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- Duration: 3:10
- Published: 21 Jan 2008
- Uploaded: 18 Apr 2011
- Author: MariahC936
Name | Mariah Carey | ||||||||||||||||||||||||||||||||||||||||||||
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Type | studio | ||||||||||||||||||||||||||||||||||||||||||||
Artist | Mariah Carey | ||||||||||||||||||||||||||||||||||||||||||||
Cover | MariahCarey-MCcover.jpg | ||||||||||||||||||||||||||||||||||||||||||||
Released | June 12, 1990 (U.S.) | ||||||||||||||||||||||||||||||||||||||||||||
Genre | Pop, R&B;, soul | ||||||||||||||||||||||||||||||||||||||||||||
Length | 46:41 | ||||||||||||||||||||||||||||||||||||||||||||
Recorded | December 1988–March 1990, Skyline Studios and Cove City Sound Studios Los Angeles, CA | ||||||||||||||||||||||||||||||||||||||||||||
Label | ColumbiaCK-45202 | ||||||||||||||||||||||||||||||||||||||||||||
Producer | Mariah Carey, Rhett Lawrence, Ric Wake, Narada Michael Walden, Ben Margulies, & Walter Afanasieff | ||||||||||||||||||||||||||||||||||||||||||||
This album | Mariah Carey(1990) | ||||||||||||||||||||||||||||||||||||||||||||
Next album | Emotions(1991) | ||||||||||||||||||||||||||||||||||||||||||||
Misc |
Mariah Carey is the self-titled debut studio album by American singer-songwriter Mariah Carey. It was released on June 12, 1990 by Columbia Records. The album contains a range of contemporary genres, and the songs are a mix of slow ballads and dance tracks. Originally, Carey wrote four songs with Ben Margulies, which solely comprised her demo tape. While altered and partially re-sung after being signed to Columbia, all four songs made the final cut for the album. Aside from Margulies, Carey worked with a range of professional writers and producers, all of whom were hired by Columbia CEO, Tommy Mottola. Mariah Carey featured production and writing from Rhett Lawrence, Ric Wake and Narada Michael Walden, all of whom were top record producers at the time. Together with Carey, they conceived the album and reconstructed her original demo tape. Upon release, the album received generally positive reviews from music critics, who complemented Carey's voice and technique, as well as the album's content. It became a commercial success as well. While initial sales were slow, the album topped the Billboard 200 after Carey's exposure at the Grammy Awards, staying atop the chart for eleven consecutive weeks. Mariah Carey was certified nine-times platinum by the Recording Industry Association of America (RIAA), denoting shipments of over nine million copies in the United States. The album experienced similar success in Canada, where it topped the charts and was certified seven-times platinum. Mariah Carey faired well in other worldwide territories, reaching the top ten in Australia, New Zealand, Norway, Sweden and United Kingdom. Worldwide, the album has sold over 15 million copies. Five singles were released from the album, four of which became number-one hits on the Hot 100. "Vision of Love" was chosen as the album's lead single, topping the charts in the Canada, New Zealand, and the United States. The song was critically lauded, and was regarded as one of the strongest debut singles by a female singer. It is credited with inspiring the use of Melisma throughout the 90s, as well as many other singers. The album's second single, "Love Takes Time" was also well-received and peaked the charts in Canada and the US. With the following two singles, "Someday" and "I Don't Wanna Cry" reaching number one in the US, Carey became the first artist since The Jackson 5 to have their first four singles top the charts in the United States.
BackgroundIn 1988, an 18-year-old Carey moved out of her mother's house in Long Island, and into a small apartment in Manhattan. She had a demo tape consisting of four songs, which she had written during her high school years with Ben Margulies. After months of difficulty, Carey met with Puerto Rican and American singer Brenda K. Starr, and soon began singing back-up for her. She realized Carey was capable of achieving success, but only needed help to break through into mainstream music. Jerry L. Greenberg, president of Atlantic Records took notice of her. }} After a week of tracking her down through Starr's management, Mottola got in touch with Carey and brought her over to Columbia Records. Originally, Carey and Margulies planned to produce the entire album as well, an idea her label didn't permit. Additionally, Carey wrote "There's Got to Be a Way" during her first recording session with Wake. During the session, they wrote four songs, but they only produced the latter song for the album. After flying to New York and working with Carey, Walden was astonished by her voice. For her work with Lawrence, Carey traveled to New York once again. In the studio, she presented him with the demo of "Vision of Love" which she had written with Margulies years prior. Lawrence saw "potential" in the song, but he did not think much of it in its early stages. During its recording, Carey revealed how the song came into existence. She had been working on the demo with Margulies in his studio. While she thought to remove it from the song's recording, Wake and Walden were very impressed by the vocal flips, claiming that it would fit in perfectly. | rev2 = Allmusic | rev2Score = | rev3 = Billboard | rev3Score = (Positive) | rev4 = Q | rev4Score = | rev5 = Robert Christgau | rev5Score = (C) Ashley S. Battel from Allmusic called the album "extremely impressive" and described the songs as "smooth-sounding ballads and uplifting dance/R&B; cuts." Rolling Stone gave the album praise writing "Carey debuted with an album of uplifting dance pop and R&B; ballads, each song's composition co-credited to Carey and each providing an opportunity to unleash her wide vocal range." American critic Robert Christgau gave the album a mixed review, writing, "She gets too political in her brave, young, idealistic attack on 'war, destitution and sorrow': 'Couldn't we accept each other/Can't we make ourselves aware.' Elsewhere she sticks to what she doesn't know—love.' While reviewing the album positively, Bill Lamb expressed how some of the albums tracks were noticeably weak, writing "a few weak songs pull down the overall album." Mariah Carey was certified nine-times platinum by the RIAA on December 15, 1999. The album has sold 4,854,000 copies in the United States, according to Nielsen SoundScan, which began counting sales after March 1, 1991. It became the best-selling album of 1991 in the United States.In Canada, the album peaked at number one on the Canadian RPM Singles Chart during the week of April 20, 1991. To date, Mariah Carey is certified seven-times platinum by the Canadian Recording Industry Association (CRIA), denoting shipments of over 700,000 copies. The album peaked at number six in Australia, where it went double-platinum and finished sixth on the ARIA Charts end of 1991 top 50 albums. During the week of September 15, 1990, Mariah Carey entered the UK Albums Chart at its peak of number six. After spending 40 weeks fluctuating in the chart, the album was certified platinum by the British Phonographic Industry (BPI), denoting shipments of over 300,000 copies. As of 2008, the album has sold over 15 million copies worldwide.
