Medieval illustration of Hell in the Hortus deliciarum manuscript of Herrad of Landsberg (about 1180)

Hell - detail from a fresco in the medieval church St. Nicolas in Raduil, Bulgaria

In many religious traditions, hell is a place of suffering and punishment in the afterlife. Religions with a linear divine history often depict hells as endless. Religions with a cyclic history often depict a hell as an intermediary period between incarnations. Typically these traditions locate hell under the Earth's external surface and often include entrances to Hell from the land of the living. Other afterlife destinations include Heaven, Purgatory, Paradise, and Limbo.

Other traditions, which do not conceive of the afterlife as a place of punishment or reward, merely describe hell as an abode of the dead, a neutral place located under the surface of Earth (for example, see sheol and Hades). Modern understandings of hells often depict them abstractly, as a state of loss rather than as fiery torture literally underground, but this view of the concept of a hell can, in fact, be traced back into the ancient and medieval periods as well.^{[citation needed]} Hell is sometimes portrayed as populated with demons who torment those dwelling there. Many are ruled by a death god such as Nergal, Hades, Enma or the Christian and Islamic Devil (Satan or Lucifer). In Islam, the Devil does not actually reside in Hell.

Etymology and Germanic mythology[link]

Hel (1889) by Johannes Gehrts.

A vision of Hell from Dante’s Divine Comedy. Illustration by Gustave Doré.

The modern English word Hell is derived from Old English hel, helle (about 725 AD to refer to a nether world of the dead) reaching into the Anglo-Saxon pagan period, and ultimately from Proto-Germanic *halja, meaning "one who covers up or hides something".^[1] The word has cognates in related Germanic languages such as Old Frisian helle, hille, Old Saxon hellja, Middle Dutch helle (modern Dutch hel), Old High German helle (Modern German Hölle), Danish, Norwegian and Swedish "helvede"/helvete (hel + Old Norse vitti, "punishment" whence the Icelandic víti "hell"), and Gothic halja.^[1] Subsequently, the word was used to transfer a pagan concept to Christian theology and its vocabulary^[1] (however, for the Judeo-Christian origin of the concept see Gehenna).

The English word hell has been theorized as being derived from Old Norse hel^[1] but the cognate does appear in all the other languages and has a Proto-Germanic origin.^[2] Among other sources, the Poetic Edda, compiled from earlier traditional sources in the 13th century, and the Prose Edda, written in the 13th century by Snorri Sturluson, provide information regarding the beliefs of the Norse pagans, including a being named Hel, who is described as ruling over an underworld location of the same name. This is envisioned as a "misty" place (rather than the fire envisioned by Christianity and Islam) where go all women and in addition, some men. Punishment for wrong deeds is not mentioned.

Religion, mythology, and folklore[link]

Hell appears in several mythologies and religions. It is commonly inhabited by demons and the souls of dead people. A fable about hell which recurs in folklore across several cultures is the allegory of the long spoons. Hell is often depicted in art and literature, perhaps most famously in Dante's Divine Comedy.

Punishments[link]

Punishment in Hell typically corresponds to sins committed during life. Sometimes these distinctions are specific, with damned souls suffering for each sin committed (see for example Plato's myth of Er or Dante's The Divine Comedy), but sometimes they are general, with condemned sinners relegated to one or more chamber of Hell or to a level of suffering.

In many religious cultures, including Christianity and Islam, Hell is traditionally depicted as fiery and painful, inflicting guilt and suffering.^[3][specify] Despite these common depictions of Hell as a place of fire, some other traditions portray Hell as cold. Buddhist - and particularly Tibetan Buddhist - descriptions of hell feature an equal number of hot and cold hells. Among Christian descriptions Dante's Inferno portrays the innermost (9th) circle of Hell as a frozen lake of blood and guilt.^[4] But cold also played a part in earlier Christian depictions of hell, beginning with the Apocalypse of Paul, originally from the early third century;^[5] the "Vision of Dryhthelm" by the Venerable Bede from the seventh century;^[6] "St Patrick's Purgatory", "The Vision of Tundale" or "Visio Tnugdali", and the "Vision of the Monk of Enysham", all from the twelfth century;^[7] and the "Vision of Thurkill" from the early thirteenth century.^[8]

Polytheism[link]

Ancient Egypt[link]

Lucifer - torturing souls as well as being tortured himself in hell (Les Très Riches Heures du duc de Berry, by the Limbourg brothers.

With the rise of the cult of Osiris during the Middle Kingdom the “democratization of religion” offered to even his humblest followers the prospect of eternal life, with moral fitness becoming the dominant factor in determining a person's suitability. At death a person faced judgment by a tribunal of forty-two divine judges. If they led a life in conformance with the precepts of the Goddess Maat, who represented truth and right living, the person was welcomed into the Two Fields. If found guilty the person was thrown to a “devourer” and didn't share in eternal life.^[9] The person who is taken by the devourer is subject first to terrifying punishment and then annihilated. These depictions of punishment may have influenced medieval perceptions of the inferno in hell via early Christian and Coptic texts.^[10] Purification for those who are considered justified may be found in the descriptions of “Flame Island”, where they experience the triumph over evil and rebirth. For the dammed complete destruction into a state of non being awaits but there is no suggestion of eternal torture; the weighing of the heart in Egyptian Mythology can lead to annihilation.^[11][12] Divine pardon at judgement was always a central concern for the Ancient Egyptians.^[13]

Modern undertsanding of Egyptian notions of hell is based on six ancient texts: The Book of Two Ways (Book of the Ways of Rosetau), The Book of Amduat (Book of the Hidden Room, Book of That Which Is in the Underworld), The Book of Gates, The Book of the Dead (Book of Going Forth by Day), The Book of the Earth and The Book of Caverns.^[14]

Ancient Near East[link]

The cultures of Mesopotamia (including Sumeria, the Akkadian Empire, Babylonia and Assyria), the Hittites and the Canaanites/Ugarits reveal some of the earliest evidence for the notion of a Netherworld or Underworld. From among the few texts that survive from these civilizations, this evidence appears in the Epic of Gilgamesh, the “Descent of Inanna to the Netherworld,” “Baal and the Underworld,” the “Descent of Ishtar” and the “Vision of Kummâ.”^[15]

Greek[link]

In classic Greek mythology, below Heaven, Earth, and Pontus is Tartarus, or Tartaros (Greek Τάρταρος, deep place). It is either a deep, gloomy place, a pit or abyss used as a dungeon of torment and suffering that resides within Hades (the entire underworld) with Tartarus being the hellish component. In the Gorgias, Plato (c. 400 BC) wrote that souls were judged after death and those who received punishment were sent to Tartarus. As a place of punishment, it can be considered a hell. The classic Hades, on the other hand, is more similar to Old Testament Sheol.

