Christianity portal

^{[original research?]}

Praying Hands by Albrecht Dürer.

Coptic altar in Jerusalem.

In Christianity, worship is adoration and contemplation of God.

Overview[link]

An altar (shown above) is a solid stone or wooden table used for the celebration of the Eucharist in some Christian worship rites.

Throughout most of Christianity's history, corporate Christian worship has been primarily liturgical, characterized by prayers and hymns, with texts rooted in, or closely related to, the Scripture, particularly the Psalter; this form of sacramental and ceremonial worship is still practiced by the Roman Catholic, Eastern Orthodox, and Anglican churches, as well as some Protestant denominations such as Lutheranism and Methodism. The very term liturgy is derived from the Greek leitourgia meaning "public service" and is formed by two words: "laos" (people) and "ergon" (work), literally "work of the people". Responsorial prayers are a series of petitions read or sung by a leader with responses made by the congregation. Set times for prayer during the day were established (based substantially on Jewish models), and a festal cycle throughout the Church year governed the celebration of feasts and holy days pertaining to the events in the life of Jesus, the lives of the saints, and aspects of the Church's perception of God.^{[citation needed]}

A great deal of emphasis was placed on the forms of worship, as they were seen in terms of the Latin phrase lex orandi, lex credendi ("the rule of prayer is the rule of belief")—that is, the specifics of one's worship express, teach, and govern the doctrinal beliefs of the community. According to this view, alterations in the patterns and content of worship would necessarily reflect a change in the faith itself. Each time a heresy arose in the Church, it was typically accompanied by a shift in worship for the heretical group. Orthodoxy in faith also meant orthodoxy in worship, and vice versa. Thus, unity in Christian worship was understood to be a fulfilment of Jesus' words that the time was at hand when true worshippers would worship "in spirit and in truth" (John 4:23).

New Testament[link]

Early Church Fathers[link]

Worship at a Byzantine Catholic altar.

Subsequently the theme of worship is taken up by many of the Church Fathers including Justin Martyr, Irenaeus and Hippolytus of Rome (c. 170-c. 236), and seems to be liturgical. The Holy Eucharist was the central act of worship in early Christianity. The liturgical aspect of the synagogues and the ritual of the Jewish temple, both of which were participated in by early Christians, helped shape the form of the early Christian liturgy of the word and the liturgy of the Eucharist in the Mass of the Catholic Church. The early Christian use of incense in worship seemed first to originate in Christian funeral rites, and later used during regular worship services. Incense was also used in the Bible to worship God and symbolize prayer, in both the Old Testament and New Testament; one of the three Magi offered Christ frankincense, and in the Book of Revelation, angels and saints appear in Heaven offering incense to God, thus setting a precedent for Christian use of incense in worship.

Reformation liturgies[link]

Worship as singing underwent great changes for some Christians with the Protestant Reformation. Martin Luther, a music lover, composed hymns that are still sung today, and expected congregations to be active participants in the service, singing along.^{[citation needed]}

John Calvin, in Geneva, argued that while instrumental music had its time with the Levites of the Old Testament, it was no longer a proper expression for the church.^{[citation needed]} This was expanded upon by John Knox (see Presbyterian worship); only Psalms were sung, and they were sung a cappella. Furthermore, in the Genevan and Scottish Reformed tradition, man-made hymns are not sung, being seen inferior to the God-inspired psalms of the Bible. The Calvinist Regulative Principle of Worship distinguishes traditional Presbyterian and Reformed churches from the Lutheran or other Protestant churches.

This section requires expansion.

Present day[link]

Children at a Gospel presentation

Current Christian worship practices are diverse in modern Christianity, with a range of customs and theological views. Three broad groupings can be identified, and whilst some elements are universal, style and content varies greatly due to the history and differing emphases of the various branches of Christianity.

In many Christian traditions, regular public worship is complemented by other forms of worship, such as individual meditation, prayer and study, small group prayer (often linked with Bible study),^[1] and formal ceremonies on special occasions, including weddings, funerals, baptisms and events of Church or state.^{[citation needed]}

Common elements[link]

While differing considerably in form, the following items characterise the worship of virtually all Christian churches.

• Meeting on Sunday (Sabbath in Christianity; Sabbath in seventh-day churches is an exception)
• Bible readings^[2]
• Communion or the Eucharist
• Music, either choral or congregational, either with or without instrumental accompaniment
• Prayer
• Teaching in the form of a sermon or homily
• A collection or offering

Sacramental tradition[link]

Pope Benedict XVI elevating the Eucharist for worship of the faithful amidst incense.

