Aug 15 12

After Oak Creek: A Roundup

by Kerim

“On August 5, 2012, a mass shooting took place at a Sikh temple in Oak Creek, Wisconsin, with a single gunman killing six people and wounding four others. The gunman, Wade Michael Page, a white supremacist, shot several people at the temple, including a responding police officer. After being shot in the stomach by another officer, Page fatally shot himself in the head.” [via Wikipedia]

Below I’ve gathered together some of the reactions to the tragic Oak Creek shooting, presented without comment. Feel free to add your own links, or leave comments below. (Respecting our comments policy, of course!)

An American Tragedy, by Naunihal Singh:

The media has treated the shootings in Oak Creek very differently from those that happened just two weeks earlier in Aurora… Sadly, the media has ignored the universal elements of this story, distracted perhaps by the unfamiliar names and thick accents of the victims’ families. They present a narrative more reassuring to their viewers, one which rarely uses the word terrorism and which makes it clear that you have little to worry about if you’re not Sikh or Muslim.

Top Ten differences between White Terrorists and Others, by Juan Cole:

2. White terrorists are “troubled loners.” Other terrorists are always suspected of being part of a global plot, even when they are obviously troubled loners.

read more…

Aug 14 12

The Warcraft Civilization

by Rex

Of the three Warcraft ethnographies I wanted to review on SM, William Sims Bainbridge’s The Warcraft Civilization: Social Science in a Virtual World is the most difficult to evaluate. Partially this is because Bainbridge is the only one of the three authors that I don’t know personally. But it is also because his book is so different from the others and, frankly, because I didn’t care for it very much. Writing book reviews is like doing peer review: it requires you to be very fair to your reviewees, but also fair to your audience: the author deserves consideration, and your readers deserve the skinny on the value of a book. When you just don’t like a book, you must try twice as hard to read it with prudent and disinterested eyes to make sure you’re negative opinion is grounded and not just annoyance. So here I go.

read more…

Aug 11 12

The five virtues of peer review(ers)

by Rex

I’ll give ‘em to you right up front: mindfulness, honesty, tact, precision, and respect. Got that? Ok, now on to the rest of this post:

These days everyone loves to hate peer review. It is, the story goes, an old fashioned, evil form of collaboration which has been rendered obsolete by shiny new ways of communicating over the Intarweb. I am part of the problem, since I’m not uncritical of peer review. However, peer review has been so pummeled lately that I am starting to feel sorry for it since, no matter how valid many of the objections against it are, it got caught in a perfect storm of pre-existing antipathy and techno-enthusiasm that could sink pretty much anything. So I want to make a point here about peer review which I feel is under-appreciated: the value it has for improving not articles, but reviewers.

I’ve reviewed dozens of papers by this point, and received comments from many reviewers on my own work. I’ve worked in the video game literature which is large and where I can’t identify peer reviewers. I’ve also worked on Melanesian anthropology, a field so small that the pretense of anonymous review is almost comical. I’ve received remarkably helpful feedback and also ridiculous feedback. Being on the receiving end of peer review has instilled in me a deep desire to do good review, and a deep appreciation of how hard that is to do. Bad peer review is like the comments section of this blog in one of its bad moods: vicious, narcissistic, and extremely abstract. Good peer review, on the other hand, requires one to cultivate a wide range of virtues.

First, peer review teaches you to read closely. As academics we can always decide to not read something, or to dislike it because of its tone, or other reasons. To honestly disagree with a paper for peer review, you really need to read it closely and discern what it actually says — not what you think it says or want it to say given your current set of prejudices. The more you disagree with something, the more carefully you have to scrutinize it.

Secondly, peer review requires you to be honest, frank, and candidate about what a work says. A diplomatic person often avoids saying what they think of someone directly to their face. When you can’t avoid speaking directly to someone’s merits, it is just easier to tell people what they want to hear. It’s also very easy to just dump on someone and call their work worthless. But evasion, flattery, and attack are all far different from what is actually needed: rigor, prudence, and honesty.

Good peer reviewers also, third, have to be good writers. There is a veil of secrecy — or worse, the pretense of one — between you and your reader. Any sort of negative feedback always stings (indeed, for some anything but lavish praise stings), and the pain of peer review is amplified by this secrecy. It takes a lot of work to give critical feedback in a way that people will take on board, especially since outright flattery is disallowed. One must strike the right tone.

