The examples and perspective in this article deal primarily with North America and do not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (April 2012)

This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (November 2007)

News broadcasting is the broadcasting of various news events and other information via television, radio or internet in the field of broadcast journalism. The content is usually either produced locally in a radio studio or television studio newsroom, or by a broadcast network. It may also include additional material such as sports coverage, weather forecasts, traffic reports, commentary and other material that the broadcaster feels is relevant to their audience.

Television news[link]

Television news refers to disseminating current events via the medium of television. A "news bulletin" or a "newscast" are television programs lasting from seconds to hours that provide updates on world, national, regional or local news events. Television news is very image-based, showing video of many of the events that are reported. Television channels may provide news bulletins as part of a regularly scheduled news program. Less often, television shows may be interrupted or replaced by breaking news ("news flashes") to provide news updates on current events of great importance or sudden events of great importance.

Radio news[link]

Radio news is the same as television news but is transmitted through the medium of the radio. It is more based on the audio aspect rather than the visual aspect. Sound bites are captured through various reporters and played back through the radio. News updates occur more often on the radio than on the television - usually about once or twice an hour.

Structure, content and style[link]

Television[link]

Newscasts, also known as bulletins or news programs, will differ in content, tone and presentation style depending on the format of the channel on which they appear, and their timeslot. In most parts of the world, national television networks will have network bulletins featuring national and international news. The top rating shows will often be in the evening at 'prime time', but there are also often breakfast time newscasts of two to three hours in length. Rolling news channels broadcast news 24 hours a day. Many video and audio news reports presented on the Internet are updated 24 hours a day. Local news may be presented by stand-alone local TV stations, local stations affiliated to national networks or by local studios which 'opt-out' of national network programming at specified points. Different news programming may be aimed at different audiences, depending on age, socio-economic group or those from particular sections of society. 'Magazine-style' television shows may mix news coverage with topical lifestyle issues, debates or entertainment content.

Newscasts consist of several a reporter being interviewed by an anchor, known as a 'two-way', or by a guest involved in or offering analysis on the story being interviewed by a reporter or anchor. There may also be breaking news stories which will present live rolling coverage.

Packages will usually be filmed at a relevant location and edited in an editing suite in a newsroom or a remote contribution edit suite in a location some distance from the newsroom. They may also be edited in mobile editing trucks, or satellite trucks, and transmitted back to the newsroom. Live coverage will be broadcast from a relevant location and sent back to the newsroom via fixed cable links, microwave radio, production truck, satellite truck or via online streaming. Roles associated with television news include a technical director, floor director audio technician and a television crew of operators running character graphics (CG), teleprompters and professional video cameras. Most news shows are broadcast live.

Radio[link]

Radio station newscasts can range from as little as a minute to as much as the station's entire schedule, such as the case of all-news radio, or talk radio. Stations dedicated to news or talk will often feature newscasts, or bulletins, usually at the top of the hour, usually between 3 and 8 minutes in length. They can be a mix of local, national and international news, as well as sport, entertainment, weather and traffic, or they may be incorporated into separate bulletins. There may also be shorter bulletins at the bottom of the hour, or three at fifteen minute intervals, or two at twenty minute intervals. All-news radio stations exist in some countries, primarily located in major metropolitan areas such as New York City, Toronto and Chicago, which often broadcast local, national and international news and feature stories on a set time schedule.

News broadcasting by country[link]

United States[link]

Broadcast television[link]

Local newscasts[link]

Local TV stations in the United States normally broadcast local news 3-4 times a day: 4:30, 5 and 6 a.m. in the morning; noon; 5 and 6 p.m. in the early evening; and 10 or 11 p.m. at night. Some stations carry morning newscasts at 4, 4:30, 7, 8 or 9 a.m., midday newscasts at 11 or 11:30 a.m., late afternoon newscasts at 4 or 4:30 p.m., or early evening newscasts at 5:30 or 6:30 p.m. Many Fox affiliates, affiliates of minor networks (such as The CW and MyNetworkTV) and independent stations air newscasts in the final hour of primetime (i.e., 10 p.m. in the Eastern and Pacific time zones or 9 p.m. in the Mountain and Central time zones in the U.S.). Stations that produce local newscasts typically produce as little as one to as much as ten hours of local news on weekdays and as little as one hour on weekends; news programming on weekends are typically limited to morning and evening newscasts as the variable scheduling of network sports programming usually prevents most stations from carrying midday newscasts (however a few stations located in the Eastern and Pacific time zones do produce weekend midday newscasts).

Since the early 1990s, independent stations and stations affiliated with a non-Big Three network have entered into "news share agreements", in which news production is outsourced to a major network station (usually an affiliate of ABC, NBC or CBS), often to avoid shouldering the cost of starting a news department from scratch. These commonly involve Fox, CW and MyNetworkTV affiliates (and previously affiliated of the now-defunct predecessors of the latter two networks, The WB and UPN) and in some cases, independent stations; however such agreements exist in certain markets between two co-owned/co-managed Big Three affiliates. News share agreements are most common with stations co-owned with a larger network affiliate or whose operations are jointly managed through a shared service or local marketing agreement. In cases where a station with an existing news department enters into a news share agreement, it will result either the two departments merging or the outright conversion of newscast production from in-house to outsourced production. Minor network affiliates involved in news share agreements will often carry far fewer hours of local newscasts than would be conceivable with an in-house news department to avoid competition with the outsourcing partner's own newscasts, as a result, minor network affiliates involved in these NSAs often will carry a morning newscast from 7-9 a.m. (in competition with the national network newscasts instead of airing competing with the Big Three affiliates' newscasts) and/or a primetime newscast at 10 p.m. ET/PT or 9 p.m. CT/MT, with no midday, late afternoon or early evening newscasts.

Unlike international broadcast stations which tend to brand under uniform news titles based solely on network affiliation, U.S. television stations tend to use varying umbrella titles for their newscasts; some title their newscasts utilizing the station's on-air branding (such as combining the network affiliation and channel number with the word "News"), others use franchised brand names (like Eyewitness News, Action News and NewsChannel) for their news programming. Conversely, the naming conventions for a station's newscast are sometimes used as a universal on-air branding for the station itself, and may be used for general promotional purposes, even used in promoting syndicated and network programming. Many stations title their newscasts with catchy names like Daybreak, Good Morning (insert city or region here), First at Four, Live at Five, Eleven @ 11:00 or Nightcast. These names are intended to set one station apart from the rest, especially for viewers who are chosen for audience measurement surveys. If the respondent was unable to provide a channel number or call letters, the newscast title is often enough for the appropriate station to receive Nielsen ratings credit.

