Mehdi Hassan Khan (Urdu: مہدی حسن خان ) is a Pakistani ghazal singer and a former playback singer for Lollywood. He is famously known as the 'King of ghazal' (Urdu: شہنشاہِ غزل). He has ruled the Pakistan film industry along with Ahmed Rushdi. He was honoured with Tamgha-e-Imtiaz, Pride of Performance and Hilal-e-Imtiaz by the Government of Pakistan, and Gorkha Dakshina Bahu by the Government of Nepal.

Career[link]

Mehdi Hassan was born on 18 July 1934 in a village called Luna in Rajasthan, India into a family of traditional musicians. He claims to be the 16th generation of hereditary musicians hailing from the Kalawant clan of musicians. Mehdi Hassan had his musical grooming from his father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both traditional Dhrupad singers. Hassan started to perform at a young age and the first concert of dhrupad and kheyal with his elder brother is reported to have been held in Fazilka Bungla^[1], near present DC House (1935) of Undivided Punjab. After the Partition of India, 20-year-old Hassan and his family migrated to Pakistan and suffered severe financial hardships.

To make both the ends meet Mehdi started working in a bicycle shop and later became a car and diesel tractor mechanic. Despite the hardships, his passion for music didn’t wither and he kept up the routine of practice on a daily basis.

The struggle ended when Mehdi Hassan was given the opportunity to sing on Radio Pakistan in 1957, primarily as a thumri singer, which earned him recognition within the musical fraternity. At the time, Ustad Barkat Ali Khan, Begum Akhtar and Mukhtar Begum were considered the stalwarts of ghazal rendition.^{[citation needed]}

He also had a passion for Urdu poetry and began to experiment by singing ghazals on a part-time basis. He cites radio officers Z.A. Bukhari and Rafiq Anwar as additional influences in his progression as a ghazal singer. He is known as the best ghazal singer of all times.

Later career[link]

Following a severe illness in the late 80s, Mehdi Hassan stepped down from playback singing. Later due to severity of his illness he completely departed from music. In October 2010, HMV released "Sarhadein" in which probably the first and last duet song "Tera Milana" featuring Mehdi Hassan and Lata Mangeshkar was released. This song was composed by Mr. Hassan himself written by Farhat Shahzad. Mr. Hassan recorded it in Pakistan in 2009, and Lata Mangeshkar later heard the track and recorded her part in India in 2010 and later mixed together for a duet.

Awards[link]

He has been the recipient of numerous awards and recognitions: the Tamgha-i-Imtiaz granted to him by Gen Ayub Khan; the Pride of Performance bestowed on him by Gen Ziaul Haq; and the Hilal-i-Imtiaz conferred by Gen Pervez Musharraf. Besides the Nigar Film and Graduate Awards from Pakistan, he was presented the Saigal Award in Jalandhar, India, in 1979, whereas the Gorkha Dakshina Bahu Award was given to him in Nepal in 1983. Recently, he travelled to Dubai to receive yet another award.

Personal life[link]

He has been suffering from a serious lung condition for the past few years. There were rumours of his death on 13/01/2012, however his son Asif Mehdi confirmed that the death rumours were fake, and he is responding to treatments and recovering now.^[2]

Albums[link]

Some of his albums are:

• Kehna Usey
• Nazrana
• Live at Royal Albert Hall
• Andaz-e-Mastana
• Classical Ghazals vol. 1, 2, 3
• Dil Jo Rota Hai
• Ghalib Ghazals
• Ghazals For Ever Vol 1
• Golden Collection Of Mehdi Hasan Vol 1, 2
• Golden Greats
• In Concert
• Khuli Jo Aankh
• Life Story
• Live at Khambays
• Live Concert in India
• Mehdi Hassan
• Mehdi Hassan Ghazals Vol 1
• Sada E Ishq
• Sarhadein
• Sur Ki Koi Seema Nahin
• The Finest Ghazals
• The Legend
• Yaadgar Ghazalen Vol 1
• Tarz(with Shobha Gurtu)
• Naqsh-e-Faryadi

Ghazals[link]

