Free State of Saxony Freistaat Sachsen (de) Swobodny stat Sakska (wen)
—  State of Germany  —
Flag Coat of arms
Coordinates: 51°1′37″N 13°21′32″E / 51.02694°N 13.35889°E / 51.02694; 13.35889
Country	Germany
Capital	Dresden
Government
• Minister-President	Stanislaw Tillich (CDU)
• Governing parties	CDU / FDP
• Votes in Bundesrat	4 (of 69)
Area
• Total	18,415.66 km2 (7,110.33 sq mi)
Population (2010-12-31)[1]
• Total	4,149,477
• Density	230/km2 (580/sq mi)
Time zone	CET (UTC+1)
• Summer (DST)	CEST (UTC+2)
ISO 3166 code	DE-SN
GDP/ Nominal	€ 94.99 billion (2010)[citation needed]
NUTS Region	DED
Website	sachsen.de

Dresden, capital of Saxony

View over Leipzig city centre

Chemnitz town halls

The Free State of Saxony (German: Freistaat Sachsen [ˈfʁaɪʃtaːt ˈzaksən]; Upper Sorbian: Swobodny stat Sakska) is a landlocked state of Germany, bordering Brandenburg, Saxony Anhalt, Thuringia, Bavaria, the Czech Republic and Poland. It is the tenth-largest German state in area, with (18,413 square kilometres (7,109 sq mi), and the sixth most-populous (4.3 million) of Germany's sixteen states.

Located in the middle of an erstwhile German-speaking part of Europe, the history of the state of Saxony spans more than a millennium. It has been a medieval duchy, an electorate of the Holy Roman Empire, a kingdom, a republic from 1918 to 1952 and then again from 1990.

The area of the modern state of Saxony should not be confused with Old Saxony, the area inhabited by Saxons. Old Saxony corresponds approximately to the modern German states of Lower Saxony, Saxony-Anhalt and the Westphalian part of North Rhine-Westphalia.

Geography[link]

Administration[link]

Sachsen is divided into three Direktionsbezirke — Chemnitz, Dresden, Leipzig — which are subdivided into 10 districts:

Map of 3 regions and 10 districts in Saxony (Sachsen).

  1. Bautzen (BZ)
  2. Erzgebirgskreis (ERZ)
  3. Görlitz (GR)
  4. Leipzig (L)
  5. Meißen (MEI)(Meissen)
  6. Mittelsachsen (FG)
  7. Nordsachsen (TDO)
  8. Sächsische Schweiz-Osterzgebirge (PIR)
  9. Vogtlandkreis (V)
10. Zwickau (Z)

The Erzgebirgskreis district covers the Ore Mountains, and the Schweiz-Osterzgebirge district is Saxon Switzerland and the Eastern Ore Mountains.

In addition there are three urban districts (German: kreisfreie Städte), which also have district status:

1. Chemnitz (C)
2. Dresden (DD)
3. Leipzig (L)

Economy[link]

Saxony has, after Saxony Anhalt,^[2] the most vibrant economy among the federal states of the former GDR. Its economy grew by 1.9% in 2010.^[3] Nonetheless, unemployment remains high, and investment is scarce. The eastern part of Germany, excluding Berlin, qualifies as an "Objective 1" development-region within the European Union, and is eligible to receive investment subsidies of up to 30% until 2013. FutureSAX, a business plan competition and entrepreneurial support organization, has been in operation since 2002.

Microchip makers near Dresden have given the region a nickname of "Silicon Saxony". The publishing and porcelain industries of the region are well known, although their contributions to the regional economy are not significant.The state government is attempting to develop tourism, notably in the lake district of Lausitz.^[4]

Saxony reported unemployment of 11.9% as average for 2010, by comparison the average for the former GDR was 12% and 7.7% for Germany overall.

In April 2012 Saxony had an unemployment rate of 10.3% while Germany of 7%, western Germany of 6% and eastern Germany of 11.2%. The Leipzig area, which was among the regions with the highest unemployment rate for many years, could recently especially benefit from investments of Porsche and BMW. With the VW Phaeton fab in Dresden and many suppliers the car industry has become one of the pillars of the Saxon industry again as it had been since the early 20th century. Zwickau is another major Volkswagen location. Freiberg, the former mining city, has established as a foremost location for material and competitive solar industries. Dresden and some other regions play a leading role in some areas of international biotechnology such as electronic bio engineering while these hightech sectors do not offer yet a larger number of jobs for the native population but they have stopped or even reversed a brain drain movement which occurred until few years ago in many parts of Saxony. Regional universities have strengthened their positions in toothing with local industries and reputation amongst students from the western part. Different to smaller towns Dresden and Leipzig have now a significant growth in population. ^[5]

History[link]

Saxony has a long history as a duchy, an electorate of the Holy Roman Empire (the Electorate of Saxony), and eventually as a kingdom (the Kingdom of Saxony). In 1918, subsequent to Germany's defeat in World War I, its monarchy was overthrown and a republican form of government was established under its current name. The state was broken up into smaller units during communist rule (1949–1989), but was re-established on 3 October 1990 on the reunification of East and West Germany.

Prehistory[link]

In prehistoric times, the territory of Saxony was the site of some of the largest of the ancient Central European monumental temples, dating from the 5th century BC. Notable archaeological sites have been discovered in Dresden and the villages of Eythra and Zwenkau near Leipzig. The Slavic and Germanic presence in the territory of today's Saxony is thought to have begun in the 1st century BC. Parts of Saxony were possibly under the control of the Germanic King Marobod during the Roman era. By the late Roman period, several tribes known as the Saxons emerged, from which the subsequent state(s) draw their name. For the origins of the Saxon tribes, see Saxons.

Duchy of Saxony[link]

Henry the Lion (with his wife Matilda of England, Duchess of Saxony) is crowned as Duke of Saxony

The first mediæval Duchy of Saxony was a late Early Middle Ages "Carolingian stem duchy", which emerged about the year 700, and grew to cover the greater part of Northern Germany. It covered the area of the modern German states of Lower Saxony, North Rhine-Westphalia, Schleswig-Holstein and Saxony-Anhalt. The Saxons converted to Christianity during this period.

While the Saxons were facing pressure from Charlemagne's Franks, they were also facing a westward push by Slavs to the east. The territory of the Free State of Saxony was occupied by Slavs before being reconquered by Germans. A legacy of this period is the Sorb population in Saxony.

Holy Roman Empire[link]

The territory of the Free State of Saxony became part of the Holy Roman Empire by the 10th century. In the 10th century, the dukes of Saxony were also kings (or emperors) of the Holy Roman Empire, comprising the Ottonian, or Saxon, Dynasty. Around this time, the Billungs, a Saxon noble family, received extensive fiefs in Saxony. The Emperor eventually gave them the title of Duke of Saxony. After Duke Magnus died in 1106, causing the extinction of the male line of Billungs, oversight of the duchy was given to Lothar of Supplinburg, who also became Emperor for a short time.

In 1137, control of Saxony passed to the Guelph dynasty, descendants of Wulfhild Billung, eldest daughter of the last Billung duke, and the daughter of Lothar of Supplinburg. In 1180 large portions west of the Weser were ceded to the Bishops of Cologne, while some central parts between the Weser and the Elbe remained to the Guelphs, later forming the Duchy of Brunswick-Lüneburg). The remaining eastern lands, together with the title of Duke of Saxony, passed to an Ascanian dynasty (descended from Eilika Billung, Wulfhild's younger sister) and was divided in 1260 into the two small states of Saxe-Lauenburg and Saxe-Wittenberg, the former also named Lower Saxony, the latter Upper Saxony, thence the later names of the two Imperial Circles. Saxe-Lauenburg and Saxe-Wittenberg both claimed the Saxon electoral privilege for their part, but the Golden Bull of 1356 only accepted Wittenberg's claim, with Lauenburg nevertheless maintaining its claim. In 1422, when the Saxon electoral line of the Ascanians was extinct, the Ascanian Eric V of Saxe-Lauenburg tried to reunite the Saxon duchies.

