website	www.bbking.com
Notable instruments	Lucille }}

Riley B. King (born September 16, 1925), known by the stage name B.B. King, is an American songwriter, vocalist, and famed blues guitarist.

''Rolling Stone'' magazine ranked him at No. 6 on its list of the 100 greatest guitarists of all time. According to Edward M. Komara, King "introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that would influence virtually every electric blues guitarist that followed." King was inducted into the Rock and Roll Hall of Fame in 1987.

Early life[link]

King was born in a small cabin on a cotton plantation outside of Berclair, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925.

In 1930, when King was four years old, his father abandoned the family, and his mother married another man. Because Nora Ella was too poor to raise her son, King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi. Over the years, King has developed one of the world's most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist's vocabulary. His economy and phrasing has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. King has mixed traditional blues, jazz, swing, mainstream pop and jump into a unique sound. In King's words, "When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille." King grew up singing in the gospel choir at Elkhorn Baptist Church in Kilmichael. At age 12, he purchased his first guitar for $15.00 although another reference indicates he was given his first guitar by his cousin, Bukka White. In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.

In 1946, King followed his cousin Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948. He performed on Sonny Boy Williamson's radio program on KWEM in West Memphis, Arkansas where he began to develop a local audience for his sound. King's appearances led to steady engagements at the Sixteenth Avenue Grill in West Memphis and later to a ten-minute spot on the legendary Memphis radio station WDIA. ''King's Spot'' became so popular, it was expanded and became the ''Sepia Swing Club''.

Initially he worked at the local R&B; radio station WDIA as a singer and disc jockey, where he gained the nickname Beale Street Blues Boy, later shortened to Blues Boy and finally to ''B.B.'' It was there that he first met T-Bone Walker. "Once I'd heard him for the first time, I knew I'd have to have [an electric guitar] myself. 'Had' to have one, short of stealing!", he said.

Career[link]

1949–2005[link]

In 1949, King began recording songs under contract with Los Angeles-based RPM Records. Many of King's early recordings were produced by Sam Phillips, who later founded Sun Records. Before his RPM contract, King had debuted on Bullet Records by issuing the single "Miss Martha King" (1949), which did not chart well. "My very first recordings [in 1949] were for a company out of Nashville called Bullet, the Bullet Record Transcription company," King recalls. "I had horns that very first session. I had Phineas Newborn on piano; his father played drums, and his brother, Calvin, played guitar with me. I had Tuff Green on bass, Ben Branch on tenor sax, his brother, Thomas Branch, on trumpet, and a lady trombone player. The Newborn family were the house band at the famous Plantation Inn in West Memphis." King assembled his own band; the B.B. King Review, under the leadership of Millard Lee. The band initially consisted of Calvin Owens and Kenneth Sands (trumpet), Lawrence Burdin (alto saxophone), George Coleman (tenor saxophone), Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forest and Ted Curry (drums). Onzie Horne was a trained musician elicited as an arranger to assist King with his compositions. By his own admission, he cannot play chords well and always relies on improvisation. This was followed by tours across the USA with performances in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit and St. Louis, as well as numerous gigs in small clubs and juke joints of the southern US states.

In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, which triggered an evacuation. Once outside, King realized that he had left his guitar inside the burning building. He entered the blaze to retrieve his beloved guitar, a Gibson semi-hollow electric. Two people died in the fire. The next day, King learned that the two men were fighting over a woman named Lucille. King named that first guitar Lucille, as well as every one he owned since that near-fatal experience, as a reminder never again to do something as stupid as run into a burning building or fight over women.

King meanwhile toured the entire "Chitlin' circuit" and 1956 became a record-breaking year, with 342 concerts booked. The same year he founded his own record label, Blues Boys Kingdom, with headquarters at Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury.

In the 1950s, B.B. King became one of the most important names in R&B; music, amassing an impressive list of hits including "3 O'Clock Blues", "You Know I Love You," "Woke Up This Morning," "Please Love Me," "When My Heart Beats like a Hammer," "Whole Lotta Love," "You Upset Me Baby," "Every Day I Have the Blues", "Sneakin' Around," "Ten Long Years," "Bad Luck," "Sweet Little Angel", "On My Word of Honor," and "Please Accept My Love." In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records, and then his current label, Geffen Records. In November 1964, King recorded the ''Live at the Regal'' album at the Regal Theater in Chicago, Illinois.

King won a Grammy Award for a tune called "The Thrill Is Gone"; his version became a hit on both the pop and R&B; charts, which was rare during that time for an R&B; artist. It also gained the number 183 spot in ''Rolling Stone'' magazine's ''500 Greatest Songs of All Time''. He gained further visibility among rock audiences as an opening act on The Rolling Stones' 1969 American Tour. King's mainstream success continued throughout the 1970s with songs like "To Know You is to Love You" and "I Like to Live the Love".

King was inducted into the Blues Hall of Fame in 1980. In 2004 he was awarded the international Polar Music Prize, given to artists "in recognition of exceptional achievements in the creation and advancement of music."

From the 1980s onward he has continued to maintain a highly visible and active career, appearing on numerous television shows and performing 300 nights a year. In 1988, King reached a new generation of fans with the single "When Love Comes to Town", a collaborative effort between King and the Irish band U2 on their ''Rattle and Hum'' album. In 2000, King teamed up with guitarist Eric Clapton to record ''Riding With the King''. In 1998, King appeared in ''The Blues Brothers 2000'', playing the part of the lead singer of the Louisiana Gator Boys, along with Clapton, Dr. John, Koko Taylor and Bo Diddley.

2006–present: farewell tour and later activities[link]

Aged 80 at the time, on March 29, 2006, King played at Hallam Arena in Sheffield, England. This was the first date of his United Kingdom and European farewell tour. He played this tour supported by Northern Irish guitarist Gary Moore, with whom King had previously toured and recorded, including the song "Since I Met You Baby". The British leg of the tour ended on April 4 with a concert at Wembley Arena. And on June 28, 2009 King returned to Wembley arena to end a tour around Great Britain with British blues icon John Mayall. When questioned as to why he was embarking on another tour after already completing his farewell stint, King jokingly remarked that he had never actually said the farewell tour would be his last.

In July King went back to Europe, playing twice (July 2 and 3) in the 40th edition of the Montreux Jazz Festival and also in Zürich at the Blues at Sunset on July 14. During his show in Montreux at the Stravinski Hall he jammed with Joe Sample, Randy Crawford, David Sanborn, Gladys Knight, Lella James, Earl Thomas, Stanley Clarke, John McLaughlin, Barbara Hendricks and George Duke. The European leg of the Farewell Tour ended in Luxembourg on September 19, 2006, at the D'Coque Arena (support act: Todd Sharpville).

In November and December, King played six times in Brazil. During a press conference on November 29 in São Paulo, a journalist asked King if that would be the actual farewell tour. He answered: "One of my favorite actors is a man from Scotland named Sean Connery. Most of you know him as James Bond, 007. He made a movie called ''Never Say Never Again''."

In June 2006, King was present at a memorial of his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. The same month, a groundbreaking was held for a new museum, dedicated to King. in Indianola, Mississippi. The museum opened on September 13, 2008.

In late October 2006, he recorded a concert CD and DVD entitled ''B.B. King: Live'' at his B.B. King Blues Clubs in Nashville and Memphis. The four night production featured his regular B.B. King Blues Band and captured his show as he performs it nightly around the world. It was his first live performance recording in 14 years.

On July 28, 2007, King played at Eric Clapton's second Crossroads Guitar Festival with 20 other guitarists to raise money for the Crossroads Centre for addictive disorders. Performing in Chicago, he played "Paying the Cost to Be the Boss", "Rock Me Baby" and "Thrill is Gone" (although the latter was not published on the DVD release) with Robert Cray, Jimmie Vaughan and Hubert Sumlin. In a poignant moment during the live broadcast, he offered a toast to the concert's host, Eric Clapton, and also reflected upon his own life and seniority. Adding to the poignancy, the four-minute speech — which had been underlaid with a mellow chord progression by Robert Cray throughout — made a transition to an emotional rendition of "Thrill is Gone". Parts of this performance were subsequently aired in a PBS broadcast and released on the ''Crossroads II'' DVD.

Also in 2007, King accepted an invitation to contribute to ''Goin' Home: A Tribute to Fats Domino'' (Vanguard Records). With Ivan Neville's DumpstaPhunk, King contributed his version of the title song, "Goin' Home".

In 2007 King performed "One Shoe Blues" on the Sandra Boynton children's album ''Blue Moo'', accompanied by a pair of sock puppets in the video.

In June 2008, King played at the Bonnaroo Music and Arts Festival in Manchester, Tennessee; he was also the final performer at the 25th annual Chicago Blues Festival on June 8, 2008, and at the Monterey Blues Festival, following Taj Mahal. Another June 2008 event was King's induction into the Hollywood Bowl Hall of Fame alongside Liza Minnelli and Sir James Galway.

In July 2008, Sirius XM Radio's Bluesville channel was renamed B.B. King's Bluesville.

On December 1, 2008, King performed at the Maryland Theater in Hagerstown, Maryland. On December 3, King and John Mayer were the closing act at the 51st Grammy Nomination Concert, playing "Let the Good Times Roll" by Louis Jordan. On December 30, 2008, King played at The Kennedy Center Honors Awards Show; his performance was in honor of actor Morgan Freeman.

thumb|European Tour 2009, Vienna, July 2009In Summer 2009, King started a European Tour with concerts in France, Germany, Belgium, Finland and Denmark.

In March 2010, King contributed to Cyndi Lauper's album ''Memphis Blues'', which was released on June 22, 2010.

King performed at the Mawazine festival in Rabat, Morocco, on May 27, 2010.

On June 25, 2011 King played the pyramid stage at The Glastonbury Music Festival. On the June 28 he opened his new European tour at The Royal Albert Hall, London, supported by Derek Trucks and Susan Tedeschi, Ronnie Wood, Mick Hucknall and Slash.

On March 22, 2012, King played a concert at the Chicago House of Blues, where Benson made a guest appearance and both King & Benson held a jammin' session for over 20 minutes, it was also the celebration of Benson's birthday.

Over a period of 63 years, King has played in excess of 15,000 performances.

B.B. King's Blues Club[link]

In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal City Walk in Los Angeles. A third club in New York City's Times Square opened in June 2000. Two further clubs opened at Foxwoods Casino in Connecticut in January 2002 and another in Nashville in 2003. A club in West Palm Beach opened in the fall of 2009 and an additional one, based in the Mirage Hotel, Las Vegas, opened in the winter of 2009. In 2007, a B.B. King's Blues Club in Orlando opened on International Drive. The Memphis, Nashville, Orlando, West Palm Beach and Las Vegas stores are all the same Company.

Legacy[link]

King is widely regarded as one of the most influential blues guitarists of all time, inspiring countless other electric blues and blues-rock guitarists such as Jimi Hendrix, Eric Clapton, Buddy Guy, Robert Cray, Peter Green, Derek Trucks, Duane Allman, Elmore James and Stevie Ray Vaughan.

Philanthropy[link]

In 2001, King signed on as an official supporter of Little Kids Rock, a non-profit organization that provides free musical instruments and instruction to children in underprivileged public schools throughout the US. He sits on LKR's Honorary Board of Directors.

TV appearances[link]

B.B. King has made guest appearances in numerous popular television shows, including ''The Cosby Show'', ''The Young and the Restless'', ''General Hospital'', ''The Fresh Prince of Bel-Air'', ''Sesame Street'', ''Married... with Children'', ''Sanford and Son'', and ''Touched by an Angel''. He has also made a cameo in the movie ''Spies Like Us''.

Personal life[link]

King has been married twice, to Martha Lee Denton, 1946 to 1952, and to Sue Carol Hall, 1958 to 1966. Both marriages ended because of the heavy demands made on the marriage by King's 250 performances a year. It is reported that he has fathered 15 children and as of 2004 is the grandfather to fifty grandchildren. He has lived with Type II diabetes for over twenty years and is a high-profile spokesman in the fight against the disease, appearing in advertisements for diabetes-management products along with American Idol season 9 contestant Crystal Bowersox.

King is an FAA licensed Private Pilot and learned to fly in 1963 at Chicago Hammond Airport in Lansing, IL (now Lansing Municipal Airport – KIGQ). He frequently flew to gigs, but under the advice of his insurance company and manager in 1995, King was asked to fly only with another licensed pilot; and as a result, King stopped flying around age 70.

His favorite singer is Frank Sinatra. In his autobiography King speaks about how he was, and is, a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album ''In the Wee Small Hours''. King has credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues; Sinatra got B.B. King into the main clubs in Las Vegas during the 1960s.

Discography[link]

Honors and awards[link]

In 1977, he was awarded an honorary Doctor of Music by Yale University

In 1980, he was inducted into the Blues Hall of Fame. In 1987, he was inducted into the Rock & Roll Hall of Fame. In 1990, he was awarded the National Medal of Arts. In 1991, he was awarded the National Heritage Fellowship from the NEA. King was awarded the Kennedy Center Honors in 1995. This is given to recognize "the lifelong accomplishments and extraordinary talents of our nation's most prestigious artists." In 2004, the Royal Swedish Academy of Music awarded him the Polar Music Prize for his "significant contributions to the blues". On December 15, 2006, President George W. Bush awarded King the Presidential Medal of Freedom. On May 27, 2007, King was awarded an honorary doctorate in music by Brown University. On May 14, 2008, King was presented with the keys to the city of Utica, New York; and on May 18, 2008, the mayor of Portland, Maine, Edward Suslovic, declared the day "B.B. King Day" in the city. Prior to King's performance at the Merrill Auditorium, Suslovic presented King with the keys to the city. In 2009, ''TIME'' named B.B. King No.3 on its list of the 10 best electric guitarists of all time. Each year during the first week in June, a B.B. King Homecoming Festival is held in Indianola, Mississippi. A Mississippi Blues Trail marker was added for B.B. King, commemorating his birthplace.

On May 29, 2010, Sabrosa Park (at the small town of Sabrosa, north of Portugal) was renamed B.B. King Park in honor of King and the free concert he played before 20,000 people.

Grammy Awards[link]

Years reflect the year in which the Grammy was awarded, for music released in the previous year.

1971: Best Male R&B; Vocal Performance for "The Thrill Is Gone".

1982: Best Ethnic or Traditional Recording for "There Must Be a Better World Somewhere".

1984: Best Traditional Blues Recording for "Blues 'n Jazz".

1986: Best Traditional Blues Recording for "My Guitar Sings the Blues".

1991: Best Traditional Blues Recording for "Live at San Quentin".

1992: Best Traditional Blues Album for "Live at the Apollo".

1994: Best Traditional Blues Album for "Blues Summit".

1997: Best Rock Instrumental Performance for "SRV Shuffle".

2000: Best Traditional Blues Album for "Blues on the Bayou".

2001: Best Traditional Blues Album for "Riding with the King".

2001: Best Pop Collaboration with Vocals for "Is You or Is You Ain't (Baby)".

2003: Best Traditional Blues Album for "A Christmas Celebration of Hope".

2003: Best Pop Instrumental Performance for "Auld Lang Syne".

2006: Best Traditional Blues Album for "80".

2009: Best Traditional Blues Album for "One Kind Favor".

King was given a Grammy Lifetime Achievement Award in 1987.

A Grammy Hall of Fame Award was given to "The Thrill is Gone" in 1998, an award given to recordings that are at least 25 years old and that have "qualitative or historical significance."

See also[link]

List of honorific titles in popular music

List of nicknames of blues musicians

References[link]

External links[link]

Official B. B. King-website

Category:1925 births Category:African American guitarists Category:African American singer-songwriters Category:American blues guitarists Category:American blues singers Category:American blues singer-songwriters Category:American buskers Category:American rhythm and blues musicians Category:Songwriters from Mississippi Category:Blues Hall of Fame inductees Category:Blues musicians from Mississippi Category:Electric blues musicians Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Jammy Award winners Category:Kennedy Center honorees Category:Kent Records artists Category:Lead guitarists Category:Living people Category:Memphis blues musicians Category:Mississippi Blues Trail Category:National Heritage Fellowship winners Category:People from Leflore County, Mississippi Category:People from Sunflower County, Mississippi Category:People from Memphis, Tennessee Category:Presidential Medal of Freedom recipients Category:Rock and Roll Hall of Fame inductees‎ Category:RPM Records artists Category:MCA Records artists Category:Geffen Records artists Category:Virgin Records artists Category:Soul-blues musicians Category:Sun Records artists Category:United States National Medal of Arts recipients

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name	Eric XIV
succession	King of Sweden
reign	29 September 1560 – 29 September 1568
coronation	29 June 1561
predecessor	Gustav I
successor	John III
spouse	Karin Månsdotter
issue	Princess Sigrid of SwedenPrince Gustav of SwedenPrince Henry of SwedenArnold
religion	Lutheran
royal house	House of Vasa
royal motto	''Deus dat cui vult'' ("God gives to whom He wishes")
father	Gustav Vasa
mother	Catherine of Saxe-Lauenburg
birth date	13 December 1533
birth place	Stockholm Castle, Stockholm
death date	February 26, 1577
death place	Örbyhus Castle, Örbyhus
place of burial	Västerås Cathedral, Västerås

Eric XIV, (13 December 1533 – 26 February 1577) was King of Sweden from 1560 until he was deposed in 1568. Eric XIV was the son of Gustav I (1496–1560) and Catherine of Saxe-Lauenburg (1513–35). He was also ruler of Estonia, after its conquest by Sweden in 1561.

While he has been regarded as intelligent and artistically skilled, as well as politically ambitious, early in his reign he showed signs of mental instability, a condition that eventually led to insanity. Eric suffered from schizophrenia. Some scholars claim that his illness began early during his reign, while others believe that he became sick after the Sture Murders.

Eric, having been deposed and imprisoned, was most likely murdered. An examination of his remains in 1958 confirmed that he probably died of arsenic poisoning.

Life[link]

Early years[link]

Eric XIV was born at Tre Kronor castle, at 9 o'clock on the morning of 13 December 1533. Before the age of two, he lost his mother. In 1536, his father, Gustav Vasa, married Margaret Leijonhufvud (1516–55), a Swedish noblewoman.

Eric's first teacher was the learned German Georg Norman, whose services were shortly thereafter needed elsewhere within the Swedish state. He was replaced by French Calvinist Dionysius Beurreus (1500–67). Dionysius taught both Eric and his brother John, and seems to have been appreciated by both. Eric was very successful in foreign languages and mathematics. He was also an informed historian, a good writer and familiar with astrology.