• Aage barhe na qissa -e -ishq -e- butaan se hum
• Aaj Tak Yaad Hai Woh Piar Ka Manzar
• Aankhon Se Mili Aankhen
• Aap Ki Aankhon Ne
• Aaye kuchh abr kuchh sharaab aaye (poet: Faiz Ahmed Faiz)
• Ab Ke Hum Bichde To Shaayad Kabhi Khwaabon Mein Mile (poet: Ahmed Faraz)
• Ae Raushnion Ke Shahr
• Apnon Ne Gham Diye To Yaad Aa Gaya
• Bhuuli bisri chand umeedein
• Chalte ho to chaman ko chaliye
• Charaag-e-toor Jalao Bada Andhera Hai
• Dekh to dil keh jaan se uthta hai
• Dil-E-Nadan Tujhe Hua Kya Hai (poet: Mirza Ghalib)
• Dil Ki Baat Labon Par Laakar.
• Dil Men Toofan Chupae Betha Hon
• Duniya Kisi Ke Pyaar Mein Jaanat Se Kam Nahin
• Dayam Pada Hua Tere Dar Pe Nahi Hoon Main (poet: Mirza Ghalib)
• Ek Bar Chale Aao
• Ek Bus Tu Hi Nahin Mujhse Khafa ho Baitha (poet: Farhat Shezhad)
• Ek Sitam Aur Meri Jaan, Abhi Jaan Baqi Hai (poet: Masroor Anwar)
• Fikr hii thaharii to dil ko fikr-e-Khubaan kyon Na Ho (poet: Josh Malihabadi)
• Ga Mere Dewane Dil
• Garmii-E-Hasarat-E-Naakaam Se Jal Jaate Hai.N
• Gulon Main Rang Bhare, Baad-e-Naubahaar Chale (Lyrics: Faiz Ahmed Faiz)
• Gulshan gulshan shola e gul ki
• Guncha-e-Shauq Laga hei Khilne
• Hamari Sanson Men Aaj Tak
• Har Dard Ko
• Hum mei koi ghum nahi tha ghum-e-aashiqi sai pahlay
• Ik Husn Ki Dewi Se Mujhe Pyaar Hua Thaa
• Ik khalish ko haasil-e-umr-e-ravaan rehne diya (poet: Adeeb Saharanpuri)
• Jab Bhi Aati Hei Teri Yaad Kabhi Shaam ke Baad
• Jab Bhi Chahen Ek Nai Sorat
• Jab Bhi Pee Kar
• Jab Koi Piar Se Bulaae Ga
• Jab Us zulf Ki Baat Chali
• Jahan Jake Chain
• Kahan Gai Woh Wafa
• Khuli Jo Aankh Woh Tha (poet: Farhat Shezhad)
• Kiya Hei Pyaar Jisse Humne Zindagi ki Tarah
• Kya Bhala Mujhko Parakhne Ka Nateeja Nikla
• Kyoon Humse Khafa Ho Gaye Ae Jaan-E-Tamanna
• Main Hosh Mein Tha
• Main khayal houn kisi aur ka (poet: Saleem Kausar)
• Main nazar se pee rha hoon
• Mohabat Karne Wale
• Mohabat Zindagi Hai Aur Tum Meri Mohabat Ho
• Mujhe Tum Nazar Se Gira To Rahe Ho
• Naavak andaz jidhar diida-e-jaana honge
• Patta Patta Boota Boota
• Phuul hi phuul khil utthe
• Pyaar Bhare Do Sharmile Nain
• Rafta Rafta Wo Meri Hasti Ka Saamaan Ho Gaye
• Ranjish Hi Sahi Dil Hi Dukhaane Ke Liye Aa
• Rim Jhim Ki Barsaat Hai Aur Jaage Huye Jazbaat Hain
• Roshan Jamal-e-yaar Se Hain
• Saamne Aa Ke Tujhko Pukara Nahin
• Sahar Ho Rahi Hai
• Shikwa Na Kar Gila Na Kar Ye Duniya Hai Pyaare
• Shola Tha Jal Bujha Hoon (penned by: Ahmed Faraz)
• Tanha Thi Aur Hamesha Se Tanha Hai Zindagi
• Tark-e-Ulfat Ka Sila
• Tere Bheege Badan Ki Khooshboo Se
• Tere Mere Piar Ka Aisa Nata Hai
• Toote Hue Khwabon Ke Liye
• Thah ar Thorri Der To
• Tu Meri Zindagi Hei (Copied by Nadeem Sharavan in "Ashiqi" Hindi Movie India)
• Usne Jab Meri Taraf
• Uzr Aane Mein Bhi Hei Aur Bulaate bhi nahin
• Wo Dil Nawaaj Hei Lekin Nazar Shinaas Nahin
• Yaaro Kisii Qaatil Se Kabhii Pyaar Na Maa.Ngo
• Yun na mil mujhse khafa ho jaise
• Ye Dhooan Kahan Se Uthta Hei
• Ye Kaghzi Phool Jaise Chahre
• Ye Mojazaa Bhii Muhabbat Kabhii Dikhaaye Mujhe
• Ye Tera Naazuk Badan Hai Ya Koi Mehka Gulaab
• Yoon Zindagi Ki Raah Mein Takra Gaya Koi
• Zindagi Mein To Sabhi Pyaar Kiya Karte Hain
• Zulf Ko Teri Ghataon Ka Payam Aaya Hai
• Mehadi Hassan also sung Persian/dari Ghazals In Kabul Afghnistn in 1970s.[1]

