Lake Tahoe
Lake Tahoe from the east shore (in Nevada)
Location	California and Nevada, USA
Coordinates	39°05′30″N 120°02′30″W / 39.09167°N 120.04167°W / 39.09167; -120.04167Coordinates: 39°05′30″N 120°02′30″W / 39.09167°N 120.04167°W / 39.09167; -120.04167
Lake type	Geologic block faulting
Primary outflows	Truckee River
Basin countries	United States
Max. length	22 mi (35 km)
Max. width	12 mi (19 km)
Surface area	191.588 sq mi (496.21 km2):[1] Placer Co., CA (40.961%) El Dorado Co., CA (28.626%) Douglas Co., NV (13.207%) Washoe Co., NV (10.955%) Carson City, NV (6.251%)
Average depth	1,000 ft (300 m)[2]
Max. depth	1,645 ft (501 m)
Water volume	122,160,280 acre·ft (150.68249 km3)
Residence time	650 years
Shore length1	71 mi (114 km)
Surface elevation	6,225 ft (1,897 m)[2]
Frozen	Never
Islands	one – Fannette Island
Settlements	South Lake Tahoe, CA Stateline, NV Tahoe City, CA
1 Shore length is not a well-defined measure.

Lake Tahoe ( /ˈtɑːhoʊ/; Washo: dáʔaw)^[3][4] is a large freshwater lake in the Sierra Nevada of the United States. At a surface elevation of 6,225 ft (1,897 m), it is located along the border between California and Nevada, west of Carson City. Lake Tahoe is the largest alpine lake in North America.^[5] Its depth is 1,645 ft (501 m), making it the USA's second-deepest (the deepest is Crater Lake in Oregon, being 300 ft (91 m) deeper, at 1,945 ft (593 m)).^[2] Additionally, Lake Tahoe is listed as the 26th largest lake by volume in the world at 122,160,280 acre·ft (150.68249 km³).

The lake was formed about 2 million years ago and is a part of the Lake Tahoe Basin with the modern lake being shaped during the ice ages. It is known for the clarity of its water and the panorama of surrounding mountains on all sides.^[6] The area surrounding the lake is also referred to as Lake Tahoe, or simply Tahoe.

Lake Tahoe is a major tourist attraction in both Nevada and California. It is home to a number of ski resorts, summer outdoor recreation, and tourist attractions. Snow and skiing are a significant part of the area's economy and reputation.^[7][8] Mountain and lake scenery are attractions throughout the year. The Nevada side also includes large casinos. Highways provide year-round access from Reno, Carson City, and Sacramento.

Geography[link]

Lake Tahoe is the second deepest lake in the U.S., with a maximum depth of 1,645 feet (501 m),^[2][9] trailing only Oregon's Crater Lake at 1,949 ft (594 m).^[9] Tahoe is also the 16th^[10] deepest lake in the world, and the fifth deepest in average depth. It is about 22 mi (35 km) long and 12 mi (19 km) wide and has 72 mi (116 km) of shoreline and a surface area of 191 square miles (490 km²). Approximately two-thirds of the shoreline is in California.^[11] The south shore is dominated by the lake's largest city, South Lake Tahoe, California, which adjoins the town of Stateline, Nevada, while Tahoe City, California, is located on the lake's northwest shore. Although highways run within sight of the lake shore for much of Tahoe's perimeter, many important parts of the shoreline now lie within state parks or are protected by the United States Forest Service. The Lake Tahoe Watershed (USGS Huc 18100200) of 505 sq mi (1,310 km²) includes the land area that drains to the lake and the Lake Tahoe drainage divide traverses the same general area as the Tahoe Rim Trail.

Natural history[link]

Geology[link]

Lake Tahoe from space

The Lake Tahoe Basin was formed by a geologic block (normal) faulting. A geologic block fault is a fracture in the Earth's crust causing blocks of land to move up or down. Uplifted blocks created the Carson Range on the east and the Sierra Nevada on the west. Down-dropped blocks (a graben) created the Lake Tahoe Basin in between.^[2]

More technically, Lake Tahoe is the youngest of several extensional basins of the Walker Lane Deformation Belt that accommodates nearly 12 mm/yr of dextral shear between the Sierra Nevada Microplate and North America.^[12][13] The Lake Tahoe basin is formed by a series of large down-to-the-east normal faults, including the West Tahoe–Dollar Point fault, Stateline/North Tahoe fault and the Incline Village fault.^[14] These right-stepping en-echelon faults are capable of large magnitude 7 earthquakes, with the most recent M7 paleoquake (~1500 AD) occurring on the Incline Village fault with nearly 9.7 ft (3.0 m) of vertical offset.^[15] The West Tahoe-Dollar Point Fault (WTDPF) appears to be the most active and potentially hazardous fault in the basin. A study in Fallen Leaf Lake, just south of Lake Tahoe, used seafloor mapping techniques to image evidence for paleoearthquakes on the WTDPF and revealed the last earthquake occurred between 4,100 and 4,500 years ago.^[16]

Some of the highest peaks of the Lake Tahoe Basin that formed during the process of Lake Tahoe creation are Freel Peak at 10,891 feet (3,320 m), Monument Peak at 10,067 feet (3,068 m), Pyramid Peak at 9,983 feet (3,043 m) (in the Desolation Wilderness), and Mount Tallac at 9,735 feet (2,967 m).^[2] The north shore boasts 3 peaks at 10,000+ feet; Mount Rose, Houghton and Relay peaks. Mt. Rose is a very popular hiking and backcountry skiing destination.