When Eric started to appear in public, he was referred to as the "chosen king" () and after the meeting of parliament in Stockholm in 1560, he received the title of "hereditary king" ().

In 1557, Eric was assigned the fiefdoms of Kalmar, Kronoberg and Öland. He took up residence in the city of Kalmar.

Against his father's wishes, Eric entered into marriage negotiations with Princess Elizabeth Tudor (later Queen Elizabeth I of England 1533–1603). Tensions between Eric and his father grew. He pursued Elizabeth for several years, but abandoned the attempts after his trip to England was interrupted by the death of his father in 1560. Eric also made unsuccessful marriage proposals to, among others, Mary, Queen of Scots (1542–87), Renata of Lorraine (1544–1602), Anna of Saxony (1544–77) and Christine of Hesse (1543–1604).

Rule[link]

He was crowned as Eric XIV, but was not necessarily the 14th king of Sweden named Eric. He and his brother Charles IX (1604–11) adopted regnal numbers according to Johannes Magnus's partly fictitious history of Sweden. There had, however, been at least six earlier Swedish kings with the name of Eric, as well as pretenders about whom very little is known.

In domestic politics, Eric's ambitions were strongly opposed by the Swedish nobility, including his half-brother, the later John III of Sweden (1537–92). John was the Duke of Finland and was married to a Polish princess, which made him friendly with Poland. John pursued an expansionist policy in Livonia (now Estonia, Latvia, and Lithuania) which led to contention between the brothers. In 1563, John was seized and tried for high treason by Eric's order.

Unlike his father, who had been satisfied with ruling an independent state, Eric tried to expand his influence in the Baltic region and in Estonia, making Sweden a great power. This expansionism resulted in a clash with his cousin, Frederick II of Denmark (1534–88). Most of Eric XIV's reign was then dominated by the Livonian War and the Scandinavian Seven Years' War against Denmark (1563–70), during which he successfully repelled most Danish attempts at conquest, but was unable to keep his own conquests.

From 1563 onwards, his insanity became pronounced; his rule became even more arbitrary and marked by violence. In 1567, suspicious of high treason, he killed several members of the Sture family (Sture Murders), Eric himself stabbing Nils Sture. The King probably thought of the killing as an execution rather than murder.

After the Sture homicide, John was imprisoned and Eric's conflict with the nobility came to its climax. In the fall of 1568, the dukes and the nobles rebelled, and Eric was dethroned. He was then imprisoned by Duke John, who took power. Eric's most trusted counsellor, Jöran Persson (1530–68), took much of the blame for the actions directed against the nobility during Eric XIV's reign and was executed shortly after John III ascended to the throne.

Eric XIV was held as a prisoner in many different castles in both Sweden and Finland. He died in prison in Örbyhus Castle: according to folklore, his final meal was a poisoned bowl of pea soup. A document signed by his brother, John III of Sweden, and a nobleman, Bengt Bengtsson Gylta (1514–74), gave Eric's guards in his last prison authorization to poison him if anyone tried to release him. His body was later exhumed and modern forensic analysis revealed evidence of lethal arsenic poisoning.

Ancestors[link]

{{ahnentafel4 | Eric XIV of Sweden | Gustav I of Sweden (Vasa) | Catherine of Saxe-Lauenburg | Erik Johansson (Vasa) | Cecilia Månsdotter (Eka) | Magnus I, Duke of Saxe-Lauenburg | Catherine of Brunswick-Wolfenbüttel | Johan Kristiernsson (Vasa) | Birgitta Gustavsdotter (Sture) | Måns Karlsson (Eka) | Sigrid Eskilsdotter (Banér) | John V of Saxe-Lauenburg | Dorothea of Brandenburg | Henry IV, Duke of Brunswick-Lüneburg | Catherine of Pomerania-Wolgast }}

Family and descendants[link]

XIV had several relationships before his marriage. With Agda Persdotter he had four daughters: #Margareta Eriksdotter (1558–1618), married 1592 to Olov Simonsson, vicar of Horn. #Virginia Eriksdotter (1559–1633; living descendants) #Constantia Eriksdotter (1560–1649; living descendants) #Lucretia Eriksdotter (1564–after 1574) died young.

With Karin Jacobsdotter: #An unnamed child, died April 1565.

Eric XIV finally married Karin Månsdotter (1550–1612) on 4 July 1568; their children were: # Sigrid (1566–1633; born before the marriage), lady-in-waiting, wife of two noblemen. # Gustaf (1568–1607; born before the marriage), mercenary. #Henrik (1570–74) #Arnold (1572–73)

Eric XIV in literature[link]

The life of Eric XIV is the subject of an 1899 play by Swedish playwright August Strindberg (1849–1912).

See also[link]

List of Swedish monarchs

List of Finnish monarchs

History of Sweden

Foundation of Modern Sweden''

References[link]

External links[link]

Biography of Eric XIV of Sweden

Category:1533 births Category:1577 deaths Category:1577 crimes Category:People from Stockholm Category:Swedish monarchs Category:Rulers of Finland Category:House of Vasa Category:Murdered monarchs Category:Deaths by poisoning Category:Swedish monarchs of German descent

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name	Eric Clapton
alias	Slowhand
landscape	Yes
background	solo_singer
birth name	Eric Patrick Clapton
birth date	March 30, 1945
Birth place	Ripley, Surrey, England
instrument	Vocals, guitar
genre	Rock, blues rock, blues, psychedelic rock, hard rock
occupation	Musician, singer-songwriter, record producer, artist
years active	1962–present
label	Warner Bros., Reprise, Polydor, RSO, Atco, Apple, Deram
associated acts	The Yardbirds, John Mayall & the Bluesbreakers, Powerhouse, Cream, Free Creek, The Dirty Mac, Blind Faith, J.J. Cale, The Plastic Ono Band, Delaney, Bonnie & Friends, Derek and the Dominos, Sheryl Crow, The Beatles, Phil Collins, The Rolling Stones, Luciano Pavarotti, The Band, Freddie King, B.B. King, Mark Knopfler, Brian Wilson, John Mayer, Roger Waters, Dire Straits
website
notable instruments	See: Guitars section"Blackie": Fender Stratocaster"Brownie": Fender Stratocaster }}

Eric Patrick Clapton, CBE, (born 1945) is an English guitarist and singer-songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" and fourth in ''Gibson's'' ''Top 50 Guitarists of All Time.''

In the mid 1960s, Clapton departed from the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand". Immediately after leaving Mayall, Clapton formed Cream, a power trio with drummer Ginger Baker and bassist Jack Bruce in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the 1970s, Clapton's output bore the influence of the mellow style of J.J. Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped reggae reach a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, another band he formed and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004 Clapton was awarded a CBE for services to music. In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.

Early life[link]

Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16-year-old Patricia Molly Clapton (b. 1929 d. March 1999) and Edward Walter Fryer ( 1920 – 1985), a 25-year-old soldier from Montreal, Quebec. Fryer shipped off to war prior to Clapton's birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband, Jack Clapp, who was stepfather to Patricia Clapton and her brother Adrian, believing they were his parents and that his mother was actually his older sister. The similarity in surnames gave rise to the erroneous belief that Clapton's real surname is Clapp (Reginald Cecil Clapton was the name of Rose's first husband, Eric Clapton's maternal grandfather). Years later, his mother married another Canadian soldier and moved to Germany, leaving young Eric with his grandparents in Surrey.

Clapton received an acoustic Hoyer guitar, made in Germany, for his thirteenth birthday, but the inexpensive steel-stringed instrument was difficult to play and he briefly lost interest. Two years later Clapton picked it up again and started playing consistently. Clapton was influenced by the blues from an early age, and practised long hours to learn the chords of blues music by playing along to the records. He preserved his practice sessions using his portable Grundig reel-to-reel tape recorder, listening to them over and over until he felt he'd got it right.

After leaving Hollyfield School, in Surbiton, in 1961, Clapton studied at the Kingston College of Art but was dismissed at the end of the academic year because his focus remained on music rather than art. His guitar playing was so advanced that by the age of 16 he was getting noticed. Around this time Clapton began busking around Kingston, Richmond, and the West End. In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in pubs around Surrey. When he was seventeen years old Clapton joined his first band, an early British R&B; group, "The Roosters", whose other guitarist was Tom McGuinness. He stayed with this band from January through August 1963. In October of that year, Clapton did a seven-gig stint with Casey Jones & The Engineers.

Career[link]

1960s[link]

The Yardbirds and the Bluesbreakers[link]

In October 1963 Clapton joined The Yardbirds, a blues-influenced rock and roll band, and stayed with them until March 1965. Synthesising influences from Chicago blues and leading blues guitarists such as Buddy Guy, Freddie King, and B. B. King, Clapton forged a distinctive style and rapidly became one of the most talked-about guitarists in the British music scene. The band initially played Chess/Checker/Vee-Jay blues numbers and began to attract a large cult following when they took over the Rolling Stones' residency at the Crawdaddy Club in Richmond. They toured England with American bluesman Sonny Boy Williamson II; a joint LP album, recorded in December 1963, was issued in 1965.

It was during this time period that Clapton's Yardbirds rhythm guitarist, Chris Dreja, recalled that whenever Clapton broke a guitar string during a concert, he would stay on stage and replace it. The English audiences would wait out the delay by doing what is called a "slow handclap". Clapton told his official biographer, Ray Coleman, that, "My nickname of 'Slowhand' came from Giorgio Gomelsky. He coined it as a good pun. He kept saying I was a fast player, so he put together the slow handclap phrase into Slowhand as a play on words".

In March 1965 the Yardbirds had their first major hit, "For Your Love", on which Clapton played guitar. The Yardbirds elected to move toward a pop-oriented sound, in part because of the success of "For Your Love", written by pop songwriter-for-hire Graham Gouldman, who had also written hit songs for Herman's Hermits and The Hollies. Still musically devoted to the blues, Clapton was opposed to the move, and left the band. He recommended fellow guitarist Jimmy Page as his replacement, but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended Clapton's successor, Jeff Beck. While Beck and Page played together in the Yardbirds, the trio of Beck, Page, and Clapton were never in the group together. However, the trio did appear on the 12-date benefit tour for Action for Research into Multiple Sclerosis in 1983, as well as on the album ''Guitar Boogie''.

Clapton joined John Mayall & the Bluesbreakers in April 1965, only to quit a few months later. In the summer of 1965 he left for Greece with a band called The Glands, which included his old friend Ben Palmer on piano. In November 1965 he rejoined John Mayall. During his second Bluesbreakers stint, Clapton gained a reputation as the best blues guitarist on the club circuit. Although Clapton gained world fame for his playing on the influential album, ''Blues Breakers – John Mayall – With Eric Clapton'', this album was not released until Clapton had left the Bluesbreakers for the last time. Having swapped his Fender Telecaster and Vox AC30 amplifier for a 1960 Gibson Les Paul Standard guitar and Marshall amplifier, Clapton's sound and playing inspired a well-publicised graffiti that deified him with the famous slogan "Clapton is God". The phrase was spray-painted by an admirer on a wall in an Islington Underground station in the autumn of 1967. The graffiti was captured in a now-famous photograph, in which a dog is urinating on the wall. Clapton is reported to have been embarrassed by the slogan, saying in his ''The South Bank Show'' profile in 1987, "I never accepted that I was the greatest guitar player in the world. I always ''wanted'' to be the greatest guitar player in the world, but that's an ideal, and I accept it as an ideal". The phrase began to appear in other areas of Islington throughout the mid 1960s.

Cream[link]

Clapton left the Bluesbreakers in July 1966 (to be replaced by Peter Green) and formed Cream, one of the earliest supergroups, with Jack Bruce on bass (also of Manfred Mann, the Bluesbreakers, and the Graham Bond Organisation) and Ginger Baker on drums (another member of the Graham Bond Organisation). Before the formation of Cream, Clapton was not well known in the United States; he left the Yardbirds before "For Your Love" hit the American Top Ten, and had yet to perform there. During his time with Cream, Clapton began to develop as a singer, songwriter, and guitarist, though Bruce took most of the lead vocals and wrote the majority of the material with lyricist Pete Brown. Cream's first gig was an unofficial performance at the Twisted Wheel Club in Manchester on 1966 before their full debut two nights later at the National Jazz and Blues Festival in Windsor. Cream established its enduring legend with the high-volume blues jamming and extended solos of their live shows.

In early 1967 Clapton's status as Britain's top guitarist was rivalled by the emergence of Jimi Hendrix, an acid rock-infused guitarist who used wailing feedback and effects pedals to create new sounds for the instrument. Hendrix attended a performance of the newly-formed Cream at the Central London Polytechnic on 1966, during which Hendrix sat in on a double-timed version of "Killing Floor". Top UK stars including Clapton, Pete Townshend, and members of The Rolling Stones and The Beatles avidly attended Hendrix's early club performances. Hendrix's arrival had an immediate and major effect on the next phase of Clapton's career, although Clapton continued to be recognised in UK music polls as the premier guitarist.

Clapton first visited the United States while touring with Cream. In March 1967, Cream performed a nine-show stand at the RKO Theater in New York. They recorded ''Disraeli Gears'' in New York from 1967. Cream's repertoire varied from hard rock ("I Feel Free") to lengthy blues-based instrumental jams ("Spoonful"). ''Disraeli Gears'' featured Clapton's searing guitar lines, Bruce's soaring vocals and prominent, fluid bass playing, and Baker's powerful, polyrhythmic jazz-influenced drumming. Together, Cream's talents secured them as an influential power trio.

In 28 months, Cream had become a commercial success, selling millions of records and playing throughout the U.S. and Europe. They redefined the instrumentalist's role in rock and were one of the first blues-rock bands to emphasise musical virtuosity and lengthy jazz-style improvisation sessions. Their U.S. hit singles include "Sunshine of Your Love" (#5, 1968), "White Room" (#6, 1968) and "Crossroads" (#28, 1969) – a live version of Robert Johnson's "Cross Road Blues". Though Cream was hailed as one of the greatest groups of its day, and the adulation of Clapton as a guitar hero reached new heights, the supergroup was short-lived. Drug and alcohol use escalated tension between the three members, and conflicts between Bruce and Baker eventually led to Cream's demise. A strongly critical ''Rolling Stone'' review of a concert of the group's second headlining U.S. tour was another significant factor in the trio's demise, and it affected Clapton profoundly.

Cream's farewell album, ''Goodbye'', featuring live performances recorded at The Forum, Los Angeles, 1968, was released shortly after Cream disbanded; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton met Harrison and became friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. The close friendship between Clapton and Harrison resulted in Clapton's playing on Harrison's "While My Guitar Gently Weeps" from the Beatles' ''White Album'' (1968). Harrison also released his solo debut album, ''Wonderwall Music'', in 1968. It became the first of many Harrison solo records to feature Clapton on guitar. Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton helped organise a tribute concert, for which he was musical director.

Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame; a full reunion took place in May 2005, with Clapton, Bruce, and Baker playing four sold-out concerts at London's Royal Albert Hall, and three shows at New York's Madison Square Garden that October. Recordings from the London shows, ''Royal Albert Hall London May 2-3-5-6, 2005'', were released on CD, LP, and DVD in September/December 2005.

Blind Faith and Delaney and Bonnie and Friends[link]

Clapton's next group, Blind Faith (1969), was composed of Cream drummer Ginger Baker, Steve Winwood of Traffic, and Ric Grech of Family, and yielded one LP and one arena-circuit tour. The supergroup debuted before 100,000 fans in London's Hyde Park on 1969. They performed several dates in Scandinavia and began a sold-out American tour in July before their only album was released. The LP ''Blind Faith'' consisted of just six songs, one of them a 15-minute jam entitled "Do What You Like". The album's jacket image of a topless pubescent girl was deemed controversial in the United States and was replaced by a photograph of the band. Blind Faith dissolved after less than seven months.

Clapton subsequently toured as a sideman for an act that had opened for Blind Faith, Delaney and Bonnie and Friends. He also played two dates as a member of The Plastic Ono Band that autumn, including a recorded performance at the Toronto Rock and Roll Revival in September 1969 released as the album ''Live Peace in Toronto 1969''. On 15 December 1969 Clapton performed with John Lennon, George Harrison, and others as the Plastic Ono Band at a fundraiser for UNICEF in London.

Delaney Bramlett encouraged Clapton in his singing and writing. During the summer of 1969, Clapton and Bramlett contributed to the ''Music From Free Creek'' "supersession" project. Clapton, appearing as "King Cool" for contractual reasons, played with Dr. John on three songs, joined by Bramlett on two tracks.

Using the Bramletts' backing group and an all-star cast of session players (including Leon Russell and Stephen Stills), Clapton recorded his first solo album during two brief tour hiatuses, fittingly named ''Eric Clapton''. Delaney Bramlett co-wrote six of the songs with Clapton, and Bonnie Bramlett co-wrote "Let It Rain". The album yielded the unexpected U.S. #18 hit, J. J. Cale's "After Midnight". Clapton went with Delaney and Bonnie from the stage to the studio with the Dominos to record George Harrison's ''All Things Must Pass'' in spring 1970. During this busy period, Clapton also recorded with other artists including Dr. John, Leon Russell, Plastic Ono Band, Billy Preston, and Ringo Starr.

1970s[link]

Derek and the Dominos[link]

With the intention to counteract the "star" cult faction that had begun to form around him, Clapton assembled a new band composed of Delaney and Bonnie's former rhythm section, Bobby Whitlock as keyboardist and vocalist, Carl Radle as the bassist, and drummer Jim Gordon, with Clapton playing guitar. It was his intention to show that he need not fill a starring role, and functioned well as a member of an ensemble. Naming the band, "Eric Clapton and Friends" at first, the name "Derek and the Dominos" was a fluke. It occurred when the band's provisional name of "Del and the Dynamos" was misread as Derek and the Dominos. Clapton's biography states that Tony Ashton of Ashton, Gardner and Dyke told Clapton to call the band "Del and the Dominos", since "Del" was his nickname for Eric Clapton. Del and Eric were combined and the final name became "Derek and the Dominos".

Clapton's close friendship with George Harrison brought him into contact with Harrison's wife, Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album, ''Layla and Other Assorted Love Songs'' (1970). Heavily blues-influenced, the album features the twin lead guitars of Duane Allman and Clapton, with Allman's slide guitar as a key ingredient of the sound. Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream's ''Disraeli Gears'', the band recorded a double album.

