Ken Burns
Ken Burns, September 2007
Born	Kenneth Lauren Burns (1953-07-29) July 29, 1953 (age 58) Brooklyn, New York
Years active	1981–present
Spouse	Amy Stechler Burns (1982–1993) Julie Deborah Brown (2003–present)

Kenneth Lauren "Ken" Burns^[1] (born July 29, 1953)^[2] is an American director and producer of documentary films, known for his style of using archival footage and photographs. Among his productions are The Civil War (1990), Baseball (1994), Jazz (2001), The War (2007), The National Parks: America's Best Idea (2009) and Prohibition (2011).

Burns' documentaries have been nominated for two Academy Awards, and have won Emmy Awards, among other honors.

Biography[link]

Early life and career[link]

Ken Burns was born in 1953 in Brooklyn, New York City, New York, according to his official website,^[3] though some sources give Ann Arbor, Michigan,^[4] and some, including The New York Times, give both Brooklyn and Ann Arbor.^[1][5] The son of Lyla Smith (née Tupper) Burns,^[6] a biotechnician,^[7] and Robert Kyle Burns, at the time a graduate student in cultural anthropology at Columbia University, in Manhattan.^[6] Ken Burns' brother is the documentary filmmaker Ric Burns.

Burns' academic family moved frequently, and lived in Saint-Véran, France; Newark, Delaware; and Ann Arbor, where his father taught at the University of Michigan.^[7] Burns' mother was diagnosed with breast cancer when Burns was 3, and died when he was 11,^[7] a circumstance that he said helped shape his career; he credited his father-in-law, a psychologist, with a signal insight: "He told me that my whole work was an attempt to make people long gone come back alive.".^[7] Well-read as a child, he absorbed the family encyclopedia, preferring history to fiction. Upon receiving an 8 mm film movie camera for his 17th birthday, he shot a documentary about an Ann Arbor factory. Turning down reduced tuition at the University of Michigan, he attended the new Hampshire College, an alternative school in Amherst, Massachusetts with narrative evaluations rather than letter grades and self-directed academic concentrations instead of traditional majors.^[7] He worked in a record store to pay his tuition.^[7]

Studying under photographers Jerome Liebling and Elaine Mayes and others, Burns earned his Bachelor of Arts degree in film studies and design^[2] in 1975. At 22, upon graduation, he co-founded with two college friends Florentine Films^[2] in Walpole, New Hampshire.^[3][5] As of 2010, there is a Ken Burns Wing at the Jerome Liebling Center for Film, Photography and Video at Hampshire College.^[8] He worked as a cinematographer for the BBC, Italian television, and others, and in 1977, after having completed some documentary short films, he began work on adapting David McCullough's book The Great Bridge, about the construction of the Brooklyn Bridge.^[2] Developing a signature style of documentary filmmaking in which he "adopted the technique of cutting rapidly from one still picture to another in a fluid, linear fashion. He then pepped up the visuals with 'first hand' narration gleaned from contemporary writings and recited by top stage and screen actors",^[5] he made the feature documentary Brooklyn Bridge (1981) which earned an Academy Award nomination for Best Documentary and ran on PBS in the United States.

Following another documentary, The Shakers: Hands to Work, Hearts to God (1984), Burns was Oscar-nominated again for The Statue of Liberty (1985).

Later life and career[link]

He went on to a long, successful career directing and producing well-received television documentaries and documentary miniseries on subjects as diverse as politicians (Thomas Jefferson, 1997), sports (Baseball, 1994, updated with 10th Inning, 2010), music (Jazz, 2001), arts and letters (Thomas Hart Benton, 1988, Mark Twain, 2001), historical technology and mass media (Empire of the Air: The Men Who Made Radio, 1991), and war (the 15-hour World War II documentary The War, 2007, and the 11-hour The Civil War, 1990, which All Media Guide says "many consider his 'chef d'oeuvre'").^[5]

Personal life[link]

In 1982, Burns married Amy Stechler, with whom he had two daughters, Sarah and Lily,^[2] born circa 1983 and 1987, respectively.^[4] That marriage ended in divorce.^[9] As of 2011, Burns resides in Walpole, New Hampshire, with his second wife, Julie Deborah Brown, whom he married on October 18, 2003.^[9]

Politics[link]

Burns is a longtime supporter of the Democratic Party, with almost $40,000 in political donations.^[10] In 2008, the Democratic National Committee chose Burns to produce the introductory video for Senator Edward Kennedy's August 2008 speech to the Democratic National Convention, a video described by Politico as a "Burns-crafted tribute casting him [Kennedy] as the modern Ulysses bringing his party home to port."^[11][12] In August 2009 Kennedy died, and Burns produced a short eulogy video at his funeral. In endorsing Barack Obama for the U.S. presidency in December 2007, Burns compared Obama to Abraham Lincoln.^[13] He said he had planned to be a regular contributor to Countdown with Keith Olbermann on Current TV.^[14]

Awards and honors[link]

• 1982 nomination, Academy Award for Documentary Feature: Brooklyn Bridge (1981)
• 1986 nomination, Academy Award for Documentary Feature: The Statue of Liberty (1985)
• 1995 Emmy Award for Outstanding Informational Series: Baseball' (1994)
• 2010 Emmy Award for Outstanding Non-fiction Series: The National Parks: America's Best Idea (2009)

Burns is the recipient of more than 20 honorary degrees.^{[citation needed]}

The Civil War has received more than 40 major film and television awards,^{[citation needed]} including two Emmy Awards, two Grammy Awards, the Producer of the Year Award from the Producers Guild of America, a People's Choice Award, a Peabody Award, a duPont-Columbia Award, a D.W. Griffith Award, and the $50,000 Lincoln Prize.

Style[link]

Burns frequently incorporates simple musical leitmotifs or melodies. For example, The Civil War features a distinctive violin melody throughout, "Ashokan Farewell", which was performed for the film by the musician Jay Ungar. One critic noted, "One of the most memorable things about The Civil War was its haunting, repeated violin melody, whose thin, yearning notes seemed somehow to sum up all the pathos of that great struggle."^[15]

Burns often gives "life" to still photographs by slowly zooming in on subjects of interest and panning from one subject to another. For example, in a photograph of a baseball team, he might slowly pan across the faces of the players and come to rest on the player who is the subject of the narrator. This technique, possible in many professional and home software applications, is termed "The Ken Burns Effect" in Apple's iPhoto and iMovie software applications.

As a museum retrospective noted, "His PBS specials [are] strikingly out of step with the visual pyrotechnics and frenetic pacing of most reality-based TV programming, relying instead on techniques that are literally decades old, although Burns reintegrates these constituent elements into a wholly new and highly complex textual arrangement."^[2]

In a 2011 interview, Burns stated that he admires and is influenced by filmmaker Errol Morris.^[16]

Filmography[link]

• Brooklyn Bridge (1981)
• The Shakers: Hands to Work, Hearts to God (1984)
• The Statue of Liberty (1985)
• Huey Long (1985)
• The Congress (1988)
• Thomas Hart Benton (1988)
• The Civil War (1990)
• Empire of the Air: The Men Who Made Radio (1991)
• Baseball (1994), updated with the 10th Inning (2010)
• Thomas Jefferson (1997)
• Lewis & Clark: The Journey of the Corps of Discovery (1997)
• Frank Lloyd Wright (1998)
• Not For Ourselves Alone: Elizabeth Cady Stanton and Susan B. Anthony (1999)
• Jazz (2001)
• Mark Twain (2001)
• Horatio's Drive: America's First Road Trip (2003)
• Unforgivable Blackness: The Rise and Fall of Jack Johnson (2005)
• The War (2007)
• The National Parks: America's Best Idea (2009)
• Prohibition, with Lynn Novack (2011)^[17]

