| James Brown |
James Brown performing on June 27, 2005 |
| Background information |
| Birth name |
James Joseph Brown, Jr.[1] |
| Also known as |
"The Godfather of Soul"[2][3][4] |
| Born |
(1933-05-03)May 3, 1933
Barnwell, South Carolina, U.S. |
| Origin |
Augusta, Georgia, United States |
| Died |
December 25, 2006(2006-12-25) (aged 73)
Atlanta, Georgia[5][6] |
| Genres |
R&B, funk, soul, rock and roll |
| Occupations |
Musician, songwriter, dancer, bandleader, record producer, actor |
| Instruments |
Vocal, guitar, harmonica, bass guitar, keyboards, drums, percussion |
| Years active |
1956–2006 |
| Labels |
Federal, King, Try Me, Smash, People, Polydor, Scotti Bros., Dade |
| Associated acts |
The Famous Flames, The J.B.'s, Bobby Byrd, The Soul Generals, Lyn Collins |
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, musician, and recording artist. He is the originator of funk music and is a major figure of 20th century popular music and dance.
In a career that spanned decades, Brown profoundly influenced the development of many different musical genres.[7] Brown moved on a continuum of blues and gospel-based forms and styles to a profoundly "Africanized" approach to music making.[8] Brown performed in concerts, first making his rounds across the Chitlin' Circuit, and then across the country and later around the world, along with appearing in shows on television and in movies. Although he contributed much to the music world through his hitmaking, Brown holds the record as the artist who charted the most singles on the Billboard Hot 100 without ever hitting number one on that chart.[9][10]
For many years, Brown's touring show was one of the most extravagant productions in American popular music. At the time of Brown's death, his band included three guitarists, two bass guitar players, two drummers, three horns and a percussionist.[11] The bands that he maintained during the late 1960s and 1970s were of comparable size, and the bands also included a three-piece amplified string section that played during ballads.[12] Brown employed between 40 and 50 people for the James Brown Revue, and members of the revue traveled with him in a bus to cities and towns all over the country, performing upwards of 330 shows a year with almost all of the shows as one-nighters.[13][14] In 1986, he was inducted into the Rock and Roll Hall of Fame and in 1990 into the Songwriters Hall of Fame.
Brown died on Christmas Day 2006 from heart failure after becoming ill on December 23 and being hospitalized for hours. James Brown is buried in Beech Island, South Carolina.
James Brown was born in Barnwell, South Carolina on May 3, 1933 to Susie Brown and Joseph ("Joe") Gardner (who changed his surname to Brown after Mattie Brown who raised him). Although Brown was to be named after his father Joseph, his first and middle names were mistakenly reversed on his birth certificate. He therefore became James Joseph Brown, Jr.[1] As a young child, Brown was called Junior. When he later lived with his aunt and cousin, he was called Little Junior since his cousin's nickname was also Junior.[1] He was of African American and Native American (Apache) descent through his father, and had Asian ancestry.[15][16]
As a young child, Brown and his family lived in extreme poverty[9] in nearby Elko, South Carolina, which at the time was an impoverished town in Barnwell County. When Brown was two years old, his parents separated after his mother left his father for another man.[17] After his mother abandoned the family, Brown continued to live with his father and his father's live-in girlfriends until he was six years old.
His father sent him to live with an aunt, who ran a house of prostitution.[18] Even though Brown lived with relatives, he spent long stretches of time on his own, hanging out on the streets and hustling to get by.[9] Brown managed to stay in school until he dropped out in the seventh grade.[19]
During his childhood, Brown earned money shining shoes, sweeping out stores, selling and trading in old stamps, washing cars and dishes and singing in talent contests.[9] Brown also performed buck dances for change to entertain troops from Camp Gordon at the start of World War II as their convoys traveled over a canal bridge near his aunt's home.[17][18] Between earning money from these adventures, Brown taught himself to play a harmonica given to him by his father.[17] He learned to play some guitar from Tampa Red, in addition to learning to play piano and drums from others he met during this time.[17] Brown was inspired to become an entertainer after watching Louis Jordan, a popular jazz and R&B performer during the 1940s, and Jordan's Tympany Five performing "Caldonia" in a short film.[20]
As an adult, Brown legally changed his name to remove the "Jr." designation.[21] In his spare time, Brown spent time practicing his various skills in Augusta-area stalls and committing petty crimes. At the age of sixteen, he was convicted of armed robbery and sent to a juvenile detention center upstate in Toccoa in 1949.[8]
In 1952, while Brown was still in reform school, he met future R&B legend Bobby Byrd, who was there playing baseball against the reform school team. Byrd saw Brown perform there and admired his singing and performing talent.[17] As a result of this friendship, Byrd's family helped Brown secure an early release after serving three years of his sentence. The authorities agreed to release Brown on the condition that he would get a job and not return to Augusta or Richmond County. After stints as a boxer[22] and baseball pitcher in semi-professional baseball (a career move ended by a leg injury), Brown turned his energy toward music.[23]
In 1955, Brown and Bobby Byrd's sister Sarah performed in a group called The Gospel Starlighters. Eventually, Brown joined Bobby Byrd's vocal group, the Avons, and Byrd turned the group's sound towards secular rhythm and blues. After the group's name was changed to The Flames, Brown and Byrd's group toured the Southern chitlin' circuit. The group eventually signed a deal with the Cincinnati, Ohio-based label Federal Records, a sister label of King Records. Brown's early recordings were fairly straightforward gospel-inspired R&B compositions, heavily influenced by the work of contemporary musicians such as Ray Charles, Little Willie John, Clyde McPhatter and Little Richard.
Little Richard's relations with Brown were particularly significant in Brown's development as a musician and showman. Brown once called Richard his idol,[24] and credited Richard's saxophone-studded mid-1950s road band, The Upsetters, with being the first to put the funk in the rock and roll beat.[25] Etta James recalled her first meeting with James Brown, in Macon, Georgia, where Brown had befriended Little Richard. She said Brown "used to carry around an old tattered napkin with him, because Little Richard had written the words, 'please, please, please' on it and James was determined to make a song out of it...".[26] The resulting track "Please, Please, Please" ended up becoming The Flames first R&B hit in 1956,[27] selling over a million copies. However, nine subsequent singles released by The Flames failed to live up to the success of their debut, and the group was in danger of being dropped by Federal Records. When Little Richard left pop music in October 1957 to become a preacher, Brown filled out Little Richard's remaining tour dates in his place. Further, several former members of Little Richard's backup band joined Brown's group after Richard's exit from the pop music scene. Brown's group returned to the charts, hitting #1 R&B in February 1959 with "Try Me".[28] This hit record was the best-selling R&B single of the year, becoming the first of 17 chart-topping R&B singles by Brown over the next two decades.[29] By the time "Try Me" was released on record, the group's billing was changed to James Brown and The Famous Flames. "The Famous Flames" was a vocal group, not a backing band.In the original group, the members were Brown, Byrd, Brown's old cellmate Johnny Terry, Sylvester Keels, Nash Knox, and NaFloyd Scott.
In 1959, Brown and The Famous Flames moved from the Federal Records subsidiary to King Records, the parent label. Brown began to have recurring conflicts with King Records president Syd Nathan over repertoire and other matters. In one notable instance, Brown recorded the 1960 Top Ten R&B hit "(Do the) Mashed Potatoes" on Dade Records, owned by Henry Stone, under the pseudonym "Nat Kendrick & The Swans" because Nathan refused to allow him to record it for King.[30]
Brown scored on the charts in the early 1960s with recordings such as his 1962 cover of "Night Train". While Brown's early singles were major hits across the southern United States and then regular R&B Top Ten hits, he and the Famous Flames were not successful nationally until his self-financed live show was captured on the 1963 LP Live at the Apollo. Brown financed the recording of the album himself, and it was released on King Records over the objections of label owner Syd Nathan, who saw no commercial potential in a live album containing no new songs. Defying Nathan's expectations, the album stayed on the pop charts for fourteen months, peaking at #2.[31] In addition, Brown recorded a hit version of the ballad "Prisoner of Love", (his first Top 20 pop hit), in 1963 and founded (under King auspices) the fledgling Try Me Records, Brown's first attempt at running a record label.
