"Soria Moria" by Theodor Kittelsen: a hero glimpses the end of his quest.

This article discusses significance-laden journeys. For other meanings see Quest (disambiguation)

In mythology and literature, a quest, a journey towards a goal, serves as a plot device and (frequently) as a symbol. Quests appear in the folklore of every nation^[1] and also figure prominently in non-national cultures. In literature, the objects of quests require great exertion on the part of the hero, and the overcoming of many obstacles, typically including much travel. The aspect of travel also allows the storyteller to showcase exotic locations and cultures (an objective of the narrator, not of the character).^[2]

Quest objects[link]

The hero normally aims to obtain something or someone by the quest, and with this object to return home.^[3] The object can be something new, that fulfills a lack in his life, or something that was stolen away from him or someone with authority to dispatch him.^[4]

Sometimes the hero has no desire to return. Sir Galahad's quest for the Holy Grail is to find it, not return with it. A return may, indeed, be impossible: Aeneas quests for a homeland, having lost Troy at the beginning of Virgil's Aeneid, and he does not return to Troy to re-found it but settles in Italy (to become an ancestor of the Romans).

If the hero does return after the culmination of the quest, he may face false heroes who attempt to pass themselves off as him,^[5] or his initial response may be a rejection of that return, as Joseph Campbell describes in his critical analysis of quest literature, The Hero With a Thousand Faces.

If someone dispatches the hero on a quest, the overt reason may be false, with the dispatcher actually sending him on the difficult quest in hopes of his death in the attempt, or in order to remove him from the scene for a time, just as if the claim were sincere, except that the tale usually ends with the dispatcher being unmasked and punished.^[6] Stories with such false quest-objects include the legends of Jason and Perseus, the fairy tales The Dancing Water, the Singing Apple, and the Speaking Bird, Go I Know Not Whither and Fetch I Know Not What, and the story of Beren and Lúthien in J. R. R. Tolkien's Silmarillion.

The quest object may, indeed, function only as a convenient reason for the hero's journey. Such objects are termed MacGuffins. When a hero is on a quest for several objects that are only a convenient reason for his journey, they are termed plot coupons.

Literary analysis[link]

The quest, in the form of the Hero's Journey, plays a central roles in the Monomyth described by Joseph Campbell; the hero sets forth from the world of common day into a land of adventures, tests, and magical rewards. Most times in a quest, the knight in shining armor wins the heart of a beautiful maiden/ princess.

Historical examples[link]

An early quest story tells the tale of Gilgamesh, who seeks a secret to eternal life after the death of Enkidu, including the search for an emerald.

Another ancient quest tale, Homer's Odyssey, tells of Odysseus, whom the gods have cursed to wander and suffer for many years before Athena persuades the Olympians to allow him to return home. Recovering the Golden Fleece is the object of the travels of Jason and the Argonauts in the Argonautica. Psyche, having lost Cupid, hunted through the world for him, and was set tasks by Venus, including a descent into the underworld.

Many fairy tales depict the hero or heroine setting out on a quest, such as:

• East of the Sun and West of the Moon where the heroine seeks her husband
• The Seven Ravens where the heroine seeks her transformed brothers
• The Story of the Youth Who Went Forth to Learn What Fear Was
• The Golden Bird where the prince sets out to find the golden bird for his father

Other characters may set out with no more definite aim that to "seek their fortune", or even be cast out instead of voluntarily leaving, but learn of something that could aid them along the way and so have their journey transformed from aimless wandering into a quest.^[7] Other characters can also set forth on quests — the hero's older brothers commonly do — but the hero is distinguished by his success.

"Vision of the Holy Grail" (1890) by William Morris

Many medieval romances sent knights out on quests. The term "Knight-errant" sprang from this, as errant meant "roving" or "wandering". Sir Thomas Malory included many in Le Morte d'Arthur. The most famous—perhaps the most famous quest in western literature—centers on the Holy Grail in Arthurian legend. This story cycle recounts multiple quests, in multiple variants, telling stories both of the heroes who succeed, like Percival (in Wolfram von Eschenbach's Parzival) or Sir Galahad (in the Queste del Saint Graal), and also the heroes who fail, like Sir Lancelot. This often sent them into a bewildering forest. Despite many references to its pathlessness, the forest repeatedly confronts knights with forks and crossroads, of a labyrinthine complexity.^[8] The significiance of their encounters is often explained to the knights—particularly those searching for the Holy Grail -- by hermits acting as wise old men -- or women.^[9] Still, despite their perils and chances of error, such forests, being the location where the knight can obtain the end of his quest, are places where the knights may become worthy; one romance has a maiden urging Sir Lancelot on his quest for the Holy Grail, "which quickens with life and greenness like the forest."^[10]

So consistently did knights quest that Miguel de Cervantes set his Don Quixote on mock quests in a parody of chivalric tales. Nevertheless, while Don Quixote was a fool, he was and remains a hero of chivalry.

Modern literature[link]

Quests continued in modern literature. Analysis can interpret many (perhaps most) stories as a quest in which the main character is seeking something that he desires,^[11] but the literal structure of a journey seeking something is, itself, still common. Quests often appear in fantasy literature,^[12] as in Rasselas by Samuel Johnson, or The Wonderful Wizard of Oz, where Dorothy, the Scarecrow, the Tin Woodman, and the Cowardly Lion go on a quest for the way back to Kansas, brains, a heart, and courage respectively. ^[13]

A familiar modern literary quest is Frodo Baggins's quest to destroy the One Ring in The Lord of the Rings.^[14] The One Ring, its baleful power, the difficult method which is the only way to destroy it, and the spiritual and psychological torture it wreaks on its Bearer; J. R. R. Tolkien uses all these elements to tell a meaningful tale of friendship and the inner struggle with temptation, against a background of epic and supernatural warfare.

The Catcher in the Rye is often thought of as a quest plot, detailing Holden's search not for a tangible object but for a sense of purpose or reason.

Some writers, however, may devise arbitrary quests for items without any importance beyond being the object of the quest. These items are known as MacGuffins, which is sometimes merely used to compare quests and is not always a derogatory term. Writers may also motivate characters to pursue these objects by meanings of a prophecy that decrees it, rather than have them discover that it could assist them, for reasons that are given.

See also[link]

• Monomyth

Further reading[link]

• Vladimir Propp, Morphology of the Folk Tale

References[link]

This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (December 2010)

Bryn Christopher (born 8 November 1985,^[2] Birmingham, England) is a British singer-songwriter.

Influences[link]

Bryn cites his influences as greats such as Otis Redding, Sam Cooke, Nina Simone and Stevie Wonder.

Musical career[link]

Early years[link]

Bryn was brought up in Great Barr, Birmingham, one of four children born to a black father and a white mother. He went to Barr Beacon School, Great Barr. His parents separated before Bryn's seventh birthday, and he was raised by his mother and maternal grandmother. Painfully skinny, with different interests from the other kids, Bryn was teased mercilessly and began to dread going to school, until he joined a youth theatre company at the age of 12. Here he discovered a sense of confidence and the kind of pop music - Alicia Keys, Michael Jackson - that he could relate to.^[3]

He joined a soul band at his secondary school and wrote his first songs as part of his music GCSE. But perhaps the pivotal moment in his aural education came when Bryn and some school friends attended a play and heard Try A Little Tenderness sung on the backing track by someone who clearly wasn't The Commitments... "I was shouting out to my friends during the play," he recalls. "I was like, This guy is amazing! Who is it?' I'd never heard anyone sing like that. And someone told me it was Otis Redding."^[3]

A crash-course in Redding's music turned Bryn's musical life upside down: suddenly, he knew that he wanted to make music with this combination of passionate intensity and melodic accessibility. He then discovered Marvin Gaye and Stevie Wonder. "It was incredible suddenly being exposed to these unbelievable people that had been around all this time whose existence I had no idea of. It totally changed my outlook."^[3]

Doing something about it was another matter. He was living in a small town with no musical mentor and with peers who were happier hanging out on the streets playing football. "I could definitely have ended up in a very different place if I'd given in to the bullies. You either beat them or join them". So with a massive desire to be a successful singer, a determined teenage Bryn went against the grain.^[3]

With no real idea how to break into the music industry Bryn was tempted, like most young singers are these days, towards auditioning for talent shows. He's thankful now that it proved a non-starter. "It was a learning curve - I didn't know any other way, I had no-one to tell me what was right and wrong and I couldn't think of any other way to move forward as a wannabe singer in the town I was living". He now marvels at his narrow escape. "Those things have had some really talented people that have come through them but I often catch the shows and think 'thank God I didn't end up there. It's just not me'"^[3]

Instead Bryn got a scholarship to a top London stage school, where he spent a largely unhappy two years before catching the attention of the management team who brought him to Polydor's Colin Barlow. For Barlow, Bryn's appeal was instant: "His voice just floored me," he says.^[3]

Finally, things began to happen for 21-year-old Bryn. The first show he played for a potential publisher saw the deal done and dusted that very night. A similar thing happened when the support for the Amy Winehouse tour came up, one of the highest-profile string of dates in 2007. "I knew everybody else was going up for it," he says, still slightly dumbfounded at being given the chance. "Amy gets to choose who she wants, so she must've liked my music." He doesn't know for sure, though, as he never got to meet Winehouse. "She would turn up and go straight on stage," he recalls. "Anyway, her husband had just been sent to prison: I was hardly going to be going up to her and going, 'Hi! What do you think of my music?' And I wasn't expecting her to stop and chat."^[3][4]

Bryn’s was the support slot on the Amy Winehouse tour at the rear end of 2007, while he was still relatively unknown (he also supported US Soul artist Rahsaan Patterson at London's Jazz Café.^[5] More recently, he has been picked up by the US agent, William Morris Agency. He also co-wrote the Leon Jackson hit song Don't Call This Love with British producer/ writer Chris Braide. Bryn's also was Mary J. Blige open act on her European tour 'Growing Pains' in 2008.