Singles"Vision of Love" was the first single released from the album and became one of the most popular and critically praised songs of Carey's career. The song received the Soul Train Music Award for Best R&B;/Soul Single, Female and a Songwriter Award at the BMI Pop Awards. "Vision of Love" topped the singles chart in Canada and New Zealand as well, and peaking within the top ten in Australia, Ireland, the Netherlands and the United Kingdom. Aside from its chart success, the song was lauded by music critics. In a retrospective review on the album in 2005, Entertainment Weekly called the song "inspired" and complimented Carey's use of the whistle register in the song. Additionally, Rolling Stone said that "the fluttering strings of notes that decorate songs like 'Vision of Love', inspired the entire American Idol vocal school, for better or worse, and virtually every other female R&B; singer since the nineties." Bill Lamb from About.com said that "'Vision of Love' is one of the best songs of Mariah's recording career [...] It is simply one of the most stunning debut releases ever by a pop recording artist.""Love Takes Time" served as the album's second single. The song became Carey's second single to top the singles chart in the United States, and third chart topper in Canada. While the song achieved strong success stateside, "Love Takes Time" barely charted inside the top ten in New Zealand and outside the top 20 in Germany, the Netherlands and the United Kingdom. "Someday", the album's third single followed a similar pattern as "Love Takes Time," topping the chart in the US and Canada. In Australia, it peaked outside the top 40, and number 38 in France and the UK. "I Don't Wanna Cry", the album's final single in the United States also reached the chart's summit. Carey became the first artist to have their first five singles top the Hot 100, of them four belonged to Mariah Carey. A fifth single, "There's Got to Be a Way", was released in the United Kingdom, where is peaked at number fifty-four. |align="center"|6 |- |align="left"|Canadian RPM Albums Chart |align="center"|1 |- |align="left"|Dutch Albums Chart |align="center"|53 |- |align="left"|French Albums Chart |align="center"|17 |- |align="left"|German Albums Chart |align="center"|24 |- |align="left"|Japanese Albums Chart |align="center"|13 |- |align="left"|New Zealand Albums Chart |align="center"|4 |- |align="left"|Norwegian Albums Chart |align="center"|6 |- |align="left"|U.S. Billboard Top Pop Albums |align="center"|1 |- |US Top R&B;/Hip-Hop Albums |align="center"|3 |} ;Charts (end of decade) {| class="wikitable sortable" |- !Chart (1990-1999) !Position |- | U.S. Billboard 200 | style="text-align:center;"|27 |} ;Certifications {| class="wikitable sortable" |- !Country (Provider) !Certification(sales thresholds) |- |align="left"|Australia (ARIA) |align="center"|2× Platinum |- |align="left"|Netherlands (NVPI) |align="center"|Platinum |- |align="left"|New Zealand (RIANZ) |align="center"|4× Platinum |- |align="left"|Spain (PROMUSICAE) |align="center"|Gold |- |align="left"|Sweden (IFPI) |align="center"|Platinum |- |align="left"|Switzerland (IFPI) |align="center"|Gold |- |align="left"|United Kingdom (BPI) |align="center"|Platinum |- |}
;Singles
References;Footnotes;Bibliography Category:Albums produced by Ric Wake Category:Albums produced by Walter Afanasieff Category:Columbia Records albums Category:Debut albums Category:Mariah Carey albums Category:1990 albums This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Mariah Carey
Following her separation from Mottola, in 1997, she introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia, in 2001. She signed a record $80 million dollar deal with Virgin Records, only to be dropped from the label and bought out of her contract in the following year. This radical turn of events was due to the highly publicized physical and emotional breakdown, as well as the poor reception that was given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and, after a relatively unsuccessful period, she returned to the top of pop music, in 2005, with her album, The Emancipation of Mimi. In a career spanning over two decades, Carey has sold more than 200 million albums, singles and videos worldwide,according to Island Def Jam, which makes her one of the world's best-selling music artists. Carey was cited as the world’s best-selling recording artist of the 1990s at the 1998 World Music Awards and was also named the best-selling female artist of the millennium by the same award-giving body in 2000. According to the Recording Industry Association of America (RIAA), she is the third-best-selling female artist, with shipments of 63 million albums. In 2008, Carey earned her eighteenth number one single on the Hot 100, the most for any solo artist. Aside from her commercial accomplishments, she has earned five Grammy Awards and is known for her five-octave vocal range, power, melismatic style and use of the whistle register.