However, Sigismund, King of the Romans, had already granted Margrave Frederick IV the Warlike of Meissen (House of Wettin) an expectancy on the Saxon electorate, in order to remunerate his military support. On 1 August 1425 Sigismund enfeoffed the Wettinian Frederick as Prince-Elector of Saxony, despite protestations of Eric V. Thus the Saxon territories remained separated in permanence. Electoral Saxony was then merged in the much bigger Wettinian Margraviate of Meissen, however using the higher ranking name Electorate of Saxony and even the Ascanian coat-of-arms for the entire monarchy.^[6] Thus the name Saxony was translated to areas as far as Dresden and Meissen. In the 18th and 19th centuries Saxe-Lauenburg became colloquially called the Duchy of Lauenburg, which in 1876 merged in Prussia as Duchy of Lauenburg district.

Foundation of the second Saxon state[link]

Late 17th and 18th century electors of Saxony

Saxony is home to numerous castles, like the Schloss Moritzburg north of Dresden

Saxony-Wittenberg, in modern Saxony-Anhalt, became subject to the margravate of Meissen, ruled by the Wettin dynasty in 1423. This established a new and powerful state, occupying large portions of the present Free State of Saxony, Thuringia, and Saxony-Anhalt. Although the center of this state was far to the southeast of the former Saxony, it came to be referred to as Upper Saxony and then simply Saxony, while the former Saxon territories were now known as Lower Saxony.

In 1485, Saxony was split. A collateral line of the Wettin princes received what later became Thuringia and founded several small states there (see Ernestine duchies). The remaining Saxon state became still more powerful, becoming known in the 18th century for its cultural achievements, although it was politically inferior to Prussia and Austria, which pressed Saxony from either side.

Between the years 1697 and 1763, the Electors of Saxony were also elected Kings of Poland in personal union.

In 1756, Saxony joined the coalition of Austria, France and Russia against Prussia. Frederick II of Prussia chose to attack preemptively and invaded Saxony in August 1756, precipitating the Seven Years War. The Prussians quickly defeated Saxony and incorporated the Saxon army into the Prussian army. At the end of the Seven Years War, Saxony once again became an independent state.

Saxony in the 19th and 20th centuries[link]

In 1806, French Emperor Napoleon abolished the Holy Roman Empire and decreed the Electorate of Saxony a kingdom in itself. Elector Frederick Augustus III became King Frederick Augustus I. Frederick Augustus remained loyal to Napoleon during the wars that swept Europe in the following years; he was taken prisoner and his territories declared forfeit by the allies in 1813, who intended the annexation of Saxony by Prussia. Ultimately, the opposition of Austria, France, and the United Kingdom to this plan resulted in the restoration of Frederick Augustus to his throne at the Congress of Vienna. At this time in 1815, Saxony was forced to cede the northern part of the kingdom to Prussia.^[7] These lands became the Prussian province of Saxony, incorporated today in Saxony-Anhalt. The remnant of the Kingdom of Saxony was roughly identical with the present federal state.

Meanwhile, in 1815, the southern part of Saxony, now called the "State of Saxony joined the German Confederation.^[8] (The German Confederation should not be confused with the North German Confederation mentioned below.) In the politics of the Confederation, Saxony was overshadowed by Prussia. King Anthony of Saxony, came to the throne of Saxony in 1827. Shortly thereafter, liberal pressures in Saxony mounted and broke out in the revolt during 1830—a year of revolution in Europe.^[8] The revolution in Saxony resulted in a Constitution for the State of Saxony which served as a basis for the government in Saxony until 1918.^[8]

During the 1848–49 constitutionalist revolutions in Germany, Saxony became a hotbed for revolutionaries, with anarchists such as Mikhail Bakunin and democrats including Richard Wagner and Gottfried Semper taking part in the May Uprising in Dresden in 1849. (Scenes of Richard Wagner's participation in the May 1849 Uprising in Dresden are pictured in the 1983 movie, Wagner starring Richard Burton as Richard Wagner.) The May Uprising in Dresden forced King Frederick Augustus II of Saxony to concede further reforms in the Saxon government.^[8]

In 1854 Frederick Augustus II's brother, King John of Saxony, succeeded to the throne. A scholar, King John translated Dante.^[8] King John followed a federalistic and pro-Austrian policy throughout the early 1860s until the outbreak of the Austro-Prussian War. During the war, Prussian troops overran Saxony without a fight and invaded then Austrian (today's Czech) Bohemia.^[9] After the war, Saxony was forced to pay an indemnity and to join the North German Confederation in 1867.^[10] Under the terms of the North German Confederation, Prussia took over control of the Saxon postal system, railroads, military and foreign affairs.^[10] In the Franco-Prussian War of 1870, Saxon troops fought together with Prussian and other German troops against France.^[10] In 1871, Saxony joined the newly formed German Empire.^[10]

After King Frederick Augustus III of Saxony had abdicated on 13 November 1918, Saxony, remaining a constituent state of Germany (Weimar Republic), became a republic renamed the Free State of Saxony following the new Saxon constitution of 1 November 1920. In 1923 Reichs's chancellor Gustav Stresemann overthrew the SPD-led Saxon government. The state maintained its name and borders during the National Socialist era as a Gau, but lost any quasi-autonomous status and its parliamentarian democracy.

By the by end of World War II in April 1945, American troops under General George Patton conquered the western part of the Free State, while Soviet troops conquered the eastern part. That summer, the entire state was handed over to Soviet forces as agreed upon by the London Protocol of September 1944. Thereafter Britain, the USA, and the USSR negotiated at the Potsdam Conference on Germany's future. By their trilateral Potsdam Agreement all German territory east of the Oder-Neisse line was to be annexed by Poland and the Soviet Union and, unlike the post-World War I secessions of German territory, this time the annexing powers were allowed to expel the inhabitants.

Through all the following three years, Poland forcibly expelled German-speaking people from its annexed territory. Since the three powers of Potsdam had further agreed to accept in their occupation zones more expellees from other countries, the government in Prague denaturalised and expropriated around three million Czechoslovaks due to their German native language. So also Saxons had to feed and house the destitute expellees, while their retained belongings became war booty shared by the profiteers of this exproprietary attitude. Only a small Saxon area, lying east of the Neisse river and centered around the town of Reichenau (now called Bogatynia), was annexed by Poland. The Soviet Military Administration in Germany (SVAG) merged that tiny part of the Prussian province of Lower Silesia, which remained with Germany west of the Neisse, into Saxony.

On 20 October 1946, the SVAG organised elections for the Saxon state parliament (Landtag), which were unbalanced since many people were arbitrarily excluded from candidacy and suffrage and the Soviet support unilaterally preferring the communist Socialist Unity Party of Germany (SED). The new Saxon minister-president (governor) Rudolf Friedrichs (SED, until April 1946 SPD), who met with his Bavarian counterparts in the US zone of occupation in October 1946 and May 1947, suddenly died under unknown circumstances the month after. He was succeeded by Max Seydewitz, a loyalist of Joseph Stalin.

The Soviet Union set up the communist government of the German Democratic Republic in 1949, with Saxony a part of it, giving the USSR a satellite in the heart of Europe. The communist government officially dissolved the Free State in 1952, and divided it into the three smaller Bezirke of Leipzig, Dresden, and Karl-Marx-Stadt. The Free State was reconstituted with slightly altered borders in 1990 upon German reunification. Besides the formerly Silesian area of Saxony, which was mostly included in the territory of the new Saxon state, the free state gained further areas north of Leipzig, which belonged to Saxony-Anhalt until 1952.

Culture[link]

Religion[link]

Evangelical Church in Germany 20.9 %,^[11] Catholic Church 3.6 %.^[12] 75.5 % have no religion or profess other ones.