Network news programming[link]

The Big Three broadcast television networks produce morning and evening national newscasts (America This Morning, Good Morning America and ABC World News are broadcast by ABC, CBS broadcasts the CBS Morning News, CBS This Morning and the CBS Evening News, and NBC produces Early Today, Today and NBC Nightly News) as well as weekly newsmagazine series (NBC's Dateline, ABC's 20/20 and CBS News Sunday Morning, 48 Hours and 60 Minutes on CBS). Network morning newscasts usually air at 7 a.m. (English-language network morning shows are tape delayed for each time zone, while the Spanish-language morning shows are aired live in all time zones); network evening newscasts usually are broadcast live at 6:30 p.m. on the East coast and broadcast live in both the Eastern and Central time zones, with a secondary live broadcast at 6:30 p.m. Pacific time. Today was the first morning news program to be broadcast on American television and in the world, when it debuted on January 14, 1952; the earliest national evening news program was The Walter Compton News, a short-lived 15-minute newscast that aired on the DuMont Television Network from 1947 to 1948.

All four major English networks and the two largest Spanish networks also carry political talk programs on Sunday mornings (NBC's Meet the Press, ABC's This Week, CBS' Face the Nation, Fox's sole news program Fox News Sunday, Univision's Al Punto and Telemundo's Enfoque); of these programs, Meet the Press holds the distinction of being the longest-running American television program as it has aired since November 6, 1947. CBS and ABC are currently the only networks that produce overnight news programs on weeknights in the form of Up to the Minute and World News Now, respectively; NBC previously produced overnight newscasts at different times, both of which have since been cancelled: NBC News Overnight from 1982 to 1983, and NBC Nightside from 1992 to 1999 (NBC currently does not offer a late night newscast, although the network currently airs the fourth hour of Today, and sister network CNBC's Mad Money on weeknights).

Spanish-language news programs are provided by Univision (which produces early and late evening editions of its flagship evening news program Noticiero Univision seven nights a week, along with weekday afternoon newsmagazine Primer Impacto and weekday morning program Despierta America) and Telemundo (whose flagship evening newscast is Noticiero Telemundo, which unlike Univision and their English-language competitors' national evening news programs airs on weeknights only, along with weekday morning program ¡Levántate! and weekday afternoon newsmagazine Al Rojo Vivo). Fox, The CW and MyNetworkTV do not produce national morning and evening news programs (although Fox made a brief attempt at a morning program in the late 1990s with Fox After Breakfast, and many CW and MyNetworkTV affiliates as well as independent stations air the syndicated news program The Daily Buzz).

Cable television[link]

24-hour news channels are devoted to current events 24-hours per day. They are often referred to as cable news channels. The originator of this format from which the name derives is CNN (as well as CNN International, CNN en Español and CNN-IBN), which originally stood for Cable News Network in reference to the then-new phenomenon of cable television. As satellite and other forms have evolved, the term cable news has become something of an anachronism but is still in common use; many other television channels have since been established, such as BBC World News, BBC News, Sky News, Al Jazeera, ABC News 24, France 24, STAR News, Fox News Channel, MSNBC, Press TV, Russia Today, teleSUR and ABC News Now. Some news channels specialize even further, such as ESPNews (sports from ESPN); The Weather Channel (weather); CNBC, Bloomberg Television and Fox Business Network (financial).

Conversely, several cable news channels exist that carry news information specifically geared toward a particular metropolitan area, state or region such as NY1 in New York City, Ohio News Network (which is based in Columbus, Ohio, but is carried throughout the state of Ohio), Bay News 9 in Tampa, Florida and NewsChannel 8 in Washington, D.C. These channels are usually owned by a local cable operator and are distributed solely through cable television and IPTV system operators. Some broadcast television stations also operate cable channels (some of which are repeated through digital multicasting) that air the station's local newscasts in the form of live simulcasts from the television station, with rebroadcasts of the newscasts airing in the time period between live broadcasts.

A term which has entered common parlance to differentiate cable news from traditional news broadcasts is network news, in reference to the traditional television networks on which such broadcasts air. A classic example is the cable news channel MSNBC, which overlaps with (and, in the case of breaking world-changing events, pre-empts) its network counterpart NBC News. Most U.S. cable news networks do not air news programming 24 hours a day, often filling late afternoon, primetime and late night hours with news-based talk programs, documentaries and other specialty programming.

Radio[link]

More often, AM stations will air a 6½ minute newscast on the top of the hour, which can be either a local report, a national report from a radio network such as CBS Radio, CNN Radio, Fox News Radio or ABC Radio, or a mix of both local and national content, including weather and traffic reports. Some stations also air a two minute report at the bottom of the hour.

FM stations, unless they feature a talk radio format, usually only air minute-long news capsules featuring a quick review of events and an abbreviated weather forecast, and usually only in drive time periods or in critical emergencies, since FM stations usually focus more on playing music. Traffic reports also air on FM stations, depending on the market.

Canada[link]

Terrestrial television[link]

Unlike in United States, most Canadian television stations have license requirements to offer locally-produced newscasts in some form. Educational television station are exempt from these requirements; multicultural television stations are also not required to carry news programming, however some stations licensed as a multicultural station do produce local newscasts in varied languages (such as the Omni Television station group). Canadian television stations normally broadcast newscast between two and four times a day: usually at noon; 5, 5:30 and 6 p.m. in the evening, and 11 p.m. at night (there are some variations to this: stations affiliated with CTV usually air their late evening newscasts at 11:30 p.m., due to the scheduling of the network's national evening news program CTV National News at 11 p.m. in all time zones, while most CBC Television-owned stations carry a 10-minute newscast at 10:55 p.m., following The National). Some stations carry morning newscasts (usually starting at 5:30 or 6 a.m., and ending at 9 a.m.). Unlike in the United States, a primetime newscast in the 10:00 p.m. timeslot is uncommon (Global owned-and-operated station CKND-DT in Winnipeg, Manitoba is currently the only television station in the country carrying a primetime newscast); conversely, pre-5 a.m. local newscasts are also uncommon in Canada, Hamilton, Ontario independent station CHCH-DT, whose weekdaily programming consists largely of local news, is currently the only station in the country that starts its weekday morning newscasts before 5:30 a.m. (the station's morning news block begins at 4 a.m. on weekdays).

Like with U.S. television, many stations use varied titles for their newscasts; this is particularly true with owned-and-operated stations of Global and Citytv (Global's stations use titles based on daypart such as News Hour for the noon and early evening newscasts and News Final for 11 p.m. newscasts, while all six Citytv-owned broadcast stations produce morning news/talk programs under the umbrella title Breakfast Television and its flagship station CITY-DT/Toronto's evening newscasts are titled CityNews). Overall umbrella titles for news programming use the titling schemes "(Network or system name) News" for network-owned stations or "(Callsign) News" for affiliates not directly owned by a network or television system.

