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Stefano Landi: IL Sant' Alessio
- Order: Reorder
- Duration: 2:01
- Published: 19 Aug 2008
- Uploaded: 21 Jun 2011
- Author: emiclassics
Stefano Landi (baptized February 26, 1587 October 28, 1639): Italian composer and teacher of the early Baroque Roman School. First performed at the Palazzo Barberini in Rome in 1632, Landis SantAlessio (Saint Alexius) is recognised as the earliest opera on an historical, rather than mythological subject. William Christie made an audio recording of this rarely-seen work some years ago, but this DVD, produced with TV station France 3, shows the opera for the first time in the full glory of a production by baroque theatre expert Benjamin Lazar. Staged in Caen (where the DVD was filmed) and Paris in October 2007, the opera was subsequently presented in concert form in London and New York, and is scheduled for the opera houses of Luxembourg and Nancy in early 2008. For his second DVD on Virgin Classics (after Monteverdis Ritorno dUlisse in patria), Christie followed authentic Roman precedent by casting the opera entirely with male singers, including a chorus of choirboys and no less than eight countertenors. Two of these are already established as star soloists on Virgin Classics: Philippe Jaroussky in the title role - with, in the words of the New York Times, heartbreaking conviction" - and Max Emmanuel Cencic, who takes the role of Alessios wife in a flamboyant yet wrenching" performance (the New York Times again). The libretto, written by Cardinal Giulio Rospigliosi (the future Pope Clement IX), tells the story of saintly sacrifice: on his wedding night Alessio departs <b>...</b>
http://wn.com/Stefano_Landi_IL_Sant'_Alessio
Johannes Ciconia - Latin Motets (2/5) Gloria
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Gloria Studio der frühen Musik Leitung Thomas Binkley Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had assumed, it were written for the death <b>...</b>
http://wn.com/Johannes_Ciconia__Latin_Motets_2/5_Gloria
Johannes Ciconia - Latin Motets (5/5) O Padua sidus precarium
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. O Padua sidus precarium Capella Antiqua München Leitung Konrad Ruhland Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had assumed, it were <b>...</b>
http://wn.com/Johannes_Ciconia__Latin_Motets_5/5_O_Padua_sidus_precarium
Johannes Ciconia - French Ballads (1/3) Le ray au soleyl
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Le ray au soleyl Andrea von Ramm, Mezzosopran Willard Cobb, Tenor Thomas Binkley, Sackbut Le ray du soleyl (The ray of the sun) is a reference to the arms of Galeazzo and his wife, Isabel of Valois, "the gentle turtle dove", and to the Duke's motto, "A bon droit". Isabel died giving birth to a son in 1371, so the composition of the canon, and Ciconia's stay at Padua, however short it may have been, can be dated slightly earlier. Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his <b>...</b>
http://wn.com/Johannes_Ciconia__French_Ballads_1/3_Le_ray_au_soleyl
Devotions from History 11/8 Three Heads Are Worse Than One - The Great Schism
- Order: Reorder
- Duration: 2:28
- Published: 08 Nov 2010
- Uploaded: 08 Nov 2010
- Author: ruthieoberg
In November of 1414, the Council of Constance convened...to try to end the Great Schism and see if we can't all just "get along".