See also[link]

• Ghulam Ali

References[link]

Download Songs from musicmela.pk

• Mehdi Hassan Video Collection
• Lyrics and Translations of Mehdi Hassan Songs
• Songs and Albums by Mehdi Hassan
• Songs And Albums By Pakistani Singers
• Mehdi Hasan Songs
• Mehdi Hassan
• Shahanshah-e-Ghazal
• Mehdi Hassan & the complete list of his film songs
• Mehdi Hassan Biography on Sadarang Archives
• Indian Express

External links[link]

• Mehdi Hassan at the Internet Movie Database

Lata Mangeshkar
Mangeshkar in 2008
Background information
Born	(1929-09-28) September 28, 1929 (age 82) Indore, Central India Agency, British India
Genres	Film music (playback singing)
Occupations	Singer
Instruments	Vocals
Years active	1942–present

Lata Mangeshkar (born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India.^[1][2] Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.^[3]

Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.^[4][5] In 2011 Guinness officially acknowledged Bhosle as the most recorded artist in music history.^[6]

Early life[link]

Lata Mangeshkar was born in Sikh Mohalla,^[7] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.^[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.^[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career[link]

Early career in the 1940s[link]

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.^[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),^[8] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."^[8] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).^[8]

Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.^[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.^[9]

One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s[link]

Mangeshkar as a young woman

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.^[8]

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s[link]

Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-E-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.^[8][10]

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), and "Tu Jahan Jahan Chalega" from Mera Saaya (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. She sang for Parasmani (1963) which was their first film together.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s[link]

In 1972, Meena Kumari's last film, Pakeezah released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman^{[citation needed]}. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards[link]

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including Maine Pyar Kiya (1989) and Hum Aapke Hain Koun..! (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge (2002) and Veer Zaara (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa), "Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.

In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.^[11]

In 1999, Mangeshkar was nominated as a member of Rajya Sabha.^[12] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.^[13][14] She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.^[13][15]

In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief.^[16] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.

On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.^[17]

Lata Mangeshkar records songs for Madhur Bhandarkar Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005), Daata Sun Le for Jail (2009) and, Kyun Yahan Hota Hai was recorded years ago for Corporate (2006), but is only being used in Heroine (2012).^{[18] [19]}

Non-singing career[link]

Music direction[link]

Lata Mangeshkar composed music for the first time in 1955 for Marathi movie Ram Ram Pavhane. Later in 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.^[20]

• 1960 - Ram Ram Pavhana
• 1963 - Maratha Tituka Melvava
• 1963 - Mohityanchi Manjula
• 1965 - Sadhi Manase
• 1969 - Tambadi Mati

She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.^{[citation needed]}

Production[link]

Lata Mangeshkar has produced four films:

• 1953 - Vaadal (Marathi)
• 1953 - Jhaanjhar (Hindi), co-produced with C. Ramchandra
• 1955 - Kanchan (Hindi)
• 1990 - Lekin... (Hindi)

Awards and recognitions[link]

Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997),^[21] NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.

In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.