Languages[link]

Boundary sign of Bautzen / Budyšin in German and Upper Sorbian language; many place names in Saxony are derived from Sorbian.

The most common patois spoken in Saxony are combined in the group of "Thuringian and Upper Saxon dialects". Due to the incorrect usage of "Saxon dialects" in colloquial language, the Upper Saxon attribute has been added to distinguish it from Old Saxon and Low Saxon. Other German dialects spoken in Saxony are the dialects of the Erzgebirge (Ore Mountains), which have been affected by Upper Saxon dialects, and the dialects of the Vogtland, which are more affected by the East Franconian languages.

Upper Sorbian (a Slavic language) is still actively spoken in the parts of Upper Lusatia that are occupied by the Sorbian minority. The Germans in Upper Lusatia speak distinct dialects of their own (Lusatian dialects).

Education[link]

The Dresden University of Technology, founded in 1828, is one of the Germany's oldest universities. With 36,066 students as of 2010, it is the largest university in Saxony and one of the ten largest universities in Germany. It is a member of TU9, a consortium of nine leading German Institutes of Technology.

Tourism[link]

Except for Dresden and Leipzig, Saxony is not a primary destination for foreign tourists. Areas along the border with the Czech Republic, such as the Lusatian Mountains, Ore Mountains, Saxon Switzerland, and Vogtland, attract significant visitors, largely Germans. Saxony has well preserved historic towns such as Meissen, Freiberg, Pirna, Bautzen, and Görlitz.

Stanislaw Tillich.

Politics[link]

A minister-president heads the government of Saxony. Stanislaw Tillich has been minister-president since May 28, 2008. See: List of Ministers-President of Saxony, for a full listing.

2009 state election[link]

The center-right CDU has formed a coalition with the liberal democratic FDP.

See also[link]

Germany portal

• Saxony (wine region)

References[link]

External links[link]

Wikimedia Commons has media related to: Saxony

• Official governmental portal
• Christmas time in Saxony
• some facts about Saxony
• some stories about Dresden Neustadt - The Capital of Saxony
• Geographic data related to Saxony at OpenStreetMap

v t e States of the Federal Republic of Germany States  Baden-Württemberg (since 1952)  Bavaria (since 1949)  Brandenburg (since 1990)  Hesse (since 1949)  Lower Saxony (since 1949)  Mecklenburg-Vorpommern (since 1990)  North Rhine-Westphalia (since 1949)  Rhineland-Palatinate (since 1949)  Saarland (since 1957)  Saxony (since 1990)  Saxony-Anhalt (since 1990)  Schleswig-Holstein (since 1949)  Thuringia (since 1990) City-states  Berlin (since 1990)  Bremen (since 1949)  Hamburg (since 1949) Former states  Baden (south) (1949–1952)  Württemberg-Baden (1949–1952)  Württemberg-Hohenzollern (1949–1952)

v t e Urban and rural districts in the Free State of Saxony in Germany Urban districts Chemnitz Dresden Leipzig Rural districts Bautzen Erzgebirgskreis Görlitz Leipzig Meißen Mittelsachsen Nordsachsen Sächsische Schweiz-Osterzgebirge Vogtlandkreis Zwickau Former urban districts Görlitz Hoyerswerda Plauen Zwickau Former rural districts Annaberg Aue-Schwarzenberg Chemnitzer Land Delitzsch Döbeln Freiberg Kamenz Leipziger Land Löbau-Zittau Mittlerer Erzgebirgskreis Mittweida Muldentalkreis Niederschlesischer Oberlausitzkreis Riesa-Großenhain Sächsische Schweiz Stollberg Torgau-Oschatz Weißeritzkreis Zwickauer Land

v t e States of Germany during the Weimar Republic (1919–33) States Anhalt Baden Bavaria Brunswick Hesse Lippe Mecklenburg-Schwerin Mecklenburg-Strelitz Oldenburg Prussia Saxony Schaumburg-Lippe Thuringia (from 1920) Waldeck (until 1929) Württemberg City-states Bremen Hamburg Lübeck Until 1920 Saxony Altenburg Coburg-Gotha Meiningen Weimar-Eisenach Reuss & republic Elder Junior Schwarzburg Rudolstadt Sondershausen Unofficial Bavarian Soviet Republic Bottleneck Rhenish Republic

Sir David Attenborough
Attenborough in May 2003
Born	(1926-05-08) 8 May 1926 (age 86) Isleworth, London
Nationality	British
Alma mater	Clare College, Cambridge (natural sciences) London School of Economics (social anthropology)
Occupation	Broadcaster Naturalist
Title	Member of the Order of Merit Companion of Honour Commander of the Royal Victorian Order Commander of the Order of the British Empire Fellow of the Royal Society Fellow of Zoological Society of London
Spouse	Jane Elizabeth Ebsworth Oriel (m. 1950–1997, her death)
Children	Robert Attenborough Susan Attenborough

Sir David Frederick Attenborough ( /ˈætənbərə/) OM, CH, CVO, CBE, FRS, FZS, FSA (born 8 May 1926) is a British broadcaster and naturalist.

His career as the face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine Life series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s.

Attenborough is widely considered a national treasure in Britain, although he himself does not care for the term.^[1][2][3] He is a younger brother of director, producer and actor Richard Attenborough.^[4]

Early life and family[link]

Attenborough was born in Isleworth, west London, but grew up in College House on the campus of the University College, Leicester, where his father, Frederick, was principal.^[5] He is the middle of three sons (his elder brother, Richard, became an actor and his younger brother, John, an executive at Italian car manufacturer Alfa Romeo).^[6] During World War II his parents also adopted two Jewish refugee girls from Europe.^[7][8]

Attenborough spent his childhood collecting fossils, stones and other natural specimens. He received encouragement in this pursuit at age seven, when a young Jacquetta Hawkes admired his "museum". A few years later, one of his adoptive sisters gave him a piece of amber filled with prehistoric creatures; some 50 years later, it would be the focus of his programme The Amber Time Machine.

Attenborough was educated at Wyggeston Grammar School for Boys in Leicester and then won a scholarship to Clare College, Cambridge in 1945, where he studied geology and zoology and obtained a degree in natural sciences.^[9] In 1947, he was called up for national service in the Royal Navy and spent two years stationed in North Wales and the Firth of Forth.

In 1950, Attenborough married Jane Elizabeth Ebsworth Oriel; the marriage lasted until her death in 1997. The couple had two children, Robert and Susan.^[8] Robert is a senior lecturer in bioanthropology for the School of Archaeology and Anthropology at the Australian National University in Canberra.^[10]

First years at the BBC[link]

After leaving the Navy, Attenborough took a position editing children's science textbooks for a publishing company. He soon became disillusioned with the work, however, and in 1950, he applied for a job as a radio talks producer with the BBC. Although he was rejected for this job, his CV later attracted the interest of Mary Adams, head of the Talks (factual broadcasting) department of the BBC's fledgling television service. Attenborough, like most Britons at that time, did not own a television, and he had seen only one programme in his life.^[11] However, he accepted Adams' offer of a three-month training course, and in 1952 he joined the BBC full-time. Initially discouraged from appearing on camera because Adams thought his teeth were too big,^[12] he became a producer for the Talks department, which handled all non-fiction broadcasts. His early projects included the quiz show Animal, Vegetable, Mineral? and Song Hunter, a series about folk music presented by Alan Lomax.

Attenborough's association with natural history programmes began when he produced and presented the three-part series The Pattern of Animals. The studio-bound programme featured animals from London Zoo, with the naturalist Julian Huxley discussing their use of camouflage, aposematism and courtship displays. Through this programme, Attenborough met Jack Lester, the curator of the zoo's reptile house, and they decided to make a series about an animal-collecting expedition. The result was Zoo Quest, first broadcast in 1954, which Attenborough presented at short notice, due to Lester being taken ill.