In 1962, singer Tammi Terrell came to Brown's attention, and the seventeen-year-old found herself in Brown's popular Revue, becoming one of his first female headliners. In 1963 Terrell recorded for Try Me Records, releasing the ballad, "I Cried", which gave her some chart success. Terrell and Brown also had a personal relationship, which was hampered by Brown's physical abuse towards her. After a horrific incident backstage after a show, Terrell asked singer Gene Chandler (the "Duke of Earl"), who witnessed the incident first hand, to take her to the bus station so she could go home. He later called her mother to come pick her up. This ended Terrell's two-year relationship with Brown.[citation needed]
Brown followed the success of Live at the Apollo with a string of singles that, along with the work of Allen Toussaint in New Orleans, essentially defined the foundation of Funk music. Driven by the success of Live at the Apollo and the failure of King Records to expand record promotion beyond the "black" market, James Brown and fellow Famous Flame Bobby Byrd formed a production company, Fair Deal, to promote sales of Brown's record releases to white audiences. In this arrangement, Smash Records, a subsidiary of Mercury Records, was used as a vehicle to distribute Brown's music. Smash released his 1964 hit "Out of Sight", which reached #24 on the pop charts and pointed the way to his later funk hits.[32] Its release also triggered a legal battle between Smash and King that resulted in a one year ban on the release of Brown's vocal recordings.[33]
Two of Brown's signature tunes, "Papa's Got a Brand New Bag"[34] (which won the 1966 Grammy for Best Rhythm & Blues Recording (an award last given in 1968)) and "I Got You (I Feel Good)", both from 1965, were his first Top 10 pop hits as well as major #1 R&B hits, with each remaining the top-selling singles in black venues for over a month. Brown's national profile was boosted further that year by appearances in the movie Ski Party and the concert film The T.A.M.I. Show, in which he and The Famous Flames (Bobby Byrd, Bobby Bennett and "Baby Lloyd" Stallworth) upstaged The Rolling Stones. In his concert repertoire and on record, Brown mingled his innovative rhythmic essays with Broadway show tunes and ballads, such as his hit "It's a Man's Man's Man's World" (1966).[34]
In November 1967, James Brown purchased radio station WGYW in Knoxville, Tennessee for a reported $75,000, according to the January 20, 1968 Record World magazine. The call letters were changed to WJBE reflecting his initials. WJBE began on January 15, 1968 and broadcast a Rhythm & Blues format. The station slogan was "WJBE 1430 Raw Soul". At the time it was mentioned "Brown has also branched out into real estate and music publishing in recent months".
Brown continued to refine the new funk idiom. His 1967 #1 R&B hit, "Cold Sweat", sometimes cited as the first true funk song, was the first of his recordings to contain a drum break and the first that featured a harmony that was reduced to a single chord.[35][36] The instrumental arrangements on tracks such as "Give It Up Or Turnit A Loose" and "Licking Stick-Licking Stick" (both recorded in 1968) and "Funky Drummer" (recorded in 1969) featured a more developed version of Brown's mid-1960s style, with the horn section, guitars, bass and drums meshed together in intricate rhythmic patterns based on multiple interlocking riffs.
Changes in Brown's style that started with "Cold Sweat" also established the musical foundation for Brown's later hits, such as "I Got the Feelin'" (1968) and "Mother Popcorn" (1969). By this time Brown's vocals frequently took the form of a kind of rhythmic declamation, not quite sung but not quite spoken, that only intermittently featured traces of pitch or melody. This would become a major influence on the techniques of rapping, which would come to maturity along with hip hop music in the coming decades.
Brown's style of funk was based on interlocking syncopated parts: funky bass lines, drum patterns, and iconic guitar riffs.[37] The main guitar ostinatos for "Aint" it Funky" (c. late 1960s), and "Give it Up or Turn it Lose" (1969), are examples of Brown's refinement of New Orleans funk— irresistibly danceable riffs, stripped down to their rhythmic essence. On "Aint" it Funky" (c. late 1960s), and "Give it Up or Turn it Lose" (1969), the tonal structure is bare bones. The pattern of attack-points is the emphasis, not the pattern of pitches. It's as if the guitar is an African drum, or idiophone. Alexander Stewart states that this popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s."[38]
Guitar part for "Aint" it Funky" by James Brown.
Guitar part for "Give it Up or Turn it Lose" by James Brown (1969).
"Bring it Up" has an Afro-Cuban guajeo-like structure. If fact, on a 1976 version, Cuban bongos are used. All three of these guitar riff are based on an onbeat/offbeat structure. Stewart states: "This model, it should be noted, is different from a time line (such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle."[39]
Guitar part for "Bring it Up" by James Brown (1967).
Brown's recordings influenced musicians across the industry, most notably Sly and his Family Stone, Charles Wright & the Watts 103rd Street Rhythm Band, Booker T. & the M.G.'s and soul shouters like King Curtis, Edwin Starr, Temptations David Ruffin, and Dennis Edwards. A then-prepubescent Michael Jackson took Brown's shouts and dancing into the pop mainstream as the lead singer of Motown's The Jackson 5. Those same tracks were later resurrected by countless hip-hop musicians from the 1970s onward. As a result, James Brown remains to this day the world's most sampled recording artist,[40] with "Funky Drummer" itself becoming the most sampled individual piece of music.[41]
Brown's band during this period employed musicians and arrangers who had come up through the jazz tradition. He was noted for his ability as a bandleader and songwriter to blend the simplicity and drive of R&B with the rhythmic complexity and precision of jazz. Trumpeter Lewis Hamlin and saxophonist/keyboardist Alfred "Pee Wee" Ellis (the successor to previous bandleader Nat Jones) led the band. Guitarist Jimmy Nolen provided percussive, deceptively simple riffs for each song, and Maceo Parker's prominent saxophone solos provided a focal point for many performances. Other members of Brown's band included stalwart singer and sideman Bobby Byrd, drummers John "Jabo" Starks, Clyde Stubblefield and Melvin Parker (Maceo's brother), saxophonist St. Clair Pinckney, trombonist Fred Wesley, guitarist Alphonso "Country" Kellum and bassist Bernard Odum.
During this period, Brown's music empire also expanded along with his influence on the music scene. As Brown's music empire grew, his desire for financial and artistic independence grew as well. Brown bought radio stations during the late 1960s, including radio station WRDW in Augusta, Georgia where he shined shoes as a boy.[34] Brown also branched out to make several recordings with musicians outside his own band. He recorded Gettin' Down To It (1969) and Soul on Top (1970), two albums consisting mostly of romantic ballads and jazz standards, with the Dee Felice Trio and the Louie Bellson Orchestra respectively. He recorded a number of tracks with the Dapps, a white Cincinnati bar band, including the hit "I Can't Stand Myself (When You Touch Me)". He also released three albums of Christmas music with his own band.
Brown after a concert in
Tampa on Jan. 29, 1972
By 1970, most members of James Brown's classic 1960s band had quit his act for other opportunities, and The Famous Flames singing group had disbanded, with original member Bobby Byrd the only one remaining with Brown. Brown and Byrd employed a new band that included future funk greats, such as bassist Bootsy Collins, Collins' guitarist brother Phelps "Catfish" Collins and trombonist and musical director Fred Wesley. This new backing band was dubbed "The J.B.'s", and the band made its debut on Brown's 1970 single "Get Up (I Feel Like Being A) Sex Machine". Although The J.B.'s went through several lineup changes, with the first change occurring in 1971, the band remained Brown's most familiar backing band.
In 1971, Brown began recording for Polydor Records which also took over distribution of Brown's King Records catalog. Many of his sidemen and supporting players, such as Fred Wesley & The J.B.'s, Bobby Byrd, Lyn Collins, Vicki Anderson and Hank Ballard, released records on the People label, an imprint founded by Brown that was purchased by Polydor as part of Brown's new contract. The recordings on the People label, almost all of which were produced by Brown himself, exemplified his "house style". Songs such as "I Know You Got Soul" by Bobby Byrd, "Think (About It)" by Lyn Collins and "Doing It to Death" by Fred Wesley & The J.B.'s are considered as much a part of Brown's recorded legacy as the recordings released under his own name.
In 1972, James Brown, when asked, openly proclaimed his support of Richard Nixon against the Democrat, George McGovern,[42] and a nationwide boycott called by Black Democratic leaders damaged his status as the most successful Black entrepreneur in the country. Still, his popularity buoyed up his financial fortunes after a brief downturn, and he went on with his career, undaunted.
In 1973, Brown provided the score for the blaxploitation film Black Caesar. In 1974, he toured Africa and performed in Zaire as part of the buildup to The Rumble in the Jungle fight between Muhammad Ali and George Foreman. Admirers of Brown's music, including Miles Davis and other jazz musicians, began to cite Brown as a major influence on their own styles. However, Brown, like others who were influenced by his music, also "borrowed" from other musicians. His 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B #31) used the main riff from "Fame" by David Bowie, not the other way around as was often believed. The riff was provided to "Fame" co-writers John Lennon and Bowie by guitarist Carlos Alomar, who had briefly been a member of Brown's band in the late 1960s.[43]
Brown's Polydor recordings during the 1970s exemplified his innovations from the previous 20 years. Compositions such as "The Payback" (1973), "Papa Don't Take No Mess", "Stoned to the Bone", and "Funky President (People It's Bad)" (1974), and "Get Up Offa That Thing" (1976) were among his most noted recordings during this time.
James Brown 1973, Hamburg
By the mid-1970s, Brown's star-status was on the wane, and key musicians in his band such as Fred Wesley and Bootsy left to join Parliament-Funkadelic, the collective conducted by George Clinton. The onslaught of the slickly commercial style of disco caught Brown off guard, as it superseded his raw style of funk music on the dance floor. His 1976 albums Get Up Offa That Thing and Bodyheat were Brown's first flirtations with disco rhythms and its slicker production techniques. While the albums Mutha's Nature (1977) and Jam 1980s (1978) did not generate chart hits, Brown's 1979 LP The Original Disco Man was a notable late addition to his oeuvre. This album featured the song "It's Too Funky in Here", which was his last top R&B hit of the decade. Like the rest of the songs on The Original Disco Man, "It's Too Funky in Here" was not produced by Brown himself, but produced instead by Brad Shapiro.
