Gnomeo & Juliet is a 2011 British computer-animated family comedy film based on William Shakespeare's play Romeo and Juliet. The film is directed by Kelly Asbury, and the two main characters are voiced by James McAvoy and Emily Blunt. The film was released on February 11, 2011.

Plot[link]

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (January 2011)

Mrs. Montague and Mr. Capulet (Julie Walters and Richard Wilson) are two elderly neighbors who despise each other. When they leave the garden, objects come alive in both their gardens. The Montague garden is filled with blue garden gnomes, and the Capulet garden houses red garden gnomes. Later, both blue and red gnomes attend a lawnmower race. Representing the blues is Gnomeo (James McAvoy) and representing the reds is Tybalt (Jason Statham). During the race, it looks like Gnomeo is winning; however, Tybalt cheats and wins the race, destroying Gnomeo's lawnmower. Gnomeo and his best friend, Benny (Matt Lucas), insult Tybalt for cheating, but Tybalt ignores them. Benny watches Mrs. Montague ordering a new cheap lawnmower called The Kitten Clipper, disappointed.

Later that night, Gnomeo and Benny infiltrate the red garden in disguise, with blue spray cans. Benny sprays Tybalt's well and accidentally triggers a security light in the process, alerting the red gnomes to attack. During the escape Gnomeo ends up in a nearby neglected garden. He bumps into a disguised Juliet (Emily Blunt), the daughter of the red gnomes leader Lord Redbrick (Michael Caine). Juliet is attempting to retrieve a unique orchid, and the two romantically fight over it. They each discover the other's colour before fleeing the garden. When they both go back to their gardens, Juliet tells her frog friend Nanette (Ashley Jensen) about her newfound love. Nanette states that the relationship is romantically tragic.

Gnomeo and Juliet then have secret meetings in a secret garden, where they meet a pink plastic flamingo named Featherstone (Jim Cummings). He encourages their love, and the two begin to meet regularly. Though when the two of them are getting ready for a date, Lord Redbrick introduces Juliet to Paris (Stephen Merchant), a red gnome that Nanette has fallen for, though Juliet manages to get away. Later, when the two return back to their gardens, Gnomeo finds his mother Lady Bluebury (Maggie Smith), who is distraught after the reds infiltrated the garden and destroyed the plant Gnomeo's deceased father planted. The blues want Gnomeo to take revenge on the reds, and he realizes that he cannot refuse unless he tells his secret. He tunnels underneath to reach the red garden, but just as he is about to spray the prized flowers of the reds, Juliet sees him. He backs out suddenly, telling Benny that the nozzle on the spraying bottle was jammed.

When he and Juliet meet up again, they briefly argue until Featherstone stops them, telling them that other people's hate destroyed his love. He and his girlfriend were separated when the two people living in the house, where their garden was, got divorced. After he has explained this, Gnomeo and Juliet apologize, but when they are about to kiss, Benny sees them, distracts them, then runs into the alleyway, where Tybalt is waiting with his lawnmower. Tybalt drives at Benny, chops his hat clean off with a trowel, and attempts to run him down with his lawnmower. Tybalt is interrupted by Gnomeo, and he is destroyed when crashing into a wall, killing him. The reds attempt to attack Gnomeo, but Juliet, to the surprise of her father and clan, defends Gnomeo, saying that she loves him. A woman suddenly jogs along, so all gnomes become still and inconspicuous. Gnomeo ends up on a road, and everyone believes he was run over by a truck. Lord Redbrick has Juliet glued to her fountain because he does not want to lose her like her mother. Gnomeo's pet, a mushroom named Shroom, is left alone and goes on the road, where he realizes that what appeared to be Gnomeo is actually a broken blue teapot, and that Gnomeo is still alive. Gnomeo eventually ends up in a park, and climbs onto a statue of William Shakespeare (Patrick Stewart) and tells him his story. Shakespeare tells Gnomeo that his story is very similar to Romeo and Juliet and that it is likely Gnomeo's will have a sad ending as well, however, Gnomeo refuses to accept that sort of ending. Shroom and Featherstone come to find him.

Benny, meanwhile, cancels the order of the Kitten Clipper and buys the Terrafirminator lawnmower using the computer, to get revenge on the Red Gnomes, despite Shroom trying to convince him that Gnomeo is still alive. The Terrafirminator goes out of control and destroys most of the two gardens while the gnomes wage a full scale war. Gnomeo makes it back to Juliet to try to un-glue her, but he is unable to. She tells him to go, but he refuses, and the two share a kiss just as the lawnmower crashes into the fountain, self-destructing in the process. Everyone believes that both Gnomeo and Juliet are dead. Lord Redbrick and Lady Bluebury, both realizing that their feud was responsible for this, decide to end the feud. As they do, they accidentally trigger a switch, which causes a massive tropical castle display to rise up from the remains of Juliet's pedestal. Much to the astonishment of all the gnomes, both Gnomeo and Juliet are revealed to have survived as they rise from the ruins. The residents of the gardens celebrate just as Mrs. Montague and Mr. Capulet return to find their yards destroyed. The film ends happily with the red and blue gnomes finally coming together to celebrate their newfound peace. Tybalt is also revealed to still be alive, having been glued back together, and presumably has a more pleasant disposition. Featherstone is also reunited with his girlfriend after Benny finds and orders her online. Meanwhile, Gnomeo and Juliet get married on a purple lawnmower, which symbolizes the new union of both gnome clans.

Cast[link]

• James McAvoy as Gnomeo, the main protagonist; counterpart to Romeo Montague.
• Emily Blunt as Juliet, the deuteragonist; counterpart to Juliet Capulet.
• Michael Caine as Lord Redbrick, the leader of the red gnomes and Juliet's overprotective widower father; counterpart to Lord Capulet.
• Jason Statham as Tybalt, the main antagonist and counterpart to Tybalt.
• Maggie Smith as Lady Bluebury, the leader of the blue gnomes and Gnomeo's widowed mother; counterpart to Lady Montague
• Patrick Stewart as a statue of William Shakespeare.
• Ashley Jensen as Nanette, a plastic garden frog and Juliet's best friend; a flamboyant water squirter who is loyal to Juliet; counterpart to Nurse
• Matt Lucas as Benny, Gnomeo's impulsive and tall-hatted best friend; counterpart to Benvolio, though the fate of his hat being smashed by Tybalt is similar to Mercutio's.
• Stephen Merchant as Paris, a nerdy red gnome who was arranged to marry Juliet; counterpart to Count Paris.
• Ozzy Osbourne as Fawn, a garden deer. The secondary antagonist and Tybalt's best friend; counterpart to Peter.
• Jim Cummings as Featherstone, a lonely plastic flamingo with a thick Spanish accent; vaguely resembles Friar Laurence and Sesame Street's Placido Flamingo. His name is a reference to Donald Featherstone, the creator of the pink flamingo lawn ornament.
• Hulk Hogan as Terrafirminator V.O., an announcer who tells people to buy the Terrafirminator.
• Julie Walters as Ms. Montague, the elderly owner of the Blue garden. Her face is shown briefly in the beginning of the film.
• Richard Wilson as Mr. Capulet, the owner of the Red garden. His face is briefly shown in the beginning of the film.
• Kelly Asbury as Red Goon Gnomes; counterparts to Gregory, Sampson, Anthony, and Potpan.
• Shroom, a silent mushroom and Gnomeo’s friend; counterpart to Romeo's servant, Balthasar
• The Bunnies, a group of small, cement bunnies that act as servants for Lady Bluebury and others in the Blue Garden; counterparts to Abram and other miscellaneous servants of the Montagues.
• Dolly Parton as Dolly Gnome the lawnmower race announcer