Eruptions from the extinct volcano Mount Pluto formed a dam on the north side. Melting snow filled the southern and lowest part of the basin to form the ancestral Lake Tahoe. Rain and runoff added additional water.^[17]

Modern Lake Tahoe was shaped and landscaped by scouring glaciers during the Ice Ages, which began a million or more years ago. Lake Tahoe is fed from 63 tributaries with the Truckee River as the only outlet.^[5] The Truckee flows northeast through Reno, Nevada and into Pyramid Lake, Nevada which has no outlet.

Soils of the basin come primarily from andesitic volcanic rocks and granodiorite, with minor areas of metamorphic rock. Some of the valley bottoms and lower hill slopes are mantled with glacial moraines, or glacial outwash material derived from the parent rock. Cryopsamments, Cryumbrepts, rockland, rock outcrops and rubble and stony colluvium account for over 70% of the land area in the basin (see USA soil taxonomy). The basin soils (in the < 2 mm fraction) are generally 65-85% sand (0.05–2.0 mm).

Given the great depth of Lake Tahoe, and the locations of the normal faults within the deepest portions of the lake, modeling suggests that earthquakes on these faults can trigger tsunamis. Wave heights of these tsunamis are predicted to be on the order of 10 to 33 ft (3 to 10 m) in height, capable of traversing the lake in just a few minutes.^[18] A massive collapse of the western edge of the basin that formed McKinney Bay around 50,000 years ago is thought to have generated a tsunami/seiche wave with a height approaching 330 ft (100 m).^[19]

Climate[link]

Fallen Leaf Lake and Lake Tahoe in background from Angora Ridge Rd. to the Angora Lakes Resort

Mean annual precipitation ranges from over 55 inches (1440 mm) for watersheds on the west side of the basin to about 26 inches (660 mm) near the lake on the east side of the basin. Most of the precipitation falls as snow between November and April, although rainstorms combined with rapid snow melt account for the largest floods. There is a pronounced annual runoff of snowmelt in late spring and early summer, the timing of which varies from year to year. In some years, summertime monsoon storms from the Great Basin bring intense rainfall, especially to high elevations on the northeast side of the basin.

August is normally the warmest month at the Lake Tahoe Airport (elevation 6,254 ft (1,906 m)) with an average maximum of 78.7 °F (25.9 °C) and an average minimum of 39.8 °F (4.3 °C). January is the coolest month with an average maximum of 41.0 °F (5.0 °C) and an average minimum of 15.1 °F (−9.4 °C). The all-time maximum of 99 °F (37.2 °C) was recorded on July 22, 1988. The all-time minimum of −29 °F (−33.9 °C) was recorded on December 9, 1972, and February 7, 1989. Temperatures exceed 90 °F (32.2 °C) on an average of 2.0 days annually. Minimum temperatures of 32 °F (0 °C) or lower occur on an average of 231.8 days annually, and minimum temperatures of 0 °F (−17.8 °C) or lower occur on an average of 7.6 days annually. Freezing temperatures have occurred every month of the year.^[20][21]

Ecology[link]

Salmon (Oncorhynchus nerka) jumping beaver dam

Vegetation in the basin is dominated by a mixed conifer forest of Jeffrey pine (Pinus jeffreyi), lodgepole pine (P. contorta), white fir (Abies concolor), and red fir (A. magnifica).^[22] The basin also contains significant areas of wet meadows and riparian areas, dry meadows, brush fields (with Arctostaphylos and Ceanothus) and rock outcrop areas, especially at higher elevations. Ceanothus is capable of fixing nitrogen, but mountain alder (Alnus tenuifolia), which grows along many of the basin’s streams, springs and seeps, fixes far greater quantities, and contributes measurably to nitrate-N concentrations in some small streams. The beaches of Lake Tahoe are the only known habitat for the rare Lake Tahoe yellowcress (Rorippa subumbellata), a plant which grows in the wet sand between low- and high-water marks.^[23]

Each autumn, from late September through mid-October, mature kokanee salmon (Oncorhyncus nerka), transform from silver-blue color to a fiery vermilion, and run up Taylor Creek, near South Lake Tahoe. As spawning season approaches the fish acquire a humpback and protuberant jaw. After spawning they die and their carcasses provide a feast for gatherings of mink (Neovison vison), bears (Ursus americanus), and Bald eagles (Haliaeetus leucocephalus). These salmon were transplanted from the North Pacific to Lake Tahoe in 1944.^[24]

North American Beaver (Castor canadensis) were re-introduced to the Tahoe Basin by the California Department of Fish and Game (CDFG) and the U.S. Forest Service between 1934 and 1949. Descended from no more than nine individuals, 1987 beaver populations on the upper and lower Truckee River had reached a density of 0.72 colonies (3.5 beavers) per kilometer.^[25] At the present time beaver have been seen in Tahoe Keys, Meeks Creek at Meeks Bay on the western shore, and King's Beach on the north shore, so the descendants of the original nine beavers have apparently migrated around most of Lake Tahoe.^[26][27] That beaver were once native to the area is supported by the fact that the Washo have a word for beaver, c'imhélhel^[28][29] and the northern Paiute of Walker Lake, Honey Lake and Pyramid Lake have a word for beaver su-i'-tu-ti-kut'-teh.^[30] When Stephen Powers visited the northern Paiute to collect Indian materials for the Smithsonian Institution in preparation for the Centennial Exhibition of 1876, he reported that the northern Paiute wrapped their hair in strips of beaver fur, made medicine from parts of beaver and that their creation legend included beaver.^[30]

