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Glasnost (Russian: гла́сность, IPA: [ˈɡlasnəsʲtʲ] ( listen), literally: Openness) was a policy which called for increased openness and transparency in government institutions and activities in the Soviet Union. Introduced by Mikhail Gorbachev in the second half of the 1980s,^[1] Glasnost is often paired with Perestroika (literally: Restructuring), another reform instituted by Gorbachev at the same time. The word "glasnost" is used in Russian at least since the end of the 18th century.^[2] The word was frequently used by Gorbachev to specify the policies he believed might help reduce the corruption at the top of the Communist Party and the Soviet government, and moderate the abuse of administrative power in the Central Committee. Russian human rights activist and dissident Lyudmila Alexeyeva explained glasnost as a word that "had been in the Russian language for centuries. It was in the dictionaries and lawbooks as long as there had been dictionaries and lawbooks. It was an ordinary, hardworking, nondescript word that was used to refer to a process, any process of justice of governance, being conducted in the open."^[3]

Glasnost can also refer to the specific period in the history of the USSR during the 1980s when there was less censorship and greater freedom of information.

Areas of concern [link]

While "glasnost" is associated with freedom of speech, the main goal of this policy was to make the country's management transparent and open to debate, thus circumventing the narrow circle of apparatchiks who previously exercised complete control of the economy. Through reviewing the past or by opening up the censored literature in the libraries^[4][5] and a greater freedom of speech: a radical change, as control of speech and suppression of government criticism had previously been a central part of the Soviet system. There was also a greater degree of freedom within the media.

In the late 1980s, the Soviet government came under increased criticism, as did Leninist ideology (which Gorbachev had attempted to preserve as the foundation for reform), and members of the Soviet population were more outspoken in their view that the Soviet government had become a failure. Glasnost did indeed provide freedom of expression, far beyond what Gorbachev had intended, and changed citizens' views towards the government, which played a key role in the dissolution of the Soviet Union.

Effects [link]

Relaxation of censorship resulted in the Communist Party losing its grip on the media. Before long, much to the embarrassment of the authorities, the media began to expose severe social and economic problems which the Soviet government had long denied and covered up. Long-denied problems such as poor housing, food shortages, alcoholism, widespread pollution, creeping mortality rates and the second-rate position of women were now receiving increased attention, as well as the history of Soviet state crimes against the population. In addition to serious explorations of the Soviet past and present situation relaxation of censorship resulted in an explosion of popular culture including popular Western literature and films and books on astrology, religion, and flying saucers, in short, anything official Soviet publishers had not deemed worth publishing.^[6]

Moreover, under glasnost, the people were able to learn significantly more about the doings of the administration of Joseph Stalin, including the purges and other previously classified activities. Although Nikita Khrushchev denounced Stalin's personality cult, information about the true proportions of his atrocities was still suppressed. In all, the very positive view of Soviet life which had long been presented to the public by the official media was being rapidly dismantled, and the negative aspects of life in the Soviet Union were brought into the spotlight. This began to undermine the faith of the public in the Soviet system.

Revelations about Soviet history had a devastating effect on those who had faith in communism and who had never been exposed to this information. There was a sense of betrayal and hopelessness as the driving vision of society was demonstrated to have been built on a foundation of falsehood and crimes against humanity.^[7]

Political openness continued to produce unintended consequences. In elections to the regional assemblies of the Soviet Union's constituent republics, nationalists swept the board. As Gorbachev had weakened the system of internal political repression, the ability of the USSR's central Moscow government to impose its will on the USSR's constituent republics had been largely undermined. During the 1980s, calls for greater independence from Moscow's rule grew louder. This was especially marked in the Baltic Republics of Estonia, Lithuania and Latvia, which had been annexed into the Soviet Union by Joseph Stalin in 1940. Nationalist feeling also took hold in other Soviet republics such as Ukraine, Georgia and Azerbaijan.

Starting in the mid-1980s, the Baltic states used the reforms provided by glasnost to assert their rights to protect their environment (for example during the Phosphorite War) and their historic monuments and, later, their claims to sovereignty and independence. When the Balts withstood outside threats, they exposed an irresolute Kremlin. Bolstering separatism in other Soviet republics, the Balts triggered multiple challenges to the Soviet Union. Supported by Russian leader Boris Yeltsin, the Baltic republics asserted their sovereignty.

The rise of nationalism under glasnost also reawakened simmering ethnic tensions throughout the union. For example, in February 1988, Nagorno-Karabakh, a predominantly ethnic Armenian region in the Azerbaijan SSR, passed a resolution calling for unification with the Armenian SSR, which sparked the Nagorno-Karabakh War.