In 1957, the BBC Natural History Unit was formally established in Bristol. Attenborough was asked to join it, but declined, not wishing to move from London where he and his young family were settled. Instead he formed his own department, the Travel and Exploration Unit,^[13] which allowed him to continue to front Zoo Quest as well as produce other documentaries, notably the Travellers' Tales and Adventure series.

In the early 1960s, Attenborough resigned from the permanent staff of the BBC to study for a postgraduate degree in social anthropology at the London School of Economics, interweaving his study with further filming.^[14] However, he accepted an invitation to return to the BBC as controller of BBC Two before he could finish the degree.

BBC administration[link]

Attenborough became the controller of BBC Two in March 1965, but had a clause inserted in his contract that would allow him to continue making programmes on an occasional basis. Later the same year, he filmed elephants in Tanzania, and in 1969, he made a three-part series on the cultural history of the Indonesian island of Bali. For the 1971 film A Blank on the Map, he joined the first Western expedition to a remote highland valley in New Guinea to seek out a lost tribe.

BBC Two was launched in 1964, but had struggled to capture the public's imagination. When Attenborough arrived as controller, he quickly abolished the channel's quirky kangaroo mascot and shook up the schedule. With a mission to make BBC Two's output diverse and different from that offered by other networks, he began to establish a portfolio of programmes that defined the channel's identity for decades to come. Under his tenure, music, the arts, entertainment, archaeology, experimental comedy, travel, drama, sport, business, science and natural history all found a place in the weekly schedules. Often, an eclectic mix was offered within a single evening's viewing. Programmes he commissioned included Man Alive, Call My Bluff, Chronicle, Life, One Pair of Eyes, The Old Grey Whistle Test, Monty Python's Flying Circus and The Money Programme. When BBC Two became the first British channel to broadcast in colour in 1967, Attenborough took advantage by introducing televised snooker, as well as bringing rugby league to British television on a regular basis via the BBC2 Floodlit Trophy.

One of his most significant decisions was to order a 13-part series on the history of Western art, to show off the quality of the new UHF colour television service that BBC Two offered. Broadcast to universal acclaim in 1969, Civilisation set the blueprint for landmark authored documentaries, which were informally known as "tombstone" or "sledgehammer" projects. Others followed, including Jacob Bronowski's The Ascent of Man (also commissioned by Attenborough), and Alistair Cooke's America. Attenborough thought that the story of evolution would be a natural subject for such a series. He shared his idea with Chris Parsons, a producer at the Natural History Unit, who came up with the title Life on Earth and returned to Bristol to start planning the series. Attenborough harboured a strong desire to present the series himself, but this would not be possible so long as he remained in a management post.

In 1969, Attenborough was promoted to director of programmes, making him responsible for the output of both BBC channels. His tasks, which included agreeing budgets, attending board meetings and firing staff, were now far removed from the business of filming programmes. When Attenborough's name was being suggested as a candidate for the position of Director General of the BBC in 1972, he phoned his brother Richard to confess that he had no appetite for the job. Early the following year, he left his post to return to full-time programme-making, leaving him free to write and present the planned natural history epic.

Return to broadcasting[link]

After his resignation, Attenborough became a freelance broadcaster and immediately started work on his next project, a pre-arranged trip to Indonesia with a crew from the Natural History Unit. It resulted in the 1973 series Eastwards with Attenborough, which was similar in tone to the earlier Zoo Quests but without the animal-collecting element.

On his return, he began to work on the scripts for Life on Earth. Due to the scale of his ambition, the BBC decided to partner with an American network to secure the necessary funding. While the negotiations were proceeding he worked on a number of other television projects. He presented a series on tribal art (The Tribal Eye, 1975) and another on the voyages of discovery (The Explorers, 1975). He also presented a BBC children's series about cryptozoology entitled Fabulous Animals (1975), which featured mythical creatures such as the griffin and kraken.^[15] Eventually, the BBC signed a co-production deal with Turner Broadcasting and Life on Earth moved into production in 1976.

Life series[link]

Beginning with Life on Earth in 1979, Attenborough set about creating a body of work which became a benchmark of quality in wildlife film-making and influenced a generation of documentary film-makers. The series also established many of the hallmarks of the BBC's natural history output. By treating his subject seriously and researching the latest discoveries, Attenborough and his production team gained the trust of the scientific community, who responded by allowing him to feature their subjects in his programmes. In Rwanda, for example, Attenborough and his crew were granted privileged access to film Dian Fossey's research group of mountain gorillas. Innovation was another factor in Life on Earth's success: new film-making techniques were devised to get the shots Attenborough wanted, with a focus on events and animals that were hitherto unfilmed. Computerised airline schedules, which had only recently been introduced, enabled the series to be elaborately devised so that Attenborough visited several locations around the globe in each episode, sometimes even changing continents mid-sentence. Although appearing as the on-screen presenter, he consciously restricted his pieces to camera to give his subjects top billing.

The success of Life on Earth prompted the BBC to consider a follow-up, and five years later, The Living Planet was screened. This time, Attenborough built his series around the theme of ecology, the adaptations of living things to their environment. It was another critical and commercial success, generating huge international sales for the BBC. In 1990, The Trials of Life completed the original Life trilogy, looking at animal behaviour through the different stages of life. The series drew strong reactions from the viewing public for its sequences of killer whales hunting sea lions on a Patagonian beach and chimpanzees hunting and violently killing a colobus monkey.

In the 1990s, Attenborough continued to use the "Life" moniker for a succession of authored documentaries. In 1993, he presented Life in the Freezer, the first television series to survey the natural history of Antarctica. Although past normal retirement age, he then embarked on a number of more specialised surveys of the natural world, beginning with plants. They proved a difficult subject for his producers, who had to deliver five hours of television featuring what are essentially immobile objects. The result, The Private Life of Plants (1995), showed plants as dynamic organisms by using time-lapse photography to speed up their growth.

Prompted by an enthusiastic ornithologist at the BBC Natural History Unit, Attenborough then turned his attention to the animal kingdom and in particular, birds. As he was neither an obsessive twitcher, nor a bird expert, he decided he was better qualified to make The Life of Birds (1998) on the theme of behaviour. The order of the remaining "Life" series was dictated by developments in camera technology. For The Life of Mammals (2002), low-light and infrared cameras were deployed to reveal the behaviour of nocturnal mammals. The series contains a number of memorable two shots of Attenborough and his subjects, which included chimpanzees, a blue whale and a grizzly bear. Advances in macro photography made it possible to capture natural behaviour of very small creatures for the first time, and in 2005, Life in the Undergrowth introduced audiences to the world of invertebrates.

At this point, Attenborough realised that he had spent 20 years unconsciously assembling a collection of programmes on all the major groups of terrestrial animals and plants — only reptiles and amphibians were missing. When Life in Cold Blood was broadcast in 2008, he had the satisfaction of completing the set, brought together in a DVD encyclopaedia called Life on Land. In an interview that year, Attenborough was asked to sum up his achievement, and responded:

The evolutionary history is finished. The endeavour is complete. If you'd asked me 20 years ago whether we'd be attempting such a mammoth task, I'd have said "Don't be ridiculous!" These programmes tell a particular story and I'm sure others will come along and tell it much better than I did, but I do hope that if people watch it in 50 years' time, it will still have something to say about the world we live in.^[16]

However, in 2010 Attenborough asserted that his First Life — dealing with evolutionary history before Life on Earth — should also be included within the "Life" series. In the documentary Attenborough's Journey he stated, "This series, to a degree which I really didn't fully appreciate until I started working on it, really completes the set."^[17]

Other documentaries[link]

Alongside the "Life" series, Attenborough has continued to work on other television documentaries, mainly in the natural history genre. He wrote and presented a series on man's influence on the natural history of the Mediterranean basin, The First Eden, in 1987. Two years later, he demonstrated his passion for fossils in Lost Worlds Vanished Lives.