Future releases

• The Dust Bowl (scheduled for 2012)^[18]
• The Central Park Five (2013)^[19]
• The Roosevelts (2014)^[19]
• Jackie Robinson (2015)^[19]
• Vietnam (2016)^[20]
• Country Music (2018)^[20]
• Ernest Hemingway (2019)^[20]

Under Burns's name only

• The West (1996) (Executive producer; directed by Stephen Ives)

Short films

• William Segal (Biography) (1992)
• Vezelay (1996)
• In the Marketplace (2000)

Film roles

• Gettysburg (1993)—Hancock's staff officer

References[link]

External links[link]

Wikimedia Commons has media related to: Ken Burns

• Florentine Films—Ken Burns's production company
• Ken Burns at AllRovi
• Ken Burns at the Internet Movie Database
• Ken Burns at MyNorthwest.com
• Ken Burns on PBS
• Ken Burns bibliography
• Speaking Profile—Ken Burns's profile and lecture topics on the Random House Speakers Bureau

Interviews[link]

• Ken Burns interviewed on Conversations from Penn State
• Blue Ridge Country—Ken Burns: The Interview with Blue Ridge County Magazine
• "Ken Burns". WriteTV.org, The Oklahoma Center for Poets and Writers, Oklahoma State University–Tulsa. Undated. http://ra.okstate.edu/osu_tulsa/WritingOutLoud/KenBurns/video.htm. 
• "Ken Burns". Interview, Archive of American Television. October 19, 2007. Archived from the original on July 25, 2011. http://www.emmytvlegends.org/interviews/people/ken-burns. Retrieved September 23, 2011. 

Elizabeth Warren (born June 22, 1949) is an American bankruptcy law expert, policy advocate, Harvard Law School professor, and Democratic Party candidate in the 2012 United States Senate election in Massachusetts. She has written several academic and popular books concerning the American economy and personal finance. She contributed to the oversight of the 2008 U.S. bailout program, and also led the conception and establishment of the Consumer Financial Protection Bureau.

Born in Oklahoma City, Oklahoma, Warren attended The George Washington University and the University of Houston. She received a J.D. from Rutgers School of Law–Newark in 1976. Warren taught law at several universities and was listed by the Association of American Law Schools as a minority law professor throughout the 1980s and 1990s. In the wake of the U.S. financial crisis, Warren served as chair of the Congressional Oversight Panel created to oversee the Troubled Assets Relief Program in 2008. She later served as Assistant to the President and Special Advisor to the Secretary of the Treasury for the Consumer Financial Protection Bureau under U.S. President Barack Obama.

Early life and education[link]

Elizabeth Herring^[1] was born June 22, 1949,^[2] in Oklahoma City, Oklahoma, to working class parents Pauline (née Reed) and Donald Jones Herring.^[3][4][5] She was the Herrings' fourth child, with three older brothers.^[6] When Warren was twelve, her father, a janitor, had a heart attack, which led to a pay cut, medical bills, and eventually the loss of their car. Her mother answered phones at Sears and Warren worked as a waitress.^[6][7]

At Northwest Classen High School she was named "Oklahoma's top high-school debater". She received a debate-team scholarship to George Washington University at the age of 16. Initially aspiring to be a teacher, she left GWU after two years to marry her high-school boyfriend Jim Warren.^[6][8] She moved to Houston to be with her husband, who was a NASA engineer. There she enrolled in the University of Houston where she graduated in 1970 with a degree in speech pathology and audiology.^[9] She taught children with disabilities for a year in a public school. However, she had not taken the required education courses to get a teaching certificate (she previously taught under an "emergency certificate"). After taking several graduate education courses, she decided she no longer wanted to pursue education as a career. She and her husband moved to New Jersey and since she was pregnant with their first child, she decided to stay at home for a few years.^[10][11][12]

After making a decision to study law, Warren enrolled at the Rutgers School of Law–Newark,^[10] where she served as an editor of the Rutgers Law Review, and was a summer associate at Cadwalader, Wickersham & Taft's.^[13] Shortly before her graduation in 1976, she became pregnant with her second child and she worked from home, writing wills and doing real estate closings.^[8][10]

She and Jim had two children before divorcing in 1978: Amelia Warren Tyagi, with whom Elizabeth would later coauthor two books and several articles, and a son, Alexander Warren. Today they have three grandchildren.^[14] In 1980, Warren married Bruce Mann, also a Harvard law professor. She cites Methodist founder John Wesley as an inspiration.^[15]

Academic career[link]

Throughout the 1980s and 1990s she taught law at several universities throughout the country, while researching bankruptcy and middle-class personal finance.^[10] In 1978 Congress had passed a law that made it easier for companies and individuals to declare bankruptcy and Warren decided "to set out to prove they were all a bunch of cheaters... I was going to expose these people who were taking advantage of the rest of us". However, she instead found that the vast majority of those in bankruptcy courts were from hardworking middle-class families: people who had lost their jobs or had family breakups or illnesses that had wiped out their savings. "It changed my vision," she said.^[6]

According to her CV, she taught at the Rutgers School of Law–Newark (1977–78), the University of Houston Law Center (1978–83), the University of Michigan (visiting, 1985), and the University of Texas School of Law (1981–87). She also worked as a research associate at the University of Texas at Austin (1983–87). She joined the University of Pennsylvania Law School in 1987, where she became the William A Schnader Professor of Commercial Law in 1990. She joined Harvard Law School in 1992 as the Robert Braucher Visiting Professor of Commercial Law, and began a permanent position as the Leo Gottlieb Professor of Law in 1995.^[16]

In 1995 Warren was asked to advise the National Bankruptcy Review Commission. She helped to draft the commission's report and then spent several years opposing legislation meant to severely restrict the right of consumers to file for bankruptcy. Warren and others opposing the legislation were not successful and in 2005 the Bankruptcy Abuse Prevention and Consumer Protection Act of 2005 was passed by Congress.^[17]

Warren appeared in the documentary film Maxed Out in 2006, has appeared several times on Dr. Phil to talk about money and families, has been a guest on The Daily Show,^[18] is interviewed frequently on cable news networks,^[19] appears in Michael Moore's Capitalism: A Love Story, has appeared on the Charlie Rose talk show,^[20] and has appeared on the Real Time With Bill Maher talk show.^[21] She has also appeared on the PBS show NOW.^[22]

Warren in 2010 at a Women in Finance symposium held at the U.S. Treasury.

From November 2006 to November 2010, Warren was a member of the FDIC Advisory Committee on Economic Inclusion, which advises the FDIC "on important initiatives focused on expanding access to banking services by underserved populations".^[23] She is a member of the National Bankruptcy Conference, an independent organization which advises the U.S. Congress on bankruptcy law.^[24] She is a former Vice-President of the American Law Institute and a member of the American Academy of Arts and Sciences. From 2005 to 2008, Warren and her law students wrote a blog called Warren Reports, part of Josh Marshall's TPMCafe.

Popular works[link]

In addition to writing more than 100 scholarly articles and six academic books, Warren has written several best-selling books, including All Your Worth: The Ultimate Lifetime Money Plan, coauthored with her daughter, Amelia Tyagi.

Warren and Tyagi also wrote The Two-Income Trap: Why Middle-Class Mothers and Fathers Are Going Broke. Warren and Tyagi point out that a fully employed worker today earns less inflation-adjusted income than a fully employed worker did 30 years ago. To increase their income, families have sent a second parent into the workforce. Although families spend less today on clothing, appliances, and other consumption, the costs of core expenses such as mortgages, health care, transportation, and child care have increased dramatically. The result is that even with two-income earners, families are no longer able to save and have incurred greater and greater debt.