http://wn.com/Devotions_from_History_11/8_Three_Heads_Are_Worse_Than_One__The_Great_Schism
Johannes Ciconia - Italian Ballads (2/3) Chi nel servir
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Chi nel servir Andrea von Ramm, Mezzosoprano Sterling Jones, Fidel Johannes Fink, Fidel Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had <b>...</b>
http://wn.com/Johannes_Ciconia__Italian_Ballads_2/3_Chi_nel_servir
Johannes Ciconia - French Ballads (2/3) Sus un' fontayne
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Lizadra donna Andrea von Ramm, Mezzosopran Sterling Jones, Fidel Thomas Binkley, Laute Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had <b>...</b>
http://wn.com/Johannes_Ciconia__French_Ballads_2/3_Sus_un'_fontayne
Johannes Ciconia - Latin Ballads (1/5) Albane misse celitus
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Albane misse celitus Andrea von Ramm, Mezzosopran Willard Cobb, Tenor Thomas Binkley, Sackbut Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had <b>...</b>
http://wn.com/Johannes_Ciconia__Latin_Ballads_1/5_Albane_misse_celitus
Johannes Ciconia - French Ballads (3/3) Aler m'en veus
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Aler m'en vues Andrea von Ramm, Mezzosopran Willard Cobb, Tenor When Ciconia left his native country he composed a moving song of farewell: Alers mens veux. "I wish to go to a foreign land, because pity is dead; to you, dear lady, for whom I yearn day and night..." It was a farewell to his native land at a time when there was no more pity in the world (Prince John of Bavaria was surnamed "the Pitiless"), and to the wife he loved whom he was never to see alive again... Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 <b>...</b>
http://wn.com/Johannes_Ciconia__French_Ballads_3/3_Aler_m'en_veus
Johannes Ciconia - Latin Motets (4/5) Venetia mundi splendor
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Venetia mundi splendor Capella Antiqua München Leitung Konrad Ruhland Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had assumed, it were <b>...</b>
http://wn.com/Johannes_Ciconia__Latin_Motets_4/5_Venetia_mundi_splendor
St. Peter Nolasco & the Blood Vow
St. Peter Nolasco, the Man of Mercy By Jolo Tamayo At the helm of the thirteenth century, Spain - particulalrly the Iberian peninsula - was under the vestiges of the Moors (Arabs) from North Africa. A great number of Christian dwellers in Spain became captives and persecuted because of their faith. A French man was sent by the Blessed Mother to save the Christian captives, Peter Nolasco. Peter Nolasco was born in Mas-des-Saintes-Puelles, France in 1189 or 1182. Raised in a noble family of merchants, he retained his holiness and was noted for his piety, almsgiving, and a great sense of charity. He also took a vow of virginity and promised to avoid the Albigenses (heretics). At the time of the great persecution of Christians in the Iberian peninsula, Peter went to Barcelona. As the persecution increased day by day, the Blessed Mother continued to appear simultaneously to Peter Nolasco together with Saint Raymond of Penafort and King James I of Aragon. Accordingly, the Blessed Mother hailed Peter Nolasco to form a formal organization that would help free the Christian captives from the hands of the Moors. Together with Raymond of Penafort, Peter Nolasco recounted the Blessed Virgin's orders to King James I. Convinced, King James I instructed Peter Nolasco and Raymond of Penafort to establish and organize the Order of Our Lady of Mercy that would help the captives. As the organization stabilized, King James sought the help of wealthy Christians at the time. The contribution <b>...</b>
http://wn.com/St_Peter_Nolasco_the_Blood_Vow
Johannes Ciconia - Italian Ballads (3/3) Lizadra donna
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Lizadra donna Richard Levitt, Altus Sterling Jones, Fidel Thomas Binkley, Sackbut Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had assumed, it <b>...</b>
http://wn.com/Johannes_Ciconia__Italian_Ballads_3/3_Lizadra_donna
Johannes Ciconia - Latin Motets (3/5) Credo
Johannes Ciconia (c. 1370 - between June 10 and July 12, 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua. Credo Studio der frühen Musik Leitung Thomas Binkley Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI. A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had assumed, it were written for the death <b>...</b>