There is no counterpart for Mercutio, as stated by James MacAvoy in an interview with NBC, ”Gnomeo in this is a little bit of amalgamation between Romeo and Mercutio. We don’t have that Mercutio character in this. We don’t have that leader of the pack, which Romeo isn’t but Gnomeo is a little bit."^[3]

Production[link]

Gnomeo & Juliet is directed by Kelly Asbury. The original screenplay, inspired by William Shakespeare's Romeo and Juliet, was written by John R. Smith and Rob Sprackling. Asbury, Mark Burton, Kevin Cecil, Emily Cook, Kathy Greenberg, Andy Riley, and Steve Hamilton Shaw worked on the final screenplay. Prior to the casting of James McAvoy and Emily Blunt, the roles of Gnomeo and Juliet were to be voiced by Ewan McGregor and Kate Winslet, respectively.^[4]

The film was the original idea of Sprackling and Smith, who sold the spec script to Disney through Rocket Pictures. Initially, the film was going to be produced by Walt Disney Animation Studios, but was shut down by its new chief, John Lasseter, after the Pixar acquisition. Miramax Films picked up the project and guided its production until the division closed down. Australian director Adam Elliot was approached and asked to direct the film, but he rejected the offer due the film's incompatibility with his style, as well as his lack of experience with CGI.^[5] The film later was picked up and produced by Starz Animation in Toronto. It was released under the Touchstone Pictures banner on February 11, 2011, becoming Touchstone's first animated film since 1993's The Nightmare Before Christmas and also Touchstone's first film to receive a G rating from the MPAA. The film's worldwide premiere was at Disney's El Capitan Theatre in Hollywood on January 23, 2011.

The film was distributed in the United Kingdom and Canada by E1 Entertainment, and the film was released in 3D. Elton John and director Asbury presented 10 minutes of the film at the Cannes Film Festival.^[6]

Starz Animation Toronto (which also made 9) produced all of the animation for the film, including the stereoscopic version.

In addition, this film reunites veteran British actors Maggie Smith and Michael Caine, from the 1978 Neil Simon comedy California Suite, in the roles of Lady Blueberry and Lord Redbrick, respectively.

Soundtrack[link]

The soundtrack was released on February 8, 2011, three days before the film's initial release. It features music by Elton John, Nelly Furtado, Kiki Dee, and selections from the score composed by Chris P. Bacon and James Newton Howard. The soundtrack was supposed to feature a much anticipated duet between John and Lady Gaga titled "Hello, Hello"; however, the version of the song featuring Lady Gaga only appears in the film, and on the soundtrack, the song features only John.^[7]

Reception[link]

Critical reaction[link]

Gnomeo & Juliet received mixed reviews; review aggregate website Rotten Tomatoes reported that 56% of professional critics gave positive reviews based on 117 reviews with an average rating of 5.6/10.^[8] Its consensus states "While it has moments of inspiration, Gnomeo & Juliet is often too self-referential for its own good".^[8] Another review aggregator, Metacritic, gave the film a 53% rating based on 28 reviews on its review scale.^[9]

Box-office[link]

Gnomeo and Juliet has earned $99,967,670 in the North America and an $94,000,000 in other countries, as of October 23, 2011, for a worldwide total of $193,967,670.^[2] Gnomeo & Juliet was ultimately a sleeper hit for Disney, outperforming the much higher-budgeted (and eventual box office bomb)^[10] Mars Needs Moms the studio released a month following Gnomeo & Juliet. On its first weekend, the film had a worldwide opening of $30,680,933, finishing in second place behind Just Go with It ($35.8 million).^[11][12] However, on its second weekend —Presidents' Day weekend— it topped the worldwide box office (although not being in first place either in North America^[13] or overseas^[14]) with $29,832,466, ahead of Unknown which ranked second ($26.4 million).

It opened in 2,994 theaters in North America on Friday, February 11, 2011, grossing $6.2 million on its first day and ranking third behind Justin Bieber: Never Say Never and Just Go with It. It then finished the weekend with $25.4 million in third place.^[15] However, it scored the largest opening weekend ever for an animated feature released during the winter period (both January and February). It also made the largest debut on record for a minor animated movie (i.e., one with little status, expectations and/or built-in audience), according to Box Office Mojo.^[16] With a $99.97 million total it stands as the highest-grossing animated feature among those released in winter.^[17]

In the United Kingdom, Ireland, and Malta, it topped the weekend box office by earning £2,945,627 ($4,716,248) on its opening. In total it has grossed $25,283,924, making the UK the only market, except the USA, where it grossed more than $10 million.^[18]

Accolades[link]

Home media[link]

Gnomeo & Juliet was released on Blu-ray 3D, Blu-ray, and DVD on May 24, 2011.^[19][20] The film was produced as three different packages: a 1-disc DVD, a 2-disc Blu-ray/DVD combo pack, and a 3-disc Blu-ray 3D, Blu-ray, and DVD combo pack. The 3-disc package will also include access to a digital download of the film.^[21] Both the DVD and Blu-ray versions of the release will include the music video for Elton John and Nelly Furtado's version of John's "Crocodile Rock", as well as the extras "Elton Builds a Garden" and "Frog Talk" with Ashley Jenson.^[22] In addition, the Blu-ray version also has several deleted and alternate scenes, as well as a feature with Ozzy Osbourne called "The Fawn of Darkness".^[23]

Sequel[link]

In March 2012, it was reported that a sequel titled Gnomeo & Juliet: Sherlock Gnomes is in development at Rocket Pictures. Andy Riley and Kevin Cecil, two of the seven writers on the first film, are writing the script for the sequel. Steve Hamilton Shaw and David Furnish are producing the film, and Elton John, an exec producer, is again composing new songs for the film. The film will feature Sherlock Gnomes, "the greatest ornamental detective", who will try to solve the mystery of disappearing gnomes.^[24]