In an article in The New York Times, Jeff Madrick said of Warren's book:

The upshot is that two-income families often have even less income left over today than did an equivalent single-income family 30 years ago, even when they make almost twice as much. And they go deeper in debt. The authors find that it is not the free-spending young or the incapacitated elderly who are declaring bankruptcy so much as families with children... their main thesis is undeniable. Typical families often cannot afford the high-quality education, health care and neighborhoods required to be middle class today. More clearly than anyone else, I think, Ms. Warren and Ms. Tyagi have shown how little attention the nation and our government have paid to the way Americans really live.^[25]

In an article in Time magazine by Maryanna Murray Buechner, "Parent Trap" (subtitled "Want to go bust? Have a kid. Educate same. Why the middle class never had it so bad"), Buechner said of Warren's book:

For families looking for ways to cope, Warren and Tyagi mainly offer palliatives: Buy a cheaper house. Squirrel away a six-month cash cushion. Yeah, right. But they also know that there are no easy solutions. Readers who are already committed to a house and parenthood will find little to mitigate the deflating sense that they have nowhere to go but down.^[26]

In 2005, David Himmelstein and Warren published a study on bankruptcy and medical bills,^[27] which said that half of all families filing for bankruptcy did so in the aftermath of a serious medical problem. The finding was particularly noteworthy because 75 percent of families who fit that description had medical insurance.^[28] This study was widely cited in academic studies and policy debates, though some have challenged the study's methods and offered alternative interpretations of the data.^[29]

TARP oversight[link]

On November 14, 2008, Warren was appointed by United States Senate Majority Leader Harry Reid to chair the five-member Congressional Oversight Panel created to oversee the implementation of the Emergency Economic Stabilization Act.^[30] The Panel releases monthly oversight reports that evaluate the government bailout and related programs.^[15] The Panel's monthly reports under Warren's leadership covered foreclosure mitigation, consumer and small business lending, commercial real estate, AIG, bank stress tests, the impact of the Troubled Asset Relief Program (TARP) on the financial markets, government guarantees, the automotive industry, and many other topics. The Panel has also released special reports on financial regulatory reform and farm loans. For each report, Warren released a video on the Congressional Oversight Panel's website explaining key findings.^[a]

In an interview at Newsweek, Warren commented, "To restore some basic sanity to the financial system, we need two central changes: fix broken consumer-credit markets and end guarantees for the big players that threaten our entire economic system."^[31]

On July 29, 2011, she left her role with the agency to return to academic life at Harvard Law School. Her departing address indicated how she first became involved:

Four years ago, I submitted an article to Democracy Journal that argued for a new government agency called the Financial Product Safety Commission. I threw myself into that piece because I felt strongly that a new consumer agency would make the credit markets work better for American families and strengthen the economic security of the middle class... I leave this agency, but not this fight... the issues we deal with – a middle class that has been squeezed and business models built on tricks and traps – are deeply personal to me, and they always will be.^[32]

Consumer Financial Protection Bureau[link]

Warren has long advocated for the creation of a new Consumer Financial Protection Bureau, a watchdog agency designed to "make basic financial practices such as taking out a mortgage or loan more clear and transparent while ferreting out unfair lending practices," according to CNN. In an interview with the Huffington Post, Warren said "My first choice is a strong consumer agency. My second choice is no agency at all and plenty of blood and teeth left on the floor".^[33] Through Warren's efforts, the bureau was established by the Dodd–Frank Wall Street Reform and Consumer Protection Act signed into law by Obama in July 2010. For the first year after the bill's signing, Warren worked on implementation of the bureau as a Special Assistant to the President in anticipation of the agency's formal opening. While liberal groups and consumer advocacy groups pushed for Obama to nominate Warren as the agency's permanent director, Warren was strongly opposed by financial institutions which had criticized Warren as overly aggressive in pursuing regulations, and by the Republican members of Congress. Furthermore, she did not have the strong support of the Obama administration, particularly Treasury Secretary Tim Geithner. In July 2011, Obama instead announced the nomination of former Ohio Attorney General Richard Cordray as the bureau's director, subject to Congressional approval.^[34] However, in December his nomination was blocked by a Republican-led filibuster in the Senate. Until a director is confirmed, the agency will not gain the full measure of its powers. It can supervise the compliance of banks with existing laws, but the Dodd-Frank financial legislation dictates that it cannot supervise other financial companies or write new rules. On 4 January 2012, President Obama named Ohio Attorney General Richard Cordray the Bureau's Director in a recess appointment.^[35]

2012 US Senate run[link]

The neutrality of this section is disputed. Please see the discussion on the talk page. Please do not remove this message until the dispute is resolved. (May 2012)

On September 14, 2011, Warren declared that she intended to run for the Democratic nomination for the 2012 election in Massachusetts for the United States Senate seat currently held by incumbent Scott Brown.^[36][37] On September 21, a video of Warren explaining the rationale of her economic policy received attention on the Internet.^[38]

Cherokee self-identification controversy[link]

An editor has expressed a concern that this section lends undue weight to certain ideas relative to the article as a whole. Please help to discuss and resolve the dispute before removing this message. (June 2012)

Warren listed herself as a minority in the Association of American Law Schools directory of law professors, from 1986 to 1995.^[39] The Brown campaign, the Native American Rights Fund, and a group of more than 150 Cherokees organized by Cherokee genealogist and activist David Cornsilk^[40][41] have questioned her motives for the claim and its propriety.^{[42][43][44][45][46]} The group, “Cherokees Demand Truth from Elizabeth Warren”, plans a protest at the Massachusetts Democratic Convention on June 2, 2012.^[47]

Genealogist Chris Child at the New England Historic Genealogical Society researched Warren's claimed native ancestry but found nothing conclusive. According to Child, “Once you go back further than 150 years the records are more complicated to go through,” and it may take weeks to months to make a determination.^[48][49][50] Warren said that she had heard family stories about her Cherokee ancestors her entire life ^[51] and had hoped it would create opportunities to meet people like her (even though the directory does not specify which minority professors belong to).^[39] But according to Warren, such opportunities never materialized and she eventually "stopped checking it off".^[52]

A month after the controversy began the Boston Globe discovered documents indicating that the Harvard University Law School had reported employing a Native American professor to the U.S. government in the years immediately before and after Warren left Harvard for a stint at the University of Pennsylvania.^[53] The most recent diversity census, for 2011, still shows one Native American professor. The census says that “Race/Ethnicity designations are from self-report data”.^[39] Warren, who does not meet the federal diversity definition of "Native American," admitted providing the information that she was a Native American to University of Pennsylvania and Harvard faculty in conversations after she was hired but denied that "there was [any] reporting for this".^[53] The Washington Post observed that she had "turned what could have been a small problem into a major story" by the way she had handled the issue.^[54]

According to a Suffolk University/7NEWS (WHDH-Boston) poll of 600 likely voters on May 20-22, 2012 there was 72 percent awareness of the controversy. 69 percent said Warren’s Native American heritage listing was not a significant story and 27 percent said it was.^[55][56]

Recognition[link]

Warren at the 2009 100 Most Influential People in the World reception.