Human history[link]

Native people[link]

The area around Lake Tahoe was originally inhabited by the Washoe tribe of Native Americans. Lake Tahoe was the center and heart of Washoe Indian territory, including the upper valleys of the Walker, Carson and Truckee Rivers. The English name for Lake Tahoe derives from the mispronunciation of the Washo word “dá’aw," meaning “Lake”.^[4]

Exploration[link]

Lt. John C. Frémont was the first person of European descent to see Lake Tahoe, during Fremont's second exploratory expedition on February 14, 1844.^[31] John Calhoun Johnson, Sierra explorer and founder of "Johnson's Cutoff" (now U.S. Route 50), was the first white man to see Meeks Bay and from a peak above the lake he named Fallen Leaf Lake after his Indian guide. His first job in the west was in the government service, carrying the mail on snowshoes from Placerville to Nevada City, during which time he named the lake "Lake Bigler" in honor of California’s third governor John Bigler. In 1853 William Eddy, the surveyor general of California, identified Tahoe as Lake Bigler. In 1862 the U.S. Department of the Interior first introduced the name Tahoe. Both names were used until well into the next century. The lake didn't receive its official and final designation as Lake Tahoe until 1945.

California and Nevada reached the compromise to partition Tahoe between the two when Nevada became a state in 1864. With the state line east of the approximate centerline of the lake and then at 39 degrees north latitude, the state border runs southeasterly towards the Colorado River.^[32][33]

Mining era[link]

Upon discovery of gold in the South Fork of the American River in 1848, thousands of gold seekers going west passed near the basin on their way to the gold fields. European civilization first made its mark in the Lake Tahoe basin with the 1858 discovery of the Comstock Lode, a silver deposit just 15 miles (24 km) to the east in Virginia City, Nevada. From 1858 until about 1890, logging in the basin supplied large timbers to shore up the underground workings of the Comstock mines. The logging was so extensive that loggers cut down almost all of the native forest. In 1864, Tahoe City was founded as a resort community for Virginia City, the first recognition of the basin’s potential as a destination resort area.^[34]

Development[link]

Public appreciation of the Tahoe basin grew, and during the 1912, 1913 and 1918 congressional sessions, congressmen tried unsuccessfully to designate the basin as a national park.^[34]

The only outlet of Lake Tahoe and the headwaters of the Truckee River at Lake Tahoe Dam

While Lake Tahoe is a natural lake, it is also used for water storage by the Truckee-Carson Irrigation District (TCID). The lake level is controlled by a dam built in 1913 at the lake's only outlet, the Truckee River, at Tahoe City. The 18-foot (5.5 m) high dam can increase the lake's capacity by 744,600 acre·ft (0.9185 km³).^[35]

During the first half of the 20th century, development around the lake consisted of a few vacation homes. The post-World War II population and building boom, followed by construction of gambling casinos in the Nevada part of the basin during the mid-1950s, and completion of the interstate highway links for the 1960 Winter Olympics held at Squaw Valley, resulted in a dramatic increase in development within the basin. From 1960 to 1980, the permanent residential population increased from about 10,000 to greater than 50,000, and the summer population grew from about 10,000 to about 90,000.^[34] Since the 1980s, development has slowed due to controls on land use.

Government and politics[link]

Lake Tahoe lies within the borders of both California and Nevada, and as such is not governed by any single entity. In California, Lake Tahoe is divided between Placer County and El Dorado County. In Nevada, Lake Tahoe is divided among Washoe County, Douglas County and Carson City (an independent city).

The Tahoe Regional Planning Agency (TRPA) is a bi-state compact between California and Nevada, that is charged with environmental protection of the Lake Tahoe Basin through land-use regulation and planning.^[36] Schisms between TRPA and local residents led to the formation of grass-roots organizations that hold firm to strict environmentalism.^[37]

Mansions[link]

Lake Tahoe is also the location of several 19th and 20th century palatial homes of historical significance. The Thunderbird Lodge built by George Whittel Jr once included nearly 27 miles (43 km) of the Nevada shoreline. Vikingsholm was the original settlement on Emerald Bay and included an island teahouse and a 38 room home. The Ehrman Mansion is a summer home built by a former Wells Fargo president in Sugar Pine Point and is now a state park.