Life and career1970–87: Childhood and youthMariah Carey was born in Huntington, Long Island, New York. She is the third and youngest child of Patricia (née Hickey), a former opera singer and vocal coach, and Alfred Roy Carey, an aeronautical engineer. Her mother is Irish American and her father is of Afro-Venezuelan and African American descent; her paternal grandfather, Roberto Nuñez, changed his surname to Carey to better assimilate upon moving to the United States from Venezuela. Carey has two sibilings, Morgan and Alison Carey. Carey was named after the song "They Call the Wind Mariah". Carey's parents divorced when she was three years old. While she lived in Huntington, racist neighbors allegedly poisoned the family dog and set fire to her family's car.Carey graduated from Harborfields High School, in Greenlawn, New York. She was frequently absent, because of her work as a demo singer for local recording studios; her classmates consequently gave her the nickname "Mirage". Her work in the Long Island music scene provided opportunities to work with musicians, such as Gavin Christopher and Ben Margulies, with whom she co-wrote material for her demo tape. After she moved to New York City, she worked part-time jobs to pay the rent and she completed 500 hours of beauty school. Eventually, she became a backup singer for Puerto Rican freestyle singer Brenda K. Starr.
1988–92: Early careerIn 1988, Carey met Columbia Records executive Tommy Mottola at a party, where Starr gave Carey's demo tape to him. Mottola played the tape when he left the party and was impressed. He returned to find Carey but she had left. Nevertheless, Mottola tracked her down and signed her to a recording contract. This Cinderella-like story became part of the standard publicity that surrounded Carey's entrance into the industry.Carey co-wrote the tracks on her 1990 debut album Mariah Carey and she has co-written most of her material since. During the recording, she expressed dissatisfaction with the contributions of producers such as Ric Wake and Rhett Lawrence, whom the executives at Columbia had enlisted to help to make the album more commercially viable. Critics were generally enthusiastic (See Critical reception section of the album article). Backed by a substantial promotional budget, the album reached number one on the U.S. Billboard 200 chart, where it remained for several weeks. It yielded four number-one singles and made Carey a star in the United States but it was less successful in other countries. Critics rated the album highly, which assisted Carey's Grammy wins for Best New Artist, and—for her debut single, "Vision of Love"—Best Female Pop Vocal Performance. Mariah Carey was also the best selling album of 1991 in the United States. Carey conceived Emotions, her second album, as an homage to Motown soul music (see Motown Sound), and she worked with Walter Afanasieff and Clivillés & Cole (from the dance group C+C Music Factory) on the record. It was released soon after her debut album — in late 1991 — but was neither as critically or commercially successful (See Promotion and reception section of the album article). The title track "Emotions" made Carey into the only recording act whose first five singles have reached number one on the U.S. Hot 100 chart, although the album's follow-up singles failed to match this feat. Carey had lobbied to produce her own songs and, beginning with Emotions, she has co-produced most of her material. "I didn't want [Emotions] to be somebody else's vision of me," she said. "There's more of me on this album." Although Carey performed live occasionally, stage fright prevented her from embarking on a major tour. Her first widely seen appearance was featured on the television show MTV Unplugged in 1992, and she remarked that she felt that her performance that night proved her vocal abilities were not, as some had previously speculated, simulated with studio equipment. Alongside acoustic versions of some of her earlier songs, Carey premiered a cover of The Jackson 5's "I'll Be There", with her back-up singer Trey Lorenz. The duet was released as a single, reached number one in the U.S. and led to a record deal for Lorenz, Because of high ratings for the Unplugged television special, the concert's set list was released on the EP MTV Unplugged, which Entertainment Weekly called "the strongest, most genuinely musical record she has ever made [...] Did this live performance help her to take her first steps toward growing up?."
1993–96: First marriage, and international successCarey and Tommy Mottola became romantically involved during the making of her debut album and were married in June, 1993. Kenneth "Babyface" Edmonds consulted on the album Music Box, which was released later that year and became Carey's most successful worldwide. The album maintained a presence on the Billboard 200 for a staggering 128 weeks. It yielded her first UK Singles Chart number-one, a cover of Badfinger's "Without You", and the U.S. number-ones "Dreamlover" and "Hero". Billboard magazine proclaimed it "heart-piercing [...] easily the most elemental of Carey's releases, her vocal eurythmics in natural sync with the songs", but TIME magazine's Christopher John Farley lamented Carey's attempt at a mellower work, "[Music Box] seems perfunctory and almost passionless [...] Carey could be a pop-soul great; instead, she has once again settled for Salieri-like mediocrity." AllMusic adds, "Carey sounds detached on several selections. She scored a couple of huge hits, "Hero" and "Dreamlover", where she did inject some personality and intensity into the leads. Most other times, Carey blended into the background and allowed the tracks guide her, instead of pushing and exploding through them. It was wise for Carey to display other elements of her approach but, sometimes, excessive spirit is preferable to an absence of passion", and Rolling Stone expressed mixed sentiments and said, "Some of the songs appear to be strongly influenced by other hits. "Hero," with its message of self-sufficiency, aims for the inspirational grandeur of "Greatest Love of All", while "Just to Hold You Once Again" and "All I've Ever Wanted" chase the tail of "I Will Always Love You." In fact, Music Box is so precisely calculated to be a blockbuster that its impact is ultimately a little unnerving." In response to such comments, Carey said, "As soon as you have a big success, a lot of people don't like that. There's nothing that I can do about it. All I can do is to make music that I believe in." Most critics slighted the opening of her subsequent U.S. Music Box Tour. Farley balanced his critique with some positive observations: "The gospel flavored 'Anytime You Need A Friend' demonstrates Carey's vocal power, although too fleetingly. And the title cut is one of Carey's loveliest songs to date..." and, in subsequent years, emerged as one of her most perennially popular songs on U.S. radio. Critical reception of Merry Christmas was mixed, with Allmusic calling it an "otherwise vanilla set [...] pretensions to high opera on 'O Holy Night' and a horrid danceclub take on 'Joy to the World'." It became one of the most successful Christmas albums of all time.In 1995, Columbia released Carey's fourth studio album, Daydream, which combined the pop sensibilities of Music Box with downbeat R&B; and hip hop influences. A remix of "Fantasy", its first single, featured rapper Ol' Dirty Bastard. Carey said that Columbia reacted negatively to her intentions for the album: "Everybody was like 'What, are you crazy?'