Brown's contract with Polydor expired in 1981, and his recording and touring schedule was somewhat reduced. Despite these events, Brown experienced something of a resurgence during the 1980s, effectively crossing over to a broader, more mainstream audience. He appeared in the feature films The Blues Brothers, Doctor Detroit and Rocky IV, as well as guest starring in the Miami Vice episode "Missing Hours" (1988). He also recorded Gravity, a modestly popular crossover album released on his new host label Scotti Bros., and the 1986 top 10 hit single "Living in America" (written by Dan Hartman), which was featured prominently in the Rocky IV film and soundtrack. Brown performed the song in the film at Apollo Creed's final fight, shot in the Ziegfeld Room at the MGM Grand in Las Vegas and was credited as "The Godfather of Soul." In 1987, Brown won the Grammy for Best Male R&B Vocal Performance for "Living in America." Acknowledging his influence on modern hip-hop and R&B music, Brown collaborated with hip-hop artist Afrika Bambaataa on the single "Unity."
In 1988, Brown worked with the production team Full Force on the hip-hop influenced album I'm Real, which spawned a #5 R&B hit single, "Static". Meanwhile, the drum break from the second version of the original 1969 hit "Give It Up Or Turnit A Loose" (the recording included on the compilation album In the Jungle Groove) became so popular at hip hop dance parties (especially for breakdance) during the late 1970s and early 1980s that hip hop founding father Kurtis Blow called the song "the national anthem of hip hop".[44]
After a stint in prison during the late 1980s, Brown released the album Love Overdue, with the new single "Move On". Brown also released the 1991 four-CD box set Star Time, which included music spanning his four-decade career at that time. Nearly all of his earlier LPs were re-released on CD, often with additional tracks and commentary by experts on Brown's music. In 1991, Brown appeared in MC Hammer's video "Too Legit to Quit" (or "2 Legit 2 Quit"), someone Hammer idolized. In 1993, James Brown released the album Universal James, which spawned the singles "Can't Get Any Harder", "How Long" and "Georgia-Lina". In 1995, the live album Live at the Apollo 1995 was released, featuring the new studio track "Respect Me", which was released as a single that same year. Brown followed up this single with the megamix "Hooked on Brown" that was released as a single in 1996. Brown's later LP releases during this time included the 1998 studio album I'm Back that featured the single "Funk on ah Roll", and the 2002 album The Next Step that featured the single "Killing is Out, School is In", both produced and co-written by Derrick Monk. Brown participated in the PBS American Masters television documentary James Brown: Soul Survivor, which was directed by Jeremy Marre.
James Brown during the NBA All Star Game jam session in 2001.
Although Brown had various run-ins with the law, he continued to perform and record regularly, and he also made appearances in television shows and films, such as Blues Brothers 2000, and sporting events, such as his 2000 appearance at the World Championship Wrestling pay-per-view event SuperBrawl X. In Brown's appearance at the SuperBrawl X event, he danced alongside wrestler Ernest "The Cat" Miller, whose character was based on Brown, during his in ring skit with The Maestro. Brown was featured in Tony Scott's 2001 short film, Beat the Devil, alongside Clive Owen, Gary Oldman, Danny Trejo and Marilyn Manson.[45] Brown also made a cameo appearance in the 2002 Jackie Chan film The Tuxedo, in which Chan was required to finish Brown's act after Brown was accidentally knocked out by Chan.[46] In 2002, Brown appeared in Undercover Brother, playing the role as himself.
James Brown performing on October 22, 2003.
Brown appeared at Edinburgh 50,000 – The Final Push, the final Live 8 concert on July 6, 2005, where he performed a duet with British pop star Will Young on "Papa's Got A Brand New Bag". He also performed a duet with another British pop star, Joss Stone, a week earlier on the United Kingdom chat show Friday Night with Jonathan Ross. Before his death, Brown was scheduled to perform a duet with singer Annie Lennox on the song "Vengeance" for her new album Venus, scheduled for release in early 2007. In 2006, Brown continued his "Seven Decades Of Funk World Tour", his last concert tour where he performed all over the world. His final U.S. performance was in San Francisco on August 20, 2006, as headliner at the Festival of the Golden Gate (Foggfest) on the Great Meadow at Fort Mason. His last shows were greeted with positive reviews, and one of his final concert appearances at the Irish Oxegen festival in Punchestown in 2006 was performed for a record crowd of 80,000 people. Brown's last televised appearance was at his induction into the UK Music Hall of Fame in November 2006, before his death the following month.
Before James Brown appeared on stage, his personal MC gave him an elaborate introduction accompanied by drumrolls, as the MC worked in Brown's various sobriquets along with the names of many of his hit songs. The introduction by Fats Gonder, captured on Brown's 1962 album Live at the Apollo album, is a representative example:
| So now ladies and gentlemen it is star time, are you ready for star time? Thank you and thank you very kindly. It is indeed a great pleasure to present to you at this particular time, national and international[ly] known as the hardest working man in show business, the man that sings "I'll Go Crazy" ... "Try Me" ... "You've Got the Power" ... "Think" ... "If You Want Me" ... "I Don't Mind" ... "Bewildered" ...the million dollar seller, "Lost Someone" ... the very latest release, "Night Train" ... let's everybody "Shout and Shimmy" ... Mr. Dynamite, the amazing Mr. Please Please himself, the star of the show, James Brown and The Famous Flames!![47] |
Among the MCs who worked with Brown and his revue through the years, Brown's most famous MC was Danny Ray, who appeared on stage with him for over 30 years.
James Brown's performances were famous for their intensity and length. His own stated goal was to "give people more than what they came for — make them tired, 'cause that's what they came for.'"[48] Brown's concert repertoire consisted mostly of his own hits and recent songs, with a few R&B covers mixed in. Brown danced vigorously as he sang, working popular dance steps such as the Mashed Potato into his routine along with dramatic leaps, splits and slides. In addition, his horn players and backup singers (The Famous Flames) typically performed choreographed dance routines, and later incarnations of the Revue included backup dancers. Male performers in the Revue were required to wear tuxedoes and cummerbunds long after more casual concert wear became the norm among the younger musical acts. Brown's own extravagant outfits and his elaborate processed hairdo completed the visual impression.
A James Brown concert typically included a performance by a featured vocalist, such as Vicki Anderson or Marva Whitney, and an instrumental feature for the band, which sometimes served as the opening act for the show. Although Brown released many live albums, Say It Live & Loud: Live in Dallas August 26, 1968, released by Polydor in 1998, was one of only a few audio recordings that captured a performance of the James Brown Revue from beginning to end.
A trademark feature of Brown's stage shows, usually during the song "Please, Please, Please", involved Brown dropping to his knees while clutching the microphone stand in his hands, prompting the show's longtime MC, Danny Ray, to come out, drape a cape over Brown's shoulders and escort him off the stage after he had worked himself to exhaustion during his performance. As Brown was escorted off the stage by the MC, Brown's vocal group, The Famous Flames, continued singing the background vocals "Please, please don't go-oh-oh".[49] Brown would then shake off the cape and stagger back to the microphone to perform an encore. Brown's routine was inspired by a similar one used by the professional wrestler Gorgeous George.[47][50]
Brown performs a version of the cape routine over the closing credits of the film Blues Brothers 2000.
The best place to view the "cape routine" is in Brown's performance during the "T.A.M.I. Show" available on DVD.
Brown demanded extreme discipline, perfection and precision from his musicians and dancers — right down to when performers in his Revue showed up for rehearsals all the way to whether members wore the right "uniform" or "costume" for concert performances.[51] During an interview conducted by Terri Gross during the NPR segment "Fresh Air" with Maceo Parker, a former saxophonist in Brown's band for most of the 1960s and part of the 1970s and 1980s, Parker offered his experience with the discipline that Brown demanded of the band:
You gotta be on time. You gotta have your uniform. Your stuff's got to be intact. You gotta have the bow tie. You got to have it. You can't come up without the bow tie. You cannot come up without a cummerbund ... [The] patent leather shoes we were wearing at the time gotta be greased. You just gotta have this stuff. This is what [Brown expected] ... [Brown] bought the costumes. He bought the shoes. And if for some reason [the band member decided] to leave the group, [Brown told the person to] please leave my uniforms ....
Brown also had a practice of directing, correcting and assessing fines on members of his band who broke his rules, such as wearing unshined shoes, dancing out of sync or showing up late on stage.[23] During some of his concert performances, Brown danced in front of his band with his back to the audience as he slid across the floor, flashing hand signals and splaying his pulsating fingers to the beat of the music. Although audiences thought Brown's dance routine was part of his act, this practice was actually his way of pointing to the offending member of his troupe who played or sang the wrong note or committed some other infraction. Brown used his splayed fingers and hand signals to alert the offending person of the fine that person must pay to him for breaking his rules.[53]
James Brown shakes the hand of the painter Groover, who gave him a picture during his tour in Guadeloupe in the 1980s.