The Quest[link]

His first single release "The Quest" was released on 8 June 2008 through Polydor Records. The single draws on his brother’s personal experience as a soldier stationed in Basra. His brother 2 years later would be seriously injured in Afghanistan losing both of his legs . "The Quest" was featured in the closing scene of Grey's Anatomy's season 4 conclusion, which caused the song to become more known in the US. The song was made into a music video for the show to promote its fifth season, with scenes of Christopher singing in London as well as scenes from the show. The song was also featured in an episode of the BBC drama Waterloo Road.

It was also covered by Grigory Leps in Russian which became a popular version.

Bryn teamed up with co-writer/producer Jarrad Rogers and production team Midi Mafia (Jennifer Lopez, Talib Kweli, Nelly) to make his debut album My World, which was released September 2008. Midi Mafia recently secured the exclusive rights to use samples from the Stax Records Catalogue, and has used some of these for the first time ever on Bryn’s album.

His second single was called 'Smilin' released on 2 September 2008. It peaked at #31. His third single 'Fearless' was released on 18 January 2009, and failed to chart. His final single was 'Taken Me Over', released on 4 August 2009 as a digital only single. It also failed to chart.^[6]

Christopher has since parted ways with his record label Polydor, and has signed with Geffen Records UK. He is currently working on his second album for Geffen.^[1]

Festival appearances[link]

Bryn recently hosted a residency at North London’s live spot The Boogaloo throughout April 2007, and will be following this with dates at London’s Soho Revue Bar. He has also played at this summer’s Wireless Festival in Hyde Park on the same day as Jay Z, as well as Glastonbury, T in the Park, Oxegen and V Festival.

2010-present[link]

In October 2010, he featured in Aggro Santos' music video, "Stamina".

Discography[link]

Albums[link]

Singles[link]

Promo singles[link]

Notes

• A ^ "Taken Me Over" was released as a digital download single.^[7]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Bryn Christopher

• Bryn Christopher’s official website
• Bryn Christopher MySpace page
• Polydor Records website
• Geffen Records website
• Bryn Christopher interview by Pete Lewis, 'Blues & Soul' September 2008
• Bryn Christopher on Last.fm
• Bryn Christopher French Site

Jean-Claude Van Damme
Van Damme at the 2010 Cannes Film Festival
Born	Jean-Claude Camille François Van Varenberg (1960-10-18) 18 October 1960 (age 51) Berchem-Sainte-Agathe, Brussels, Belgium
Other names	The Muscles from Brussels, JCVD, Van Damage
Nationality	Belgian
Height	1.76 metres (5 ft 9 in)[1]
Weight	80 kg (180 lb) (currently)[2] 73 kg (160 lb) (fighting weight)
Division	Middleweight
Style	Kickboxing, Muay Thai, Shotokan Karate
Fighting out of	Brussels, Belgium
Team	Team Goetz
Trainer	Claude Goetz Dominique Valera
Rank	black belt in Shotokan
Years active	1976–1982 (martial arts), 1984–present (acting)
Kickboxing record
Total	19
Wins	18
By knockout	18
Losses	1
Amateur career
Total	48
Wins	44
Losses	4
Other information
Occupation	Actor, martial artist, director
Spouse	Maria Rodriguez (m. 1980–1984) «start: (1980)–end+1: (1985)»"Marriage: Maria Rodriguez to Jean-Claude Van Damme" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Jean-Claude_Van_Damme) Cynthia Derderian (m. 1985–1986) «start: (1985)–end+1: (1987)»"Marriage: Cynthia Derderian to Jean-Claude Van Damme" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Jean-Claude_Van_Damme) Darcy LaPier (m. 1994–1997) «start: (1994)–end+1: (1998)»"Marriage: Darcy LaPier to Jean-Claude Van Damme" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Jean-Claude_Van_Damme) Gladys Portugues (m. 1987–1992) «start: (1987)–end+1: (1993)»"Marriage: Gladys Portugues to Jean-Claude Van Damme" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Jean-Claude_Van_Damme)and (1999–present)
Children	Kristopher Van Varenberg Bianca Bree Nicholas Van Varenberg

Jean-Claude Camille François Van Varenberg (born 18 October 1960), professionally known as Jean-Claude Van Damme,^[3] is a Belgian martial artist, actor, and director^[4] best known for his martial arts action films.^[5] The most successful of these films include Bloodsport (1988), Kickboxer (1989), Universal Soldier (1992), Hard Target (1993), Timecop (1994), Sudden Death (1995) and JCVD (2008).^[6] He is known as "The Muscles from Brussels".

After studying martial arts intensively from the age of ten, Van Damme achieved national success in Belgium as a martial artist and bodybuilder, earning the "Mr. Belgium" bodybuilding title.^[7] He emigrated to the United States in 1982 to pursue a career in film, and achieved success with Bloodsport (1988), based on a story written by Frank Dux. He attained subsequent box office success with Timecop (1994), which was his highest grossing film with over $100 million, until 2011's Kung Fu Panda 2, which grossed over $665 million.

Early life[link]

Van Damme was born Jean-Claude Camille François Van Varenberg in Berchem-Sainte-Agathe, Brussels, Belgium, the son of Eliana and Eugène Van Varenberg, who was an accountant.^[8][9] He began martial arts at the age of ten, enrolled by his father in a Shotokan karate school.^[10] His styles consist of kickboxing, Shotokan karate, Muay Thai and Taekwondo.^[11] He eventually earned his black belt in karate.^[12] He started lifting weights to improve his physique, which eventually led to a Mr. Belgium bodybuilding title.^[7]

Martial arts career[link]

Semi-contact karate career[link]

At the age of 11,^[13] Van Damme joined the Centre National De Karaté (National Center of Karate) under the guidance of Claude Goetz in Belgium. Van Damme trained for four years and he earned a spot on the Belgian Karate Team; later training in full-contact karate and kickboxing by Dominique Valera.^[14]

In 1976, Jean-Claude is reported to have started his competitive career in Ingelmunster, Belgium, in a semi-contact match which was sanctioned by the European Karate Union. He defeated fellow Belgian Roland Vedani. The following year, Van Damme remained undefeated with victories over Maurice Devos, Andre LeMaire and fellow team-mate Patrick Teugels in non-tournament matches sanctioned by the World All-Styles Karate Organization. In his first tournament competition, Van Damme placed second at the Challenge Coupe des Espoirs Karate Tournament (1st Trials). Jean-Claude defeated 25 opponents in the three day tournament before losing in the finals to fellow team-mate Angelo Spataro.^[14]

In Europe, Jean-Claude was a member of the Belgium Team when it won the European Championship on 26 December 1979 at La Coupe Francois Persoons Karate Tournament in Brussels, Belgium. His team won the championship.^[14][15]

1980 Forest National match[link]

On 8 March 1980, in Brussels, Belgium, Van Damme competed against his one-time stablemate Patrick Teugels at the Forest National arena on the amateur undercard of the Dan Macaruso-Dominique Valera PKA Light-Heavyweight World Championship bout.^[14] Prior to this match, Teugels had defeated Van Damme at least twice by decision, including a match for the Belgium Lightweight Championship. Van Damme had a 1977 win over Teugels. Teugels was coming off this latter impressive showing at the WAKO World Championships four months earlier, and was favored by some to win this match. According to reports, and Patrick Teugels' own interview (with photos), Teugels lost by TKO in the 1st round. Teugels was kicked in the nose and was unable to continue due to that injury.^[14]

Kickboxing and full-contact karate career[link]

Van Damme's martial arts record consists mostly of light and semi-contact matches. However, from 1976 to 1982, Van Damme fought in 19 full-contact matches, and compiled a record of 18 wins, 18 knockouts and 1 defeat.^[16]

Van Damme had his first full-contact match against Toon Van Oostrum in Brussels, Belgium in 1976. The 16 year old Van Damme knocked out Oostrum in 46 seconds of the first round.

Jean-Claude's biggest victories were over the United Kingdom's Michael J. Heming-British and European Middleweight Karate Champion, the United States of America's Sherman Bergman, Turkey's Ajom Mahmud Uddin, and Belgium's Lenny Leikman.

Van Damme's only defeat was early in his career, when he lost to France's Etienne "Tuf" Aubry by 1st round disqualification. Van Damme accidentally kicked and knocked out Aubry when he was down. Aubry was unable to continue and was awarded a victory.

Jean-Claude was only knocked down once in his entire 8-year career. Facing Sherman Bergman, Van Damme was knocked to the canvas after absorbing a powerful left hook,^[17][18] and it was the only knock-down suffered by Van Damme in his fighting career. However, Van Damme got up, and with an axe-kick, knocked Bergman out in 56 seconds of the first round. This match was fought in Tampa, Florida.^[17][18]

Following a knockout victory over France's Georges Verlugels on a Professional Karate Association promotion in 1980(source:FightingArts.com), Van Damme caught the attention of Professional Karate Magazine publisher and editor Mike Anderson, and multiple European champion Geet Lemmens. Both men tabbed Van Damme as an upcoming prospect.^[19]

Jean-Claude Van Damme ended his full-contact career in 1982 following a knockout victory over India's Nedjad Gharbi.