References[link]

External links[link]

• Official website
• Gnomeo & Juliet at the Internet Movie Database
• Gnomeo & Juliet at AllRovi
• Gnomeo & Juliet at Box Office Mojo
• Gnomeo & Juliet at Rotten Tomatoes
• Gnomeo & Juliet at Metacritic

v t e William Shakespeare's Romeo and Juliet Characters Romeo Juliet Mercutio Tybalt Benvolio Friar Laurence Nurse Paris Prince Escalus Rosaline Full Character List Sources The Tragical History of Romeus and Juliet Pyramus and Thisbe Palace of Pleasure Troilus and Criseyde Ephisaica Musical adaptations Romeo und Julie (1776) I Capuleti e i Montecchi (1830) Roméo et Juliette (Berlioz) (1839) Roméo et Juliette (1867) Romeo and Juliet (overture) (1870) Romeo und Julia (1929) Romeo and Juliet (1938) West Side Story (1957) Roméo et Juliette, de la Haine à l'Amour (2001) Giulietta e Romeo (2007) On screen Romeo and Juliet (1900) Romeo and Juliet (1908) Romeo and Juliet (1916) Romeo and Juliet (1936) Romeo and Juliet (1954) Romeo i Dzhulyetta (1955) Romeo and Juliet (1968) Romeo and Juliet (1978) The Tragedy of Romeo and Juliet (1982) Romeo and Juliet (1992) Romeo + Juliet (1996) Romeo and Juliet (2012) Adaptations Beneath the 12-Mile Reef (1953) Romeo, Juliet and Darkness (1960) Romanoff and Juliet (1961) West Side Story (1961) Romie-0 and Julie-8 (1979) The Sea Prince and the Fire Child (1981) Tromeo and Juliet (1996) Love Is All There Is (1996) The Lion King II: Simba's Pride (1998) Shakespeare in Love (1998) Romeo Must Die (2000) Romiette and Julio (2001) Hobak Nar (2004) Pizza My Heart (2005) West Bank Story (2005) Romeo & Juliet: Sealed with a Kiss (2006) Romeo × Juliet (2007) Saints & Sinners (2007) Gnomeo & Juliet (2011) Book:Romeo and Juliet

Juliet
The balcony scene in Romeo and Juliet as depicted by Ford Madox Brown in an 1870 painting
Creator	William Shakespeare
Play	Romeo and Juliet
Family	Romeo (husband) Capulet (father) Lady Capulet (mother) Tybalt (cousin)
Associates	The Nurse
Role	Protagonist

Juliet is one of the title characters in William Shakespeare's tragedy Romeo and Juliet, the other being Romeo. She is the daughter of old Capulet, head of the house of Capulet. The story has a long history that precedes Shakespeare himself.

Relationships[link]

This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (September 2010)

This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. Specific concerns may be found on the talk page. See Wikipedia's guide to writing better articles for suggestions. (December 2007)

Juliet by Philip H. Calderon

The play takes place over a time span of four days. Within these few days, Juliet is thrust into adulthood quickly—where she must deal with issues of life, love, passion, and even death. During the play she is courted by a potential husband (Count Paris), falls in love with another (Romeo), marries Romeo secretly, experiences the death of her cousin Tybalt, has one brief passionate night with her new husband before he is forced to leave the city, is threatened by her father and nearly disowned by both of her parents for refusing to marry the man they have chosen for her, she is emotionally betrayed by the nurse who raised her from infancy, spends nearly two days drugged to unconsciousness, is widowed, and ultimately commits suicide near the body of her dead husband.

Shakespeare's Juliet is a headstrong and intelligent character in spite of her young age, though she often seems timid to the audience because of her young age. She is considered by many to be the true hero of the play, acting as a sounding board and a balance against the impulsive Romeo. It is Juliet who sets the boundaries of behavior in her relationship with Romeo: she allows him to kiss her, she pledges her commitment before him, and it is she who suggests their marriage. Juliet's forgiveness of Romeo after he kills Tybalt indicates her mature nature in contrast to his passionate impulsiveness. Furthermore, Juliet lies and clandestinely subverts her family's wishes, a truly rebellious action against traditional Italian society. These actions and the choices they require establish Juliet as a far more complex character than her family, or even Romeo, appreciate.

Character history[link]

Juliet's wealthy and rich family lived in Verona, headed by old Capulet and his wife. She was their only child and was thought of as a gift from heaven. As a child, she was cared for by her nurse, who is now her confidante, or Juliet's caretaker.

In Juliet's first scene, she demonstrates her obedience and lack of experience in the world, outlining herself as inexperienced and in many ways dependent on her parents and nurse. She has not given marriage a second thought but she does want to do what her mother asks. It is high time that Juliet go the route Lady Capulet went in her youth, and be married to a rich and powerful gentleman like her father. The Count Paris is a bit of a bystander in the play however, unwittingly mixed up in the drama between the families. The to-be couple only ever met once in the Friar Lawrence's cell, which was very brief. His interest in her is primarily based on her social standing and her family's vast wealth, in contrast to her youthful beauty. He politely and nobly asks Capulet for her hand, and apparently would like her to begin bearing his children as soon as physically possible: "Younger than she are happy mothers made" (I.ii.12). Juliet, on the other hand, has no interest in becoming a wife and the mother of Paris's children: "(Marriage) is an honour that I dream not of" (I.iii.68). Even her father at first considers her too young to settle down. This may be a reflection on his feelings about his own wife, who might have been happier waiting a few years before marrying him. He tells Paris to let Juliet grow up for a few more years before planning marriage, but he pompously disagrees (I.ii.10–11). Of course, Juliet's mind on the matter changes within a few minutes of meeting Romeo, but when Paris is mentioned to her by her mother in act three she reverts back to an immature, whining, almost infantile state. Romeos very presence seems to propel her toward maturity however, and her decisions are made quickly but thoughtfully from that point forward.

Romeo too seems to achieve depth through his intense love with Juliet. When compared to the pining and frustration he exhibited during his crush on Rosaline, his behavior toward Juliet and her family and his attitude in general both show a level of great maturity. The feud that one day had seemed all-encompassing now makes no sense, and he abandons it. Much of Romeo's dialogue with Juliet is an intricate pattern of words. Their rhyming couplets sometimes come together to create a poem. This symbolizes their union, and shows that Juliet can easily match Romeo in wordplay.

