A caul (Latin: Caput galeatum, literally, "helmeted head") is a piece of membrane, that can cover a newborn's head and face immediately after birth.^[1]

Obstetrics[link]

A child "born with the caul" has a portion of a birth membrane remaining on the head. There are two types of caul membranes, and there are four ways such cauls can appear.

The most common caul type is a piece of the thin, translucent inner lining of the amnion which breaks away and forms tightly against the head during the birthing process. “Infrequently, in past ages as now, a baby is born with a thin, translucent tissue, a fragment of the amniotic membrane, covering its head. The remnant is known as a caul."^[2]

The rarest caul type is a thick, soft membrane of unknown tissue type, which presumably forms against the infant's head during gestation. "Cornelius Gemma, a sixteenth century physician...of the caul...He described it quaintly as being'. . . the remnant of another membrane, much softer than the amnion, but nevertheless more solid…'"^[3] Image of dried thick caul

The most common caul type (portion of the amniotic sac), which more frequently clings to the head and face of the infant, on rarer occasions it drapes over the head and partly down the torso of the child. In Germany, this would be called a "helmet" (Galea) for boys, and in Italy, for girls, a "fillet" [vitta] or "shirt" (indusium, camisia).^[4]

The lesser common (unknown) type of caul tissue is adhered to the face and head by attachment points and is looped behind the ears, making the removal process more complex. In extremely rare cases, the thicker caul encases the infant's entire body, resembling a cocoon.

The caul is harmless and is immediately removed by the doctor or midwife upon delivery of the child. If the membrane is of the amniotic tissue, it is removed by easily slipping it away from the child's skin. The removal of the thicker membrane is more complex. If done correctly, the attending practitioner will place a small incision in the membrane across the nostrils so that the child can breathe. The loops are then carefully un-looped from behind the ears. Then, the remainder of the caul can be either peeled back very carefully from the skin, or gently rubbed with a sheet of paper, which is then peeled away. If removed too quickly, the caul can leave wounds on the infant's flesh at the attachment points, which may leave permanent scars.^[5]

The caul membrane in some cases will be put aside and given to the mother to preserve.^{[citation needed]} However, the parents may or may not be told that their child was born with the caul. This depends upon the particular practice of the hospital or practitioner.

The "en-caul" birth, not to be confused with the "caul" birth, occurs when the infant is born inside the entire amniotic sac. The sac balloons out at birth, with the amniotic fluid and child remaining inside the unbroken or partially broken membrane.

Birth with a caul is rare, occurring in fewer than 1 in 80,000 births. This statistic includes "en-caul" births, which occur more frequently than authentic caul births; therefore authentic caul births are rarer than the statistic indicates.^[6] Most "en-caul" births are premature.

History and tradition[link]

According to Aelius Lampridius, the boy-emperor Diadumenian (208–218) was so named because he was born with a diadem formed by a rolled caul.^[7]

In medieval times the appearance of a caul on a newborn baby was seen as a sign of good luck.^[8] It was considered an omen that the child was destined for greatness. Gathering the caul onto paper was considered an important tradition of childbirth: the midwife would rub a sheet of paper across the baby's head and face, pressing the material of the caul onto the paper. The caul would then be presented to the mother, to be kept as an heirloom. Some Early Modern European traditions linked caul birth to the ability to defend fertility and the harvest against the forces of evil, particularly witches and sorcerers.^[9]

A legend developed suggesting that possession of a baby's caul would give its bearer good luck and protect that person from death by drowning. Cauls were therefore highly prized by sailors. Medieval women often sold these cauls to sailors for large sums of money; a caul was regarded as a valuable talisman.^[10] The author J. G. Farrell, however, was born with a caul, but he drowned while fly fishing.^{[citation needed]}

In modern times those born with the caul claim to possess preternatural abilities.^[11][12]

In literature[link]

Charles Dickens, David Copperfield, published London 1850:

I was born with a caul, which was advertised for sale, in the newspapers, at the low price of fifteen guineas. Whether sea-going people were short of money about that time, or were short of faith and preferred cork jackets, I don't know; all I know is, that there was but one solitary bidding, and that was from an attorney connected with the bill-broking business, who offered two pounds in cash, and the balance in sherry, but declined to be guaranteed from drowning on any higher bargain. Consequently the advertisement was withdrawn at a dead loss ... and ten years afterwards, the caul was put up in a raffle down in our part of the country, to fifty members at half-a-crown a head, the winner to spend five shillings. I was present myself, and I remember to have felt quite uncomfortable and confused, at a part of myself being disposed of in that way. The caul was won, I recollect, by an old lady with a hand-basket.... It is a fact which will be long remembered as remarkable down there, that she was never drowned, but died triumphantly in bed, at ninety-two.