Van Damme was scheduled to fight former boxing Olympic gold-medalist Somluck Kamsing in November 2011.^[20] Early reports have named Las Vegas, USA, Moscow, Russia and Macau, China, Thailand as locations for the bout but it now fight will take place in Dubai, Moscow^[21] or Grozny.^[22] At the prospect of being the first man over the age of 50 to kickbox professionally, Van Damme stated that "it's kind of dangerous, but life is short."^{[dead link][23]} The fight was postponed to May or June 2012.^[21]

Film career[link]

In 1982, Van Damme and childhood friend, Michel Qissi, moved to America in the hope of becoming action stars. They both were cast as extras in the film, Breakin'. Van Damme also had a non-speaking part as a Secret Service agent who carries a polio-crippled President Franklin Roosevelt (Ralph Bellamy) out of a pool in the 1988 TV miniseries War and Remembrance. After a small part in Missing In Action, Van Damme was next cast in the film No Retreat, No Surrender, as the role of the villain, Ivan the Russian. Van Damme worked for director John McTiernan for the 1987 film Predator as an early (eventually abandoned) version of the titular alien, before being removed and replaced by Kevin Peter Hall.^[24] His breakout film was Bloodsport, based on the alleged true story of Frank Dux. Shot on a 1.5 million dollar budget, it became a U.S. box-office hit in the spring of 1988. He then starred in the smaller budgeted film Cyborg. His last role for 1989 was Kurt Sloane in the successful Kickboxer. In this film, his character fights to avenge his brother who has been paralyzed by a Thai kickboxing champion (Qissi).^[25]

Double Impact featured Van Damme in the dual role of Alex and Chad Wagner, two brothers fighting to avenge the deaths of their parents. This film reunited him with his former Bloodsport co-star, Bolo Yeung. He then starred opposite Dolph Lundgren in the action film Universal Soldier. While it grossed $36,299,898 in the U.S., it was an even bigger success overseas, making over $65 million, well over its modest $23 million budget, making it Van Damme's highest grossing film at the time. Van Damme followed Nowhere To Run and Hard Target with Timecop in 1994. The film was a huge success, grossing over $100 million worldwide. In the film, Van Damme played a time traveling cop, who tries to prevent the death of his wife. It remains his highest grossing film in a lead role to date.

After his role in the poorly received Street Fighter, his projects started to fail at the box office. The Quest (1996), which he directed; Maximum Risk (1996), Double Team (1997) and Knock Off (1998) were box-office flops. The 1999 film Universal Soldier: The Return, also a box-office flop, was Van Damme's last theatrically released film until 2008. In 2003, Van Damme employed his dancing training in the music video for Bob Sinclar's "Kiss My Eyes."

Van Damme returned to the mainstream with the limited theatrical release of the 2008 film JCVD, which received positive reviews. Time Magazine named Van Damme's performance in the film the second best of the year (after Heath Ledger's The Joker in The Dark Knight),^[26] having previously stated that Van Damme "deserves not a black belt, but an Oscar."^[27] Van Damme indicated while promoting the film, he experienced a period of homelessness "sleeping on the street and starving in L.A."^[28]

Van Damme reprised his role as Luc Deveraux in the 2009 film Universal Soldier: Regeneration. Subsequently he voiced "Master Croc" in the 2011 animated vilm Kung Fu Panda 2. Also in 2011, Van Damme participated in various commercials for Coors Light beer, in which he is located on a snow-covered mountain wearing a sleeveless denim jacket, and for washing powder "Dash".

He was offered a lead role in Sylvester Stallone's latest film The Expendables. Stallone called Van Damme personally to offer him the role, but Van Damme turned it down. He scheduled a series of film projects for 2011, including another Universal Soldier movie. On 30 June 2011, Van Damme confirmed his participation in The Expendables 2.^[29]

Van Damme's latest project is starring in an upcoming (2013) feature Welcome To The Jungle directed by Rob Meltzer, in a role as a workplace team building trainer opposite Adam Brody, Rob Huebel, Kristen Schaal, Megan Boone, and Dennis Haysbert.^[30]

Controversies[link]

Fight record[link]

In an interview on his website, Van Damme rival, Patrick Teugels states that Van Damme never fought at the 1979 WAKO World Championships in Tampa, Florida, and posts a Dutch-language Samurai magazine report on the tournament in which Van Damme (Van Varenberg) is not mentioned.^[31] On Van Damme's imdb page, as well as his official webpage, Van Damme makes no claims of having fought at the 1979 or 1980 WAKO World Championships. Van Damme's fight with Bergman in Tampa, Florida^[32] was always billed as a non-tournament match, and was not under the sanction of the WAKO World Championships and was not recorded as a championship bout.

At the same time, while Teugels takes credit for two victories over Van Damme (one for the Belgium light-contact Championship), records show that Van Damme defeated Teugels in at least two matches, including one at the Forest National arena in which Van Damme broke Teugels's nose.^[33] At the STAR System World Kickboxing Ratings^[14] website, event coverages and results are posted from France's Karate Magazine and from the World Association of Kickboxing Organizations (WAKO) that show Van Damme was an active semi-contact fighter in Europe between 1978–1980, but that he never placed at the 1979 WAKO World Championships. Newspaper clippings do provide information that Van Damme fought in various tournaments from 1978-1980, but internet photos show that Van Damme competed from 1976-1982.

When Van Damme became an action film star a controversy arose because leading martial arts magazines could not find any fights listed for Jean-Claude Van Damme. Jean-Claude had competed under his birth name of Jean-Claude Van Varenberg. Van Damme's office supplied a list of four European karate trophies that he earned under his real name, Van Varenberg, between 1978 and 1981: the Hope Cup; the Cup of Antwerp; World Championship, WAKO; and the Gala International. Van Damme's lawyer, Martin Singer, made a public statement defending his client: "There are records to document his martial-arts acclaim. He's the one who does those splits on chairs. He doesn't have a stunt man do that."^[34]

Paul Maslak of the STAR System World Kickboxing Ratings, who was also the casting director who helped cast Van Damme in his first theatrical role, No Retreat No Surrender, and who was therefore always aware of Van Damme's legal name, researched Van Damme's competitive history and came up with documentation that showed most fights were in tournament karate and that there was no verifiable evidence Van Damme had ever competed as a professional kickboxer.^[14] The term "professional" fighter is open to debate, because many WAKO fighters in Europe were paid money to train.^[35]

Kadyrov event[link]

In October 2011, Van Damme, along with other celebrities including Hilary Swank, Vanessa-Mae and Seal attracted criticism from human rights groups for attending an event in Russian federal subject Chechnya's capital Grozny on the 35th birthday of Chechen president Ramzan Kadyrov on October 5.^[36] Human rights groups, who had urged the celebrities to cancel their appearances because of abuses carried out under Kadyrov, criticised the celebrities for attending the event.^[37] Human Rights Watch released a statement which said, "Ramzan Kadyrov is linked to a litany of horrific human rights abuses. It's inappropriate for stars to get paid to party with him. It bolsters his image and legitimizes a brutal leader and his regime. And getting paid to be part of such a lavish show in Chechnya trivializes the suffering of countless victims of human rights abuses there."^[38][39][40]

Personal life[link]

At the age of 16 he took up ballet, which he studied for five years. According to Van Damme, ballet "is an art, but it's also one of the most difficult sports. If you can survive a ballet workout, you can survive a workout in any other sport."^[41] In the French-speaking world, Van Damme is well known for the picturesque aphorisms that he delivers on a wide range of topics (personal well-being, the environment, etc.) in a sort of Zen franglais.^[42]

Health and addiction[link]

Van Damme used to have a substance abuse issues that started during 1995.^[43] He entered a month-long rehabilitation program in 1996 but left it after only one week.^[43][44] In 1996, he spent up to $10,000 a week on cocaine.^[45] He is also reported to have experienced bipolar disorder. After the filming of the 1998 film Knock Off, Van Damme was diagnosed with rapid cycling bipolar disorder after becoming suicidal and started treatment on the mood stabilizer, sodium valproate. A turning point toward improvement of his health came from late 1997 onwards, after having finished divorce procedures.^[43]

Mortal Kombat[link]

The original video game Mortal Kombat was conceived as a fighting game based on the actor and martial artist Jean-Claude Van Damme.^[46] Creators Ed Boon and John Tobias originally had desired to author the game starring Van Damme himself. That fell through as Van Damme had a prior deal for another game under the auspices of the Sega Genesis platform. Ed Boon and John Tobias eventually decided to create Mortal Kombat featuring a character named Johnny Cage, who is modeled after Jean-Claude Van Damme, primarily from Van Damme's appearance and outfit in the martial arts film Bloodsport.^[47][48]

Filmography[link]

Semi-contact/light-contact record[link]