. They're very nervous about breaking the formula." The New Yorker noted that "It became standard for R&B; stars, like Missy Eliott and Beyoncé, to combine melodies with rapped verses." John Norris of MTV News has stated that the remix was "responsible for, I would argue, an entire wave of music that we've seen since and that is the R&B-hip-hop; collaboration. You could argue that the 'Fantasy' remix was the single most important recording that she's ever made." Norris echoed the sentiments of TLC's Lisa Lopes, who told MTV that it's because of Mariah that we have "R&B.;" Daydream became her biggest-selling album in the U.S. and its singles achieved similar success — "Fantasy" became the second single to debut at number one in the U.S. and topped the Canadian Singles Chart for twelve weeks; "One Sweet Day" (a duet with Boyz II Men) spent a record-holding sixteen weeks at number one in the U.S.; and "Always Be My Baby" (co-produced by Jermaine Dupri) was the most successful record on U.S. radio in 1996, according to Billboard magazine. The album also generated career-best reviews for Carey, and publications such as The New York Times named it as one of 1995's best albums; the Times wrote that its "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." and AllMusic adds, "Daydream is her best record to date, and features a consistently strong selection of songs and a remarkably impassioned performance by Carey. A few of the songs are second-rate — particularly the cover of Journey's "Open Arms" — but Daydream demonstrates that Carey continues to perfect her craft and that she has earned her status as an R&B; diva." The short but profitable Daydream World Tour augmented sales of the album. The music industry took note of Carey's success — she won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. Daydream and its tracks were respectively nominated for six categories in the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day," which was mightily applauded. In contrast, throughout the night, she was not called to the stage to receive even one Grammy. The cameras started to focus on Carey, revealing the fact that it was becoming harder for her to retain a smile. Her disappointment was becoming obvious.
1997–2000: New image, Butterfly and RainbowCarey and Mottola officially separated in 1997. Although the public image of the marriage was a happy one, she said that, in reality, she had felt trapped by her relationship with Mottola, whom she often described as controlling. They officially announced their separation in 1997 and their divorce became final in the following year. Soon after the separation, Carey hired an independent publicist and a new attorney and manager. She continued to write and produce for other artists during this period and contributedto the debut albums of Allure and 7 Mile through her short-lived imprint Crave Records." video in 1998.]] Carey's next album, Butterfly (1997), yielded the number-one single "Honey", the lyrics and music video which presented a more overtly sexual image of her than had been previously seen. She stated that Butterfly marked the point when she attained full creative control over her music. However, she added, "I don't think that it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I would be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Reviews were generally positive: Rolling Stone wrote, "Carey couldn't have wished for a better start than "Honey," [...] it's an undeniably catchy pop record that revamps her sound and image. It's not as if Carey has totally dispensed with her old saccharine, Houston-style balladry [...] but the predominant mood of Butterfly is one of coolly erotic reverie. [... Except "Outside" the album sounds] very 1997. [...] Carey has spread her wings and she's ready to fly", LAUNCHcast said Butterfly "pushes the envelope", a move that its critic thought "may prove disconcerting to more conservative fans" but praised as "a welcome change." The Los Angeles Times wrote, "[Butterfly] is easily the most personal, confessional-sounding record she's ever done [...] Carey-bashing just might become a thing of the past." and AllMusic adds "Carey's vocals are sultrier and more controlled than ever, and that helps "Butterfly," "Break Down," "Babydoll," and the Prince cover, "The Beautiful Ones," rank among her best; also, the ballads do have a stronger urban feel than before. Even though Butterfly doesn't have as many strong singles as Daydream, it's one of her best records and illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers." The album was a commercial success—although not to the degree of her previous three albums—and "My All" (her thirteenth Hot 100 number-one) gave her the record for the most U.S. number-ones by a female artist. Toward the turn of the millennium, Carey developed the film project Glitter and wrote songs for the films Men in Black (1997) and How the Grinch Stole Christmas (2000). During the production of Butterfly, Carey became romantically involved with New York Yankees baseball star Derek Jeter. Their relationship ended in 1998, with both parties citing media interference as the main reason for the split. The same year, Columbia released the album #1's, a collection of Carey's U.S. number-one singles alongside new material, which, she said, was a way to reward her fans. The song "When You Believe", a duet with Whitney Houston, was recorded for the soundtrack of The Prince of Egypt (1998) and won an Academy Award. #1's sold above expectations but a review in NME labeled Carey "a purveyor of saccharine bilge like 'Hero', whose message seems wholesome enough: that if you vacate your mind of all intelligent thought, flutter your eyelashes and wish hard, sweet babies and honey will follow." Also that year, she appeared on the first televised VH1 Divas benefit concert program, although her alleged prima donna behavior had already led many to consider her a diva. Rainbow, Carey's sixth studio album, was released in 1999 and comprised more R&B;/hip hop–oriented songs, with many of them co-created with Jimmy Jam and Terry Lewis. "Heartbreaker" and "Thank God I Found You" (the former featuring Jay-Z, the latter featuring Joe and boy band 98 Degrees) reached number one in the U.S. VIBE magazine expressed similar sentiments, writing, "She pulls out all stops [...] Rainbow will garner even more adoration", but AllMusic states, "It's a bit ballad-heavy, which makes Rainbow seem a little samey. Yet, that's not the only reason why the record has a weird sense of déjà vu, since this follows the same formula as its two predecessors, distinguished primarily by her newfound fondness for flashing flesh. That repetition isn't necessarily a problem, because she does formula very well and manages to appeal to both housewives as well as b-boys. Rainbow proves that she can still pull off that difficult balancing act but it's hard not to be a little disappointed that she'd didn't shake the music up a little bit more — after all, it would have been a more effective album if the heartbreak, sorrow and joy that bubbles underneath the music were brought to the surface." and it became Carey's lowest-selling album up to that point,