The album features the hit love song "Layla", inspired by the classical poet of Persian literature, Nizami Ganjavi's ''The Story of Layla and Majnun'', a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part.

The ''Layla'' LP was actually recorded by a five-piece version of the group, thanks to the unforeseen inclusion of guitarist Duane Allman of The Allman Brothers Band. A few days into the Layla sessions, Dowd—who was also producing the Allmans—invited Clapton to an Allman Brothers outdoor concert in Miami. The two guitarists met first on stage, then played all night in the studio, and became friends. Duane first added his slide guitar to "Tell the Truth" and "Nobody Knows You When You're Down and Out". In four days, the five-piece Dominos recorded "Key to the Highway", "Have You Ever Loved a Woman" (a blues standard popularised by Freddie King and others), and "Why Does Love Got to be So Sad". In September, Duane briefly left the sessions for gigs with his own band, and the four-piece Dominos recorded "I Looked Away", "Bell Bottom Blues", and "Keep on Growing". Duane returned to record "I am Yours", "Anyday", and "It's Too Late". On 9 September, they recorded Hendrix's "Little Wing" and the title track. The following day, the final track, "It's Too Late", was recorded.

Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On 1970, one day before Hendrix's death, Clapton had purchased a left-handed Fender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the ''Layla'' album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to the Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album ''In Concert''. The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set ''Crossroads''), but the results were mediocre.

A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was killed in a motorcycle accident on 1971. Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the ''Later with Jools Holland'' show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today.

Solo career[link]

Clapton's career successes in the 1970s were in stark contrast with his personal life, which was troubled by romantic longings and drug and alcohol addiction. While suffering his (temporarily) unrequited and intense attraction to Pattie Boyd, he withdrew from recording and touring to isolation in his Surrey, England, residence. There he nursed his heroin addiction, which resulted in a career hiatus interrupted only by the Concert for Bangladesh in August 1971 (where he passed out on stage, was revived, and continued his performance). In January 1973, The Who's Pete Townshend organised a comeback concert for Clapton at London's Rainbow Theatre, aptly titled the "Rainbow Concert", to help Clapton kick his addiction. Clapton would return the favour by playing 'The Preacher' in Ken Russell's film version of The Who's ''Tommy'' in 1975; his appearance in the film (performing "Eyesight to the Blind") is notable as he is clearly wearing a fake beard in some shots, the result of deciding to shave off his real beard after the initial takes in an attempt to force the director to remove his earlier scene from the movie and leave the set.

In 1974, now partnered with Pattie (they would not actually marry until 1979) and no longer using heroin (although starting to drink heavily), Clapton put together a more low-key touring band that included Radle, Miami guitarist George Terry, keyboardist Dick Sims (who died in 2011 ), drummer Jamie Oldaker, and vocalists Yvonne Elliman and Marcy Levy (also known as Marcella Detroit). With this band Clapton recorded ''461 Ocean Boulevard'' (1974), an album with an emphasis on more compact songs and fewer guitar solos; the cover version of "I Shot The Sheriff" was Clapton's first #1 hit and was important in bringing reggae and the music of Bob Marley to a wider audience. The 1975 album ''There's One in Every Crowd'' continued this trend. The album's original title, ''The World's Greatest Guitar Player (There's One In Every Crowd)'', was changed before pressing, as it was felt its ironic intention would be misunderstood. The band toured the world and subsequently released the 1975 live LP, ''E.C. Was Here''. Clapton continued to release albums and toured regularly. Highlights of the period include ''No Reason to Cry'' (a collaboration with Bob Dylan and The Band); ''Slowhand'', which featured "Wonderful Tonight" (another song inspired by Boyd); and a second J.J. Cale cover, "Cocaine". In 1976 he performed, alongside a string of notable guests, to pay tribute to the farewell performance of The Band, filmed in a Martin Scorsese documentary called ''the Last Waltz''.

1980s[link]

In 1981 Clapton was invited by producer Martin Lewis to appear at the Amnesty International benefit ''The Secret Policeman's Other Ball''. Clapton accepted the invitation and teamed up with Jeff Beck to perform a series of duets—reportedly their first-ever billed stage collaboration. Three of the performances were released on the album of the show, and one of the songs was featured in the film. The performances heralded a return to form and prominence for Clapton in the new decade. Many factors had influenced Clapton's comeback, including his "deepening commitment to Christianity", to which he had converted prior to his heroin addiction.

After an embarrassing fishing incident, Clapton finally called his manager and admitted he was an alcoholic. In January 1982 Roger and Clapton flew to Minneapolis – St. Paul; Clapton would be checked in at Hazelden Treatment Center, located in Center City, Minnesota. On the flight over, Clapton indulged in a large number of drinks, for fear he would never be able to drink again. Clapton is quoted as saying from his autobiography, "In the lowest moments of my life, the only reason I didn't commit suicide was that I knew I wouldn't be able to drink any more if I was dead. It was the only thing I thought was worth living for, and the idea that people were about to try and remove me from alcohol was so terrible that I drank and drank and drank, and they had to practically carry me into the clinic."

After being discharged, it was recommended by doctors of Hazelden that Clapton not partake in any activities that would act as triggers for his alcoholism or stress, until he was fully situated back at Hurtwood. A few months after his discharge, Clapton began working on his next album, against the Hazelden doctors' orders. Working with Tom Dowd, Clapton produced what he thought as his "most forced" album to date, ''Money and Cigarettes''.

In 1984 he performed on Pink Floyd member Roger Waters' solo album, ''The Pros and Cons of Hitch Hiking'', and went on tour with Waters following the release of the album. Since then Waters and Clapton have had a close relationship. In 2005 they performed together for the Tsunami Relief Fund. In 2006 they performed at the Highclere Castle, in aid of the Countryside Alliance, playing two set pieces of "Wish You Were Here" and "Comfortably Numb". Clapton, now a seasoned charity performer, played at the Live Aid concert on 13 July 1985. When offered a slot close to peak viewing hours, he was apparently flattered. As Clapton recovered from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's ''Behind the Sun'', which produced the hits "Forever Man" and "She's Waiting", and 1986's ''August''.

''August'' was suffused with Collins's trademark drum and horn sound, and became Clapton's biggest seller in the UK to date, matching his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was featured in the Tom Cruise – Paul Newman movie ''The Color of Money.'' The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the unimpressed "Miss You" echoed Clapton's angry sound. This rebound kicked off Clapton's two-year period of touring with Collins and their ''August'' collaborates, bassist Nathan East and keyboard player/songwriter Greg Phillinganes. While on tour for ''August'', two concert videos were recorded of the four-man band, ''Eric Clapton Live from Montreux'' and ''Eric Clapton and Friends''. Clapton later remade "After Midnight" as a single and a promotional track for the Michelob beer brand, which had also marketed earlier songs by Collins and Steve Winwood. Clapton won a British Academy Television Award for his collaboration with Michael Kamen on the score for the 1985 BBC Television thriller serial ''Edge of Darkness''. In 1989, Clapton released ''Journeyman'', an album which covered a wide range of styles including blues, jazz, soul and pop. Collaborators included George Harrison, Phil Collins, Daryl Hall, Chaka Khan, Mick Jones, David Sanborn and Robert Cray.

In 1984, while still married to Pattie Boyd, Clapton began a year-long relationship with Yvonne Kelly. The two had a daughter, Ruth, who was born in January 1985, but her existence was kept a secret by her parents. She was not publicly revealed as his child until 1991. Boyd criticised Clapton because he had not revealed the child's existence.

At the 1987 Brit Awards in London, Clapton picked up the prize for Outstanding Contribution to Music. Hurricane Hugo hit Montserrat in 1989, and this resulted in the closure of Sir George Martin and John Burgess's recording studio AIR Montserrat, where Kelly was Managing Director. Kelly and Ruth moved back to England, and stories about Eric's secret daughter began as a result of newspaper articles published at the time. Clapton and Boyd divorced in 1988 following his affair with Italian model Lory Del Santo, who gave birth to their son, Conor, on 1986. Boyd was never able to conceive children, despite attempts at in vitro fertilisation. Their divorce was granted on grounds of "infidelity and unreasonable behaviour."

Clapton was known to date a host of beautiful women, including Krissy Wood (ex-wife of Ron Wood), actress Charlotte Martin, socialite Alice Ormsby-Gore, Paula Boyd (the younger sister of his future wife Pattie), singer Janis Joplin, singer Marianne Faithfull, rock muses Catherine James, Cyrinda Fox, and Geraldine Edwards, the inspiration for Penny Lane in ''Almost Famous'', singer Rosanne Cash, the First Lady of France and former model Carla Bruni, and actresses Patsy Kensit, Sharon Stone, and Alicia Witt.

1990s[link]

The 1990s brought a series of 32 concerts to the Royal Albert Hall, such as the 24 Nights series of concerts that took place around January through February 1990, and February through March 1991. On 1990, fellow blues guitarist Stevie Ray Vaughan, who was touring with Clapton, and three members of their road crew were killed in a helicopter crash between concerts. Then, on 1991, Clapton's four-year-old son, Conor, died after falling from the 53rd-floor window of his mother's friend's New York City apartment at 117 East 57th Street. He landed on the roof of an adjacent four-story building. Clapton's grief was expressed in the song "Tears in Heaven", which was co-written by Will Jennings. At the 35th Grammy Awards, Clapton received six Grammy Awards for the single "Tears in Heaven" and his ''Unplugged'' album. The album reached number one on the ''Billboard'' 200, and has since been certified Diamond by the RIAA for selling over 10 million copies in the United States. On 9 September 1992, Clapton performed "Tears in Heaven" at the 1992 MTV Video Music Awards in Los Angeles, and won the award for Best Male Video.

In October 1992 Clapton was among the dozens of artists performing at Bob Dylan's 30th Anniversary Concert Celebration. Recorded at Madison Square Garden in New York City, the live two-disk CD/DVD captured a show full of celebrities performing classic Dylan songs, before ending with a few performances from Dylan himself. Despite the presence of 10 other guitarists on stage, including George Harrison, Neil Young, Roger McGuinn, Steve Cropper, Tom Petty, and Dylan, Clapton played the lead on a nearly 7-minute version of Dylan's "Knockin' on Heaven's Door" as part of the finale.

While ''Unplugged'' featured Clapton playing acoustic guitar, his 1994 album ''From the Cradle'' contained new versions of old blues standards, highlighted by his electric guitar playing. Clapton's 1996 recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie ''Phenomenon'') won the Grammy Award for Song of the Year in 1997, the same year he recorded ''Retail Therapy'' (an album of electronic music with Simon Climie under the pseudonym TDF). The following year, Clapton released the album ''Pilgrim'', the first record featuring new material for almost a decade. Clapton finished the twentieth century with collaborations with Carlos Santana and B. B. King.

In 1996 Clapton had a relationship with singer/songwriter Sheryl Crow. They remain friends, and Clapton appeared as a guest on Crow's Central Park Concert. The duo performed a Cream hit single, "White Room". Later, Clapton and Crow performed an alternate version of "Tulsa Time" with other guitar legends at the Crossroads Guitar Festival in June 2007.

In 1998 Clapton, then 53, met 22-year-old administrative assistant Melia McEnery in Columbus, Ohio, at a party given for him after a performance. He quietly dated her for a year, and went public with the relationship in 1999. They married on 2002 at St Mary Magdalene church in Clapton's birthplace, Ripley. As of 2005 they have three daughters, Julie Rose ( 2001), Ella May ( 2003), and Sophie Belle ( 2005).

At the 41st Grammy Awards on 24 February 1999, Clapton received his third Grammy Award for Best Male Pop Vocal Performance, for his song "My Father's Eyes". In October 1999, the compilation album, ''Clapton Chronicles: The Best of Eric Clapton'', was released, which contained a new song, "Blue Eyes Blue", that also appears in soundtrack for the film, ''Runaway Bride''.

2000s[link]

Following the release of the 2001 record ''Reptile'', Eric performed "Layla" and "While My Guitar Gently Weeps" at the Party at the Palace in 2002. On 29 November of that year the Concert for George was held at the Royal Albert Hall, a tribute to George Harrison, who had died a year earlier of cancer. Clapton was a performer and the musical director. The concert featured Paul McCartney, Ringo Starr, Jeff Lynne, Tom Petty and the Heartbreakers, Ravi Shankar, Gary Brooker, Billy Preston, Joe Brown and Dhani Harrison. In 2004, Clapton released two albums of covers of songs by legendary bluesman Robert Johnson, ''Me and Mr. Johnson'' and ''Sessions for Robert J''. The same year, ''Rolling Stone'' ranked Clapton #53 on their list of the "100 Greatest Artists of All Time".

On 22 January 2005, Clapton performed in the Tsunami Relief Concert held at the Millennium Stadium in Cardiff, in aid of the victims of the 2004 Indian Ocean earthquake. In May 2005 Eric Clapton, Jack Bruce, and Ginger Baker reunited as Cream for a series of concerts at the Royal Albert Hall in London. Concert recordings were released on CD and DVD. Later, Cream performed in New York at Madison Square Garden. ''Back Home'', Clapton's first album of new original material in nearly five years, was released on Reprise Records on . In 2006 he invited Derek Trucks and Doyle Bramhall II to join his band for his 2006–2007 world tour. Trucks is the third member of the Allman Brothers Band to tour supporting Clapton, the second being pianist/keyboardist Chuck Leavell, who appeared on the ''MTV Unplugged'' album and the ''24 Nights'' performances at the Royal Albert Hall theatre of London in 1990 and 1991, as well as Clapton's 1992 U.S. tour.

On 20 May 2006, Clapton performed with Queen drummer Roger Taylor and former Pink Floyd bassist/songwriter Roger Waters at the Highclere Castle, Hampshire, in support of the Countryside Alliance. On 2006, Clapton made a guest appearance at the Bob Dylan concert in Columbus, Ohio, playing guitar on three songs in Jimmie Vaughan's opening act. A collaboration with guitarist J. J. Cale, titled ''The Road to Escondido'', was released on 2006, featuring Derek Trucks and Billy Preston. The 14-track CD was produced and recorded by the duo in August 2005 in California. The chemistry between Trucks and Clapton convinced him to invite The Derek Trucks Band to open for Clapton's set at his 2007 Crossroads Guitar Festival. Trucks remained on set afterward, performed with Clapton's band throughout his performances, and later embarked on a world tour with him.

The rights to Clapton's official memoirs, written by Christopher Simon Sykes and published in 2007, were sold at the 2005 Frankfurt Book Fair for .

On 26 February 2008, it was reported that North Korean officials had invited Clapton to play a concert in the communist state. Clapton's management received the invitation and passed it on to the singer, who agreed in principle and suggested it take place sometime in 2009. Kristen Foster, a spokesperson, said, "Eric Clapton receives numerous offers to play in countries around the world," and "[t]here is no agreement whatsoever for him to play in North Korea."

In 2007 Clapton learned more about his father, a Canadian soldier who left the UK after the war. Although Clapton's grandparents eventually told him the truth about his parentage, he only knew that his father's name was Edward Fryer. This was a source of disquiet for Clapton, as witnessed by his 1998 song "My Father's Eyes". A Montreal journalist named Michael Woloschuk researched Canadian Armed Forces service records and tracked down members of Fryer's family, and finally pieced together the story. He learned that Clapton's father was Edward Walter Fryer, born 1920, in Montreal and died in Newmarket, Ontario. Fryer was a musician (piano and saxophone) and a lifelong drifter who was married several times, had several children, and apparently never knew that he was the father of Eric Clapton. Clapton thanked Woloschuk in an encounter at Macdonald Cartier Airport, in Ottawa, Canada.

In February 2008 Clapton performed with his long-time friend Steve Winwood at Madison Square Garden and guested on his recorded single, "Dirty City", on Winwood's album ''Nine Lives''. The two former Blind Faith bandmates met again for a series of 14 concerts throughout the United States in June 2009.

Clapton's 2008 Summer Tour began on at the Ford Amphitheatre, Tampa Bay, Florida, and then moved to Canada, Ireland, England, Norway, Iceland, Denmark, Poland, Germany, and Monaco. On 2008, he headlined Saturday night for Hard Rock Calling 2008 in London's Hyde Park (previously Hyde Park Calling) with support from Sheryl Crow and John Mayer. In September 2008 Clapton performed at a private charity fundraiser for The Countryside Alliance at Floridita in Soho, London, that included such guests as the London Mayor Boris Johnson.

In March 2009, the Allman Brothers Band (amongst many notable guests) celebrated their 40th year, dedicating their string of concerts to the late Duane Allman on their annual run at the Beacon Theatre. Eric Clapton was one of the performers, with drummer Butch Trucks remarking that the performance was not the typical Allman Brothers experience, given the number and musical styles of the guests who were invited to perform. Songs like "In Memory of Elizabeth Reed" were punctuated with others, including "The Weight", with Levon Helm; Johnny Winter sitting in on Hendrix's "Red House"; and "Layla". On 2009 Clapton appeared as a featured guest at the Royal Albert Hall, playing "Further on Up the Road" with Joe Bonamassa.

Clapton was scheduled to be one of the performers at the Rock and Roll Hall of Fame's 25th anniversary concert in Madison Square Garden on 2009, but cancelled due to gallstone surgery. Van Morrison (who also cancelled) said in an interview that he and Clapton were to do a "couple of songs", but that they would do something else together at "some other stage of the game".

2010s[link]

Clapton performed a two-night show with Jeff Beck at London's O2 Arena on 2010. The two former Yardbirds extended their 2010 tour with stops at Madison Square Garden, the Air Canada Centre in Toronto, and the Bell Centre in Montreal. Clapton performed a series of concerts in 11 cities throughout the United States from to 2010, including Roger Daltrey as opening act. His third European tour with Steve Winwood began on and ended , including Tom Norris as opening act. He then began a short North American tour lasting from to , starting with his third Crossroads Guitar Festival on at Toyota Park in Bridgeview, Illinois. Clapton released a new studio album, ''Clapton'', on 2010 in the United Kingdom and 28 September 2010 in the United States. On 2010, Clapton performed as guest on the Prince's Trust rock gala held at the Royal Albert Hall, supported by the house band for the evening, which included Jools Holland, Midge Ure and Mark King.