The fourth good quality of peer review is that you must not only strike the right tone, you must actually have something concrete to say. What specifically is wrong with the paper. How specifically can it be improved? Most academics have good noses and can tell if something stinks. Fewer, however, can figure out what in particular is haywire in a paper. Even fewer can provide suggestions about what sort of remedies might be undertaken. The biggest problem, surprisingly, is that few of us have ever actually sat down and explicitly articulated what actually makes a paper good. We rely on our habitus, which unfortunately (or fortunately?) we can’t just break off a piece of and mail to our collaborators. And less face it, we could stand to be more explicit and precise in our understanding of what makes work valuable — habitus only gets you so far.

Finally, there is one virtue of peer review which seems in particularly short supply: the desire to improve the paper the author has written. Too often, peer reviewers instead complain that the paper is not as they themselves have written it. Sometimes this phenomenon is easily spottable because it is so outrageous: “This paper on X and gender should not be published because the author should have written a paper on X and race”. Often times this lack of respect for the scholarly project of the author hides behind suggested changes which seem to make sense but, if you think about them, are actually unfair. So remember: it’s not their fault that they’re not you. Your job is to understand who they are, and how they and their work could improve.

mindfulness, honesty, tact, precision, and respect: these are not just the virtues of peer review, they are virtues period. Peer review is important because it offers an powerful opportunity to cultivate them. The fact that so many people do not chose to do is, of course, partly caused by the way peer review is architected. But let’s face it: bad peer review happens because good people are hard to find — and that’s something that’s probably true everywhere. I’ve benefitted tremendously from the responsibility to peer review papers because it elicits personal growth. My recommendation? The next time you get lousy feedback from someone, use the incident to strengthen your resolve to become the peer reviewer you wish your paper had gotten.

Aug 10 12

WC25: Jackson, Taussig, and Rutherford

by Matt Thompson

If you haven’t heard already, the current issue of Cultural Anthropology covers the “Writing Culture at 25” conference hosted by Duke University in the fall of 2011. Happily articles by each of the panel participants plus supplemental materials will be open access for the remainder of 2012 (thank you Society for Cultural Anthropology). I’m especially keen to read Kathleen Stewart’s contribution as she was scheduled to speak alongside Danilyn Rutherford at the conference but was called away on other business at the last minute.

My colleague Ayla Samli and I covered the conference for Savage Minds last fall. You can read my introduction here. Ayla’s piece on George Marcus and Jim Clifford’s papers are here. And my post on Hugh Raffles and Kim Fortun’s presentations is here. Rex also contributed some reflections on his growing appreciation of Writing Culture since having it forced down his gullet as a grad student, a collective trauma many of us can relate to.

Like so many other things I start, I never finished writing up my conference notes. Really this is one of my most embarrassing short comings, but, you know… *shrugs*. So here (belatedly) is the thrilling conclusion to my notes on the WC25 conference. May they color and inform your enjoyment of the polished products now available through the OA Cultural Anthropology issue.
read more…

Aug 7 12

Around the Web

by Matt Thompson

Getting back on track with our regular Around the Web feature, which I momentarily delayed out of courtesy to a long run of excellent guest posts, here are the links to some of the things we were reading in the month of July. Follow us @savageminds or like our Facebook page to get them on an (almost) daily basis. I’m still a bit spotty when it comes to Twitter etiquette, so apologies if I stole you’re link and didn’t give you credit. If you’ve found something around the web that you’d like to share with the Savage Minds community feel free to email me at MDTHOMPS @ ODU.EDU.

Aug 3 12

What’s an Anthropological Grey Literature Portal?

by Kerim

For a long time now many of us have been arguing that the AAA should have a “grey literature” archive, so I was excited to read on the official AAA blog that they have partnered with the Social Science Resource Network (SSRN) to create a new tool – the Anthropology and Archaeology Resource Network (AARN). Unfortunately the announcement is done as a podcast, so you have to listen to a 12 min interview in order to find out very little beyond what was already announced last April.