In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.^[4][22] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.^[23]

Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000.^[24][25] However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250.^[26][27][28] Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.^[29] In 2011 Asha Bhosle was officially acknowledged by Guinness as the most recorded artist in music history, surpassing Mangeshkar.^[6]

See also[link]

• Playback singer
• Asha Bhosle
• List of Indian playback singers
• Bollywood songs

References[link]

Further reading[link]

• Bichu, Dr. Mandar (2011). Lata - Voice of the Golden Era. Popular Prakashan. ISBN 978-81-7991-625-4. 
• Bhimani, Harish (1995). In search of Lata Mangeshkar. Indus. ISBN 978-81-7223-170-5. 
• Bharatan, Raju (1995). Lata Mangeshkar: A Biography. UBS Publishers Distributors. ISBN 978-81-7476-023-4. 
• Kabir, Nasreen Munni (2009). Lata Mangeshkar: In Her Own Voice. Niyogi Books. ISBN 978-81-89738-41-9. 
• Lata, Mangeshkar (1995). Madhuvanti Sapre and Dinkar Gangal. ed (in Marathi). In search of Lata Mangeshkar. Harper Collins/Indus. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.
• Nerurkar, Vishwas (in Hindi). Lata Mangeshkar Gandhar Swaryatra (1945-1989). Mumbai: Vasanti P. Nerukar. .
• Bichhu, Mandar V. (1996) (in Hindi). Gaaye Lata, Gaaye Lata. Sharjah: Pallavi Prakashan. ISBN 978-81-7223-170-5. . A collection of articles written by Lata Mangeshkar since 1952.

External links[link]