On 24 June 2011 Clapton was in concert with Pino Daniele in Cava de' Tirreni stadium, Italy, with an audience of 15,000 people before performing a series of concerts in South America from 6 to 16 October 2011. He spent the November and December 2011 touring Japan with Steve Winwood, playing 13 shows in various cities throughout the country. On 24 February 2012 Clapton, Keith Richards, Gary Clark Jr., Derek Trucks, Doyle Bramhall II, Kim Wilson and other artists performed together in the Howlin' For Hubert Tribute concert held at the Apollo Theater of NYC honoring blues guitarist Hubert Sumlin who died at age 80 in 4 December.

Influences[link]

Clapton cites Freddie King, B.B. King, Albert King, Buddy Guy, and Hubert Sumlin as guitar playing influences. Robert Johnson has influenced Clapton most profoundly. In 2004 Clapton released CDs and DVDs entitled ''Sessions for Robert Johnson'', featuring Clapton covering Robert Johnson songs using electric and acoustic guitars.

Clapton co-authored with others the book ''Discovering Robert Johnson'', in which Clapton said Johnson was

"...the most important blues musician who ever lived. He was true, absolutely, to his own vision, and as deep as I have gotten into the music over the last 30 years, I have never found anything more deeply soulful than Robert Johnson. His music remains the most powerful cry that I think you can find in the human voice, really. ... it seemed to echo something I had always felt."

Legacy[link]

Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. He ranked second in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" and fourth in ''Gibson's'' ''Top 50 Guitarists of All Time.''

Guitarists influenced by Clapton include Richie Sambora, Stevie Ray Vaughan, Gary Moore, Duane Allman, Derek Trucks, Eddie Van Halen, Brian May, Tony Iommi, Lenny Kravitz, Slash, Orianthi, Brad Paisley, Jonny Buckland, Joe Don Rooney, Alex Lifeson, Jonny Lang, John Mayer, Joe Satriani, Joe Bonamassa, Davy Knowles, and George Harrison.

Guitars[link]

Clapton's choice of electric guitars has been as notable as the man himself; alongside Hank Marvin, The Beatles and Jimi Hendrix, Clapton exerted a crucial and widespread influence in popularising particular models of electric guitar. With the Yardbirds, Clapton played a Fender Telecaster, a Fender Jazzmaster, a double-cutaway Gretsch 6120, and a 1964 Cherry-Red Gibson ES-335. He became exclusively a Gibson player for a period beginning in mid-1965, when he purchased a used sunburst Gibson Les Paul guitar from a guitar store in London. Clapton commented on the slim profile of the neck, which would indicate it was a 1960 model.

Early during his stint in Cream, Clapton's first Les Paul Standard was stolen. He continued to play Les Pauls exclusively with Cream (one bought from Andy Summers was almost identical to the stolen guitar) until 1967, when he acquired his most famous guitar in this period, a 1964 Gibson SG. Just before Cream's first U.S. appearance in 1967, Clapton's SG, Bruce's Fender VI, and Baker's drum head were all repainted in psychedelic designs created by the visual art collective known as The Fool. In 1968 Clapton bought a Gibson Firebird and started using the 1964 Cherry-Red Gibson ES-335 again. The aforementioned 1964 ES-335 had a storied career. Clapton used it at the last Cream show in November 1968 as well as with Blind Faith, played it sparingly for slide pieces in the 1970s, used it on "Hard Times" from ''Journeyman'', the Hyde Park live concert of 1996, and the ''From the Cradle'' sessions and tour of 1994–95. It was sold for US$847,500 at a 2004 auction. Gibson produced a limited run of 250 "Crossroads 335" replicas. The 335 was only the second electric guitar Clapton bought.

In July 1968 Clapton gave George Harrison a 1957 'goldtop' Gibson Les Paul that been refinished with a red colour. The following September, Clapton played the guitar on the Beatles' studio recording of "While My Guitar Gently Weeps". His SG found its way into the hands of George Harrison's friend Jackie Lomax, who subsequently sold it to musician Todd Rundgren for US$500 in 1972. Rundgren restored the guitar and nicknamed it "Sunny", after "Sunshine of Your Love". He retained it until 2000, when he sold it at an auction for US$150,000. At the 1969 Blind Faith concert in Hyde Park, London Clapton played a Fender Custom Telecaster, which was fitted with "Brownie"s neck.

In late 1969 Clapton made the switch to the Fender Stratocaster. "I had a lot of influences when I took up the Strat. First there was Buddy Holly, and Buddy Guy. Hank Marvin was the first well known person over here in England who was using one, but that wasn't really my kind of music. Steve Winwood had so much credibility, and when he started playing one, I thought, oh, if he can do it, I can do it." The first—used during the recording of ''Eric Clapton''—was "Brownie", which in 1974 became the backup to the most famous of all Clapton's guitars, "Blackie". In November 1970 Eric bought six Fender Stratocasters from the Sho-bud guitar shop in Nashville, Tennessee while on tour with the Dominos. He gave one each to George Harrison, Steve Winwood, and Pete Townshend.

Clapton assembled the best components of the remaining three to create "Blackie", which was his favourite stage guitar until its retirement in 1985. It was first played live 1973 at the Rainbow Concert. Clapton called the 1956/57 Strat a "mongrel". On 2004, Clapton sold "Blackie" at Christie's Auction House, New York, for US$959,500 to raise funds for his Crossroads Centre for drug and alcohol addictions. "Brownie" is now on display at the Experience Music Project. The Fender Custom Shop has since produced a limited run of 275 'Blackie' replicas, correct in every detail right down to the 'Duck Brothers' flight case, and artificially aged using Fender's 'Relic' process to simulate years of hard wear. One was presented to Eric upon the model's release and was used for three numbers during a concert at the Royal Albert Hall on 2006.

In 1981 Clapton gave his signed Fender Lead II guitar to the Hard Rock Cafe to designate his favourite bar stool. Pete Townshend also donated his own Gibson Les Paul guitar, with a note attached: "Mine's as good as his! Love, Pete."

In 1988 Fender honoured Clapton with the introduction of his signature Eric Clapton Stratocaster. These were the first two artist models in the Stratocaster range. Since then, the artist series has grown to include models inspired by Clapton's contemporaries such as Rory Gallagher, Mark Knopfler, Jeff Beck, and Stevie Ray Vaughan, and by those who have influenced him, such as Buddy Guy. Clapton uses Ernie Ball Slinky and Super Slinky strings, gauge .10 to.46. Clapton has been honoured with several signature-model 000-sized acoustic guitars made by the American firm of C.F. Martin & Company. The first, of these, introduced in 1995, was a limited edition 000-42EC Eric Clapton signature model with a production run of 461. As of December 2007, Martin had produced seven EC signature models. His 1939 000-42 Martin that he played on the ''Unplugged'' album sold for US$791,500 at auction. Clapton plays a custom 000-ECHF Martin these days.

In 1999, Clapton auctioned off some of his guitar collection to raise more than US$5 million for continuing support of the Crossroads Centre in Antigua, which he founded in 1997. The Crossroads Centre is a treatment base for addictive disorders such as drugs and alcohol. In 2004 Clapton organised and participated in the Crossroads Guitar Festival to benefit the Centre. A second guitar auction, including the "Cream" of Clapton's collection – as well as guitars donated by famous friends – was held on 2004. His Lowden acoustic guitar sold for US$41,825. The revenue garnered by this auction at Christie's was US$7,438,624.

In 2010 Eric Clapton announced that he would be auctioning off over 150 items at a New York auction in 2011. Proceeds will benefit his Crossroads Centre in Antigua. Items include Clapton's guitar from the Cream reunion tour in 2005, speaker cabinets used in the early 1970s from his days with Derek and the Dominoes, and some guitars from Jeff Beck, J.J. Cale, and Joe Bonamassa. In March 2011 Clapton raised more than US$2.15 million when he auctioned off key items, including a 1984 Gibson hollow body guitar, a Gianni Versace suit from his 1990 concert at the Royal Albert Hall, and a replica of the famous Fender Stratocaster known as "Blackie", which fetched more than $30,000. All proceeds from the auction were donated to Clapton's Crossroads drug and rehabilitation centre in Antigua.

The "woman tone" is the informal term used by Clapton to refer to his distinctive mid- to late-1960s electric guitar sound, created using his Gibson SG solid body guitar (with Humbucker pick-ups) and a Marshall tube amplifier. It is an overdriven sound that is articulate yet thick. It is characterised by being quite distorted (or even achieved with a fuzz) but muted, in contrast to the bright and twangy distortion that most guitarists were using at the time. Many players have tried to duplicate it, usually without success, in part because Clapton's playing technique had a lot to do with the tone.

Among the techniques used to replicate Clapton's sound is a technique by which the amplifier's volume is turned up to full, while the guitar's tone knob is turned down to zero or one.

Perhaps the best example of the "woman tone" is Clapton's famous riff and solo from Cream's 1967 hit "Sunshine of Your Love". Clapton has explained that he obtained the tone with his Gibson's tone control rolled all the way down, switching to the neck pick-up (closest to the fretboard) and the volume all the way up, with his distortion turned all the way up. The treble, mids and bass controls on the amplifier were also maxed out. Some versions of the "woman tone" may also have involved strategic positioning of Clapton's wah-wah pedal.

Other media appearances[link]

Clapton frequently appears as a guest on the albums of other musicians. For example, he is credited on Dire Straitss ''Brothers in Arms'' album, as he lent Mark Knopfler one of his guitars. He played lead guitar and synthesiser on ''The Pros and Cons of Hitch Hiking'', Roger Waters' debut solo album. Other media appearances include the Toots & the Maytals album ''True Love'', where he played guitar on the track "Pressure Drop". He can also be heard at the beginning of Frank Zappa's album, ''We're Only in It for the Money'', repeating the phrase, "Are you hung up?" over and over again. In 1985, Clapton appeared on the charity concert Live Aid in Philadelphia with Phil Collins, Tim Renwick, Chris Stainton, Jamie Oldaker, Marcy Levy, Shaun Murphy, and Donald 'Duck' Dunn. In 1988 he played with Dire Straits and Elton John at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium and the Prince's Trust rock gala at the Royal Albert Hall. On 1990, Dire Straits, Clapton, and Elton John made a guest appearance in the Nordoff-Robbins charity show held at Knebworth. In 1991 Clapton was featured on Richie Sambora's album, ''Stranger In This Town'', in a song dedicated to him, called "Mr. Bluesman". He contributed guitar and vocals to "Runaway Train", a duet with Elton John on the latter's ''The One'' album the following year.

On 12 September 1996 Clapton played a party for Armani at New York City's Lexington Armory with Greg Phillinganes, Nathan East, and Steve Gadd. Sheryl Crow appeared on one number, performing "Tearing Us Apart", a track from ''August'', which was first performed by Tina Turner during the Prince's Trust All-Star Rock show in 1986. It was Clapton's sole US appearance that year, following the open-air concert held at Hyde Park. The concert was taped and the footage was released both on VHS video cassette and later, on DVD.

Clapton was featured in the movie version of ''Tommy'', the first full length rock opera, written by The Who. The movie version gave Clapton a cameo appearance as The Preacher, performing Sonny Boy Williamson's song, "Eyesight to the Blind". He appeared in ''Blues Brothers 2000'' as one of the Louisiana Gator Boys. In addition to being in the band, he had a small speaking role. Clapton has appeared in an advertisement for the Mercedes-Benz G-Wagen. In March 2007 Clapton appeared in an advertisement for RealNetwork's Rhapsody online music service. In 2010 Clapton started appearing as a spokesman for T-Mobile, advertising their MyTouch Fender cell phone.

Eric Clapton was compared to God's image in the episode "Holy Crap!" of season two of ''That '70s Show'' when characters Eric Forman and Steven Hyde are asked by their minister to draw a picture of God.

Political views and advocacy[link]

Clapton is a supporter of the Countryside Alliance, he has played in concerts to raise funds for the organisation and he publicly opposed the Labour Party’s ban on fox hunting. A spokesperson for Clapton said, "Eric supports the Countryside Alliance. He doesn't hunt himself, but does enjoy rural pursuits such as fishing and shooting. He supports the Alliance's pursuit to scrap the ban on the basis that he doesn't agree with the state's interference with people's private pursuits."

In 2008, he donated a song to Aid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the 2004 Tsunami.

Controversy over remarks on immigration[link]

On 5 August 1976 Clapton provoked an uproar and lingering controversy when he spoke out against increasing immigration during a concert in Birmingham. Visibly intoxicated, Clapton voiced his support of controversial political candidate Enoch Powell, and announced on stage that Britain was in danger of becoming a "black colony". Clapton was quoted as saying, "I think Enoch's right ... we should send them all back. Throw the wogs out! Keep Britain white!" The latter phrase was at the time a British National Front slogan. Clapton continued:

"I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!"

This incident, along with some explicitly pro-fascism remarks made around the same time by David Bowie as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, which occurred on 1978.

In response to the comments, rock photographer Red Saunders and others published an open letter in ''NME'', ''Melody Maker'', ''Sounds'', and the ''Socialist Worker''. It read "Come on Eric... Own up. Half your music is black. You're rock music's biggest colonist". It concluded, "P.S. Who shot the Sheriff, Eric? It sure as hell wasn't you!"

In an interview from October 1976 with ''Sounds'' magazine, Clapton remarked, "I thought it was quite funny actually. I don't know much about politics. I don't even know if it would be good or bad for him to get in. I don't even know who the Prime Minister is now. I just don't know what came over me that night. It must have been something that happened in the day but it came out in this garbled thing... I thought the whole thing was like Monty Python. There's this rock group playing on-stage and the singer starts talking about politics. It's so stupid. Those people who paid their money sittin' listening to this madman dribbling on and the band meanwhile getting fidgety thinking 'oh dear'."

In a 2004 interview with ''Uncut'', Clapton referred to Powell as "outrageously brave", and stated that his "feeling about this has not changed", because the UK is still "... inviting people in as cheap labour and then putting them in ghettos." In 2004 Clapton told an interviewer for ''Scotland on Sunday'', "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict ... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist ... Since then, I have learnt to keep my opinions to myself. Of course, it might also have had something to do with the fact that Pattie had just been leered at by a member of the Saudi royal family." In a December 2007 interview with Melvyn Bragg on ''The South Bank Show'', Clapton reiterated his support for Enoch Powell and again denied that Powell's views were "racist".

Wealth and assets[link]

In 2009 ''Surrey Life Magazine'' ranked Eric Clapton as number 17 in their list of richest Surrey residents, estimating Clapton's fortune at £120 million in assets. This was a compilation of property and income which include a £9 million yacht, "Va Bene" (previously owned by Bernie Ecclestone), his back music catalogue, his touring income, and his Marshbrook holding company, which had earned him £110 million since 1989. In 2003, he purchased a 50 per cent share of gentleman's outfitters Cordings Piccadilly. At the time, owner Noll Uloth was trying to save the shop from closure and thought 'I will go and talk to my best client". He is reported to have contacted Eric and within five minutes he had a reply saying 'I can't let this happen." |- |align=center|1985 | Presented with BAFTA for Best Original Television Music for Score of ''Edge of Darkness'' with Michael Kamen. |- |align=center|1993 | "Tears In Heaven" won three Grammy awards for Song of the Year, Record of the Year, and Male Pop Vocal Performance. Clapton also won Album of the Year and Best Rock Vocal Performance for ''Unplugged'' and Best Rock Song for "Layla". |- |align=center|1994 | Awarded the OBE for services to music. |- | align=center|2000 | Inducted into the Rock and Roll Hall of Fame for the third time, this time as a solo artist. He was earlier inducted as a member of the bands Cream and The Yardbirds. |- |align=center|2004 | Promoted to CBE, receiving the award from the Princess Royal at Buckingham Palace as part of the New Year's Honours list. |- |align=center|2006 |

Awarded the Grammy Lifetime Achievement Award (as a member of Cream)

|}

Football[link]

In 1982 he performed a concert before West Bromwich Albion player John Wile's testimonial game at the Hawthorns, and it is often reported by various sources that Clapton is an Albion supporter. Credence for this notion can be taken from the cover pictures to the "Backless" solo album, where he is seen on the front cover to be wearing a football scarf; the rear cover photograph reveals the slogan "ALBION" on the scarf. It has been reported that the club rejected his offer to invest cash in the club around this time, and that he has since expressed more of an interest in Chelsea.

Clapton's music in film and TV[link]

''Mean Streets'' (1973) – "I Looked Away"

''Private Lessons (1981 film)'' ''(1981) – Next Time You See Her''

''Purple Haze ''(1983) – "I Feel Free"

''The Hit'' (1984) – Score

''Miami Vice'' (1984–1989) – Four songs over the course of the show's five seasons: "Wonderful Tonight", "Knock On Wood", "She's Waiting", and "Layla"

''Back to the Future'' (1985) – "Heaven Is One Step Away"

''Edge of Darkness'' (1985) – Soundtrack

''The Color of Money'' (1986) – "It's In The Way That You Use It"

''SpaceCamp'' (1986 film) – "Forever Man" plays when Tate Donovan's character arrives at the Space Camp

The German car manufacturer Opel and Vauxhall in the UK used the guitar riff of Clapton's "Layla" in its advertising campaign throughout in 1987–95.

''Lethal Weapon'' (1987) – Soundtrack with Michael Kamen

''Lethal Weapon 2'' (1989) – "Knockin' On Heaven's Door"

''Goodfellas'' (1990) – "Layla" and "Sunshine of Your Love"

''Rush'' (1991) – Clapton wrote the score

''Wayne's World'' (1992) – "Loving your Loving"

''Peter's Friends'' (1992) – "Give Me Strength"

''Lethal Weapon 3'' (1992) – Clapton contributed to the score and co-wrote and co-performed the song "It's Probably Me" with Sting and "Runaway Train" with Elton John.

''True Lies'' (1994) – "Sunshine of Your Love"

''The Simpsons'' episode "Mother Simpson" (1995) – "Sunshine of Your Love"

''Twister'' (1996) – "Motherless Child"

''Phenomenon'' (1996) – "Change the World"

''The Van'' (1996) – Soundtrack

''Happy Gilmore'' (1996) – "Wonderful Tonight"

''Patch Adams'' (1998) – "Let It Rain"

''Lethal Weapon 4'' (1998) – "Pilgrim"

''City of Angels'' (1998) – "Further On Up The Road"

''Buffy the Vampire Slayer'' episodes "Band Candy" and "Forever" (1998) – "Tales of Brave Ulysses"

''Runaway Bride'' (1999) – "Blue Eyes Blue"

''The Story of Us'' (1999) – "(I) Get Lost" (featured multiple times)

''Friends'' episode "The One with the Proposal, Part 2" (2000) – "Wonderful Tonight"

''Dancing At The Blue Iguana'' (2000) – "River of Tears"

''A Knight's Tale'' (2001) – "Further On Up The Road"

''Blow'' (2001) – "Strange Brew"

''Friends'' episode "The One Where Rachel Has a Baby, Part Two" (2002) – "River of Tears"

''Futurama'' episode "The 30% Iron Chef" (2002) – "Sunshine of Your Love"

''The Sopranos'' episode "Whitecaps" (2002) – Tony Soprano is seen listening to "Layla" in his Suburban.