In Betty Smith's novel A Tree Grows in Brooklyn, Francie Nolan is born with a caul. The midwife who officiated the birth stole the caul and later sold it for $2 to a sailor from the Brooklyn Navy Yard. It was believed that whoever wore a caul could not drown.

A prophesy given to an infant born with the caul is the basis of the Grimm fairy tale The Devil With the Three Golden Hairs.

In the film Oscar and Lucinda, Oscar's father gives him the caul that was upon his head at birth. Oscar has a phobia of the ocean and of water in general, linked to the death of his mother when he was a child. He carries this caul with him until he dies, ironically, by drowning.

In the play Gypsy: A Musical Fable, Mama Rose tells Louise (Gypsy Rose Lee): "You were born with a caul. That means you got powers to read palms and tell fortunes – and wonderful things are gonna happen to you."

Toni Morrison's Song of Solomon stages a scene where observers describe Milkman as "mysterious" and "deep", while asking along if he was born with a caul.

Another myth associated with a caul is featured in the short story "The Scarlet Ibis". When the main character's brother, Doodle, is born in a caul, his aunt states that cauls are made of Jesus' nightgown and everyone must respect Doodle as he may become a saint someday.

In Stephen King's The Shining, the 5-year-old son of the main character, Danny "Doc" Torrance, is born with a caul that made him appear as if he had "no face" at the time of his birth. Although his mother and father do not believe that Danny has "second sight", Danny does have precognitive abilities throughout the story.

In Majgull Axelsson's April Witch, both of the central characters Hubertsson and Desirée are "born to the caul".

In Guillermo del Toro's and Chuck Hogan's The Fall, the second installment of The Strain trilogy, Dr. Ephraim Goodweather's son, Zack, is described as being "born in the caul".

In Ami McKay's The Birth House, the main character, Dora Rare, is born with a caul over her eyes. Because the character is born in a sailing town, the caul is considered valuable, and the mother gives it to the midwife for safe keeping. Presented to Dora as an adult, she does not allow her husband to take the caul and he drowns that very night.

Dean Koontz talks about cauls in his novel Whispers. One of the characters (Bruno Frye) is born with a caul. "She was fascinated. You know, some people think that a child born with a caul has the gift of second sight." However, the mother believes it's the mark of a demon.

Tina McElroy Ansa's novel "Baby Of the Family" features a lead character born with the caul and her struggles to deal with the ability to see spirits due to her family's inability to believe in the phenomenon and properly prepare her to deal with her gift.

Orson Scott Card's series "The Tales of Alvin Maker", features Alvin Miller (the seventh son of a seventh son) which was born with a caul that foretold of his extraordinarily strong magical gifts in the first book of the series "Seventh Son".

Ole Edvart Rølvaag writes in "Giants in the Earth" about Beret and Per Hansa's son Peder Seier (or Peder Victorious) as being born with the caul. Per Hansa is a Norwegian immigrant who was a fisherman in Norway before coming to the plains of South Dakota and so the symbolism of the caul is important to these particular immigrants. In an attempt to stay true to the original Norwegian text, the author refers to it in translation as being born with "the helmet."

Notable people born "in the caul"[link]

• Edwin Booth^[13]
• Lord Byron^[14]
• Charlemagne
• James Gordon Farrell, Irish author^[15][16]
• George Formby, Jr.
• Sigmund Freud^[17]
• Lillian Gish^[18]
• Frank Albert Jones^[19]
• Liberace^[20]
• Napoleon
• James VI and I
• Maria Szantho^[21]
• Kim Woodburn^[22]

References[link]

External links[link]

• "Caul, or Face Veil, Occasionally Present at Birth"
• Folklore of the Isle of Man, Ch. 8
• Caul Bearers United: [1], includes references from The Social History of the Caul by Dr. Thomas R. Forbes

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Mourning Beloveth is an Irish doom metal band.