Environmental issues[link]

Water quality[link]

Example of an urban source of fine sediment at El Dorado Beach

Another example of road runoff with fine sediment at El Dorado Beach

In spite of land-use planning and export of treated sewage effluent from the basin, the lake is becoming increasingly eutrophic (having an excessive richness of nutrients), with primary productivity increasing by more than 5% annually, and clarity decreasing at an average rate of 0.25 meters per year.^[38] Until the early 1980s, nutrient-limitation studies showed that primary productivity in the lake was nitrogen-limited. Now, after a half-century of accelerated nitrogen input (much of it from direct atmospheric deposition), the lake is phosphorus-limited. Swift^[39] concluded that “suspended inorganic sediments and phytoplanktonic algae both contribute significantly to the reduction in clarity, and that suspended particulate matter, rather than dissolved organic matter, are the dominant causes of clarity loss.” The largest source of fine sediment particles to Lake Tahoe is urban stormwater runoff, comprising 72 percent of the total fine sediment particle load.^[40] The urban uplands also provide the largest opportunity to reduce fine sediment particle and phosphorus contributions to the lake. Historic clarity of approximately 30 meters can be achieved with total reduction of approximately 75% from urban sources.^[41]

The clarity of Lake Tahoe continues to decrease, although the rate of decrease is slowing.^[42] Fine sediment, much of it resulting from land disturbance in the basin, accounts for about half of the loss in clarity. The year 2010 had a low average Secchi depth, with the depth of 64.4 feet being the second lowest ever recorded (the lowest was 64.1 feet in 1997). It represents a decrease of 3.7 feet from the previous year.^[42]

Lake Tahoe is a tributary watershed drainage element within the Truckee River Basin, and its sole outlet is the Truckee River, which continues on to discharge to Pyramid Lake. Because of the sensitivity of Truckee River water quality (involving two protected species, the cui-ui^[43] sucker fish and the Lahontan cutthroat trout), this drainage basin has been studied extensively. The primary investigations were stimulated by the U.S. Environmental Protection Agency, who funded the development of the DSSAM model to analyze water quality below Lake Tahoe.

Lake Tahoe never freezes.^[44] Since 1970, it has mixed to a depth of at least 1,300 ft (400 m) a total of 6 or 7 times. Dissolved oxygen is relatively high from top to bottom. Analysis of the temperature records in Lake Tahoe has shown that the lake warmed (between 1969 and 2002) at an average rate of 0.015 °C per year. The warming is caused primarily by increasing air temperatures, and secondarily by increasing downward long-wave radiation. The warming trend is reducing the frequency of deep mixing in the lake, and may have important effects on water clarity and nutrient cycling.

Ecosystem changes[link]

Since the 1960s, the Lake's food web and zooplankton populations have undergone major changes. In 1963–65, opossum shrimp (Mysis diluviana) were introduced to enhance the food supply for the introduced Kokanee salmon (Onchorhynchus nerka). The shrimp began feeding on the lake's cladocerans (Daphnia and Bosmina), and their populations virtually disappeared by 1971.^[45] The shrimp provide a food resource for salmon and trout, but also compete with juvenile fish for zooplankton. Since the 1970s, the cladoceran populations have somewhat recovered, but not to former levels.

In June 2007, the Angora Fire burned approximately 3,100 acres (1,300 ha) throughout the South Lake Tahoe area. While the impact of ash on the lake's ecosystem is predicted to be minimal, the impact of potential future erosion is not yet known.^[46]

Environmental protection[link]

Emerald Bay, Lake Tahoe

Secret Beach on Lake Tahoe's Nevada side

Until recently, construction on the banks of the Lake had been largely under the control of wealthy real estate developers. Construction activities have resulted in a clouding of the lake's blue waters. Currently, the Tahoe Regional Planning Agency is regulating construction along the shoreline.^[47] (and has won two Federal Supreme Court battles over recent decisions). These regulations are unpopular with many residents, especially those in the Tahoe Lakefront Homeowners Association.^[48]

The League to Save Lake Tahoe (Keep Tahoe Blue)^[49] has been an environmental watchdog in the Lake Tahoe Basin for 50 years. Founded when a proposal to build a four-lane highway around the lake—with a bridge over the entrance to Emerald Bay—was proposed in 1957, the League has thwarted poorly designed development projects and environmentally unsound planning. The League embraces responsible and diversified use of the Lake's resources while protecting and restoring its natural attributes.^[50]

Since 1980, the Lake Tahoe Interagency Monitoring Program (LTIMP) has been measuring stream discharge and concentrations of nutrients and sediment in up to 10 tributary streams in the Lake Tahoe Basin, California-Nevada. The objectives of the LTIMP are to acquire and disseminate the water quality information necessary to support science-based environmental planning and decision making in the basin. The LTIMP is a cooperative program with support from 12 federal and state agencies with interests in the Tahoe Basin. This data set, together with more recently acquired data on urban runoff water quality, is being used by the Lahontan Regional Water Quality Control Board to develop a program (mandated by the Clean Water Act) to limit the flux of nutrients and fine sediment to the Lake.

UC Davis remains a primary steward of the lake. The UC Davis Tahoe Environmental Research Center is dedicated to research, education and public outreach, and to providing objective scientific information for restoration and sustainable use of the Lake Tahoe Basin.^[51] Each year, it produces a well-publicized “State of the Lake” assessment report.

Tourist activities[link]

Much of the area surrounding Lake Tahoe is devoted to the tourism industry and there are many restaurants, ski slopes, golf courses and casinos catering to visitors.

