An editorial, leading article (UK), or leader (UK) is an opinion piece written by the senior editorial staff or publisher of a newspaper or magazine. Editorials are usually unsigned and may be supposed to reflect the opinion of the periodical. In Australian and major United States newspapers, such as the New York Times^[1] and the Boston Globe,^[2] editorials are often classified under the heading "opinion".

Editorials may also be in the form of editorial cartoons.^[3]

Typically, a newspaper's editorial board evaluates which issues are important for their readership to know the newspaper's opinion.^[4]

Editorials are typically published on a special page dedicated to them, called the editorial page, which often also features letters to the editor from members of the public; the page opposite this page is called the op-ed page and frequently contains opinion pieces by writers not directly affiliated with the publication. However, a newspaper may choose to publish an editorial on the front page. In most English language press, this is done only rarely and on topics considered especially important; however, it is more common in some European countries such as Italy and France.^[5]

In the field of fashion publishing especially, the term has been adapted to usually refer to photo-editorials in particular – features with often full-page photographs on a particular theme, designer, model or other single topic, with or (as a photo-essay) without accompanying text.^[6]

References[link]

External links[link]

Look up editorial in Wiktionary, the free dictionary.

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The Holidays
The Holidays
Background information
Origin	Sydney, Australia
Genres	Indie rock, Pop rock, Soul
Years active	2006 - present
Labels	Liberation (Australia), Rallye Label (Japan)
Website	Official Website Myspace
Members
Simon Jones Will Magnus Alex Kortt Andrew Kerridge

The Holidays are an Australian indie pop/soul band. Formed in Sydney in 2006, the band consists of Simon Jones, Will Magnus, Alex Kortt and Andrew Kerridge. The band is most notably known for their Australian Music Prize nominated debut album Post Paradise.

Biography[link]

The Holidays formed in late 2006 and quickly established themselves in the Sydney music scene as an upbeat, energetic addition. Simon Jones & Will Magnus had attended high school together, previously playing in cover bands in their schools' band competition. They were often up against the band Roger Explosion in these competitions, who went on to become the Australian electro-pop band Art vs. Science.

Within their first year as a band together, The Holidays toured with Jamie T,^[1] with The View,^[2] with Ben Kweller,^[3] and recorded an EP of demos which quickly sold out at gigs and received regular airplay on radio stations both in Australia^[4] and in the USA. In November 2007 The Holidays were featured on the Next Crop segment of national youth radio station Triple J,^[5] soon followed by their signing with independent Australian record label Liberation Music, in early 2008.

The Holidays released their debut EP on 19 April 2008 to positive reviews^[6] which was followed by a substantial national tour to promote the release. They released their second EP "When The Ship Goes Down" in October 2008, which showed the band's natural progression with song-writing. Recorded with Wayne Connolly of The Vines and Josh Pyke fame, this EP was followed by a 20 date national tour, co-headlining with Brisbane band Yves Klein Blue.

The Holidays' debut album Post Paradise soon followed, after several months of writing and experimenting. Drawn away from the simplicity of their earlier indie guitar manifestation, Post Paradise showed the bands development with both the groove and layers of a song, combined with their recognizable pop hooks. This album differed from previous recordings by The Holidays' in that it was self-produced and recorded in various locations around Sydney and New South Wales.

"Moonlight Hours", the first single from their debut album was taken to radio in November 2009, and added to high rotation on national youth radio station Triple J. "Golden Sky" was the second single from The Holidays debut album, released in May 2010, which was followed by an east coast tour of Australia to promote the release. There is a music video for both these singles, made by Melbourne company Moop Jaw.

"Post Paradise" was released in Australia on 24 September 2010, in conjunction with third single, Broken Bones, which was added to radio nationally. The album has received very positive reviews since its release, which included amongst other reviews, being shortlisted for the Australian Music Prize and winning the Red Bull Award for Best Debut Album. Post Paradise also received "Album of the Week" in Drum Media, Beat Magazine, BMA Mag & The Brag,^[7] 4.5 stars in The Herald Sun, The Daily Telegraph & The Courier Mail, as well as positive reviews in The Age & The Sydney Morning Herald. Post Paradise won The Age Readers Choice Best Album of 2010,^[8] and was the Triple J Feature Album for the week commencing 26 December 2010.