Europe[link]

The hells of Europe include Breton Mythology's "Anaon", Celtic Mythology's "Uffern", Slavic mythology's "Peklo", the hell of Sami mythology and Finnish "tuonela" ("manala").

Asia[link]

The hells of Asia include Bagobo Mythology's “Gimokodan” and Ancient Indian mythology's “Kalichi".

Symbol of Jaaniiw in Serer religion.

Africa[link]

African hells include Haida Mythology's “Hetgwauge” and the hell of Swahili Mythology (kuzimu). Serer religion rejects the general notion of heaven and hell.^[16] In Serer religion, acceptance by the ancestors who have long departed is as close to heaven. Rejection and becoming a wandering soul is as close to hell after one passes over. The souls of the dead must make their way to Jaaniw (the sacred dwelling place of the soul). Only those who have lived their lives on earth in accordance with Serer doctrines will be able to make this necessary journey and thus accepted by the ancestors. Those who can't make the journey become lost and wandering souls, but they do not burn in "hell fire".^[16][17]

Oceania[link]

The Oceanic hells include Samoan Mythology's “O le nu'u-o-nonoa” and the hells of Bangka Mythology and Caroline Islands Mythology.

Native American[link]

The hells of the Americas include Aztec Mythology's “Mictlan”, Inuit mythology's “Adlivun” and Yanomamo Mythology's “Shobari Waka”. In Maya mythology, Xibalbá is the dangerous underworld of nine levels ruled by the demons Vucub Caquix and Hun Came. The road into and out of it is said to be steep, thorny and very forbidding. Metnal is the lowest and most horrible of the nine Hells of the underworld, ruled by Ah Puch. Ritual healers would intone healing prayers banishing diseases to Metnal. Much of the Popol Vuh describes the adventures of the Maya Hero Twins in their cunning struggle with the evil lords of Xibalbá.

The Aztecs believed that the dead traveled to Mictlan, a neutral place found far to the north. There was also a legend of a place of white flowers, which was always dark, and was home to the gods of death, particularly Mictlantecutli and his spouse Mictlantecihuatl, which means literally "lords of Mictlan". The journey to Mictlan took four years, and the travelers had to overcome difficult tests, such as passing a mountain range where the mountains crashed into each other, a field where the wind carried flesh-scraping knives, and a river of blood with fearsome jaguars.

Abrahamic[link]

Judaism[link]

This unreferenced section requires citations to ensure verifiability.

Early Judaism had no concept of Hell, though the concept of an afterlife was introduced during the Hellenic period, apparently from neighboring Hellenistic religions. It occurs for example in Book of Daniel. Daniel 12:2 proclaims "And many of those who sleep in the dust of the earth shall awake, Some to everlasting life, Some to shame and everlasting contempt." Judaism does not have a specific doctrine about the afterlife, but it does have a mystical/Orthodox tradition of describing Gehenna. Gehenna is not Hell, but originally a grave and in later times a sort of Purgatory where one is judged based on one's life's deeds, or rather, where one becomes fully aware of one's own shortcomings and negative actions during one's life. The Kabbalah explains it as a "waiting room" (commonly translated as an "entry way") for all souls (not just the wicked). The overwhelming majority of rabbinic thought maintains that people are not in Gehenna forever; the longest that one can be there is said to be 12 months, however there has been the occasional noted exception. Some consider it a spiritual forge where the soul is purified for its eventual ascent to Olam Habah (heb. עולם הבא; lit. "The world to come", often viewed as analogous to Heaven). This is also mentioned in the Kabbalah, where the soul is described as breaking, like the flame of a candle lighting another: the part of the soul that ascends being pure and the "unfinished" piece being reborn.

According to Jewish teachings, hell is not entirely physical; rather, it can be compared to a very intense feeling of shame. People are ashamed of their misdeeds and this constitutes suffering which makes up for the bad deeds. When one has so deviated from the will of God, one is said to be in gehinom. This is not meant to refer to some point in the future, but to the very present moment. The gates of teshuva (return) are said to be always open, and so one can align his will with that of God at any moment. Being out of alignment with God's will is itself a punishment according to the Torah.

Christianity[link]

"Gehenna", Valley of Hinnom, 2007

The Christian doctrine of hell derives from the teaching of the New Testament, where hell is typically described using the Greek words Tartarus or Hades or the Arabic word Gehenna.

These three terms have different meanings and must be recognized.

• Hades has similarities to the Old Testament term, Sheol as "the place of the dead". Thus, it is used in reference to both the righteous and the wicked, since both wind up there eventually.^[25]
• Gehenna refers to the "Valley of Hinnon", which was a garbage dump outside of Jerusalem. It was a place where people burned their garbage and thus there was always a fire burning there. Bodies of those deemed to have died in sin without hope of salvation (such as people who committed suicide) were thrown there to be destroyed.^[26] Gehenna is used in the New Testament as a metaphor for the final place of punishment for the wicked after the resurrection.^[27]
• Tartaro (the verb "throw to Tartarus") occurs only once in the New Testament in II Peter 2:4, where it is parallel to the use of the noun form in 1 Enoch as the place of incarceration of 200 fallen angels. It mentions nothing about human souls being sent there in the afterlife.

The Last Judgement, Hell, circa 1431, by Fra Angelico

In many Christian churches, such as the Catholic Church, most Protestant churches (such as the Baptists, Episcopalians, etc.), and some Greek Orthodox churches,^[28] Hell is taught as the final destiny of those who have not been found worthy after they have passed through the great white throne of judgment,^[29][30] where they will be punished for sin and permanently separated from God after the general resurrection and last judgment. The nature of this judgment is inconsistent with many Protestant churches teaching the saving comes from accepting Jesus Christ as their savior, while the Greek Orthodox and Catholic Churches teach that the judgment hinges on both faith and works. However, many Liberal Christians throughout Liberal Protestant, Anglican and some Orthodox churches believe in Universal Reconciliation (see below) even though it might contradict more evangelical views in their denomination.^[31]

Some modern Christian theologians subscribe to the doctrines of Conditional Immortality. Conditional Immortality is the belief that the soul dies with the body and does not live again until the resurrection. This is the view held by a few Christian sects such as the Living Church of God, The Church of God International, and Seventh Day Adventist Church.

Annihilationism is the belief that the soul is mortal unless granted eternal life, making it possible to be destroyed in Hell.