Winter sports[link]

Ski slopes overlooking Lake Tahoe

Lake Tahoe Gondola Ride

During ski season, thousands of people from all over Nevada and California, including Reno, Las Vegas, Los Angeles, San Diego, San Francisco, and Sacramento, flock to the slopes for downhill skiing. Lake Tahoe, in addition to its panoramic beauty, is well known for its blizzards.^[7]

Some of the major ski areas in Tahoe include:

• Heavenly Mountain Resort: the largest ski area in California and Nevada, located near Stateline
• Squaw Valley: the second largest ski area, known for its hosting of the 1960 Winter Olympics, located near Tahoe City
• Alpine Meadows: a medium sized ski area on the north shore only a few miles from Squaw Valley
• Diamond Peak: a small ski area located in Incline Village, Nevada
• Northstar at Tahoe: a popular north shore ski area
• Kirkwood Mountain Resort: a ski area which gets more snow than any other ski area in the Tahoe region
• Sierra-at-Tahoe: a medium sized south shore ski area
• Boreal Mountain Resort: a small ski area on Donner Pass
• Sugar Bowl Ski Resort: a medium sized ski area in Donner Pass
• Donner Ski Ranch: a very small ski area on Donner Pass
• Homewood Mountain Resort: a medium sized ski area on the west shore
• Mount Rose Ski Resort: a medium sized ski area north-east of the Lake, on Slide Mountain

The majority of the ski resorts in the Lake Tahoe region are on the northern end of the lake, near Truckee, California and Reno, Nevada. Kirkwood, Sierra-at-Tahoe and Heavenly are located on the southern side of the lake, approximately 80 miles (129 km) from Reno. Scattered throughout Tahoe are public and private sled parks. Some, such as Granlibakken are equipped with rope tows to help sledders get up the hill.

Many ski areas around Tahoe also have snow tubing, such as Squaw Valley. Throughout Tahoe, cross-country skiing, snowmobile riding and snowshoeing are also popular.

Water sports[link]

Boat at Lake Tahoe

During late Spring to early Fall, the lake is popular for water sports and beach activities. The two cities most identified with the Lake Tahoe tourist area are South Lake Tahoe, California and the smaller Stateline; smaller centers on the northern shoreline include Tahoe City and Kings Beach.

Other popular activities include parasailing, jet ski rentals and eco-friendly paddle sport rentals. There are rental locations located around Lake Tahoe. Kayaking and stand up paddle boards have also become very popular.

Boating is a primary activity in Tahoe in the summer. The lake is home to on of the most prestigious wooden boat shows in the country, the Lake Tahoe Concours d'Elegance, held every August. There are lake front restaurants all over the lake, most equipped with docks and buoys (See the restaurants section). There are all sorts of boating events, such as sailboat racing, firework shows over the lake, guided cruises, and more. As an interstate waterway, Lake Tahoe is subject to the United States Coast Guard. Lake Tahoe is home to Coast Guard Station Lake Tahoe.^[52]

SCUBA diving is popular at Lake Tahoe, with some dive sites offering dramatic drop-offs or wall dives. Diving at Lake Tahoe is considered advanced due to the increased risk of decompression sickness (DCS) while diving at such a high altitude.^[53][54]

Hiking and bicycling[link]

View from the Tahoe Rim Trail

There are hundreds of hiking and mountain biking trails all around the lake. They range in length, difficulty and popularity. One of the most famous of Tahoe's trails is the Tahoe Rim Trail, a 165-mile (270-km) trail that circumnavigates the lake. Directly to the west of the lake is the Granite Chief Wilderness, which provides great hiking and wilderness camping. Also, to the southwest is the very popular Desolation Wilderness. One of the most popular trailheads is the Eagle Lake Trailhead. The Flume Trail is one of Mountain Biking Magazine's Top 10 Trails in the US. There are also several paved off-road bicycle paths.

Gambling[link]

Casinos in Stateline, Nevada

Gambling is legal on the Nevada side of Lake Tahoe. Casinos, each with a variety of slot machines and table games, are located on the South Shore in Stateline, and on the North Shore in Crystal Bay and Incline Village.

When Nevada legalized gambling in 1931, the finest casino at the lake had already been open for years. First built on the North Shore in Crystal Bay by Robert Sherman in 1926,^[55] the Calneva cabin became the property of Norman Henry Biltz and was sold to Bill Graham and Jim McKay in 1929.

The Calneva was rebuilt after a fire in 1937 and expanded several times, most noticeably in 1969 when the high-rise hotel was built. Along the way, Frank Sinatra owned the property in the early 1960s, shared his cabins with the likes of Sam Giancana and Marilyn Monroe, and sold out at the height of the area's popularity.

Other casinos at the North Shore include the Crystal Bay Club, first built in 1937 as the Ta-Neva-Ho; the Tahoe Biltmore, and the Nugget. The Hyatt Regency is found at Incline Village.

At South Shore, Bill Harrah purchased the Stateline Country Club which had stood since 1931 and built Harrah's Tahoe. Other casinos include Harvey's, Montbleu, and the Lakeside Inn.

Transport[link]

Lake Tahoe can be reached directly by car, and indirectly by train or air. The nearest passenger train service is the Amtrak station in Truckee.

Highways[link]

Cave Rock Tunnel on US 50

U.S. Route 50 in South Lake Tahoe

Visitors can reach Lake Tahoe under ideal conditions within two hours from the Sacramento area, one hour from Reno or thirty minutes from Carson City. In winter months, chains or snow tires are often necessary to reach Tahoe from any direction. Traffic can be heavy on weekends due to tourists if not also from weather.