Attenborough narrated every episode of Wildlife on One, a BBC One wildlife series which ran for 253 episodes between 1977 and 2005. At its peak, it drew a weekly audience of eight to ten million, and the 1987 episode "Meerkats United" was voted the best wildlife documentary of all time by BBC viewers.^[18] He has also narrated over 50 episodes of Natural World, BBC Two's flagship wildlife series. (Its forerunner, The World About Us, was created by Attenborough in 1969, as a vehicle for colour television.^[19]) In 1997, he narrated the BBC Wildlife Specials, each focussing on a charismatic species, and screened to mark the Natural History Unit's 40th anniversary.

As a writer and narrator, he continued to collaborate with the BBC Natural History Unit in the new millennium. Alastair Fothergill, a senior producer with whom Attenborough had worked on The Trials of Life and Life in the Freezer, was making The Blue Planet (2001), the Unit's first comprehensive series on marine life. He decided not to use an on-screen presenter due to difficulties in speaking to camera through diving apparatus, but asked Attenborough to narrate the films. The same team reunited for Planet Earth (2006), the biggest nature documentary ever made for television and the first BBC wildlife series to be shot in high definition. In 2011, Fothergill gave Attenborough a more prominent role in Frozen Planet, a major series on the natural history of the polar regions. Attenborough appeared on screen and authored the final episode, in addition to performing voiceover duties.

In 2009, he co-wrote and narrated Life, a ten-part series focussing on extraordinary animal behaviour,^[20] and narrated Nature's Great Events, which showed how seasonal changes trigger major natural spectacles.^[21]

By the turn of the millennium, Attenborough's authored documentaries were adopting a more overtly environmentalist stance. In State of the Planet (2000), he used the latest scientific evidence and interviews with leading scientists and conservationists to assess the impact of man's activities on the natural world. He later turned to the issues of global warming (The Truth about Climate Change, 2006) and human population growth (How Many People Can Live on Planet Earth?, 2009). He also contributed a programme which highlighted the plight of endangered species to the BBC's Saving Planet Earth project in 2007, the 50th anniversary of the Natural History Unit.

Attenborough is also forging a new partnership with Sky, working on documentaries for the broadcaster's new 3D network, Sky 3D. Their first collaboration was Flying Monsters 3D, a film about pterosaurs which debuted on Christmas Day of 2010.^[22] A second film, The Bachelor King 3D, followed a year later, and further collaborations are planned.

Current projects[link]

Attenborough celebrates his 60th year in broadcasting in 2012, and continues to work on a number of television, film and radio projects. The anniversary will be marked by the BBC with the screening of Attenborough: 60 Years in the Wild, a three part series which looks at how wildlife filmmaking techniques, discoveries in the field of biological sciences and our relationship with the natural world have all developed over the past 60 years.^[23]

Further collaborations with Sky 3D are also in the pipeline. First will come Kingdom of Plants 3D, a three-part series filmed at the Royal Botanical Gardens, Kew which debuts on 26 May 2012 and will be simulcast on Sky Atlantic HD.^[24] A series on the wildlife of the Galapagos Islands has also been announced^[25] and the Sky 3D film The Bachelor King 3D, which Attenborough wrote and narrated, will get a theatrical release in 2012. All Attenborough's 3D projects are being co-produced by Atlantic Productions, as is a second series of First Life, which will explore the origins of the mammals.^[26]

2012 will also herald the third series of David Attenborough's Life Stories for BBC Radio 4 and the new commission David Attenborough's Natural Curiosities on Eden.^[27]

Other work[link]

From 1983, Attenborough worked on two environmentally themed musicals with the WWF and writers Peter Rose and Anne Conlon. Yanomamo was the first, about the Amazon rainforest, and the second, Ocean World, premiered at the Royal Festival Hall in 1991. They were both narrated by Attenborough on their national tour, and recorded on to audio cassette. Ocean World was also filmed for Channel 4 and later released.

In 1990, he highlighted the case of Mahjoub Sharif as part of the BBC's Prisoners of Conscience series.^[28]

In January 2009, the BBC commissioned Attenborough to provide a series of 20 ten-minute monologues covering the history of nature. Entitled David Attenborough's Life Stories, they are broadcast on Radio 4 in the Friday night slot vacated by Alistair Cooke's Letter from America.^[29] Part of Radio 4's A Point of View strand, the talks are also available as podcasts.^[30]

He appeared in the 2009 Children's Prom at the BBC Promenade Concerts and in the Last Night of the Proms on 12 September 2009, playing a floor polisher in Sir Malcolm Arnold's "A Grand, Grand Overture" (after which he was "shot" by Rory Bremner, who was playing the gun).

Attenborough also serves on the advisory board of BBC Wildlife magazine.

Achievements, awards and recognition[link]

Attenborough's contribution to broadcasting and wildlife film-making has brought him international recognition. He has been called "the great communicator, the peerless educator"^[31] and "the greatest broadcaster of our time".^[32] His programmes are often cited as an example of what public service broadcasting should be, even by critics of the BBC, and have influenced a generation of wildlife film-makers.^[33]

Honorary titles[link]

In 2010 it was reported that Attenborough has been given 29 honorary degrees by British universities, more than any other person.^[34] In 1980, he was honoured by the Open University, with whom he has had a close association throughout his career. He also has honorary Doctor of Science awards from the University of Cambridge (1984), the University of Oxford (1988)^[35], the University of Bath (1981)^[36] and the University of St Andrews (2011).^[37] In 2006, the two eldest Attenborough brothers returned to their home city to receive the title of Distinguished Honorary Fellows of the University of Leicester, "in recognition of a record of continuing distinguished service to the University."^[38] David Attenborough was previously awarded an honorary Doctor of Letters degree by the university in 1970, and was made an honorary Freeman of the City of Leicester in 1990.

Attenborough has received the title Honorary Fellow from Clare College, Cambridge (1980), the Zoological Society of London (1998), the Linnean Society (1999), the Institute of Biology (2000) and the Society of Antiquaries (2007).

Recognition[link]

Attenborough has featured as the subject of a number of BBC television programmes. Life on Air (2002) examined the legacy of his work and Attenborough the Controller (2002) focused on his time in charge of BBC Two. He also featured prominently in The Way We Went Wild (2004), a series about natural history television presenters, and 100 Years of Wildlife Films (2007), a special programme marking the centenary of the nature documentary. In 2006, British television viewers were asked to vote for their Favourite Attenborough Moments for a UKTV poll to coincide with the broadcaster's 80th birthday. The winning clip showed Attenborough observing the mimicry skills of the superb lyrebird.

Attenborough was named as the most trusted celebrity in Britain in a 2006 Reader's Digest poll,.^[39] and the following year he won The Culture Show's Living Icon Award.^[40] He has also been named among the 100 Greatest Britons in a 2002 BBC poll and is one of the top ten "Heroes of Our Time" according to New Statesman magazine.^[41]

He has the distinction of having a number of newly discovered species and fossils being named in his honour. In 1993, after discovering that the Mesozoic reptile Plesiosaurus conybeari had not, in fact, been a true plesiosaur, the paleontologist Robert Bakker renamed the species Attenborosaurus conybeari.^[42] A fossilised armoured fish discovered at the Gogo Formation, Western Australia in 2008 was given the name Materpiscis attenboroughi, after Attenborough had filmed at the site and highlighted its scientific importance in Life on Earth.^[43] The Materpiscis fossil is believed to be the earliest organism capable of internal fertilisation.

He has also lent his name to a species of Ecuadorian flowering tree, Blakea attenboroughi, one of the world's largest-pitchered carnivorous plants, Nepenthes attenboroughii,^[44] and one of only four species of long-beaked echidna, the critically endangered Zaglossus attenboroughi, discovered by explorer and zoologist Tim Flannery in the Cyclops Mountains of New Guinea in 1998.