Result	Record	Opponent	Method	Date	Round	Time	Event	Location	Notes
Win	44-4-0	Jonny Wellum	Decision	7 May 1980	3		W.A.K.O.	Brussels, Belgium	Light-Contact(Van Damme avenges early career defeat)
Win	43-4-0	Jordy Claes	Decision	1980	3		Gala InternationalW.A.K.O.	Brussels, Belgium	Light-Contact
Win	42-4-0	Patrick Teugels[14]	l'abandon (TKO)	8 March 1980	1		Forest Nationals	Brussels, Belgium	Light-Contact:Teugels suffers a broken nose and is unable to continue.)
Win	41-4-0	Andres Kovac	Decision	1980	3		W.A.K.O.	Brussels, Belgium	Semi-Contact
Win	40-4-0	Bekim-Moussa Muhammad	Decision	1980	3		W.A.K.O.	Brussels, Belgium	Semi-Contact
Win	39-4-0	Mustapha-Ahmad Benamou	Decision	1980	3		WAKO	Brussels, Belgium	Semi-Contact
Win	38-4-0	Reinhard Krass	Disq.	26 December 1979	2		Karate Tournament: Belgium Team vs. German Team	Woluwe, Brussels, Belgium	Light-Contact[14]
Win	37-4-0	Gilberto Dias	l'abandon	November 1979	1		World-All Styles Karate Organization	Brussels, Belgium	Light-Contact (Dias suffers ankle injury and is unable to continue.)
Win	36-4-0	Hans Kohler	Decision	1979	3		World-All Styles Karate Organization	Ingelmunster, Belgium	Semi-Contact
Loss	35-4-0	Patrick Teugels	Decision	1979	3		Cup of AntwerpWorld-All Styles Karate Organization	Antwerp, Belgium	Light-Contact(Both men fight in karate gi uniforms, no pads or gloves)
Win	35-3-0	Matthias Evrard	Decision	1979	3		Cup of AntwerpWorld-All Styles Karate Organization	Antwerp, Belgium	Semi-Contact
Win	34-3-0	Paul Sperati	Decision	1979	3		World-All Styles Karate Organization	Opprebais, Belgium	Semi-Contact
Win	33-3-0	Lucus Reinfeld	Decision	1979	3		World-All Styles Karate Organization, Europe Interland Cup	Mulhouse, Belgium	Semi-Contact
Win	32-3-0	Robbe Bogaerts	Decision	1978	3		Hope CupWorld-All Styles Karate Organization	Brussels, Belgium	Semi-Contact[51]
Win	31-3-0	Leonard Baptiste	Decision	1978	3		World-All Styles Karate Organization	Izegem, Belgium	Semi-Contact
Win	30-3-0	Fernando Cabanela	Decision	1978	3		World-All Styles Karate Organization	Izegem, Belgium	Semi-Contact
Loss	29-3-0	Angelo Spataro[14]	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	29-2-0	Gabriel Van Der Driessche	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	28-2-0	Farid Muhammad Mousseau	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	27-2-0	Jacques van Laere	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	26-2-0	Christian Hedin	Decsion	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	25-2-0	Gerard Charon	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	24-2-0	David Arranz	Decsion	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	23-2-0	Bernard Redden	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	22-2-0	Antoine Redi	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	21-2-0	Ben Salah Ellah	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	20-2-0	Gaston Airey	Foul	1978	1		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	19-2-0	Abdembi Hassan Ali	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	18-2-0	Jonas "Marcel" Cohen	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	17-2-0	Christian Van Tieghem	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	16-2-0	Max Roelandt	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	15-2-0	Andre Verbon	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	14-2-0	Michel Juvillier	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	13-2-0	Joel Maoreau	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Light-Contact
Win	12-2-0	Ronald Duivenbode	Decision	1978	3		Challenge Coupe des Espoirs Karate Tournament (1st Trials)	Antwerp, Belgium	Semi-Contact
Loss	11-2-0	Patrick Teugels	Decision	1978	3		Belgium Lightweight Championship	Antwerp, Belgium	Light-Contact
Win	11-1-0	Gris Lubbers	Decision	1976	3		European Karate Union	Ingelmunster, Belgium	Semi-Contact
Win	10-1-0	Andre Lemaire	Decision	1977	3		World Association of Kickboxing Organizations Open International	Izegem, Belgium	Semi-Contact
Win	9-1-0	Patrick Teugels	Decision	1977	3		Antwerp Open International Competition W.A.K.O.	Antwerp, Belgium	Light-Contact(source:YouTube Video)
Win	8-1-0	Maurice Devos	Decision	1977	3		World Allstyles Kickboxing Organization	Antwerp, Belgium	Semi-Contact
Win	7-1-0	Jacques Berri	Decision	1976	3		Antwerp Open WAKO	Antwerp, Belgium	Semi-Contact
Win	6-1-0	Johannes Binding	Decision	1976	3		Antwerp Open WAKO	Antwerp, Belgium	Semi-Contact
Win	5-1-0	Jean-Morin Devigne	Decision	1976	3		Antwerp Open WAKO	Antwerp, Belgium	Semi-Contact
Win	4-1-0	Roland Vedani	Decision	1976	3		European Karate Union	Ingelmunster, Belgium	Semi-Contact
Win	3-1-0	Jean-Paul Gaston	Decision	1976	3		European Karate Union	Brussels, Belgium	Semi-Contact
Loss	2-1-0	Jonny Wellum	Decision	22 January 1976	3		La Federation Europeene de Karate (European Karate Federation)	Brussels, Belgium	Semi-Contact(J.Vandenberg credit with Defaite (loss)
Win	2-0-0	Bernard Briers	Decision	22 January 1976	3		La Federation Europeene de Karate(European Karate Federation)	Brussels, Belgium	Semi-Contact(J.Vandenberg credit with victoire (win)
Win	1-0-0	Robin Lomard	Decision	22 January 1976	3		La Federation Europeene de Karate (European Karate Federation)	Brussels, Belgium	Semi-Contact(J.Vandenberg credit with victoire (win))-Magazine "boxe francise" (Karate)

Kickboxing record[link]

Result	Record	Opponent	Method	Date	Round	Time	Event	Location	Notes
		Somluck Kamsing[52]		December 2012[21]				Las Vegas[21]	Kickboxing
Win	18-1-0	Nedjad Gharbi	KKO	1982	1			Brussels, Belgium	Kickboxing
Win	17-1-0	Daniel Le Jaouen	KKO	1982	1	1:05		Brussels, Belgium	Kickboxing
Win	16-1-0	Lenny Leikman[14]	KKO	1982	3		1st Journée Des Arts Martiaux	Brussels, Belgium	Kickboxing
Win	15-1-0	Ajom Mahmud Uddin	KO	1981	1	0:19		Brussels, Belgium	Kickboxing
Win	14-1-0	Mustapha-Ahmad Benamou	KKO	1981	1			Brussels, Belgium	Kickboxing
Win	13-1-0	Henk Besselman	KO	1981	1			Brussels, Belgium	Kickboxing
Win	12-1-0	Michael J. Heming	KKO	1980	1	0:46		Brussels, Belgium	Kickboxing[53]
Win	11-1-0	Georges Verlugels	KO	1980	2		P.K.A.	Brussels, Belgium	Kickboxing[19]
Win	10-1-0	Sherman Bergman[54]	KKO	1974 Nov 04	1	0:56		Tampa, Florida, USA	Full-Contact (Van Damme climbs off floor to win.)
Win	9-1-0	Rolf Risberg	KKO	1979	1			Ingelmunster, Belgium	Kickboxing[16]
Win	8-1-0	Emile Leibman	KKO	1979	1			Iseghem, Belgium	Kickboxing[16]
Win	7-1-0	Cyrille Nollet	KKO	1978	1			Iseghem, Belgium	Kickboxing
Win	6-1-0	Orlando Lang	KO	1978	1	0:26		Antwerp, Belgium	Kickboxing
Win	5-1-0	Jacques Piniarski	KKO	1978	1			Belgium	Kickboxing[16]
Win	4-1-0	Eric "Basel" Strauss	KKO	1978	1	0:18		Antwerp, Belgium	Kickboxing[16]
Win	3-1-0	Andre "Robar" Robaeys	KKO	1978	1			Mulhouse, Belgium	Kickboxing[16]
Win	2-1-0	Michel Juvillier	KO	1978	1	0:39		Antwerp, Belgium	Full-Contact[16]
Loss	1-1-0	Etienne "Tuf" Aubry	Disq	7 March 1977	1	1:02		Marseilles, France	Full-Contact(Magazine "boxe francise"(Karate))
Win	1-0-0	Toon Van Oostrum	KKO	1976	1	0:46		Brussels, Belgium	Full-Contact

Notes[link]

References[link]

This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (April 2012)

• Corcoran, John; Farkas, Emil (1988). Martial Arts: Traditions, History, People. New York City: Gallery Books. pp. 60, 265. ISBN 978-0-8317-5805-9.  (Wako)
• Corcoran, John; Farkas, Emil (1988). Martial Arts: Traditions, History, People. New York City: Gallery Books. pp. 285–286. ISBN 978-0-8317-5805-9.  (PKA World Heavyweight Title)
• Corcoran, John; Farkas, Emil (1988). Martial Arts: Traditions, History, People. New York City: Gallery Books. pp. 210, 393. ISBN 978-0-8317-5805-9.  (Eku)
• Soet, John Steven (March 1990). "Jean-Claude Van Damme". Inside Kung-Fu Presents: Martial Artists One on One: pp. 16–25. 

Further reading[link]

• Vandehey, Tim (April 1991). "Gunning for Van Damme". Karate Kung-Fu Illustrated. 
• Xuat Tinh Som (31 December 2007). "Jean-Claude Van Damme". Tre Today News. 