CBC Television, Global and CTV each produce national evening newscasts (The National, Global National and CTV National News, respectively), which unlike the American network newscasts do not air against one another as they are scheduled in non-competitive time slots; while Global National airs at the same early evening time slot as the American evening network newscasts, The National's 10 p.m. ET slot competes against primetime entertainment programming on the private broadcast networks, while CTV National News airs against locally-produced 11 p.m. newscasts on other stations. The National, which has aired on CBC Television since 1954, is the longest-running national network newscast in Canada. All three networks also produce weekly newsmagazines The Fifth Estate (aired since 1975), 16:9 (aired since 2008) and W5 (aired since 1966 and currently the longest-running network newsmagazine in Canada).

CTV's Canada AM, which has aired since 1975, is the sole national morning news program on broadcast television in Canada, although it has since been relegated to semi-national status as most CTV owned-and-operated stations west of the Ontario-Manitoba border dropped the program during the Summer and Fall of 2011 in favor of locally-produced morning newscasts. The Sunday morning talk show format is relatively uncommon on Canadian television, the closest program baring similarities to the format was CTV's news and interview series Question Period, this changed when Global debuted the political affairs show The West Block in November 2011.

Cable television[link]

Canada is host to several 24-hour cable news channels, consisting of domestically-operated, U.S.-based cable channels and news channels operated outside of North America. Domestic national news channels include CTV News Channel and Sun News Network, which offer general news programming, Business News Network, which carries business news and The Weather Network, which offers national and local forecasts. The Canadian Broadcasting Corporation operates two national news networks, English-language CBC News Network and French-language RDI. Other Canadian specialty news channels broadcasting in French include general news networks Argent and Le Canal Nouvelles, and MétéoMédia, a French-language sister to The Weather Network.

The Canadian Radio-television and Telecommunications Commission authorizes some cable channels from foreign countries to be carried on cable and satellite operators provided that they are linked to a Canadian network. Amongst news channels, all four major U.S. cable news networks: CNN, HLN, MSNBC and Fox News Channel are available on most providers, along with channels from outside North America such as Al Jazeera English from Qatar, BBC World News from the United Kingdom, Deutsche Welle from Germany and RT from Russia.

Regionally-based news channels are fairly uncommon in Canada in comparison to the United States, with only two 24-hour regional news channels currently in existence, which are based in the province of Ontario, CityNews Channel and CP24, which center on the Toronto area (terrestrial independent station CHCH-DT/Hamilton serves as a de facto regional news channel for the Golden Horseshoe region of Southern Ontario; since August 2009, the station airs rolling local news block on weekday mornings and afternoons (currently airing from 4 a.m.-5 p.m.), along with nightly hour-long newscasts at 6 and 11 p.m.; the remainder of the schedule consists of syndicated programming, movies, imported American network television series and infomercials).

See also[link]

Journalism portal

• List of news channels
• Television news music package
• List of news presenters
• United States cable news
• United States television news

References[link]

External links[link]

Look up newsbreak or newscast in Wiktionary, the free dictionary.

• Collection of news livestreams

This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (June 2009)

Nathan Barnatt (born on February 2, 1981) is an American actor, comedian, dancer and filmmaker.^[1] Barnatt appeared on Comedy Central's The Gong Show with Dave Attell in 2008, on Comedy Central's GHOSTS/ALIENS pilot in 2009, and on This Show Will Get You High in 2010. Currently (2012) developing a show with Adult Swim based on his Keith Apicary character.

Barnatt is a performer at the Upright Citizens Brigade theater in Hollywood California. He is also an amateur dancer, as displayed in his videos including a Kimberly Cole audition session.

Keith Apicary discography[link]

• Neo Geo: Four Bright Buttons and Two Joysticks (a.k.a. Neo Geo or Four Bright Buttons and Two Joysticks)
• Classic Gaming Wiz
• Sonic the Hedgesong
• Virtual Boy Song
• Dreamcast 2 (first excerpt featured in the Talking Classics episode "Keith Dreams of Dreamcast")
• T.M.N.T.S.O.N.G.

See also[link]

• Talking Classics

References[link]

External links[link]

• http://www.nathanbarnatt.com/
• http://www.youtube.com/user/nathanjbarnatt
• http://www.youtube.com/user/nathanjamesbarnatt

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2007)

10 Years is an American alternative metal band, formed in Knoxville, Tennessee in 1999.

History[link]

[edit] Early Years, Into the Half Moon (1999–2001)

10 Years was initially formed in Knoxville, Tennessee in 1999 with singer Mike Underdown, drummer Brian Vodinh, bassist Lewis Cosby, and guitarists Ryan "Tater" Johnson (also of The American Plague) and Matt Wantland. In 2001, Cosby left and the band recruited Andy Parks on bass. They independently recorded Into the Half Moon the same year.

[edit] Killing All That Holds You, The Autumn Effect (2002–2006)

Lead vocalist Mike Underdown left the band to pursue a career in acting and start up a new band 'Courage, You Bastards' in Los Angeles, Ca. 10 Years soon recruited current vocalist Jesse Hasek from another local band. In 2002, Parks decided to leave the band and Cosby returned. The band then released their independent album Killing All That Holds You in 2004.

10 Years was then signed to Universal Records in 2005 and released their major label debut, The Autumn Effect on August 16, 2005 with the songs "Wasteland" and "Through the Iris" picking up regional radio play. Their first single, "Wasteland" spent over 12 months on the rock charts, finally reaching #1 at active rock radio in December 2005.

That same summer, the band toured with Disturbed and Ill Niño. In the fall of 2005, they toured with Breaking Benjamin and Smile Empty Soul, then followed up with the Masters of Horror tour with Mudvayne and Sevendust. They opened for Korn and Mudvayne on Korn's See You on the Other Side tour. They also toured with Korn and Deftones on the Family Values Tour, which started in late July 2006.

In mid February 2006, "Wasteland" reached #1 on the Billboard Alternative Songs chart. "Wasteland" has been certified Gold by the RIAA.

In mid-2006, the band toured Australia in a lineup which included Hatebreed, Disturbed and Korn.

Their first music video, "Wasteland", addresses the social problem of human rights as well as addiction around the world. The video received a nomination for Best Direction and Best Art Direction at the 2006 MTV Video Music Awards, but did not win either.

On March 27, 2006, an EP was released on iTunes containing acoustic versions of "Wasteland" and other tracks from The Autumn Effect.

[edit] Division (2006–2008)

On November 19, 2006, 10 Years unveiled and confirmed the title Division for their second album.^[1] The band would begin recording Division in late June 2007 after spending the better part of a year writing.