Since about 2009, Warren has been recognized by several institutions as a major political figure. In 2009, the Boston Globe named her the Bostonian of the Year,^[9] and the Women's Bar Association of Massachusetts honored her with the Lelia J. Robinson Award.^[57] She was named one of Time Magazine's 100 Most Influential People in the World in 2009 and 2010.^[58] The National Law Journal has repeatedly named Warren as one of the Fifty Most Influential Women Attorneys in America,^[59] and in 2010 they honored her as one of the 40 most influential attorneys of the decade.^[60]

Warren has been recognized for her dynamic teaching style. In 2009, Warren became the first professor in Harvard's history to win the law school's teaching award twice. The Sacks-Freund Teaching Award was voted on by the graduating class in honor of "her teaching ability, openness to student concerns, and contributions to student life at Harvard."^[61] Warren also has won awards from her students at the University of Pennsylvania, the University of Michigan, and the University of Houston Law Center. She delivered the commencement address at the Rutgers School of Law–Newark in May 2011, where she was awarded an Honorary Doctor of Laws degree and was conferred membership into the Order of the Coif.^[62]

Publications[link]

Selected articles

• Warren, E. (1987). "Bankruptcy Policy". The University of Chicago Law Review 54 (3): 775–814. JSTOR 1599826. 
• Warren, E. (1992). "The Untenable Case for Repeal of Chapter 11". The Yale Law Journal 102 (2): 437–479. JSTOR 796843. 
• Warren, E. (1993). "Bankruptcy Policymaking in an Imperfect World". Michigan Law Review 92 (2): 336–387. JSTOR 1289668. 
• "Principled Approach to Consumer Bankruptcy". American Bankruptcy Law Journal 71: 483. 1997. http://heinonline.org/HOL/LandingPage?collection=journals&handle=hein.journals/ambank71&div=25&id=&page=. 
• "The Bankruptcy Crisis". Indiana Law Journal 73 (4): 1079. Fall 1998. http://www.law.indiana.edu/ilj/volumes/v73/no4/index.shtml. 
• Warren, Elizabeth; Westbrook, Jay Lawrence (January 2000). "Financial Characteristics of Businesses in Bankruptcy". SSRN Electronic Journal 73: 499. DOI:10.2139/ssrn.194750. http://papers.ssrn.com/sol3/papers.cfm?abstract_id=194750. 
• Himmelstein, DU; Warren, E; Thorne, D; Woolhandler, S (2005). "Illness and injury as contributors to bankruptcy". Health affairs (Project Hope) Suppl Web Exclusives: W5–63–W5–73. DOI:10.1377/hlthaff.w5.63. PMID 15689369. 
• "The Vanishing Middle Class". In Edwards, John, ed. (2007). Ending Poverty in America: How to Restore the American Dream. The New Press. ISBN 978-1-59558-176-1. 
• Himmelstein, David U.; Warren, Elizabeth; Thorne, Deborah; Woolhandler, Steffie J. (2005). "Illness and Injury as Contributors to Bankruptcy". SSRN Electronic Journal. DOI:10.2139/ssrn.664565. 
• Himmelstein, DU; Thorne, D; Warren, E; Woolhandler, S (2009). "Medical bankruptcy in the United States, 2007: Results of a national study". The American Journal of Medicine 122 (8): 741–6. DOI:10.1016/j.amjmed.2009.04.012. PMID 19501347. 

Books

• As We Forgive Our Debtors: Bankruptcy and Consumer Credit in America. Oxford University Press. 1989. ISBN 978-0-19-505578-8.  (with Teresa A. Sullivan and Jay Westbrook)
• The Fragile Middle Class: Americans in Debt. Yale University Press. 2001. ISBN 978-0-300-09171-7.  (with Teresa A. Sullivan and Jay Westbrook)
• The Two-Income Trap: Why Middle-Class Parents are Going Broke. Basic Books. 2004. ISBN 978-0-465-09090-7.  (with Amelia Warren Tyagi)
• All Your Worth: The Ultimate Lifetime Money Plan. Simon and Schuster. 2006. ISBN 978-0-7432-6988-9.  (with Amelia Warren Tyagi)
• Casenote Legal Briefs: Commercial Law. Aspen Publishers. 2006. ISBN 978-0-7355-5827-4.  (with Lynn M. LoPucki, Daniel Keating, Ronald Mann, and Normal Goldenberg)
• The Law of Debtors and Creditors: Text, Cases, and Problems (6th ed.). Aspen Publishers. 2008. ISBN 978-0-7355-7626-1.  (with Jay Westbrook)
• Chapter 11: Reorganizing American Businesses (Essentials). Aspen Publishers. 2008. ISBN 978-0-7355-7654-4. 
• Secured Credit: A Systems Approach. Wolters Kluwer. 2008. ISBN 978-0-7355-7649-0.  (with Lynn M. LoPucki)

See also[link]

Biography portal

• Social class in the United States

Notes[link]

References[link]

External links[link]

• Elizabeth Warren U.S. Senate campaign website
• Elizabeth Warren at Harvard Law School
  • Bibliography
• Biography at WhoRunsGov.com at The Washington Post
• Biography, voting record, and interest group ratings at Project Vote Smart
• Issue positions and quotes at On the Issues
• Campaign finance reports and data at the Federal Election Commission
• Appearances on C-SPAN programs
• Appearances on Charlie Rose
• Appearances at the Internet Movie Database
• Collected news and commentary at The New York Times
• Works by or about Elizabeth Warren in libraries (WorldCat catalog)
• Elizabeth Warren collected news and commentary at Salon.com
• Financial information at OpenSecrets.org

Interviews and articles

• Generation, Gap, and interview with Elizabeth Warrn in Guernica Magazine
• Elizabeth Warren: a tough sheriff in finance's Wild West, The Daily Telegraph
• Warren Winning Means You Won't Sell It If You Can't Explain It, Bloomberg
• In fight over credit rules, she wields a plan, Boston Globe
• "The TARP Queen: Why we should all bow before Elizabeth Warren (even if you've never heard of her)". Slate. Archived from the original on April 27, 2009. http://web.archive.org/web/20090427081845/http://www.thebigmoney.com/articles/judgments/2009/04/23/elizabeth-warren-my-hero. 
• Bank Buster, Mother Jones
• The Debt Crusader: Inspired by Dr. Phil, Harvard's Elizabeth Warren has gone to D.C. to change the way America borrows, Newsweek
• Elizabeth Warren on the Economy, NOW on PBS
• Video: Elizabeth Warren, New Yorker, Nov. 16, 2009
• Interview with Yahoo! Finance, Oct. 16, 2009
• Voices of Power Video: Elizabeth Warren, Washington Post, Oct. 8, 2009
• Interview with Elizabeth Warren from Frontline
• Elizabeth Warren on NPR link to full interview for show of May 8, 2009
• UCTV programs with Elizabeth Warren
  • The Coming Collapse of the Middle Class: Higher Risks, Lower Rewards, and a Shrinking Safety Net
  • Conversations with History: Law, Politics, and the Coming Collapse of the Middle Class with Elizabeth Warren
• Warren says Consumer Financial Protection Bureau is Obama's "Strongest Financial Reform" – video report by Democracy Now!

Adam Carolla
Carolla in Seattle, Washington, in 2007
Born	(1964-05-27) May 27, 1964 (age 48) Los Angeles, California, US
Occupation	Comedian, comedy writer, radio personality, television personality, actor, carpenter
Known for	The Adam Carolla Show (podcast), The Adam Carolla Show (radio)
Television	Loveline, The Man Show, Crank Yankers, Too Late with Adam Carolla, The Adam Carolla Project, The Car Show
Board member of	Marijuana Policy Project (advisory board)[1]
Religion	none (atheist)[2]
Spouse	Lynette Paradise (2002–present)
Children	2
Website
AdamCarolla.com

Adam Carolla (born May 27, 1964) is an American radio personality, television host, comedian, and actor. He hosts The Adam Carolla Show, a talk show distributed as a podcast which set the record as the "most downloaded podcast" as judged by Guinness World Records.