2001–04: Glitter, Charmbracelet and personal strugglesAfter she received Billboard's Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, and her relationship with the Latin icon Luis Miguel ended. In an interview the following year, she said, "I was with people who didn't really know me and I had no personal assistant. I'd do interviews all day long and get two hours of sleep a night, if that." During an appearance on MTV's Total Request Live, to which she showed up unannounced and to the apparent bewilderment of host Carson Daly, Carey handed out popsicles to the audience and began what was later described as a "striptease". By the month's end, she had checked into a hospital and her publicist announced that Carey would take a break from public appearances.Critics panned Glitter, Carey's much delayed semi-autobiographical film and it was a box office failure. The accompanying soundtrack album, Glitter, was inspired by the music of the 1980s and featured collaborations with Rick James and Jimmy Jam and Terry Lewis; it generated Carey's worst showing on the U.S. chart. The St. Louis Post-Dispatch dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful", while Blender magazine opined, "After years of trading her signature flourishes for a radio-ready purr, Carey's left with almost no presence at all." The lead single, "Loverboy" (which features Cameo), reached number two on the Hot 100, due to the release of the physical single, Later that year, she signed a contract with Island Records, valued at more than $22.5 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year. Carey, Mira Sorvino and Melora Walters co-starred as waitresses at a mobster-operated restaurant in the independent film WiseGirls (2002), which premiered at the Sundance Film Festival but went straight to cable in the U.S. Critics commended Carey for her efforts — The Hollywood Reporter predicted, "Those scathing notices for Glitter will be a forgotten memory for the singer once people warm up to Raychel", and Roger Friedman, referring to her as "a Thelma Ritter for the new millennium", said, "Her line delivery is sharp and she manages to get the right laughs". WiseGirls producer Anthony Esposito cast Carey in The Sweet Science (2006), a film about an unknown female boxer recruited by a boxing manager, but it never entered production. In 2002, she performed the American national anthem in front of an audience at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Following a well-received supporting role in the 2002 film WiseGirls, Carey released the album Charmbracelet, which, she said, marked "a new lease on life" for her. and Rolling Stone commented, "Carey needs bold songs that help her use the power and range for which she is famous. Charmbracelet is like a stream of watercolors that bleed into a puddle of brown." Allmusic expressed similar sentiments and said, "There are no good songs on this record, outside of Def Leppard's power ballad classic "Bringin on the Heartbreak," which isn't even covered all that well. What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. Whenever she sings, there's a raspy whistle behind her thin voice and she strains to make notes throughout the record. She cannot coo or softly croon nor can she perform her trademark gravity-defying vocal runs. Her voice is damaged and there's not a moment where it sounds strong or inviting. That, alone, would be disturbing but, because the songs are formless and the production bland — another reason why the hip-hop announces itself, even though it's nowhere near as pronounced as it has been since Butterfly — her tired voice becomes the only thing to concentrate on and it's a sad, ugly thing, which makes an album - that would merely have been her worst - into something tragic." The album's only charting single in America, "Through the Rain", was a failure on pop radio, which had become less open to maturing "diva" stylists, such as Celine Dion, or Carey, herself, in favor of younger singers such as Christina Aguilera, who had vocal styles very similar to Carey's. She was featured on rapper Jadakiss's 2004 single "U Make Me Wanna", which reached the top ten on Billboard's R&B;/Hip-Hop chart. Carey was one of several musicians who appeared in the independently produced Damon Dash films Death of a Dynasty (2003) and State Property 2 (2005).
2005–07: Return to prominence with The Emancipation of Mimi, in Florida August 7, 2006.]] Carey's tenth studio album, The Emancipation of Mimi (2005), contained contributions from producers such as The Neptunes, Kanye West and Carey's longtime collaborator, Jermaine Dupri. Carey said it was "very much like a party record [...] the process of putting on makeup and getting ready to go out [...] I wanted to make a record that was reflective of that." The Emancipation of Mimi became 2005's best-selling album in the U.S. The Guardian reviewer defined it as "cool, focused and urban [... some of] the first Mariah Carey tunes in years which I wouldn't have to be paid to listen to again"., but New York Daily News states, "Carey has brought back that trademark dog-whistle that she exploited in the callow part of her career with a vengeance and used it on 11 of the CD's 14 tracks. For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening. If no one can question the scope of Carey's voice, it's too bad that she has again used it to say nothing." The album earned a Grammy Award for Best Contemporary R&B; Album and the single "We Belong Together" won Best Female R&B; Vocal Performance and Best R&B; Song. "We Belong Together" held the Hot 100's number-one position for fourteen weeks, her longest run at the top as a solo lead artist. Subsequently, the single "Shake It Off" reached number two for a week, which made Carey the first female lead vocalist to have simultaneously held the Hot 100's top two positions. (While it topped the charts in 2002, Ashanti was the "featured" singer on the number two single.) 2005 proved to be a good year for Carey, as "We Belong Together" reached number one on Billboard's year end chart for Hot 100 singles, and The Emancipation of Mimi is classed as the best selling album of 2005 by Nielsen SoundScan.In mid-2006, Carey began The Adventures of Mimi Tour, which was the most successful of her career, although some dates had to be canceled. She appeared on the cover of the March, 2007, edition of Playboy magazine in a non-nude photo session. Around this time, she made a legal threat against porn star Mary Carey, believing their names were too similar. In 2006, Carey joined the cast of the indie film Tennessee (2008), taking the role of an aspiring singer who flees her controlling husband and joins two brothers on a journey to find their long-lost father. The movie received mixed reviews, but most of them raved about Carey's performance and praised it as "understated and very effective."