External links[link]

Wikimedia Commons has media related to: Jean-Claude Van Damme

Wikiquote has a collection of quotations related to: Jean-Claude Van Damme

• Official website
• Jean-Claude Van Damme on Facebook
• Jean-Claude Van Damme on Twitter
• Jean-Claude Van Damme at the Internet Movie Database
• Rodin Entertainment

Blind Guardian
Blind Guardian in Malmö, Sweden, September 21, 2006. L-R: Olbrich, Ehmke, Kürsch, Siepen, Schüren, Holzwarth
Background information
Origin	Krefeld, Germany
Genres	Power metal, progressive metal, speed metal, thrash metal
Years active	1984–present
Labels	No Remorse, Virgin, Century Media, Nuclear Blast
Associated acts	Demons and Wizards, Gamma Ray, Helloween, Iced Earth, Iron Savior, Savage Circus, Schattentantz, Power Quest
Website	www.blind-guardian.com
Members
Hansi Kürsch André Olbrich Marcus Siepen Frederik Ehmke
Past members
Thomas "Thomen" Stauch Markus Dörk Christof Theißen Hans-Peter Frey Mathias Wiesner

Blind Guardian is a German power metal band formed in the mid-1980s in Krefeld, West Germany.^[1] They are often credited as one of the seminal and most influential bands in the power metal and speed metal subgenres.^[2][3] Blind Guardian is a part of the German heavy metal scene that emerged in the mid-1980s.

The band's lyrics, written by vocalist Hansi Kürsch, are inspired by the fiction of fantasy authors such as J. R. R. Tolkien, Michael Moorcock, Robert Jordan and George R. R. Martin as well as traditional legends and epics.^[4] Over the years, a running theme has developed personifying the band members as travelling bards, leading some fans to refer to the band affectionately as "The Bards".

Biography[link]

Formation as Lucifer's Heritage (1984–1987)[link]

Blind Guardian was formed in 1984 in Krefeld, Germany, by Hansi Kürsch (vocals, bass) and Andre Olbrich (guitar) under the name Lucifer's Heritage. The band first released two demos in 1985 and 1986, despite undergoing chaotic lineup changes: Markus Dörk (guitar) and Thomen Stauch (drums) were replaced by Christof Theißen and Hans-Peter Frey, respectively. Finally, in 1987, Marcus Siepen joined and Thomen came back to form the lineup which would stay consistent for the next 18 years.

Name change and rise to success (1988–1996)[link]

After Lucifer's Heritage signed a contract with No Remorse Records, the band changed their name to Blind Guardian to avoid any speculations about Satanism (in a bio it was stated that they also wanted to distance themselves from the black metal movement, as their demos were placed in with black metal albums at local record shops). They released their debut album Battalions of Fear in 1988, which was essentially a speed metal album heavily influenced by Helloween.^[5] These two German bands had close ties, and Helloween founder Kai Hansen made a guest appearance on Blind Guardian's second LP, Follow the Blind (1989), where the band revealed some thrash metal influence.^[6][7] Their third LP, Tales from the Twilight World (1990), had a much more melodic and "epic" feeling, with usage of choir and classical music influence.

Blind Guardian signed with Virgin Records in 1991, and released their fourth studio album Somewhere Far Beyond in 1992 and the live album Tokyo Tales in 1993. Flemming Rasmussen, former Metallica producer, began working with the band in 1994, producing their fifth studio album Imaginations from the Other Side, released in 1995, and The Forgotten Tales, an album that contained half covers and half original work, released in 1996.

Later years and departure of Thomen Stauch (1997–2009)[link]

In 1998, Blind Guardian released their epic album Nightfall in Middle-Earth. "Complete with anthemic choruses, spoken word story lines, and plenty of bombastic power metal punctuating every dramatic turn", says Allmusic's Vincent Jeffries, "Nightfall in Middle-Earth is perhaps Blind Guardian's most triumphant".^[8] A concept album based on J. R. R. Tolkien's The Silmarillion,^[4] Blind Guardian's music demonstrated some folk rock influence, but also featured heavy use of Queen-style layered backing vocals. Since Nightfall, bass guitar has been played by sessional member Oliver Holzwarth, and Hansi has been able to devote all his attention to singing. Nightfall was also the last Blind Guardian album produced by Rasmussen.

Lead vocalist Hansi Kürsch

A Night at the Opera, named after the Queen album, was released four years later. On this album, the band's sound lacked almost all influence of their original speed metal. Power and progressive metal abound, with over the top orchestral backing and a consistent vocal and guitar layering throughout.^[9] Though not a true concept album, many of the lyrics dealt with the common themes of religion and relations between human and divine powers. It was followed by a live album in 2003 and a DVD, Imaginations Through the Looking Glass, in 2004, which was the last recorded Blind Guardian material to feature Thomen Stauch on drums. He left the band due to musical differences and was replaced by Frederik Ehmke. The first album with Ehmke was A Twist in the Myth, which came out in 2006.

Blind Guardian participated in the soundtrack for the In the Name of the King: a Dungeon Siege Tale fantasy movie (Uwe Boll), which came out in 2008.^[10] The band also recorded a theme song for Sacred 2 Fallen Angel role-playing video game, the prequel to Sacred.^[11]

Recent events (2010–present)[link]

André Olbrich performing in 2009

"A Voice in the Dark" was the next single from Blind Guardian that was released 25 June 2010. On July 30, 2010 the album followed, called At the Edge of Time. The band started "The Sacred Worlds and Songs Divine Tour 2010", the European dates will have the opening acts Enforcer and Steelwing. The 22 October in Gothenburg, Sweden only Steelwing was the opening act. The US dates will have Holy Grail and Seven Kingdoms and later they were announced that they would play at Wacken Open Air in 2011.

On July 21, 2011, Hansi Kürsch announced on Blind Guardian's official website that they are working on an orchestral album.^[12][13] On September 1, 2011, Oliver Holzwarth joined Rhapsody of Fire as a full-time member, after 13 years as Blind Guardian's session bass player.^[14] On January 27th, 2012, the band released a compilation album, titled Memories of a Time to Come, containing re-recorded and remixed songs from the band's entire discography.^[15]

Musical style[link]

Blind Guardian with the band's definitive scenery in background

Blind Guardian's first two albums, Battalions of Fear and Follow the Blind, were more in the style of speed metal than their following works. Beginning with their third album Tales from the Twilight World, Blind Guardian gradually began to write more complicated compositions focusing less on speed. As of their sixth album, Nightfall in Middle Earth, Hansi stopped playing bass to focus on singing. At this point the band began to incorporate large amounts of orchestral arrangements, and utilized the technique of overdubbing, heavily influenced by the English rock band Queen.^[16]

Blind Guardian's music features the staccato guitars and double bass drumming characteristic of power metal, as well as the use of overdubs and numerous backing vocals to create a dense sound. This technique, especially notable in the guitar and vocal tracks, creates the impression of a vast army of musicians playing in unison and singing in harmony. This proved significant on all albums after the first two but most particularly on A Night at the Opera.

Another definitive feature of Blind Guardian music is frequent use of folk tunes and instruments, especially in power ballads such as "Lord of the Rings", "The Bard's Song", "A Past and Future Secret", "Skalds and Shadows" and "Curse My Name", among others.

Side projects[link]

Along with Jon Schaffer, the leader and founder of Iced Earth, Kürsch is a member of Demons and Wizards, where he is the lead singer.

Blind Guardian have been working on and off for eight years on an orchestral project writing music about The Lord of the Rings (negotiations failed to be included on the famous The Lord of the Rings film trilogy as the soundtrack, because the band wanted to concentrate on their next album). Although it will not be a power metal album, it will be published under the name of Blind Guardian because it matches the theme of the band's lyrics, according to Hansi.^[17]

Due to the tsunami that struck Japan on March 11, 2011, Blind Guardian began working with their former record company, EMI Music, and auctioned off an exclusive studio session for two in the Twilight Hall Studio in Grefrath, Germany for charity in which 100% of proceeds would be donated to the tsunami relief efforts.^[18] The auction ended on April 22, 2011 with a final bid of £1,171.00.^[19]

Line-up[link]

Current members[link]

• Hansi Kürsch – lead vocals (1984–present), bass (1984–1996)
• André Olbrich – lead guitar, backing vocals (1984–present)
• Marcus Siepen – Rhythm guitar, backing vocals (1987–present)
• Frederik Ehmke – drums, percussion, flute and bagpipes (2005–present)

With:

• Thomas Hackmann (sessional member) – backing vocals (1990–present)
• Oliver Holzwarth (sessional and live member) – bass, backing vocals (1997–present)
• Michael Schüren (sessional member) – keyboards, grand piano (1997-present)
• Olaf Senkbeil (sessional member) - backing vocals (1998–present)
• Pat Bender (sessional member) – keyboards, sound effects (2002–present)

Former members[link]

• Thomas "Thomen" Stauch – drums (1984–1985, 1987–2005)
• Markus Dörk – Guitars (1984–1985)
• Christof Theißen – Rhythm guitar (1986)
• Hans-Peter Frey – drums (1986)
• Mathias Wiesner – keyboards, effects (studio) (1989–2002)

Discography[link]

• Battalions of Fear (1988)
• Follow the Blind (1989)
• Tales from the Twilight World (1990)
• Somewhere Far Beyond (1992)
• Imaginations from the Other Side (1995)
• Nightfall in Middle-Earth (1998)
• A Night at the Opera (2002)
• A Twist in the Myth (2006)
• At the Edge of Time (2010)