In September 2009, London's Natural History Museum opened the Attenborough Studio, part of its Darwin Centre development.^[45]

Awards[link]

• 1970: BAFTA Desmond Davis Award
• 1974: Commander of the Order of the British Empire (CBE)
• 1980: BAFTA Fellowship
• 1983: Fellow of the Royal Society (FRS)
• 1985: Knighthood^[46]
• 1991: Commander of the Royal Victorian Order (CVO) for producing Queen Elizabeth II's Christmas broadcast for a number of years from 1986
• 1991: Foreign Honorary Member of the American Academy of Arts and Sciences^[47]
• 1996: Companion of Honour (CH) "for services to nature broadcasting"
• 1998: International Cosmos Prize
• 2003: Michael Faraday Prize awarded by the Royal Society
• 2004: Descartes Prize for Outstanding Science Communication Actions
• 2004: Caird Medal of the National Maritime Museum
• 2005: Order of Merit (OM)^[48]
• 2005: Nierenberg Prize for Science in the Public Interest
• 2006: National Outdoor Book Award (Nature and the Environment category), Life in the Underground
• 2006: National Television Awards Special Recognition Award
• 2006: Institute of Ecology and Environmental Management^[49] - Institute Medal in recognition of his outstanding contribution to the public perception and understanding of ecology
• 2006: The Culture Show British Icon Award
• 2007: British Naturalists' Association Peter Scott Memorial Award
• 2009: BAFTA Specialist factual award for Life In Cold Blood
• 2009: Prince of Asturias Award^[50]
• 2010: Fonseca Prize
• 2010: Queensland Museum Medal^[51][52]
•  ???? RSPB Medal^[53][54]
• 2011: Society for the History of Natural History Founders' Medal

Views and advocacy[link]

Environmental causes[link]

Attenborough's programmes have often included references to the impact of human society on the natural world. The last episode of The Living Planet, for example, focuses almost entirely on humans' destruction of the environment and ways that it could be stopped or reversed. Despite this, he has been criticised for not giving enough prominence to environmental messages. Some environmentalists feel that programmes like Attenborough's give a false picture of idyllic wilderness and do not do enough to acknowledge that such areas are increasingly encroached upon by humans.^[55]

However, his closing message from State of the Planet was forthright:

The future of life on earth depends on our ability to take action. Many individuals are doing what they can, but real success can only come if there's a change in our societies and our economics and in our politics. I've been lucky in my lifetime to see some of the greatest spectacles that the natural world has to offer. Surely we have a responsibility to leave for future generations a planet that is healthy, inhabitable by all species.

Attenborough has subsequently become more vocal in his support of environmental causes. In 2005 and 2006, he backed a BirdLife International project to stop the killing of albatross by longline fishing boats.^[56] He gave public support to WWF's campaign to have 220,000 square kilometres of Borneo's rainforest designated a protected area.^[57] He also serves as a vice-president of BTCV, vice-president of Fauna and Flora International, president of Butterfly Conservation and president of Leicestershire and Rutland Wildlife Trust. In 2003 he launched an appeal to create a rainforest reserve in Ecuador in memory of Christopher Parsons, the producer of Life on Earth and a personal friend, who had died the previous year. The same year, he helped to launch ARKive,^[58] a global project instigated by Parsons to gather together natural history media into a digital library. ARKive is an initiative of Wildscreen, of which Attenborough is a patron.^[59] He later became patron of the World Land Trust, and an active supporter. He supported Glyndebourne in their successful application to obtain planning permission for a wind turbine in an Area of Outstanding Natural Beauty, and gave evidence at the planning inquiry arguing in favour of the proposal.

Attenborough has repeatedly said that he considers human overpopulation to be the root cause of many environmental problems. In The Life of Mammals, he made a plea for humans to curb population growth so that other species will not be crowded out. In 2009, he became a patron of Population Matters, (formerly known as the Optimum Population Trust), a UK charity advocating sustainable human populations.

He has written and spoken publicly about the fact that, despite past scepticism, he believes the Earth's climate is warming in a way that is cause for concern, and that this can likely be attributed to human activity.^[60] He summed up his thoughts at the end of his 2006 documentary "Can We Save Planet Earth?" as follows:

In the past, we didn't understand the effect of our actions. Unknowingly, we sowed the wind and now, literally, we are reaping the whirlwind. But we no longer have that excuse: now we do recognise the consequences of our behaviour. Now surely, we must act to reform it — individually and collectively, nationally and internationally — or we doom future generations to catastrophe.

In a 2005 interview with BBC Wildlife magazine, Attenborough said he considered George W. Bush to be the era's top "environmental villain". In 2007, he further elaborated on the USA's consumption of energy in relation to its population. When asked if he thought America to be "the villain of the piece", he responded:

I don't think whole populations are villainous, but Americans are just extraordinarily unaware of all kinds of things. If you live in the middle of that vast continent, with apparently everything your heart could wish for just because you were born there, then why worry? [...] If people lose knowledge, sympathy and understanding of the natural world, they're going to mistreat it and will not ask their politicians to care for it.^[61]

Religion and creationism[link]

In a December 2005 interview with Simon Mayo on BBC Radio Five Live, Attenborough stated that he considers himself an agnostic.^[62] When asked whether his observation of the natural world has given him faith in a creator, he generally responds with some version of this story, making reference to the Loa loa parasitic worm:

My response is that when Creationists talk about God creating every individual species as a separate act, they always instance hummingbirds, or orchids, sunflowers and beautiful things. But I tend to think instead of a parasitic worm that is boring through the eye of a boy sitting on the bank of a river in West Africa, [a worm] that's going to make him blind. And [I ask them], 'Are you telling me that the God you believe in, who you also say is an all-merciful God, who cares for each one of us individually, are you saying that God created this worm that can live in no other way than in an innocent child's eyeball? Because that doesn't seem to me to coincide with a God who's full of mercy'.^[63]

He has explained that he feels the evidence all over the planet clearly shows evolution to be the best way to explain the diversity of life, and that "as far as [he's] concerned, if there is a supreme being then he chose organic evolution as a way of bringing into existence the natural world."

In a BBC Four interview with Mark Lawson, Attenborough was asked if he at any time had any religious faith. He replied simply, "No."^[64] He has also said "It never really occurred to me to believe in God".^[65]

In 2002, Attenborough joined an effort by leading clerics and scientists to oppose the inclusion of creationism in the curriculum of UK state-funded independent schools which receive private sponsorship, such as the Emmanuel Schools Foundation.^[66] In 2009, Attenborough stated that the Book of Genesis, by saying that the world was there for people to dominate, had taught generations that they can "dominate" the environment, and that this has resulted in the devastation of vast areas of the environment.^[67] Attenborough further explained to the science journal Nature, "That's why Darwinism, and the fact of evolution, is of great importance, because it is that attitude which has led to the devastation of so much, and we are in the situation that we are in."^[68][69]

Also in early 2009, the BBC broadcast an Attenborough one-hour special, Charles Darwin and the Tree of Life. In reference to the programme, Attenborough stated that "People write to me that evolution is only a theory. Well, it is not a theory. Evolution is as solid a historical fact as you could conceive. Evidence from every quarter. What is a theory is whether natural selection is the mechanism and the only mechanism. That is a theory. But the historical reality that dinosaurs led to birds and mammals produced whales, that's not theory."^[70] He strongly opposes creationism and its offshoot "intelligent design", saying that a survey that found a quarter of science teachers in state schools believe that creationism should be taught alongside evolution in science lessons was "really terrible".^[70]

In March 2009, Attenborough appeared on Friday Night with Jonathan Ross. Attenborough stated that he felt evolution did not rule out the existence of a God and accepted the title of agnostic saying, "My view is: I don't know one way or the other but I don't think that evolution is against a belief in God."^[71]

Attenborough has joined evolutionary biologist Richard Dawkins and other top scientists in signing a campaign statement coordinated by the British Humanist Association (BHA). The statement calls for "creationism to be banned from the school science curriculum and for evolution to be taught more widely in schools."^[72]

BBC and public service broadcasting[link]

Attenborough is a lifelong supporter of the BBC, public broadcasting and the television licence. He has said:

PSB, to me, is not about selecting individual programme strands here or there, financing them from some outside source and then foisting them upon commercial networks. Public Service Broadcasting, watched by a healthy number of viewers, with programmes financed in proportion to their intrinsic needs and not the size of the audience, can only effectively operate as a network — a network whose aim is to cater for the broadest possible range of interests, popular as well as less popular, a network that measures its success not only by its audience size but by the range of its schedule.^[73]

Public service broadcasting is one of the things that distinguishes this country and makes me want to live here. I have spent all my life in it. I would be very distressed if public service broadcasting was weakened. I have been at the BBC since 1952, and know the BBC is constantly being battered. It is today.^[74]

If you could demonstrate that the BBC was grossly extravagant there might be a case for saying OK take it away. But in fact the BBC per minute in almost every category is as cheap as you can find anywhere in the world and produces the best quality. If you take the money away, which part of the BBC will you remove? The BBC has gone through swingeing staff cuts. It has been cut to the bone, if you divert licence fee money elsewhere, you cut quality and services. There is always that threat from politicians who will say your licence fee is up for grabs. We will take it. There is a lot of people who want to see the BBC weakened. They talk of this terrible tax of the licence fee. Yet it is the best bargain that is going. Four radio channels and god knows how many TV channels. It is piffling.^[74]

There have always been politicians or business people who have wanted to cut the BBC back or stop it saying the sort of things it says. There's always been trouble about the licence and if you dropped your guard you could bet our bottom dollar there'd be plenty of people who'd want to take it away. The licence fee is the basis on which the BBC is based and if you destroy it, broadcasting... becomes a wasteland.^[75]

Attenborough expressed regret at some of the changes made to the BBC in the 1990s by Director-General John Birt, who introduced an internal market at the corporation, slimmed and even closed some departments and outsourced much of the corporation’s output to private production companies, in line with the Broadcasting Act 1990. He has said:

There is no question but that Birtism . . . has had some terrible results. On the other hand, the BBC had to change. Now it has to produce programmes no one else can do. Otherwise, forget the licence fee.^[76]

The Bristol Unit has suffered along with the rest of the BBC from recent staff cuts. Yet it remains confident in the belief that the BBC will maintain it, in spite of the vagaries of fashion, because the Corporation believes that such programmes deserve a place in the schedules of any broadcaster with pretensions of providing a Public Service. In due course, similar specialist Units were also established in London, in order to produce programmes on archaeology and history, on the arts, on music and on science. They too, at one time, had their successes. But they have not survived as well as the Unit in Bristol. The statutory requirement that a certain percentage of programmes must come from independent producers has reduced in-house production and the Units necessarily shrank proportionately in size. As they dwindled, so the critical mass of their production expertise has diminished. The continuity of their archives has been broken, they have lost the close touch they once had worldwide with their subjects and they are no longer regarded internationally as the centres of innovation and expertise that they once were.^[77]

When Birt gets up and says the whole of the BBC was a creative mess and it was wasteful, I never saw any evidence of that. I absolutely know it wasn’t so in my time. Producers now spend all their time worrying about money, and the thing has suffered for it.^[78]

In 2008, he criticised the BBC’s television schedules:

I have to say that there are moments when I wonder — moments when its two senior networks, first set up as a partnership, schedule simultaneously programmes of identical character, thereby contradicting the very reason that the BBC was given a second network. Then there are times when both BBC One and BBC Two, intoxicated by the sudden popularity of a programme genre, allow that genre to proliferate and run rampant through the schedules. The result is that other kinds of programmes are not placed, simply because of a lack of space. Do we really require so many gardening programmes, make-over programmes or celebrity chefs? Is it not a scandal in this day and age, that there seems to be no place for continuing series of programmes about science or serious music or thoughtful in-depth interviews with people other than politicians?^[73]

In 2009, Attenborough commented on the general state of British television, describing the newly introduced product placement on commercial television as something he considered an "appalling" idea 20 years earlier:

I think it's in great trouble. The whole system on which it was built — a limited number of networks, with adequate funding — is under threat. That funding is no longer there. As stations proliferate, so audiences are reduced. The struggle for audiences becomes ever greater, while money diminishes. I think that's a fair recipe for trouble. Inevitably, this has an impact on the BBC … Fortunately, the BBC doesn't think natural history programmes must compete with Strictly Come Dancing in terms of audience. The BBC says, 'Make proper, responsible natural history programmes.'^[79]

Other causes[link]

In May 2005, Attenborough was appointed as patron of the UK's Blood Pressure Association, which provides information and support to people with hypertension.^[80]

Attenborough is also an honorary member of BSES Expeditions, a youth development charity that operates challenging scientific research expeditions to remote wilderness environments.

Parodies and artistic portrayals[link]

Attenborough's accent and hushed, excited delivery have been the subject of frequent parodies by comedians, most notably Spike Milligan, Marty Feldman and The Goodies. Attenborough is portrayed by Michael Palin in the final episode of Monty Python's Flying Circus, where he searches the African jungle for the legendary Walking Tree of Dahomey (Quercus Nicholas Parsonus), sweating excessively and accompanied by native guides wearing saxophones. David Attenborough has also been parodied in a series of GEICO insurance commercials, showing a nature show host, clearly patterned on Attenborough.

"Time Flies", a sketch by David Ives, features a pair of anthropomorphic mayflies engaging in a courtship ritual, while watching themselves on television in a documentary narrated by David Attenborough.^[81]

The character of Nigel Thornberry, a nature documentarian on Nickelodeon's The Wild Thornberrys is strongly influenced by Attenborough.

He has also been parodied by the Australia 1980s sketch show The Comedy Company where Ian McFadyen portrays a character called David Rabbitborough, who goes about examining the "wildlife" of various Australian urban stereotypes.

The video game Discworld, based on the series of books by Terry Pratchett, parodies his unique delivery to explain different aspects of the Discworld Universe, such as L-Space.

Mythbusters host Adam Savage often imitates Attenborough when speaking about his co-host Jamie Hyneman, which Jamie verified in the YouTube Special Episode.

Filmography[link]

Attenborough is known foremost for writing and presenting the ten Life series, which are presented in chronological order below:

• Life on Earth (1979)
• The Living Planet (1984)
• The Trials of Life (1990)
• Life in the Freezer (1993)
• The Private Life of Plants (1995)
• The Life of Birds (1998)
• The Life of Mammals (2002)
• Life in the Undergrowth (2005)
• Life in Cold Blood (2008)
• First Life (2010)

His voice is synonymous with wildlife documentaries for British audiences, and the principal series with which his narration is associated include:

• Wildlife on One (1977–2005)
• BBC Wildlife Specials (1995–2008)
• The Blue Planet (2001)
• Planet Earth (British version) (2006)
• Nature's Great Events (2009)
• Life (2009)
• Frozen Planet (2011)

Books[link]

Bibliography[link]