It is not clear exactly why Romeo and Juliet love each other, beyond immediate physical attraction. They were married not 24 hours after their first meeting. Fate plays a constant role in the story. Their love is "death-marked" (I.I.9), the lovers are "star-crossed" (I.I.6), and Romeo feels he is being led by the stars as a ship is steered by its pilot. The idea may be that the heirs to these two families were fated to end up together to end the feud, and their deaths may or may not have been part of that fate. The play may be interpreted differently according to the whim of the reader or viewer. The series of disastrous events that leads to their deaths may have been just a part of the destiny, or it may have been what shattered the fate and made the story a true tragedy. Either way, peace comes to the families.

Juliet's age[link]

One aspect of the story which now seems problematic is Juliet's age. As the story occurs, Juliet is approaching her fourteenth birthday. She was born on "Lammas Eve at night" (August 1), so Juliet's birthday is July 31 (1319). Her birthday is "a fortnight hence", putting the action of the play in mid-July (1317). Her father states that she "hath not seen the change of fourteen years" (129). In many cultures and time periods, women did and do marry and bear children at an early age. Romeo and Juliet is a play about Italian families. The average English playgoer in Shakespeare's audience had never met an Italian person, and it was commonly thought that they were quite exotic, the Italian male passionate and emotional, and the Italian female precocious and quite ready to become a mother by thirteen. Lady Capulet had given birth to her first child by the time she had reached Juliet's age: "By my count, I was your mother much upon these years that you are now a maid" (1374–75). The play celebrates youth while pointing out its impulsiveness, passion, and idealism; qualities which contribute to the tragedy. The adolescent infatuation of the lovers becomes elevated to the status of sacred love.

This aspect of the story appears to be Shakespeare's invention, since Juliet is approaching her sixteenth birthday in Arthur Brooke's poem, his main source. Even Capulet tries to encourage Paris to wait a little longer before even thinking of marrying his daughter, feeling that she is still too young; "She hath not seen the change of fourteen years, Let two more summers wither in their pride, Ere we may think her ripe to be a bride". The common English people of that age were very rarely in their teens when they married and even among the nobility and gentry of the age, brides thirteen years of age were rare, at about one in one thousand brides; in that era, the vast majority of English brides were at least nineteen years of age when they first married, most commonly at about 22 years, and most English noblewomen were at least sixteen when they married. That the parts of young women were played by pre-adolescent boys in Shakespeare's day also cannot be overlooked and it is possible that Shakespeare had the physique of a young boy in mind during composition^[2].

In today's Verona[link]

[edit] Casa di Giulietta

Juliet's purported balcony, in Verona. Beneath it, on the walls, there are love letters.

In Verona, a house claiming to be the Capulets' has been turned into a tourist attraction. It features the balcony, and in the small courtyard, a bronze statue of Juliet. It is one of the most visited sites in the town. The metal of its chest is worn bare due to a legend that if a person strokes the right breast of the statue, that person will have good fortune.^[3]

Many people write their names and the names of their beloved ones on the walls of the entrance, known as Juliet's wall. Many believe that writing on that place will make their love everlasting. After a restoration and cleaning of the building, it was intended that further writing should be on replaceable panels^[4] or white sheets^[5] placed outside the wall.

It is also a tradition to put small love letters on the walls (which is done by the thousands each year), which are regularly taken down by employees to keep the courtyard clean.^[6]

Club di Giulietta[link]

Since the 1930s, letters addressed to Juliet keep arriving in Verona. As of 2010, more than 5,000 letters are received annually, three quarters of which are from women. The largest single group of senders are American teenagers.^[7] The letters are read and replied to by local volunteers, organized since the 1980s in the Club di Giulietta (Juliet Club), which is financed by the City of Verona.^[7] The club has been the subject of a book by Lise and Ceil Friedman and is the setting for a 2008 book by Suzzane Harper and a 2010 USA movie, Letters to Juliet.

Performers[link]

A number of famous actresses have portrayed the role of Juliet:

• Mary Saunderson was the first woman to play Juliet professionally. Previous actors had all been males.^[8]
• Eliza O'Neill won her fame with Juliet at Covent Garden, 1814.
• Katharine Cornell had a notable Broadway success as Juliet opposite the Romeo of Basil Rathbone in 1934, and revived the production with Maurice Evans as Romeo and Ralph Richardson as Mercutio the following year.
• Peggy Ashcroft was one of the great Juliets in history, most famously in the 1935 London production directed by John Gielgud, in which Gielgud and Laurence Olivier alternated the roles of Romeo and Mercutio.
• Norma Shearer in George Cukor's Romeo and Juliet (1936). Leslie Howard was her Romeo.
• Judi Dench had a great success as Juliet in Franco Zeffirelli's 1960 London production.
• The 1961 musical film West Side Story starred Natalie Wood as Maria, the Juliet analogue.
• Olivia Hussey portrayed Juliet in Zeffirelli's 1968 film, Romeo and Juliet,; Leonard Whiting was her Romeo.
• Niamh Cusack portrayed Juliet in 1986 with The Royal Shakespeare Company. Sean Bean was her Romeo.
• Claire Danes was Juliet in Baz Luhrmann's modernized 1996 version, Romeo + Juliet, alongside Leonardo DiCaprio as Romeo.
• Gugu Mbatha-Raw portrayed Juliet at the Royal Exchange Theatre's 2005 production.
• Hailee Steinfeld will portray Juliet in Carlo Carlei's upcoming film adaptation opposite actor Douglas Booth as Romeo.^[9]

Animation[link]

• In Romeo & Juliet: Sealed with a Kiss, Juliet is portrayed as a white seal and is voiced by Patricia Trippett while her brother Daniel did the voicing of the brown seal Romeo.
• Fumie Mizusawa voices Juliet in the heroic-fantasy adaptation Romeo x Juliet by the Japanese animation studio GONZO, with Takahiro Mizushima voicing Romeo; Brina Palencia and Chris Burnett portrayed the characters in the English-language version.

Fictional performers[link]

• The Academy Award-winning film Shakespeare in Love depicts history's first Juliet as being illegally played by Viola de Lesseps, a woman (Gwyneth Paltrow).
• In her music video Love Story, American singer-songwriter Taylor Swift played the part of Juliet. The plot was transformed to a happy ending, instead of tragic.
• In the credits of Toy Story 3, one of the Squeeze Toy Aliens/LGMs play the role of Juliet dressed up in a dress, a wig and a princess hat.
• In the climax of "Casting Call" from The Mysteries of Alfred Hedgehog, after Camille Wallaby who is beautifully dressed solves the mystery with Alfred and Milo, she is chosen to be the perfect Juliet by saying her famous words.
• In The Sims 2 Juliet reappears as Juliette Capp.