This grouping can also be referred to as the Eucharistic or Catholic tradition, but it is important to note that it is not limited to the Catholic Church. It also includes the Oriental Orthodox churches, the Eastern Orthodox churches, the Lutheran churches and most branches of the Anglican Communion. Worship (variously known as the Mass, Divine Liturgy, Divine Service, Eucharist, or Communion) is formal and centres on the offering of thanks and praise for the death and resurrection of Christ over the people's offerings of bread and wine, breaking the bread, and the receiving of the Eucharist, seen as the body and blood of Jesus Christ. Churches in this group understand worship as a mystic participation in the death and resurrection of Christ, through which they are united with him and with each other. Services are structured according to a liturgy and typically include other elements such as prayers, recitations, hymns, choral music, the reading of Scripture, and some form of teaching or sermon. In the theology of the Catholic Church, the Mass takes on another dimension, that of a sacrifice with is a ritualistic re-presentation of the Body and Blood of Christ to God the Father. The service is usually led by a priest who wears vestments (sacred clothing).

Reformation tradition[link]

In many other Protestant traditions, particularly non-conformist groups such as the Methodist, Baptist, and Presbyterian churches, but also some parts of the Anglican Communion, corporate worship is shaped by the legacy of the Reformation. The emphasis is on the Bible as the ultimate authority in all matters and services therefore focus on a sermon, which is frequently an exposition of part of the Bible or an exhortation on morality or faith. Worship in such a context also generally features spoken prayer (either unscripted or prepared), Scripture readings, and congregational singing of hymns. Some liturgy is normally used but may not be described as such. The Lord's Supper, or "Communion", is celebrated less frequently (intervals vary from once a week to annually according to the denomination or local church), and a small number of groups such as the Salvation Army do not observe Communion. Vestments are less elaborate or absent, and in some traditions services may be led by laity.^{[citation needed]}

The Charismatic Movement[link]

An editor has expressed a concern that this article lends undue weight to certain ideas, incidents, controversies or matters relative to the article subject as a whole. Please help to create a more balanced presentation. Discuss and resolve this issue before removing this message. (November 2011)

Since the late 1960s, there have been significant changes to Protestant worship practices, resulting from both the theological and musical influences of the charismatic movement.

First, contemporary worship music is now widespread and can be found in many churches, including those that do not subscribe to a charismatic theology. This music is written in the style of popular music or folk music and therefore differs considerably from traditional hymns. It is frequently played on a range of instruments that would not have previously been used in churches such as guitars (including electric) and drum kits. Use of the pipe organ is therefore less prevalent.

Second, a new music-centred approach to worship, known as contemporary worship, is now commonplace. The replaces the traditional order of worship based around liturgy or a "hymn-prayer sandwich" with extended periods of congregational singing sometimes referred to as "block worship". A contributing factor to this, again resulting from the charismatic movement, is the creation of numerous new churches (such as the Vineyard churches), which have experienced significant growth and dramatically altered the composition of Protestant Christianity. These new churches are outside of established denominations and adopted charismatic theology and contemporary forms of worship from the outset.

Within the Catholic Church, the charismatic movement has had much less influence on the structure of regular worship, although contemporary worship music is increasingly finding its place in many parishes, owing a large part to a movement known as the Catholic Charismatic Renewal. ^[3][4][5] Worship practices in the Eastern Churches have largely remained unchanged.

Types of Christian worship[link]

Sacraments, Ordinances, Holy Mysteries[link]

• Common to almost all
  • Baptism
  • Eucharist, Communion, Lord's Supper

• Sacraments/Holy Mysteries Common to the East and to Roman Catholicism
  • Chrismation (Eastern) / Confirmation (Western)
  • Marriage
  • Ordination
  • Confession
  • Anointing of the Sick (Unction)

• Sacraments/ Ordinances of In the View of Protestants
  • Marriage
  • Confirmation
  • Ordination
  • Confession
  • Anointing of the Sick

Other Liturgical Traditions: Non-Sacraments[link]

• Traditions common to Eastern Christianity and to Roman Catholicism
  • Canonical hours
  • Vespers
  • Compline
  • Nocturns/Midnight Office
  • Orthros/Matins
  • Funeral service

• Eastern Christianity
• Divine Liturgy
  • Liturgy of St. John Chrysostom
  • Liturgy of St. Basil the Great
  • Liturgy of St. James
  • Liturgy of St. Mark
  • Liturgy of Addai and Mari
  • Presanctified Liturgy
• Paraklesis
• Moleben
• Akathist

• Roman Catholicism
  • Liturgy of the Hours
  • Lauds
  • Vespers
  • Mass
  • Tenebrae
  • Stations of the Cross

Major collections[link]

• Book of Common Prayer

Prayer[link]

• Prayer in Christianity
• Intercession
• Prayer in the New Testament
• Lord's Prayer
• Jesus Prayer
• Hail Mary

Psalms[link]

• Psalms

Profession of Faith[link]