Jehovah's Witnesses hold that the soul ceases to exist when the person dies^[32] and therefore that Hell (Sheol or Hades) is a state of non-existence.^[32] In their theology, Gehenna differs from Sheol or Hades in that it holds no hope of a resurrection.^[32] Tatarus is held to be the metaphorical state of debasement of the fallen angels between the time of their moral fall (Genesis chapter 6) until their post-millennial destruction along with Satan (Revelation chapter 20).^[33]

Universal Reconciliation is the belief that all human souls (and even Demons) will be eventually reconciled with God and admitted to Heaven. This view is held by some Unitarian-Universalists.^[34][35][36]

According to Emanuel Swedenborg’s Second Coming Christian revelation, hell exists because evil people want it.^[37] They, not God, introduced evil to the human race.^[38]

Islam[link]

Prophet Muhammad, along with Buraq and Gabriel, visit Hell, and see "shameless women" being eternally punished for exposing their hair to the sight of strangers. Persian, 15th century.

Muslims believe in jahannam (in Arabic: جهنم) (which is related to the Hebrew word gehinnom and resembles the versions of Hell in Christianity). In the Qur'an, the holy book of Islam, there are literal descriptions of the condemned in a fiery Hell, as contrasted to the garden-like Paradise (jannah) enjoyed by righteous believers.

In addition, Heaven and Hell are split into many different levels depending on the actions perpetrated in life, where punishment is given depending on the level of evil done in life, and good is separated into other levels depending on how well one followed God while alive. The gate of Hell is guarded by Maalik who is the leader of the angels assigned as the guards of hell also known as Zabaaniyah.

Although generally Hell is often portrayed as a hot steaming and tormenting place for sinners, there is one Hell pit which is characterized differently from the other Hell in Islamic tradition. Zamhareer is the Hell of extreme coldness, of unbearable blizzards, ice, and snow.

The lowest pit of Hell is Hawiyah, meant for those hypocrites who claimed aloud to believe in Allah and His messenger but denounced both in their hearts. Hypocrisy is considered to be one of the most dangerous sins, along with shirk.^{[citation needed]}

Bahá'í Faith[link]

In the Bahá'í Faith, the conventional descriptions of Hell and Heaven are considered to be symbolic representations of spiritual conditions. The Bahá'í writings describe closeness to God to be heaven, and conversely, remoteness from God as hell.^[39]

Eastern[link]

Buddhism[link]

Naraka in the Burmese representation

In "Devaduta Sutta", the 130th discourse of the Majjhima Nikaya, Buddha teaches about the hell in vivid detail. Buddhism teaches that there are five (sometimes six) realms of rebirth, which can then be further subdivided into degrees of agony or pleasure. Of these realms, the hell realms, or Naraka, is the lowest realm of rebirth. Of the hell realms, the worst is Avīci or "endless suffering". The Buddha's disciple, Devadatta, who tried to kill the Buddha on three occasions, as well as create a schism in the monastic order, is said to have been reborn in the Avici Hell.

However, like all realms of rebirth, rebirth in the Hell realms is not permanent, though suffering can persist for eons before being reborn again. In the Lotus Sutra, the Buddha teaches that eventually even Devadatta will become a Pratyekabuddha himself, emphasizing the temporary nature of the Hell realms. Thus, Buddhism teaches to escape the endless migration of rebirths (both positive and negative) through the attainment of Nirvana.

The Bodhisattva Ksitigarbha, according to the Ksitigarbha Sutra, made a great vow as a young girl to not reach Enlightenment until all beings were liberated from the Hell Realms or other unwholesome rebirths. In popular literature, Ksitigarbha travels to the Hell realms to teach and relieve beings of their suffering.

Hinduism[link]

Yama's Court and Hell. The Blue figure is Yamaraja (The Hindu god of death) with his consort Yami and Chitragupta
17th century Painting from Government Museum, Chennai.

Early Vedic religion doesn't have a concept of Hell. Ṛg-veda mentions three realms, bhūr (the earth), svar (the sky) and bhuvas or antarikṣa (the middle area, i.e. air or atmosphere)). In later Hindu literature, especially the law books and Puranas, more realms are mentioned, including a realm similar to Hell, called naraka (in Devanāgarī: नरक). Yama as first born human (together with his twin sister Yamī) in virtue of precedence becomes ruler of men and a judge on their departure. Originally he resides in Heaven, but later, especially medieval traditions, mention his court in naraka.

In the law-books (smṛtis and dharma-sūtras, like the Manu-smṛti) naraka is a place of punishment for sins. It is a lower spiritual plane (called naraka-loka) where the spirit is judged, or partial fruits of karma affected in a next life. In Mahabharata there is a mention of the Pandavas and the Kauravas both going to Heaven.At first Yudhisthir goes to heaven where he sees Duryodhana enjoying in heaven,Indra tells him Duryodhana is in heaven as he did his Kshatriya duties,then he shows Yudhisthir hell where it appears his brothers are but later its revealed it was a test for Yudhisthir and his brothers and Kauravas both are in heaven and both live happily in divine abode of gods.Hells are also described in various Puranas and other scriptures. Garuda Purana gives a detailed account of Hell, its features and enlists amount of punishment for most of the crimes like a modern day penal code.

It is believed that people who commit sins go to Hell and have to go through punishments in accordance with the sins they committed. The god Yamarāja, who is also the god of death, presides over Hell. Detailed accounts of all the sins committed by an individual are kept by Chitragupta, who is the record keeper in Yama's court. Chitragupta reads out the sins committed and Yama orders appropriate punishments to be given to individuals. These punishments include dipping in boiling oil, burning in fire, torture using various weapons, etc. in various Hells. Individuals who finish their quota of the punishments are reborn in accordance with their balance of karma. All created beings are imperfect and thus have at least one sin to their record; but if one has generally led a pious life, one ascends to svarga, a temporary realm of enjoinment similar to Paradise, after a brief period of expiation in Hell and before the next reincarnation according to the law of karma.

Jainism[link]

17th century cloth painting depicting seven levels of Jain hell and various tortures suffered in them. Left panel depicts the demi-god and his animal vehicle presiding over the each hell.

In Jain cosmology, Naraka (translated as hell) is the name given to realm of existence having great suffering. However, a Naraka differs from the hells of Abrahamic religions as souls are not sent to Naraka as the result of a divine judgment and punishment. Furthermore, length of a being's stay in a Naraka is not eternal, though it is usually very long—measured in billions of years. A soul is born into a Naraka as a direct result of his or her previous karma (actions of body, speech and mind), and resides there for a finite length of time until his karma has achieved its full result. After his karma is used up, he may be reborn in one of the higher worlds as the result of an earlier karma that had not yet ripened.

The hells are situated in the seven grounds at the lower part of the universe. The seven grounds are:

1. Ratna prabha
2. Sharkara prabha.
3. Valuka prabha.
4. Panka prabha.
5. Dhuma prabha.
6. Tamaha prabha.
7. Mahatamaha prabha.