Wikimedia Commons has media related to: Lata Mangeshkar

• Lata Mangeshkar at the Internet Movie Database

Awards for Lata Mangeshkar v t e Bharat Ratna laureates Sarvepalli Radhakrishnan (1954) C. Rajagopalachari (1954) C. V. Raman (1954) Bhagwan Das (1955) Mokshagundam Visvesvarayya (1955) Jawaharlal Nehru (1955) Govind Ballabh Pant (1957) Dhondo Keshav Karve (1958) Bidhan Chandra Roy (1961) Purushottam Das Tandon (1961) Dr. Rajendra Prasad (1962) Dr. Zakir Hussain (1963) Pandurang Vaman Kane (1963) Lal Bahadur Shastri (1966) Indira Gandhi (1971) V. V. Giri (1975) K. Kamaraj (1976) Mother Teresa (1980) Acharya Vinoba Bhave (1983) Khan Abdul Ghaffar Khan (1987) M. G. Ramachandran (1988) B. R. Ambedkar (1990) Nelson Mandela (1990) Rajiv Gandhi (1991) Sardar Vallabhbhai Patel (1991) Morarji Desai (1991) Abul Kalam Azad (1992) J. R. D. Tata (1992) Satyajit Ray (1992) A. P. J. Abdul Kalam (1997) Gulzarilal Nanda (1997) Aruna Asaf Ali (1997) M. S. Subbulakshmi (1998) Chidambaram Subramaniam (1998) Jayaprakash Narayan (1998) Ravi Shankar (1999) Amartya Sen (1999) Gopinath Bordoloi (1999) Lata Mangeshkar (2001) Bismillah Khan (2001) Bhimsen Joshi (2008) v t e Dadasaheb Phalke Award 1969–1980 Devika Rani Chaudhuri Roerich (1969) B. N. Sircar (1970) Prithviraj Kapoor (1971) Pankaj Mullick (1972) Ruby Myers (1973) Bommireddy Narasimha Reddy (1974) Dhirendranath Ganguly (1975) Kanan Devi (1976) Nitin Bose (1977) Rai Chand Boral (1978) Sohrab Modi (1979) Paidi Jairaj (1980) 1981–2000 Naushad Ali (1981) L. V. Prasad (1982) Durga Khote (1983) Satyajit Ray (1984) V. Shantaram (1985) Bommireddy Nagi Reddy (1986) Raj Kapoor (1987) Ashok Kumar (1988) Lata Mangeshkar (1989) Akkineni Nageswara Rao (1990) Bhalji Pendharkar (1991) Bhupen Hazarika (1992) Majrooh Sultanpuri (1993) Dilip Kumar (1994) Rajkumar (1995) Sivaji Ganesan (1996) Pradeep (1997) B. R. Chopra (1998) Hrishikesh Mukherjee (1999) Asha Bhosle (2000) 2001–present Yash Chopra (2001) Dev Anand (2002) Mrinal Sen (2003) Adoor Gopalakrishnan (2004) Shyam Benegal (2005) Tapan Sinha (2006) Manna Dey (2007) V. K. Murthy (2008) D. Ramanaidu (2009) K. Balachander (2010) Soumitra Chatterjee (2011) v t e National Film Award for Best Female Playback Singer 1968–1980 No Award (1968) P. Susheela (1969) K. B. Sundarambal (1970) Sandhya Mukherjee (1971) P. Susheela (1972) Lata Mangeshkar (1973) No Award (1974) Lata Mangeshkar (1975) Vani Jairam (1976) P. Susheela (1977) S. Janaki (1978) Chhaya Ganguly (1979) Vani Jairam (1980) 1981–2000 S. Janaki (1981) Asha Bhosle (1982) P. Susheela (1983) P. Susheela (1984) S. Janaki (1985) K. S. Chithra (1986) K. S. Chithra (1987) Asha Bhosle (1988) K. S. Chithra (1989) Anuradha Paudwal (1990) Lata Mangeshkar (1991) Vani Jairam (1992) S. Janaki (1993) Alka Yagnik (1994) Swarnalatha (1995) Anjali Marathe (1996) K. S. Chithra (1997) K. S. Chithra (1998) Alka Yagnik (1999) Jayshree Dasgupta (2000) 2001–present Bhavatharini Ilaiyaraaja (2001) Sadhana Sargam (2002) Shreya Ghoshal (2003) Tarali Sarma (2004) K. S. Chithra (2005) Shreya Ghoshal (2006) Arati Ankalikar-Tikekar (2007) Shreya Ghoshal (2008) Shreya Ghoshal (2009) Nilanjana Sarkar (2010) Rekha Bhardwaj (2011) Rupa Ganguly (2012) v t e Filmfare Award for Best Female Playback Singer 1959–1960 Lata Mangeshkar (1959) No Award (1960) 1961–1980 No Award (1961) No Award (1962) Lata Mangeshkar (1963) No Award (1964) No Award (1965) Lata Mangeshkar (1966) No Award (1967) Asha Bhosle (1968) Asha Bhosle (1969) Lata Mangeshkar (1970) Sharda (1971) Asha Bhosle (1972) Asha Bhosle (1973) Asha Bhosle (1974) Asha Bhosle (1975) Sulakshana Pandit (1976) Hemlata (1977) Preeti Sagar (1978) Asha Bhosle (1979) Vani Jairam (1980) 1981–2000 Nazia Hassan (1981) Parveen Sultana (1982) Salma Agha (1983) Aarti Mukherji (1984) Anupama Deshpande (1985) Anuradha Paudwal (1986) No Award (1987) No Award (1988) Alka Yagnik (1989) Sapna Mukherjee (1990) Anuradha Paudwal (1991) Anuradha Paudwal (1992) Anuradha Paudwal (1993) Alka Yagnik and Ila Arun (1994) Kavita Krishnamurthy (1995) Kavita Krishnamurthy (1996) Kavita Krishnamurthy (1997) Alka Yagnik (1998) Jaspinder Narula (1999) Alka Yagnik (2000) 2001–present Alka Yagnik (2001) Alka Yagnik (2002) Kavita Krishnamurthy and Shreya Ghoshal (2003) Shreya Ghoshal (2004) Alka Yagnik (2005) Alisha Chinai (2006) Sunidhi Chauhan (2007) Shreya Ghoshal (2008) Shreya Ghoshal (2009) Kavita Seth and Rekha Bhardwaj (2010) Mamta Sharma and Sunidhi Chauhan (2011) Rekha Bhardwaj and Usha Uthup (2012) v t e Filmfare Award for Lifetime Achievement 1991 – 2000 Amitabh Bachchan (1991) Dev Anand (1992) Dilip Kumar (1993) Lata Mangeshkar (1994) Shammi Kapoor & Waheeda Rehman (1995) Ashok Kumar, Sunil Dutt & Vyjayanthimala (1996) Dharmendra, Mumtaz & Pran(1997) Sharmila Tagore (1998) Manoj Kumar & Helen (1999) Vinod Khanna & Hema Malini (2000) 2001 – 2010 Feroz Khan & Asha Bhosle (2001) Gulzar & Asha Parekh (2002) Jeetendra (2003) Sulochana Latkar, Nirupa Roy & B.R. Chopra (2004) Rajesh Khanna (2005) Shabana Azmi (2006) Javed Akhtar & Jaya Bachchan (2007) Rishi Kapoor (2008) Bhanu Athaiya & Om Puri (2009) Shashi Kapoor & Khayyam (2010) 2011 - present Manna Dey (2011) Pyarelal & Aruna Irani (2012)