The primary routes to Lake Tahoe are on Interstate 80 via Truckee, U.S. Highway 50, and Nevada Highway 431 via Reno. Most of the highways accessing and encircling Lake Tahoe are paved two-lane mountain roads. US 50 is a four-lane highway (from the canyon of the South Fork American River at Riverton, over the Sierra Nevada at Echo Summit, and into the Lake Tahoe Basin, is a mainly two-lane road) passing south of the lake and along part of the eastern shore.

California Highway 89 follows the western shore of the lake through the picturesque wilderness and connects camping, fishing and hiking locations such as those at Emerald Bay State Park, DL Bliss State Park and Camp Richardson. Farther along are communities such as Meeks Bay and Tahoe City. Finally, the highway turns away from the lake and heads northwest toward Truckee.

California Highway 28 completes the circuit from Tahoe City around the northern shore to communities such as Kings Beach, Crystal Bay, and into Incline Village, Nevada where the road becomes Nevada Highway 28. Highway 28 returns along the eastern shore to US Highway 50 near Spooner Lake.

Airports serving Lake Tahoe[link]

• Reno-Tahoe International Airport/KRNO (Reno, Nevada)
• Sacramento International Airport/KSMF (Sacramento, California)
• Lake Tahoe Airport/KTVL (South Lake Tahoe, California)
• Truckee-Tahoe Airport/KTRK (Truckee, California)
• Minden-Tahoe Airport/KMEV (Minden, Nevada)

In the media[link]

The Ponderosa Ranch of the TV series Bonanza was formerly located on the Nevada side of Lake Tahoe.^[56] The opening sequence of the TV series was filmed at the McFaul Creek Meadow, with Mount Tallac in the background. In September 2004 the Ponderosa Ranch closed its doors, after being sold to developer David Duffield for an undisclosed price.^[57][58]

The 1973 film The Godfather Part II used the lakeside estate Fleur de Lac as the location of several scenes, including the elaborate confirmation celebration, the Senator's shakedown attempt of Michael, the assassination attempt on Michael, Fredo's death while fishing, and the closing scene of Michael sitting alone outside. Fleur de Lac, on the western California shore of Lake Tahoe, was formerly the Henry Kaiser estate. The surrounding lakeside area has been developed into a private gated condominum community and some of the buildings of the "Corleone compound" still exist, including the boathouse.^[59]

See also[link]

Notes[link]

References[link]

External links[link]

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Kate Bush
Kate Bush about to perform at Comic Relief 1986
Background information
Birth name	Catherine Bush
Born	(1958-07-30) 30 July 1958 (age 53) Bexleyheath, Southeast London, England
Genres	Art rock,[1] progressive rock,[2] alternative rock[1], baroque pop
Occupations	Musician, vocalist, songwriter, record producer
Instruments	Vocals, piano, keyboards, bass guitar, guitar, violin
Years active	1975–present
Labels	EMI Records (1975–present) Columbia Records (U.S.) (1989–2009) Legacy Recordings (2010–present) Fish People (division of EMI) 2011–
Website	Official website
Notable instruments
Fairlight CMI

Catherine "Kate" Bush (born 30 July 1958)^[1] is an English singer-songwriter, musician and record producer. Her eclectic musical style and idiosyncratic vocal style have made her one of the United Kingdom's most successful solo female performers of the past 30 years.

In 1978, at the age of 19, Bush topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first woman to have a UK number one with a self-written song.^[3] She has since released ten albums, three of which topped the UK Albums Chart, and has had 25 UK Top 40 hit singles including the Top 10 hits "Wuthering Heights", "Running Up that Hill", "King of the Mountain", "Babooshka", "The Man with the Child in His Eyes", and "Don't Give Up".

In 1987, she won a Brit Award for Best British Female Solo Artist, and in 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. During the course of her career, she has also been nominated for three Grammy Awards. After her 1979 tour – the only concert tour of her career – Bush released the 1980 album Never for Ever, which made her the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at Number 1.^[4] She is also the first (and to date only) female artist to have Top 5 albums in the UK charts in 5 successive decades.

In May 2012, Bush's latest album, 50 Words for Snow, won the South Bank Arts Award ^[5]. The album was also nominated for an Ivor Novello Award and a Brit Award that same year.

Early life[link]

Bush was born in Bexleyheath, Southeast London, to English physician Robert Bush and his Irish wife, Hannah Daly.^[6] She was raised in their farmhouse in East Wickham with her older brothers, John and Paddy.^[7] Bush came from an artistic background: her mother was a former Irish folk dancer, her father was an accomplished pianist, Paddy worked as a musical instrument maker and John was a poet and photographer. Both brothers were involved in the local folk music scene.^[8]

John was a karateka at Goldsmiths College karate club and Kate also trained there, becoming known as "Ee-ee" because of her squeaky kiai. One of the instructors, Dave Hazard, later noted in his autobiography that her dance moves seemed to owe something to karate.^[9]

Her family's musical influence inspired the young Kate to teach herself to play the piano at the age of 11. She also played the organ in a barn behind her parents' house and studied the violin.^[10] She soon began writing her own tunes and eventually added lyrics to them.^[11]

Career[link]