• Apostles' Creed
• Nicene Creed
• Athanasian Creed
• A New Creed

Other[link]

• Christian meditation

Music[link]

• Christian music
• Hymn
• Canticle
• Chorale

Chant[link]

• Byzantine chant
• Gregorian chant
• Russian chant
• Coptic chant
• Anglican chant

Classical & Baroque[link]

• Johann Sebastian Bach
• George Frederick Handel
• Mass (music)

Modern[link]

• Spiritual (music)
• Gospel music
• Olivier Messiaen

Contemporary[link]

• Contemporary Christian music
• Contemporary worship music

See also[link]

• Devotional literature
• Church service
• Service of worship
• Contemporary worship
• Alternative worship

References[link]

• Stevens, James H. S. (2002), Worship In The Spirit - Charismatic Worship In The Church of England, Paternoster, ISBN 1-84227-103-2.
• Ward, Pete (2005), Selling Worship - How What We Sing Has Changed The Church, Paternoster, ISBN 1-84227-270-5
• Warner, Rob (2007), Reinventing English Evangelicalism 1966-2001 - A Theological And Sociological Study, Paternoster, ISBN 978-1-84227-570-2. Chapter 2 includes a study of changing worship styles.
• Lupia, John N., (1995) "Censer," The New Grove's Dictionary of Art (MacMillan Publishers, London)

See also[link]

Theological aesthetics

Song In (in hangul 송인, in hanja 宋仁) was a civil official in the mid-Goryeo era who became the intermediary founder of the Jincheon Song clan. His highest post was munha pyeongjangsa (문하 평장사). This was the highest government position in the period. Song In was responsible for administration, judicial affairs and economy in the district.^[1]

As he performed meritorious deeds during the King, he was conferred with Chanhwagongsin and Jincheonbaek. Baek was a position of politicians who were responsible for administration, judicial affairs and economy in the district. As the government created him Jincheonbaek, his family started regarding Jincheon as their origin. Hence, the family origin became Jincheon Song.

When he was in the position of Sangsanbaek, he tried to be just and fair in all the administrative affairs and strived to enhance the welfare of his people. He also focused on education for the youth and courtesy for people, which made his district famous for most excellent behaviors in the nation. After that, the people have long paid tribute to his feats.

During the insurrection of Yi Jagyeom in the 4th year of King Injong of Goryeo's reign in 1126, he was killed by a rebellious band led by Cheok Jun-gyeong while escorting the king. After the rebels were put down, Song In was posthumously named 'meritous subject' and titled Lord Sangsanbaek (상산백).

Song In was born in Durujinmaeul (village), Duchon-ri, Deoksan-myeon in 1125 during the reign of King Injong of the Goryeo Dynasty. He was promoted to Pyeonjangsa, which was the highest government position in the period.

Tomb of Song In[link]

Chungcheongbuk-do Monument No. 91 Location: Duchon-ri, Deoksan-myeon, Jincheon-gun

This is the tomb of Song In (?-1126). It has a rectangular-shaped protective wall surrounding the tomb, typical of the Goryeo style. There are two tombstones erected in the late Joseon Dynasty period.

In the grave area, there are many tombs that belong to the clan. In front of his tomb stands the jaesil (chamber for memorial rites) with the tablet reading 'Sangsanjae'.

His grave is in Duchon-ri, Deoksan-myeon, which had been called Duruji, Sanjeong-myeon. The beautiful peak behind his grave is called Mountain Bibong which was named after Bongsae (bird) that is said to live in heaven and to fly down to sit on the summit. However, after the statue was inscribed of In Gong, the founder of Jincheon Song, the peak was compared to a slowly dropped ume flower. Thus, Mountain Bibong was called Maesanbibong, in which 'Mae' was named after an ume flower instead of a bird.

As he was a meritorious subject and served as a Pyeongjangsa (higher government official), the government ordered his grave mound to be surrounded by stones and a monument. The grave is one of the oldest ones in Jincheon and is recorded in Seokchong (stone tomb) in Hwanyeoseungram.

Thousands of descendents of Jincheon Song are living across the nation. Song Guk-cheom and Song Eon-gi who were devoted to fight against the Mongolian invasion into Goryeo are also the offspring of Jincheonbaek.

See also[link]

• Song (Korean name)
• Bon-gwan

References[link]

External links[link]

• Photo of the tomb
• Song In
• Monument 91, Tomb of Song In
• Jincheon Song bon-gwan information (Korean)
• Jincheon Song bon-gwan website (Korean)
• http://www.jincheon.go.kr/english/sub04/sub0404_01.jsp

This Korean biographical article is a stub. You can help Wikipedia by expanding it. v t e

This Korean history-related article is a stub. You can help Wikipedia by expanding it. v t e