During the late 1960s and early 1970s, James Brown was renowned for his social activism. In 1966, he released the single "Don't Be a Drop-Out" as a lesson to young students who had thoughts of dropping out. He later made public speeches in front of dozens of children and advocated the importance of education in school. In 1967, he issued a patriotic single, "America is My Home", which was a "rap" about how he felt people, particularly in the African-American community, were neglecting the country that he said "could give (them) opportunities" explaining how at one time he was shining shoes and the next, he was greeting the President of the United States as he did when President Lyndon B. Johnson thanked him for donating money to school drop-out prevention programs.
In 1968 after the assassination of Martin Luther King, Jr., Brown released "Say It Loud – I'm Black and I'm Proud"[34] following pressure from fans to take a stance on the civil rights movement, an issue he had avoided up until this point. It became an anthem of the civil rights movement. Brown later said of it in his 1986 autobiography “The song is obsolete now... But it was necessary to teach pride then, and I think the song did a lot of good for a lot of people... People called "Black and Proud" militant and angry – maybe because of the line about dying on your feet instead of living on your knees. But really, if you listen to it, it sounds like a children's song. That's why I had children in it, so children who heard it could grow up feeling pride... The song cost me a lot of my crossover audience. The racial makeup at my concerts was mostly black after that. I don't regret it, though, even if it was misunderstood.”
He performed in front of a televised audience in Boston the day after Dr. King's death.[34] Brown is often given credit for preventing rioting with the performance.[54] Mayor Kevin White strongly restrained the Boston Police from cracking down on minor violence and protests after the assassination,[54] and Boston religious and community leaders worked to keep tempers from flaring.[54] Also, White arranged to have the Brown performance broadcast multiple times on Boston's public television station, WGBH, thus keeping many potential rioters off the streets, watching the concert for free. Brown demanded $60,000 for "gate" fees (money he thought would be lost from ticket sales on account of the concert being broadcast for free), and then threatened to go public about the secret arrangement when the city balked at paying up after the concert, news of which would have been a political death-blow to White, and possibly sparked riots on its own.[54] White successfully lobbied the behind-the-scenes power-brokering group known as "The Vault" to come up with money for Brown's gate fee and other social programs; The Vault contributed $100,000 to such programs, and Brown received $15,000 from them via the city. White persuaded management at the Boston Garden to give up their share of receipts to make up the difference.[54] The story is documented in the PBS film "The Night James Brown Saved Boston".
Afterwards, President Johnson urged Brown to visit Washington, D.C. to greet inner-city residents there performing at a benefit concert there and expressed the notion that violence "wasn't the way to go". Many in the black community felt that Brown was speaking out to them more than some major leaders in the country, a sentiment that was strengthened with the release of his groundbreaking landmark single, "Say It Loud – I'm Black and I'm Proud".
Brown continued performing benefit concerts for various civil rights organizations including Jesse Jackson's PUSH and The Black Panther Party's Breakfast program throughout the early-1970s. Brown also continued to release socially conscious singles such as "I Don't Want Nobody To Give Me Nothing (Open Up the Door, I'll Get It Myself)" (1969), "Get Up, Get Into It, Get Involved" (1971), "Talking Loud and Saying Nothing" (1972), "King Heroin" (1972), "Funky President (People It's Bad)" (1974) and "Reality" (1975). The week before his death, Brown took time to give Christmas presents to an orphanage in Atlanta.
At the end of his life, James Brown lived in a riverfront home in Beech Island, South Carolina, directly across the Savannah River from Augusta, Georgia. James Brown was diagnosed with diabetes at a very early stage of his life.[citation needed] In 2004 Brown was successufully treated for prostate cancer.[55] Regardless of his health, Brown maintained his reputation as the "hardest working man in show business" by keeping up with his grueling performance schedule.
Brown was married three times — Velma Warren (1953–1969, divorced), Deidre "Deedee" Jenkins (October 22, 1970 – January 10, 1981, divorced) and Adrienne Lois Rodriguez (born March 9, 1950) (1984–1996, wife's death). He also had a relationship with Tomi Rae Hynie (2001–2004). From these and other relationships, James Brown had five sons — Teddy Brown (1954–1973), Terry Brown, and Larry Brown, Daryl Brown (a member of Brown's backing band) and James Joseph Brown II, in addition to four daughters — Lisa Brown, Dr. Yamma Noyola Brown Lumar, Deanna Brown Thomas and Venisha Brown.[5][56][57] Brown also had eight grandchildren and four great-grandchildren.[5][56] Brown's eldest son, Teddy, died in a car crash on June 14, 1973.[58] According to a August 22, 2007 article published in the British newspaper The Daily Telegraph, DNA tests indicate that Brown also fathered at least three illegitimate children. The only one of them who has been identified is LaRhonda Pettit (born 1962), a retired air stewardess and teacher who lives in Houston.[59]
Much controversy surrounds Tomi Rae Hynie's marriage to James Brown on December 23, 2002, officiated by Rev. Larry Fryer.[60] Brown's longtime attorney, Albert "Buddy" Dallas, reported that the marriage between Brown and Hynie was not valid because Hynie was married at that time to Javed Ahmed, a Bangladeshi whom Hynie claimed married her for a Green Card in an immigration fraud. Although Hynie stated that her marriage to Javed Ahmed was later annulled, this annulment did not occur until April 2004.[60][61] In an interview on CNN with Larry King, Hynie produced a 2001 marriage certificate as proof of her marriage to James Brown, but she did not provide King with court records pointing to an annulment of her marriage to him or to Ahmed.[62]
According to Dallas, Brown was angry and hurt that Hynie concealed her prior marriage from him, and that Brown moved to file for annulment from Hynie.[63] Dallas added that, although Hynie's marriage to Javed Ahmed was annulled after she married James Brown, the Brown-Hynie marriage was not valid under South Carolina law because Brown and Hynie did not remarry after the annulment.[62][64] In August 2003, Brown took out a full-page public notice in Variety Magazine featuring Hynie, James II and himself on vacation at Disney World to announce that he and Hynie were going their separate ways.[65][66]
In a separate CNN interview, Debra Opri, another Brown family attorney, revealed to Larry King that Brown wanted a DNA test performed after his death to confirm the paternity of James Brown II — not for Brown's sake, but for the sake of the other family members.[67] In April 2007, Hynie selected a guardian ad litem whom she wants appointed by the court to represent her son, James Brown II, in the paternity proceedings.[68]
Brown's personal life was marred by several brushes with the law. At the age of 16, he was arrested for theft and served 3 years in prison. In 1988, Brown was arrested following an alleged high-speed car chase on Interstate 20 near the Georgia-South Carolina state border. He was convicted of carrying an unlicensed pistol and assaulting a police officer, along with various drug-related and driving offenses. Although he was sentenced to six years in prison, he was eventually released in 1991 after serving only three years of his sentence. Brown's FBI file, released to The Washington Post in 2007 under the Freedom of Information Act,[69] related Brown's claim that the high-speed chase did not occur as claimed by the police, and that local police shot at his car several times during an incident of police harassment and assaulted him after his arrest.[70] Local authorities found no merit to Brown's accusations.
In another incident, the police were summoned to Brown's residence on July 3, 2000 after he was accused of charging at an electric company repairman with a steak knife when the repairman visited Brown's house to investigate a complaint about having no lights at the residence.[71] In 2003, Brown was pardoned by the South Carolina Department of Probation, Parole, and Pardon Services for past crimes that he was convicted of committing in South Carolina.[72]
During the 1990s and 2000s (decade), Brown was repeatedly arrested for domestic violence. Adrienne Rodriguez, his third wife, had him arrested four times between the mid-1980s and mid-1990s on charges of assault. In January 2004, Brown was arrested in South Carolina on a domestic violence charge after Tomi Rae Hynie accused him of pushing her to the floor during an argument at their home, where she suffered scratches and bruises to her right arm and hip. Later that year in June 2004, Brown pleaded no contest to the domestic violence incident, but served no jail time. Instead, Brown was required to forfeit a US$1,087 bond as punishment.[73]
In January 2005, a woman named Jacque Hollander filed a lawsuit against James Brown, which stemmed from an alleged 1988 forcible rape. When the case was initially heard before a judge in 2002, Hollander's claims against Brown were dismissed by the court as the limitations period for filing the suit had expired. Hollander claimed that stress from the alleged assault later caused her to contract Graves' Disease, a thyroid condition. Hollander claimed that the incident took place in South Carolina while she was employed by Brown as a publicist. Hollander alleged that, during her ride in a van with Brown, Brown pulled over to the side of the road and sexually assaulted her while he threatened her with a shotgun. In her case against Brown, Hollander entered as evidence a DNA sample and a polygraph result, but the evidence was not considered due to the limitations defense. Hollander later attempted to bring her case before the Supreme Court but nothing became of her complaint.[74]
James Brown memorial in Augusta, Georgia
On December 23, 2006, James Brown became ill and showed up at his dentist's office in Atlanta, Georgia several hours later than his appointment for dental implant work. During that visit, Brown's dentist observed that Brown looked "very bad ... weak and dazed." Instead of performing the dental work, the dentist advised Brown to see a doctor right away about his medical condition.[18]
Brown checked in at the Emory Crawford Long Memorial Hospital the next day for a medical evaluation of his condition, and he was admitted to the hospital for observation and treatment.[75] According to Charles Bobbit, Brown's longtime personal manager and friend, Brown had been sick and suffering with a noisy cough since he returned from a November trip to Europe.[18] Bobbit also added that it was characteristic of Brown to never complain about being sick, and that he frequently performed during illness.[18] Although Brown had to cancel upcoming shows in Waterbury, Connecticut and Englewood, New Jersey, Brown was confident that the doctor would discharge him from the hospital in time to perform the New Year's Eve shows. For the New Year's celebrations, Brown was scheduled to perform at the Count Basie Theatre in New Jersey and at the B. B. King Blues Club in New York, in addition to performing a song live on CNN for the Anderson Cooper New Year's Eve special.[75] However, Brown remained hospitalized, and his medical condition worsened throughout that day.