Lewis told in an interview that the album is "so different from the first one [The Autumn Effect], but it's still 10 Years," and, "It just sounds like [the songs] would be from a totally different album, which was, you know, the goal."^[2] It was also revealed that the track titled "Focus" was co-written with Stone Temple Pilots and former Army of Anyone guitarist Dean DeLeo.^[1]

On May 21, 2007 a demo song titled "All Your Lies" from Division was released onto their MySpace along with a post stating the band had chosen producer Rick Parasher to produce the new album.^[3] On September 7, the band announced on their MySpace that the album was finished and would be released in 2008, following a tour with Dir En Grey, Sevendust, Operator, Thousand Foot Krutch and Chevelle.

On January 29, 2008, "Beautiful," the new single from Division, was released to iTunes and a snippet was also posted on the band's MySpace page. Division was released on May 13, 2008 after being pushed back due to finalization of the album's artwork.^[4]

10 Years was featured on the Revolution Stage of Linkin Park's Summer Projekt Revolution 2008 tour with Atreyu, Hawthorne Heights and Armor For Sleep.

They went on tour with Mudvayne until mid December 2008.

[edit] Feeding the Wolves (2009–2011)

10 Years announced that their upcoming third major label album would be entitled Feeding the Wolves. The album was produced by Grammy-nominated producer Howard Benson and mixed by Chris "Lord" Alge. The band has mentioned the album is of their heaviest material to date and "very similar to some of their early songs."

Throughout the first half of 2010, the band went back and forth between putting on live shows and working in the studio. Before the album was released, the band debuted new songs at live performances such as "Dead in the Water", "Now is the Time", and the new album's first single ""Shoot It Out" ". ^[5][6]

On June 12, 2010, ""Shoot It Out" " was featured on Sirius/XM Radio. The track was released to radio later that month,^[7] and was made available for download on iTunes July 6.^[8] Feeding the Wolves was released on August 31, 2010.

To promote the album's release, the band opened Shinedown's 2010 Carnival of Madness summer tour alongside Chevelle, Puddle of Mudd, and Sevendust.^[9] In the fall they joined Sevendust again on the Hard Drive Live tour with support from Since October and Anew Revolution.

In December, the band went on a mini-headline tour,^[10] where they played some older songs that they had not played in some time. February 2011, their new single "Fix Me" releases to radio while they headline a spring tour with Hollywood Undead.

On June 17 and 18 the band shot a music video for "Fix Me" in Columbus, Ohio with production company Thunder Down Country.^[11] The video was released via YouTube on August 9, 2011.^[12]

[edit] Minus The Machine Palehorse Records (2012-present)

On twitter the band has shown pictures of Brian Vodinh's home basement turned studio for future workings on their next album.

On April 2nd, 2012, the band announced on Facebook that their upcoming record, Minus The Machine, is to be released on July 30th on their own independent label, Palehorse Records, which the band stated is a part of Warner Music Group's Independent Label Group. They also announced a 4-week headlining tour to support the record, which begins on June 27th in New Orleans.

On May 11th, the band unveiled the cover art of the album and it was announced that the album's release has been pushed back to July 31st.^{[citation needed]} 10 Years will release their first single "Backlash" on radio and iTunes on June 21st.

Band members[link]

Current

• Jesse Hasek – Vocals (2002–present)
• Ryan "Tater" Johnson – Lead Guitar, Backing Vocals (1999–present)
• Lewis "Big Lew" Cosby – Bass (1999–2001, 2002-present)
• Brian Vodinh – Rhythm Guitar, Backing Vocals (2009–present) Drums (1999–present)

Live

• Matt Brown – Drums (2010-present)
• Sam Anderson – Drums (2010)
• Kyle Mayer – Drums (2010)
• Brandon Estelle - Drums (2010-2011) and select dates.

Former

• Mike Underdown – Vocals (1999–2001)
• Andy Parks - Bass (2001–2002)
• Matt Wantland – Guitar (1999–2009)

Timeline[link]

id:Vocals value:red legend:Vocals
id:Bass value:orange legend:Bass
id:Rhythm_Guitar value:blue legend:Rhythm_Guitar
id:Lead_guitar value:green legend:Lead_Guitar
id:drums value:yellow legend:Drums
id:lines value:black legend:Studio Albums

at:01/01/2001 color:black layer:back
at:27/08/2004 color:black layer:back
at:16/08/2005 color:black layer:back
at:01/05/2008 color:black layer:back
at:31/08/2010 color:black layer:back

bar:mike text:"Mike Underdown"
bar:jesse text:"Jesse Hasek"
bar:tater text:"Ryan Tater Johnson"
bar:wantland text:"Matt Wantland"
bar:andy text:"Andy Parks"
bar:lewis text:"Lewis Cosby"
bar:brian text:"Brian Vodinh"
bar:kyle text:"Kyle Mayer"
bar:sam text:"Sam Anderson"
bar:matt text:"Matt Brown"

width:10 textcolor:black align:left anchor:from shift:(10,-4)
bar:mike from:start till:01/01/2001 color:Vocals
bar:jesse from:02/01/2001 till:end color:Vocals
bar:tater from:start till:end color:Lead_Guitar
bar:wantland from:start till:03/05/2009 color:Rhythm_Guitar
bar:brian from:start till:31/08/2010 color:Drums
bar:brian from:05/05/2009 till:end color:Rhythm_Guitar
bar:lewis from:start till:01/01/2001 color:Bass
bar:lewis from:02/01/2002 till:end color:Bass
bar:andy from:02/01/2001 till:01/01/2002 color:Bass
bar:kyle from:06/06/2010 till:05/07/2010 color:Drums
bar:sam from:06/07/2010 till:31/07/2010 color:Drums
bar:matt from:01/08/2010 till:end color:Drums

Discography[link]

Studio albums[link]

Extended plays[link]

• 2006: Acoustic EP

Singles[link]

References[link]

External links[link]

• Official Site
• 10 Years on Myspace

Aaron Sorkin
Aaron Sorkin on May 18, 2009
Born	Aaron Sorkin (1961-06-09) June 9, 1961 (age 51) New York City, New York, United States
Occupation	Screenwriter, producer, playwright
Years active	1984–present
Spouse	Julia Bingham (1996–2005)

Aaron Sorkin (born June 9, 1961^[1]) is an Academy and Emmy award winning American screenwriter, producer, and playwright, whose works include A Few Good Men, The American President, The West Wing, Sports Night, Studio 60 on the Sunset Strip, Charlie Wilson's War, The Social Network, and Moneyball.