Notes[link]

References[link]

• Bevington, David, Ed. Romeo and Juliet, The Bantam Shakespeare (New York, 1988)
• Levenson, Jill L., Ed. Romeo and Juliet, The Oxford Shakespeare (Oxford, 2000)

Further reading[link]

• "Juliet's Taming of Romeo" Carolyn E. Brown; Studies in English Literature, 1500–1900, Vol. 36, 1996
• "A Psychological Profile of Shakespeare's Juliet: Or Was It Merely Hormones?" Nancy Compton Warmbrod The English Journal, Vol. 69, No. 9 (Dec., 1980), p. 29

External links[link]

• The Juliet club in Verona
• The fanlisting for Juliet
• Juliet Character Analysis

v t e William Shakespeare's Romeo and Juliet Characters Romeo Juliet Mercutio Tybalt Benvolio Friar Laurence Nurse Paris Prince Escalus Rosaline Full Character List Sources The Tragical History of Romeus and Juliet Pyramus and Thisbe Palace of Pleasure Troilus and Criseyde Ephisaica Musical adaptations Romeo und Julie (1776) I Capuleti e i Montecchi (1830) Roméo et Juliette (Berlioz) (1839) Roméo et Juliette (1867) Romeo and Juliet (overture) (1870) Romeo und Julia (1929) Romeo and Juliet (1938) West Side Story (1957) Roméo et Juliette, de la Haine à l'Amour (2001) Giulietta e Romeo (2007) On screen Romeo and Juliet (1900) Romeo and Juliet (1908) Romeo and Juliet (1916) Romeo and Juliet (1936) Romeo and Juliet (1954) Romeo i Dzhulyetta (1955) Romeo and Juliet (1968) Romeo and Juliet (1978) The Tragedy of Romeo and Juliet (1982) Romeo and Juliet (1992) Romeo + Juliet (1996) Romeo and Juliet (2012) Adaptations Beneath the 12-Mile Reef (1953) Romeo, Juliet and Darkness (1960) Romanoff and Juliet (1961) West Side Story (1961) Romie-0 and Julie-8 (1979) The Sea Prince and the Fire Child (1981) Tromeo and Juliet (1996) Love Is All There Is (1996) The Lion King II: Simba's Pride (1998) Shakespeare in Love (1998) Romeo Must Die (2000) Romiette and Julio (2001) Hobak Nar (2004) Pizza My Heart (2005) West Bank Story (2005) Romeo & Juliet: Sealed with a Kiss (2006) Romeo × Juliet (2007) Saints & Sinners (2007) Gnomeo & Juliet (2011) Book:Romeo and Juliet

Sir Elton John CBE
Elton John attending the premiere of The Union at the 2011 Tribeca Film Festival
Background information
Birth name	Reginald Kenneth Dwight
Born	(1947-03-25) 25 March 1947 (age 65) Pinner, Middlesex, England
Genres	Rock, R&B, pop rock, glam rock, soft rock
Occupations	Musician, singer-songwriter, record producer, composer
Instruments	Vocals, piano, keyboards, guitar
Years active	1964–68 (Bluesology) 1969–present (Solo)
Labels	DJM, Uni, MCA, Geffen, Rocket/Island, Universal, Interscope, Mercury, UMG
Associated acts	Bernie Taupin, Tim Rice, John Lennon, Yoko Ono, Kiki Dee, Billy Joel, George Michael, Eminem, Gladys Knight, Stevie Wonder, Dionne Warwick, Neil Sedaka
Website	eltonjohn.com

Sir Elton Hercules John, CBE (born Reginald Kenneth Dwight on 25 March 1947) is an English rock singer-songwriter, composer, pianist and occasional actor. He has worked with lyricist Bernie Taupin as his songwriter partner since 1967; they have collaborated on more than 30 albums to date.

In his four-decade career John has sold more than 250 million records, making him one of the most successful artists of all time.^[1] His single "Candle in the Wind 1997" has sold over 33 million copies worldwide, and is the best selling single in Billboard history.^[2] He has more than 50 Top 40 hits, including seven consecutive No. 1 US albums, 56 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won six Grammy Awards, four Brit Awards, an Academy Award, a Golden Globe Award and a Tony Award. In 2004, Rolling Stone ranked him Number 49 on its list of the 100 greatest artists of all time.^[3]

John was inducted into the Rock and Roll Hall of Fame in 1994.^[4] Having been named a Commander of the Order of the British Empire in 1996, John received a knighthood from Queen Elizabeth II for "services to music and charitable services" in 1998.^[5]

He has been heavily involved in the fight against AIDS since the late 1980s.^[6] In 1992, he established the Elton John AIDS Foundation and a year later began hosting the annual Academy Award Party, which has since become one of the most high-profile Oscar parties in the Hollywood film industry. Since its inception, the foundation has raised over $200 million.^[7]

John entered into a civil partnership with David Furnish^[8] on 21 December 2005 and continues to be a champion for LGBT social movements. In 2008, Billboard magazine ranked him as the most successful male solo artist on "The Billboard Hot 100 Top All-Time Artists" (third overall, behind only The Beatles and Madonna).^[9]

Life and career[link]

Early life[link]

John was born Reginald Kenneth Dwight on 25 March 1947, the eldest child of Stanley and only child of Sheila Eileen Dwight (née Harris)^[10][11][12] and was raised in Pinner, Middlesex in a council house of his maternal grandparents. His parents did not marry until he was 6 years old, when the family moved to a nearby semi-detached house.^[13][14][15] He was educated at Pinner Wood Junior School, Reddiford School and Pinner County Grammar School, until age 17, when he left just prior to his A Level examinations to pursue a career in the music industry.^[16][17][18]

When John began to seriously consider a career in music, his father, who served as a Flight Lieutenant in the Royal Air Force, tried to steer him toward a more conventional career, such as banking.^[16] John has stated that his wild stage costumes and performances were his way of letting go after such a restrictive childhood.^[18] Both of John's parents were musically inclined, his father having been a trumpet player with the Bob Millar Band, a semi-professional big band that played at military dances.^[18] The Dwights were keen record buyers, exposing John to the popular singers and musicians of the day, and John remembers being immediately hooked on rock and roll when his mother brought home records by Elvis Presley and Bill Haley & His Comets in 1956.^[16][17]

John started playing the piano at the age of 3, and within a year, his mother heard him picking out Winifred Atwell's "The Skater's Waltz" by ear.^[16][17] After performing at parties and family gatherings, at the age of 7 he took up formal piano lessons. He showed musical aptitude at school, including the ability to compose melodies, and gained some notoriety by playing like Jerry Lee Lewis at school functions. At the age of 11, he won a junior scholarship to the Royal Academy of Music. According to one of his instructors, John promptly played back, like a "gramophone record", a four-page piece by Handel that he heard for the first time.^[17]