Bush attended St Joseph's Convent Grammar School (later the St Joseph's campus of Bexley College) and a Catholic girls' school on Woolwich Road in Abbey Wood, London, in the mid-1970s. During this time her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. David Gilmour of Pink Floyd received the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped the sixteen-year-old Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies.^[12] Three tracks in total were recorded and paid for by Gilmour. ^[13]The tape was produced by Gilmour's friend Andrew Powell, who would go on to produce Bush's first two albums,^[11] and sound engineer Geoff Emerick.^[14] The tape was sent to EMI executive Terry Slater.^[15] Slater was impressed by the tape and signed her.^[16] The British record industry was reaching a point of stagnation.^[15] Progressive rock was very popular and visually oriented rock performers were growing in popularity, thus record labels looking for the next big thing were considering experimental acts.^[15]

Bush was put on retainer for two years by Bob Mercer, managing director of EMI group-repertoire division. According to Mercer he felt Bush's material was good enough to be released but felt that if the album failed it would be demoralising and if it was successful Bush was too young to handle it.^[17] For the first two years of her contract, Bush spent more time on school work than making an album. She left school after doing her mock A-levels and having gained ten GCE O-Level qualifications.^[18] In 2005, Bush stated in an interview with Mark Radcliffe on BBC Radio 2 that she believed EMI signed her before she was ready to make an album so that no other record company could offer her a contract. After the contract signing, EMI forwarded her a sizeable advance which she used to enrol in interpretive dance classes taught by Lindsay Kemp, a former teacher of David Bowie,^[19] and mime training with Adam Darius.^[20]

Bush also wrote and made demos of close to 200 songs, a few of which today can be found on bootleg recordings and are known as the Phoenix Recordings.^[21] From March to August 1977, she fronted the KT Bush Band at public houses around London – specifically at the Rose of Lee public house (now Dirty South) in Lewisham. The other three band members were Del Palmer (bass), Brian Bath (guitar), and Vic King (drums). She began recording her first album in August 1977,^[11] although two tracks had been recorded during the summer of 1975.

[edit] The Kick Inside and Lionheart

	Kate Bush "Wuthering Heights" (1978) noicon Sample from Kate Bush's "Wuthering Heights".
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As part of her preparation for entering the studio, Bush toured pubs with the KT Bush Band. However, for her debut album The Kick Inside (1978) she was persuaded to use established session musicians, some of whom she would retain even after she had brought her bandmates back on board.^[22] Her brother Paddy played the harmonica and mandolin, unlike on later albums where he would play more exotic instruments such as the balalaika and didgeridoo. Stuart Elliott played some of the drums and would become her main percussionist on subsequent albums.^[23]

Bush released The Kick Inside when she was 19 years old, but some of the songs had been written when she was as young as 13. EMI originally wanted the more rock-oriented track "James and the Cold Gun" to be her debut single, but Bush insisted that it should be "Wuthering Heights". Even at this early stage of her career, she had gained a reputation for her determination to have a say in decisions affecting her work.^[11] "Wuthering Heights" topped the UK and Australian charts and became an international hit.^[24] Bush became the first woman to reach number one in the UK charts with a self-penned song.^[25] A second single, "The Man with the Child in His Eyes", reached number six in the UK charts.^[26] It also made it onto the American Billboard Hot 100 where it reached number 85 in early 1979. Bob Mercer felt that Bush's relative lack of success in the United States compared to the rest of the world was due to her music being a poor fit for American radio formats and that there were no outlets for the visual presentation central to Bush's appeal.^[17] "The Man with the Child in His Eyes" went on to win her an Ivor Novello Award in 1979 for Outstanding British Lyric.^[27]

EMI capitalised on Bush's appearance by promoting the album with a poster of her in a tight pink top that emphasised her breasts. In an interview with NME magazine in 1982, Bush criticised the marketing technique, stating: "People weren't even generally aware that I wrote my own songs or played the piano. The media just promoted me as a female body. It's like I've had to prove that I'm an artist in a female body."^[11] In late 1978, EMI persuaded Bush to quickly record a follow-up album, Lionheart, to take advantage of the success of The Kick Inside. Bush has often expressed dissatisfaction with Lionheart, feeling that she had needed more time to get it right. The album was produced by Andrew Powell, assisted by Bush. While it had spawned several hit singles, most notably "Wow", it did not garner the same reception as her first album, reaching number six in the UK album charts.^[28]

Bush was displeased with being rushed into making the second album. She set up her own publishing company, Kate Bush Music, and her own management company, Novercia, to maintain complete control over her work. Bush herself, along with members of her family, comprised the company's board of directors.^[11] Following the album's release, she was required by EMI to undertake heavy promotional work and an exhausting tour, the only one of her career.^[29] The tour, named The Tour of Life, began in April 1979 and lasted six weeks. This live show was co-devised and performed on stage with magician Simon Drake.^[30] Typical of her determination to have control, she was involved in every aspect of the show's production, choreography, set design, and staff recruitment.^[11] The shows were noted for her dancing, complex lighting and her 17 costume changes per show. Because of her intention to dance as she sang, her sound engineers used a wire coat hanger and a radio microphone to fashion the first headset mic to be used by a rock performer since the Swedish group Spotnicks used a very primitive version in the early 1960s.^[1][31]