After graduating from Syracuse University with a Bachelor of Fine Arts degree in Musical Theatre in 1983, Sorkin spent much of the 1980s in New York as a struggling, sporadically employed actor.^[2] He found his passion in writing plays, and quickly established himself as a promising young playwright. His stage play A Few Good Men caught the attention of Hollywood producer David Brown, who bought the film rights before the play even premiered.^[3]

Castle Rock Entertainment hired Sorkin to adapt A Few Good Men for the big screen. The film, directed by Rob Reiner, became a box office success. Sorkin spent the early 1990s writing two other screenplays at Castle Rock, Malice and The American President. In the mid-1990s he worked as a script doctor on films such as Bulworth. In 1998 his television career began when he created the comedy series Sports Night for the ABC network. The second season of Sports Night was its last and in 1999 overlapped with the debut of Sorkin's next TV series, the political drama The West Wing, this time for the NBC network. The West Wing won multiple Emmy Awards, and continued for three more seasons after he left the show at the end of its fourth season in 2003. He returned to television in 2006 with the dramedy Studio 60 on the Sunset Strip, about the backstage drama at a late-night sketch comedy show, once again for the NBC network. While Sorkin's return was met with high expectations and a lot of early online buzz before Studio 60's premiere, NBC did not renew it after its first season in which it suffered from low ratings and mixed reception in the press and on the Internet. He also wrote the feature film screenplay for The Social Network, winning the Academy Award for Best Adapted Screenplay.

After more than a decade away from the theatre, Sorkin returned to adapt for the stage his screenplay The Farnsworth Invention, which started a workshop run at La Jolla Playhouse in February 2007 and which opened on Broadway in December 2007.^[4]

He was a cocaine addict for many years, but after a highly publicized arrest in 2001 he received treatment in a drug diversion program and is reported to have recovered.^[5] In television, Sorkin is known as a controlling writer, who rarely shares the credit of penning screenplays.^[6] His writing staff are more likely to do research and come up with stories for him to tell. His trademark rapid-fire dialogue and extended monologues are complemented, in television, by frequent collaborator Thomas Schlamme's characteristic directing technique called the "walk and talk". These sequences consist of single tracking shots of long duration involving multiple characters engaging in conversation as they move through the set; characters enter and exit the conversation as the shot continues without any cuts.

Early years[link]

Sorkin was born in Manhattan^[7] and raised in the wealthy suburb of Scarsdale, New York.^[8] His mother was a school teacher and his father a copyright lawyer who had fought in WWII and put himself through college on the G.I. Bill; both his older sister and brother went on to become lawyers.^[6][9][10] His paternal grandfather was one of the founders of the International Ladies' Garment Workers' Union (ILGWU).^[10][11][12] Sorkin took an early interest in acting. Before he reached his teenage years, his parents were taking him to the theatre to see shows such as Who's Afraid of Virginia Woolf? and That Championship Season.^[5]

Sorkin attended Scarsdale High School where he became involved in his high school drama and theatre club. In eighth grade he played General Bullmoose in the musical Li'l Abner.^[2] In the Scarsdale High School senior class play Once Upon a Mattress, Sorkin played Sir Harry.

In 1979, Sorkin attended Syracuse University. In his freshman year he failed a class that was a core requirement. It was a devastating setback because he wanted to be an actor, and the Drama department did not allow students to take the stage until they completed all the core freshman classes. He returned in his sophomore year determined to do better, and graduated in 1983 with a bachelor of fine arts degree in musical theatre.^[13]

Unemployed actor, promising playwright[link]

After graduation, Sorkin moved to New York City where he worked odd jobs including delivering singing telegrams,^[2] driving a limousine, touring Alabama with the children’s theatre company Traveling Playhouse,^[6] handing out fliers promoting a hunting-and-fishing show,^[2] and bartending on Broadway at theatres such as the Palace Theatre.^[14] One weekend, while house sitting at a friend's place he found an IBM Selectric typewriter, started typing, and "felt a phenomenal confidence and a kind of joy that [he] had never experienced before in [his] life."^[6]

He continued writing and eventually put together his first play Removing All Doubt which he sent to his old theatre teacher, Arthur Storch, who was impressed. In 1984, Removing All Doubt was staged for drama students at his alma mater, Syracuse University. After that, he wrote Hidden in This Picture which debuted off-off-Broadway at Steve Olsen's West Bank Cafe Downstairs Theatre Bar in New York City in 1988. The contents of his first two plays got him a theatrical agent.^[15] Producer John A. McQuiggan saw the production of Hidden in This Picture and commissioned Sorkin to turn the one-act into a full-length play called Making Movies.^[16] His reputation as a playwright was quickly gaining stature on the New York theatre scene.

[edit] A Few Good Men

A Few Good Men at London's Theatre Royal Haymarket on August 31, 2005.

Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah, who had graduated from Boston University Law School and signed up for a 3-year stint with the U.S. Navy Judge Advocate General's Corps. She was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre on Broadway.^[17] He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men.^[18]

In 1988 Sorkin sold the film rights for his play A Few Good Men to producer David Brown before it premiered, in a deal reportedly "well into six figures."^[19] Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings.^[3] Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances.^[20]

Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan and directed by Don Scardino.^[16] Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a producing partner at Castle Rock, opted to direct it.^[3]

Screenwriting career (1991–98)[link]

Working under contract for Castle Rock Entertainment[link]

In the early 1990s, Sorkin worked under contract for Castle Rock Entertainment, Inc.^[21] He wrote the scripts for A Few Good Men, Malice, and The American President: the three films grossed about $400 million worldwide.^[7] While writing for Castle Rock he became friends with colleagues such as William Goldman and Rob Reiner and met his future wife, Julia Bingham, who was one of Castle Rock's business-affairs lawyers.^[22]

Sorkin wrote several drafts of the script for A Few Good Men in his New York apartment,^[21] learning the craft of screenwriting from a book about screenplay format.^[15] He then spent several months at the Los Angeles offices of Castle Rock, working on the script with Rob Reiner.^[21] William Goldman (who regularly worked under contract at Castle Rock) became his mentor and helped him to adapt his stageplay into a screenplay.^[23] The movie was directed by Rob Reiner, starring Tom Cruise, Jack Nicholson, Demi Moore, and Kevin Bacon, and was produced by David Brown. A Few Good Men was released in 1992 and was a box office success.^[24]

Goldman also approached Sorkin with a story premise, which Sorkin developed into the script for Malice. Goldman oversaw the project as creative consultant while Sorkin wrote the first two drafts of Malice. Sorkin had to leave the project to finish up the script for A Few Good Men, and screenwriter Scott Frank wrote two drafts of the Malice screenplay. When production on A Few Good Men wrapped up, Sorkin took over and continued working on the script for Malice through until the final shooting script. Harold Becker directed the film, a medical thriller released in 1993, which starred Nicole Kidman and Alec Baldwin. Malice had mixed reviews. Vincent Canby in The New York Times described the film as "deviously entertaining from its start through its finish". Roger Ebert panned it, and Peter Travers in a 2000 Rolling Stone review summarized it as having "suspense but no staying power".^[25][26][27]