http://wn.com/Johannes_Ciconia__Latin_Motets_3/5_Credo
Roman Catholic Church
- Order: Reorder
- Duration: 9:25
- Published: 23 Dec 2008
- Uploaded: 26 Aug 2011
- Author: cosmotonerecords
www.marianland.comMusic by Rafael Brom Cosmotone Records - Cosmotone Music (ASCAP) cosmotonerecords.com Rafael Brom rafaelbrom.com Free MP3 Music Downloads marianland.com/musicmp301.html Radio Stations Playing Music of Rafael Brom rafaelbrom.com/musicradiomp3.html Welcome to the Catholic Church on CD-ROM www.marianland.com St. Peter's Basilica, the Holy Spirit. Extreme Unction (Anointing of the Sick), Virgin Mary, mother of Jesus, The baptism, John and the Pharisees, The Baptism of Christ, The first recorded baptisms in Alta California were performed in "The Canyon of the Little Christians". Early Christians were martyred as entertainment in the Colosseum in Rome. Of the 2700 ministers who were ultimately imprisoned there during World War II, over 2600 were Roman Catholic priests; 2000 were ultimately put to death. Saint Peter holding the Keys of Heaven. Coat of Arms of the Holy See. Coat of Arms of Vatican City. Emblem of Vatican City (from the Flag). St Peter Denying Christ. Caravaggio's depiction of the crucifixion of Saint Peter. A 6th-century encaustic icon from Saint Catherine's Monastery, Mount Sinai. The interior of St. Peter's Basilica by Giovanni Paolo Pannini. The Sermon On the Mount. A pre-1969 Latin Rite altar with reredos. Pope Benedict XVI celebrates his 81st birthday with US President George W. Bush and Mrs. Laura Bush. Jesus Christ of Nazareth. Crucifixion, Diego Velázquez, 17th c. Resurrection of Jesus. Catholic Ecumenical Councils. Icon of James the <b>...</b>
http://wn.com/Roman_Catholic_Church
Avignonesi.wmv
Visit to Fattoria le Capezzine of Avignonesi winery. In 1309, Pope Clement V moved the papal residence from Rome to Avignon. In 1377 when Pope Gregory IX restored the Holy See in Rome after his family had Avignonesi divided into three branches which settled in Rome, Siena and Montepulciano. Like all noble families consecrated part of their lives to the cultivation of land ownership. This tradition has survived to this day when Virginie Saverys, Belgian entrepreneur ship and a great lover of Tuscany and the wines of excellence, took the reins of the company, giving to Avignonesi means to carve out a role of absolute foreground of the scene Italian wine and internationally, through the maintenance of a strong spiritual heritage that binds the company to the territories of Montepulciano and Cortona, and expression, through our wines, their strong and noble character. Visita alla Fattoria le Capezzine di cantina Avignonesi. Nell'anno 1309, papa Clemente V trasferì la residenza papale da Roma ad Avignone. Nel 1377 quando papa Gregorio IX riportò la santa sede a Roma aveva al suo seguito la famiglia Avignonesi che suddivisa in tre rami si stabilì a Roma , Siena e Montepulciano. Come tutte le famiglie nobili consacrarono parte della loro proprietà terriera alla coltivazione della vite. Questa tradizione si è tramandata fino ai nostri giorni quando Virginie Saverys , imprenditrice navale belga e grande amante della Toscana e dei vini di eccellenza , ha preso le redini dell <b>...</b>
http://wn.com/Avignonesiwmv
SS. Clemens PP. IX in Basilica Sanctae Mariae Majoris ad Nives
- Order: Reorder
- Duration: 0:09
- Published: 22 Nov 2009
- Uploaded: 29 May 2010
- Author: ProVaticanus
www.zazzle.com Clemens IX (natus Iulius Rospigliosi 28 Ianuarii 1600 Pistoriae, obiit die 9 Decembris 1669, Papa catholicus, episcopus Romanus a die 20 Iunii 1667 fuit. Sua apostolica sententia erat: aliis non sibi clemens. Iulius Rospigliosi theologiae ac philosophiae Pisis studuit. Anno 1644, nuntius apostolicus in Hispania factus est. Secretarius status ac die 9 Aprilis 1657 Cardinalis Sanctae Romanae Ecclesiae a papa Alexandro VII creatus est. Inter brevem pontificatum Clementis IX Respublica Venetia insulam Cretam propter impetum Imperii Ottomanici amisit. Papa Clemens IX, cuius nepos Vincentius Rospigliosi duas expeditiones in auxilio Venetiae duxit, pugnavit frustra ut nationes Christianae Cretam defenderent. Nam die 6 Septembris 1669 Imperium Ottomanicum Cretam subegit. www.twitter.com www.youtube.com
http://wn.com/SS_Clemens_PP_IX_in_Basilica_Sanctae_Mariae_Majoris_ad_Nives
terminale
- Order: Reorder
- Duration: 2:23
- Published: 03 Feb 2009
- Uploaded: 12 Jan 2010
- Author: polinettesparrow
une année de terminale avec vous...