The hellish beings are a type of souls which are residing in these various hells. They are born in hells by sudden manifestation.^[40] The hellish beings possess vaikriya body (protean body which can transform itself and take various forms). They have a fixed life span (ranging from ten thousand to billions of years) in the respective hells where they reside. According to Jain scripture, Tattvarthasutra, following are the causes for birth in hell:^[41]

1. Killing or causing pain with intense passion.
2. Excessive attachment to things and worldly pleasure with constantly indulging in cruel and violent acts.
3. Vowless and unrestrained life.^[42]

Taoism[link]

Ancient Taoism had no concept of Hell, as morality was seen to be a man-made distinction and there was no concept of an immaterial soul. In its home country China, where Taoism adopted tenets of other religions, popular belief endows Taoist Hell with many deities and spirits who punish sin in a variety of horrible ways. This is also considered Karma for Taoism.

Chinese folk beliefs[link]

A Chinese glazed earthenware sculpture of "Hell's torturer," 16th century, Ming Dynasty

Diyu (simplified Chinese: 地狱; traditional Chinese: 地獄; pinyin: Dìyù; Wade–Giles: Ti-yü; Japanese: 地獄, jigoku; literally "earth prison") is the realm of the dead in Chinese mythology. It is very loosely based upon the Buddhist concept of Naraka combined with traditional Chinese afterlife beliefs and a variety of popular expansions and re-interpretations of these two traditions. Ruled by Yanluo Wang, the King of Hell, Diyu is a maze of underground levels and chambers where souls are taken to atone for their earthly sins.

Incorporating ideas from Taoism and Buddhism as well as traditional Chinese folk religion, Diyu is a kind of purgatory place which serves not only to punish but also to renew spirits ready for their next incarnation. There are many deities associated with the place, whose names and purposes are the subject of much conflicting information.

The exact number of levels in Chinese Hell - and their associated deities - differs according to the Buddhist or Taoist perception. Some speak of three to four 'Courts', other as many as ten. The ten judges are also known as the 10 Kings of Yama. Each Court deals with a different aspect of atonement. For example, murder is punished in one Court, adultery in another. According to some Chinese legends, there are eighteen levels in Hell. Punishment also varies according to belief, but most legends speak of highly imaginative chambers where wrong-doers are sawn in half, beheaded, thrown into pits of filth or forced to climb trees adorned with sharp blades.

However, most legends agree that once a soul (usually referred to as a 'ghost') has atoned for their deeds and repented, he or she is given the Drink of Forgetfulness by Meng Po and sent back into the world to be reborn, possibly as an animal or a poor or sick person, for further punishment.

Zoroastrianism[link]

Zoroastrianism has historically suggested several possible fates for the wicked, including annihilation, purgation in molten metal, and eternal punishment, all of which have standing in Zoroaster's writings. Zoroastrian eschatology includes the belief that wicked souls will remain in hell until, following the arrival of three saviors at thousand-year intervals, Ahura Mazda reconciles the world, destroying evil and resurrecting tormented souls to perfection.^[43]

The sacred Gathas mention a “House of the Lie″ for those “that are of an evil dominion, of evil deeds, evil words, evil Self, and evil thought, Liars.”^[44] However, the best-known Zoroastrian text to describe hell in detail is the Book of Arda Viraf.^[45] It depicts particular punishments for particular sins—for instance, being trampled by cattle as punishment for neglecting the needs of work animals.^[46] Other descriptions can be found in the Book of Scriptures (Hadhokht Nask), Religious Judgments (Dadestan-i Denig) and the Book of the Judgments of the Spirit of Wisdom (Mainyo-I-Khard).^[47]

Literature[link]

Dante and Virgil in Hell (1850) by William-Adolphe Bouguereau.

In his Divina commedia ("Divine comedy"; set in the year 1300), Dante Alighieri employed the concept of taking Virgil as his guide through Inferno (and then, in the second canticle, up the mountain of Purgatorio). Virgil himself is not condemned to Hell in Dante's poem but is rather, as a virtuous pagan, confined to Limbo just at the edge of Hell. The geography of Hell is very elaborately laid out in this work, with nine concentric rings leading deeper into the Earth and deeper into the various punishments of Hell, until, at the center of the world, Dante finds Satan himself trapped in the frozen lake of Cocytus. A small tunnel leads past Satan and out to the other side of the world, at the base of the Mount of Purgatory.

John Milton's Paradise Lost (1667) opens with the fallen angels, including their leader Satan, waking up in Hell after having been defeated in the war in heaven and the action returns there at several points throughout the poem. Milton portrays Hell as the abode of the demons, and the passive prison from which they plot their revenge upon Heaven through the corruption of the human race. 19th century French poet Arthur Rimbaud alluded to the concept as well in the title and themes of one of his major works, A Season In Hell. Rimbaud's poetry portrays his own suffering in a poetic form as well as other themes.

Many of the great epics of European literature include episodes that occur in Hell. In the Roman poet Virgil's Latin epic, the Aeneid, Aeneas descends into Dis (the underworld) to visit his father's spirit. The underworld is only vaguely described, with one unexplored path leading to the punishments of Tartarus, while the other leads through Erebus and the Elysian Fields.

The idea of Hell was highly influential to writers such as Jean-Paul Sartre who authored the 1944 play "No Exit" about the idea that "Hell is other people". Although not a religious man, Sartre was fascinated by his interpretation of a Hellish state of suffering. C.S. Lewis's The Great Divorce (1945) borrows its title from William Blake's Marriage of Heaven and Hell (1793) and its inspiration from the Divine Comedy as the narrator is likewise guided through Hell and Heaven. Hell is portrayed here as an endless, desolate twilight city upon which night is imperceptibly sinking. The night is actually the Apocalypse, and it heralds the arrival of the demons after their judgment. Before the night comes, anyone can escape Hell if they leave behind their former selves and accept Heaven's offer, and a journey to Heaven reveals that Hell is infinitely small; it is nothing more or less than what happens to a soul that turns away from God and into itself.

Piers Anthony in his series Incarnations of Immortality portrays examples of Heaven and Hell via Death, Fate, Nature, War, Time, Good-God, and Evil-Devil. Robert A. Heinlein offers a yin-yang version of Hell where there is still some good within; most evident in his book Job: A Comedy of Justice. Lois McMaster Bujold uses her five Gods 'Father, Mother, Son, Daughter and Bastard' in The Curse of Chalion with an example of Hell as formless chaos. Michael Moorcock is one of many who offer Chaos-Evil-(Hell) and Uniformity-Good-(Heaven) as equally unacceptable extremes which must be held in balance; in particular in the Elric and Eternal Champion series. Fredric Brown wrote a number of fantasy short stories about Satan’s activities in Hell. Cartoonist Jimmy Hatlo created a series of cartoons about life in Hell called The Hatlo Inferno, which ran from 1953 to 1958.^[48]

Biblical words translated as "Hell"[link]

Abaddon

The Hebrew word Abaddon, meaning "destruction", is sometimes used as a synonym of Hell.^[49]

Gehenna

In the New Testament, both early (i.e. the KJV) and modern translations often translate Gehenna as "Hell."^[50] Young's Literal Translation is one notable exception, simply using "Gehenna", which was in fact a geographic location just outside Jerusalem (the Valley of Hinnom).