Sorkin's last produced screenplay for Castle Rock was The American President and once again he worked with William Goldman, who served as a creative consultant.^[28] It took Sorkin a few years to write the screenplay for The American President, which started off as a massive 385-page screenplay; it was eventually whittled down to a standard shooting script of around 120 pages.^[7] Rob Reiner directed. The film was critically acclaimed. Kenneth Turan in the Los Angeles Times described the film as "genial and entertaining if not notably inspired", and believed its most interesting aspects were the "pipe dreams about the American political system and where it could theoretically be headed".^[29]

Script doctor for hire[link]

Sorkin did uncredited script doctor work on several films in the 1990s. He wrote some quips for Sean Connery and Nicolas Cage in The Rock.^[30] He worked on Excess Baggage, a comedy about a girl who stages her own kidnapping to get her father's attention, and rewrote some of Will Smith's scenes in Enemy of the State.^[30]

Sorkin collaborated with Warren Beatty on a couple of scripts, one of which was Bulworth.^[31] Beatty, known for occasionally personally financing his film projects through pre-production, also hired Sorkin to rewrite a script titled Ocean of Storms which never went into production. At one point Sorkin sued Beatty for proper compensation for his work on the Ocean of Storms script; however, he eventually continued working on the script once the matter was settled.^{[31][32][33][34]}

Writing for television (1998–2007)[link]

[edit] Sports Night

Sorkin came up with the idea to write about the behind-the-scenes happenings on a sports show while he was living in a room in the Four Seasons Hotel in Los Angeles writing the screenplay for The American President.^[6][35] He would work late, with the TV tuned into ESPN, watching continuous replays of SportsCenter.^[35][36] The show inspired him to try to write a feature film about a sports show but he was unable to structure the story for film, so instead he turned his idea into a TV comedy series.^[37][38] Sports Night was produced by Disney and debuted on the Disney-owned ABC network in the fall of 1998.^[39]

Sorkin fought with the ABC network during the first season over the use of a laugh track and a live studio audience. The laugh track was widely decried by critics as jarring, with Joyce Millman of Salon.com describing it as "the most unconvincing laugh track you've ever heard".^[40][41] Sorkin commented that: "Once you do shoot in front of a live audience, you have no choice but to use the laugh track. Oftentimes [enhancing the laughs] is the right thing to do. Sometimes you do need a cymbal crash. Other times, it alienates me."^[40] The laugh track was gradually dialed down and was gone by the end of the first season.^[42] Sorkin was triumphant in the second season when ABC agreed to his demands, unburdening the crew of the difficulties of staging a scene for a live audience and leaving the cast with more time to rehearse.^[39]

Although Sports Night was critically acclaimed, ABC canceled the show after two seasons due to its low ratings.^[43][44] Sorkin entertained offers to continue the show on other television channels but declined all the offers as they were mainly contingent on his involvement which would have been a difficult prospect given that he was simultaneously writing The West Wing at that point.^[35]

[edit] The West Wing

Sorkin conceived the political TV drama The West Wing in 1997 when he went unprepared to a lunch with producer John Wells and in a panic pitched to Wells a show centered on the senior staff of the White House,^[7] using leftover ideas from his script for The American President.^[45] He told Wells about his visits to the White House while doing research for The American President, and they found themselves discussing public service and the passion of the people who serve. Wells took the concept and pitched it to the NBC network, but was told to wait because the facts behind the Lewinsky scandal were breaking and there was concern that an audience would not be able to take a show about the White House seriously.^[46] When a year later some other networks started showing interest in The West Wing, NBC decided to greenlight the series despite their previous reluctance.^[45] The pilot debuted in the fall of 1999 and was produced by Warner Bros. TV.^[45]

The West Wing was honored with nine Emmy Awards for its debut season, making the show a record holder for most Emmys won by a series in a single season.^[48] Following the awards ceremony, a fiasco ensued, centered on the Emmy for writing The West Wing episode "In Excelsis Deo" which was awarded to Sorkin and Rick Cleveland, when it was reported in a New York Times article that Cleveland had been ushered off the stage by Sorkin without being given a chance to say a few words.^[49] The story behind The West Wing episode is based on Cleveland's father, a Korean war veteran who spent the last years of his life on the street, as Cleveland explains in his FreshYarn.com essay titled "I Was the Dumb Looking Guy with the Wire-Rimmed Glasses".^[50] A back and forth took place between Sorkin and Cleveland in a public web forum at Mighty Big TV where Sorkin explained that he gives his writers "Story By" credit on a rotating basis "by way of a gratuity" and that he had thrown out Cleveland's script and started from scratch.^[51] In the end, Sorkin apologized to Cleveland.^[52] Cleveland and Sorkin also won the Writers Guild of America Award for best episodic drama at the February 2001 ceremony for "In Excelsis Deo".^[53]

In 2001, after wrapping up the second season of The West Wing, Sorkin had a drug relapse, only two months after receiving a Phoenix Rising Award for drug recovery; this became public knowledge when he was arrested at Burbank Airport for possession of hallucinogenic mushrooms, marijuana, and crack cocaine. He was ordered by a judge to attend a drug diversion program.^[54] His drug addiction was highly publicized, most notably when Saturday Night Live did a parody called "The West Wing",^[55] though he did recover.^[5]

In 2002, Sorkin criticized NBC news anchor Tom Brokaw's TV special about a day in the life of a president, "The Bush White House: Inside the Real West Wing", comparing it to the act of sending a valentine to President George W. Bush instead of real news reporting.^[56] Sorkin's TV series The West Wing aired on the same network, and so at the request of NBC's Entertainment President Jeff Zucker he apologized, but would later say "there should be a difference between what NBC News does and what The West Wing TV series does."^[57][58]

Sorkin wrote 87 screenplays in all, which amounts to nearly every episode during the show's first four Emmy-winning seasons.^[59] Sorkin describes his role in the creative process as "not so much [that of] a showrunner or a producer. I'm really a writer."^[35] He admits that this approach can have its drawbacks, saying "Out of 88 [West Wing] episodes that I did we were on time and on budget never, not once."^[18] In 2003, at the end of the fourth season, Sorkin and fellow executive producer Thomas Schlamme left the show due to internal conflicts at Warner Bros. TV not involving the NBC network, thrusting producer John Wells into an expanded role as showrunner.^[60][61] Sorkin would later return in the final episode in a cameo appearance as a member of President Bartlet's staff.

