The pāʻōʻā (often written as paoa, as the Tahitian is not punctilious about writing accents), is a modern dance from Tahiti where the dancers sit on their knees in a circle on the ground, sing and tap with their hands on their thighs on the rhythm of the music, which is a quite repetitive scanning refrain. Selected members, one boy, one girl, actually dance inside the circle. The whole scenario has something of a rooster fight (not common on Tahiti). Coincidentally the theme of the dance is usually from the hunt or from fishing.

The Pa-Oh (Burmese: ပအိုဝ့်လူမျိုး or တောင်သူ [pəo̰]; Shan: တွင်ႇသူႇ or ပဢူဝ်း; also known as Taungthu and Black Karen) form an ethnic group in Burma, comprising approximately 600,000. The Pa-Oh form the second largest ethnic group in Shan State, and are classified as part of the "Shan National Race" by the government, although they are believed to be of Tibeto-Burman stock, and are ethnolinguistically related to the Karen. They populate Shan State, Kayin State, and Kayah State. The Full Moon of Tabaung is celebrated as the Pa-O National Day, traditionally set on the day of King Suriyachanda’s birth.

The Pa-Oh settled in the Thaton region of present-day Myanmar about 1000 B.C. Historically, the Pa-Oh wore colorful clothing, until King Anawratha defeated the Mon King Makuta, who had established his reign in Thaton. The Pa-Oh were enslaved, and forced to wear indigo-dyed clothing, to signify their status. However, there are regional variations of clothing among the Pa-Oh. Many have adopted Bamar clothing, while men may wear Shan baung-mi (long baggy pants). The majority of Pa-Oh are Buddhists, but a written language was created by Christian missionaries. The Pa-Oh predominantly engage in agriculture, cultivating leaves of the thanapet tree (Cordia dichotoma) and mustard leaves. The Pa-Oh have largely assimilated into Bamar society, adopting many Bamar traditions and wearing Bamar clothing.