I also found the whole style of the podcast very off-putting. The discussion between SSRN President Gregg Gordon and AAA Director of Publishing Oona Schmid is self-congratulatory and sounds like a Hollywood parody of how corporate executives speak at marketing meetings. I’m not saying that this isn’t good news, but learning that “gray is the new black in scholarly literature” isn’t what I expect from an academic podcast. Moreover, the podcast promises that by the time we listen we can go to the SSRN website and click on the AARN link, but I couldn’t find such a link. (The blog post says “AAA members will be able to utilize AARN by this fall” so I assume it isn’t ready yet.)

Given that the podcast isn’t very informative, and there isn’t really anything yet to look at, I thought I’d try to see if I can’t provide a kind of Q&A about this announcement, filling in the answers in this post as I figure them out:

read more…

Aug 2 12

Mad Shouts Out To Cambridge Anthropology

by Rex

One of my favorite journals when I was a graduate student was Cambridge Anthropology. It was a small, obviously DIY production of the Cambridge Anthropology department that was filled with wonderful things: embarrassingly frank early pieces by scholars who would go on to be famous, wonderfully clubby little potted histories of early figures in Cambridge’s history, and a lot of short, good, personality-filled articles which were clearly produced free of the need to conform to colorless academic norms. Many of the issues looked like they were designed on someone’s Centris 650 — which they probably were. That was back when journals were intellectual samizdats not identical, corporate-run business hotels.

So I was very excited to hear that the journal had been relaunched by Berghahn books. It’s the usual publisher with the usual suspects, and it looks like its slightly more ambitious — the old Cambridge Anthropology always had an air about it that they didn’t think anyone outside of Cambridge would ever get their hands on it. That looks to have changed, but the new up-to-date journal looks like it’ll still retain some of the spirit of the old one.

And since the new Cambridge Anthropology is being published by Berghahn, I’m guessing it will still be as difficult to find as the old one — although probably because of cost rather than scarcity. I love Berghahn, even the rather large metastasized version of it that is kicking around today, and I appreciate that it’s independently owned. But… well its not exactly the cheapest thing on the market is it?

My real question is: what are they doing with the back issues? Is there a chance that they will be digitized and made open access? Or even rolled into the current journal? That, for me, is the most interesting part of the journal’s rebirth.

Aug 1 12

Switching textbooks for an established class: Bad idea or worst idea?

by Matt Thompson

I’ve been using the same textbook for my Intro to Anthropology course since 2008 and now I’ve got that itch to go upsetting everything by choosing a new book. Originally, I didn’t put much thought into choosing this book either. I just copied whatever textbook the more senior professor was using. Hey! I was a grad student and writing my diss, okay?

The textbook is just fine. My class is good. I’ve got good lectures, assignments, and examples. But I just can’t leave well enough alone. I want a new book.

As an adjunct instructor I have little say in what I teach — whatever the chair wants the chair gets. So I’m saddled with teaching Introduction to Anthropology now and into the foreseeable future. I do have the power the determine my students’ assignments and I’ve created a real nice set up balancing a good physical anthropology textbook with short cultural anthropology articles. In the past I’ve allowed for a ‘recommended’ text to supplement this, but now I’m seriously thinking about switching things up big time.

Am I being foolish?

I’ll give a counter example. Once upon a time (at a different job) I was given Food and Culture to teach, something outside my area of expertise. The first semester, honestly, it wasn’t that great. So the following semester I completely retooled it. That was a smart move and it improved the class.

This is different. This is my Intro class which I’ve taught a bazillion times and now I’m bored with it. I want to do something new, but I can’t. But maybe I could get the same thrill from starting over from scratch?

Of course there’s room for improvement without touching the book. Like any competent professor I continue to tweak my established courses, keeping the things that work and altering or eliminating the things that fall flat. I could do more of that. Or I could do something even more radical like introduce a new topic and drop another.

But the class is fine. This is stupid. Why am I screwing everything up when it already works? The one great perq of my job is that it is easy and switching books will only make me work more.

I want a new book!

Jul 31 12

Around the Web Digest

by Matt Thompson

I put off the Around the Web Digest for the month of June because, come early July, we were already enjoying the many excellent guest posts from Deepa and her crew. Because I know how special it is to be above the fold and because the posts were all really good, I was loathe to take away the spotlight. That and I didn’t want my Around the Web column to be buried in the onslaught of fresh posts!