[edit] Studio 60 on the Sunset Strip

In 2003 Sorkin divulged to the American television interviewer Charlie Rose on The Charlie Rose Show that he was developing a TV series based on a late-night sketch comedy show like Saturday Night Live.^[18][62] In early October 2005 a pilot script dubbed Studio 7 on the Sunset Strip for a new TV series, written by him and with Tommy Schlamme attached as producer, started circulating around Hollywood and generating interest on the web. A week later, NBC bought from Warner Bros. TV the right to show the TV series on their network for a near record license fee in a bidding war with CBS.^[63] The show's name was later changed to Studio 60 on the Sunset Strip. Sorkin described the show as having "autobiographical elements" to it and "characters that are based on actual people" but said that it departs from those beginnings to look at the backstage maneuverings at a late night sketch comedy show.^[64]

In September 2006, the pilot for Studio 60 aired on NBC, directed by Schlamme. The pilot was critically acclaimed and viewed by over 12 million people, but Studio 60 experienced a significant drop in audience by mid-season. The seething anticipation that preceded the début was followed up by a large amount of thoughtful and scrupulous criticism in the press, as well as largely negative analysis in the blogosphere.^[65] In January 2007, Sorkin spoke out against the press for focusing too heavily on the ratings slide and for using blogs and unemployed comedy writers as sources.^[66] After two months on hiatus, Studio 60 resumed to air the last episodes of season one, which would be its only season.

2004–present[link]

Return to the theatre[link]

Aaron Sorkin discussing his play The Farnsworth Invention with an audience at the Music Box Theatre on November 8, 2007.

Aaron Sorkin interviewed William Goldman in November 2008 at the Screenwriting Expo.

In 2003, Sorkin was writing a screenplay on spec about the story of inventor and television pioneer Philo Farnsworth, a topic he had first become familiar with back in the early 1990s when producer Fred Zollo approached him with the idea of adapting a memoir by Elma Farnsworth into a biopic.^[5][67] The next year he completed the screenplay under the title "The Farnsworth Invention", and it was picked up by New Line Cinema with Thomas Schlamme signed on to direct. The story is about the patent battle between inventor Philo Farnsworth and RCA tycoon David Sarnoff for the technology that allowed the first television transmissions in the US.^[68]

At the same time, Sorkin was contacted by Jocelyn Clarke, the commissions manager of the Abbey Theatre in Dublin, requesting he write a play for them, a commission which he accepted.^[69] In time Sorkin decided to tackle his commission by rewriting "The Farnsworth Invention" as a play.^[5][69] He delivered a first draft of the play to the Abbey Theatre in early 2005, and a production was purportedly planned for 2007 with La Jolla Playhouse in California deciding to stage a workshop production of the play in collaboration with the Abbey Theatre. But in 2006 the Abbey Theatre's new management pulled out of all involvement with The Farnsworth Invention.^[69] Despite the setback, La Jolla Playhouse pushed on, with Steven Spielberg lending his talents as producer.^[70] The production opened under La Jolla's signature Page To Stage program which allowed Sorkin and director Des McAnuff to develop the play from show to show according to audience reactions and feedback; the play ran at La Jolla Playhouse from February 20, 2007 through March 25, 2007.^[71][72] A production followed on Broadway, beginning in previews at the Music Box Theatre and scheduled to open on November 14, 2007; however, the play was delayed by the 2007 Broadway stagehand strike.^[4][73] The Farnsworth Invention eventually opened at the Music Box Theatre on December 3, 2007 following the end of the strike; it closed on March 2, 2008.^[74][75]

In 2005, Sorkin revised his play A Few Good Men for a revival at the London West End theatre, the Haymarket. The play opened at the Theatre Royal Haymarket in the fall of the same year and was directed by David Esbjornson, with Rob Lowe of The West Wing in the lead role.^[76]

Return to film[link]

Sorkin's next jaunt back into film occurred when he was commissioned by Universal Pictures to adapt 60 Minutes producer George Crile's nonfiction book Charlie Wilson's War for Tom Hanks' production company Playtone.^[77] Charlie Wilson's War is about the colorful Texas congressman Charlie Wilson who funded the CIA's secret war against the former Soviet Union in Afghanistan.^[78] Sorkin completed the screenplay and the film was released in 2007 starring Tom Hanks, Julia Roberts, and Philip Seymour Hoffman, directed by Mike Nichols.^[79]

In August 2008, Sorkin announced that he had agreed to write a script for Sony and producer Scott Rudin about how Facebook was founded.^[80] The film, The Social Network, based on Ben Mezrich's novel The Accidental Billionaires, was released on October 1, 2010. Sorkin won the Academy, BAFTA and Golden Globe Awards for The Social Network. One year later, Sorkin received nominations for the same awards for co-writing the screenplay to the film Moneyball.

Future projects[link]

In March 2007, it was reported that Sorkin had signed on to write a musical adaptation of the hit 2002 record Yoshimi Battles the Pink Robots by psychedelic-rock band The Flaming Lips, collaborating with director Des McAnuff who has been developing the project.^[81][82][83]

On July 12, 2007, Variety reported that Sorkin had signed a deal with DreamWorks to write three scripts. The first script is titled The Trial of the Chicago 7, which Sorkin was already developing with Steven Spielberg and producers Walter Parkes and Laurie MacDonald.^[84] In March 2010, Sorkin's agent, Ari Emanuel, was reported as saying that the project was proving "tough to get together".^[85]

In August 2008 Des McAnuff announced that Sorkin had been commissioned by the Stratford Shakespeare Festival^[86] to write an adaptation of Chekhov's The Cherry Orchard.^[87]

In 2010, Sorkin reportedly obtained the film rights to Andrew Young's book, The Politician (about Sen. John Edwards), and announced that he would make his debut as a film director while also adapting the book for the screen.^[88]

In November 2010, it was reported that he is writing a musical based on the life of Houdini, with music by Danny Elfman.^[89] In January 2012, it is reported that Stephen Schwartz is now writing the music and lyrics, while Sorkin is making his debut as a librettist. The musical is expected to come out in 2013-14, with Sorkin saying "The chance to collaborate with Stephen Schwartz, (the director) Jack O'Brien, and Hugh Jackman on a new Broadway musical is a huge gift."^[90]

Sorkin returned to television in 2011 with two HBO projects. He is teaming with The Office star John Krasinski to develop a miniseries about the Chateau Marmont Hotel based on Life at the Marmont, a book by the hotel’s co-owner Raymond R. Sarlot and Fred Basten.^[91] He is also developing The Newsroom, a series about the behind the scenes workings of a cable news network. On September 8, 2011, HBO ordered ten episodes of The Newsroom.^[92]

In May 2012 it was announced that Sorkin would be writing an upcoming movie based on the life of Steve Jobs. ^[93]

Writing process and style[link]