Noorjehan^[1][2] or Noorjehan^[3] (Punjabi, Urdu: نور جہاں) was the adopted stage name for Allah Wasai (September 21, 1926 – December 23, 2000) who was a legendary singer and actress in British India and Pakistan. Her career spanned seven decades. She was renowned as one of the greatest and most influential singers of her time in South Asia and was given the honorific title of Malika-e-Tarannum (Urdu: ملکہ ترنم, English: the queen of melody).^[2]

Born in a Punjabi family of musicians, Wasai was pushed by her parents to follow in their musical footsteps and become a singer but she was more interested in acting in films and graced the earliest Pakistani films with her performances. She holds a remarkable record of 10,000 songs to her singing credits in various languages of India and Pakistan including Urdu, Hindi, Punjabi and Sindhi languages.^[4] Along with Ahmed Rushdi, she holds the highest record of film songs in the history of Pakistani cinema. She is also considered to be the first female Pakistani film director.

In 1957, Jehan was awarded the President's Award for her acting and singing capabilities.

Early life[link]

Noor Jehan was born in Kasur, Punjab, British India^[5] and was one of the eleven children of professional musicians Madad Ali and Fateh Bibi.^[4][6]

Career[link]

Wasai began to sing at the age of five or six years old and showed a keen interest in a range of styles, including traditional folk and popular theatre. Realising her potential for singing, her mother sent her to receive early training in classical singing under Ustad Bade Ghulam Ali Khan who was also a native of Kasur. He instructed her in the traditions of the Patiala Gharana of Hindustani classical music and the classical forms of thumri, dhrupad, and khyal.^[7] At the age of nine, Wasai drew the attention of Punjabi musician Ghulam Ahmed Chishti,^[8] who would later introduce her to stage in Lahore. He composed some ghazals, naats and folk songs for her to perform, although she was more keen in breaking into acting or playback singing. Once her vocational training finished, Wasai pursued a career in singing alongside her sisters in Lahore and would usually take part in the live song and dance performances prior to screenings of films in film theatres.

The family moved to Calcutta (now Kolkata) in hope of developing the movie careers of Wasai and her sisters. During their stay in Calcutta, the renowned singer Mukhtar Begum, encouraged Wasai and her two older sisters to join film companies and recommended them to various producers. She also recommended them to her husband, Agha Hashar Kashmiri, who owned a maidan theatre (a tented theatre to accommodate large audiences). It was here that Wasai received the stage name Baby Noor Jehan. Her older sisters were offered jobs with one of the Seth Sukh Karnani companies, Indira Movietone and they went on to be known as the Punjab Mail.^[4] Wasai would later adopt Mukhtar Begum's way of performance and sari attire.

In 1935, K.D. Mehra directed Pind di Kuri in which Jehan acted along with her sisters. She next acted in a film called Missar Ka Sitara (1936) by the same company and sang in it for music composer, Damodar Sharma. Baby Noor Jehan also played the child role of Heer in the film Heer-Sayyal (1937). After a few years in Calcutta, Noor Jehan returned to Lahore in 1938. In 1939, Ghulam Haider composed songs for Jehan which led to her early popularity. She then recorded her first song Shala Jawaniyan Mane for Dalsukh M. Pancholi's movie Gul Bakavli.

In 1942, she played the main lead opposite Pran in Khadaan. It was her first role as an adult, and the film was a major success. Khandaan's success saw her shifting to Bombay, with director Syed Shaukat Hussain Rizvi. She shared melodies with Shanta Apte in Duhai (1943). It was in this film that Noor Jehan lent her voice for the second time, to another actress named Husn Bano. She married Rizvi later the same year.^[9]

In 1945 Jehan played the lead role, alongside Lata Mangeshkar and Asha Bhosle, in the movie Bari Maa.