On Christmas Day, Brown died at approximately 1:45 AM EST (06:45 UTC) from congestive heart failure resulting from complications of pneumonia, with his agent Frank Copsidas and his friend Paul Sargent at his bedside.[76] According to Sargent, Brown stuttered "I'm going away tonight", and then Brown took three long, quiet breaths and fell asleep before dying.[6]
Public memorial for Brown at Harlem's Apollo Theater, 2006
After Brown's death on Christmas Day, Brown's relatives and friends, a host of celebrities and thousands of fans attended public memorial services at the Apollo Theater in New York on December 28, 2006 and at the James Brown Arena on December 30, 2006 in Augusta, Georgia.[56] A separate, private memorial service was also held in North Augusta, South Carolina on December 29, 2006,[5] which was attended by Brown's family and close friends. Celebrities who attended Brown's public and/or private memorial services included Michael Jackson, Jimmy Cliff, Joe Frazier, Buddy Guy, Ice Cube, Ludacris, Dr. Dre, Little Richard, Dick Gregory, MC Hammer, Prince, Jesse Jackson, Ice-T, Jerry Lee Lewis, Bootsy Collins, LL Cool J, Lil Wayne, Lenny Kravitz, 50 Cent, Stevie Wonder, and Don King, among others.[77][78][79][80] All of the public and private memorial services were officiated by Rev. Al Sharpton.[81][82]
Brown's public and private memorial ceremonies were elaborate, complete with costume changes for Brown and videos featuring him in concert performances. Brown's body, which was placed in a Promethean casket, which is bronze polished to a golden shine, was driven through the streets of New York to the Apollo Theater in a white, glass-encased horse-drawn carriage.[83][84] In Augusta, Georgia, the procession for Brown's public memorial visited Brown's statue as the procession made its way to the James Brown Arena. During the public memorial at the James Brown Arena, nachos and pretzels were served to mourners, as a video showed Brown's last performance in Augusta, Georgia and the Ray Charles version of "Georgia On My Mind" played soulfully in the background.[85][86][87] Brown's last backup band, The Soul Generals, also played the music of Brown's hits during the memorial service at the James Brown Arena. The group was joined by Bootsy Collins on bass, with MC Hammer performing a dance in James Brown style.[88] Former Temptations lead singer Ali-Ollie Woodson performed "Walk Around Heaven All Day" at the memorial services.[89]
James Brown signed his last will and testament on August 1, 2000, before Strom Thurmond, Jr., an attorney for Brown's estate.[90] The irrevocable trust, separate and apart from Brown's will, was created on Brown's behalf in 2000 by his attorney, Albert "Buddy" Dallas, who was named as one of three personal representatives of Brown's estate. Brown's will covered the disposition of his personal assets, such as clothing, cars and jewelry, while Brown's irrevocable trust covered the disposition of music rights, business assets of James Brown Enterprises and Brown's Beech Island estate in South Carolina.[91]
During the reading of Brown's will on January 11, 2007, Thurmond revealed that Brown's six adult living children (Terry Brown, Larry Brown, Daryl Brown, Yamma Brown Lumar, Deanna Brown Thomas and Venisha Brown) were named in the will. Hynie and James II were not mentioned in the will as parties who could inherit Brown's property.[90][92] Brown's will was signed ten months before James II was born and more than a year before Brown's marriage to Tomi Rae Hynie. Like Brown's will, his irrevocable trust also did not mention Hynie and James II as recipients of Brown's property. The irrevocable trust was established before, and had not been amended since, the birth of James II.[93]
On January 24, 2007, Brown's children filed a lawsuit against the personal representatives of Brown's estate. In their petition, Brown's children asked the court to remove the personal representatives of Brown's estate (including Brown's attorney and estate's trustee, Albert "Buddy" Dallas) and appoint a special administrator because of perceived impropriety and alleged mismanagement of Brown's assets.[94][95] To challenge the validity of the will and irrevocable trust, Hynie also filed a lawsuit against Brown's estate on January 31, 2007. In her lawsuit against Brown's estate, Hynie asked the court to recognize her as Brown's widow, and she also asked the court to appoint a special administrator for the estate.[96]
After the public and private memorial services in late December 2006, James Brown's body remained in his casket for a time in a temperature-controlled room at his estate. Brown's casket was later moved to an undisclosed location, while his children and Tomi Rae Hynie became embroiled in disputes about Brown's final resting place and matters related to probating his will.[97] More than ten weeks after Brown's death and the public and private memorial services, Brown's children and Hynie decided on a temporary burial site for James Brown. Brown was buried on March 10, 2007 in a crypt at the home of Deanna Brown Thomas, one of Brown's daughters who also held a private ceremony for the temporary burial.[98] The private ceremony for the temporary burial, officiated by Al Sharpton, was attended by Brown's family and a host of friends.
According to Brown's family, Brown's body will remain buried at the temporary site while a public mausoleum is built for him and a decision has been made for Brown's final resting place.[98][99] To turn Brown's estate into a visitor attraction, Brown's family plans to consult with the family of Elvis Presley for guidance about converting the estate into an attraction similar to Graceland.[98][100]
Dallas, Brown's long time attorney and one of the trustees for Brown's estate, did not attend the private service for the temporary burial. He expressed his disapproval and disappointment with the temporary burial arrangement with the comment "Mr. Brown's not deserving of anyone's backyard." According to Dallas, the trustees for Brown's estate "had made arrangements for Brown to be laid to rest at no cost at a 'very prominent memorial garden in Augusta.'"[101]
James Brown received a variety of awards and honors throughout his lifetime and after his death. At one city, fans voted to honor Brown by naming a bridge after the entertainer. In 1993, the City Council of Steamboat Springs, Colorado conducted a poll of its residents to choose a new name for the bridge that crossed the Yampa River on Shield Drive. The winning name with 7,717 votes was "James Brown SoulCenter of the Universe Bridge". The bridge was officially dedicated in September 1993, and James Brown appeared at the ribbon-cutting ceremony for the event.[102] Although a petition was started by a local group of ranchers to return the name of the bridge to "Stockbridge" for historical reasons, the ranchers backed off after citizens defeated their efforts because of the popularity of Brown's name. Brown returned to Steamboat Springs, Colorado on July 4, 2002 for an outdoor music festival, performing with other bands such as The String Cheese Incident.[103]
During his long career, James Brown received several prestigious music industry awards and honors. In 1983, Brown was inducted into the Georgia Music Hall of Fame. In addition, Brown was named as one of the first inductees into the Rock and Roll Hall of Fame at its inaugural induction dinner in New York on January 23, 1986. However, the members of his original vocal group, The Famous Flames, Bobby Byrd, Johnny Terry, Bobby Bennett, and Lloyd Stallworth, were not inducted.[104] However, on April 14th, 2012 The Famous Flames were automatically and retroactively inducted into the Rock and Roll Hall Of Fame alongside James Brown,without the need for nomination and voting, under the premise that they should have been inducted with him back in 1986.[105][106] On February 25, 1992, Brown was awarded a Lifetime Achievement Award at the 34th annual Grammy Awards. Exactly a year later, he received a Lifetime Achievement Award at the 4th annual Rhythm & Blues Foundation Pioneer Awards.[107] A ceremony was held for Brown on January 10, 1997 to honor him with a star on the Hollywood Walk of Fame.[107]
On June 15, 2000, Brown was honored as an inductee for the New York Songwriters Hall of Fame. On August 6, 2002, James Brown was honored as the first BMI Urban Icon at the BMI Urban Awards. His BMI accolades include an impressive ten R&B Awards and six Pop Awards.[108] On November 14, 2006, Brown was inducted into the UK Music Hall of Fame, and he was one of several inductees who performed at the ceremony.[109] In recognition of his accomplishments as an entertainer, Brown was a recipient of Kennedy Center Honors on December 7, 2003.[107] In 2004, Rolling Stone magazine ranked James Brown as #7 on its list of the 100 Greatest Artists of All Time.[110] In an article for Rolling Stone, critic Robert Christgau cited Brown as "the greatest musician of the rock era".[111]