So here, a month late, is the Around the Web Digest for the month of June. Please follow us @savageminds or like us on Facebook to get updates on a (semi-)daily basis.

As a final farewell to a our guest contributors I hope that they (and our general readership) continue to seek out the satisfaction of expression that can be found in the world of blogging. It’s free, its easy, and more people should do it. I hope Deepa and her colleagues continue to blog so that I can link to them in future editions of Around the Web.

Jul 28 12

Reading Academic PDFs on the iPad (Tools We Use)

by Kerim

Last December I wrote a post, Reading Fast, Reading Slow, which covered the various tools I use in my digital workflow depending on the kind of reading I’m doing. Today I want to update that with an in-depth look at what I had referred to as “slow” reading, focusing especially on texts which I have available in PDF format. This workflow assumes you have an Apple desktop computer, an iPad and the following software: Sente for OS X, Sente for iOS, Goodreader for iOS, a Dropbox account and an Evernote account. This is not a review of any of these tools, although the strengths and limitations of Sente are discussed in terms of how they help or hinder this specific workflow. I don’t by any means consider this to be an ideal workflow, but after having experimented and researched numerous options based on the tools which are currently available, this is the one that works best for me.

As I’ve explained before, it would be best if one could search and add PDFs to Sente directly from the system’s default browser, as one can do with Zotero or Mendeley, but despite this limitation, I still find Sente to be the best software out there for organising one’s citations. Zotero, for instance, lacks the “status labels” feature of Sente which is so central to the workflow I describe below. Moreover, for this workflow to work, you just need to download the PDF itself from your browser, and Sente will take care of the rest. And the iPad apps currently available for Zotero and Mendeley are sorely lacking compared with what Sente offers. (Other options are Papers and Bookends, but I find Sente compares favourably to those as well.)
read more…

Jul 27 12

Writing Space for Ethnography

by deepa

[The post below was contributed by guest blogger Ali Kenner, and is part of a series on the relationship between academic precarity and the production of ethnography, introduced here. Read Ali's prior posts: post 1 -- post 2 -- post3]

I’m still buzzing over Deepa’s question, posed as a comment at the end of my last post, “why must you write?” I read this question in two ways – 1) why must you write professionally, and 2) why must you write, ethnographically, about yoga and breathing. The question is a great opening into the final week’s prompt, which asks how academic precarity or marginality generates new intellectual possibilities. In my case, knowing that my situation could change, will change, at some point in the next few years, I chose a project that is more long-term. Something I can stay with through various contexts, a project that will travel with me in some form or other. Both yoga and writing (yes, writing) are such projects. Both offset the uncertainty I otherwise experience. Choosing projects that are close to home, and present a host of new and surprising challenges, is part of where I think we’ll also find new intellectual possibilities, and collaborations.

Yet it’s also critical to have the support of institutions, organizations, and colleagues. You’d be crazy to think you can go it alone, and why would you want to anyway? This post starts with the impulse to write as critical, generative practice, and ends with some comments on a roundtable session from the May SCA meeting, a session that speaks to the culture of academic precarity, marginalized work, and how we might support new modes of scholarship.

*           *           *

In my first two years of graduate school, while at the University at Albany, SUNY, I had a fellowship with the New York State Writer’s Institute. At the time, I had not a clue how fortunate I was. I wish I had been taking notes. Diligently. What I would have been writing down is how visiting writers responded in the Q&A sessions that followed their seminars and readings. Invariably, an audience member (or members) would ask the visiting writer about their writing practice, how they worked and got published. Some writers were new authors, reading from their first novel or short story collection. Others were award-winning authors with writing careers that spanned decades. Now, as I just revealed, I did not take notes from this period, but I did manage to pull out a few general threads that I heard consistently over my two-year stretch at the Institute. One response repeated enough for me to hold onto is that it is through the practice and process of writing that ideas, arguments, and stories take shape. Characters come alive in relation to other characters and events. Stories come into being on the page, despite the extent of thinking and planning you do in your head. Ideas, narratives, and arguments might be floating around beforehand, in conversation with others even, but the process of writing translates and transforms them. For ethnographers, writing carves out a space for data, theory, and analysis to converse. For me, writing is a space of play and reflection. And it’s continued writing practice that makes this space, holds this space. These are things we’ve all heard, and felt and know as writers. But I think it bears repeating, again. read more…