During the late 1980s, as glasnost and perestroika led to the liquidation of the Soviet empire, the Dakin building was the location for a series of groups facilitating United States-Russian contacts. They included the Center for U.S.-U.S.S.R. Initiatives, which helped more than 1000 Americans visit the Soviet Union and more than 100 then-Soviet citizens visit the U.S.^[8]

While thousands of political prisoners and many dissidents were released in the spirit of glasnost, Gorbachev's original goal of using glasnost and perestroika to reform the Soviet Union was not achieved. In 1991, the Soviet Union was dissolved following a failed coup by conservative elements who were opposed to Gorbachev's reforms.

In the world of professional sports, Glasnost led to the ability for athletes to be freed from the shackles of playing only for their country in tournament events and seek professional employment opportunities elsewhere, provided they still played for the Soviet Union in international tournaments. The most visible area where this occurred was in professional hockey. Until now, any player from one of the Soviet countries wishing to play in the National Hockey League had to defect and seek political asylum in the United States or Canada. The most infamous example of this was Alexander Mogilny in 1989.

But thanks to Glasnost, many of the top players from the Soviet Union's Central Red Army team were allowed to compete with NHL teams. Though this came too late for super goalkeepers Vladislav Tretiak, many greats such as Viacheslav Fetisov, Sergei Makarov, Pavel Bure, Alexei Kasatonov, and Igor Larionov would migrate to North America to play in the NHL, while also returning to Russia to play in international tournaments. This opened the door for eventual play of top players in the Winter Olympics from all countries with the NHL suspending league play during that tournament every four years.

See also [link]

• Demokratizatsiya
• Glasnost Bowl
• Glasnost The Game
• Perestroika

Notes [link]

References [link]

Look up glasnost in Wiktionary, the free dictionary.

• Cohen, Stephen F.; Katrina Vanden Heuvel (1989 repr. 1990). Voices of Glasnost: Interviews With Gorbachev's Reformers. W. W. Norton & Company. ISBN 0393307352. 
• Gibbs, Joseph (1999). Gorbachev's Glasnost: The Soviet Media in the First Phase of Perestroika. Texas A&M University Press. ISBN 0890968926. 

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Rick James
Rick James, 1996
Background information
Birth name	James Ambrose Johnson, Jr.
Also known as	Big Jimmy; Ricky James Matthews (early career); Jimmy "The Whale"
Born	(1948-02-01)February 1, 1948 Buffalo, New York, U.S.
Died	August 6, 2004(2004-08-06) (aged 56) Burbank, California, U.S.
Genres	R&B, soul, funk, pop, soft rock
Occupations	Singer, songwriter, dancer, bandleader, record producer
Instruments	Vocal, bass, guitar, keyboards, drums and other percussion instruments
Years active	1964–2004
Labels	Gordy Records Motown Records Reprise Records Mercury Records
Associated acts	The Mynah Birds Stone City Band Heaven and Earth Mary Jane Girls Process and the Doo Rags Val Young Eddie Murphy Teena Marie
Website	www.rickjames.com
Notable instruments
Rickenbacker 4001 Gibson Les Paul

James Ambrose Johnson, Jr. (February 1, 1948 – August 6, 2004), better known by his stage name Rick James, was an American singer, songwriter, musician and record producer. James was a popular performer in the late 1970s and 1980s, scoring four number-one hits on the U.S. R&B charts performing in the genres of funk and R&B. Among his well known songs are "Super Freak", "Mary Jane" and "You and I".

In addition to his music, James gained notoriety for his wild lifestyle, which led to widely publicized legal problems, and which was famously satirized by Chappelle's Show in 2004.

Early life[link]

Rick James was born James Ambrose Johnson, Jr. in Buffalo, New York. He attended Orchard Park High School and Bennett High School before dropping out at the age of 15. One of eight children, his father, an autoworker, abandoned him and his siblings when Rick was a child. His mother, a former vaudeville dancer, later reportedly ran errands for a Mafia family to make ends meet.^{[citation needed]}

James grew up singing on street corners with fellow neighborhood boys. James' early idols included Marvin Gaye, Smokey Robinson and The Temptations (particularly his uncle, Melvin Franklin). After briefly being involved in street crime, James dropped out of high school at 15 to avoid a possible draft and joined the U.S. Naval Reserve. A year later, James left the Reserve after he began to miss weekend training, because it interfered with his music career.^{[1][not in citation given]}

Career[link]

Early career[link]

After failing to report for active duty on the USS Enterprise and in fear of arrest, James fled north to Toronto in the summer of 1964. Now using the stage name Big Jimmy, he formed his first band with future Steppenwolf member Nick St. Nicholas, initially called the Sailor Boyz. The band soon changed their name to the Mynah Birds, bassist Bruce Palmer took over for St. Nicholas in early 1965, and the group soon released their first single, "Mynah Bird Hop"/"Mynah Bird Song" for Columbia Records of Canada.