2007–09: E=MC², second marriage, and Memoirs of an Imperfect AngelBy spring 2007, she had begun to work on her eleventh studio album, E=MC². Asked about the album title's meaning, Carey said "Einstein's theory? Physics? Me? Hello! ...Of course I'm poking fun." She characterized the project as "Emancipation of Mimi to the second power", and said that she was "freer" on this album than any other. Like her previous one, this album mainly concentrates on pop and R&B; but borrows hip hop, gospel and even reggae ("Cruise Control") elements. Although E=MC² was well received by most critics, some of them criticized it for being "a clone of The Emancipation of Mimi". Bleu Magazine's critic said that the "facsimiles aren't terrible, they're just boring and forgettable at this point." Two weeks before the album's release, on April 2, 2008, "Touch My Body", her first single from the album, became Carey's eighteenth number-one single on the Hot 100, pushing her past Elvis Presley into second place for the most number-one singles among all artists in the rock era, according to Billboard magazine's revised methodology. Carey is now second only to The Beatles, who have twenty number-one singles. The album debuted at number one on the Billboard 200 with 463,000 copies sold, making it the biggest opening week sales of her career.Carey's singles have collectively topped the charts for seventy-nine weeks, which places her just behind Presley, who topped the charts for a combined eighty weeks. In 2008, Billboard magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist (behind Madonna) in the history of the Billboard Hot 100 chart. Carey has also had notable success on international charts, though not to the same degree as in the United States. Thus far, she has had two number-one singles in Britain, two in Australia, and six in Canada. Her highest-charting single in Japan peaked at number two. Carey and actor/comedian/rapper Nick Cannon met while they shot Carey's music video for her second single "Bye Bye" on a private island of the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. In October 2008, Carey was inducted into the Long Island Music Hall of Fame. Carey had a cameo appearance in Adam Sandler's 2008 film You Don't Mess with the Zohan, playing herself. Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn in as America's first African-American president on January 20, 2009. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of the Jackson 5 hit "I'll Be There" at the memorial service for Michael Jackson in the Los Angeles Staples Center. Carey was featured on "My Love", the second single from singer-songwriter The-Dream's album Love vs. Money. In 2009, she appeared as a social worker in Precious, the movie adaptation of the 1996 novel Push by Sapphire. The film has garnered mostly positive reviews from critics, as has Carey's performance. Variety described her acting as "pitch-perfect". So far Precious has won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top awards there. In January 2010, Carey won the Breakthrough Actress Performance award for her role in Precious at the Palm Springs International Film Festival. Carey's twelfth studio album, Memoirs of an Imperfect Angel was released on September 25, 2009. The album received generally favorable reviews from music critics. John Bush of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from The New York Times criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and mid registers. Commercially, the album debuted at number three on the Billboard 200 and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the Billboard Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad," in which he taunted Carey's husband, Nick Cannon by telling him to back off and that Carey is his. According to MTV, Carey alludes to drug problems in "Obsessed," which Eminem opened up about on his sixth studio album, Relapse. The album's follow-up singles failed to achieve commercial success. The second single, a cover of Foreigner's "I Want to Know What Love Is", peaked at number 60 and the third single, "H.A.T.E.U.", failed to crack the Billboard Hot 100. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Later it was announced that Carey would release two remix albums of Memoirs of an Imperfect Angel; titled Angels Advocate (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists) and MC vs JS (a dance album entirely remixed by the Jump Smokers). In January 2010, "Up Out My Face" featuring Nicki Minaj and "Angels Cry" featuring Ne-Yo were released as the lead singles from Angels Advocate. Both albums were slated for a March 2010 release, but were eventually cancelled.