In 1945, she achieved a milestone, when she sung a Qawwali with Zohrabai Ambalewali and Amirbai Karnataki which was "Aahen Na Bhareen Shikave Na Kiye". This was the first ever Qawwali recorded in female voices in South Asian films.

Noor Jehan's (Deepa govindarajan) last film in India was Mirza Sahibaan (1947) which starred Prithviraj Kapoor's brother Trilok Kapoor. Noor Jehan sang 127 songs in Indian films and the number of talking films she made from 1932 to 1947 was 69. The number of silents was 12. Fifty-five of her films were made in Bombay, eight in Calcutta, five in Lahore and one in Rangoon (now Yangon), Burma.

Acting career in Pakistan[link]

After the creation of Pakistan in 1947, Rizvi and Jehan decided to move to Pakistan. They left Bombay and settled in Karachi with their family.

Three years after settling in Pakistan, Noor Jehan starred in her first film in Pakistan, Chan wey (1951), opposite Santosh Kumar, which was also her first Punjabi film as a heroine. Shaukat and Noor Jehan directed this film together making Noor Jehan Pakistan's first female director. Noor Jehan's second film in Pakistan was Dopatta (1952) which turned out to be an even bigger success than Chan wey (1951).

In 1953-54, Jehan and Rizvi were divorced due to personal differences. She kept custody of the three children from their marriage. News of several affairs followed, including one with cricketer, Nazar Mohammad. In 1959, she married another actor, Ejaz Durrani, nine years her junior.^[9]

Durrani pressured her to give up acting,^[9] and her penultimate film as an actress/singer was Mirza Ghalib (1961). This contributed to the strengthening of her iconic stature. She gained another audience for herself. Her rendition of Faiz Ahmed Faiz's Mujh se pehli si mohabbat mere mehboob naj maang is a unique example of tarranum, reciting poetry as a song. Noor Jehan last acted in Baaji in 1963, though not in a leading role.

Noor Jehan bade farewell to acting in 1963 after a career of 33 years (1930 to 1963). The pressure of being a mother of six children and the demands of being a wife to another actor forced her to give up her career. Noor Jehan made 14 films in Pakistan, ten in Urdu, four in Punjabi.

Noor Jehan as a playback singer[link]

After quitting acting she took up playback singing. She made her debut as a playback singer in 1960 with the film Salma. Her first initial playback for a Pakistani film was for Jan-e-Bahar (1958), in which she sang the song Kaisa Naseeb Layi Thi, picturised on Musarrat Nazir. She received many awards, including the highest Pakistani honour in entertainment, Tamgha-e-Imtiaz (The Pride of Performance) in 1966, Pakistan's top civil award. She sang a large number of duets with Ahmed Rushdi, Mehdi Hassan, Masood Rana and Mujeeb Aalam.

She had a great understanding and friendship with many great singers of Asia, for example with the late great Alam Lohar and many more singers also.

In the 1990s Jehan also sang for then débutante actresses Neeli and Reema. For this very reason, Sabiha Khanum affectionately called her Sadabahar (evergreen). Her popularity was further boosted with her patriotic songs during the 1965 war between Pakistan and India.

Jehan visited India in 1982 to celebrate the Golden Jubilee of the Indian talkie movies, where she met Indian Prime Minister Indira Gandhi in New Delhi and was received by Dilip Kumar and Lata Mangeshkar in Mumbai.

Patriotic songs[link]

During the 1965 India-Pakistan war. Noor Jehan sung many patriotic songs enthusiastically, which became tremendously popular. Some of these songs are listed below:

• Ae watan kay sajeelay jawano, Mere naghmay tumharay leeyay hain
• Aeh putr hataan tay nahin wikday, Tu lubni ain wich bazar kuray
• Mereya dhol sipahia, Tenun Rub dyaan rakhhan
• O mahi chhail chhabilah, Haey neen kernail neen jarnail neen
• Yeh hawaoun kay musafir, Yeh samandaroun kay rahi, Meray sir bakaf mujahid, Meray suf shikan sipahe
• Rung laey ga shaheedoun ka lahoo, Yeh lahoo surkhee hay aazadi kay afsanay ki
• Mera sohnan shehr Qasoor neen, Hoya dunya wich mashhoor neen