For the next five years he attended Saturday classes at the Academy in central London, and has stated that he enjoyed playing Chopin and Bach and singing in the choir during Saturday classes, but that he was not otherwise a diligent classical student.^[17] "I kind of resented going to the Academy", he says. "I was one of those children who could just about get away without practising and still pass, scrape through the grades."^[17] He even claims that he would sometimes skip classes and just ride around on the Tube.^[17] However, several instructors have testified that he was a "model student", and during the last few years he was taking lessons from a private tutor in addition to his classes at the Academy.^[17]

John's mother, though also strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often physically absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights would have terrible arguments that greatly distressed their son.^[17] When John was 14, they divorced.^[19] His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately referred to as "Derf", his first name in reverse.^[17] They moved into flat No. 1A in an eight-unit apartment building called Frome Court, not far from both previous homes. It was there that John would write the songs that would launch his career as a rock star; he would live there until he had four albums simultaneously in the American Top 40.^[20]

Pub pianist to staff songwriter (1962–1969)[link]

At the age of 15, with the help of his mother and stepfather, Reginald Dwight became a weekend pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights for £35 a week and tips.^[21][22] Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as songs he had written himself.^[23][24] A stint with a short-lived group called the Corvettes rounded out his time.^[17]

In 1964, Dwight and his friends formed a band called Bluesology. By day, he ran errands for a music publishing company; he divided his nights between solo gigs at a London hotel bar and working with Bluesology. By the mid-1960s, Bluesology was backing touring American soul and R&B musicians like The Isley Brothers, Major Lance, Billy Stewart, Doris Troy and Patti LaBelle and The Bluebelles. In 1966, the band became musician Long John Baldry's supporting band and played 16 times at The Marquee Club.^[25]

After failing lead vocalist auditions for King Crimson and Gentle Giant, Dwight answered an advertisement in the New Musical Express placed by Ray Williams, then the A&R manager for Liberty Records.^[26] At their first meeting, Williams gave Dwight a stack of lyrics written by Bernie Taupin, who had answered the same ad. Dwight wrote music for the lyrics, and then mailed it to Taupin, beginning a partnership that still continues^[update]. When the two first met in 1967 they recorded what would become the first Elton John/Bernie Taupin song: "Scarecrow". Six months later Dwight was going by the name "Elton John" in homage to Bluesology saxophonist Elton Dean and Long John Baldry.^[23]

The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, like Roger Cook and Lulu.^[27] Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he couldn't come up with anything quickly.^[27] For two years, they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the British entry for the Eurovision Song Contest in 1969, for Lulu, called "Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released recording, the single "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.^[28][29]

During this period, John was also a session musician for other artists including playing piano on The Hollies' "He Ain't Heavy, He's My Brother" and singing backing vocals for The Scaffold.^[30]

[edit] Debut album to Goodbye Yellow Brick Road (1969–1973)

When John transitioned to solo performance, he started wearing increasingly flamboyant clothing onstage, including this hat and domino mask

On the advice of music publisher Steve Brown, John and Taupin started writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, former Bluesology guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky.

For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the USA, and established the formula for subsequent albums; gospel-chorded rockers and poignant ballads. The first single from the album, "Border Song", made into the US Top 100, peaking at Number 92. The second single "Your Song" made the US Top Ten, peaking at number eight and becoming John's first hit single as a singer. The album soon became his first hit album, reaching number four on the Billboard 200 album chart.^[31]

Backed by ex-Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, John's first American concert took place at The Troubadour in Los Angeles in August 1970, and was a success.^[32]

The concept album Tumbleweed Connection was released in October 1970, and reached the Top Ten on the Billboard 200. The live album 17-11-70 (11–17–70 in the US) was recorded at a live show aired from A&R Studios on WABC-FM in New York City. Sales of the live album were heavily hit in the US when an east coast bootlegger released the performance several weeks before the official album, including all 60 minutes of the aircast, not just the 40 minutes selected by Dick James Music.^[33]

Elton John at the Musikhalle, Hamburg in March 1972

John and Taupin then wrote the soundtrack to the obscure film Friends and then the album Madman Across the Water, the latter reaching the Top Ten and producing the hit "Levon", while the soundtrack album produced the hit "Friends". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. The band released Honky Chateau, which became John's first American number 1 album, spending five weeks at the top of the charts and spawning the hit singles "Rocket Man (I Think It's Going To Be A Long, Long Time)" (which is often compared to David Bowie's "Space Oddity") and "Honky Cat".^[34]

The pop album Don't Shoot Me I'm Only the Piano Player came out at the start of 1973, and produced the hits "Crocodile Rock" and "Daniel"; the former became his first US Billboard Hot 100 number one hit.^[35] Both the album and "Crocodile Rock" were the first album and single, respectively on the consolidated MCA Records label in the USA, replacing MCA's other labels including Uni.

Goodbye Yellow Brick Road gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at Number 1 for two months.^[36] It also temporarily established John as a glam rock star. It contained the number 1 hit "Bennie and the Jets", along with the popular and praised "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Funeral For A Friend/Love Lies Bleeding" and "Grey Seal" (originally recorded and released in 1970 as the B-side to the UK-only single, "Rock and Roll Madonna"). There is also a VHS and DVD as part of the Classic Albums series, discussing the making, recording, and popularity of "Goodbye Yellow Brick Road" through concert and home video footage including interviews.

[edit] Rocket Records to 21 at 33 (1974–1979)

Elton John performing live in 1975

John formed his own MCA-distributed label Rocket Records and signed acts to it – notably Neil Sedaka ("Bad Blood", on which he sang background vocals) and Kiki Dee – in which he took a personal interest. Instead of releasing his own records on Rocket, he opted for $8 million offered by MCA. When the contract was signed in 1974, MCA reportedly took out a $25 million insurance policy on John's life.^[37]

In 1974 a collaboration with John Lennon took place, resulting in Elton John covering The Beatles' "Lucy in the Sky with Diamonds" and Lennon's "One Day at a Time", and in return Elton John and band being featured on Lennon's "Whatever Gets You thru the Night". In what would be Lennon's last live performance, the pair performed these two number 1 hits along with the Beatles classic "I Saw Her Standing There" at Madison Square Garden. Lennon made the rare stage appearance to keep the promise he made that he would appear on stage with Elton if "Whatever Gets You Thru The Night" became a number 1 single.^[38]

Caribou was released in 1974, and although it reached number 1, it was widely considered^[39] a lesser quality album. Reportedly recorded in a scant two weeks between live appearances, it featured "The Bitch Is Back"^[39] and the lushly orchestrated "Don't Let the Sun Go Down on Me".^[39]

John performing, 1975.