2010–present: Merry Christmas II You and pregnancyon December 3, 2010]] Following the cancellation of the remix albums, it was announced that Carey will go back to the studio to start work on her second Christmas album and her 13th studio album. Fashion photographer David LaChapelle told The Times on April 24, 2010, that he shot the album's artwork. Long time collaborators for the project include Jermaine Dupri and Bryan-Michael Cox. Dupri stated that a single will be released by the end of 2010. Johntá Austin and Randy Jackson are also contributing to the project.In May 2010, Carey, citing medical reasons, dropped out of her planned appearance in For Colored Girls, the film adaptation of the play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf. During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the Christmas album would be out in November 2 and will include six new songs and a remix of her all time classic hit "All I Want for Christmas Is You". The album will be titled Merry Christmas II You, a follow-up to her 1994 multiplatinum album Merry Christmas. An accompanying DVD was released alongside the CD. Carey has produced and recorded tracks with the Broadway producer Marc Shaiman for the album. The album debuted at #4 on the Billboard 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album Merry Christmas of 45,000 copies 16 years prior, and making Merry Christmas II You Carey's 16th top 10 album. The album also debuted at #1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart, and also hit number #1 on the Holiday Albums Chart. After much media spectulation, on October 28, 2010, Carey confirmed that she and Cannon are expecting a baby, and that it is due in the spring of 2011. Carey stated that she struggled to keep the news a secret. She also revealed that they have yet to find out the gender of the baby and that she conceived naturally. She added that she had been pregnant shortly after her wedding with Nick Cannon, but that she miscarried. Carey and Cannon decided to keep the matter private. Following allegations that Mariah accidentally revealed that the couple were expecting twins during an radio interview by referring to the child as 'they', Nick stated that Carey is due one child, not twins. However, Nick refused to say how many babies his wife was expecting to E! News, but admitted that by saying 'they', Mariah 'wasn't wrong'. On December 16, 2010, Nick Cannon announced that he and Mariah were in fact going to have twins. On December 12, 2010, Carey was the featured performer on the annual television special Christmas in Washington, airing live on pay-per-view in select cities worldwide. The U.S. network television premiere was December 17 via the TNT network.
ArtistryCarey has said that from childhood she has been influenced by R&B; and soul musicians such as Billie Holiday, Sarah Vaughan, Gladys Knight and Aretha Franklin. Her music contains strong influences of gospel music, she attends an Episcopal church and her favorite gospel singers include The Clark Sisters, Shirley Caesar and Edwin Hawkins. She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. & Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep, In She Bop II: The Definitive History of Women in Rock, Pop and Soul (2002), writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection". Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR". Despite the fact that Carey is often credited with co-writing her material, she has also been accused of plagiarism on several occasions. Many of these cases were eventually settled out of court.
VoiceMariah Carey possesses a five-octave vocal range, and was ranked first in a 2003 MTV and Blender magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself." She also placed second in Cove magazine's list of "The 100 Outstanding Pop Vocalists". Regarding her voice, Carey states,"I have nodules on my vocal cords. My mother says I've had them since I was a kid. That's why I have the high register and the belting register and I can still be husky. The only thing that really affects my voice is sleep. Sometimes if I'm exhausted, I can't hit the really high notes." "My doctors showed me my vocal cords and why I can hit those high notes. It's a certain part of the cord that not many people use—the very top. My natural voice is low. I have a raspy voice. I'm really more of an alto. But my airy voice can be high if I'm rested. [...] When I was little, I'd talk in this really high whisper, and my mom would be like, "You're being ridiculous." I thought if I can talk like that I can sing like that. So I started [she goes higher and higher and higher] just messing around with it. I'd practice and practice, and she'd be like, "You're gonna hurt yourself." I'd tell her, It doesn’t hurt/ If I were to try and belt two octaves lower than that, that would be a strain." She also explains that it was Minnie Riperton who influenced her to use the whistle register. The medium is "pleasurable and possesses an ample vibrato." Sasha Frere-Jones of The New Yorker adds her timbre possesses various colors, saying, "Carey's sound changes with nearly every line, mutating from a steely tone to a vibrating growl and then to a humid, breathy coo." Her wide vocal range allows Carey to take melodies from alto bottom notes to coloratura soprano upper register, Voice experts praise Carey's vocal technique, like Stephen Holden who said, "[s]he can deliver very accurate staccatos as well as tricky melismas, and she possesses a beautiful and solid trill in upper register". Rolling Stone expressed similar sentiments, saying, "Carey has a remarkable vocal gift, but to date, unfortunately, her singing has been far more impressive than expressive", "She wails notes that don't need emphasizing, then whispers what would ordinarily be climactic phrases, and the outcome doesn't make emotional or musical sense." New York Daily News continues in the same direction, saying, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening. If no one can question the scope of Carey's voice it's too bad she has again used it to say nothing." Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano music, and she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. Some of her arrangements have been inspired by the work of musicians such as Stevie Wonder, a soul pianist to whom Carey once referred as "the genius of the [twentieth] century", Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey several times, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which Slant magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip hop and house producers to re-imagine her album compositions. Entertainment Weekly included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip hop collaboration trend that has continued into the 2000s through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you". According to Rolling Stone, "Her mastery of melisma, the fluttering strings of notes that decorate songs like "Vision of Love," inspired the entire American Idol vocal school, for better or worse, and virtually every other female R&B; singer since the Nineties." Beyoncé Knowles credits Carey's singing and her song "Vision of Love," as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Carey is also credited for introducing R&B; and hip-hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Philip Brasor, editor of "The Japan Times," expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey." " video in 1998.]] In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and Blender magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in Cove magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor, Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to Billboard magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium," as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as Music Box and Number 1's. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist. Carey has spent a record 79 weeks at the number-one position on Billboard Hot 100, becoming the artist with the most weeks at number-one in U.S. chart history. On that same chart, she has accumulated 18 number-one singles, making her the solo artist with the most number-one singles in the chart's history. It also produced the successful single, "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the U.S. In Japan, Number 1's has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of Billboards Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. In 2008, Billboard magazine listed "We Belong Together" ninth on The Billboard: All-Time Hot 100 Top Songs and the most successful song of the first decade of the 21st century. In 2009, Carey's song Obsessed became her 12th Platinum single, the most by any female artist. Also in 2009, Carey's cover of Foreigner's classic, "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the Billboard Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52 year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Careys 13th and second christmas album,Merry Christmas II You debuted at #1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.