Jul 27 12

Making Do

by deepa

[The post below was contributed by guest blogger Nathan Fisk, and is part of a series on the relationship between academic precarity and the production of ethnography, introduced here. Read Nathan's prior posts: post 1 -- post 2 -- post3]

I believe I mentioned in my first post the ways in which I’ve engaged with ethnographic practice in my particular position of precarity, something which I’ve largely avoided talking much about so far. As should be clear for those who have read my earlier posts, I’m not really doing much by way of ethnographic work in my current state of job application scramble/burnout. Although, I suppose I have done a significant amount of participant observation with the feline subjects that share my home, but outside of Facebook I rarely write up my findings. That said, I have had some interesting experiences with ethnographic work during my time as an adjunct – and I think the discussion thus far is pointing towards some interesting implications for ethnographic work in the non-academic world. So, in this post, I want to get at my research experiences as a sometimes ethnographer, adjunct and potential escapee from the academic career track.

As I mentioned previously, I was lucky enough this past spring semester to have the opportunity to develop and teach a course based on my own dissertation work – Youth and Teens Online. I saw it as an opportunity to broaden out my work, moving away from the emphasis on risk and safety, and towards a broader picture of youth life online. The syllabus was filled with central readings that I wanted to return to, and selections from the vast constellation of literature that never quite made it into the frame as I wrote my dissertation. Given that I had to develop a discussion guide for every class session, I read and reread every one with a new post-dissertation perspective – and I had time to do it in a careful, deliberate manner. Better yet, I had to do the reading, and had to think of things to say before each class without fail, regardless of my feelings of post-dissertation fatigue. read more…

Jul 25 12

Leet Noobs

by Rex

Before I start talking about the substance of Mark Chen’s Leet Noobs I want to spend a second talking about the business model. The sticker price of the book is US$34.95, which gets you 200 pages, which is really around 175 pages of actual book once the front and back matter and so forth are factored in. The book is a revision of Chen’s dissertation, which you can get for free if you are attached to a university which subscribes to ProQuest. Alternately, you can read at least two chapters of the book for free in open access journals where they’ve been published. Another is available for rent for a day in Games and Culture, for which Sage will charge you US$25. And then there are the short paper presentations on Chen’s incredibly rich website — which includes his comps answers iirc — where you can read shorter pieces which convey the main points that Chen is trying to make in each of his chapters. 

What are to make of a mode of scholarship where a book costs ten dollars more than the price to rent one of its chapters, and thirty-five dollars more than free versions of all the chapters? And where are we as an intellectual community where the impetus to publish pushes people to recycle the same material over and over in the name ‘productivity’? What sort of value are publishers adding to Chen’s work that justifies their charging that much money? 

I’m not saying there aren’t good answers to these questions. Presenting the same material over and over is a good way to help think it through, and I’m sure that Chen’s finished book benefitted from having the opportunity to have peer reviewers, editors, and conference participants look it over. But still — we live in strange times.

Ok let’s move on to the book itself: Leet Noobs is Chen’s ethnography of a guild in World of Warcraft (WoW). It has a lot in common with Nardi’s book: it studies one or two guilds that the ethnographer lived with, rather than covering ‘the culture’ of ‘a world’. It’s a problem-based ethnography which focuses on particular issues instead of providing a general overview of the lives of WoW players. Both Chen and Nardi lament the way the magic of the virtual world is replaced by a goal-focused stats-and-bars approach. Both volumes are short and clearly written, and at times they have a strong personal voice.

But there are a ton of differences as well. Nardi is a senior scholar with decades of work on technology. Chen is a new Ph.D. Chen is a lifelong gamer who describes himself as hopelessly addicted to video games. Nardi started playing WoW to write the book, while Chen decided to write on WoW because he was playing it. And — check this out — his fieldwork is focused on his guild’s first Ragnaros kill. On an RP server. One chapter is on what happened the first time someone invented threat meters. This old-school approach gives Chen a lot of cred in my book. 