References[link]

Blind Guardian-Battlefield is the theme song for Robot Unicorn Attack heavy metal version

External links[link]

Wikimedia Commons has media related to: Blind Guardian

Wikiquote has a collection of quotations related to: Blind Guardian

• Official website
• Blind Guardian on Myspace
• Blind Guardian discography at MusicBrainz
• Hansi Kurskch Interview With Metal Rules

A Tribe Called Quest
A Tribe Called Quest
Background information
Origin	St. Albans, Queens, New York, USA
Genres	Alternative hip hop, jazz rap
Years active	1985–1998 2006–present
Labels	Jive
Associated acts	Native Tongues, De La Soul, Jungle Brothers, Black Sheep, J Dilla, Beastie Boys, Leaders of the New School, Busta Rhymes,Pharcyde
Website	atribecalledquest.com
Members
Q-Tip (1988–1998, 2006–present) Phife Dawg (1988–1998, 2006–present) Ali Shaheed Muhammad (1988–1998, 2006–present) Jarobi White (1988–1990, 2006–present)

A Tribe Called Quest is an American hip hop group, formed in 1985, ^[1] and is composed of MC/producer Q-Tip, MC Phife Dawg aka Phife Diggy (Malik Taylor), and DJ/producer Ali Shaheed Muhammad. A fourth member, rapper Jarobi White, left the group after their first album but rejoined in 1991. Along with De La Soul, the group was a central part of the Native Tongues Posse, and enjoyed the most commercial success out of all the groups to emerge from that collective. Their innovative fusing of hip hop and jazz has had a lasting impact on hip hop music, helping to expand the art of hip hop production. Many of their songs, such as "Bonita Applebum", "Can I Kick It?", "I Left My Wallet in El Segundo", "Scenario", "Check the Rhime", "Jazz (We've Got)", "Award Tour" and "Electric Relaxation" are regarded as classics by the hip hop community.

They released five albums between 1990 and 1998. The first three LPs were highly acclaimed, but the group disbanded in 1998. In 2006, the group reunited and toured the U.S., and planned to release an album after some works in the studio. The group is regarded as iconic pioneers of alternative hip hop music, having helped to pave the way for innovative hip hop artists.^[2] John Bush of Allmusic called them "the most intelligent, artistic rap group during the 1990s,"^[3] while the editors of About.com ranked them #4 on their list of the "25 Best Rap Groups of All Time."^[4] In 2005, A Tribe Called Quest received a Special Achievement Award at the Billboard R&B Hip-Hop Awards in Atlanta.^[5] In 2007, the group was formally honored at the 4th VH1 Hip Hop Honors.

Biography[link]

History[link]

Q-Tip and Phife Dawg were childhood friends that grew up together in Queens, New York. Initially, Q-Tip performed as a solo artist (MC Love Child), occasionally teaming up with Muhammad as a rapper/DJ duo. While the duo frequently made demos with Phife (as Crush Connection), the sports enthusiast^[who?] was still courting professional basketball ambitions and remained somewhat reluctant to become a full member of the group. He only later relented after Jarobi also joined, thus making the group a quartet. The group's final name was coined in 1988 by the Jungle Brothers, who attended the same high school as Q-Tip and Muhammad.^[3] Q-Tip made two separate appearances on the Jungle Brothers' classic debut album, Straight Out the Jungle; the songs "Black Is Black" and "In Time", respectively. Afrika Baby Bam of the group introduced Q-Tip to De La Soul when he took the aspiring artist along to a studio session for the recording of the remix for the group's song "Buddy". Produced by Prince Paul, the remix of "Buddy" was to be an all-round Native Tongue affair, and the eccentric producer encouraged Q-Tip to contribute to the now-classic record.

In early 1989 they signed a demo deal with Geffen Records and produced a five song demo which included later album tracks including "Description Of A Fool", "I Left My Wallet in El Segundo" and "Can I Kick It?". Geffen however, decided against offering the group a full-fledged recording contract and the group was granted permission to shop for a deal elsewhere while retaining the Geffen financed songs.

After receiving lucrative offers for multi-album deals from a variety of labels both big and small, the group showed early savvy in opting for a modest deal offered by Jive Records. Jive Records was then known as an independent rap label that specialized in, and owed its success to, building careers of artists like Boogie Down Productions and Too Short, as well as an emphasis on longevity and attention to grass-roots fan bases.^{[citation needed]}

[edit] People's Instinctive Travels and the Paths of Rhythm

In less than a year, and under the management of DJ Red Alert, the group released their first single, "Description of a Fool", to a lukewarm reception, and without a music video in advance of their debut album People's Instinctive Travels and the Paths of Rhythm. Similar to De La Soul's 3 Feet High and Rising, People's Instinctive Travels was marked by a playful lyrical approach (as on the call-and-response inspired "Can I Kick It?"), light-hearted content (safe sex, vegetarianism, youthful experiences), and to a lesser extent, an idiosyncratic sense of humor, free from much of the posturing of both hardcore hip hop, and the more left-wing aspects of conscious hip hop. Also of note, was the album's sample material, largely based around jazzy loops and snippets from artists such as Cannonball Adderley, Roy Ayers, Lou Reed, Rotary Connection, and Les McCann. Through these samples, the group employs the use of horns, Rhodes, bass guitar and vibes.

Although now critically acclaimed, at the time of its inception People's Instinctive Travels was met with mixed enthusiasm. Greg Tate of The Village Voice called the album "upliftingly dope" and "so sweet and lyrical, so user-friendly. You could play it in the background when you're reading Proust." The Source also gave it a positive reception, even awarding it a five-mic rating - the magazine's highest possible rating. It was only the third album ever to receive this rating.^{[citation needed]} However, Chuck Eddy of Rolling Stone wrote that the album "is one of the least danceable rap albums ever" and he went on to say "it's impossible to imagine how people will put this music to use."^[6]

The album largely offended the record buying public, and for the time being the group remained in the shadows of their Native Tongue brethren, Jungle Brothers, and De La Soul. It would gain some momentum only after the release of the singles "Bonita Applebum", "Can I Kick It?", and the group's later commercial success, eventually going gold six years after its release. After the release of the album, Jarobi left the lineup for personal reasons.The group soon changed its management from DJ Red Alert to Chris Lighty.

[edit] The Low End Theory

Following People's Instinctive Travels, the group continued to gather a loyal fan base through touring and guest appearances such as on De La Soul's "A Roller Skating Jam Named "Saturdays"". "Check the Rhyme" was the lead single from the group's landmark second album, The Low End Theory, released on September 24, 1991. Based around a sample from Average White Band's "Love Your Life", the song largely established the now familiar tag-team interplay between Q-Tip and Phife, as until then, most of the group's songs had only featured vocals by Q-Tip.

The two MCs, known for their engaging, and free-wheeling lyrical styles, began to focus on a range of social issues, from date rape ("The Infamous Date Rape") to consumerism ("Skypager"). The songs were noticeably shorter, more abrupt, and bass-heavy. Guests on the album included Leaders of the New School (which included Busta Rhymes), Brand Nubian, and Vinia Mojica. By now, the group had mastered their pursuits of rare records from which to sample or gain ideas and inspiration. Their innovative sampling, layering, and structuring of jazz records led many critics to label their style as jazz rap - a term which Q-Tip disapproved of, as although he felt it described groups such as Stetsasonic quite well, it misinterpreted Tribe themselves, who (aside from the song "Jazz (We've Got)") did not base most of their songs around the topic of jazz.

Helping to gain exposure was a performance of the single "Scenario" with Leaders of the New School on The Arsenio Hall Show at the time, at the height of its popularity. The performance was particularly memorable for the expressive energy of Busta Rhymes, and his famous "raow! raow! Like a dungeon dragon!" line^{[citation needed]}. Around this time, the group also began to make experimental and visually stylish music videos, one of the most memorable of which is the black-and-white promo clip for "Jazz (We've Got)", a duration of which is delegated to the song "Buggin' Out". This part of the video changes from black and white to color, and features the group members wearing prosthetics that make their eyeballs appear to be bulging out, relating to the song's theme about undergoing stressful situations.

Production wise, the album was a more confident effort than their debut, featuring less of a reliance on drum loops, and contributions from jazz great Ron Carter on upright bass. The album was produced by A Tribe Called Quest along with production from Skeff Anselm (co-production by A Tribe Called Quest), on two tracks. Producer Pete Rock also created the original rough draft version for "Jazz (We've Got)", and A Tribe Called Quest then recreated it. In contrast to most of the hip hop albums released in the early 90s, which featured rough beats that run at relatively fast tempos, such as the Bomb Squad-produced Amerikkka's Most Wanted, or the slow menacing funk beats of Dr. Dre's The Chronic, The Low End Theory featured low-key, bass-heavy, and plodding beats which emphasized the pensive nature of the record. The recording sessions and mixing for the album was handled by renown record engineer Bob Power at Greene Street Studios, and Soundtrack Studios, in New York City.