Hades

Hades is the Greek word traditionally used for the Hebrew word Sheol in such works as the Septuagint, the Greek translations of the Hebrew Bible. Like other first-century Jews literate in Greek, Christian writers of the New Testament followed this use. While earlier translations most often translated Hades as "hell", as does the King James Version, modern translations use the transliteration "Hades",^[51] or render the word as allusions "to the grave",^[52] "among the dead",^[53] "place of the dead"^[54] and many other like statements in other verses. In Latin, Hades could be translated as Purgatorium (Purgatory in English use) after about 1200 A.D.,^[55] but no modern English translations Hades to Purgatory. See Intermediate state‎.

Infernus

The Latin word infernus means "being underneath" and is often translated as "Hell".

Sheol

In the King James Bible, the Old Testament term Sheol is translated as "Hell" 31 times.^[56] However, Sheol was translated as "the grave" 31 other times.^[57] Sheol is also translated as "the pit" three times.^[58]

Modern translations, however, do not translate Sheol as "Hell" at all, instead rendering it "the grave," "the pit," or "death." See Intermediate state‎.

Tartarus

Appearing only in II Peter 2:4 in the New Testament, both early and modern translations often translate Tartarus as "Hell." Again, Young's Literal Translation is an exception, using "Tartarus".

See also[link]

• Damnation
• Heaven
• Hell in popular culture
• Limbo
• Problem of Hell
• Purgatory
• Well to Hell hoax

References[link]

Further reading[link]

• Boston, Thomas. Hell. Diggory Press, ISBN 978-1-84685-748-5
• Bunyan, John. A Few Sighs from Hell (Or The Groans of the Damned Soul). Diggory Press, ISBN 978-1-84685-727-0
• Edwards, Jonathan. The Justice of God in the Damnation of Sinners. Diggory Press, ISBN 978-1-84685-672-3
• Gardiner, Eileen. Visions of Heaven and Hell before Dante. New York: Italica Press, 1989. ISBN 0-934977-14-3
• Chapter " Hell? No! " p387 in " Why I became an atheist " by John W. Loftus, ( Amherst, NY Prometheus Books 2008, ISBN 1-59102-592-4 )
• Metzger, Bruce M. (ed); , Michael D. Coogan (ed) (1993). The Oxford Companion to the Bible. Oxford, UK: Oxford University Press. ISBN 0-19-504645-5. 

External links[link]

Wikiquote has a collection of quotations related to: Hell

Wikimedia Commons has media related to: Hell

• Hell on In Our Time at the BBC. (listen now)
• Atheist Foundation of Australia – 666 words about hell.
• The Jehovah's Witnesses perspective
• Dying, Yamaraja and Yamadutas + terminal restlessness
• example Buddhist Hells
• Hell-on-Line website
• The Seventh Day Adventist perspective
• Swedenborg, E. Heaven and its Wonders and Hell. From Things Heard and Seen (Swedenborg Foundation, 1946)

v t e Underworlds Aztec mythology Mictlan Buddhism Naraka Chinese mythology Diyu Persian mythology Duzakh Christianity Purgatory Limbo Hell Ancient Egyptian religion Duat Germanic and Norse paganism Hel Niflheim Greek mythology Hades Tartarus Hinduism Naraka Patala Islam Barzakh Jahannam Jainism Naraka Judaism Gehenna Sheol Shinto Yomi Turkic-Mongolian Erlik

Johnny Depp
Depp in October 2011
Born	John Christopher Depp II (1963-06-09) June 9, 1963 (age 49) Owensboro, Kentucky, U.S.
Occupation	Actor, screenwriter, director, producer, musician
Years active	1984–present
Spouse	Lori Anne Allison (1983–1985)
Partner	Sherilyn Fenn (1985–1988) Winona Ryder (1989–1993) Kate Moss (1994–1998) Vanessa Paradis (1998–present)
Children	2[1]

John Christopher "Johnny" Depp II (born June 9, 1963) is an American actor, producer and musician. He has won the Golden Globe Award and Screen Actors Guild award for Best Actor. Depp rose to prominence on the 1980s television series 21 Jump Street, becoming a teen idol. Dissatisfied with that status, Depp turned to film for more challenging roles; he played the title character of Edward Scissorhands (1990) and later found box office success in films such as Sleepy Hollow (1999), Charlie and the Chocolate Factory (2005), Rango (2011) and the Pirates of the Caribbean film series (2003–present). He has collaborated with director and friend Tim Burton in eight films, most recently with Dark Shadows (2012).

Depp has gained acclaim for his portrayals of people such as Ed Wood, in Ed Wood, Joseph D. Pistone in Donnie Brasco, Hunter S. Thompson in Fear and Loathing in Las Vegas, George Jung in Blow, and the bank robber John Dillinger in Michael Mann's Public Enemies. Films featuring Depp have grossed over $3.1 billion at the United States box office and over $7.6 billion worldwide.^[2] He has been nominated for top awards many times, winning the Best Actor Awards from the Golden Globes for Sweeney Todd: The Demon Barber of Fleet Street and from the Screen Actors Guild for Pirates of the Caribbean: The Curse of the Black Pearl. He also has garnered a sex symbol status in American cinema, being twice named as the "Sexiest Man Alive" by People magazine^[3] in 2003 and 2009. He has been listed in the 2012 Guinness Book of World Records as the highest paid actor, with $75 million.^[4]

Early life[link]

1960s–1970s[link]

Depp was born in Owensboro, Kentucky, the son of John Christopher Depp, Sr., a civil engineer, and his wife, the former Betty Sue Wells, a waitress.^[5] He has one brother and two sisters. His brother Daniel is a novelist and his sister Christie works as his manager. Depp is descended from a French Huguenot immigrant, Pierre Deppe or Dieppe, who settled in Virginia around 1700,^[6] part of a refugee colony situated above the falls on the James River. Depp has surmised that he is part Native American, saying in 2011, "I guess I have some Native American [in me] somewhere down the line. My great-grandmother was quite a bit of Native American, she grew up Cherokee or maybe Creek Indian. Makes sense in terms of coming from Kentucky, which is rife with Cherokee and Creek."^[7][8]