Chen also comes out of a different genealogy than Nardi: education. The education people have always been super-early adopters of technology and computers. They have also been on the scene in the virtual world space as well, with authors such as Constance Steinkuehler writing about how people learn online. Chen is part of this movement, and in particular he’s interested in the social and material dimensions of learning — how skilled performance (i.e. downing raid bosses) requires social capital and (as they say in cooking) a mise, an artifactual environment that lets you focus your attention at the task at hand because everything else is set up right. Chen draws on ANT, but also on the psychologists who study distributed cognition and communities of practice.

It’s a great way to approach raiding — the main thing I study in my WoW research — and I found myself nodding in agreement again and again as Chen described in technical terms what every good raider knows: you have to do research, evaluate sources, work with a good team, and get your keybinding and addons set properly. In terms of theoretical contribution, I feel like the work falls more on the side of “adds more evidence to one side of an established debate.” Chen is part of a now-vast movement that demonstrates the importance of video games and learning that is making its opposition look more and more obsolete. It’s a perfectly appropriate level of innovation for a Ph.D., but people looking for an argument that is going to change the world won’t find it in this book. Its further proof of a viewpoint that seems more and more in the ascendance — but you know, it was probably a little more fashion-forward when Chen began his dissertation.

What you will find in the book is a series of extremely detailed case studies that are superbly well done. Many people writing their dissertation get told by their dissertation advisors: “can you prove this theoretical point using the ethnography you have?” It’s actually one of the hardest things to do, especially because no one seems to be able to tell you how to do it, just that it has to be done. But Chen really does it in these chapters: he shows us when, where, and how, threat meters changed the dynamics of his guild (when they discovered aggro radius if you can believe that there was once a time when someone had to figure out what that is), how raids actually go about the work of raiding and even, in one of the chapters than will ring true to WoW players, how guilds explode. These case studies are really clinics in how to do things with ethnography, and they are well worth reading for graduate students.

The case studies are wrapped up in a curious little book. Between chapters are vignettes, often just dressed-up transcripts of chat, which are supposed to provide some flavor of the game world to make you feel like you have ‘been there’. I’m not sure how well these work for nonplayers — I found them boring (but ethnographically accurate). Also, Chen has a strong authorial voice — a very vulnerable observer willing to admit to his own subjective feelings about the game and his successes and failures. I know Mark a little, from years and years ago, so I may be projecting a little bit, but he comes across as a sort of lovable looser: ashamed to admit to enjoying video games so much, wanting to use an informal voice but constantly aware of the genre standards he is violating, and apologetic for forcing the reader to learn so much about actor network theory and its associated jargon. It never gets cloying, but I do think the book would have been more successful if he had just Gone There and unapologetically embraced his inner geek and assumed his reader would be teen along in his passion for his topic.

Chen doesn’t beat around the bush in making his points — in case you missed his clear explanation of them in the opening chapter, there is a bulleted list of them in the conclusion. This, combined with the extremely short discussion of theory in the first and last chapter, makes me feel like that book might have been better left as a series of articles, or else rewritten as a long essay. As someone who read the articles on which the book is based, I felt like I burned through the intro, conclusion, and little interludes pretty quickly.

I suppose it’s to Chen’s credit that he writes so clearly and with such ethnographic focus that he seems to have economized himself out of a monograph — a longer literature review or theoretical elaboration could have been provided a richer book, and of course the whole reason we write books is to have the room to add this sort of work. But I think that wasn’t the game that Chen wanted to play, and his book stands as an admirably detailed collection of case studies of World of Warcraft which is the first major description of how raiders play the game. 

Jul 25 12

Workplace Ethnography 101—Interrogating the Unpaid Internship

by deepa

[The post below was contributed by guest blogger Laurel George, and is part of a series on the relationship between academic precarity and the production of ethnography, introduced here. Read Laurel's prior posts: post 1 -- post 2 -- post3]