''School Of Rock'' (2003) – "Sunshine of Your Love"

''Starsky & Hutch'' (2004) – "Cocaine"

''Anger Management'' (2004) – "Strange Brew"

''Fahrenheit 9/11'' (2004) – "Cocaine"

''Bad News Bears'' (2005) – "Cocaine"

''Lords of Dogtown'' (2005) – "Strange Brew"

''Lord of War'' (2005) – "Cocaine"

''United States of Tara'' episode – "Cocaine"

''Community'' episode – "Layla"

''The Good Guys'' Episode Silvio's Way – "Layla"

''Due Date'' (2010) – "White Room"

''Shameless (U.S. TV series)'' (2011) – "White Room"

Discography[link]

References[link]

Further reading[link]

On Eric Clapton's career:

* Robin Bextor, ''Eric Clapton: Now & Then'', Carlton Books, 2006, 144 pp.

* Eric Clapton, ''Clapton, The Autobiography'', 2007 and 2008, Broadway Books, 352 pp. / Arrow, 400 pages / Century, 384 pp.

* Eric Clapton, Derek Taylor and Peter Blake, ''24 Nights'', Genesis Publications, 2 volumes, 1992, 198 and 64 pp. Eric Clapton's signed limited edition books, in a Solander box with 2 live CD

* Ray Coleman, ''Clapton!: The Authorized Biography'', Warner Books, 368 pp, or Futura, 336 pages, 1986; originally publ. as "Survivor: The Authorized Biography", Sidgwick & Jackson, 1985, 300 pp.

* Geoffrey Giuliano, Brenda Giuliano and Deborah Lynn Black, ''The Illustrated Eric Clapton'', Sunburst Books, 1994, 96 pp.

* George Harrison, Eric Clapton & al, ''Live in Japan: A celebration of George Harrison’s ‘Rock Legends’ Tour with Eric Clapton Band'', Genesis Publications, 1993, 274 pp. George Harrison's signed limited black leather edition book, in a box with 2 live CD.

* Christopher Hjort w/ a foreword by John Mayall, ''Strange brew: Eric Clapton and the British Blues Boom, 1965–1970'', Jawbone, 2007, 352 pp.

* John Pidgeon, ''Eric Clapton: A Biography'', Panther, 1976, ... pages; rev. & upd. Vermilion, 1985 or 1987, 123 pp.

* Marc Roberty, ''Eric Clapton: The Complete Recording Sessions 1963–1992'', Blandford or St. Martin’s Press, 1993, 192 pp.

* Marc Roberty, ''Slowhand: The Life & Music of Eric Clapton'', Octopus or Harmony, 1991, 176 pp; upd. ed. Crown, 1993, 192 pp.

* Marc Roberty, ''Eric Clapton in His Own Words'', Omnibus Press, 1993, 96 pp.

* Marc Roberty, ''Eric Clapton: The New Visual Documentary'', Omnibus Press, 1990, 128 pp.; rev. ed., 1994, ...pp.; originally publ. as ''Eric Clapton: A Visual Documentary, 1986, ... pp.

* Marc Roberty, ''Clapton: The Complete Chronicle'', Pyramid, 1991, 176 pp. / Mitchell Beazley 1993, 192 pp.

* Marc Roberty, ''Eric Clapton: The Man, the Music and the Memorabilia'', Paper Tiger-Dragon’s World, 1994, 226 pp.

* Marc Roberty, ''The Complete Guide to the Music of Eric Clapton'', Omnibus Press, 1995, 152 pp. CD format; rev. ed., 2005, 128 pp.

* Marc Roberty, ''Eric Clapton'', CD Books, Orion, 1994, ...pp or MBS (Miami), 1996, 120 pp. CD format

* Marc Roberty and Chris Welch, ''Eric Clapton: The Illustrated Disco/Biography'', Omnibus Press, 1984, 80 pp. or Beekman (New York), 1990, ...pp.

* Christopher Sandford, ''Clapton: Edge of Darkness'', Victor Gollancz, 1994, 322 pp.

* Michael Schumacher, ''Crossroads: The Life and Music of Eric Clapton'', Hyperion, 1995, 388 pp.; rev. ed, Time Warner p'backs, 1998, 411 pp.; new ed. titled ''Eric Clapton'', Sphere, 2008, 432 pp.

* Harry Shapiro, ''Eric Clapton: Lost in The Blues'', Guinness Books or Muze, 1992, 256 pp.; rev. ed. Da Capo press, 1193, 225 pp.; originally publ. as ''Slowhand: The Story of Eric Clapton'', Proteus Books, 1985, 160 pp.

* Dave Thompson, ''Cream: The World's First Supergroup'', Virgin Books, 2005, 256 pp.; rev., upd. & illustr. ed. titled ''Cream: How Eric Clapton Took the World By Storm'', 2006, 320 pp.

* Steve Turner, ''Conversations with Eric Clapton'', London: Abacus, 1976, 116 pp.

* Fred Weiler, ''Eric Clapton'', Smithmark-Penguin or Bison Books, 1992, ... pp.

* Chris Welch, ''Cream: Stange Brew'', Castle Communications or Sanctuary or Penguin, 1994, 176 pp.; Backbeat Books, 2000, 192 pp.

''About Clapton's playing and sound'':

External links[link]

Eric Clapton and Steve Winwood at Bucharest (review)

An Interview with Eric Clapton guitar technician Lee Dickson

Article on Bluesbreakers Les Paul

Gibson article on obtaining the "Woman Tone"

Review: Eric Clapton at Floridita

Eric Clapton FAQ

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Name	Jimi Hendrix
Background	solo_singer
Birth name	Johnny Allen Hendrix
Birth date	November 27, 1942
Birth place	Seattle, Washington, US
Death date	September 18, 1970
Death place	Kensington, London, England
Instrument	Guitar, vocals, bass, keyboards, percussion
Genre	Psychedelic rock, hard rock, heavy metal, blues rock, acid rock
Occupation	Singer-songwriter, musician, producer, recording studio entrepreneur
Years active	1963–1970
Label	RSVP, Track, Barclay, Polydor, Repsrise, Capitol, MCA
Associated acts	Little Richard, The Isley Brothers, The Blue Flame, The Jimi Hendrix Experience, Gypsy Sun and Rainbows, Band of Gypsys, Curtis Knight
Website	www.jimihendrix.com
Notable instruments	Fender Stratocaster }}

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician and singer-songwriter. Though he was in the "spotlight" for only three years before his death, he is still widely considered to be the greatest electric guitarist in music history, and one of the most influential musicians of his era. After initial success in Europe with his group The Jimi Hendrix Experience, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback.

Hendrix, as well as his friend Eric Clapton, popularized use of the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated sense of pitch in his solos, particularly with high bends, complex guitar playing, and use of legato. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording. Hendrix was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery. Hendrix began dressing and wearing a moustache like Little Richard when he performed and recorded in his band from March 1, 1964 through to the spring of 1965. In 1966, Hendrix stated, "I want to do with my guitar what Little Richard does with his voice".

Hendrix won many prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage blue plaque was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame was dedicated in 1994. In 2006, his debut US album, ''Are You Experienced'', was inducted into the United States National Recording Registry, and ''Rolling Stone'' named Hendrix the top guitarist on its list of the 100 greatest guitarists of all-time in 2003.

Early life [link]

He was born Johnny Allen Hendrix on November 27, 1942, in Seattle, Washington, the first of five children to James Allen "Al" Hendrix (June 10, 1919, Vancouver, British Columbia – April 17, 2002, Renton, Washington) and Lucille Jeter (October 12, 1925, Seattle, Washington – February 2, 1958, Renton, Washington).

Hendrix's ancestry was of mixed African American, European, and Native American origin. His paternal great grandfather was Bertran Philander Ross, a wealthy white grain dealer from Urbana, Ohio, who was of Irish, German, and English descent. Out of wedlock, Bertran Philander Ross and his slave Fanny Hendricks produced Jimi's paternal grandfather Ross Hendricks (Hendrix). Jimi Hendrix was part Cherokee, his paternal great-great grandmother being a Cherokee from Georgia. His parents met at a dance in Seattle in 1941 when Lucille Jeter was 16. When she married Al Hendrix the next year, on March 13, 1942, she was pregnant. Since Al had been drafted into the United States Army due to World War II, he was shipped out three days later. Al Hendrix completed his basic training at Fort Sill, Oklahoma, but was stationed in Alabama when his son was born. Because the commanding officer believed that he would go AWOL to Seattle in order to visit his new son, he was locked up in the stockade as a preventative measure, where he remained to receive the telegram informing him of his son's birth. The baby that would grow up to become the guitarist Jimi Hendrix was born to a father who had six fingers on each hand. Al Hendrix spent the war in the South Pacific Theater mostly in Fiji. During the three years that he was away, Lucille struggled with raising her infant son who was neglected in favor of the nightlife scene. Thus Hendrix was mostly cared for by family members and others during this period.

His father received an honorable discharge from the U.S. Army on September 1, 1945, and retrieved his son from a woman who was caring for him in Berkeley. Al legally changed his son’s name to James Marshall Hendrix in memory of his late brother, Leon Marshall Hendrix. He was known as "Buster" to friends and family, from birth. After his return, Al reunited with Lucille. He found it difficult to gain steady employment after the Second World War, and the family was impoverished. Like Lucille, Al also struggled with alcohol and the couple had frequent fights. At one point a pimp named John Page who had a history with Lucille even tried to commandeer her out of a movie theater while she was with Al. Al objected and a fight ensued, spilling out into the street. Al had been an amateur boxer and stunned the pimp with a first punch, eventually winning the brawl and they never saw the pimp again.

During the early years of Hendrix’s life, the turmoil caused by his parent's fighting would sometimes cause him to withdraw and hide in a closet in their home. They moved often, staying in cheap hotels and apartments around Seattle. Throughout his childhood Hendrix would periodically be dropped off to be cared for by relatives. This all left an imprint on him as a small child which would remain with him the rest of his life. In addition to the instability of his home life, Hendrix in later years confided to two different girlfriends that as a youth he had been sexually assaulted by a man, although he never elaborated. In one instance while he was living in Harlem, Hendrix broke down crying as his girlfriend related the sexual abuse she had suffered as a child, telling her that the same thing had happened to him.

Hendrix had two brothers, Leon and Joseph, and two sisters, Kathy and Pamela. Joseph was born with physical difficulties and was placed in foster care at age three. His two sisters were also both placed in foster care at a young age. Kathy was born blind and Pamela suffered lesser physical difficulties.

On December 17, 1951, when Hendrix was nine years old, his parents divorced. His mother developed cirrhosis of the liver and died on February 2, 1958, when the state of her liver caused her spleen to rupture. On occasion, he was placed in the care of his paternal grandmother in Vancouver, British Columbia because of the unstable household, and his brother Leon was placed in foster care temporarily. Hendrix was a shy and sensitive boy, deeply affected by the poverty and family disruption he experienced at a young age. Unusual for his era, Hendrix's high school had a relatively even ethnic mix of African, European, and Asian Americans.

First guitar [link]

At age 15, around the time his mother died, he acquired his first acoustic guitar for US$5 from an acquaintance of his father. This guitar replaced both the broomstick he had been strumming in imitation, and a ukulele which his father had found while cleaning a garage. Hendrix learned to play by practicing for several hours a day, watching others play, getting tips from more experienced players, and listening to records. In mid-1959, his father bought Hendrix a white Supro Ozark, his first electric guitar, but there was no available amplifier. According to fellow Seattle bandmates, he learned most of his acrobatic stage moves, a major part of the blues/R&B; tradition, including playing with his teeth and behind his back, from a fellow young musician, Raleigh "Butch" Snipes, guitarist with local band The Sharps. Hendrix himself performed Chuck Berry's trademark "duck walk" on occasion. Hendrix played in a couple of local bands, occasionally playing outlying gigs in Washington State and at least once over the border in Vancouver, British Columbia.

Hendrix was particularly fond of Elvis Presley, whom he saw perform in Seattle in 1957. Leon Hendrix claimed in an early interview that Little Richard appeared in his Central District neighborhood and shook hands with his brother, Jimi. This is unattested elsewhere and vehemently denied by his father. He also claimed that Richard was visiting his mother there at the time, when Richard's mother actually lived in Los Angeles. Hendrix's early exposure to blues music came from listening to records by Muddy Waters and B.B. King which his father owned. Another early impression came from the 1954 western ''Johnny Guitar'', in which the hero carries no gun but instead wears a guitar slung behind his back.

Hendrix's first gig was with an unnamed band in the basement of a synagogue, Seattle's Temple De Hirsch. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones, who performed regularly at the Yesler Terrace Neighborhood House without pay. He later joined the Rocking Kings, who played professionally at such venues as the Birdland. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro. He painted it red and had "Betty Jean" emblazoned on it—the name of his high school girlfriend.

Hendrix completed junior high at Washington Junior High School with little trouble but did not graduate from Garfield High School. Later he was awarded an honorary diploma, and in the 1990s a bust of him was placed in the school library. After he became famous in the late 1960s, Hendrix told reporters that he had been expelled from Garfield by racist faculty for holding hands with a white girlfriend in study hall. Principal Frank Hanawalt says that it was due to poor grades and attendance problems.

In the Army [link]

Hendrix got into trouble with the law twice for riding in stolen cars. He was given a choice between spending two years in prison or joining the Army. Hendrix chose the latter and enlisted on May 31, 1961. After completing basic training at Fort Ord near Monterey in California, he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky. His commanding officers and fellow soldiers considered him to be a subpar soldier: he slept while on duty, had little regard for regulations, required constant supervision, and showed no skill as a marksman. For these reasons, his commanding officers submitted a request that Hendrix be discharged from the military after he had served only one year. Hendrix did not object when the opportunity to leave arose. He would later tell reporters that he received a medical discharge after breaking his ankle during his 26th parachute jump. The rock music journalist Charles Cross contended in his biography of Hendrix, ''Room Full of Mirrors'' (2005) that Hendrix feigned being homosexual—claiming to have fallen in love with a fellow soldier—in order to be discharged, but did not produce credible evidence to support this contention.

At the base recreation center, Hendrix met fellow soldier and bass player Billy Cox, and the two forged a loyal friendship that Hendrix would call upon from April 1969 until Billy's breakdown shortly before Hendrix's death. The two would often perform with other musicians at venues both on and off the base as a loosely organized band named the Casuals. As a celebrity in the UK, Hendrix mentioned his military service in three published interviews; one in 1967 for the film ''See My Music Talking'' (much later released under the title ''Experience''), which was intended for TV to promote his recently released ''Axis: Bold as Love'' LP, in which he spoke very briefly of his first parachuting experience: "...once you get out there everything is so quiet, all you hear is the breezes-s-s-s..." This comment has later been used to claim that he was saying that this was one of the sources of his "spacy" guitar sound. The second and third mentions of his military experience were in interviews for ''Melody Maker'' in 1967 and 1969, where he spoke of his dislike of the army. In interviews in the US, Hendrix almost never mentioned it, and when Dick Cavett brought it up in his TV interview, Hendrix's only response was to verify that he had been based at Fort Campbell.

Career [link]

Early career [link]

After his Army discharge, Hendrix and Army friend Billy Cox moved to nearby Clarksville, Tennessee and undertook in earnest to earn a living with their existing band. Hendrix had already seen Butch Snipes play with his teeth in Seattle and now Alphonso 'Baby Boo' Young the other guitarist in the band, was featuring this gimmick. Not to be upstaged, it was then that Hendrix learned to play with his teeth properly, according to Hendrix himself: "... the idea of doing that came to me in a town in Tennessee. Down there you have to play with your teeth or else you get shot. There’s a trail of broken teeth all over the stage..." They played mainly in low-paying gigs at obscure venues. The band eventually moved to Nashville's Jefferson Street, the traditional heart of Nashville's black community and home to a lively rhythm and blues scene. After they moved to Nashville, upon learning there was already an established band by the name "The Casuals", they amended their name to the "King Kasuals". While in Nashville, according to Cox and Larry Lee—who replaced Alphonso Young on guitar—they were basically the house band at Club del Morocco. Hendrix and Cox shared a flat above Joyce's House of Glamor. Hendrix's girlfriend at this time was Joyce Lucas. Bill 'Hoss' Allen's memory of Hendrix's supposed participation in a session with Billy Cox in November 1962, in which he cut Hendrix's contribution due to his over-the-top playing, has now been called into question; a suggestion has been made that he may have confused this with a later 1965 session by Frank Howard and the Commanders in which Hendrix participated.

In December 1962, Hendrix visited his relatives in Vancouver, Canada, where as a child he had sometimes lived with his grandmother. It has been claimed that while there, he performed with future members of the Motown band Bobby Taylor & the Vancouvers, including Tommy Chong (of later Cheech & Chong fame). Chong, however, disputes this ever happened and that any such appearance is a product of Taylor's "imagination". In early 1963, Hendrix returned to the South. For the next two years, Hendrix made a living performing on a circuit of venues throughout the South catering to black audiences. These were venues affiliated with the Theater Owners' Booking Association (TOBA), sarcastically known as "Tough on Black Asses" because the audiences were very demanding. The TOBA circuit was also widely known as the Chitlin' Circuit. In addition to performing in his own band, Hendrix performed with Bob Fisher and the Bonnevilles, and in backing bands for various soul, R&B;, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin' Circuit was where Hendrix refined his style.

Feeling he had artistically outgrown the circuit and frustrated at following the rules of bandleaders, Hendrix decided to try his luck in New York City and in January 1964 moved into the Hotel Theresa in Harlem, where he soon befriended Lithofayne Pridgeon (known as "Faye", who became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins became friends and kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the song "Freedom". Pridgeon, a Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. Hoping to land a gig, Hendrix made the club circuit and sat in with various bands. Eventually, Hendrix was offered the guitarist position with The Isley Brothers' back-up band and he readily accepted.