Brown was also honored in his hometown of Augusta, Georgia for his philanthropy and civic activities. On November 20, 1993, Mayor Charles DeVaney of Augusta held a ceremony to dedicate a section of 9th Street between Broad and Twiggs Streets, renamed "James Brown Boulevard", in the entertainer's honor.[107] On May 6, 2005, as a 72nd birthday present for Brown, the city of Augusta unveiled a life-sized bronze James Brown statue on Broad Street.[107] The statue was to have been dedicated a year earlier, but the ceremony was put on hold because of a domestic abuse charge that Brown faced at the time.[112] In 2005, Charles "Champ" Walker and the We Feel Good Committee went before the County commission and received approval to change Augusta's slogan to "We Feel Good". Afterwards, Official renamed the city's civic center the James Brown Arena, and James Brown attended a ceremony for the unveiling of the namesake center on October 15, 2006.[107]
On December 30, 2006, during the public memorial service at the James Brown Arena, Dr. Shirley A.R. Lewis, president of Paine College, a historically black college in Augusta, Georgia, bestowed posthumously upon Brown an honorary doctorate in recognition and honor of his many contributions to the school in its times of need. Brown was scheduled originally to receive the honorary doctorate from Paine College during its May 2007 commencement.[113][114]
During the 49th Annual Grammy Awards presentation held on February 11, 2007, James Brown's famous cape was draped over a microphone at the end of a montage by Danny Ray (his M.C. for over 30 years), in honor of notable persons in the music industry, including Brown, who died during the previous year. Earlier that evening, Christina Aguilera delivered an impassioned performance of one of Brown's hits, "It's a Man's Man's Man's World" followed by a standing ovation, while Chris Brown performed a dance routine in honor of James Brown.[115]
As a tribute to James Brown, the Rolling Stones covered the song, "I'll Go Crazy" from Brown's Live at the Apollo album, during its 2007 European tour. On September 12, 2007, barely nine months after James Brown's death, Bobby Byrd, the original leader and founder of The Famous Flames vocal group along with Brown, died of cancer at 73 years old.[116] Jimmy Page has remarked, "He [James Brown] was almost a musical genre in his own right and he changed and moved forward the whole time so people were able to learn from him."[117]
On December 22, 2007, the first annual "Tribute Fit For the King of King Records" in honor of James Brown was held at the Madison Theater in Covington, Kentucky. The tribute, organized by Bootsy Collins, featured appearances by Afrika Bambaataa, Chuck D of Public Enemy, The Soul Generals, Buckethead, Freekbass, Triage and many of Brown's surviving family members. Comedian Michael Coyer was the MC for the event. During the show, the mayor of Cincinnati proclaimed December 22 as James Brown Day.[118] It has been said[by whom?] that a biographical film is in the works about Brown; Spike Lee has signed on to direct, with Brian Grazer producing and Jez and John-Henry Butterworth writing the script. Usher and Fergie are interested in being in the project.[citation needed]
Four of James Brown's albums appeared on the Rolling Stone Magazine's 2003 list of the 500 greatest albums of all time:[119]
In addition, Brown's 1970 double album Sex Machine was ranked 96th in a 2005 survey held by British television station Channel 4 to determine the 100 greatest albums of all time.[120] Other notable albums, originally released as double LP records, feature extensive playing by The J.B.'s and served as prolific sources of samples for later musical artists, including:
The 1968 Live at the Apollo, Vol. II double LP album was notably influential on musicians at the time of its release. This classic album remains an example of Brown's energetic live performances and audience interaction, as well as providing a means of documenting the metamorphosis of his music from the R&B and soul styles into hard funk.
Until the early 1970s, Brown was famous mostly for his road show and singles, rather than his albums (with his live LPs as a major exception). Six of his hit singles appeared on the Rolling Stone Magazine's 2004 list of the 500 greatest songs of all time:[121]
In 2006, Hip-O Select Records began a multi-volume reissue of James Brown's complete singles (both A-sides and B-sides) on CD. Eleven volumes have been released, covering the periods 1956–1960, 1960–1963, 1964–1965, 1966–1967, 1967–1969, 1969–1970, 1970–1972, 1972–1973, 1973–1975, 1975–1979, and 1979–1981.
- In the video game World of Warcraft, the first boss character of the Forge of Souls level is Brohnjahm, "the Godfather of Souls". His quotes during the fight are musical references, and he has a chance of dropping an item called "Papa's Brand New Bag".[122]
- In The Godfather 2 video game, Brown's "It's a Man's Man's Man's World" plays behind the end credits.
- A different version of "I Got You (I Feel Good)", recorded in 1974, is playable in the rhythm video game Rock Band 3. In addition, "Get Up (I Feel Like Being a) Sex Machine (Pt. 1)" is available for download across the series, while "Super Bad (Pts. 1 & 2)" was released later, only for the third game.
- In the Worms Armaggedon and Worms World Party video games, many of James Brown's song titles are used in the "Soul Man" custom voice setting like "Papa's Got a Brand New Bag" or "Like a Sex Machine", clear references to James Brown.
- Footnotes
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- ^ Popkin, Helen A.S. (December 30, 2006). "Remembering the Godfather of Soul". MSNBC. http://www.msnbc.msn.com/id/16353627/. Retrieved July 6, 2011.
- ^ Lynn, Loretta. "James Brown: The Godfather of Soul (9781560253884): James Brown, Al Sharpton, Bruce Tucker: Books". Amazon.com. http://www.amazon.com/dp/1560253886. Retrieved July 6, 2011.
- ^ "Hardworking Godfather of Soul". The Washington Post. http://www.washingtonpost.com/wp-dyn/content/article/2006/12/25/AR2006122500049.html.
- ^ a b c d May the works I have done speak for me ... James Brown.[dead link] (December 29, 2006). Carpentersville Baptist Church, North Augusta, SC (obituary program for the Brown family's private memorial service). Retrieved January 10, 2007 (Adobe Acrobat Reader required for viewing).
- ^ a b James Brown, the "Godfather of Soul," dies at 73. (2006, December 25). CNN Entertainment News. Retrieved January 5, 2007.
- ^ Wiegand, D. (December 26, 2006). James Brown: 1928–2006 – Godfather of soul changed music at frenetic pace. The San Francisco Chronicle. Retrieved January 10, 2007.
- ^ a b Collins, W. (January 29, 2002). James Brown. St. James Encyclopedia of Popular Culture. Retrieved January 12, 2007.
- ^ a b c d Hirshey, G. Funk's founding father. (2007, January 10). Rolling Stone Magazine. Retrieved January 27, 2007.
- ^ Whitburn, J. (2000). Top Pop Singles: 1955–1999, 900. Menonite Falls, WI: Record Research. ISBN 0-89820-140-3.
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- ^ White, C. & Weinger, H. Are You Ready for Star Time? Star Time, J. Brown. (1991) Liner notes, 31. Polydor.
- ^ George, N. (1988). The Death of Rhythm and Blues, 101. New York: Pantheon Books. ISBN 0-452-26697-1.
- ^ Guralnick, P. (1986). Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom, 240. New York: Back Bay Books. ISBN 0-452-26697-1.
- ^ Jonathan Lethem (December 24, 2010). "Being James Brown: Rolling Stone's 2006 Story". Rolling Stone Magazine. http://www.rollingstone.com/music/news/being-james-brown-rolling-stones-2006-cover-story-20101224. Retrieved January 27, 2011.
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- ^ a b c d e Gourevitch, Philip (July 29, 2002). "Mr. Brown: On the road with his bad self". The New Yorker. http://www.newyorker.com/archive/2002/07/29/020729fa_fact_gourevitch. Retrieved January 12, 2007. "He met his biological father once, who gave Brown a harmonica. His biological father worked on the railroad in Ridgeland, Kansas." (Subscription required)
- ^ a b c d e Smith, W. (December 26, 2006). James Brown, the undeniable Godfather of Soul" dead at 73. The New York Beacon. Retrieved January 10, 2007.
- ^ Page, C. (December 27, 2006). His adopted son, Jon White, of Memphis, Tennessee, says his Dad has come a long way since those dark days of his youth. "I asked my Dad how he felt after his 11th rehab visit, and J.B. stated.... "Whoa, I feel good, I knew that I would now...I feel nice, like sugar and spice.... so good, so good, I got you!"... I suggested he make it a song." Godfather of soul, and of our goal. The Chicago Tribune. Retrieved January 28, 2007.
- ^ Kowalski, E. (2006, December 25). "Godfather of soul, James Brown, dead at 73", Voice of America. Retrieved January 12, 2007.
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- ^ a b Burnett, B. (2006, December 21). James Brown: Audience with the Godfather (interview). The Hour. Retrieved January 9, 2007.
- ^ White, Charles. (2003). The Life and Times of Little Richard: The Authorised Biography. Omnibus Press. P. 231.
- ^ 1986 Inductees: Little Richard, performer. (2005). The Rock and Roll Hall of Fame and Museum, Inc. Retrieved October 28, 2006.
- ^ Merlis, Bob; Seay, Davin; James, Etta (1997), p. foreword. Heart and Soul – A Celebration of Black Music Style inAmerica 1930–1975. Stewart Tabori & Chang.
- ^ White, Cliff (1991). Discography. In Star Time (p. 55) [CD liner notes]. London: Polydor Records.
- ^ List of number-one rhythm and blues hits (United States)#1948
- ^ 1986 Inductees: James Brown, performer. (2005). The Rock and Roll Hall of Fame and Museum, Inc. Retrieved January 9, 2007.
- ^ Nat Kendrick & The Swans. Henry Stone Music, Inc. Retrieved January 28, 2007.
- ^ Guralnick, P. (1986). Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom, 235. New York: Back Bay Books. ISBN 0-452-26697-1.