The family moved frequently during Depp's childhood, and he and his siblings lived in more than 20 different locations, settling in Miramar,^[9] Florida, in 1970. In 1978, Depp's parents divorced.^[9] His mother married, as her second husband, Robert Palmer (died 2000), whom Depp called "an inspiration to me".^[10] Depp engaged in self-harm when he was young, due to the stress of dealing with family problems, which resulted in several self-inflicted scars. In a 1993 interview, he reflected on his self-injury by saying "My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist".^[11]

1980s[link]

With the gift of a guitar from his mother when he was twelve, Depp began playing in various garage bands.^[9] A year after his parents' divorce, Depp dropped out of high school to become a rock musician.^[9] He attempted to go back to school two weeks later, but the principal told him to follow his dream of being a musician.^[9] He played with The Kids, a band that enjoyed modest local success. The Kids set out together for Los Angeles in pursuit of a record deal, changing their name to Six Gun Method, but the group split up before signing a record deal. Depp subsequently collaborated with the band Rock City Angels^[12] and co-wrote their song "Mary", which appeared on Rock City Angels' debut for Geffen Records titled Young Man's Blues.

On December 24, 1983, Depp married Lori Anne Allison, the sister of his band's bass player and singer. During Depp's marriage, his wife worked as a makeup artist, while he worked a variety of odd jobs, including a telemarketer for pens. His wife introduced him to actor Nicolas Cage, who advised Depp to pursue an acting career.^[9] Depp and his wife divorced in 1985. Depp later dated and was engaged to actress Sherilyn Fenn (whom he met on the set of the 1985 short film Dummies). Both Fenn and Depp auditioned for the 1986 film Thrashin' and they were both cast, with Depp being chosen by the film's director to star as the lead, which would have been Depp's second major role. Depp was later turned down by the film's producer, who rejected the director's decision.^[13][14]

Acting career[link]

Johnny Depp at the 1992 Cannes Film Festival

Television[link]

Depp starred in a lead role on the Fox television series, 21 Jump Street, which premiered in 1987.^[9] Depp accepted this role to work with actor Frederic Forrest, who inspired him. Depp's long time friend Sal Jenco joined the cast as a semi-co-star as the janitor named Blowfish. The series' success turned Depp into a popular teen idol during the late 1980s.^[9] Despite this success, Depp felt "forced into the role of product."^[15] Depp subsequently decided to appear only in films that he felt were right for him.^[15] Depp and his co-stars, Peter DeLuise and Holly Robinson, briefly reprised their roles in cameo appearances in the series' 2012 feature film adaptation, which featured a much more comedic tone than the series.

Film roles[link]

Depp's first major role was in the 1984 classic horror film A Nightmare on Elm Street, playing the boyfriend of the heroine, Nancy Thompson (played by Heather Langenkamp) and one of Freddy Krueger's victims.^[9] Depp was the first choice and was cast to star in the 1986 American skater drama film Thrashin', chosen and cast by the director but ultimately rejected by the film's producer.^[13][14] In 1986, he appeared in a secondary role as a Vietnamese-speaking private in Oliver Stone's Platoon. In 1990, he undertook the quirky title role of the Tim Burton film, Edward Scissorhands. The film's success began his long association with Burton.^[9]

Depp, a fan and long-time friend of writer Hunter S. Thompson, played a version of Thompson (named Raoul Duke) in 1998's Fear and Loathing in Las Vegas, based on the writer's pseudobiographical novel of the same name. Depp accompanied Thompson as his road manager on one of the author's last book tours.^[16] In 2006, Depp contributed a foreword to Gonzo: Photographs by Hunter S. Thompson, a posthumous biography published by ammobooks.com. In 2008, he narrated the documentary film Gonzo: The Life and Work of Dr. Hunter S. Thompson. Depp paid for most of Thompson's memorial event, complete with fireworks and the shooting of Thompson's ashes by a cannon, in Aspen, Colorado, where Thompson lived.^[17] He returned to Thompson's work with a film adaptation of the novel The Rum Diary, released in 2011.

Critics have described Depp's roles as characters who are "iconic loners."^[18] Depp has noted this period of his career was full of "studio defined failures" and films that were "box office poison,"^[19] but he thought the studios never understood the films and did not do a good job of marketing.^[18] Depp has chosen roles which he found interesting, rather than those he thought would succeed at the box office.^[18]

Depp wearing a mustache and goatee similar to the style used in Pirates of the Caribbean: The Curse of the Black Pearl

The 2003 Walt Disney Pictures film Pirates of the Caribbean: The Curse of the Black Pearl was a major success,^[18] in which Depp's performance as the suave but shambling pirate Captain Jack Sparrow was highly praised. Studio bosses were more ambivalent at first,^[20] but the character became popular with the movie-going public.^[18] According to a survey taken by Fandango, Depp was a major draw for audiences.^[21] The film's director, Gore Verbinski, has said that Depp's character closely resembles the actor's personality, but Depp said he modeled the character after The Rolling Stones guitarist Keith Richards.^[22] Depp was nominated for an Academy Award for Best Actor for the role.

In 2004, he was nominated for an Academy Award for Best Actor, for playing Scottish author J. M. Barrie in the film Finding Neverland. Depp next starred as Willy Wonka in the 2005 film Charlie and the Chocolate Factory, a major success at the box office and earning him a nomination for the Golden Globe Award for Best Actor in a Musical or Comedy.^[22][23]

Depp returned to the role of Jack Sparrow for the sequel Pirates of the Caribbean: Dead Man's Chest, which opened on July 7, 2006 and grossed $135.5 million in the first three days of its U.S. release, breaking a box office record of the highest weekend tally.^[24] The next sequel to Pirates of the Caribbean, At World's End, was released May 24, 2007. Depp has said that Sparrow is "definitely a big part of me", and he wants to play the role in further sequels.^[25] Depp voiced Sparrow in the video game, Pirates of the Caribbean: The Legend of Jack Sparrow.^[26] Johnny Depp's swashbuckling sword talents as developed for the character of Jack Sparrow, were highlighted in the documentary film Reclaiming the Blade. Within the film, Swordmaster Bob Anderson shared his experiences working with Depp on the choreography for The Curse of the Black Pearl. Anderson described in the film Depp's ability as an actor to pick up the sword to be "about as good as you can get."^[27]

Depp and Gore Verbinski were executive producers of the album Rogues Gallery, Pirate Ballads, Sea Songs and Chanteys. Depp played the title role of Sweeney Todd in Tim Burton's film adaptation of the musical, for which he won a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. Depp thanked the Hollywood Foreign Press Association and praised Tim Burton for his "unwavering trust and support."^[28]

Depp played the former Heath Ledger character in the 2009 film, The Imaginarium of Doctor Parnassus along with Jude Law and Colin Farrell. All three actors gave their salaries from the film to Ledger's daughter, Matilda.^[29] He portrayed the Mad Hatter in Burton's Alice in Wonderland, and the titular character in Rango.