• Zoo Quest to Guyana (Lutterworth Press, 1956)
• Zoo Quest for a Dragon (Lutterworth Press, 1957)
  • (book club edition with 85 extra pages, Quest for the Paradise Birds, 1959)
• Zoo Quest in Paraguay (Lutterworth Press, 1959)
  • paperback (Penguin Books, 1982)
• Quest in Paradise (1960)
• People of Paradise (Harper & Brothers, 1960)
• Zoo Quest to Madagascar (1961)
• Quest Under Capricorn (1963)
• Fabulous Animals (BBC, 1975) ISBN 0-563-17006-9
• The Tribal Eye (1976)
• Life on Earth (1979)
• Discovering Life on Earth (1981)
• Journeys to the past: Travels in New Guinea, Madagascar, and the northern territory of Australia (1983) Penguin Books ISBN 0-14-00.64133
• The Living Planet (1984)
• The First Eden: The Mediterranean World and Man (1987)(Little Brown & Co (T); 1st American ed edition (March 1990))
• The Atlas of the Living World (1989)
• The Trials of Life (Collins, 1990) ISBN 0-00-219912-2
• The Private Life of Plants (BBC Books, 1994) ISBN 0-563-37023-8
• The Life of Birds (BBC Books, 1998) ISBN 0-563-38792-0
• The Life of Mammals (BBC Books, 2002) ISBN 0-563-53423-0
• Life on Air: Memoirs of a Broadcaster (autobiography; 2002) ISBN 0-563-53461-3
  • paperback: ISBN 0-563-48780-1
  • updated edition: ISBN 978-1-84607-652-7
• Life in the Undergrowth (BBC Books, 2005) ISBN 0-563-52208-9
• Amazing Rare Things - The Art of Natural History in the Age of Discovery with Susan Owens, Martin Clayton and Rea Alexandratos (The Royal Collection, 2007) Hardback - ISBN 978-1-902163-46-8; Softback - ISBN 978-1-902163-99-4
• Life in Cold Blood (BBC Books, 2007) ISBN 978-0-563-53922-3
• Life Stories, (HarperCollins Publishers, 2009) ISBN 978-0-00-733883-2
• New Life Stories, (Collins, 2011) ISBN 978-0-00-742512-9

Introductions[link]

Attenborough has written the introduction or foreword for a number of books, including:

• Buxton, Cindy; Annie Price (1983). Survival South Atlantic. London :: Granada,. pp. xiii,237p.,[64]p. of plates : ill(some col.), maps,col.ports. ; 26cm.. ISBN 0-246-12087-8. 
• African Jigsaw: A Musical Entertainment, Peter Rose and Anne Conlon (published: 1986, Weinberger)
• Tomorrow Is Too Late, Various (The Macmillan Press, 1990)
• Life in the Freezer: Natural History of the Antarctic, Alastair Fothergill (BBC Books, 1993), ISBN 0-563-36431-9
• Birds of Paradise: Paradisaeidae (Bird Families of the World series) Clifford B. Frith, Bruce M. Beehler, William T. Cooper (Illustrator) (Oxford University Press, 1998) ISBN 0-19-854853-2
• The Blue Planet, Andrew Byatt, Alastair Fothergill, Martha Holmes (BBC Books, 2001) ISBN 0-563-38498-0.
• Light on the Earth (BBC Books, 2005), two decades of winning images from the Wildlife Photographer of the Year competition, ISBN 0-563-52260-7
• Planet Earth, Alastair Fothergill (BBC Books, 2006), ISBN 0-563-52212-7

Audio recordings[link]

• Tarka the Otter by Henry Williamson (available on audiocassette, 1978)
• Yanomamo (musical entertainment, 1983) by Peter Rose and Anne Conlon; on-stage narration and published audio recording
• Ocean World (musical entertainment, 1990) by Peter Rose and Anne Conlon; on-stage narration (including at The Royal Festival Hall), for audio recording and video broadcast (both published)
• Peter and the Wolf for BBC Music Magazine (free CD with the June 2000 issue).

In addition, Attenborough has recorded some of his own works in audiobook form, including Life on Earth, Zoo Quest for a Dragon and his autobiography Life on Air: Memoirs of a Broadcaster.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: David Attenborough

Wikimedia Commons has media related to: David Attenborough

• David Attenborough at the Internet Movie Database
• BBC Books David Attenborough website
• BBC Life on Air website
• BBC biography
• Wildfilmhistory.org biography
• BBC interviews with Attenborough in 1976 and 1998
• PBS interview with Attenborough in 1998
• A Life in TV: Sir David Attenborough, BAFTA
• BBC Wildlife Finder - David Attenborough's favourite moments
• Tribute from the World Land Trust
• David Attenborough profile on Eden Channel website
• List of David Attenborough's programmes on Eden Channel website

Pat Bergeson
Pat Bergeson playing his Fender Esquire in 2006
Background information
Born	(1961-03-11) March 11, 1961 (age 51) Batavia, Illinois
Origin	Nashville, Tennessee
Genres	Jazz, country, rock, pop, blues
Occupations	Musician, songwriter
Instruments	Guitar, harmonica
Associated acts	Chet Atkins, Lyle Lovett, Suzy Bogguss
Website	Official website Official Myspace
Notable instruments
Fender Esquire, Seydel harmonica

Pat Bergeson (born March 11, 1961) is an American guitarist, harmonica player and occasional songwriter. Based in Nashville, he is best known for his live and session work with Chet Atkins, Lyle Lovett and Suzy Bogguss.

Biography[link]

Bergeson was born in Batavia, Illinois, and first started playing drums and later picked up the guitar and the harmonica. He studied music at the University of Illinois in Urbana and then moved to New York City, studied Jazz at William Paterson University and worked in New York for ten years. After hearing him on a demo tape made by Robert Lee Castleman, Chet Atkins invited Bergeson to play on his record Sneakin' Around with Jerry Reed. Upon Atkins' request Bergeson moved to Nashville and soon established himself as a sought after session and live musician.^[1]

Equally at home in fingerstyle and flatpicking guitar playing as well as diatonic and chromatic harmonica styles, Bergeson toured and recorded with Atkins for several years and afterwards became a member of Lyle Lovett's band and also worked with Shelby Lynne and Wynonna Judd. His recording credits include albums by such diverse artists as Chuck Loeb, Sixpence None the Richer, Trace Adkins, Randy Travis, Emmylou Harris, Bill Evans, Jon Randall, Jeff Coffin, Michael McDonald, Martin Taylor, Jo Dee Messina, Kenny Rogers, Alison Krauss, Asleep At The Wheel, Jesse Winchester, Martina McBride, Gail Davies, Bill Frisell and Jill Sobule. Bergeson also contributed to various movie soundtracks, including Ratatouille: What's Cooking?, Diary of a Mad Black Woman, Dr. T & the Women, Two If by Sea and Michael.^[2]

Bergeson co-wrote songs for artists like Chet Atkins (Mountains of Illinois with Atkins himself and Take a Look at Her Now with R.L. Kass aka Robert Lee Castleman for the album Read My Licks), Alison Krauss (That Kind of Love with Michael McDonald for the album Forget About It)^[3] and Jeff Coffin (The Evil Boweevil with Coffin, Tom Giampietro and Derek Jones for the album Bloom).^[4]

Under his own name, Bergeson has released three CDs with New York vibraphonist Steve Shapiro as well as a tribute album to his friend and mentor Chet Atkins and a Mel Bay instructional video/DVD for jazz guitar titled Contemporary Improvisation.

Bergeson was married to Alison Krauss from 1997 to 2001; together they have one son.^[5] He is now married to jazz singer Annie Sellick, with whom he occasionally tours as a duo. Bergeson is also a member of the Hot Club of Nashville with renowned fiddler Stuart Duncan and guitarist Richard Smith among others.^[6]

He has recently toured worldwide with singer Madeleine Peyroux, playing electric guitar and mandolin, and repeatedly with Suzy Bogguss.^[7][8]

Discography[link]

Recordings under his own name:

• Xylophobia (Curious/Sons of Sound), with Steve Shapiro, Marc Johnson, Danny Gottlieb, Kevin Hays, Tim Ries, Mike Davis, Jim Hynes (2002)
• Low Standards (Sons of Sound), with Steve Shapiro, Doug Weiss, Scott Kreitzer, Jeff Williams, Annie Sellick (2005)
• Country Gentleman - A Tribute To Chet Atkins feat. Pat Bergeson (Green Hill), with Tommy Emmanuel, Suzy Bogguss, Richard Smith, Paul Yandell and others (2007)
• Backward Compatible (Apria), with Steve Shapiro, Annie Sellick, Marc Johnson and others (2008)
• Contemporary Improvisation (Mel Bay), instructional DVD for jazz guitar
• Hippy Dance (Angelbutt), with Dan Anderson, Tom Roady, Jeff Coffin, Steve Shapiro and others (2011)

References[link]

External links[link]

• Official Website