Philanthropy and other activitiesCarey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah "for her generous support and dedication to Fresh Air children", and she received a Congressional Horizon Award for her youth-related charity work. She is well-known nationally for her work with the Make-a-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation's Wish Idol for her "extraordinary generosity and her many wish granting achievements". Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of MTV Unplugged was donated to various other charities. In 2008, Carey was named Hunger Ambassador of the World Hunger Relief Movement. She is giving a free download of her song, "Love Story", to customers who donate to the organization at participating restaurants. In February 2010, the song, "100%", which was originally written and recorded for the film, , was used as one of the theme songs for the 2010 Winter Olympics, with all money proceeds going to Team USA.One of Carey's most high-profile benefit concert appearances was on VH1's 1998 Divas Live special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special At Home for the Holidays, which documented real-life stories of adopted children and foster families, and she has worked with the New York City Administration for Children's Services. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer". On September 5, the singers performed it live on TV. Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". According to Forbes, Carey was the sixth richest woman in entertainment , with an estimated net worth of US $225 million. Carey directed or co-directed several of the music videos for her singles during the 1990s. Slant magazine named the video for "The Roof (Back in Time)", which Carey co-directed with Diane Martel, one of the twenty greatest music videos of all time. In 2008, Carey made Time's annual list of 100 most Influential people. In January 2010, Carey announced via Twitter that she is launching a new rosé champagne brand called Angel Champagne.Supporting Actress of the Year at the Capri Hollywood International Film FestivalNominated — Black Reel Award for Best Supporting Actress & Best Ensemble. Nominated — NAACP Image Award for Outstanding Supporting Actress in a Motion PictureNominated — Screen Actors Guild Award for Outstanding Cast in a Motion Picture. |} {| class="wikitable sortable" |- ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2002 | Ally McBeal | Candy Cushnip | "" (Season 5, episode 8) |- | 2003 | The Proud Family | Herself | Voice role |}
Discography
See also
Notes
References
External linksCategory:1970 births Category:1990s singers Category:2000s singers Category:2010s singers Category:Living people Category:Actors from New York Category:African American actors Category:African American female singers Category:African American female singer-songwriters Category:African American musicians Category:African American songwriters Category:American rhythm and blues singer-songwriters Category:American film actors Category:American female singers Category:American music video directors Category:American pop singers Category:American record producers Category:Hip hop singers Category:American dance musicians Category:American sopranos Category:English-language singers Category:Grammy Award winners Category:American musicians of Irish descent Category:Island Records artists Category:Musicians from New York Category:People from Long Island Category:Spanish-language singers Category:American people of Venezuelan descent Category:World Music Awards winners Category:American philanthropists This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community. Brian McKnight
Brian McKnight (born June 5, 1969) is an American singer, songwriter, arranger, producer, and R&B; musician, as well as currently hosting his own evening talk show. He is a multi-instrumentalist who plays nine instruments: piano, guitar, bass guitar, drums, percussions, trombone, tuba, flugelhorn and trumpet.
BiographyMcKnight was born in Buffalo, New York. His musical career began in childhood when he became a member of his church, NY choir and a band leader for his high school, Sweet Home High School. In 1987, McKnight's older brother, Claude, and his band, Take 6, signed a record deal with Warner Brothers. This encouraged McKnight to shop his own demo tapes and by the age of 19, he'd signed his first recording deal with Mercury Records subsidiary, Wing Records. From 2006 to 2010 he hosted a radio show, The Brian McKnight Morning Show with Pat Prescott on KTWV The Wave in Los Angeles, CA. The show was at one time simulcasted on KHJZ-FM, Smooth Jazz 95.7 The Wave in Houston, TX from 6am-9am CST, but this station has changed its format. On January 26, 2009, Brian McKnight hosted "The Brian McKnight show" from 7PM-Midnight on 98.7 KISS FM in New York City.In October 2007, McKnight made his Broadway debut in the show Chicago. In 2009, he appeared in the second season of Celebrity Apprentice. Each celebrity played to raise money for the charity of their choice; McKnight elected to play for Youthville USA. From September 2009 to May 2010, The Brian McKnight Show, a late night talk show premiered in syndication. The show is a combination of talk and variety. The show was cancelled on May 29, 2010 due to low ratings and will not return for a second season. Although he promised to pay employees and staff in full, no one who worked on the show has received any payment.
ReligionBrian McKnight is a Seventh-day Adventist. He grew up attending Emmanuel Temple Seventh-day Adventist Church in Buffalo. He also attended Oakwood University, a Seventh-day Adventist university, in Huntsville, Alabama from 1987-1989. McKnight explains, concerning his musical beginnings in the church:"I'm the fifth generation of Seventh Day Adventists and the youngest of four brothers. When I was still very small, we formed a gospel quartet. Our models were the great gospel groups, the Swan Silvertones and Mighty Clouds of Joy. The McKnight brothers were serious singers. The reputation went out: these boys could shout. My big brothers—Claude (a part of the gospel group Take 6), Freddie and Michael—man, they were my heroes. Each was a leader in his own right. Outside church, they listened to jazz. Church music thrilled me, but jazz stimulated me."
Discography
Awards and nominations
McKnight holds a record, having received 16 nominations without a win.
ReferencesMusic.Yahoo.com
External links
Category:American rhythm and blues guitarists Category:American soul guitarists Category:American tenors Category:American pianists Category:American musicians Category:American record producers Category:Songwriters from New York Category:American trumpeters Category:American rhythm and blues singers Category:American multi-instrumentalists Category:American Seventh-day Adventists Category:Motown artists Category:Warner Music Group artists Category:People from Buffalo, New York Category:African American singers Category:1969 births Category:Living people Category:Participants in American reality television series Category:The Apprentice (U.S. TV series) contestants This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community. |