In 2007, Depp accepted Warner Bros.' proposal to make a film of the gothic soap opera Dark Shadows, a series that aired on ABC from 1966 to 1971. He had been a fan as a child. Depp and Graham King produced the movie with David Kennedy, who ran Dan Curtis Productions inc. until Curtis died in 2006.^[30]

Future roles[link]

Depp will film a documentary about Keith Richards. Depp will star in and produce an adaptation of the comic book Rex Mundi.^[31][32] Depp will collaborate with Pirates of the Caribbean: On Stranger Tides director Rob Marshall again to create a remake of The Thin Man.^[33] Depp also showed interest in starring in the next Sin City films, with Robert Rodriguez wanting him to star as Wallace.^[34] Depp was going to star as Tonto in an upcoming Lone Ranger film, but the project had been shelved due to budgetary concerns as well as a lacklustre response to a recently-released Western-genre film (Cowboys & Aliens).^[35] The project was revived and the film will be released on May 31, 2013.^[36] Depp plans to star as Carl Kolchak in the project Night Stalker,^[37] and has bought rights to the comic book The Vault^{[disambiguation needed ]}.^[38]

Collaborations with Tim Burton[link]

Depp has collaborated with director and close friend Tim Burton in eight films, beginning with Edward Scissorhands (1990), opposite Winona Ryder and Vincent Price. His next role with Burton was in the 1994 film, Ed Wood.^[9] Depp later said that "within 10 minutes of hearing about the project, I was committed."^[39] At the time, the actor was depressed about films and filmmaking. This part gave him a "chance to stretch out and have some fun"; he said working with Landau "rejuvenated my love for acting".^[39]

Producer Scott Rudin once said, "Basically Johnny Depp is playing Tim Burton in all his movies,"^[40] although Burton personally disapproved of the comment. Depp, however agrees with Rudin's statement. According to Depp, Edward Scissorhands represented Burton's inability to communicate as a teenager. Ed Wood reflected Burton's relationship with Vincent Price (very similar with Edward D. Wood, Jr. and Béla Lugosi).

Depp's Hollywood Walk of Fame star received on November 19, 1999

Depp's next venture with Burton was the role of Ichabod Crane in Sleepy Hollow (1999), opposite Christina Ricci. Sleepy Hollow reflected Burton's battle with the Hollywood studio system.^[41] For his performance, Depp took inspiration from Angela Lansbury, Roddy McDowall and Basil Rathbone.^[40] Depp stated, "I always thought of Ichabod as a very delicate, fragile person who was maybe a little too in touch with his feminine side, like a frightened little girl."^[42]

Depp did not work with Burton again until 2005 in Charlie and the Chocolate Factory, in which he played Willy Wonka. Depp modeled the character's hair on Anna Wintour.^[43] The film was a box office success and received positive critical reception.^[44][45] Gene Wilder, who played Willy Wonka in the 1971 film, initially criticized this version.^[46] Charlie and the Chocolate Factory was released in July, followed by Corpse Bride, for which Depp voiced the character Victor Van Dort, in September.

Sweeney Todd: The Demon Barber of Fleet Street (2007) followed, bringing Depp his second major award win, the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy as well as his third nomination for the Academy Award for Best Actor. Burton first gave him an original cast recording of the 1979 stage musical in 2000. Although not a fan of the musical genre, Depp grew to like the tale's treatment. He cited Peter Lorre in Mad Love (1935) as his main influence for the role, and practiced the songs his character would perform while filming Pirates of the Caribbean: At World's End.^[47] Although he had performed in musical groups, Depp was initially unsure that he would be able to sustain Stephen Sondheim's lyrics. Depp recorded demos and worked with Bruce Witkin to shape his vocals without a qualified voice coach. In the DVD Reviews section, Entertainment Weekly's Chris Nashawaty gave the film an A minus, stating, "Depp's soaring voice makes you wonder what other tricks he's been hiding... Watching Depp's barber wield his razors... it's hard not to be reminded of Edward Scissorhands frantically shaping hedges into animal topiaries 18 years ago... and all of the twisted beauty we would've missed out on had [Burton and Depp] never met."^[48] In his introduction to Burton on Burton, a book of interviews with the director, Depp called Burton "...a brother, a friend,...and [a] brave soul".^[49] The next Depp-Burton collaboration was Alice in Wonderland (2010). Depp played the Mad Hatter alongside Helena Bonham Carter, Anne Hathaway and Alan Rickman. In 2012, he starred in the Burton-directed Dark Shadows, a film based on the 1966-1971 gothic soap opera of the same name, alongside fellow Tim Burton regular Helena Bonham Carter, as well as Michelle Pfeiffer and Eva Green.

Production company[link]

In 2004, Depp formed his production company Infinitum Nihil to develop projects where he will serve as actor and/or producer. Depp is the founder and CEO, while his sister, Christi Dembrowski, serves as president.^[50] The company's first production came in 2011 with The Rum Diary, adapted from the novel of the same name by Hunter S. Thompson. The film is written and directed by Bruce Robinson. Also in 2011, Hugo, directed by Martin Scorsese, was released. Dark Shadows, directed by Tim Burton, was released in 2012.

Other interests[link]

During the Paris premiere of Public Enemies in July 2009

Music[link]

As a guitar player, Depp has played slide guitar on the Oasis song "Fade In-Out" (from Be Here Now, 1997), as well as on "Fade Away (Warchild Version)" (b-side of the "Don't Go Away" single). He also played acoustic guitar in the movie Chocolat and on the soundtrack to Once Upon a Time in Mexico. He is a friend of The Pogues' Shane MacGowan, and performed on MacGowan's first solo album. He was also a member of P, a group featuring Butthole Surfers singer Gibby Haynes, Red Hot Chili Peppers bassist Flea and Sex Pistols guitarist Steve Jones. He has appeared in Tom Petty & The Heartbreakers' music video "Into the Great Wide Open" and The Lemonheads "It's a Shame About Ray" music video. He made a cameo as the Mad Hatter in the music video for Avril Lavigne's "Alice" in 2010. He performed lead guitar and drums for a cover of Carly Simon's "You're So Vain", which appeared as a bonus track on some editions of Marilyn Manson's 2012 album Born Villain.^[51][52], also performing live with Marilyn Manson in the Revolver Golden Gods Awards 2012, performing various songs of Marilyn Manson.^[53] He also appeared in the music video of "My Valentine" from the album Kisses on the Bottom by Paul McCartney released in February 2012, along with Natalie Portman.^[54]

Winemaker and restaurateur[link]