James and Palmer soon formed a new Mynah Birds lineup with guitarists Tom Morgan and Xavier Taylor, and drummer Rick Mason. In early 1966, the Mynah Birds auditioned for the Motown label in Detroit. Morgan was unhappy with the label's attitude towards the musicians and left, with Neil Young taking his place. With Young on board, the Mynah Birds returned to Motown to record an album, but their manager pocketed the advance money the label had given the band. The band fired their manager, who in turn told the label that James was actually a seaman who had gone AWOL. Motown told him to give himself up to the FBI, and the Mynah Birds' album was shelved.

James spent a year in a naval prison, after which he briefly returned to Toronto. During the summer of 1967, he formed a new version of The Mynah Birds (sometimes spelled "Myna Byrds") with Neil Merryweather. The band returned to Detroit and recorded a new version of James and Neil Young's "It's My Time", but the band broke up soon afterwards. During early 1968, James returned to Motown and became a songwriter and producer, writing under an assumed name and working with Smokey Robinson and The Miracles, Canadian band Bobby Taylor and the Vancouvers and The Spinners.

In late 1968, James and Greg Reeves moved to Los Angeles, California and formed a rock band called Salt and Pepper (under the name Rick Matthews) with drummer Steve Rumph from T.I.M.E and Michael Rummans from the Yellow Payges. A later version consisted of Coffi Hall from Mama Lion and Merryweather and guitarist Dave Burt and Keyboardist Ed Roth from Merryweather.^[2]

Former Buffalo Springfield roadie Chris Sarns played bass for a while, before Ron Johnson from Kaleidoscope stepped in the following year. The group recorded a demo for Atlantic Records, and played at The Fillmore West with Jethro Tull. In 1971, James and Roth both appeared on Buffalo Springfield bassist Bruce Palmer's solo album, The Cycle is Complete. Then they returned to Toronto, where they recorded two singles - "Big Showdown" and "Don't You Worry" - as part of Heaven and Earth, a band that also featured guitarist Stan Endersby, bass player Denny Gerrard, and drummer Pat Little. Heaven and Earth, minus Little, then merged with another local group, Milestone, to form Great White Cane with horn players Bob Doughty and Ian Kojima, drummer Norman Wellbanks, guitarist Paul C. Saenz, and keyboard player John Cleveland Hughes. The group recorded an album for Lion Records in Los Angeles in March 1972, but by that summer, they had disbanded.

In 1973, A&M Records released the first Rick James single, "My Mama", which is likely to have been recorded in Los Angeles. In 1976, James and South African guitarist Aidan Mason co-wrote "Get Up and Dance!", which was released as a single but failed to chart. In 1977, he returned to Motown as a songwriter/producer. He soon began recording for Motown's Gordy label, first with the Hot Lips and then with a new version of the Stone City Band.

Solo career[link]

In 1978, James released his debut solo album, Come Get It!, in which he played most of the instruments on the album (as he would for his next two albums afterwards before including members of his Stone City Band to back him in the studio). The album launched his solo career, thanks to the funky disco hit, "You and I", and the much smoother, soulful "Mary Jane". He followed this success with Fire It Up, and headlined his first tour in support of the album, which saw then rising funk-pop artist Prince opening for him. James' cordial relationship with Prince during the tour strained after Prince, according to James, stole all bits from his act to hype the audience. He got so fed up with this that he canceled the rest of the tour. In early 1979, he released his third album, Bustin' Out of L Seven, which like his previous two albums, focused on producing a concept project. "L Seven" was named after a street on which James grew up in Buffalo.

After a relative flop with his fourth album, Garden of Love, in 1980, in which he traded most of his disco/funk origins for a more pop-R&B flavored project, he returned to the top with the grittier Street Songs, which was also the first to include rock and new wave elements, particularly in the album's leading single, "Super Freak", which became James' biggest pop hit, reaching number-sixteen on the Billboard Hot 100 and later winning him a Grammy Award nomination. Due to this single, the follow-up top 40 smash, "Give It to Me Baby", the Teena Marie duet "Fire and Desire", and "Ghetto Life", Street Songs peaked at number-one on the R&B album chart and number-three on the pop chart, going on to sell more than three million copies; this became James' biggest-selling album and made James famous. In 1982, just as the hype from Street Songs dropped, he released the gold-selling Throwin' Down album, and followed that up with another hit album, Cold Blooded (1983), which included the hit title track. James continued to score hits with Motown into 1985 but by the end of that year he had begun to have struggles with the label.