- ^ James Brown. The History of Rock 'n' Roll: The Golden Decade 1954–1963. Retrieved February 25, 2007.
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- ^ a b c d e James Brown interviewed on the Pop Chronicles (1969).
- ^ George, N. (1988). The Death of Rhythm & Blues, 101. New York: Pantheon Books. ISBN 0-394-55238-5.
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- ^ Slutsky, Allan, Chuck Silverman (1997). The Funkmasters-the Great James Brown Rhythm Sections. ISBN-10: 1576234436
- ^ Stewart, Alexander (2000: 306). "Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music." Popular Music, v. 19, n. 3. Oct., 2000), p. 293-318.
- ^ Stewart (2000: 306).
- ^ "James Brown's Sample-Based Music and Cover Songs". WhoSampled. http://www.whosampled.com/artist/James%20Brown/. Retrieved September 19, 2009.
- ^ Most sampled songs and Most sampled artists. The-Breaks.com. Retrieved December 30, 2006.
- ^ "James Brown – Soul Survivor | American Masters". PBS. October 29, 2003. http://www.pbs.org/wnet/americanmasters/episodes/james-brown/soul-survivor/532/. Retrieved October 28, 2011.
- ^ The Whole Note: Under the Radar in '06. (2006). All Media Guide. Retrieved January 9, 2007.
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- ^ Page, C. (January 2, 2007). Godfather's soul transcended racial, musical barriers. The Record. Retrieved June 17, 2007.
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- ^ Tangari, J. (2007, January 3). James Brown, 1928–2006. Pitchforkmedia, Inc. Retrieved January 21, 2007.
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- ^ a b c d e The Night James Brown Saved Boston. VH1 rockDocs.
- ^ "Singer James Brown prostate cancer surgery successful". (December 16, 2004). Medical News Today. Retrieved January 10, 2007.
- ^ a b c A Home coming celebration for Augusta's own native son: James Brown. (2006, December 30). The James Arena, Augusta, Georgia (obituary program for the public memorial service of James Brown). Retrieved January 12, 2007 (Microsoft PowerPoint viewer/program required for viewing)
- ^ Goodman, Brenda (November 8, 2007). ""Keeping Track of James Brown and The Big Payback" Brenda Goodman, Nov. 8, 2007". Thelede.blogs.nytimes.com. http://thelede.blogs.nytimes.com/2007/11/08/keeping-track-of-james-brown-and-the-big-payback/. Retrieved July 31, 2009.
- ^ Stritof, S. & Stritof, B. (2006). The marriages of James Brown. About.com: Marriage. Retrieved January 8, 2007.
- ^ Elsworth, C. (August 22, 2007) James Brown's secret children emerge. The Daily Telegraph. Retrieved July 5, 2009.
- ^ a b Martin, J. (January 4, 2007). Tomi Rae defends her relationship with James Brown. WRDW-TV (Augusta, Georgia). Retrieved January 9, 2007.
- ^ Gardner,L. (December 26, 2006). Tomi Rae Hynie: "It's a blatant lie". WRDW-TV (Augusta, Georgia). Retrieved January 8, 2007.
- ^ a b Anderson, V. (January 5, 2007). Probate hearing may determine whether Hynie is James Brown's widow. The Atlanta-Journal Constitution. Retrieved January 8, 2007.
- ^ Singer James Brown files for annulment. Jet Magazine, 105(8), p. 18. Retrieved January 11, 2007 from the Biography Resource Center database.
- ^ Brown widow: I've been locked out. (2006). CNN Entertainment News. Retrieved January 8, 2007.
- ^ Public announcement of annulment in Variety Magazine. (July 22, 2003). The Smoking Gun. Retrieved January 8, 2007.
- ^ Stritof, S. & Stritof, B. (2007). James Brown and Tomi Rae Hynie timeline: The puzzle of a complicated marriage relationship. About.com: Marriage. Retrieved January 14, 2002.
- ^ "Brown wanted paternity test". The Herald Sun (Australia). January 8, 2007. http://www.news.com.au/heraldsun/story/0,21985,21026466-5006024,00.html. Retrieved January 8, 2007.
- ^ "James Brown's partner selects guardian". The Washington Post. April 4, 2007. http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040400490.html. Retrieved April 11, 2007.
- ^ In the Matter of James Joseph Brown, File No. SV-44B-3846. (1989). Criminal Investigative Division, Civil Rights Unit. U.S. Federal Bureau of Investigation. Retrieved on June 3, 2007 (Abobe Acrobat Reader required for viewing).
- ^ Stephens, J. (April 3, 2007). FBI file recounts James Brown's side Of '88 police chase. The Washington Post. Retrieved June 4, 2007.
- ^ Aiken County Sheriff's Office Incident Report, Case No. 0000030719. (July 3, 2000). The Smoking Gun. Retrieved January 8, 2007.
- ^ South Carolina pardons James Brown for past crimes. (June 9, 2003). Jet Magazine, 36. Retrieved January 14, 2007 from the Lexis-Nexis Academic database.
- ^ James Brown pleads to domestic violence. (2004). The Smoking Gun. Retrieved January 8, 2007.
- ^ "James Brown rape case dismissed.". BBC News. April 3, 2007. http://news.bbc.co.uk/2/hi/entertainment/6520959.stm. Retrieved August 20, 2009.
- ^ a b James Brown hospitalized with pneumonia. (December 24, 2006). CNN Entertainment News. Retrieved January 9, 2007.
- ^ Soul "godfather" James Brown dies. (December 25, 2006). CNN Entertainment News. Retrieved January 9, 2007.
- ^ Old friend and original Famous Flames founder Bobby Byrd was also present. Mourners pay respects to James Brown at Apollo Theater public viewing. (December 28, 2006). Fox News. Retrieved March 16, 2007.
- ^ Private ceremony held Friday for friends and family of James Brown. (December 29, 2006). Fox News. Retrieved March 16, 2007.
- ^ Michael Jackson attends James Brown funeral. (2006, December 30). Access Hollywood. Retrieved March 21, 2007.
- ^ Anderson, V. (2006, December 30). Michael Jackson, McCartney had private viewing. The Atlanta Journal-Constitution. Retrieved March 23, 2007.
- ^ James Brown eulogized for impact on word: Family and friends attend a private South Carolina ceremony for the "Godfather of Soul". (2006, December 29). CBS News: The Show Buzz. Retrieved March 10, 2007.
- ^ NYC & Ga. farewell for Godfather of Soul: Funeral procession and wake in Harlem; funeral in Georgia. (2006, December 28). CBS News: The Show Buzz. Retrieved March 10, 2007.
- ^ Christensen, J. (2006, December 28). Picture of horse drawn carriage carrying James Brown's body in gold casket to the Apollo Theater in Harlem. Rolling Stone Magazine. Retrieved March 21, 2007.
- ^ Altaffer, M. (2006, December 28). Picture of pallbearers carrying James Brown's casket to Apollo Theater memorial service. Rolling Stone Magazine. Retrieved March 21, 2007.
- ^ Mourners pay respects to James Brown at Apollo Theater public viewing. (2006, December 28). Fox News. Retrieved March 16, 2007.
- ^ Private ceremony held Friday for friends and family of James Brown. (2006, December 29). Fox News. Retrieved March 16, 2007.
- ^ Farewell tour to James Brown ends with hometown memorial. (2006, December 30). Fox News. Retrieved March 21, 2007.
- ^ Barnett, R. (2006, December 30). Farewell tour to James Brown ends. USA Today. Retrieved March 16, 2007.
- ^ Wynn, M. & Edwards, J. (December 31, 2006). [1] Article "Hardest Work Is Done, Publication: Augusta Chronicle. Retrieved February 1, 2009.
- ^ a b James Brown Jr. not included in will. WRDW-TV News (Augusta, Georgia). Retrieved January 12, 2007.
- ^ James Brown's road to wealth was rocky: Financial turmoil part of "Godfather" legend. The Atlanta Journal-Constitution. Retrieved March 21, 2007.
- ^ James Brown's widow "not in will". BBC News (UK). Retrieved January 12, 2007.
- ^ Finn, N. (2007, January 18). James Brown's estate wills more drama. E!News. Retrieved March 21, 2007.
- ^ James Brown's children request trustees be removed. (2007, January 26). Star Pulse. Retrieved January 28, 2007.
- ^ Emergency petition for termination of appointment and removal of personal representatives and for emergency order restraining all personal representatives. In the matter of James Brown, a/k/a James Joseph Brown. Case/Estate No. 2007-ES02-0056 (S.C. Probate Ct., filed January 24, 2007). Retrieved January 28, 2007 (Adobe Acrobat Reader required for viewing).
- ^ Emergency petition for appointment of special administrator. In re estate of James Brown a/k/a James Joseph Brown, deceased, Case No. 2007-CP-02-0122 (S.C. Cir. Ct., filed January 31, 2007). FindLaw. Retrieved March 21, 2007.
- ^ Deal reached on James Brown's burial place: Judge appoints administrator to oversee "Godfather of Soul's" property and trust. (2007, February 20). CBS News: The Show Buzz. Retrieved March 10, 2007.
- ^ a b c Grossberg, J. (2007, March 13). Brown laid to rest (finally). E! Online. Retrieved April 14, 2007.