Sorkin has written for the theatre, film and television, and in each medium his level of collaboration with other creators has varied. He began in theatre which involved a largely solitary writing process, then moved into film where he collaborated with director Rob Reiner and screenwriter William Goldman, and eventually worked in television where he collaborated very closely with director Thomas Schlamme for nearly a decade on the shows Sports Night, The West Wing, and Studio 60 on the Sunset Strip; he now moves between all three media. He has a habit of chain smoking while he spends countless hours cooped up in his office plotting out his next scripts.^[8] He describes his writing process as physical because he will often stand up and speak the dialogue he is developing.^[66]

A New York Times article by Peter De Jonge explained that "The West Wing is never plotted out for more than a few weeks ahead and has no major story lines", which De Jonge believed was because "with characters who have no flaws, it is impossible to give them significant arcs".^[6] Sorkin has stated: "I seldom plan ahead, not because I don’t think it’s good to plan ahead, there just isn’t time."^[47] Sorkin has also said, "As a writer, I don't like to answer questions until the very moment that I have to." The Seattle Post-Intelligencer's TV critic John Levesque has commented that Sorkin's writing process "can make for ill-advised plot developments".^[7] Further complicating the matter, in television, Sorkin will have a hand in writing every episode, rarely letting other writers earn full credit on a script.^[6] Peter De Jonge has reported that ex-writers of The West Wing have claimed that "even by the spotlight-hogging standards of Hollywood, Sorkin has been exceptionally ungenerous in his sharing of writing credit".^[6] In a comment to GQ magazine in 2008, Sorkin said, "I’m helped by a staff of people who have great ideas, but the scripts aren’t written by committee."^[94]

Sorkin's nearly decade-long collaboration in television with director Thomas Schlamme began in early 1998 when they found they shared common creative ground on the soon to be produced Sports Night.^[35][95] Their successful partnership in television is one in which Sorkin focuses on writing the scripts while Schlamme executive produces and occasionally directs; they have worked together on Sports Night, The West Wing, and Studio 60 on the Sunset Strip. Schlamme will create the look of the shows, work with the other directors, discuss the scripts with Sorkin as soon as they are turned in, make design and casting decisions, and attend the budget meetings; Sorkin tends to stick strictly to writing.^[35]

Sorkin is known for writing memorable lines and fast-paced dialogue, such as the "You can't handle the truth!" piece from A Few Good Men and the partly Latin tirade against God in The West Wing episode "Two Cathedrals".^[6] For television, one hallmark of Sorkin's writer's voice is the repartee that his characters engage in as they small talk and banter about whimsical events taking place within an episode, and interject obscure popular culture references into conversation.^[97]

Although his scripts are lauded for being literate,^[2][6][98] Sorkin has been criticized for often turning in scripts that are overwrought.^[99] His mentor William Goldman has commented that normally in visual media speeches are avoided, but that Sorkin has a talent for dialogue and gets away with breaking this rule.^[28]

Personal life[link]

Aaron Sorkin speaking at a Generation Obama event, following a screening of Mr. Smith Goes to Washington, on August 20, 2008.

He was married to Julia Bingham, from whom he is divorced.^[100] They have one daughter, Roxy.^[101] For several years, he dated Kristin Chenoweth, who played Annabeth Schott on The West Wing (though after Sorkin had left the show).^[102] He has also reportedly dated The New York Times columnist Maureen Dowd.^[103]

A consistent supporter of the Democratic Party, Sorkin has made substantial political campaign contributions to candidates between 1999 and 2007, according to CampaignMoney.com.^[104] During the 2004 US presidential election campaign, the liberal advocacy group MoveOn's political action committee enlisted Sorkin and Rob Reiner to create one of their anti-Bush campaign advertisements.^[105] In August 2008, Sorkin was involved in a Generation Obama event at the Fine Arts Theatre in Beverly Hills, California, participating in a panel discussion subsequent to a screening of Frank Capra's Mr. Smith Goes to Washington.^[106]

In 1987, Sorkin started taking marijuana and cocaine. He has said that in freebase cocaine he found a drug that gave him relief from certain nervous tensions he deals with on a regular basis.^[6] In 1995, he checked into rehab at the Hazelden Institute in Minnesota, on the advice of his then girlfriend and soon to be wife Julia Bingham, to try to beat his addiction to cocaine.^[100] In 2001, Sorkin along with colleagues John Spencer and Martin Sheen received the Phoenix Rising Award for their personal victories over substance abuse. However, two months later on April 15, 2001, Sorkin was arrested when guards at a security checkpoint at the Burbank Airport found hallucinogenic mushrooms, marijuana, and crack cocaine in his carry-on bag when a metal crack pipe set off the gate’s metal detector.^[6][107] He was ordered to a drug diversion program.^[54] Saturday Night Live parodied the highly publicized event in a comedy sketch called "The West Wing" where the U.S. President played by Darrell Hammond does a "Walk and Talk" through the corridors of the White House while tripping on mushrooms, accompanied by host Pierce Brosnan.^[55]

Sorkin continued working on The West Wing, and his workaholic habits and drug-taking were both reported to have contributed to the break-down of his marriage, which ended in divorce.^[108][109]

Credits[link]

Filmography[link]

• A Few Good Men (1992)
• Malice (with Scott Frank) (1993)
• The American President (1995)
• The Rock (1996) (uncredited)
• Bulworth (1998) (uncredited)
• Sports Night (1998–2000) (TV) (Creator/Executive Producer)
• The West Wing (1999-2006) (TV) (Creator/Executive Producer)
• Studio 60 on the Sunset Strip (2006-2007) (TV) (Creator/Executive Producer)
• Charlie Wilson's War (based on the book by George Crile) (2007)
• The Social Network (based on the book The Accidental Billionaires by Ben Mezrich) (2010)
• Moneyball (with Steven Zaillian from a story by Stan Chervin, based on the book by Michael Lewis) (2011)
• The Newsroom (2012) (TV)
• Follies (based on the musical by Stephen Sondheim and book by James Goldman) (2012)

Plays[link]

• Removing All Doubt (1984)
• Hidden in This Picture (1988)^[110]
• A Few Good Men (1989)^[111]
• Making Movies (1990)^[16] based on Hidden in This Picture
• The Farnsworth Invention (2007)^[71]

Cameo acting appearances[link]

• A Few Good Men (1992) Man in bar
• The American President (1995) Aide in bar
• Sports Night (1998–2000) Man at bar (1999, 1 episode)
• The West Wing (1999–2006) Man in crowd (2006, 1 episode)
• Entourage (2004–2011) himself (2009–2010, 2 episodes)
• The Social Network (2010) Ad executive
• 30 Rock (2006–present) himself (2011, 1 episode)

References[link]