First recordings [link]

Hendrix' first studio recording occurred in March 1964, when the Isley Brothers, with Hendrix as a member of the band, recorded the two-part single "Testify". Hendrix then went on tour with the Isley Brothers. "Testify" was released in June 1964, but did not make an impact on the charts. After touring as a member of the Isley Brothers until mid-late 1964, Hendrix grew dissatisfied and left the band in Nashville. There, he found work with the tour's MC "Gorgeous" George Odell.

On March 1, 1964, Hendrix (then calling himself Maurice James) began recording and performing with Little Richard. Hendrix would later (1966) say, "I want to do with my guitar what Little Richard does with his voice". During a stop in Los Angeles while touring with Little Richard in 1965, Hendrix played a session for Rosa Lee Brooks on her single "My Diary". This was his first recorded involvement with Arthur Lee of the band Love. While in L.A., he also played on the session for Little Richard's final single for Vee-Jay, "I Don't Know What You've Got, But It's Got Me". He later made his first recorded TV appearance on Nashville's Channel 5 ''Night Train'' with "The Royal Company" backing up "Buddy and Stacy" on "Shotgun". Hendrix clashed with Richard, over tardiness, wardrobe, and, above all, Hendrix's stage antics. He then rejoined the Isley Brothers in the summer of 1965 and recorded a second single with them, "Move Over and Let Me Dance" backed with "Have You Ever Been Disappointed" (1965 Atlantic 45-2303).

Later in 1965, Hendrix joined a New York–based R&B; band, Curtis Knight and the Squires, after meeting Knight in the lobby of the Hotel America, off Times Square, where both men were living at the time. He performed on and off with them for eight months. In October 1965, Hendrix recorded a single with Curtis Knight, "How Would You Feel" backed with "Welcome Home" (1966 RSVP 1120) and on October 15 he signed a three-year recording contract with entrepreneur Ed Chalpin, receiving 1% royalty. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute has continued to the present day. (Several songs (and demos) from the 1965–1966 Curtis Knight recording sessions, deemed not worth releasing at the time, were marketed as "Jimi Hendrix" recordings after he became famous.) Aside from Curtis Knight and the Squires, Hendrix then toured for two months with Joey Dee and the Starliters.

In between performing with Curtis Knight in 1966, Hendrix toured and recorded with King Curtis. Hendrix recorded the two-part single "Help Me (Get the Feeling)" with Ray Sharpe and the King Curtis Orchestra (1966 Atco 45-6402) (the backing track was subsequently overdubbed by other vocalists with different lyrics and released as new songs). Later in 1966, Hendrix also recorded with Lonnie Youngblood, a saxophone player who occasionally performed with Curtis Knight. The sessions produced two singles for Youngblood: "Go Go Shoes"/"Go Go Place" (Fairmount F-1002) and "Soul Food (That's What I Like)"/"Goodbye Bessie Mae" (Fairmount F-1022). Additionally, singles for other artists came out of the sessions: The Icemen's "(My Girl) She's a Fox"/ "(I Wonder) What It Takes" (1966 SAMAR S-111) and Jimmy Norman's "You're Only Hurting Yourself"/"That Little Old Groove Maker" (1966 SAMAR S-112). As with the King Curtis recordings, backing tracks and alternate takes for the Youngblood sessions would be overdubbed and otherwise manipulated to create many "new" tracks. (Many Youngblood tracks without any Hendrix involvement would later be marketed as "Jimi Hendrix" recordings). Also around this time in 1966, Hendrix got his first composer credits for two instrumentals "Hornets Nest" and "Knock Yourself Out", released as a Curtis Knight and the Squires single (1966 RSVP 1124).

Hendrix, now going by the name Jimmy James, formed his own band, The Blue Flame, composed of Randy Palmer (bass), Danny Casey (drums), and a 15-year-old guitarist who played slide and rhythm named Randy Wolfe in June 1966.

Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" (as he had recently moved from there to New York City) and Palmer (a Tejano) "Randy Texas". Randy California would later co-found the band Spirit with his stepfather, drummer Ed Cassidy. It was around this time that Hendrix's only daughter Tamika was conceived with Diana Carpenter (also known as Regina Jackson), a teenage runaway and prostitute that he briefly stayed with. Her claim has not been recognized by the US courts where, after death, she may not have a claim on his estate even if she could legally prove he was her father, unless recognized previously as such by him or the courts.

Hendrix and his new band played at several places in New York, but their primary venue was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. The street runs along "Washington (Square) Park" which appeared in at least two of Hendrix's songs. Their last concerts were at the Cafe au Go Go, as John Hammond Jr.'s backing group, billed as "The Blue Flame". Singer-guitarist Ellen McIlwaine and guitarist Jeff Baxter also claim to have briefly worked with Hendrix in this period.

The Jimi Hendrix Experience [link]

Early in 1966 at the Cheetah Club on Broadway at 53rd Street, Linda Keith, the girlfriend of Rolling Stones guitarist Keith Richards, befriended Hendrix and recommended him to Stones' manager Andrew Loog Oldham and later, producer Seymour Stein. Neither man took a liking to Hendrix's music, and they both passed. She then referred Hendrix to Chas Chandler, who was ending his tenure as bassist in The Animals and looking for talent to manage and produce. Chandler liked the song "Hey Joe" and was convinced he could create a hit single with the right artist.

Impressed with Hendrix's version, Chandler brought him to London in September 1966 and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery. It was Chandler who came up with the spelling change of "Jimmy" to "Jimi". Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell, both English musicians. Shortly before the Experience was formed, Chandler introduced Hendrix to Brian Auger, Eric Burdon, Pete Townshend and to Eric Clapton, who had only recently helped put together Cream. At Chandler's request, Cream let Hendrix join them on stage for a jam. Hendrix performed two songs, one of which was the song "Killing Floor". Hendrix and Clapton remained friends up until Hendrix's death. The first night Hendrix arrived in London, he began a relationship with Kathy Etchingham that lasted until February 1969. She later wrote an autobiographical book about their relationship and the sixties London scene in general.

Hendrix sometimes had a camp sense of humour, specifically with the song "Purple Haze". A mondegreen had appeared, in which the line "'Scuse me while I kiss the sky" was misheard as "'Scuse me while I kiss this guy". In a few performances, Hendrix humorously used this, deliberately singing "kiss this guy" while pointing to Mitch or Noel, as he did at Monterey. In the Woodstock DVD he deliberately points to the sky at this point, to make it clear. A volume of misheard lyrics has been published, using this mondegreen itself as the title, with Hendrix on the cover.

UK success [link]

After his enthusiastically received performance at France's No. 1 venue, the Olympia theatre in Paris on the Johnny Hallyday tour, an on-stage jam with Cream, a showcase gig at the newly opened, pop-celebrity oriented nightclub Bag O'Nails and the all important appearances on the top UK TV pop shows ''Ready Steady Go!'' and the BBC's ''Top of the Pops'', word of Hendrix spread throughout the London music community in late 1966. His showmanship and virtuosity made instant fans of reigning guitar heroes Eric Clapton and Jeff Beck, as well as Brian Jones and members of The Beatles and The Who, whose managers signed Hendrix to their new record label, Track Records.

Hendrix's first single was a cover of "Hey Joe", using Tim Rose's slower arrangement of the song including his addition of a female backing chorus. Backing this first 1966 "Experience" single was Hendrix's first songwriting effort, "Stone Free". Further success came in early 1967 with "Purple Haze" which featured the "Hendrix chord" and "The Wind Cries Mary". The three singles were all UK Top 10 hits and were also popular internationally including Europe, Australia, New Zealand and Japan (though failed to sell when released later in the US).

Onstage, Hendrix was also making an impression with sped up renderings of the B.B. King hit "Rock Me Baby" and Howlin' Wolf's hit "Killing Floor".

''Are You Experienced'' [link]

The first Jimi Hendrix Experience album, ''Are You Experienced'', was released in the United Kingdom on May 12, 1967, and shortly thereafter internationally, outside of the United States and Canada. It contained none of the previously released (outside the United States and Canada) singles or their B sides ("Hey Joe"/"Stone Free", "Purple Haze"/"51st Anniversary" and "The Wind Cries Mary"/"Highway Chile"). Only The Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'' prevented ''Are You Experienced'' from reaching No. 1 on the UK charts.

At this time, the Experience extensively toured the United Kingdom and parts of Europe. This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967, when, booked to appear as one of the opening acts on the Walker Brothers farewell tour, he set his guitar on fire at the end of his first performance, as a publicity stunt. This guitar has now been identified as the "Zappa guitar" (previously thought to have been from Miami), which has been partly refurbished. Later, as part of this press promotion campaign, there were articles about Rank Theatre management warning him to "tone down" his "suggestive" stage act, with Chandler stating that the group would not compromise regardless. On June 4, 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Beatles' ''Sgt. Pepper'' album had just been released on June 1 and two Beatles (Paul McCartney and George Harrison) were in attendance, along with a roll call of other UK rock stardom, including: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. Hendrix opened the show with his own rendering of "Sgt. Pepper's Lonely Hearts Club Band", rehearsed only minutes before taking the stage, much to McCartney's astonishment and delight.

While on tour in Sweden in 1967, Hendrix jammed with the duo ''Hansson & Karlsson'', and later opened several concerts with their song "Tax Free", also recording a cover of it during the Electric Ladyland sessions. He played there frequently throughout his career, and his only son James Daniel Sundquist was born there in 1969 to a Swede, Eva Sundquist, recognized as such by the Swedish courts and paid a settlement by Experience Hendrix LLC. He wrote a poem to a woman there (probably Sundquist). Sundquist had sent Hendrix roses on each of his opening nights in Stockholm, and began – according to the Swedish courts – a sexual relationship from then until conceiving Daniel with him, after his third visit in January 1969. Hendrix also dedicated songs to the Swedish-based Vietnam deserters organization in 1969.

Months later, Reprise Records released the US and Canadian version of ''Are You Experienced'' with a new cover by Karl Ferris, removing "Red House", "Remember" and "Can You See Me" to make room for the first three single A-sides. Where the (Rest of the World) album kicked off with "Foxy Lady", the US and Canadian one started with "Purple Haze". Both versions offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on an electric guitar, basically recorded on four tracks, mixed into mono and only modified at this point by a "fuzz" pedal, reverb and a small bit of the experimental "Octavia" pedal on "Purple Haze", produced by Roger Mayer in consultation with Hendrix. A remix using the mostly mono backing tracks with the guitar and vocal overdubs separated and occasionally panned to create a stereo mix was also released, only in the US and Canada.

US success [link]

Although very popular in Europe at this time, The Jimi Hendrix Experience had yet to crack the United States.c Their first single there, "Hey Joe" c/w "51st Anniversary" (Reprise 0572, released May 1, 1967), failed to reach the Billboard chart.

Their chance came when Paul McCartney recommended the group to the organizers of the Monterey International Pop Festival. This proved to be a great opportunity for Hendrix, not only because of the large audience present at the event, but also because of the many journalists covering the event who wrote about him. The performances were filmed by D. A. Pennebaker and later shown in some movie theaters around the country in early 1969 as the concert documentary Monterey Pop, which immortalized Hendrix's iconic burning and smashing of his guitar at the finale of his performance.

The opening song was Hendrix's very fast arrangement of Howlin' Wolf's 1965 R&B; hit "Killing Floor". He played this frequently from late 1965 through 1968, usually as the opener to his shows. The Monterey performance included an equally lively rendering of B.B. King's 1964 R&B; hit "Rock Me Baby", Tim Rose's arrangement of "Hey Joe" and Bob Dylan's 1965 pop hit "Like a Rolling Stone". The set ended with The Troggs' "Wild Thing" and Hendrix repeating the act that had boosted his profile in the UK (and internationally) with him burning his guitar on stage, then smashing it to bits and tossing pieces out to the audience. This show finally brought Hendrix to the notice of the US public. A large chunk of this guitar was on display at the Experience Music Project in Seattle, along with the other psychedelically painted Stratocaster that Hendrix smashed (but did not burn) at his farewell concert in England before he left for the US and Monterey.

At the time Hendrix was playing sets in the Scene club in NYC in July 1967, he met Frank Zappa, whose Mothers of Invention were playing the adjacent Garrick Theater, and he was reportedly fascinated by Zappa's recently purchased wah-wah pedal. Hendrix immediately bought one from Manny's and starting using it right away on the sessions for both sides of his new single, and slightly later, on several jams recorded at Ed Chalpin's studio.

Following the festival, the Experience played a series of concerts at Bill Graham's Fillmore replacing the original headliners Jefferson Airplane at the top of the bill. It was at this time that Hendrix became acquainted with future musical collaborator Stephen Stills, and reacquainted himself with Buddy Miles who introduced Hendrix to his future partner, Devon Wilson. She had a turbulent on/off relationship with him, right up to the night of his death, and was the only one of his partners to record with him. She died only six months after Hendrix under mysterious circumstances, apparently falling from an upper window in the Chelsea Hotel.

Following this very successful West Coast introduction, which also included two open air concerts (one of them a free concert in the "panhandle" of Golden Gate Park) and a concert at the Whisky a Go Go, they were booked as one of the opening acts for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their (mostly early teens) audience sometimes did not warm to their act, and he quit the tour after a few dates. Chas Chandler later admitted that being thrown off the Monkees tour was engineered to gain maximum media impact and publicity for Hendrix, similar to that gained from the manufactured Rank Theatre's indecency dispute on the earlier UK Walker Brothers tour. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". This report was concocted by a journalist accompanying the tour, the Australian Lillian Roxon.

Meanwhile in Western Europe, where Hendrix was appreciated for his authentic blues as well as his hit singles and recognized for his avant-garde musical ideas, his wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) had faded; but they later plagued him in the US following Monterey. He became frustrated by the US media and audience when they concentrated on his stage tricks and best known songs.

''Axis: Bold as Love'' [link]

The Jimi Hendrix Experience's second 1967 album, ''Axis: Bold as Love'' was his first recording made for stereo release and used panning and other stereo effects. It continued the style established by ''Are You Experienced''. The opening track, "EXP", featured a stereo effect in which a sound emanating from Hendrix's guitar appeared to revolve around the listener, fading out into the distance from the right channel, then returning in on the left. This album marked the first time Hendrix recorded the whole album with his guitar tuned down one half-step, to E, which he used exclusively thereafter and was his first to feature the wah-wah pedal. A mishap almost delayed the album's pre-Christmas release: Hendrix lost the master tape of side one of the LP, leaving it in the back seat of a London taxi. With the release deadline looming, Hendrix, Chas Chandler and engineer Eddie Kramer had to remix most of side one in an overnight session, but they could not match the lost mix of "If 6 Was 9". They soon learned that bassist Noel Redding had a tape recording of this mix. The tape had to be smoothed out as it had gotten wrinkled. Hendrix was disappointed that the album had to be finished so quickly and felt it could have been better, given more time. He was also somewhat disappointed in the album cover art work, which depicts Hendrix and his Experience bandmates as the various forms of Vishnu, incorporating a painting of them by Roger Law (from a photo-portrait by Karl Ferris). Hendrix remarked that it would have been more appropriate if the cover had highlighted his American Indian heritage.

The album was released in the UK near the end of their first headlining tour there, after which the pace slowed briefly during the Christmas holidays. In January 1968 the group went to Sweden for a short tour, and after the first show Hendrix, reportedly after drinking and according to Hendrix his drink being spiked, went berserk and smashed up his hotel room in a rage, injuring his hand and culminating in his arrest. Then on the 6th in Denmark his famous hat was stolen. The rest of the tour was uneventful, though Hendrix had to spend some time in Sweden waiting for his trial and eventual large fine.

''Electric Ladyland'' [link]

Hendrix's third recording, the double album ''Electric Ladyland'' (1968), was a departure from previous efforts. Following his third and penultimate French concert at the Paris Olympia, Hendrix flew to the US to start his first tour there, and after two months returned to his Electric Ladyland project at the newly opened Record Plant Studios with engineers Eddie Kramer and Gary Kellgren and initially Chas Chandler as producer.

As the album's recording progressed, Chas Chandler became so frustrated with Hendrix's perfectionism and with various friends and guests milling about the studio that he decided to sever his professional relationship with Hendrix. Chandler's departure had a clear impact on the artistic direction that the recording took.

Hendrix began experimenting with different combinations of musicians and instruments, and modern electronic effects. For example, Dave Mason, Chris Wood, and Steve Winwood from the band Traffic, drummer Buddy Miles and former Bob Dylan organist Al Kooper, among others, were involved in the recording sessions. He described how Hendrix went from a disciplined recording regimen to an erratic schedule, which often saw him beginning recording sessions in the middle of the night and with any number of guests.

Chandler also expressed exasperation at the number of times Hendrix would insist on rerecording particular tracks; the song "Gypsy Eyes" was reportedly recorded 43 times. This was also frustrating for bassist Noel Redding, who would often leave the studio to calm himself, only to return and find that Hendrix had recorded the bass parts himself during Redding's absence.

''Electric Ladyland'' includes "Voodoo Chile (Slight Return)" as well as Hendrix's rendering of Bob Dylan's "All Along the Watchtower".

Throughout the four years of his fame, Hendrix often appeared at impromptu jams with various musicians, such as B.B. King. In March 1968, Jim Morrison of The Doors joined Hendrix onstage at New York's Scene Club. Albums of this ''Electric Ladyland''-era bootleg recording were released under various titles, some falsely claiming the presence of Johnny Winter, who has denied, several times, being a participant at that jam session, and to ever having met Morrison.

Breakup of Jimi Hendrix Experience [link]

After a year based in the US, Hendrix temporarily moved back to London and into his girlfriend Kathy Etchingham's rented Brook Street flat, next door to the Handel House Museum, in the West End of London. During this time The Jimi Hendrix Experience toured Scandinavia, Germany, and included a final French concert. They later performed two sold-out concerts at London's Royal Albert Hall on February 18 and 24, 1969, which were the last European appearances of this line-up of the Jimi Hendrix Experience. A Gold and Goldstein-produced film titled ''Experience'' was also recorded at these two shows, which, according to Experience Hendrix LLC, "Elements of these recordings are sure to be utilized when the official release of this material is finally made".

Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band, Fat Mattress, which would sometimes open for the Experience (Hendrix would jokingly refer to them as "Thin Pillow"). Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the bass parts on ''Electric Ladyland''.