- ^ James Brown laid to rest in temporary tomb. (2007, March 10). CNN Entertainment News. Retrieved March 10, 2007.
- ^ Godfather of Soul's body moved from home. CBC (Iraq). Retrieved January 21, 2007.
- ^ Goggins, K.A. (2007, March 11). James Brown placed in daughter's crypt, for now. The Washington Post, p. D03. Retrieved March 14, 2007.
- ^ Crowl, D. (2002, June 29). The godfather's bridge: James Brown snatched a piece of steamboat history nine years ago. Steamboat Pilot & Today. Retrieved January 12, 2007.
- ^ The String Cheese Independence Incident returns to Steamboat: Earl Scruggs and Family and Friends, Yonder Mountain String Band, James Brown & Corey Harris round out music acts. (2002, June 26). Steamboat Ski Two, U.S.A. Retrieved January 29, 2007.
- ^ "The Famous Flames". Future Rock Legends. http://www.futurerocklegends.com/artist.php?artist_id=The_Famous_Flames. Retrieved 2012-05-04.
- ^ "The Famous Flames Biography | The Rock and Roll Hall of Fame and Museum". Rockhall.com. http://rockhall.com/inductees/the-famous-flames/bio/. Retrieved 2012-05-04.
- ^ Redferns. "The Famous Flames: James Brown was their leader, but they were R&B legends, too (Rock and Roll Hall of Fame Class of 2012)". cleveland.com. http://www.cleveland.com/rockhall/index.ssf/2012/04/the_famous_flames_james_brown.html. Retrieved 2012-05-04.
- ^ a b c d e f The James Brown review. (2006, December 30). The Augusta Chronicle. Retrieved January 12, 2007.
- ^ "BMI Celebrates Urban Music at 2002 Awards Ceremony". bmi.com. http://www.bmi.com/news/entry/233151. Retrieved September 27, 2010.
- ^ UK Music Hall of Fame 2006. (2006, March 11). Endemol UK Plc. Retrieved January 12, 2007.
- ^ Rubin, R. (2004, April 15). The Immortals: The first fifty – 7) James Brown. Rolling Stone Magazine (issue 946). Retrieved January 10, 2007.
- ^ Christgau, Robert. The Genius: James Brown. Rolling Stone. Retrieved on June 17, 2010.
- ^ James Brown's legal troubles delay statue unveiling. (2004, May 1). The Augusta Chronicle. Retrieved January 14, 2007 from the Lexis-Nexis Academic database.
- ^ Remembering James Brown: Augusta memorial memorable. WKBF-TV (Augusta, Georgia). Retrieved January 10, 2007.
- ^ James Brown receives posthumous degree. (2007, January 2). Diverse: Issues In Higher Education. Retrieved March 16, 2007.
- ^ Hasty, J. (2007, February 12). Grammy performances look forward and back. Billboard Magazine. Retrieved February 12, 2007.
- ^ Rolling Stones show they are still greatest rock band. (2007, August 22). The Arizona Republic. Retrieved August 24, 2007.
- ^ Ross Bennett. Jimmy Page: "The Records That Changed My Life!" #10. Mojo. Retrieved December 31, 2010.
- ^ Tunis, W. (2007, December 21). Feel good again: Show to pay tribute to the Godfather of Soul, a year after his death. Lexington Herald-Leader. Retrieved December 23, 2005.
- ^ The RS 500 greatest albums of all time. (2003, November). Rolling Stone Magazine. Retrieved January 27, 2007.
- ^ The 100 greatest albums: Results. Channel 4 (UK). Retrieved January 30, 2007.
- ^ The RS 500 greatest songs of all time. (2004, November). Rolling Stone Magazine. Retrieved January 27, 2007.
- ^ "Bronjahm – NPC – World of Warcraft". Wowhead.com. http://www.wowhead.com/npc=36497/bronjahm. Retrieved July 6, 2011.
- Other references
- Sussman, M. (producer). (2006, December 25). Arts: Soul classics by James Brown (multimedia presentation). The New York Times. Retrieved January 9, 2007.
- Slide show: James Brown through the years. (2006, December 25). The New York Times. Retrieved January 9, 2007.
- Lethem, J. (2006, June 12). Being James Brown. Rolling Stone Magazine. Retrieved January 14, 2007.
- Rolling Stone Magazine audio interview with Jonathan Lethem about James Brown and his music. Rolling Stone Magazine. Retrieved January 9, 2007.
- Sullivan, James (2008). The Hardest Working Man: How James Brown Saved the Soul of America. New York: Gotham Books. ISBN 978-1-59240-390-5. http://www.amazon.com/Hardest-Working-Man-James-America/dp/1592403905/ref=sr_1_2?ie=UTF8&s=books&qisbn=1224096080&sr=1-2.
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James Brown albums
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| Studio albums |
- Please Please Please
- Try Me
- Think!
- The Amazing James Brown
- James Brown Presents His Band/Night Train
- Shout and Shimmy
- James Brown and His Famous Flames Tour the USA
- Prisoner of Love
- Excitement - Mr. Dynamite
- Showtime
- The Unbeatable James Brown
- Grits and Soul
- Out of Sight
- Papa's Got a Brand New Bag
- I Got You (I Feel Good)
- James Brown Plays James Brown Today and Yesterday
- Mighty Instrumentals
- James Brown Plays New Breed (The Boo-Ga-Loo)
- It's a Man's Man's Man's World
- James Brown Sings Christmas Songs
- Handful of Soul
- Sings Raw Soul
- James Brown Plays the Real Thing
- Cold Sweat
- I Can't Stand Myself
- I Got the Feeling
- James Brown Sings Out of Sight
- Thinking About Little Willie John and a Few Nice Things
- A Soulful Christmas
- Say It Loud, I'm Black and I'm Proud
- Gettin' Down to It
- The Popcorn
- It's a Mother
- Ain't It Funky
- Soul on Top
- It's a New Day - Let a Man Come In
- Hey America
- Super Bad
- Sho' Is Funky Down Here
- Hot Pants
- There It Is
- Get on the Good Foot
- Black Caesar
- Slaughter's Big Rip-Off
- The Payback
- Hell
- Reality
- Sex Machine Today
- Everybody's Doin' the Hustle and Dead on the Double Bump
- Hot
- Get Up Offa That Thing
- Bodyheat
- Mutha's Nature
- Jam 1980's
- Take a Look at Those Cakes
- The Original Disco Man
- People
- Nonstop!
- Soul Syndrome
- Bring It On
- Gravity
- I'm Real
- Love Overdue
- Universal James
- I'm Back
- The Merry Christmas Album
- The Next Step
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| Live albums |
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| Compilation albums |
- Soul Classics
- Soul Classics, Volume 2
- Solid Gold: 30 Golden Hits
- The Fabulous James Brown
- Can Your Heart Stand It?
- The Best of James Brown
- The Federal Years, Part 1
- The Federal Years, Part 2
- Roots of a Revolution - The James Brown Story 1956-1965
- Ain't That a Groove - The James Brown Story 1966-1969
- Doing It to Death - The James Brown Story 1970-1973
- Dead on the Heavy Funk 1974-1976
- The CD of JB: Sex Machine and Other Soul Classics
- The LP of JB
- In the Jungle Groove
- The CD of JB II: Cold Sweat and Other Soul Classics
- Motherlode
- Messin' With the Blues
- Star Time
- 20 All-Time Greatest Hits!
- Roots of a Revolution
- JB40: 40th Anniversary Collection
- Foundations of Funk – A Brand New Bag: 1964-1969
- Funk Power 1970: A Brand New Thang
- Make It Funky – The Big Payback: 1971-1975
- Dead On The Heavy Funk: 1975-1983
- Classic James Brown - The Universal Masters Collection
- The Godfather - The Very Best of James Brown
- Classic James Brown Vol. 2 - The Universal Masters Collection
- 50th Anniversary Collection
- The Singles, Volume One: The Federal Years: 1956–1960
- The Singles, Volume Two: 1960–1963
- The Singles, Volume Three: 1964–1965
- A Family Affair
- Dynamite X
- The Singles, Volume Four: 1966–1967
- The Singles, Volume Five: 1967-1969
- The Singles, Volume Six: 1969-1970
- The Singles, Volume 7: 1970-1972
- The Singles, Volume 8: 1972-1973
- The Singles, Volume 9: 1973-1975
- Icon
- The James Brown Complete Christmas
- The Singles, Volume 10: 1975-1979
- The Singles, Volume 11: 1979-1981
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| Persondata |
| Name |
Brown, James Joseph, Jr. |
| Alternative names |
Godfather of Soul |
| Short description |
Singer, songwriter, record producer, dope dealer |
| Date of birth |
May 3, 1928 |
| Place of birth |
Barnwell, South Carolina, United States |
| Date of death |
December 25, 2006 |
| Place of death |
Atlanta, Georgia, United States |
![Fred Wesley and the Horny Horns - A Blow for Me, a Toot to You [FULL ALBUM]](http://web.archive.org./web/20121228191237im_/http://i.ytimg.com/vi/_ptkueHbFdU/default.jpg "Fred Wesley and the Horny Horns - A Blow for Me, a Toot to You [FULL ALBUM]")