Depp and Paradis grow grapes and have wine making facilities in their vineyard in Plan-de-la-Tour north of Saint-Tropez.^[55][56][57] He is known for a fondness of French wines: among Depp's favorites are the Bordeaux wines Château Calon-Ségur, Château Cheval Blanc and Château Pétrus, and the Burgundy wine Domaine de la Romanée-Conti. Interviewed in Madame Figaro, he stated, "With those wines, you reach nirvana".^[58] Along with Sean Penn, John Malkovich and Mick Hucknall, Depp co-owned the French restaurant-bar Man Ray, located near the Champs-Élysées.^[59]

Personal life[link]

Family and relationships[link]

Depp in April 2011

Depp was married to Lori Anne Allison from 1983 to 1985. He became involved with Sherilyn Fenn in 1985; this relationship also lasted 3 years. Depp met Winona Ryder at the Great Balls of Fire! premier in July 1989, and became engaged to her for three years beginning in July 1990.^[60] The relationship was highly publicized and received much scrutiny by the media and tabloid press.

Since 1998, following a four year relationship with British supermodel Kate Moss, Depp has been in a relationship with Vanessa Paradis, a French actress and singer whom he met while filming The Ninth Gate.^[61]

The couple have two children. Daughter Lily-Rose Melody Depp was born May 27, 1999, and son John "Jack" Christopher Depp III was born April 9, 2002.^[1] In 2007, his daughter recovered from a serious illness, an E. coli infection that began to cause her kidneys to shut down and resulted in an extended hospital stay.^[62] To thank Great Ormond Street Hospital, Depp visited the hospital in November 2007 dressed in his Captain Jack Sparrow outfit and spent 4 hours reading stories to the children. In 2008 he donated £1 million (about $2 million) to the hospital.^[63]

Although Depp has not remarried, he has stated that having children has given him "real foundation, a real strong place to stand in life, in work, in everything."^[25] "You can't plan the kind of deep love that results in children. Fatherhood was not a conscious decision. It was part of the wonderful ride I was on. It was destiny; kismet. All the math finally worked." The family divides its time between their home in Meudon, located in the suburbs of Paris, 2 homes in Los Angeles^[64], an island he bought in The Bahamas, and their villa in Le Plan-de-la-Tour, a small town 20 km from Saint-Tropez, in the south of France.^[65][66] Depp also acquired a vineyard estate in the Plan-de-la-Tour area in 2007.^[55] Several reports indicated Depp bought Burnham Westgate Hall in Norfolk, England, a 13-bedroom Georgian country house, in June 2011.^[67][68][69]

Legal issues[link]

In 1994, Depp was arrested and questioned by police for allegedly causing serious damage to a New York City hotel suite.^[70]

He was arrested again in 1999 for brawling with paparazzi outside a restaurant while dining in London with Paradis.^[71]

Tattoos[link]

Depp has around 13 tattoos, many of them signifying important persons or events in his life. They include a Native American in profile and a ribbon reading "Wino Forever" (originally "Winona Forever", altered after his breakup with Winona Ryder) on his right biceps, "Lily-Rose" (his daughter's name) over his heart, "Betty Sue" (his mother's name) on his left biceps, and a sparrow flying over water with the word "Jack" (his son's name; the sparrow is flying towards him rather than away from him as it is in Pirates of the Caribbean) on his right forearm.

Controversy[link]

Comments on U.S.[link]

In 2003, Depp's comments about the United States appeared in Germany's Stern magazine: "America is dumb, is something like a dumb puppy that has big teeth — that can bite and hurt you, aggressive."^[72] Although he later asserted that the magazine misquoted him and the quotation was taken out of context, Stern stood by its story, as did CNN.com in its coverage of the interview. CNN added his remark that he would like his children "to see America as a toy, a broken toy. Investigate it a little, check it out, get this feeling and then get out."^[73] The July 17, 2006 edition of Newsweek reprinted the "dumb puppy" quotation, verbatim, in the context of a Letter to the Magazine. Depp has also disagreed with subsequent media reports that perceived him as a "European wannabe", saying that he likes the anonymity of living in France and his simpler life there.^[72]

In 2011, Depp became a U.S. resident again, because France wanted him to become a permanent resident, which he said would require him to pay income tax in both countries.^[74]

Comanche Adoption[link]

Depp was adopted as an honorary son by LaDonna Harris, a member of the Comanche Nation, on May 22, 2012; this makes him an honorary member of Harris's family, but not an enrolled member of the Nation.^[75] Harris, president of Americans for Indian Opportunity, invited him to join her family after hearing he would be reprising the role of Tonto as a Comanche in the movie version of The Lone Ranger. The ceremony took place at Harris’s home; Comanche Nation Tribal Administrator Johnny Wauqua was in attendance. Depp was presented with gifts by the family, which he then presented to the attendees, as per tradition.^[75] This adoption, and Depp's portrayal of a Native American character, has not been without controversy.^[75] Depp was not raised in any Native American community, nor has any ancestry from these communities been confirmed, but has said he "guesses" he may have some distant Cherokee or Creek ancestry.^[7] In the original Radio Broadcast, Tonto was identified as being from the Potawatomi Tribe.

Awards and nominations[link]

Some of the awards that Depp has won include honors from the London Film Critics Circle (1996), Russian Guild of Film Critics (1998), Screen Actors Guild Awards (2004) and a Golden Globe for Best Actor. At the 2008 MTV Movie Awards, he won the award for "Best Villain" for his portrayal of Sweeney Todd and "Best Comedic Performance" for Jack Sparrow. Depp has been nominated for three Academy Awards, in 2004 for Pirates of the Caribbean: The Curse of the Black Pearl, in 2005 for Finding Neverland, and in 2008 for Sweeney Todd: The Demon Barber of Fleet Street. Depp won his first Golden Globe for his portrayal of Sweeney Todd in 2008.

Filmography[link]

References[link]

Bibliography[link]

• Burton, Tim; Salisbury, Mark (2006). Burton on Burton (Second Revised ed.). Faber. ISBN 0571229263. http://books.google.com/?id=-GY9R1c_kKgC&lpg=PP1&pg=PP1#v=onepage. Retrieved July 27, 2010. 

External links[link]

Wikimedia Commons has media related to: Johnny Depp

Wikiquote has a collection of quotations related to: Johnny Depp

• Johnny Depp at the Internet Movie Database
• Johnny Depp at People.com
• Johnny Depp at Yahoo! Movies
• Johnny Depp on Charlie Rose
• Johnny Depp collected news and commentary at The Guardian
• Johnny Depp collected news and commentary at The New York Times
• Works by or about Johnny Depp in libraries (WorldCat catalog)
• Johnny Depp at the Notable Names Database