The Holidays toured Post Paradise substantially in 2010 and 2011, including shows at SXSW in Austin, Texas, The Great Escape Festival in Brighton, UK, and Australian festivals including Groovin' the Moo, Laneway Festival and Splendour in the Grass. The Holidays' current live show incorporates a fifth touring member, David Zucker as percussionist, as well occasional backing vocalists.

Members[link]

• Simon Jones - Vocals, Guitar, Keys, Production
• Will Magnus - Lead Guitar, Keys
• Alex Kortt - Bass Guitar
• Andrew Kerridge - Drums, Percussion, Supreme Aficionado

Touring[link]

• Toured with Jamie T in May 2007
• Toured with The View in June 2007
• Toured with Ben Kweller in October 2007
• Played nationally at the 2008 St Jerome's Laneway Festival
• Toured with The Wombats in March 2008
• Toured with Lightspeed Champion in July 2008
• Played at Homebake 2008
• Played at Falls Festival 2008
• Toured with Bluejuice in April 2010
• Played at St Jerome's Laneway Festival 2011 across Australia
• Played at SXSW in Austin, Texas in March 2011
• Played at the Groovin' the Moo Festival across Australia in May 2011
• Toured with Cut Copy in Australia in May 2011
• Played at The Great Escape Festival in Brighton, and Dot to Dot Festival across the UK in May 2011
• Played at Splendour In The Grass in August 2011.
• Played at the inaugural Harvest Festival in Melbourne, Sydney & Brisbane in November 2011 along with The Flaming Lips, Portishead and Tv on the Radio.

Discography[link]

Albums[link]

• Post Paradise (Australia - 24 September 2010, Japan - January 2011)

EPs[link]

• The Holidays (19 April 2008)
• When The Ship Goes Down (11 October 2008)
• Golden Sky (Australia - May 2010, UK - August 2010 )

Singles[link]

• Moonlight Hours (December 2009)
• Golden Sky (May 2010)
• Broken Bones (September 2010)
• 2 Days (February 2011)

Awards & Nominations[link]

• 2010 The Age EG Award - Readers Choice Best Album of 2010 - Won
• 2010 Australian Music Prize - Nominated
• 2010 Australian Music Prize - Red Bull Award for Best Debut Album - Won
• 2011 Jägermeister Independent Music Awards - Breakthrough Independent Artist of the Year - Nominated

Further information[link]

• The Holidays song 'Telephone' was featured on an Australian television advertising campaign for Clearasil in late 2007.
• The Holidays song 'Golden Sky' was used in the Channel 7 summer 2010/2011 advertising campaign.
• Simon Jones collaborated & sung vocals with Australian dance duo Bag Raiders on the track 'Not Over' from their eponymous debut album.

References[link]

PHASE 2 (aka Lonny Wood)^[1] is one of the most influential and well known New York City aerosol artists. Mostly active in the 1970s, Phase 2 is generally credited with originating the "bubble letter" style of aerosol writing, also known as "softies".^[2] He was also influential in the early hip-hop scene.

Graffiti career[link]

Phase 2 is from The Bronx, and attended DeWitt Clinton High School along with a number of other early graffiti artists. Many famous graffiti writers of the early 1970s would meet at a doughnut shop across from the school called the Coffee Shop before heading down to the subway station at 149th Street and Grand Concourse to watch tagged trains on the IRT line pass by.^[3] Phase 2 was mentored in graffiti by his friend and neighbor Thomas Lee aka Lee 163d!, one of the pioneers of graf writing in The Bronx.^[2]

He began writing in late 1971 under the name Phase 2, a moniker which had a rather mundane provenance. As Phase 2 would later recall, "the previous year we'd given this party. We were getting ready to give another one and I said, 'We'll call this one Phase Two.' I don't know why, but I was stuck on the name. It had meaning for me. I started writing 'Phase 2.'"^[4]

Part of the appeal of graffiti writing for Phase 2 was that it allowed him to get his "name" known yet remain anonymous.^[5] He noted later that tagging provided disadvantaged urban teens "the only significant vehicle to represent their 'existence.'"^[6]

It was in late 1972 that Phase 2 first used an early version of the "bubble letter" or "softie", a style of graffiti writing which would become extremely influential and is considered a "giant leap" in the art form.^[2] The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations. Phase himself quickly embellished on his original form, creating and naming dozens of varieties of softies such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip."^[7] He is also credited with pioneering the use of arrows in graf writing around this same time.^[8] Hip-hop journalist Jeff Chang has noted that Phase 2's canvasses from 1973 have "been widely recognized as defining the early genre."^[9]