Fruitless recording sessions at Olympic in London; Olmstead and the Record Plant in New York that ended on April 9, which only produced a remake of "Stone Free" for a possible single release, were the last to feature Redding. Hendrix then flew Billy Cox to New York and started recording and rehearsing with him on April 21 as a replacement for Noel.

In a recorded interview by Nancy Carter on June 15 at his hotel in Los Angeles, Hendrix announced that he had been recording with Cox and that he would be replacing Noel as bass player in The Jimi Hendrix Experience.

The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by police firing tear gas into the audience as they played "Voodoo Chile (Slight Return)". The band escaped from the venue in the back of a rental truck which was partly crushed by fans trying to escape the tear gas. The next day, Noel Redding announced that he had quit the Experience.

Gypsy Sun and Rainbows [link]

After the departure of Noel Redding from the group, Hendrix rented the eight-bedroom 'Ashokan House' in the hamlet of Boiceville near Woodstock in upstate New York, where he spent some time in mid-1969. Manager Michael Jeffery, who had a house in Woodstock, arranged the stay, with hopes that the respite would produce a new album. To replace Redding as bassist, Hendrix had been rehearsing and recording with Billy Cox, his old and trusted Army buddy, since at least April 21. Mitchell was unavailable to help fulfill Hendrix's commitments at this time, which include his first appearance on US TV – on the Dick Cavett show – where he was backed by the studio orchestra, and an appearance on ''The Tonight Show'' where he appeared with his new bass player Billy Cox, and session drummer Ed Shaughnessy sitting in for Mitchell.

Woodstock [link]

Hendrix was advertised to play the Woodstock Music Festival, along with many of the other biggest rock groups of the time. It was to take place on rented farmland in Upper State New York from August 15–18, 1969. Although Hendrix's music had been written for a power trio of guitar, bass, and drums, he wanted to expand his sound so he added rhythm guitarist Larry Lee (another old friend from his R&B; days), and Juma Sultan and Jerry Velez to play congas. After drummer Mitch Mitchell arrived, this new lineup rehearsed for less than two weeks before the festival and according to Mitchell never really meshed. In addition, although Woodstock would become famous and mythologized through the documentary film of the same name, by the time of his performance, Hendrix had been up for three days, and his band was short on sleep as well, contributing a rawness to their filmed performance.

Before Hendrix even arrived at the festival he started to hear media reports that the crowds of kids showing up for the festival were swelling to biblical proportions, in addition to the emerging logistical problems being reported at the site. This gave Hendrix pause for concern since he did not like performing in front of very large crowds. Since he was considered an important draw for the festival, and because of his manager's negotiations, Hendrix was getting paid more than the other performers, (US$18,000, plus US$12,000 for rights to film him). As the scheduled time slot of Sunday night at midnight drew closer, Hendrix indicated that he would rather wait and close the show. A substantial rainstorm that day had delayed the schedule of performers, so when Hendrix insisted on being the closing headliner, it pushed back the time when they finally hit the stage – which ended up being 8:30 am Monday morning. The audience which had peaked at an estimated 400,000 people during the festival, was now reduced to about 30–40,000 by that point; many of whom merely waited to catch a glimpse of Hendrix before leaving during his show. This reflected the reality that by the third day attendees had been sleeping in muddy conditions with limited food.

Hendrix and his band were introduced by the festival MC, Chip Monck, as "The Jimi Hendrix Experience", but once on stage Hendrix clarified saying, "We decided to change the whole thing around and call it 'Gypsy Sun and Rainbows'. For short, it's nothin but a 'Band of Gypsys'" He then launched into a two hour set, the longest of his career. Hendrix started off with a new song, “Message to Love". (His Woodstock set consisting of new material, along with his well-known hits).

Hendrix's psychedelic rendition of the U.S. national anthem, "The Star-Spangled Banner" occurred about 3/4 into their set (after which he morphed into "Purple Haze"). The song had actually been part of his set for a year and he had already performed it on at least three different occasions. During the number, Hendrix used feedback and sustain on his guitar to recreate the sound of wails and falling rockets. Although pundits quickly branded the song as a political manifesto against the Vietnam War, Hendrix himself never explained its meaning other than to say at a press conference three weeks later, "We're all Americans. . .it was like 'Go America!'. . .We play it the way the air is in America today. The air is slightly static, see". The song would become "part of the sixties Zeitgeist" as it was captured forever in the Woodstock film; Hendrix's image performing this number during the day wearing a blue-beaded white leather jacket with fringe and a red head scarf, has since been regarded as a defining moment of the 1960s.

Hendrix performed "Hey Joe" as the encore to finish off their set which concluded the 3½ day Woodstock Music Festival. Upon leaving the stage, Hendrix collapsed from exhaustion.

After Woodstock, this particular lineup of the band appeared on only two more occasions. The first was a street benefit in Harlem where, in a scenario similar to the festival, most of the audience had left and only a fraction remained by the time Hendrix took the stage. Within seconds of Hendrix arriving at the site two youths had stolen his guitar from the back seat of his car, although it was later recovered. The band's only other appearance was at the Salvation club in Greenwich Village, New York. After some studio recordings, Hendrix disbanded the group. Some of this band's recordings can be heard on the MCA Records box set ''The Jimi Hendrix Experience'' and on ''South Saturn Delta''. Their final work together was a session on September 6. Hendrix's September 9 appearance on TV's ''The Dick Cavett Show'', backed by Cox, Mitchell and Juma Sultan, was credited as the "Jimi Hendrix Experience".

Band of Gypsys [link]

In 1967, a contractual dispute arose in relation to an agreement Hendrix had entered into with producer Ed Chalpin in 1965. The resolution for the dispute included Hendrix having to record an LP of new material for Chalpin company, which would not feature the Experience band, and would not be associated with the Experience band name. In addition, Chalpin was granted 2% of profits from Hendrix's back catalog sold in US. For the agreed upon album, Hendrix chose to record ''Band of Gypsys'', a live album.

Along with Billy Cox and drummer Buddy Miles (formerly with Wilson Pickett and The Electric Flag) with whom he had been jamming together since September, Hendrix wrote and rehearsed material which they then performed at a series of four concerts over two nights, New Year's Eve and New Year's Day at Fillmore East. The second night produced the material for the ''Band Of Gypsys'' LP, which was produced by Hendrix (under the name "Heaven Research").

The ''Band of Gypsys'' LP was the only official completely live LP released in Hendrix's lifetime. The band also released a single "Stepping Stone" which failed to sell, and recorded several studio songs slated for Hendrix's future LP. In 1999, the tapes from the four Fillmore concerts were remastered and additional tracks and edits were released as ''Live at the Fillmore East''. Litigation with Chalpin ended in 2007 after the "singularly uncredible witness" was fined nearly US$900,000 for failure to abide by contractual limitations and failure to pay ''Experience Hendrix L.L.C.'' its court ordered royalties.

On January 26 and 27, 1970, Mitch Mitchell and Noel Redding flew into New York and signed contracts with Jeffery for the upcoming Jimi Hendrix Experience tour. The next day, a second and final Band of Gypsys appearance occurred at a twelve-act show in Madison Square Garden which was a benefit for the anti-Vietnam War Moratorium Committee, titled the "Winter Festival for Peace". Similar to Woodstock, set delays forced Hendrix to take the stage at an inopportune 3 am, only this time he was obviously in no shape to play. He played "Who Knows" before snapping a vulgar response at a woman who shouted a request for "Foxy Lady". He played a second song, "Earth Blues", he then told the audience: "That's what happens when earth fucks with space—never forget that". He then sat down on the drum riser for a minute and then walked off stage. Various unverifiable assertions have been proffered to explain this bizarre scene. Buddy Miles claimed that manager Michael Jeffery dosed Hendrix with LSD in an effort to sabotage the current band and bring about the return of the Experience lineup, but none of Hendrix's other close associates verifies his statement.

Cry of Love tour [link]

A week after the botched Band of Gypsys show, Hendrix, Mitch Mitchell and Noel Redding gave an interview to ''Rolling Stone'' for the upcoming tour dates as a reunited Jimi Hendrix Experience. But Redding never even got to rehearse, as Hendrix just continued to work with Billy Cox. Noel was not told he was not going to be playing until the pretour rehearsals. Fans refer to this final "Jimi Hendrix Experience" lineup as the "Cry of Love" band, named after The Cry of Love Tour to distinguish it from the original. Billy Cox has countered on several occasions that this lineup considered themselves "The Jimi Hendrix Experience" before they even went on tour and that any other title is bogus. All billing, adverts, tickets etc. on the tour used "Jimi Hendrix Experience" or occasionally, as previously, just "Jimi Hendrix".

Two of Hendrix's later recordings were the lead guitar parts on "Old Times Good Times" from Stephen Stills hit eponymous album (1970), and on "The Everlasting First" from Arthur Lee's new incarnation of Love, not so successful and aptly named LP ''False Start'' both tracks were recorded with these old friends on a fleeting and unexplained visit to London in March 1970, following Kathy Etchingham's marriage.

He spent the next four months of 1970 working on his next LP tentatively titled ''First Rays of the New Rising Sun'', recording during the week and playing live on the weekends. The Cry of Love tour, launched that April at the L.A. Forum, was partly undertaken to earn money to repay the Warner Bros. loan for completing his Electric Lady Studios. Performances on this tour featured Hendrix, Cox, and Mitchell playing new material alongside older audience favorites. The American leg of the tour included 30 performances and ended at Honolulu, Hawaii on August 1, 1970. A number of these shows were recorded and produced some of Hendrix's most memorable live performances. At one of them, the Second Atlanta International Pop Festival (1970), on July 4, Hendrix played to the largest American audience of his career.

Electric Lady Studios [link]

In 1968, Hendrix and Jeffery had invested jointly in the purchase of the Generation Club in Greenwich Village. Their initial plans to reopen the club were scrapped when the pair decided that the investment would serve them much better as a recording studio. The studio fees for the lengthy ''Electric Ladyland'' sessions were astronomical, and Hendrix was constantly in search of a recording environment that suited him. In August 1970, Electric Lady Studios was opened in New York.

Designed by architect and acoustician John Storyk, the studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in a myriad of colors. It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere. Engineer Eddie Kramer upheld this by refusing to allow any drug use during session work.

Hendrix spent only two and a half months recording in Electric Lady, most of which took place while the final phases of construction were still ongoing. Following a recording/dubbing session on August 26, an opening party was held later that day. He then boarded an Air India flight for London with Billy Cox, joining Mitch Mitchell to perform at the Isle of Wight Festival.

European tour [link]

The group then commenced the European leg of the tour. Longing for his new studio and creative outlets, the tour was a commitment that Hendrix was not eager to perform. In Aarhus, Hendrix abandoned his show after only two songs, remarking: "I've been dead a long time". In the months before Hendrix's death, a British music paper alleged that Hendrix had plans to join the band Emerson, Lake & Palmer. On September 6, 1970, his final concert performance, Hendrix was greeted with some booing and jeering by fans at the Isle of Fehmarn Festival in Germany, due to his non-appearance at the end of the previous night's bill (due to the torrential rain and risk of electrocution). Several acts played after he left the stage; later, part of the stage was burnt during the first stage appearance of Ton Steine Scherben. Billy Cox quit the tour and headed home to Memphis, Tennessee, reportedly suffering paranoia after taking LSD or being given it unknowingly, earlier in the tour. A live recording of the concert was later released as ''Live at the Isle of Fehmarn''.

Hendrix returned to London, where he reportedly spoke to Chas Chandler, Eric Burdon, and others about leaving his manager, Michael Jeffery. Hendrix's last public performance was an informal jam at Ronnie Scott's Jazz Club in Soho with Burdon and his latest band, War. Much of this was recorded on a Sony cassette recorder by Bill Baker, of Shepherds Bush, London, then aged 20, who was present throughout the entire performance. Two Hendrix tracks from this recording, "Mother Earth" and "Tobacco Road", were later included, without permission from Baker, on a bootleg LP, ''Can You Please Crawl Out Your Window?'', produced in the mid-to-late 1970s, and on an audio tape of poor quality that went into circulation some years later. It was not until 2009, however, that the entire recording entered general circulation within the collecting community. This was remastered in California in December 2010 and includes tracks from the same night's performance by Eric Burdon's War. This is the last known recording of Jimi Hendrix, who died approximately 24 hours later.

Death [link]

Early on September 18, 1970, Jimi Hendrix died in London. He had spent the latter part of the previous evening at a party and was picked up at close to 3:00 by girlfriend Monika Dannemann and driven to her flat at the Samarkand Hotel, 22 Lansdowne Crescent, Notting Hill. From autopsy data and statements by friends about the evening of September 17, it has been estimated that he died sometime after 3:00, possibly before 4:00, but also possibly later, though no estimate was made at the autopsy, or inquest.

Dannemann claimed in her original testimony that after they returned to her lodgings the evening before, Hendrix, unknown to her, had taken nine of her prescribed Vesparax sleeping pills. The normal medical dose was a half to one tablet as stated in the literature, but Hendrix was unfamiliar with this very strong Belgian brand. According to surgeon John Bannister, the doctor who initially attended to him, Hendrix had asphyxiated in his own vomit, mainly red wine which had filled his airways. Bannister's statement was made in January 1992 to Harry Shapiro, co-author of ''Electric Gypsy'', a book which also featured accusations of malpractice by Monika Dannemann in regards to Bannister's not performing a tracheotomy on Hendrix. He appears to have been using the amount of wine in his system as a reason for not performing a tracheotomy. He was reprimanded for two counts of medical malpractice, and struck off the medical register on April 28, 1992 for fraud. No one else at the time, the other two doctors, the ambulance men, or the police mentioned wine. The only mention of wine was by Monika much earlier, in ''Electric Gypsy'' (which Bannister had read), and that Hendrix had drunk some with food earlier that evening and also by Harvey at his, again, much earlier party, which were both several hours prior to death. The autopsy found very little alcohol in his system. The autopsy never mentioned wine, only vomited matter.

Until her death, Dannemann publicly claimed that she had only discovered that her lover had been sick at 11:00 am, but he was breathing, though unconscious and unresponsive (The ambulance was called at 11:18 and arrived 11:27). And that Hendrix was alive when placed in the back of the ambulance at approximately 11:30, and that she rode with him on the way to the hospital.

The ambulance crew later denied she was even there; additionally, Dannemann's comments about the timing of some events that morning often differed in places, varying from interview to interview.

Police and ambulance statements reveal that there was no one but Hendrix in the flat when they arrived at 11:27 am, and not only was he dead when they arrived on the scene, but was fully clothed and had been dead for some time.

Later, Dannemann claimed that former road managers Gerry Stickels and Eric Barrett had been present before the ambulance was called. and had removed some of Hendrix's possessions, including some of his most recent messages. Lyrics written by Hendrix, which were found in the apartment, led Eric Burdon to make a premature announcement on the BBC-TV program ''24 Hours'' that he believed Hendrix had committed suicide. Burdon often claimed he had been telephoned by Dannemann after she discovered that Hendrix failed to wake up.

In 1996, Monika Dannemann committed suicide shortly after being found guilty of contempt of court for repeating a libel against Kathy Etchingham, who had been a girlfriend of Hendrix in the 1960s.

Allegations of murder [link]

A former Animals "roadie", James "Tappy" Wright, published a book in May 2009 claiming Hendrix's manager, Mike Jeffery, admitted to him that he had Hendrix killed because the rock star wanted to end his management contract. John Bannister, one of the doctors who attended to him in 1970 stated in 2009 that it "sounded plausible". Bannister was struck off the Medical register in 1992 for fraud. In 2011 Bob Levine, Wright's long term business associate and Mike Jeffery's assistant manager in N.Y., said he knows that Wright made up these stories to sell his book, that Jeffery didn't have insurance on Hendrix, but that he merely countersigned the Warner Bros. policy that Warner's had taken out as standard practice.

"There was a freak storm across Mallorca and all the phone lines were down. Somebody told Mike that Jimi had been trying to phone him. The first call that got through was to say Jimi was dead. Mike was terribly upset at the thought of Jimi not being able to get through to him." – Trixie Sullivan, secretary/assistant for Mike Jeffery

Fashion [link]

Hendrix was well known for his unique sense of fashion and wardrobe and his Dylan-esque (c. 1966) hairstyle. A set of hair curlers was one of the few possessions that traveled with him to England when he was first discovered in 1966. When his first advance check arrived, Hendrix immediately took to the streets of London in search of clothing at famous boutiques like I Was Lord Kitchener's Valet and Granny Takes a Trip, both of which specialized in vintage fashion. He purchased at least two army dress uniform jackets including a (possibly antique) jacket styled in imitation of a Hussar's pelisse, adorned with tasseled ropes. A group of policemen once ordered him to remove the other, a Royal Veterinary Corps dress jacket, saying it was an offense to the men who had worn it.

Many photographs of Hendrix show him wearing various scarves, rings, medallions, and brooches, and in the early days occasionally badges (pins or buttons) that professed his support for the hippie movement or his fascination with Bob Dylan. He initially wore a dark suit and plain silk shirts that progressively became "louder" and more psychedelically patterned. He later favored a bright blue velvet suit, then a bright red one, antique military dress jackets, a very broadly striped suit, psychedelically patterned silk jackets, various exotic waistcoats and brightly colored flared trousers. At Monterey, he wore a hand-painted silk jacket by Chris Jagger (Mick Jagger's brother) and a bright pink feather boa. In late 1967 he started to wear a wide-brimmed Western style hat (brand name "The Westerner"). It was adorned with a narrow purple band and various brooches, as shown in the original ''Jimi Plays Monterey'' film. This hat was stolen in 1968, and replaced later with another, crowned variously with a longer purple scarf, a star-like brooch in front and a set of silver bangles, sometimes with an angled feather, though he went hatless for protracted periods after this.

From late 1968 he began tying scarves to one leg and one arm, and in mid-1969 he gave up the hat for bandanas. He started wearing increasingly fantastic custom-made stage costume with long trailing sleeves, culminating in his African-styled "Fire Angel" outfit that he wore throughout most of his final "Cry Of Love" tour, until it began to come apart during the Isle of Wight concert. He appeared in this outfit only once more (in just the jacket) at the disastrous concert in Aarhus, Denmark. His only non-work-related vacation was a two-week trip to Morocco in July 1969 with friends Colette Mimram, Stella Benabou (the then-wife of producer Alan Douglas), and Deering Howe. Upon his return Hendrix decorated his Greenwich Village apartment with Moroccan ''objets d'art'' and fabrics. Mimram and Benabou created some of Hendrix's most memorable later attire, the shortened blue kimono-style jacket that he wore in three TV appearances and the white fringed jacket, ornamented with blue glass beads, he wore at the Woodstock Festival.