http://wn.com/terminale
CASTELL de PEÑISCOLA.
- Order: Reorder
- Duration: 3:22
- Published: 28 Mar 2010
- Uploaded: 21 Jun 2011
- Author: rossendgri
L'Antipapa Benet XIII, més conegut amb el nom de Papa Luna, va néixer com Pedro Martínez de Luna, a Illueca, Aragó el 1328 i morí a Peníscola, Regne de València, el 1423). Va donar suport a Robert de Ginebra i va ser elegit pels cardenals francesos a la mort de l'antipapa Climent VII, el 28 de setembre de 1394. A la mort del papa Urbà VI, el 1389, els cardenals italians van elegir Bonifaci IX; per tant, l'elecció de Benet va continuar el cisma de l'Església Catòlica. La major part de l'Església no va reconèixer Benet. La Corona d'Aragó va ser la que més fort suportà Benet, en particular encoratjats per sant Vicent Ferrer, que comptà amb el reconeixement d'Escòcia, Castella i Navarra. El 1397, l'Església francesa, que li havia donat suport, refusà decantar-se per cap dels dos. De fet, el 1398 Benet va ser empresonat en el seu palau dAvinyò i el 1409 excomunicat pel Concili de Pisa. El Concili de Constança desembocà en la fugida de Benet XIII a Peníscola, on es va fer fort durant molts anys en el castell de la vila.Finalment, Benet abdicà el 1417, tot i que sempre refusà l'elecció del papa Martí V. No obstant això, Benet va mantenir el reconeixement d'Escòcia, Castella, Navarra i Aragó, fins la seua mort. En finir, alguns cardenals creats per ell van buscar-li un successor en la persona de Climent VIII de Peníscola tot i que uns altres cardenals van nomenar successor Benet XIV, en parador desconegut. Benet XIII va tenir un paper molt important durant l'interregne de 1410 <b>...</b>
http://wn.com/CASTELL_de_PEÑISCOLA
Catholics And Freemasons Unite!
- Order: Reorder
- Duration: 4:41
- Published: 09 Mar 2010
- Uploaded: 07 Jun 2011
- Author: excatholics
"Some writers, chiefly continental, apply the term Freemasonry not only to the Freemasons proper, but also to all secret organizations which seek to undermine Christianity and the political and social institutions that have Christianity for their basis...some writers trace Freemasonry to the heresies of Eastern origin that prevailed during the Early and Middle Ages in certain parts of Europe, such as those of the Gnostics, Manichaeans, and Albigenses, some of whose mischievous tenets are, no doubt, apparent in the sect....Freemasonry in the meantime had spilt up into numerous sects, or 'rites,' all working to the common effect of destroying a belief in the divine revelation of Christianity.....Freemasonry is essentially opposed to the belief in the personality of God, whose name in the Masonic rituals veils the doctrine of blind force only governing the universe. It is also essentially subversive of legitimate authority, for by professing to furnish man with an all-sufficient guide and help to conduct, it makes him independent of the Church [the Roman Catholic Church], and tends, in spite of its occasional protests of loyalty, to bring all governments into contempt. The sect has been repeatedly condemned by learned and respectable men of all countries, Protestant and Catholic. Six Papal Bulls have been directed against it - viz. 'In eminenti,' Clement XII, 1378; 'Providas,' Benedict XIV, 1751; 'Ecclesiam Jesu Christi,' Pius VII, 1821; 'Qui graviora,' Leo XII, 1826 <b>...</b>
http://wn.com/Catholics_And_Freemasons_Unite!