Over time Phase's work become more and more complex, moving far away from the simple tags of the early 70s to "hieroglyphical calligraphic abstraction."^[5] Chang points out that much of Phase's work involved "deconstructing the letter", transforming characters in the alphabet "into hard lines, third eyes, horns, drills, spikes, Egyptian pharaohs and dogs, pure geometrics."^[9] Another New York graffiti artist, Vulcan, remarked that "one of the things about Phase is that he was the only person at the time whose name could roll by ten times and each piece was different. That's what you noticed about his [work]."^[5]

In 1974 Phase 2 joined the newly created United Graffiti Artists, a professional graffiti collective which began to attract media attention. He was featured in an important essay on graffiti art by Richard Goldstein which appeared in New York magazine and inspired a new generation of graffiti artists.^[2]

In the 1980s, Phase 2 began publishing International Graffiti Times, the first zine about graffiti writing.^[10]

Influence in hip-hop[link]

Unlike some other pioneers of New York City graffiti, Phase 2 had a prominent role in The South Bronx hip-hop scene in the early 1980s. He also continues to be referenced in hip-hop songs.

Phase participated in the legendary hip-hop shows organized by Kool Lady Blue during the summer of 1982 at the Roxy nightclub in the Chelsea neighborhood of Manhattan. These shows brought together the top DJ's, MC's, breakers, and aerosol artist from The South Bronx and introduced hip-hop music and culture to the downtown punk and new wave scenes. Phase 2 designed the flyers for these events and often did aerosol pieces live on stage.^[11] He was also part of the first "international" hip-hop tour when stars from the Roxy performances toured in England and France in November of that year.^[12]

Phase 2 was one of the few aerosol artists to be involved in the musical side of hip-hop culture as well. He had a background as a DJ in the very early days of hip-hop, though he never made a name for himself in that role.^[13] In 1982, as part of his involvement with the Roxy scene, Phase released two rap singles. "Beach Boy" was a collaboration with Barry Michael Cooper, who would later co-write the script for New Jack City. "The Roxy" featured the Bill Laswell-led group Material and Grandmixer D.ST, though Phase 2 would later remark that he was disappointed in the song and felt that it "wasn't done properly."^[13][14]

Phase was also an early b-boy and claims that his dance crew pioneered the uprock (or "battle rock") style of dance despite claims that it originated in Brooklyn.^[13] He was thus actively involved in all of the traditional "four elements" of hip-hop culture.

Though he did not have a role in the production, Phase 2 did apparently influence the classic early hip-hop movie Wild Style. In the DVD commentary for the film, director Charlie Ahearn explained that, when thinking about the key character named "Phade", he had Phase 2 in mind (either to actually play the part or simply as a model) because Phase was a legendary graffiti writer from the past who was also involved in the hip-hop scene, as was the character of Phade. The role would ultimately be played by Fab 5 Freddy, himself a graffiti artist who along with Ahearn was the major creative force behind Wild Style. Phase 2 did take on an official role in another early hip-hop film when he worked as a graffiti consultant on the 1984 movie Beat Street.^[15]

In his 1995 song "Out for Fame" - an homage to graffiti artists and culture - KRS-One implores his audience "in the name of Phase 2" and fellow Bronx graffiti legend Stay High to "grab your cans and hit the streets." Several years later Mos Def mentioned Phase 2 on his widely respected debut album Black on Both Sides, specifically on the track "Hip Hop", in which he noted that hip-hop itself was "all city like Phase 2" - presumably a reference to the ubiquity of Phase 2's graffiti pieces on trains throughout the city during the early 1970s. In 1996, he appeared in the song I Messaggeri Pt.I contained in italian artist Neffa's album I Messaggeri della Dopa.

References[link]

Works cited[link]

• George, Nelson Buppies, B-boys, Baps & Bohos: Notes on Post-Soul Black Culture. Da Capo Press. 2001. ISBN 0-306-81027-1. 
• Chang, Jeff (2005). Can't Stop Won't Stop: A History of the Hip-Hop Generation. Picador. ISBN 0-312-42579-1.
• Castleman, Craig (1982). Getting Up: Subway Graffiti in New York. MIT Press. ISBN 0-262-53051-1. 

External links[link]

• Adam Mansbach interview with PHASE 2
• "Writer of the Storm", Raw Vision interview with PHASE 2

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