Following the release of The Flag in 1986, James left Motown and signed a lucrative deal with Warner Bros, releasing the album, Wonderful, in 1988, which yielded the R&B hit, "Loosey's Rap". The video for the song was banned on MTV and BET for sexual content, which James labeled hypocritical. After the release of the UK-only 1989 album, Kickin', James' recording career slowed as he struggled with personal and legal problems. In 1997, a year following his release from prison for assault charges, James released his first new album in eight years, Urban Rapsody. Though James returned to live performances to promote the album, he stopped performing for a while after suffering a stroke following a show in Denver in 1998. Prior to the concert, James was interviewed on VH-1's Behind the Music, where he openly talked about his life and career and also mentioned his drug use, which he said was behind him.

During James' Motown heyday in the late seventies and early eighties, James found himself in demand and was asked to produce Teena Marie's long-awaited debut album. James originally had planned to produce a full album for Diana Ross but when Motown told him they only wanted four songs from James, he gave the songs up to Marie, including the duet, "I'm a Sucker for Your Love", for her debut album, Wild and Peaceful. The album launched not only Marie's career but a personal and professional relationship between James and Marie, which continued until James' death. In 1982, he was asked to produce a song for The Temptations' upcoming album, Reunion, after former members Eddie Kendricks and David Ruffin returned to the group for their ill-fated reunion. The song, "Standing on the Top", became a top ten R&B hit and James was credited in the song not only as a writer but as a duet singer, as well.

In 1983, he collaborated with longtime idol Smokey Robinson on their hit song, "Ebony Eyes", which became a top 30 hit on the R&B charts. That same year, he produced his longtime background vocal group The Mary Jane Girls, with their self-titled debut album, featuring the hits "All Night Long" and "Candy Man". The "Mary Jane Girls" originally consisted of Joanne "JoJo" McDuffie (lead/background vocals) and longtime session singers Julia Waters and Maxine Waters. The trio had long sung with James, who later included Kimberly "Maxi" Wuletich, Candice "Candi" Ghant and Cheryl Bailey (who used the stage name Cheri Wells) to join the group, though they didn't sing on the original records. After Wells left, she was replaced by Yvette "Corvette" Marine. In 1985, the group's second album, Only Four You included their biggest hit, "In My House: "JoJo" continued to sing lead and contributed to the backgrounds with the Water Sisters, as the other group members could not sing at all or were extremely limited vocally. Rick's band sang for the group with JoJo for concert tours. James also produced a couple of albums for his Stone City Band, releasing material by the group in 1980 and 1982 respectively. Also in 1985, James produced and wrote the Eddie Murphy hit "Party All the Time"; he also sang on the track. Following James' descent into drug abuse and his exit from Motown, the Stone City Band and the Mary Jane Girls both dissolved in 1987. Both groups reunited following James' release from prison in 1996.

Personal life[link]

James had three children, sons Rick Jr. and Tazman, and daughter Ty. At the time of his death, he was surrounded by his children and two grandchildren. James was extremely close with Teena Marie, whom he met in 1979 and began working with that same year. While James had denied that the two were romantically involved, Marie would say not only were they romantically involved but they were engaged "for two weeks". Their professional partnership lasted into 2004 when Marie released her comeback album, La Dona, which included the James duet, "I Got You". When James died, Marie said she struggled to come to terms with the loss. James' longtime girlfriend, Alfie Davidson, was said to have been a hidden fixture in James' life and was dating him for nearly a decade, even as James carried on relationships with other women, including Marie.

James began a close friendship with Eddie Murphy after the two met in 1981. Following his exit from the United States Navy in 1984, Murphy's older brother Charlie Murphy, whose first post-Navy job was working as security for his famous brother, began hanging out with James, bonding with the singer. Murphy would later recall the two's sometimes-strained relationship on Chappelle's Show, which helped to revive James' name in the public eye after years of seclusion following his mild-stroke in 1998. James also appeared in the episode recounting his memory of the experiences shared by Charlie.