Carolla co-hosted the syndicated radio call-in program Loveline from 1995 to 2005 as well as the show's television incarnation on MTV from 1996 to 2000. He was the co-host and co-creator of the television program The Man Show (1999–2004), and the co-creator and a regular performer on the television show Crank Yankers (2002–2007). He hosted The Adam Carolla Project, a home improvement television program which aired on TLC in 2005 and The Car Show on Speed TV^[3] in 2011.

Carolla has also appeared on the network reality television programs Dancing with the Stars and The Celebrity Apprentice. His book, In Fifty Years We'll All Be Chicks, debuted on The New York Times Best Seller list in 2010.

Early life[link]

Carolla was born in Los Angeles, California.^[4][5] His father, Jim Carolla, a psychologist of Italian heritage, and his mother, Kris (née Novello), who is of Hungarian descent, separated when Adam was young.^[6] Carolla was not given a middle name; on his driver's license application he filled the "middle name" blank with "Lakers" (after his love for the Los Angeles Lakers professional basketball team) and the made-up name still appears on his license.^[7][8]

Adam was raised in the North Hollywood district of Los Angeles. He attended Colfax Elementary School, Walter Reed Junior High, and North Hollywood High School. Carolla did not receive his high school diploma until years later as it was held by the school until a library fine was paid.^[9] Carolla can be seen paying off the book and receiving his diploma in an episode of his 2005 television show, The Adam Carolla Project.^[10]

During his earlier years, Carolla played Pop Warner football for seven years; he later suggested that being involved in sports saved him from a chaotic home life.^[11] During his senior year at North Hollywood High School, Carolla distinguished himself in football. In December 1981, he was named to the First Team Offensive Line, Central Valley League, one of 8 leagues at the time in the LA City Section of the California Interscholastic Federation.^[12]

He began living on his own at the age of 18. He briefly attended Los Angeles Valley College, a community college, where he was placed on academic probation before dropping out to work in a series of jobs, including carpet cleaner,^[13] carpenter, boxing instructor,^[14] and traffic school instructor.^[15] Although broke, Carolla and his friends and roommates owned a 1963 Cadillac limousine.^[16]

In the early 1990s Carolla studied improvisational comedy with The Groundlings and was a member of the ACME Comedy Theatre troupe.

Carolla's step-grandfather was László Görög, who wrote The Mole People.^[17]

Radio[link]

In 1994, Carolla volunteered his services as a boxing trainer to prepare Jimmy Kimmel for a bout being staged by KROQ-FM's morning radio program Kevin and Bean.^[5] Kimmel was a regular on the show as "Jimmy the Sports Guy" and he was set to fight another KROQ personality in a boxing exhibition which was being billed as the "Bleeda in Reseda."^[18] Carolla parleyed this opportunity into a long-running friendship and business partnership with Kimmel as well as a recurring role on Kevin and Bean as cranky woodshop teacher, Mr. Birchum.^[19]

Loveline[link]

Carolla was offered the job of co-hosting the radio call-in show Loveline with physician Drew Pinsky, a.k.a. "Dr. Drew", and Riki Rachtman in October 1995 after Pinsky had heard Carolla on Kevin and Bean^[5] (Rachtman left the show the following year).^[20] Loveline is broadcast on KROQ-FM in Los Angeles and is syndicated nationwide on the Westwood One radio network. While the format of the program was primarily a call-in show where listeners would ask questions about sex and relationships, Carolla would often spend much of the show ranting about various topics, from fart jokes to incessant radio weather and traffic reports. Carolla served as the louder, funnier side of the show in contrast to the reserved, thoughtful Pinsky. Carolla's character was described by one reviewer as "a toned-down version of Howard Stern minus the huge ego".^[20] Carolla left Loveline in November 2005 to start his own morning radio show, though he had stated that he'd have continued to do Loveline if it could be recorded immediately after his morning show, but Westwood One insisted that the show be broadcast live.^{[citation needed]}

The Adam Carolla Show[link]

In October 2005 Carolla was announced as the host of a new morning radio show on the Infinity Broadcasting network. His new show would replace the popular syndicated Howard Stern Show (which was moving to satellite radio) in twelve of the 27 markets in which Stern had been broadcast including Los Angeles, Las Vegas, San Francisco, San Diego, Phoenix and Portland, Oregon.^[21] The Adam Carolla Show debuted in January 2006.

On February 18, 2009, The Adam Carolla Show was canceled as part of a format switch at KLSX to AMP FM, a new top 40 station. The final show was Friday, February 20, 2009.^[22]

The Adam Carolla Podcast[link]

Carolla started a daily podcast on Feb. 23, 2009, at his personal Web site, which would evolve into the ACE Broadcasting Network. The first Adam Carolla podcast was downloaded more than 250,000 times in the initial 24 hours, and by the third podcast, it was the number one podcast on iTunes in both the U.S. and Canada.^[23] During the debut week, the Adam Carolla podcast recorded 1.6 million downloads. In the second week it recorded 2.4 million downloads. By the fourth episode of the second week, featuring former Adam Carolla Show sidekick Dave Dameshek, the show was downloaded more than 500,000 times.^[24] Adam stated that bandwidth cost more than $9,000 a month as of May 2009.^[25]

At the end of 2009, The Adam Carolla Podcast was selected by iTunes for its end-of-the-year awards as the Best Audio Podcast of 2009.^[26] On May 18, 2011, Adam announced on Jimmy Kimmel Live that The Adam Carolla Show has taken the Guinness World Record for the most downloaded podcast ever from Ricky Gervais^[27][27] after receiving 59,574,843 unique downloads from March 2009 to March 16, 2011.^[28]

Television[link]

1999 through 2004[link]

Carolla began his first original television series with The Man Show, along with partner and close friend Jimmy Kimmel, on Comedy Central from 1999 to 2003. He left The Man Show at the same time as Kimmel, after having been reportedly offered $50,000 per episode to stay on. Carolla has continued his work with Kimmel as a writer and guest on Jimmy Kimmel Live. He also appeared on an episode of Space Ghost Coast to Coast around this time.

Carolla and partner Daniel Kellison are the heads of Jackhole Productions. The two created the television show Crank Yankers for Comedy Central, which revived the Mr. Birchum character. (The show premiered in 2002 on Comedy Central and returned to MTV2 on February 9, 2007, running again until March 30, 2007. The show screened in Australia on SBS Television and The Comedy Channel between 2003 and 2008.)

2005 through 2008[link]

From August 2005 to November 2005, Carolla hosted the talk show Too Late with Adam Carolla on Comedy Central.

Also in 2005, Carolla was featured in a home remodeling program called The Adam Carolla Project wherein he and a crew of old friends renovated his childhood home. The 13 episodes aired on the cable channel TLC (The Learning Channel) from October through December 2005. The house was then sold for 1.2 Million dollars.^[29][30]

In 2006, Carolla appeared on the special summer series Gameshow Marathon as a celebrity panelist on the Match Game episode.

On the February 18, 2008 broadcast of his radio show, Carolla announced that he would be one of the contestants on the next season of Dancing with the Stars. Later in the broadcast, it was revealed to Adam that his partner would be Julianne Hough.^[31] He was voted off on the April 8, 2008 episode after his performance of the Paso Doble.