Crusaders and Crusades
- Order: Reorder
- Duration: 5:58
- Published: 21 Dec 2008
- Uploaded: 20 Sep 2011
- Author: cosmotonerecords
Song fromalbum: "Life is good, enjoy it while you can" by Rafael Brom www.marianland.com Music by Rafael Brom Cosmotone Records - Cosmotone Music (ASCAP) cosmotonerecords.com Rafael Brom rafaelbrom.com Free MP3 Music Downloads marianland.com/musicmp301.html Radio Stations Playing Music of Rafael Brom rafaelbrom.com/musicradiomp3.html THE CRUSADES By Hilaire Belloc www.marianland.com The Siege of Antioch, from a medieval miniature painting, during the First Crusade, 5th century painting of Pope Urban II at the Council of Clermont, Siege of Maarat, Godefroy de Bouillon, a French knight, leader of the First Crusade and founder of the Kingdom of Jerusalem, Louis IX attacks Damietta, Baibars in battle, The Teutonic Knights in Pskov in 1240, The ever-living Frederick Barbarossa, Saladin and Guy de Lusignan after Battle of Hattin in 1187, A depiction of Pope Gregory IX excommunicating, Frisian crusaders confront the Tower of Damietta, Egypt, Honorius III, Leopold VI, Innocent III, coronation of John of Brienne as King of Jerusalem, Byzantine Emperor Manuel I Comnenus, Saladin, from a 12th-century Arab codex, Francis of Assisi, St. Francis before the Sultan — the trial by fire, Saint Francis of Assisi with the Sultan al-Kamil.15thCentury, Conquest of Constantinople by the Crusaders in 1204, Fourth Crusade was the sack of the Orthodox Christian city of Constantinople, Capture of Constantinople by the Fourth Crusade in 1204, Emperor of the Byzantine Empire Alexius IV Angelus, Siege <b>...</b>
http://wn.com/Crusaders_and_Crusades
Book 10 (Chs. 1-7) - The Hunchback of Notre Dame by Victor Hugo
Book 10.Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mark Nelson. Playlist for The Hunchback of Notre Dame by Victor Hugo - Books 1-11: www.youtube.com
http://wn.com/Book_10_Chs_1-7__The_Hunchback_of_Notre_Dame_by_Victor_Hugo
photo: Creative Commons / Святослав Викторович
The monument in Khanty-Mansiysk
photo: Creative Commons / AngMoKio
Ponte Sant'Angelo, once the Aelian Bridge or Pons Aelius, meaning the Bridge of Hadrian, is a Roman bridge in Rome, completed in 134 AD by Roman Emperor Hadrian, to span the Tiber, from the city center to his newly constructed mausoleum, now the towering Castel Sant'Angelo. The bridge is faced with travertine marble and spans the Tiber with three arches; it was approached by means of ramp from the river. The bridge is now solely pedestrian, and provides a photogenic vista of the Castel Sant'Ange
photo: Creative Commons / Mac9
Medieval aqueduct.
photo: Public Domain / Waysider83
The Church of I Gesuati (Sta Maria del Rosario) on the Zattere in Venice
photo: Creative Commons
Gian Lorenzo Bernini
photo: Creative Commons
The Leonian Triclinium
photo: Creative Commons
The natural sea grotto of the Montagna Spaccata.