Pete Townshend of The Who asked John to play a character called the "Local Lad" in the film of the rock opera Tommy, and to perform the song "Pinball Wizard". Drawing on power chords, John's version was recorded and used for the movie release in 1975 and the single came out in 1976 (1975 in the US). The song charted at number 7 in England. Bally subsequently released a "Captain Fantastic" pinball machine featuring an illustration of John in his movie guise.

In the 1975 autobiographical album Captain Fantastic and the Brown Dirt Cowboy, John revealed his previously ambiguous personality, with Taupin's lyrics describing their early days as struggling songwriters and musicians in London. The lyrics and accompanying photo booklet are infused with a specific sense of place and time that is otherwise rare in John's music. "Someone Saved My Life Tonight" was the hit single from this album and captured an early turning point in John's life.

The album's release signalled the end of the Elton John Band, as an unhappy and overworked John dismissed Olsson and Murray, two people who had contributed much of the band's signature sound and who had helped build his live following since the beginning.

According to Circus Magazine^[40] a spokesman for John Reid (Connie Papas) said the decision was reached mutually via phone while Elton was in Australia promoting Tommy. She said there was no way John Reid could have fired them "because the band are not employed by John Reid, they're employed by Elton John."^[40] She went on to say Nigel would be going back to his solo work and Dee would do session work "and possibly cut a solo album".^[40]

Davey Johnstone and Ray Cooper were retained, Quaye and Roger Pope returned, and the new bassist was Kenny Passarelli; this rhythm section provided a heavier-sounding backbeat. James Newton-Howard joined to arrange in the studio and to play keyboards. John introduced the line-up before a crowd of 75,000 in London's Wembley Stadium.

John in 1975.

The rock-oriented Rock of the Westies entered the US albums chart at number 1 like Captain Fantastic, a previously unattained feat. Elton John's stage wardrobe now included ostrich feathers, $5,000 spectacles that spelled his name in lights, and dressing up like the Statue of Liberty, Donald Duck, or Mozart, among others, at his concerts.^[41][42]

To celebrate five years since he first appeared at the venue, in 1975 John played a two-night, four-show stand at The Troubadour. With seating limited to under 500 per show, the chance to purchase tickets was determined by a postcard lottery, with each winner allowed two tickets. Everyone who attended the performances received a hardbound "yearbook" of the band's history. That year he also played piano on Kevin Ayers' Sweet Deceiver, and was among the first and few white artists to appear on the black music series Soul Train on American television.^[36] On 9 August 1975, John was named the outstanding rock personality of the year at the first annual Rock Music Awards at ceremonies held in Santa Monica, California.^[43]

In 1976, the live album Here and There was released in May, followed by the Blue Moves album in October, which contained the single "Sorry Seems to Be the Hardest Word". His biggest success in 1976 was "Don't Go Breaking My Heart", a duet with Kiki Dee that topped both the American and British charts. Finally, in an interview with Rolling Stone that year entitled "Elton's Frank Talk", John stated that he was bisexual.^[44]

John playing in Mannheim, Germany in 1979.

Besides being the most commercially successful period, 1970–1976 is also held in the most regard critically. Within only a three year span, between 1972 and 1975 John saw seven consecutive albums reach Number 1 in the charts, which had not been accomplished before.^[36] Of the six Elton John albums to make the 500 Greatest Albums of All Time in Rolling Stone'in 2003, all are from this period, with Goodbye Yellow Brick Road ranked highest at number 91; similarly, the three Elton John albums given five stars by Allmusic (Tumbleweed Connection, Honky Château, and Captain Fantastic) are all from this period too.

During the same period, John made a guest appearance on the popular Morecambe and Wise Show on the BBC. The two comics spent the episode pointing him in the direction of everywhere except the stage in order to prevent him singing.^[45]

In November 1977 John announced he was retiring from performing; Taupin began collaborating with others. Now only producing one album a year, John issued A Single Man in 1978, employing a new lyricist, Gary Osborne; the album produced no singles that made the Top 20 in the US but the two singles from the album released in the UK, Part-Time Love and Song for Guy, both made the Top 20 in the UK with the latter reaching the Top 5. In 1979, accompanied by Ray Cooper, John became one of the first Western solo artists to tour the Soviet Union (as well as one of the first in Israel), then mounted a two-man comeback tour of the US in small halls. John returned to the singles chart with "Mama Can't Buy You Love" (number 9, 1979), a song originally rejected in 1977 by MCA before being released, recorded in 1977 with Philadelphia soul producer Thom Bell.^[46] Elton reported that Thom Bell was the first person to give him voice lessons; Bell encouraged John to sing in a lower register. A disco-influenced album, Victim of Love, was poorly received. In 1979, John and Taupin reunited, though they did not collaborate on a full album until 1983's Too Low For Zero. 21 at 33, released the following year, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), although the lyrics were written by Gary Osborne.

[edit] The 80s: The Fox to Sleeping with the Past (1981–1989)

Elton performing in the 1980s.

His 1981 album, The Fox, was recorded in part during the same sessions as 21 at 33, and also included collaborations with Tom Robinson and Judie Tzuke. On 13 September 1980, John, with Olsson and Murray back in the Elton John Band, performed a free concert to an estimated 400,000 fans on The Great Lawn in Central Park in New York City. His 1982 hit "Empty Garden (Hey Hey Johnny)", came from his Jump Up! album, his second under a new US recording contract with Geffen Records.

He married his close friend and sound engineer, Renate Blauel on Valentine's Day 1984 – the marriage lasted three years.^[47] The Biography Channel Special detailed the loss of Elton's voice in 1986 while on tour in Australia. Shortly thereafter he underwent throat surgery, which permanently altered his voice. Several non-cancerous polyps were removed from his vocal cords, resulting in a change in his singing voice.^[48] In 1987 he won a libel case against The Sun which published allegations of sex with rent boys.^[49]

With original band members Johnstone, Murray and Olsson together again, John was able to return to the charts with the 1983 hit album Too Low for Zero, which included "I'm Still Standing" and "I Guess That's Why They Call It the Blues", the latter of which featured Stevie Wonder on harmonica and reached number 4 in the US, giving John his biggest hit there since "Little Jeannie". He placed hits in the US Top Ten throughout the 1980s – "Little Jeannie" (number 3, 1980), "Sad Songs (Say So Much)" (number 5, 1984), "Nikita" boosted by a mini-movie pop video directed by Ken Russell (number 7, 1986), a live orchestral version of "Candle in the Wind" (number 6, 1987), and "I Don't Wanna Go On With You Like That" (number 2, 1988). His highest-charting single was a collaboration with Dionne Warwick, Gladys Knight, and Stevie Wonder on "That's What Friends Are For" (number 1, 1985); credited as Dionne and Friends, the song raised funds for AIDS research. His albums continued to sell, but of the six released in the latter half of the 1980s, only Reg Strikes Back (number 16, 1988) placed in the Top 20 in the United States.