Dancing with the Stars performances

On June 16, 2008 Carolla was selected to host a pilot^[32] of an American version of the popular BBC show Top Gear for NBC. In December 2008, NBC decided not to pick up the show.^[33]

2009 to present[link]

On February 21, 2009, a day after his Los Angeles-based morning radio show was canceled — as part of a format change at KLSX-FM — CBS ordered a comedy pilot starring the actor/comedian. "Ace in the Hole" was to star Carolla as a husband and father who works as a driving instructor. Carolla created and wrote the pilot with Kevin Hench ("Jimmy Kimmel Live").^[34] Carolla stated that Pamela Adlon was to play his wife and Windell Middlebrooks of the Miller High Life commercial fame will play his best friend. During his March 30, 2009 podcast, Carolla briefly described the show as being "All in the Family, essentially", with Carolla playing a similar role to that of Archie Bunker. On the July 23, 2009 episode of the Adam Carolla Podcast, Carolla announced that CBS was not picking up the pilot for the 2009 season, "in any way, shape or form."

On October 22, 2009, it was reported in Variety that Carolla had struck a deal with NBC to produce a half-hour pilot for a sitcom. The report was later confirmed on January 4, 2010, and was the first comedy pilot ordered by NBC for the season.^[35] The untitled project, written by Carolla and Kevin Hench, was a single-camera endeavor that starred Carolla as a contractor and father who attempts to rebuild his life after his wife leaves him.^[36][37] Carolla was set to executive produce the NBC project along with frequent collaborators Kimmel and Hench, as well as his agent James "Babydoll" Dixon, Jon Pollack from "30 Rock", Gail Berman, Daniel Kellison, and Lloyd Braun. Universal Media Studios, BermanBraun, and Carolla and Jimmy Kimmel's own Jackhole Industries.^[36][37]

On the February 13, 2010 episode of Carolla's CarCast podcast, he broke the news that The History Channel had picked up Top Gear US, which NBC had decided against in 2008.^[38] On the March 26, 2010 episode of CarCast, Carolla said that he would not be co-hosting Top Gear US because of scheduling conflicts with his NBC sitcom project. In June 2010, Carolla said that his NBC pilot had not been picked up, and was now "dead."^[39]

Carolla was also one of the contestants in NBC's The Celebrity Apprentice. He was fired in Week 4 along with Michael Andretti.

The Car Show[link]

Carolla's "The Car Show" debuted on Speed TV July 13, 2011. Appearing Wednesdays at 10 pm Eastern, it features Carolla as the host, along with Dan Neil, John Salley, and Matt Farah. It is a similar format as Top Gear, mixing car reviews, tests and humor. The show has been met with largely positive reviews from car enthusiasts and comedy fans. Talk show host and comedian Jay Leno called The Car Show, "...a lot of fun."^[40] The Car Show was cancelled after one season, after undergoing format changes and dropping John Salley due to low ratings, as Adam mentioned on his podcast January 13, 2012.

Voice acting[link]

Carolla has also done voice acting on cartoons, including Commander Nebula on the Disney animated series Buzz Lightyear of Star Command, Death on Family Guy (replacing Norm Macdonald) and Spanky Ham on Drawn Together.

Film[link]

In 2006, Carolla finished work on The Hammer, a semi-autobiographical independent film he co-wrote and co-produced, in which he stars opposite Heather Juergensen. The film is based loosely on his own life and is filmed at a gym he helped build with his co-star, Ozzie, played by Oswaldo Castillo, his friend in real life whom he met while building the gym when they both worked in construction.^[41] The film made its world premiere at the 2007 Tribeca Film Festival in New York City and shortly thereafter received a positive review in Variety.^[41] The film was released on March 21, 2008.^[42][43][44] The film is rated 75% on Rotten Tomatoes.

Adam made a short appearance in Jeff Balis' Still Waiting... (a sequel to Waiting...) playing a pick-up artist guru.

Adam helped write an unproduced screenplay for a movie entitled Deaf Frat Guy: Showdown at Havasu.^[45]

He is the voice of Virgil in the independent short film Save Virgil.

Books[link]

Carolla and Drew Pinsky co-wrote (with Marshall Fine) the self-help book The Dr. Drew and Adam Book: A Survival Guide to Life and Love which was published in 1998.^[46] The book is a compilation of some of the advice the pair had compiled while producing Loveline.^[47]

In November 2010, Carolla's In Fifty Years We'll All Be Chicks... And Other Complaints from an Angry Middle-Aged White Guy was published by Crown Archetype and debuted at number eight on The New York Times Best Seller list for hardcover non-fiction on November 21, 2010.^[48] The book was compiled from rants Carolla had delivered on his radio show and podcast along with some new material and was dictated to and ghost written by Mike Lynch.^[49]

Carolla published a short, illustrated e-book entitled Rich Man, Poor Man in January 2012. The book details some similarities in the experiences of the very rich and the very poor which are not shared by the middle class.^[50] The book was illustrated by Michael Narren.^[51]

Carolla's next book Not Taco Bell Material will be published by Crown Archetype on June 12, 2012.^[52]

Controversy[link]

Carolla has been accused of making hasty generalizations abut various groups. In late 2003, for example, he said that Hawaiians are "dumb." The show was then cancelled on KPOI.^[53]

Personal life[link]

On September 28, 2002, Carolla married Lynette Paradise. Lynette gave birth to their first children, twins Natalia and Santino "Sonny" Richard Carolla on June 7, 2006.^[54] On The Adam Carolla Show, Adam repeatedly mentioned the birth was originally scheduled for June 6, but that he and Lynette decided to push it back one day as to avoid the symbolic 666 (06–06–06).

Regarding his religious beliefs, Carolla has stated, "I am not agnostic. I am atheist. I don’t think there is no God; I know there’s no God. I know there’s no God the same way I know many other laws in our universe. I know there’s no God and I know most of the world knows that as well. They just won’t admit it because there’s another thing they know: they know they’re going to die, and it freaks them out. So most people don’t have the courage to admit there’s no God and they know it. They feel it. They try to suppress it. And if you bring it up they get angry because it freaks them out."^[2][55]

Regarding his political views, Carolla has stated, "I guess I would be Republican, in the sense that I want a secure border, I'm not into the welfare state, I'm not into all those freebie lunch programs. It just kind of demeans people." He goes on to state, however, that he is also in favor of traditionally libertarian causes such as the legalization of marijuana and some progressive causes such as "... [being] against semi-automatic and automatic weapons. I'm not an NRA guy by any stretch of the imagination. I'd like alternative energy to be explored and electric cars to be used, but I want them to be powered by nuclear power plants."^[56] (he is a member of the advisory board of the Marijuana Policy Project^[1]). Elsewhere he has stated that "My feeling is this whole country is founded on the principle of 'if you are not hurting anyone, and you're not fucking with someone else's shit, and you are paying your taxes, you should be able to just do what you want to do.' It's the freedom and the independence."^[57] In November 2011, Carolla posed for the NOH8 campaign.