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MEDFORD — Before a recent Pope John football practice, Malcolm Brown made sure a teammate headed straight to the trainer to address an injury. The wide receiver and senior captain was looking out for his teammate, providing leadership with caring and empathy. Brown knew exactly what the player...
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Pope Clement IX
| Consecration | 29 March, 1644 |
|---|---|
| Consecrated by | Antonio Marcello Barberini |
| Cardinal | 9 April, 1657 |
| Birth date | January 28, 1600| |
Pope Clement IX (28 January 1600 – 9 December 1669), born Giulio Rospigliosi, was Pope from 1667 to 1669.
Early life
Born Giulio Rospigliosi to a noble family of Pistoia, Grand Duchy of Tuscany, he was a pupil of the Jesuits. After receiving his doctorate in philosophy at the University of Pisa, he taught theology there. Later Rospigliosi worked closely with Pope Urban VIII (1623–1644), a Barberini Pope, where he worked in the Papal diplomacy as nuncio to Spain, among other posts. He was also made vicar of Santa Maria Maggiore in Rome.Rospigliosi was an accomplished man of letters, who wrote poetry, dramas and libretti, as well as what may be the first comic opera. He was also a patron of Nicolas Poussin, commissioning A Dance to the Music of Time from him and dictating its iconography.
During the reign of Pope Innocent X (1644–55), who was hostile to the Barberini and their adherents, Rospigliosi continued his appointment as papal nuncio to the court of Spain. After the accession of Pope Alexander VII (1655–67), he once again enjoyed papal favour. In 1657 he was named Cardinal-Priest of San Sisto and Secretary of State. After Alexander VII's death in 1667, an 18-day papal conclave concluded with Rospigliosi's election as Pope. Upon his succession, he took the name Clement IX.
Pontificate
Nothing remarkable occurred under Clement IX's short administration beyond the temporary adjustment of the disputes between the Holy See and those prelates of the Gallican Church who had refused to join in condemning the writings of Jansen. He was mediator during the 1668 peace of Aachen, in the wars of succession between France, Spain, England and the Netherlands.As Pope, Clement IX continued his interest in the arts. He embellished the city of Rome with famous works commissioned to Gian Lorenzo Bernini, including the angels of Ponte Sant'Angelo and the colonnade of Saint Peter's Basilica. Somewhat unusually for Popes of the era, Clement IX did not have his name displayed on monuments he built. He also opened the first public opera house in Rome, and for the Carnival celebrations of 1668, commissioned Antonio Maria Abbatini of the Sistine Chapel Choir to set to music his free Italian translation of a Spanish religious drama La Baltasara. The production had sets designed by Bernini.
Clement IX worked to strengthen Venetian defences against the Turks on the island of Crete. However, he was unable to get wider support for this cause. At the end of October 1669 Clement IX fell ill after receiving news that the Venetian fortress of Candia in Crete had surrendered to the Turks. He died in Rome, allegedly of broken heart, in December of that year. His successor, Pope Clement X (1670–1676), built him an ornate tomb in Santa Maria Maggiore.
Artistic works
Libretti
References
External links
Category:Popes Category:Italian popes Category:Opera librettists Category:People from Pistoia Category:1600 births Category:1669 deaths Category:17th-century Italian people Category:Cardinal Secretaries of State
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 12 July 1412) was a late medieval composer and music theorist who worked most of his adult life in Italy, particularly in the service of the Papal Chapels and at the cathedral of Padua.
Clercx, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, Vol. II: 1961.
Richard H. Hoppin. Medieval Music. New York: W.W. Norton & Co., 1978. ISBN 0-393-09090-6
Giuliano di Bacco, John Nádas, Margaret Bent and David Fallows. "Ciconia, Johannes." S.v. in The New Grove Dictionary of Music and Musicians, 2nd Edition. London: Macmillan, 2001.