James was friends with fellow Motown acts Smokey Robinson and Marvin Gaye, though his friendship with the latter artist was tested after James began dating Gaye's former wife, Janis Gaye. James became godfather of Gaye's daughter Nona. In his biography, James called Gaye "a crazy motherfucker" but said he loved him to death. Gaye was one of the singers James idolized as a teenager. James' relationship with Robinson began shortly after James signed with Motown and in 1983, the duo recorded the hit "Ebony Eyes". James also idolized former Temptations lead singer David Ruffin and his uncle, bass vocalist Melvin Franklin and grabbed at the chance to produce the hit "Standing on the Top" for them in 1982. Prior to that, the then-current lineup of the group recorded background vocals on two James-associated projects - James' Street Songs and Teena Marie's It Must Be Magic, singing on "Ghetto Life" and "Super Freak" on the former, and the title track on the latter. In "Super Freak", "It Must Be Magic" and "Standing on the Top", James famously shouted out Temptations sing!

In 1989, James met 17-year-old party goer Tanya Hijazi. The two began a romance in 1990. In 1993, the couple welcomed the arrival of their only child and James' youngest, Tazman. Following their releases from prison for their involvement in assaulting Mary Sauger and Frances Alley, the couple married in 1997. The couple's marriage dissolved in 2002.

James' lifelong drug abuse began in his teens. A longtime marijuana user, he began using cocaine in the late 1960s. Cocaine use became an addiction for James by the late 1980s and he began freebasing by the end of the decade. James recalled smoking crack cocaine in his Beverly Hills mansion and often had aluminium foil on the windows to escape onlookers. James claimed he quit cocaine when he entered prison. Though cocaine would later be found in James' bloodstream following his autopsy, it was reported that the drug wasn't at a life-threatening level at the time of his death. After his 1998 stroke, James needed a pacemaker to help him breathe and by his death was dealing with overweight problems, which also affected his health.

Legal problems[link]

The start of the 1990s brought with it a string of bizarre and sometimes horrific incidents for Rick James. His drug use was by this time public knowledge, as he was mainly addicted to cocaine; he later admitted to spending about US $7,000 a week on drugs for five years straight. In 1993, he and future wife Tanya Hijazi were accused of holding 17-year old Katie Lauren Rowley of Gloucester hostage for up to six days (accounts vary on how long she was actually held), tying her up, forcing her to perform sexual acts, and burning her legs and abdomen with the hot end of a crack cocaine pipe during a week long cocaine binge. In 1993, while out on bail for that earlier incident, Rick James, under the influence of cocaine, assaulted music executive Mary Sauger at the St. James Club and Hotel in West Hollywood. Sauger claims she met James and Hijazi for a business meeting, but said the two then kidnapped and beat her over a 20-hour period.

He was found guilty of both offenses, but was cleared of a torture charge in the crack-pipe incident that could have put him in prison for the rest of his life. He served two years in Folsom Prison, and lost US $2 million in a civil suit to one of the women. He was released in 1996.^{[citation needed]}

Final years[link]

In 2003, James was a part of a skit on Chappelle's Show called "Charlie Murphy's True Hollywood Stories". He, along with Charlie Murphy (brother of Eddie Murphy) recounted humorous stories of their experiences together during the early 1980s. During the skit, Rick James' character, played by Dave Chappelle, utters the now famous catchphrase, "I'm Rick James, bitch!" The skits were punctuated by James, as himself, explaining his past behavior with the phrase, "Cocaine is a hell of a drug!"

At the time of his death, he was working on an autobiography, The Confessions of Rick James: Memoirs of a Super freak, as well as a new album. The book was finally published toward the end of 2007 by Colossus Books. It features a picture of his tombstone. He was also supporting Teena Marie's tour of her album La Doña, and toured with her in May 2004, playing with her at the KBLX Stone Soul Picnic, Pioneer Amphitheatre, Hayward, California.^[3]

Death[link]

On the morning of August 6, 2004, Rick James was found dead in his Los Angeles, California, home at the Oakwood apartment complex on Barham Boulevard by his caretaker. James had died from pulmonary failure and cardiac failure with his various health conditions of diabetes, stroke, a pacemaker, and a heart attack. Through his autopsy, alprazolam, diazepam, bupropion, citalopram, hydrocodone, digoxin, chlorpheniramine, methamphetamine and cocaine were found in his blood.^[4] However the coroner also stated, "None of the drugs or drug combinations were found to be at levels that were life-threatening in and of themselves."^[5] He was buried at Forest Lawn Cemetery in Buffalo, New York.

Discography[link]

Studio albums[link]

• Come Get It!
• Bustin' Out of L Seven
• Fire It Up
• Garden of Love
• Street Songs
• Throwin' Down
• Cold Blooded
• Glow
• The Flag
• Wonderful
• Kickin'
• Urban Rapsody
• Deeper Still

References[link]

External links[link]

• Rick James official site
• Rick James, The Mynah Birds and Neil Young
• Rick James at the Internet Movie Database
• Rick James at Find a Grave