On its release, the album was met with a bevy of praises. Rolling Stone said of the album: "Each time Q-Tip rhymes over Carter's bass lines, the groove just gets deeper."^[7] The publication also named it #154 among the Best 500 Albums of All Time, and also as one of the Essential Recordings of the 90's.^[8] Further praises were given by Spin who listed it among the 90 Greatest Albums of the '90s.^[9] The praises continue to the present day with Allmusic calling it "one of the best hip-hop albums in history", and "a record that sounds better with each listen."^[10] Pop Matters music editor Dave Heaton has this to say about the album:

Anything really worth writing about is nearly indescribable; that's the conundrum of writing about music. Any 30-second snippet of The Low End Theory will go further to convince of the album's greatness than anything I can write. I could easily write an entire book on this one album and still feel like I've hardly said anything. Still, I could do worse things with my time than try to capture even an iota of the enthusiasm I feel each time I play this album. The Low End Theory is a remarkable experience, as aesthetically and emotionally rewarding as any work of music I can think of.

^[11]

Among the accolades awarded to the album were:

• 5 Mic Album award from The Source (1990)
• #2 in Ego Trip's Hip Hop's 25 Greatest Albums by Year 1980-98 (1999)
• #53 in Blender's 100 Greatest American Albums of All time (2002)
• #56 in Pitchfork Media's Top 100 Favorite Records of the 1990s (2003)
• #154 in Rolling Stone's Best 500 Albums of All Time (2003)
• Spin Magazine
  • #32 in Top 90 Albums of the 90s (1999)
  • #38 in Top 100 Albums of the Last 20 Years (2005)
  • #87 in 100 Alternative Albums (1995)

Propelled by "Scenario", and positive word of mouth, The Low End Theory performed very well on the charts, being RIAA-certified gold on February 19, 1992 (it reached platinum status by 1995). It exceeded all expectations, most of all for an album that offered little to no concessions towards the mainstream. In the aftermath of their unqualified success, the group once again hit the road and contributed the song "Hot Sex" to the soundtrack for the Eddie Murphy vehicle Boomerang, in 1992.

Interrupting the proceedings was an encounter with new jack swing group Wreckx-N-Effect (W-N-E), who had taken an exception to some lines in the song "Jazz (We've Got)". Viewed as a premier new jack swing group, W-N-E had misinterpreted the following couplets by Phife as a sideway diss:

I'm all into my music cuz it's how I make papes

Tryin' to make hits, like Kid Capri mix tapes

Me sweat another? I do my own thing

Strictly hardcore tracks, not a new jack swing

The misunderstanding resulted in a melee in which Q-Tip sustained an injury to one of his eyes. Thus, during the shooting of the promo clip for "Hot Sex", he wore a ski mask to cover up the abrasion. Soon after, Q-Tip was chosen to play the part of Markell, Janet Jackson's ill-fated partner, in the John Singleton-directed drama Poetic Justice, which also starred Tupac Shakur. The minor part would nevertheless showcase Q-Tip's natural flair for acting and he would later receive offers for more diverse supporting roles. This film also allowed for a friendship to blossom between Q-Tip and Jackson, and the pair would go on to collaborate on her song "Got 'Til It's Gone", from her album The Velvet Rope, in 1997.

During the ascendancy of ATCQ, other Native Tongue members were experiencing career-lows. The Jungle Brothers, once the trailblazers of the collective, were now becoming disaffected with their label due to the under-promotion of their previous effort. In addition, they distanced themselves from the collective, and their music began to lean towards the emerging, European-influenced trip hop sub-genre. However, ATCQ appeared to be maintaining an ongoing relationship with De La Soul.

[edit] Midnight Marauders

Trugoy of De La Soul appeared on the refrain of "Award Tour", the group's lead single from their third album Midnight Marauders, released on November 9, 1993. Coming on the heels of The Low End Theory, the album was highly anticipated and many were anxious to see if the group could maintain their artistic integrity in light of their commercial success. Boosted by their raised profile, "Award Tour" became the group's highest charting single to date, and helped to land the album within the US Top Ten. The critics proved to be as enthusiastic about the new set as the fans were. Entertainment Weekly said the album "sounds as fresh as their first... rappers Phife and Q-Tip manage to hold attention without resorting to gun references or expletives..."^[12] NME called it their "most complete work to date"^[12] Likewise, Melody Maker said "A Tribe Called Quest have expanded their vision with a lyrical gravitas and a musical lightness of touch that has hitherto eluded them across a whole album".^[12] The album was voted #21 by The Village Voice in that year's Pazz & Jop Critics Poll.^[12]

Musically, Midnight Marauders built upon many of the ideas that were present on The Low End Theory, although the results were noticeably different, and the music was more immediate. Whereas Theory had been an exercise in subdued minimalism, and simplicity, the grooves found on Marauders are mostly up tempo, and full of charging drums, suave basslines, melodious riffs, complementary horns, and catchy hooks, all delivered in an efficient 50 minute time frame. The intermittent voice of a tour guide (the titular 'midnight marauder') also serves to add further cohesion to the album.

The group was now famous for their unique choices of sample material on their albums and Midnight Marauders was no exception. Lead single "Award Tour" contained an infectiously sunny loop taken from Weldon Irvine's "We Gettin' Down". Irvine, a little known but well-respected jazz virtuoso was enthused to have been sought by the group and lent his assistance towards the sampling of the song. Another outside musician to contribute to the record was Raphael Saadiq (credited as Raphael Wiggins) of Tony! Toni! Toné!, on the song "Midnight". Aside from the aforementioned, producers Large Professor, and Skeff Anselm handled two tracks - "Keep It Rollin'" and "8 Million Stories" respectively, the former also rapping over his production.

Lyrically, the album benefited from an even more confident duo in Phife Dawg and Q-Tip, whose nimble verbal interplay is utilized to its fullest on songs like "Electric Relaxation" and "Oh My God". Opening song "Steve Biko (Stir It Up)" - which includes the lines "You know that I'm the rebel, throwin' out the wicked like God did the Devil" - is named after the slain South African human rights activist and political revolutionary Steve Biko. Some of the other topics on the album are police harassment and nocturnal activity ("Midnight"), religious faith ("God Lives Through"), and hip hop itself, as on the song "We Can Get Down" where Phife asks:

How can a reverend preach, when a rev can't define

The music of our youth from 1979

We rap about what we see, meaning reality

From people bustin' caps and like Mandela being free

Not every MC be with the negativity

We have a slew of rappers pushin' positivity

Another song, the sometimes controversial "Sucka Nigga", deals with the candid use of the word "nigga". In the song, Q-Tip notes the negative purpose of the word but subsequently emphasizes its subjective nature when he says:

It means that we will never grow, you know the word dummy

Other niggas in the community think its crummy

But I don't, neither does the youth cause we

Em-brace adversity it goes right with the race

And being that we use it as a term of endearment

Niggas start to bug to the dome as where the fear went

The three singles for the album received memorable music videos, such as the one for second single "Electric Relaxation" which was shot in black and white, and takes place mostly in a diner. The song was the cause of an amusing mystery, as few people were certain of what is said during the hook, which is more or less mumbled out by Q-Tip (although there is now a consensus that the words are "relax yourself girl, please settle down"). The third single to be released was "Oh My God", the video for which showed the group in a neighborhood setting and surrounded by young fans. It also included a cameo by a typically manic Busta Rhymes. The group performed as one of a handful of rap acts at the 1994 Lollapalooza Festival, among acts such as The Smashing Pumpkins, Stereolab and The Verve.

Intermission and The Ummah[link]

Midnight Marauders remains A Tribe Called Quest's fastest-selling album; it was certified platinum on January 11, 1995, less than two years after its release (it had taken The Low End Theory about twice the amount of time to get such a certification). The album's success allowed the group a greater financial freedom and the members took a short break before the recording of their next album began. Q-Tip produced several tracks for other artists including "One Love" for Nas, "Illusions (Remix)" for Cypress Hill, and three tracks on the Mobb Deep album The Infamous. He also went through a religious awakening and converted to Islam. Tragedy would strike when an improperly disposed cigarette at a house party escalated into a full-blown fire, burning down his home, a vast record collection, and many works in progress. Friends and producers like Pete Rock and Large Professor helped him building up a record collection by donating records to him.

Phife, who rapped on "Oh My God" that he owned "more condoms than TLC", made cameo appearances on that group's hugely successful album, Crazy Sexy Cool, in 1994. He would also marry his fiancee and relocate to Atlanta, Georgia.

Ali Shaheed Muhammad worked on outside projects with artists such as D'Angelo (Brown Sugar), Shaquille O'Neal ("Where Ya At?"), and Gil Scott-Heron ("Don't Give Up"). The group contributed to The Show soundtrack in 1995, before returning the following year with their fourth album.

While on tour, Q-Tip's friend Amp Fiddler would introduce him to a young producer from Detroit named Jay Dee. The pair clicked immediately and Q-Tip took the talented newcomer under his wing, and introduced him to the rest of Tribe, who agreed to the idea of forming a production unit and having Jay Dee as member, albeit under the guise of "The Ummah" (Arabic for "the [worldwide] Muslim community"). The Ummah would now handle all the production on the rest of the group's albums, although they would credit the production crew whether a song was a team effort by the three or a solo work from one of the producers. This was also the case for remixes and outside production the three members worked on during the few years The Ummah was active.

[edit] Beats, Rhymes and Life

Beats, Rhymes and Life, the group's fourth album, was recorded during the turbulent East Coast-West Coast hip hop rivalry, which engulfed many rappers from both coasts and even some from in between. The group saw it fit to address these issues, a decision based partly on principle, but also probably based on the fact that, despite being from the East, they were well respected on both coasts. Cuts like "Get A Hold", and "Keep It Moving" contain references to the state of affairs, and are some of the most sober songs the group has ever recorded.