Drug use and women [link]

Hendrix is widely known for and associated with the use of psychedelic drugs, most notably lysergic acid diethylamide (LSD), as were many other famous musicians and celebrities of that time. He supposedly had never taken psychedelic drugs until the night he met Linda Keith, but had smoked cannabis and drank alcohol previously. Amphetamines are also recorded as being used by Hendrix during tours. Hendrix was notorious among friends and bandmates for sometimes becoming angry and violent when he drank too much alcohol. Kathy Etchingham spoke of an incident that took place in a London pub in which an intoxicated Hendrix beat her with a public telephone handset because he thought she was calling another man on the pay phone. Carmen Borrero, another girlfriend, says she required stitches after he hit her with a bottle after drinking and becoming jealous. Alcohol was also cited as the cause of Hendrix's 1968 rampage that badly damaged a Stockholm hotel room and led to his arrest. Paul Caruso's friendship with Hendrix ended in 1970 when Hendrix, while under the influence, punched him and accused him of stealing from him.

On May 3, 1969, while checking through Canadian customs at Toronto Pearson International Airport, Hendrix was arrested when small amounts of heroin and hashish were found in his luggage. After being released on a CAN$10,000 cash bail the same day, only four hours before his show was to begin, (and being required to appear in court at a later date), the Experience were able to play their concert at Maple Leaf Gardens. In his trial defense, Hendrix claimed that the drugs were slipped into his bag by a fan without his knowledge. He was acquitted.

By all accounts he had casual sex with many women.

Gravesite [link]

Hendrix's body was returned to Seattle and he was interred in Greenwood Memorial Park, Renton, Washington. As the popularity of Hendrix and his music grew over the decades following his death, concerns began to mount over fans damaging the adjoining graves at Greenwood, and the growing, extended Hendrix family further prompted his father to create an expanded memorial site separate from other burial sites in the park. The memorial was announced in late 1999, but Al Hendrix's deteriorating health led to delays and he died two months before its scheduled completion in 2002. Later that year, the remains of Jimi Hendrix, his father Al Hendrix, and grandmother Nora Rose Moore Hendrix were moved to the new site. The headstone contains a depiction of a Fender Stratocaster guitar, the instrument he was most famous for using —– although the guitar is shown right-side up, rather than the way Hendrix played it, upside down (left-handed).

The memorial is a granite dome supported by three pillars under which Jimi Hendrix and other family members are interred. Hendrix's autograph is inscribed at the base of each pillar, while two stepped entrances and one ramped entrance provide access to the dome's center where the original Stratocaster adorned headstone has been incorporated into a statue pedestal. A granite sundial complete with brass gnomon adjoins the dome, along with over 50 family plots that surround the central structure, half of which are currently adorned with raised granite headstones.

To date, the memorial remains incomplete: brass accents for the dome and a large brass statue of Hendrix were announced as being under construction in Italy, but since 2002 no information as to the status of the project has been revealed to the public. A memorial statue of Jimi playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle.

In May 2006, the city of Seattle honored Hendrix with the renaming of a park near Seattle's Colman School in the Central District.

Recordings [link]

Hendrix's recordings were originally released in North America on Reprise Records (a division of Warner Communications) from 1967 until 1993 and were released internationally (outside of US and Canada) on Polydor Records. (Because it was recorded to settle a legal dispute, the ''Band of Gypsys'' album was released on Capitol Records in US and Canada.) British releases of all his albums up to and including ''The Cry Of Love'' were first issued on the independent label Track Records, which was originally created by the managers of The Who. The label was later absorbed by Polydor.

In 1994, the Hendrix family prevailed in its long standing legal attempt to gain control of Jimi's music, and subsequently licensed the recordings to MCA Records (later Universal Music) through the family-run company Experience Hendrix. In August 2009, Experience Hendrix announced that it had entered a new licensing agreement with Sony Music Entertainment's Legacy Recordings division which would take effect in 2010.

Unfinished work and posthumous releases [link]

Reports that Hendrix's tapes for a concept album ''Black Gold'' had been stolen and lost from the London flat, are incorrect. Hendrix gave those tapes to Mitch Mitchell at the Isle of Wight Festival three weeks prior to his death. They are now in the possession of Experience Hendrix LLC.

Hendrix's unfinished album was partly released as the 1971 title ''The Cry of Love''. The album was well received and charted in several countries. However, the album's producers, Mitchell and Kramer, would later complain that they were unable to make use of all the tracks they wanted. This was due to some tracks being used for 1971's ''Rainbow Bridge'' and 1972's ''War Heroes'' for contractual reasons.

Material from ''The Cry of Love'' was rereleased in 1997 as ''First Rays of the New Rising Sun'', along with the rest of the tracks that Mitchell and Kramer wanted to include.

Many of Hendrix's personal items, tapes, and many pages of lyrics and poems are now in the hands of private collectors and have attracted considerable sums at the occasional auctions. These materials surfaced after two employees, under the instructions of Mike Jeffery, removed items from Hendrix's Greenwich Village apartment following his death.

In 2010, Legacy Recordings and Experience Hendrix LLC launched the 2010 Jimi Hendrix Catalog Project, starting with the release of ''Valleys of Neptune'' in March. Legacy has also released deluxe CD/DVD editions of the Hendrix albums ''Are You Experienced'', ''Axis: Bold As Love'', ''Electric Ladyland'' and ''First Rays of the New Rising Sun'', as well as the 1968 compilation album ''Smash Hits''.

Legacy [link]

Musical [link]

Hendrix synthesized many styles in creating his musical voice and his guitar style was unique, later to be abundantly imitated by others. Despite his hectic touring schedule and notorious perfectionism, he was a prolific recording artist and left behind more than 300 unreleased recordings.

His career and death grouped him with Janis Joplin, Jim Morrison and Brian Jones as one of the 27 Club, a group including iconic 1960s rock stars who suffered drug-related deaths at the age of 27 within a two year period, leaving legacies in death that have eclipsed the popularity and influence they experienced during their lifetimes.

Musically, Hendrix did much to further the development of the electric guitar's repertoire, establishing it as a unique sonic source, rather than merely an amplified version of the acoustic guitar. Likewise, his feedback, wah-wah and fuzz-laden soloing moved guitar distortion well beyond mere novelty, incorporating other effects pedals and units specifically designed for him by his sound technician Roger Mayer (such as the Octavia and Uni-Vibe) with dramatic results.

Hendrix affected popular music with similar profundity; along with earlier bands such as The Who and Cream, he established a sonically heavy yet technically proficient bent to rock music as a whole, significantly furthering the development of hard rock and paving the way for heavy metal. He took blues to another level. His music has also had a great influence on funk and the development of funk rock especially through the guitarists Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic, Prince, John Frusciante former member of the Red Hot Chili Peppers and Jesse Johnson of The Time. His influence even extends to many hip hop artists, including Questlove, Chuck D of Public Enemy, Ice-T (who covered "Hey Joe" with his heavy metal band Body Count), El-P and Wyclef Jean. Miles Davis was also deeply impressed by Hendrix and compared his improvisational skills with those of saxophonist John Coltrane, and Davis would later want guitarists in his bands to emulate Hendrix. Hendrix was ranked number 3 on VH1's ''100 Greatest Artists of Hard Rock'' behind Black Sabbath and Led Zeppelin.

Hendrix's guitar style also had significant influence upon ZZ Top guitarist Billy Gibbons, fellow Texas guitar legend Stevie Ray Vaughan, and later on Metallica guitarist Kirk Hammett and Pearl Jam's Mike McCready, among others. Hendrix's influence is also evident in the musical styles of many prominent bassists such as Stanley Clarke, Jaco Pastorius, Billy Sheehan, and Les Claypool.

Hendrix was ranked number 3 on VH1's list of the 100 Greatest Artists of Rock N' Roll, behind the Rolling Stones and the Beatles. He has been voted by ''Rolling Stone'', ''Guitar World'', and a number of other magazines and polls as the best electric guitarist of all time. Conversely and with some modesty, Hendrix when asked in a Rolling Stone interview, "How does it feel to be the greatest guitarist in the world?", Hendrix replied, "I don't know, go ask Rory Gallagher."

In 2004, ''Rolling Stone'' ranked him number 6 on their list of the 100 greatest artists of all time.

''Guitar World'''s readers voted six of Hendrix's solos among the top "100 Greatest" of all time: "Purple Haze" (70), "The Star-Spangled Banner" (52), "Machine Gun" (32), "Little Wing" (18), "Voodoo Child (Slight Return)" (11) and "All Along the Watchtower" (5).

In 1992, Hendrix was posthumously awarded the Grammy Lifetime Achievement Award.

Financial and legal [link]

When Al Hendrix died of congestive heart failure in 2002, his will stipulated that Experience Hendrix, LLC was to exist as a trust designed to distribute profits to a list of Hendrix family beneficiaries. Upon his death, it was revealed that Al had signed a revision to his will which removed Hendrix's brother Leon Hendrix as a beneficiary. A 2004 probate lawsuit merged Leon's challenge to the will with charges from other Hendrix family beneficiaries that Janie Hendrix, Al's adopted daughter, was improperly handling the company finances. The suit argued that Janie and a cousin of Jimi Hendrix (Robert Hendrix) paid themselves exorbitant salaries and covered their own mortgages and personal expenses from the company's coffers while the beneficiaries went without payment and the Hendrix gravesite in Renton went uncompleted.

Janie and Robert's defense was that the company was not profitable yet, and that their salary and benefits were justified given the work that they put into running the company. Leon charged that Janie bilked Al Hendrix, then old and frail, into signing the revised will, and sought to have the previous will reinstated. The defense argued that Al willingly removed Leon from his will because of Leon's problems with alcohol and gambling. In early 2005, presiding judge Jeffrey Ramsdell handed down a ruling that left the final will intact, but replaced Janie and Robert's role at the financial helm of Experience Hendrix with an independent trustee.

On October 5, 2011 the U.S. Supreme Court heard arguments in a case ''Golan v. Holder'' concerning the 1994 U.S. federal law that protected foreign copyrights. At stake in the outcome of this case is whether previously unprotected foreign works could be suddenly copyrighted and withdrawn from public domain. In a hypothetical argument Justice John Roberts asked "what about Jimi Hendrix?" and if Hendrix's rendition of the "Star Spangled Banner" at Woodstock violated copyright protection or was protected under public domain. Solicitor General Donald Verrilli, who defended the 1994 law, stated "maybe Jimi Hendrix could claim fair use". The music of the "Star Spangled Banner" was composed by an English musician, John Stafford Smith in the mid 1760s. The lyrics of the "Star Spangled Banner" were written by American Francis Scott Key in 1814 and the song became America's National anthem in 1931.

The Jimi Hendrix Foundation [link]

In 1987, Leon Hendrix commissioned the James (Jimi) Marshall Hendrix Foundation. This foundation is based in Renton, Washington. Though run for some time by Jimi's brother Leon Hendrix, in August 2006 Leon asked a childhood friend of Jimi Hendrix – James (Jimmy) Williams, to take control of the Foundation.

Guitar [link]

Fender Stratocaster [link]

Hendrix owned and used a variety of guitars during his career. However, his guitar of choice (and the instrument that became most associated with him), was the Fender Stratocaster. He started playing the model in 1966 and thereafter used it prevalently in his stage performances and recordings.

Hendrix bought many Stratocasters and gave some away as gifts. The original sunburst Stratocaster that Hendrix burnt at the Astoria in 1967, and that he kept as a souvenir, was given to Frank Zappa by a Hendrix roadie at the 1968 Miami Pop Festival; Zappa assumed it was the one Hendrix had played there.

Hendrix used right-handed guitars, turned upside down and restrung for left-hand playing. This had an important effect on his guitar sound: because of the slant of the Strat's bridge pickup, his lowest string had a bright sound while his highest string had a mellow sound, the opposite of the Stratocaster's intended design. Heavy use of the tremolo bar necessitated frequent tuning; Hendrix often asked the audience for a "minute to tune up", as heard on many live bootlegs of his performances.

In addition to Stratocasters, Hendrix was also photographed playing Fender Jazzmasters, Duosonics, two different Gibson Flying Vs, a Gibson Les Paul, three Gibson SGs, a Gretsch Corvette he used at the 1967 Curtis Knight sessions and miming with a right-strung Fender Jaguar on the ''Top of the Pops'' TV show, as well as several other brands. Hendrix borrowed a Fender Telecaster from Noel Redding to record "Hey Joe" and "Purple Haze", used a white Gibson SG Custom for his performances on ''The Dick Cavett Show'' in the summer of 1969, and the Isle of Wight film shows him playing his second Gibson Flying V. While Jimi had previously owned a Flying V that he had painted with a psychedelic design, the Flying V used at the Isle of Wight was a unique custom left-handed guitar with gold plated hardware, a bound fingerboard and "split-diamond" fret markers that were not found on other 1960s-era Flying Vs.

On December 4, 2006, one of Hendrix's 1968 Fender Stratocaster guitars with a sunburst design was sold at a Christie's auction for US$168,000.

Other instruments [link]

Hendrix owned a Coral electric sitar that later wound up in the possession of Peter Frampton, who used it on tour during David Bowie's 1987 world tour.

Amplifiers and effects [link]

Hendrix was a catalyst in the development of modern guitar effects pedals. His high volume and use of feedback required robust and powerful amplifiers. For the first few rehearsals he used Vox and Fender amplifiers. Sitting in with Cream, Hendrix played through a new range of high-powered guitar amps being made by London drummer turned audio engineer Jim Marshall, and they proved perfect for his needs. Along with the Stratocaster, the Marshall stack and amplifiers were crucial in shaping his heavily overdriven sound, enabling him to master the use of feedback as a musical effect, and he created a "definitive vocabulary for rock guitar".

While his mainstays were the Arbiter Fuzz Face and a Vox wah-wah pedal, Hendrix experimented with guitar effects as well. He had a fruitful association with engineer Roger Mayer who later went on to make the Axis fuzz unit, the Octavia octave doubler and several other devices based on units Mayer had created or tweaked for Hendrix. The Japanese-made Uni-Vibe, designed to simulate the modulation effects of the rotating Leslie speaker, provided a rich phasing sound with a speed control pedal, and is heard on the Band of Gypsys track "Machine Gun", which highlights use of the Uni-Vibe, Octavia and Fuzz Face.

The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects. He was also known for his trick playing, which included playing with only his right (fretting) hand and using his teeth or playing behind his back and between his legs. Hendrix had large hands and characteristically used his thumb to fret bass notes, leaving his fingers free to play melodic lines on top. A clear demonstration of this thumb technique can be witnessed in the Woodstock video; during the song "Red House" there are closeups of Hendrix's fretting hand.

Electric church[link]

"Electric Church" was a quasi-spiritual belief that electric music brings out emotions and creative ideas in people, and encourages spirituality. It was popularized by Jimi Hendrix.

On the Dick Cavett Show in 1969, Hendrix said that he designed his music so that it would be able to go "inside the soul of the person, and awaken some kind of thing inside, because there are so many sleeping people". Promoting his third album ''Electric Ladyland'', Jimi Hendrix said "the influence the psychedelics have on one is truly amazing, and I only wish more people appreciated this belief and genre". When asked why he didn't name the album "Electric Church" instead of "Electric Ladyland", Hendrix said some ladies were "electric too".

Hendrix made numerous allusions to the concept in his music, most famously in the song "Red House", in which he introduces his band by saying that he is about to present them all to the "Electric Church".

Discography [link]

The Jimi Hendrix Experience [link]

''Are You Experienced'' (1967)

''Axis: Bold as Love'' (1967)

''Electric Ladyland'' (1968)

Jimi Hendrix/Band of Gypsys [link]

''Band of Gypsys'' (1970) [recorded live]

Posthumous studio albums [link]

''The Cry of Love'' (1971)

''Rainbow Bridge'' (1971)

''War Heroes'' (1972)

''Loose Ends'' (1974)

''Crash Landing'' (1975)

''Midnight Lightning'' (1975)

''Nine to the Universe'' (1980)

''Radio One'' (1988)

''First Rays of the New Rising Sun'' (1997)

''Valleys of Neptune'' (2010)

See also [link]

Eire Apparent

Electric Church

Rainbow Bridge (film) Maui, Hawaii, 1970

Citations [link]

Further reading [link]

Charles R. Cross, ''Room Full Of Mirrors: A Biography Of Jimi Hendrix, 2005: ISBN 1401300286

Gary Geldeart & Steve Rodham, "From The Benjamin Franklin Studios 3rd Edition Parts 1, 2 & 3" 2008

Curtis Knight, ''Jimi: An Intimate Biography of Jimi Hendrix'', Praegar Publishers, New York, 1974. The book includes ''A Jimi Hendrix Discography'', compiled by John McKellar.

John Kruth, ''Bright Moments: The Life & Legacy of Rahsaan Roland Kirk'', 2004: ISBN 1566491053

Mark Lewisohn, ''The Complete Beatles Recording Sessions'', Hamlyn 1988: ISBN 0600612074. See pp. 164–5 re Apple recording studio.

Ken Matesich, ''Jimi Hendrix: A Discography'', 1982

David Stubbs, ''Jimi Hendrix: Voodoo Child: The Stories Behind Every Song'', 2003

Brad Tolinski and Ross Halfin, ''Classic Hendrix: The Ultimate Hendrix Experience'', Genesis Publications 2004

External links [link]

The Jimi Hendrix Foundation

Jimi Hendrix at MySpace

Jimi Hendrix Exhibition – slideshow by ''The First Post''

"Jimi Hendrix: 'You never told me he was that good'" Ed Vulliamy, ''The Guardian''

Category:1942 births Category:1970 deaths Category:African American guitarists Category:African American rock musicians Category:African American rock singers Category:African American singer-songwriters Category:Alcohol-related deaths in England Category:American baritones Category:American expatriates in the United Kingdom Category:American funk guitarists Category:American people of Canadian descent Category:American people of Cherokee descent Category:American record producers Category:American rock guitarists Category:Band of Gypsys members Category:Drug-related deaths Category:Grammy Lifetime Achievement Award winners Category:Lead guitarists Category:Musicians from Seattle, Washington Category:People from Renton, Washington Category:Psychedelic rock musicians Category:Rock and Roll Hall of Fame inductees Category:The Jimi Hendrix Experience members Category:United States Army soldiers

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