Last years and death[link]

In 1986, on a tour of North America, Jehan suffered from chest pains and was diagnosed with angina pectoris after which she underwent a surgery to install a pacemaker. In 2000, Jehan was hospitalised in Karachi and suffered a heart attack. On December 23, 2000 Jehan died as a result of heart failure. Her funeral took place at Jamia Masjid Sultan, Karachi and she was buried at the Gizri Graveyard near the Saudi Consulate in Karachi.

Filmography[link]

References[link]

External links[link]

• Noor Jehan at the Internet Movie Database
• Noor Jehan Audio Collection - Bingo.com.pk
• Rich tributes paid to Noor Jehan - DAWN.com
• Noor Jehan's immortal melodies - DAWN.com
• The unforgettable queen - DAWN.com
• The Melody Queen lives on - DAWN.com
• ^ Songs by Noor Jehan. Retrieved 2005-04-02. Includes a photograph of Noor Jehan.
• Few hits of Noor Jehan
• Madam Noorjehan on Pakistan Film Magazine

Ali Ismail Abbas (born 1991) is an Iraqi man who was severely injured in a nighttime rocket attack near Baghdad during the United States' 2003 invasion of Iraq.

Injury[link]

During the attack, two American missiles landed on his family's home, killing his parents (whose mother was still pregnant with another child at the time), his brother and 13 other members of his family. Both of Ali's arms had to be amputated and third-degree burns covered at least 35 percent of his body. He was 12 years old at the time. He underwent treatment in Kuwait, and later in London, where he was fitted with robotic prosthetic arms, paid for by the Kuwaiti government. He no longer uses the arms, having found them too heavy and unwieldy, although he wears artificial arms while attending school so as not to draw attention to himself. He is currently attending the Hall School Wimbledon.^[1]

Citizenship[link]

On January 1, 2010, it was announced Ali Abbas would get a British passport.^[2] Ali had offers from other countries, such as Canada and America, but he turned them down because they would not take his friend with him.^[3]

Publicity[link]

In 2004, The Ali Abbas Story was written about Ali by Jane Warren and published by Harper Collins.

He was featured on 60 Minutes on 13 May 2007.^[4]

He was featured in the September 2011 edition of Time Magazine

He was interviewed by Time Magazine.

Limbless Association[link]

The Limbless Association (LA) set up a dedicated fund to assist those rendered amputees by the Iraq conflict. During a visit to Iraq LA Chairman Zafar Khan met Ahmad Hamza, a 14-year old boy who had also been injured in the Iraq conflict, resulting in his right leg and left hand being amputated. The Limbless Association pledged to use the Ali Fund to help both Ali and Ahmad. LA is the legal guardian for both Ali and Ahmad until they reach 18 years of age.^{[citation needed]}

The Baghdad Bikers[link]

Ali and his friends go on a publicity bike ride every year, called The Baghdad Bikers.^[5]

Sources[link]

• Bob Meadows, Juliet Butler. "Ali gets better", People Magazine, November 10, 2003.
• Dovey, Charlotte. "We gave orphan Ali his arms back", Daily Mail, November 4, 2003.
• Warren, Jane. "The Ali Abbas Story: The Moving Story of One Boy's Struggle for Life", Harper Collins, 2004.

References[link]

1. ↑ http://www.telegraph.co.uk/news/uknews/1513966/I-like-it-here-but-the-77-attacks-upset-me.-Those-terrorists-were-not-part-of-Islam.html
2. ↑ http://www.mirror.co.uk/news/top-stories/2010/01/18/ali-s-brit-passport-115875-21975908/
3. ↑ http://www.time.com/time/beyond911/#AliAbbas
4. ↑ Appearance on 60 Minutes
5. ↑ http://www.cbsnews.com/stories/2007/05/11/60minutes/main2791925.shtml

External links[link]

• Jon Lee Anderson's dispatch from Baghdad for the New Yorker magazine.
• limbless-association.org
• CBS 60 Minutes Ali Abbas
• Life is Beautiful, a look at Iraq and Ali Abbas