Carolla has stated that he consumes alcohol on a daily basis.^[58][59] He invented 'Mangria', which is red wine with vodka.^[60][61][62]

Carolla won the 2012 Pro/Celebrity Race at the Toyota Grand Prix of Long Beach.^[63] The race was run on April 14, 2012 and was broadcast on Speed TV.^[64] Carolla has previously participated in the race in 2010 and 2003.^[65][66] He finished ninth among 19 racers (fifth among the ten celebrities) in 2010^[65] despite being regarded as a pre-race favorite.^[66] He is also a serious automobile collector with over 20 cars. His collection includes several Lamborghinis from the 1960s and early 1970s including two Miuras (of 764 examples ever produced), one of which he has loaned to the Petersen Automotive Museum in Los Angeles, two 400GT 2+2s (of 247 units produced) and a 1965 350GT (one of 135 built). At least one Ferrari and Aston Martin and several vintage race cars round out the collection.^[67]

Carolla is a part owner of Amalfi, an Italian restaurant in Los Angeles.^[68]

Honors[link]

Carolla and Pinsky received a Sexual Health In Entertainment (SHINE) Award from the The Media Project in 2000 for "incorporating accurate and honest portrayals of sexuality" in the talk show category for Loveline.^[69]

Asteroid 4535 Adamcarolla is named in his honor.^[70]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Adam Carolla

• Adam Carolla at the Internet Movie Database

Louis Armstrong
Louis Armstrong's stage personality matched his flashy cornet and trumpet playing. Armstrong is also known for his raspy singing voice.
Background information
Birth name	Louis Armstrong
Born	August 4, 1901 New Orleans, Louisiana, U.S.
Died	July 6, 1971(1971-07-06) (aged 69) Corona, Queens, New York City, U.S.
Genres	Dixieland, jazz, swing, traditional pop
Occupations	Musician
Years active	c. 1914–71
Associated acts	Joe "King" Oliver, Ella Fitzgerald, Kid Ory, Bobby Hackett

Louis Armstrong^[1] (August 4, 1901 – July 6, 1971),^[2] nicknamed Satchmo^[3] or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.

Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).

Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his music in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a strong supporter of the Civil Rights movement in America.^{[citation needed]}

Early life[link]

Handcolored etching Louis Armstrong by Adi Holzer 2002.

Armstrong often stated that he was born on July 4, 1900,^[4] a date that has been noted in many biographies. Although he died in 1971, it was not until the mid-1980s that his true birth date of August 4, 1901 was discovered through the examination of baptismal records.^[5]

Armstrong was born into a very poor family in New Orleans, Louisiana, the grandson of slaves. He spent his youth in poverty, in a rough neighborhood of Uptown New Orleans, known as “Back of the Town”, as his father, William Armstrong (1881–1922), abandoned the family when Louis was an infant and took up with another woman. His mother, Mary "Mayann" Albert (1886–1942), then left Louis and his younger sister Beatrice Armstrong Collins (1903–1987) in the care of his grandmother, Josephine Armstrong, and at times, his Uncle Isaac. At five, he moved back to live with his mother and her relatives, and saw his father only in parades.

He attended the Fisk School for Boys, where he likely had early exposure to music. He brought in some money as a paperboy and also by finding discarded food and selling it to restaurants, but it was not enough to keep his mother from prostitution. He hung out in dance halls close to home, where he observed everything from licentious dancing to the quadrille. For extra money he also hauled coal to Storyville, the famed red-light district, and listened to the bands playing in the brothels and dance halls, especially Pete Lala's where Joe "King" Oliver performed and other famous musicians would drop in to jam.

After dropping out of the Fisk School at age eleven, Armstrong joined a quartet of boys who sang in the streets for money. But he also started to get into trouble. Cornet player Bunk Johnson said he taught Armstrong (then 11) to play by ear at Dago Tony's Tonk in New Orleans,^[6] although in his later years Armstrong gave the credit to Oliver. Armstrong hardly looked back at his youth as the worst of times but instead drew inspiration from it, “Every time I close my eyes blowing that trumpet of mine—I look right in the heart of good old New Orleans...It has given me something to live for.”^[7]

He also worked for a Lithuanian-Jewish immigrant family, the Karnofskys, who had a junk hauling business and gave him odd jobs. They took him in and treated him as almost a family member, knowing he lived without a father, and would feed and nurture him.^[8] He later wrote a memoir of his relationship with the Karnofskys titled, Louis Armstrong + the Jewish Family in New Orleans, La., the Year of 1907. In it he describes his discovery that this family was also subject to discrimination by "other white folks' nationalities who felt that they were better than the Jewish race. I was only seven years old but I could easily see the ungodly treatment that the White Folks were handing the poor Jewish family whom I worked for." Armstrong wore a Star of David pendant for the rest of his life and wrote about what he learned from them: "how to live—real life and determination."^[9] The influence of Karnofsky is remembered in New Orleans by the Karnofsky Project, a non-profit organization dedicated to accepting donated musical instruments to "put them into the hands of an eager child who could not otherwise take part in a wonderful learning experience."^[10]

Armstrong developed his cornet playing seriously in the band of the New Orleans Home for Colored Waifs, where he had been sent multiple times for general delinquency, most notably for a long term after firing his stepfather's pistol into the air at a New Year's Eve celebration, as police records confirm. Professor Peter Davis (who frequently appeared at the Home at the request of its administrator, Captain Joseph Jones)^[11] instilled discipline in and provided musical training to the otherwise self-taught Armstrong. Eventually, Davis made Armstrong the band leader. The Home band played around New Orleans and the thirteen year old Louis began to draw attention by his cornet playing, starting him on a musical career.^[12] At fourteen he was released from the Home, living again with his father and new stepmother and then back with his mother and also back to the streets and their temptations. Armstrong got his first dance hall job at Henry Ponce’s where Black Benny became his protector and guide. He hauled coal by day and played his cornet at night.

He played in the city's frequent brass band parades and listened to older musicians every chance he got, learning from Bunk Johnson, Buddy Petit, Kid Ory, and above all, Joe "King" Oliver, who acted as a mentor and father figure to the young musician. Later, he played in the brass bands and riverboats of New Orleans, and began traveling with the well-regarded band of Fate Marable, which toured on a steamboat up and down the Mississippi River. He described his time with Marable as, "going to the University," since it gave him a much wider experience working with written arrangements.

In 1919, Joe Oliver decided to go north and resigned his position in Kid Ory's band; Armstrong replaced him. He also became second trumpet for the Tuxedo Brass Band, a society band.^[13]

Career[link]

"Muggles"

On March 19, 1918, Louis married Daisy Parker from Gretna, Louisiana. They adopted a 3-year-old boy, Clarence Armstrong, whose mother, Louis' cousin Flora, died soon after giving birth. Clarence Armstrong was mentally disabled (the result of a head injury at an early age) and Louis would spend the rest of his life taking care of him.^[14] Louis' marriage to Parker failed quickly and they separated. She died shortly after the divorce.

Through all his riverboat experience Armstrong’s musicianship began to mature and expand. At twenty, he could read music and he started to be featured in extended trumpet solos, one of the first jazzmen to do this, injecting his own personality and style into his solo turns. He had learned how to create a unique sound and also started using singing and patter in his performances.^[15] In 1922, Armstrong joined the exodus to Chicago, where he had been invited by his mentor, Joe "King" Oliver, to join his Creole Jazz Band and where he could make a sufficient income so that he no longer needed to supplement his music with day labor jobs. It was a boom time in Chicago and though race relations were poor, the “Windy City” was teeming with jobs for black people, who were making good wages in factories and had plenty to spend on entertainment.

Oliver's band was the best and most influential hot jazz band in Chicago in the early 1920s, at a time when Chicago was the center of the jazz universe. Armstrong lived like a king in Chicago, in his own apartment with his own private bath (his first). Excited as he was to be in Chicago, he began his career-long pastime of writing nostalgic letters to friends in New Orleans. As Armstrong’s reputation grew, he was challenged to “cutting contests” by hornmen trying to displace the new phenom, who could blow two hundred high C’s in a row.^[16] Armstrong made his first recordings on the Gennett and Okeh labels (jazz records were starting to boom across the country), including taking some solos and breaks, while playing second cornet in Oliver's band in 1923. At this time, he met Hoagy Carmichael (with whom he would collaborate later) who was introduced by friend Bix Beiderbecke, who now had his own Chicago band.