Biography[link]

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Mourning Beloveth were formed in the winter of 1992 and recorded their first untitled demo, entitled Debut, in 1996 with Darren Moore (vocals), Frank Brennan (guitar), Brian Delany (bass), and Tim Johnson (drums). The demo was recorded in only eight hours with Adrian Butler at the mixing desk. It contains two songs and is a raw indication of where Mourning Beloveth were leading to. Butler joined on bass soon after and Delany switched to guitar. This was the line-up that recorded the second demo Autumnal Fires in 1998.

The Autumnal Fires demo can be regarded as a 40 minute piece of music as the songs were intertwined with classical piano. It shows a huge progression in the writing and recording stakes. Mainly classified as doom/death metal, this was a step into achieving their sound, and it saw the integration of clean vocals. An extensive tour of Ireland followed being topped off by a support slot to Cathedral in May 1999. Over 1,200 copies of Autumnal Fires were sold.

Mourning Beloveth recorded their debut album Dust in Academy studios. After seven intense days, Dust was completed; recorded was sixty six minutes of doom metal harking back to the days of the early 1990s Doom/Death scene. Dust is a mixture of old and new songs and is very heavy and melancholic. The atmosphere and originality is helped by the greater usage of clean and growling vocals and the cleaner production. The strength of the material is helped by the fact that the same lineup has been together for five years at the time of recording Dust.

In March 2001, Mourning Beloveth played concerts with Cradle of Filth, which helped expose the band. Following this Mourning Beloveth hit all four corners of Ireland and gained many new fans along the way and even managed to play in Leeds, Bradford (UK).

Towards the end of the summer 2001 and into the winter the writing process began for the new album. It was now February and they had eight songs written, six of which were finally chosen and recorded at Academy studios, again with Mags at the helm, from April 20 to May 5, 2002.

The Sullen Sulcus is a long listen that requires the usual Mourning Beloveth listening patience and obedience - with six songs clocking over 65 minutes. The album was released in December 2002 by Aftermath Music.

Sentinel Records from Ireland have re-released Dust with new artwork, a new song from the latest recording sessions and "Forever Lost Emeralds" (taken from the Autumnal Fires demo), all of which was remastered by Stuart Anstis. Also released by Sentinel is a split picture 7" from Mourning Beloveth with Lunar Gate with one exclusive song, titled "Part 1" and it is limited to 300 copies.

A European tour was completed and went from February 7, 2003 to 21st titled "The Doomination of Europe" in support of the new album and Mourning Beloveth were joined on the tour by Morgion (USA) and The Prophecy (UK). The tour started off in Ireland, travelled to the UK, France, Spain, Portugal, Belgium, Netherlands. Shortly thereafter, an American tour has also taken place in August 2003 for 24 dates with Morgion, The Prophecy and Orodruin.

Their third studio album is named A Murderous Circus. It was released in late March 2005. A limited edition contains two bonus tracks and four live tracks recorded in Vera, Groningen on a second CD. The album contains five songs lasting 75 minutes. They have strayed somewhat from the approach taken on their previous efforts and written simpler, bleaker and longer songs.

In November 2006 it was announced that Adrian left the band (due to a relocation to Spain) and was replaced by Brendan Roche. Adrian can still be contacted via his new company Lugga Music Productions.

Album "A Disease For The Ages" was released in May 2008.

on December 31, 2009 Brian Delaney announced he has left the band and that Pauric Gallagher of the Irish Death/Doom band Decayor has replaced him. [1]

Members[link]

• Darren Moore - Vocals
• Frank Brennan - Guitars, Vocals
• Timmy Johnson - Drums
• Pauric Gallagher - Guitar
• Brendan Roche - Bass

Former members[link]

• Adrian Butler - Bass
• Brian Delaney - Guitar

Discography[link]

• Debut (demo, 1996)
• Autumnal Fires (demo, 1998)
• Dust (2001)
• The Sullen Sulcus (2002)
• Dust (re-issue, 2002)
• Split with Lunar Gate (2003)
• A Murderous Circus (2005)
• A Disease for the Ages (2008)
• The Weeping Song Split 10" with Wreck of the Hesperus (2010)

External links[link]

• Official Mourning Beloveth website
• Mourning Beloveth on Myspace
• Mourning Beloveth Vampire-Magazine page