In 1985, Elton John was one of the many performers at Live Aid held at Wembley Stadium.^[50] John played "Bennie and the Jets" and "Rocket Man"; then "Don't Go Breaking My Heart" with Kiki Dee for the first time in years; and introduced his friend George Michael, still then of Wham!, to sing "Don't Let the Sun Go Down on Me".^[50] He enlisted Michael to sing backing vocals on his single "Wrap Her Up", and also recruited teen idol Nik Kershaw as an instrumentalist on "Nikita". John also recorded material with Millie Jackson in 1985. In 1986, he played the piano on two tracks on the heavy metal band Saxon's album Rock the Nations.

In 1988, he performed five sold-out shows at New York's Madison Square Garden,^[51] giving him 26 for his career. Netting over $20 million, 2,000 items of John's memorabilia were auctioned off at Sotheby's in London.^[52]

[edit] The 90s: "Sacrifice" to Aida (1990–1999)

In 1990, John finally achieved his first UK number one hit on his own, with "Sacrifice" (coupled with "Healing Hands") from the previous year's album Sleeping with the Past; it would stay at the top spot for six weeks.^[53] The following year, John's "Basque" won the Grammy for Best Instrumental, and a guest concert appearance he had made on George Michael's cover of "Don't Let the Sun Go Down on Me" was released as a single and topped the charts in both the US and UK.^[54] At the 1991 Brit Awards in London, Elton John won the award for Best British Male.^[55]

In 1992 he released the US number 8 album The One, featuring the hit song "The One".^[56][57] John and Taupin then signed a music publishing deal with Warner/Chappell Music for an estimated $39 million over 12 years, giving them the largest cash advance in music publishing history.^[58] In April 1992, John appeared at the Freddie Mercury Tribute Concert at Wembley Stadium, performing "The Show Must Go On" with the remaining members of Queen, and "Bohemian Rhapsody" with Axl Rose of Guns N' Roses and Queen.^[59] In September, John performed "The One" at the 1992 MTV Video Music Awards, and also closed the ceremony performing "November Rain" with Guns N' Roses.^[60] The following year, he released Duets, a collaboration with 15 artists including Tammy Wynette and RuPaul. This also included a new collaboration with Kiki Dee, entitled "True Love", which reached the Top 10 of the UK charts.^[61]

Along with Tim Rice, Elton John wrote the songs for the 1994 Disney animated film The Lion King, which became the 3rd highest-grossing animated feature of all time.^[62] At the 67th Academy Awards ceremony, The Lion King provided three of the five nominees for the Academy Award for Best Song, which John won with "Can You Feel the Love Tonight".^[63] Both that and "Circle of Life" became hit songs for John.^[64][65] "Can You Feel the Love Tonight" would also win Elton John the Grammy Award for Best Male Pop Vocal Performance at the 37th Grammy Awards.^[63] After the release of the The Lion King soundtrack, the album remained at the top of Billboard's charts for nine weeks. On 10 November 1999, the RIAA certified The Lion King "Diamond" for selling 15 million copies.^[2]

In 1995 John released Made in England (number 3, 1995), which featured the single "Believe".^[66] John performed "Believe" at the 1995 Brit Awards, and picked up the prize for Outstanding Contribution to Music.^[67] A compilation called Love Songs was released in 1996.^[68]

Early in 1997 John held a 50th birthday party, costumed as Louis XIV, for 500 friends. John also performed with the surviving members of Queen in Paris at the opening night (17 January 1997) of Le Presbytère N'a Rien Perdu De Son Charme Ni Le Jardin De Son Éclat, a work by French ballet legend Maurice Béjart which draws upon AIDS and the deaths of Freddie Mercury and the company's principal dancer Jorge Donn. Later in 1997, two close friends died: designer Gianni Versace was murdered; Diana, Princess of Wales died in a Paris car crash on 31 August.^[69]

	"Candle in the Wind 1997" noicon Most of the lyrics of "Candle in the Wind 1997" were written to suit the circumstances of Diana, Princess of Wales' life and death
Problems listening to this file? See media help.

In early September, John contacted his writing partner Bernie Taupin, asking him to revise the lyrics of his 1973 song "Candle in the Wind" to honour Diana, and Taupin rewrote the song accordingly.^[70] On 6 September 1997, John performed "Candle in the Wind 1997" at the funeral of Diana, Princess of Wales in Westminster Abbey.^[71] The song became the fastest, and biggest-selling single of all time, eventually selling over 33 million copies worldwide.^[2][72][73] The best-selling single in UK Chart history, it sold 4.86 million copies in the UK.^[74] The best-selling single in Billboard history, and the only single ever certified Diamond in the United States, the single sold over 11 million copies in the U.S.^[75][76] The song proceeds of approximately £55 million were donated to the Diana, Princess of Wales Memorial Fund. It would win John the Grammy Award for Best Male Pop Vocal Performance at the 40th Grammy Awards ceremony in 1998.^[73] John has publicly performed "Candle in the Wind 1997" only once, at Diana's funeral, vowing never to perform it again unless asked by Diana's sons.^[77]

In the musical theatre world, in addition to a 1998 adaptation of The Lion King for Broadway, John also composed music for a Disney production of Aida in 1999 with lyricist Tim Rice, for which they received the Tony Award for Best Original Score at the 54th Tony Awards,^[78] and the Grammy Award for Best Musical Show Album at the 43rd Grammy Awards.^[79][80] The musical was given its world premiere in the Alliance Theatre in Atlanta. It went on to Chicago and eventually Broadway. He also released a live compilation album called Elton John One Night Only – The Greatest Hits from the show he did at Madison Square Garden in New York City that same year.

2000 to present[link]

Elton John performs at the Keepmoat Stadium in Doncaster, July 2008

In 2000, John and Tim Rice teamed again to create songs for DreamWorks' animated film The Road to El Dorado. In August 2003, John scored his fifth UK number one single when "Are You Ready for Love" topped the UK Charts.^[81] Returning again to musical theatre, John composed music for a West End Theatre production of Billy Elliot the Musical in 2005 with playwright Lee Hall. John's only theatrical project with Bernie Taupin so far is Lestat: The Musical, based on the Anne Rice vampire novels. However it was slammed by the critics and closed in May 2006 after 39 performances.^[82]

John was named a Disney Legend for his numerous outstanding contributions to Disney's films and theatrical works on 9 October 2006, by The Walt Disney Company.^[83] In 2006 he told Rolling Stone magazine that he plans for his next record to be in the R&B/hip-hop genre. "I want to work with Pharrell {Williams}, Timbaland, Snoop {Dogg}, Kanye {West}, Eminem and just see what happens."^[84]