Armstrong enjoyed working with Oliver, but Louis' second wife, pianist Lil Hardin Armstrong, urged him to seek more prominent billing and develop his newer style away from the influence of Oliver. Armstrong took the advice of his wife and left Oliver's band. For a year Armstrong played in Fletcher Henderson's band in New York on many recordings. After playing in New York, Armstrong returned to Chicago, playing in large orchestras; there he created his most important early recordings.^[17] Lil had her husband play classical music in church concerts to broaden his skill and improve his solo play and she prodded him into wearing more stylish attire to make him look sharp and to better offset his growing girth. Lil’s influence eventually undermined Armstrong’s relationship with his mentor, especially concerning his salary and additional moneys that Oliver held back from Armstrong and other band members. Armstrong and Oliver parted amicably in 1924. Shortly afterward, Armstrong received an invitation to go to New York City to play with the Fletcher Henderson Orchestra, the top African-American band of the day. Armstrong switched to the trumpet to blend in better with the other musicians in his section. His influence upon Henderson's tenor sax soloist, Coleman Hawkins, can be judged by listening to the records made by the band during this period.

Armstrong getting fitted for a hat, about 1955.

Armstrong quickly adapted to the more tightly controlled style of Henderson, playing trumpet and even experimenting with the trombone and the other members quickly took up Armstrong’s emotional, expressive pulse. Soon his act included singing and telling tales of New Orleans characters, especially preachers.^[18] The Henderson Orchestra was playing in the best venues for white-only patrons, including the famed Roseland Ballroom, featuring the classy arrangements of Don Redman. Duke Ellington’s orchestra would go to Roseland to catch Armstrong’s performances and young hornmen around town tried in vain to outplay him, splitting their lips in their attempts.

During this time, Armstrong made many recordings on the side, arranged by an old friend from New Orleans, pianist Clarence Williams; these included small jazz band sides with the Williams Blue Five (some of the best pairing Armstrong with one of Armstrong's few rivals in fiery technique and ideas, Sidney Bechet) and a series of accompaniments with blues singers, including Bessie Smith, Ma Rainey, and Alberta Hunter.

Armstrong returned to Chicago in 1925 due mostly to the urging of his wife, who wanted to pump up Armstrong’s career and income. He was content in New York but later would concede that she was right and that the Henderson Orchestra was limiting his artistic growth. In publicity, much to his chagrin, she billed him as “the World’s Greatest Trumpet Player”. At first he was actually a member of the Lil Hardin Armstrong Band and working for his wife.^[19] He began recording under his own name for Okeh with his famous Hot Five and Hot Seven groups, producing hits such as "Potato Head Blues", "Muggles", (a reference to marijuana, for which Armstrong had a lifelong fondness), and "West End Blues", the music of which set the standard and the agenda for jazz for many years to come.

The group included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), wife Lil on piano, and usually no drummer. Armstrong’s bandleading style was easygoing, as St. Cyr noted, "One felt so relaxed working with him and he was very broad-minded ... always did his best to feature each individual."^[20] His recordings soon after with pianist Earl "Fatha" Hines (most famously their 1928 Weatherbird duet) and Armstrong's trumpet introduction to "West End Blues" remain some of the most famous and influential improvisations in jazz history. Armstrong was now free to develop his personal style as he wished, which included a heavy dose of effervescent jive, such as "whip that thing, Miss Lil" and "Mr. Johnny Dodds, Aw, do that clarinet, boy!"^[21]

Armstrong also played with Erskine Tate’s Little Symphony, actually a quintet, which played mostly at the Vendome Theatre. They furnished music for silent movies and live shows, including jazz versions of classical music, such as “Madame Butterfly,” which gave Armstrong experience with longer forms of music and with hosting before a large audience. He began to scat sing (improvised vocal jazz using non-sensical words) and was among the first to record it, on "Heebie Jeebies" in 1926. So popular was the recording the group became the most famous jazz band in the USA even though they as yet had not performed live to any great degree. Young musicians across the country, black or white, were turned on by Armstrong’s new type of jazz.^[22]

After separating from Lil, Armstrong started to play at the Sunset Café for Al Capone's associate Joe Glaser in the Carroll Dickerson Orchestra, with Earl Hines on piano, which was soon renamed Louis Armstrong and his Stompers,^[23] though Hines was the music director and Glaser managed the orchestra. Hines and Armstrong became fast friends as well as successful collaborators.

Armstrong returned to New York, in 1929, where he played in the pit orchestra of the successful musical Hot Chocolate, an all-black revue written by Andy Razaf and pianist/composer Fats Waller. He also made a cameo appearance as a vocalist, regularly stealing the show with his rendition of "Ain't Misbehavin'", his version of the song becoming his biggest selling record to date.^[24]

Armstrong started to work at Connie's Inn in Harlem, chief rival to the Cotton Club, a venue for elaborately staged floor shows,^[25] and a front for gangster Dutch Schultz. Armstrong also had considerable success with vocal recordings, including versions of famous songs composed by his old friend Hoagy Carmichael. His 1930s recordings took full advantage of the new RCA ribbon microphone, introduced in 1931, which imparted a characteristic warmth to vocals and immediately became an intrinsic part of the 'crooning' sound of artists like Bing Crosby. Armstrong's famous interpretation of Hoagy Carmichael's "Stardust" became one of the most successful versions of this song ever recorded, showcasing Armstrong's unique vocal sound and style and his innovative approach to singing songs that had already become standards.

Armstrong's radical re-working of Sidney Arodin and Carmichael's "Lazy River" (recorded in 1931) encapsulated many features of his groundbreaking approach to melody and phrasing. The song begins with a brief trumpet solo, then the main melody is stated by sobbing horns, memorably punctuated by Armstrong's growling interjections at the end of each bar: "Yeah! ..."Uh-huh" ..."Sure" ... "Way down, way down." In the first verse, he ignores the notated melody entirely and sings as if playing a trumpet solo, pitching most of the first line on a single note and using strongly syncopated phrasing. In the second stanza he breaks into an almost fully improvised melody, which then evolves into a classic passage of Armstrong "scat singing".

As with his trumpet playing, Armstrong's vocal innovations served as a foundation stone for the art of jazz vocal interpretation. The uniquely gritty coloration of his voice became a musical archetype that was much imitated and endlessly impersonated. His scat singing style was enriched by his matchless experience as a trumpet soloist. His resonant, velvety lower-register tone and bubbling cadences on sides such as "Lazy River" exerted a huge influence on younger white singers such as Bing Crosby.

The Depression of the early Thirties was especially hard on the jazz scene. The Cotton Club closed in 1936 after a long downward spiral and many musicians stopped playing altogether as club dates evaporated. Bix Beiderbecke died and Fletcher Henderson’s band broke up. King Oliver made a few records but otherwise struggled. Sidney Bechet became a tailor and Kid Ory returned to New Orleans and raised chickens.^[26] Armstrong moved to Los Angeles in 1930 to seek new opportunities. He played at the New Cotton Club in LA with Lionel Hampton on drums. The band drew the Hollywood crowd, which could still afford a lavish night life, while radio broadcasts from the club connected with younger audiences at home. Bing Crosby and many other celebrities were regulars at the club. In 1931, Armstrong appeared in his first movie, Ex-Flame. Armstrong was convicted of marijuana possession but received a suspended sentence.^[27] He returned to Chicago in late 1931 and played in bands more in the Guy Lombardo vein and he recorded more standards. When the mob insisted that he get out of town, Armstrong visited New Orleans, got a hero’s welcome and saw old friends. He sponsored a local baseball team known as “Armstrong’s Secret Nine” and got a cigar named after himself.^[28] But soon he was on the road again and after a tour across the country shadowed by the mob, Armstrong decided to go to Europe to escape.