Philippe Vendrix, editor. Johannes Ciconia: musicien de la transition. Turnhout, Belgium: Brepols, 2003. ISBN 2-503-51455-3
2004 – Zodiac. Ars Nova and Ars Subtilior in the Low Countries and Europe'' Capilla Flamenca. Eufoda 1360.
1999 The Saracen and the Dove by the Orlando Consort, Deutsche Grammophon
Johannes Ciconia Discography
Musiciens wallons
Ciconia was born in Liège, the son of a priest also named Johannes Ciconia and a woman of high standing. That the composer had the same name as at least three other men from the area around Liège has created much confusion about the biography of the composer. A Johannes Ciconia, probably the composer's father, was probably born around 1335, and worked in Avignon in 1350 as a clerk for the wife of the nephew of Pope Clement VI.
A second person by the name of Johannes Ciconia appears in records in Liège in 1385 as a duodenus, generally a person of young age; thus contemporary scholars are in agreement that this is the composer himself. Papal records suggest that this Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the early 1390s and 1401 are unknown. From this time until his death in 1412, he remained connected to the cathedral of Padua. It is unclear whether he arrived in Padua earlier than 1401. If his lament, Con lagrime bagnadome, described in one text source as written for the death of Francesco of Carrara, were written for Francesco il Nuovo, then it would date from after 1406; if, as earlier scholars had assumed, it were written for the death of Francesco il Vecchio, then he would have needed to be in Padua by 1393. The possibility of an intermediate stay in Pavia has also been suggested by Nádas and Ziino, as a necessary place for him to pick up Visconti associations and to learned the ars subtilior style and compositions of Philipoctus de Caserta quoted in his Sus un fontayne.
Ciconia's music has evidenced a comparable commingling of styles. Music typical of northern Italy, such as his madrigal Una panthera, is combined with the French ars nova. The more complex ars subtilior style surfaces in one work noted above, and the late Medieval style begins to morph into writing which points towards the melodic patterning of the Renaissance, for instance in his setting of O rosa bella. He wrote music both secular (French virelais, Italian ballate and madrigals) and sacred (motets, mass movements, some of them isorhythmic). He is also the author of two treatises on music, the Nova Musica, and De Proportionibus (which is an extract and expansion of some ideas from Nova Musica). His music-theoretical ideas stem from the more conservative Marchettian tradition, and can be contrasted with those of his Paduan contemporary Prosdocimus de Beldemandis.
Though contrafacts and later sources of his compositions suggest that he was well-known in Florence, his music is scarcely represented in the large Florentine sources; for instance there is no section for his works in the Squarcialupi Codex. Thus, the most relevant source for Ciconia's music is the Q15 Manuscript, (Bologna, International museum and library of music).
References and further reading
Example
Old French text:
1 Sus un fontayne en remirant 2 Oy chanter si douchement 3 Que mon coeur, corps et pensement, 4 Remanent pris en attendant 5 D'avoir merchi de ma dolour 6 Qui me trepount au cuer forment 7 Seul de veoir ce noble flour 8 Qui tant cantoit suavement.
9 Que choise nulle say en recivant 10 Pavour, tremour et angossment 11 Que fer[e] duis certaynement, 12 Tant suy de ly veoir desirant.
[Sus un fontayne en remirant Oy chanter si douchement Que mon coeur, corps et pensement Remanent pris en attendant.]
Translation
1 By a fountain while l am looking around 2 I hear such sweet singing 3 That my heart, body and mind 4 Remain captive while waiting. 5 To receive mercy from my grief 6 Which strongly strikes me in my heart 7 Only to this noble flower. 8 That was singing so beautifully 9 For I have no choice but to suffer 10 Fear, trembling and anguish 11 That I must bear certainly 12 So desirous am I to see
Here a short translation or explanation
And here the whole song on You tube
Recording
External links
References
Category:14th-century births Category:1412 deaths Category:Medieval composers Category:Franco-Flemish composers Category:Trecento composers Category:Music theorists Category:Ars subtilior composers Category:Walloon people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