In addition to the heavier subject matter, The Ummah's production style was now a smoother (but darker) hybrid of the group's previous incarnations, where the snare possessed a much sharper crack on most tracks. Jay Dee, a big fan of the Tribe, appeared to have had a hand in re-shaping the sound, charting new rhythmic territory with songs like "Keep It Moving", or "Wordplay". While these new beats fit the album's direction, another ingredient left many puzzled. Consequence, Q-Tip's cousin, and an aspiring rapper, was present on no less than six songs, including the second single "Stressed Out", which caused only Consequence to think he had been officially added to the lineup. This factor only magnified Phife's slightly reduced participation. After their breakup, Phife Dawg would reveal how he had begun to lose interest in recording as a part of the group by the fourth album:

I really felt like with Midnight Marauders I came into my own. By the time when Beats, Rhymes and Life came out I started feelin' like I didn't fit in any more. Q-Tip and Ali had converted to Islam and I didn't. Music felt like a job; like I was just doin' it to pay bills. I never want my music to feel like just a job. They would schedule studio time at the last minute. I'd catch a plane from Atlanta to be in New York and when I got to the studio, no one would be there. They would have canceled the session without telling me. Seemed like the management was concerned with other folks not me. But I never lost my confidence.

^[13]

The album shot straight to #1 in the charts and went gold by the end of the year; it would go platinum by 1998. It was nominated for a Grammy Award for Best Rap Album, as was the lead single, "1nce Again", which received a nomination for Best Rap Performance by a Duo or Group. Critical reactions were largely divided but mostly positive. While some welcomed the new material, others found it to be a step below their past work. Rolling Stone called it "near-flawless", going on to say that "few hip-hop acts have so sharply captured the surreal quality that defines what it means to be African-American, a quality in which poker-faced humor and giddy tragedy play tag team with reality."^[14] The Source awarded it 4 out of 5 mics and called The Ummah "the most proficient in the rap game at using samples as instruments in themselves".^[14] Despite his apparent lack of motivation Spin thought Phife sounded "tougher and more playful than ever", while Melody Maker saw the album as "providing both their best and worst thus far", and "magnetic yet frustrating".^[14] In a 1998 farewell article in The Source, Questlove, drummer for The Roots, summarized the album's partially frosty reception:

1996 was full of memories whose soundtracks were more "gonna make you dance", whereas Tribe wanted "to make you think". Funny how if this was any other group there would be accolades galore. But by this time most attitudes were, "if Tribe ain't moving the world with each release, then we won't stand for nothing less."

Following Beats, Rhymes and Life, the group appeared on the Men in Black soundtrack with the song "Same Ol' Thing", and released, The Jam, a 4-track EP which included the aforementioned song, "Mardi Gras At Midnight" (with Rah Digga) and two songs from Beats, Rhymes and Life, "Get A Hold" and "Jam". 1997 also saw the first coming together of the three main Native Tongue groups since 1989, when the Jungle Brothers invited both Tribe and De La Soul to guest on "How Ya Want It We Got It", a cut from their album Raw Deluxe. The Ummah continued producing for a diverse range of artists such as Janet Jackson, Keith Murray, Faith Evans, and Whitney Houston.

[edit] The Love Movement and split

Prior to the unveiling of The Love Movement, the group announced that it would be their last album together. Fans were surprised, as the breakdown had been kept discreet. In an interview with The Source, the group cited their frustration with Jive Zomba as a significant factor in the breakup. Phife:

I felt like I was happy to be on, of course. It took me a minute to latch on to the business side of things, 'cause it was just a happy-go-lucky time. And then eventually, as time went on, it started to slap me in my face. But as far as record labels, or whoever, they're not gonna do us right... As far as our label, I really have no comment, duke.

The Love Movement was preceded by the fun-spirited "Find a Way"; a song memorable for its swirly otherworldly production and catchy staccato hook. It also received a stylish Paul Hunter-directed music video (the last video the group ever made). Musically, the somewhat somber tone of the previous album was largely absent and replaced by a familiar carefree optimism. Tracks like "Give Me", with Noreaga exemplify the group's approach for much of the album. Driven by a pulsing beat, the opening song "Start It Up" was perhaps even more minimal than anything found on The Low End Theory. Likewise, "Against The World" relies on little more than crisply mixed down drums and a two note bassline. The theme of the album was firmly focused around the topic of love; love for oneself, love for another, love for mankind, love in the face of hate.

Critical reception for The Love Movement was fairly positive, although some factions viewed the album as too subtle to be thoroughly effective. Rolling Stone, for example, remarked that "the mature, accomplished niceness of The Love Movement proves that the Tribe still have the skills – they're just short on thrills."^[15] The album was nominated for a Grammy Award for Best Rap Album, in 1999.

Solo ventures[link]

Q-Tip[link]

Under the management of Violator, Q-Tip launched a successful solo career, which saw two sizable hits ("Vivrant Thing", and "Breathe and Stop"), and the Gold-certified album Amplified, released in 1999. Some saw Q-Tip's arguably radio-friendly material as pandering to the mainstream; something his former group was highly respected for avoiding during their run. The album was produced by Q-Tip and Jay Dee (as The Ummah), and DJ Scratch.

After Amplified, Q-Tip changed directions and recorded 2002's Kamaal the Abstract, an album which saw him in the role of singer and bandleader. Unlike his work with Tribe, or even his own solo work, Kamaal was constructed around live music, and "abstract" song concepts, all orchestrated by Q-Tip himself. Unfortunately, Arista Records refused to release the album, fearing it would be unmarketable coming from a rapper. Undeterred, Q-Tip recorded 2005's Open, a slightly more accessible album, featuring contributions from André 3000, Common, and D'Angelo. Once again, the record was rejected by Arista, after which Q-Tip left the label. He subsequently signed to Motown/Universal and released the largely self-produced The Renaissance in late 2008.^[16]

Phife Dawg[link]

Ironically, the most notable of Q-Tip's critics was Phife, who took his former partner to task on his solo album Ventilation: Da LP, released in 2000. The Hi-Tek-produced lead single, "Flawless", contained the lines "Go 'head, play yourself with them ho-like hooks / sing ballads if it's all about the Maxwell look" (Maxwell was one of the founding fathers of neosoul). Ventilation also included production by Jay Dee and Pete Rock. Q-Tip and Phife soon patched up their differences. Since then, Phife, who is diabetic, has maintained a relatively low-profile whilst recording his long delayed follow-up album, Songs In The Key Of Phife: Volume 1 (Cheryl's Big Son).

Ali Shaheed Muhammad[link]

Teaming up with two other artists from former groups, Raphael Saadiq of Tony! Toni! Toné!, and Dawn Robinson of En Vogue, Ali Shaheed's next project was the "supergroup" Lucy Pearl. The group scored a huge hit single with "Dance Tonight", and a warm hit with "Don't Mess With My Man", and their one and only self-titled album was certified Gold a few months after its release in 2000. Following a dispute between Saadiq and Robinson, the latter left the group and was replaced by Joi, however this new incarnation would only last for the remainder of touring. Ali Shaheed then focused on developing a stable of artists, most of whom were showcased on his debut solo album Shaheedullah and Stereotypes, released independently in 2004.

Reunion[link]

The group first reunited on November 13, 2004, headlining the Rock the Bells concert held in the Angels Stadium parking lot in Anaheim, California. This was the night that Ol' Dirty Bastard died, and as such the group opened up with a 10-minute tribute set to the Wu-Tang Clan and continued a 2-hour highly energetic show.

In 2006, the group reunited and performed several sold-out concerts in the U.S., Canada and Mexico. A Tribe Called Quest was a co-headliner at the 2006 Bumbershoot festival in Seattle, but have not announced any plans to release a new album. The group is also appearing in 2K Sports' Bounce Tour promoting the NBA 2K7 game and a remix of their song, "Lyrics to Go", which is included in the game. According to Phife, ATCQ plans to release an album since they owe Jive Records one more in their six album contract. The date of its release is still unconfirmed, and Phife has urged fans to hold on as the group does not wish to release an LP which might damage their reputation. Speaking about the possibility of a new album showing up soon, Phife said:

Man, we was only 18-19 when we first got started. [When] We broke up we were still like 28. Now we are 35-36. It'd be real different being in the studio. It would be real interesting to see where Q-Tip is. It would all be on a much higher level. But we are all into such different stuff from way back then. We’d need at least a solid month to work on something. Trying to get all of us together for that much time… I don’t see that happening.

^[13]

ATCQ was the headlining act in 2008 at the Rock the Bells series of concerts,^[17] and were also co-headliners on the 2010 Rock the Bells festival series, alongside Snoop Dogg and Wu-Tang Clan.

Film[link]

The group was the subject of a 2011 documentary entitled Beats, Rhymes & Life: The Travels of a Tribe Called Quest, directed by Michael Rapaport.

Discography[link]

Albums[link]

• 1990: People's Instinctive Travels and the Paths of Rhythm
• 1991: The Low End Theory
• 1993: Midnight Marauders
• 1996: Beats, Rhymes and Life
• 1998: The Love Movement

Compilations[link]

• 1992: Revised Quest for the Seasoned Traveller
• 1999: The Anthology
• 2003: Hits, Rarities & Remixes
• 2006: The Lost Tribes

References[link]