One paradox of practicing ethnography at the academic sidelines is that often the further one gets from the institutional “center” of the field, the more clarity is needed about the fundamentals of ethnographic method and analysis.  This need to get “back to basics” played out in my market research work in which my colleagues and I often needed to prove what ethnography could offer that consumer-data-gathering methods could not.  Here I offer another example of this paradox as I describe the adjunct teaching I currently engage in outside of an anthropology department.  The course I teach is a non-departmental seminar required of arts and sciences undergraduates who wish to receive academic credit in conjunction with unpaid internships not related to their majors.  For example, if a biology major wants to get credit for interning in the editorial department of a fashion magazine or an English major wants to work at an education non-profit that provides afterschool mentoring to kids, they would enroll in my 2-credit internship seminar and 2-credit fieldwork course.  The vast majority of my students are not anthropology majors and for most of them, my course is their first exposure to ethnographic theories and methods.  Those of us working on the margins of our field often have to take on a ambassadorial role vis a vis the discipline, explaining in clear and basic terms not just what ethnography is but also what ethnography can do.  In what follows, I describe what I hope ethnography can do for my non-major students engaged in unpaid internships.  Along the way, I also briefly interrogate the role of unpaid internships in undergraduate study in the U.S., arguing that they are an increasingly significant piece of the kind of workplace precarity we’ve been discussing throughout this series.

Unpaid internships have been much in the news lately—the intern suing Harper’s Bazaar magazine, unpaid interns toiling behind the scenes of the movie Black Swan, and even unpaid interns (over)working at liberal icon Charlie Rose’s show.  More about unpaid internships per se in a moment, but what, you may be wondering, has this to do with ethnography? A few years ago, I had feelers out for teaching work and started talking to someone who knew of my work with non-profit arts organizations and needed someone to teach an internship seminar in order to meet increased student demand for such a course.  The social sciences have long acknowledged the value of experiential learning, and student placements with non-profit, social service, or public policy organizations have been common.  With this in mind, I happily accepted the offer to teach an undergraduate internship seminar, with most involved (especially me) thinking that I would shepherd students through fieldwork in a range of non-profit and/or public-sector organizations.  What none of us really foresaw was how high the student demand would be for a course that could grant credit in conjunction with internships in for-profit workplaces. Over the several semesters I’ve taught the internship class, about three-quarters of my students’ unpaid internships have been in for-profit settings, most notably entertainment, magazine publishing, fashion, public relations, and banking.  Clearly, neither I nor any other faculty member could claim expertise in all of these industries, so my aim has become to equip students with a way of making sense of their internships beyond their sometimes-fuzzy goals of “networking” and “resume-building.’ read more…

Jul 23 12

Attention Deficit Ethnography

by deepa

[The post below was contributed by guest blogger Lane DeNicola, and is part of a series on the relationship between academic precarity and the production of ethnography, introduced here. Read Lane’s previous posts: post 1 -- post 2 -- post 3]

Our final prompt in this series asks about the possible virtues that emerge from the necessities of marginality or academic precarity, the effects on ethnography of such “new intellectual possibilities.”  On the whole I’ve so far stuck with the trajectory I laid out for these posts, engaging with precarity and ethnography first via my experience of living in a London suburb in over the last several years and then on the subway I used to get aroundwhile living there.  In both cases I focused on my own ethnographic practice and experience and particularly on observational practice.  For this final post though I want to shift the focus to the effects on ethnography not “as practiced” but “as taught or learned,” not as observational technique but as representational technique.  The post-millennial relevance of this seems clear, with a number of the conversational threads on SM proceeding from the observation that information technology and digital media are having an expanding range of effects not just in the field of anthropology but in education (that other domain inhabited by so many practicing anthropologists).

My earlier posts also (I note in looking back over them) relied pretty heavily on metaphor and pop culture/sci-fi references, but I can’t think of a good reason to change that now, so: for better and for worse, one of my last opportunities to be social before leaving the UK last month was spent in front of the IMAX screen at the British Film Institute (“the largest film screen in the UK”).  The BFI’s performative apparatus is matched only by the fantastic quality and diversity of films routinely screened there, but this particular outing (with several participating students and other friends) was centered around a pop-culture event with a dash of speculative pseudo-archaeology: Prometheus, Ridley Scott’s prequel to the 1979 film Alien.  Overall the film is pretty awful in largely predictable ways (did I mention this was a 3D screening?), but it serves to illustrate my point here, particularly in a fleeting reference the film makes to Lawrence of Arabia (a quite different film about a quite different type of alien). read more…