[edit] Never for Ever and The Dreaming

	Kate Bush "Babooshka" (1980) noicon Sample from Kate Bush's "Babooshka". Kate Bush "There Goes a Tenner" (1982) noicon Sample from Kate Bush's "There Goes a Tenner".
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Released in September 1980, Never for Ever saw Bush's second foray into production, co-producing with Jon Kelly. Her first time as a producer was on her Live On Stage EP, released after her tour the previous year. The first two albums had resulted in a definitive sound evident in every track, with orchestral arrangements supporting the live band sound. The range of styles on Never for Ever is much more diverse, veering from the straightforward rocker "Violin" to the wistful waltz of hit single "Army Dreamers". Never for Ever was the first Kate Bush album to feature synthesisers and drum machines, in particular the Fairlight CMI, to which she was introduced when providing backing vocals on Peter Gabriel's eponymous third album in early 1980.^[11] It was her first record to reach the top position in the UK album charts, also making her the first female British artist to achieve that status,^[18] and the first female artist ever to enter the album chart at the top.^[4] The top-selling single from the album was "Babooshka", which reached number five in the UK singles chart.^[32] In November 1980, she released the Christmas single "December Will Be Magic Again", which reached number 29 in the UK charts.

September 1982 saw the release of The Dreaming, the first album Bush produced by herself.^[33] It was also a major departure for Bush, being initially composed on the Fairlight CMI rather than piano, with songs extensively revised and rebuilt in the studio, rather than merely arranged there.^{[citation needed]} With her new-found freedom, she experimented with production techniques, creating an album that features a diverse blend of musical styles and is known for its near-exhaustive use of the Fairlight CMI. The Dreaming received a mixed critical reception in the UK at first. Many were baffled by the dense soundscapes Bush had created, and some critics accused the album of being over-produced.^{[citation needed]} In a 1993 interview with Q, Bush stated: "That was my 'She's gone mad' album."^[11] However, the album was hailed as a "masterpiece" and a "musical tour-de-force" by critics in America, and the album became her first to enter the US charts, albeit only reaching number 157.^[11] The album entered the UK album chart at number three, but is to date her lowest-selling album, garnering only a gold disc.

"Sat in Your Lap" was the first single from the album to be released. It pre-dated the album by over a year and peaked at number 11 in the UK.^[34] The album's title track, featuring the talents of Rolf Harris and Percy Edwards, stalled at number 48, while the third single, "There Goes a Tenner", failed to chart, despite promotion from EMI and Bush. The track "Suspended in Gaffa" was released as a single in Europe, but not in the UK.

Continuing in her storytelling tradition, Bush looked far outside her own personal experience for sources of inspiration. She drew on old crime films for "There Goes a Tenner", a documentary about the war in Vietnam for "Pull Out the Pin", and the plight of Indigenous Australians for "The Dreaming". "Houdini" is about the magician's death, and "Get Out Of My House" was inspired by Stephen King's novel The Shining.^[35]

[edit] Hounds of Love and The Whole Story

	Kate Bush "Running Up that Hill" (1985) noicon Sample from Kate Bush's "Running Up that Hill".
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Hounds of Love was released in 1985. Because of the high cost of hiring studio space for her previous album, she built a private studio near her home, where she could work at her own pace.^[36] Hounds of Love ultimately topped the charts in the UK, knocking Madonna's Like a Virgin from the number one position.^[37]

The album takes advantage of the vinyl format with two very different sides. The first side, Hounds of Love, contains five "accessible" pop songs, including the four singles "Running Up that Hill", "Cloudbusting", "Hounds of Love", and "The Big Sky". In August 1985, NME featured Bush in a "Where Are They Now" article. "Running Up that Hill" reached number 3 in the UK charts and also re-introduced Bush to American listeners, climbing to number 30 on the Billboard Hot 100 in November 1985. The second side of the album, The Ninth Wave, takes its name from Tennyson's poem, "Idylls of the King", about the legendary King Arthur's reign, and is one continuous piece of music.^[38] The album earned Bush nominations for Best Female Solo Artist, Best Album, Best Single, and Best Producer at the 1986 BRIT Awards. In the same year, Bush and Peter Gabriel had a UK top ten hit with "Don't Give Up" (Dolly Parton, Gabriel's original choice, turned his offer down),^[39] and EMI released her "greatest hits" album, The Whole Story. Bush provided a new lead vocal and refreshed backing track on "Wuthering Heights," and recorded a new single, "Experiment IV," for inclusion on the compilation. At the 1987 BRIT Awards, Bush won the award for Best Female Solo Artist.

[edit] The Sensual World and The Red Shoes

The increasingly personal tone of her writing continued on 1989's The Sensual World, with songs about unexpressed and unrequited love ("Love and Anger" and "Never Be Mine", respectively), and the pressures on modern relationships ("Between a Man and a Woman").^{[citation needed]} One of the quirkiest tracks on the album, touched by Bush's black humour, is "Heads We're Dancing", about a woman who dances all night with a charming stranger only to discover in the morning that he is Adolf Hitler.^[40] The title track drew its inspiration from James Joyce's novel Ulysses.^[40]

	Kate Bush "The Sensual World" (1989) noicon Sample from Kate Bush's "The Sensual World".
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The Sensual World went on to become her biggest-selling album in the US, receiving an RIAA Gold certification four years after its release for 500,000 copies sold. In the United Kingdom album charts, it reached the number two position.^[41]

In 1990, the boxed-set This Woman's Work was released and included all of her albums with their original cover art, as well as two discs of all single B sides recorded from 1978–1990. In 1991, Bush released a cover of Elton John's "Rocket Man", which reached number 12 in the UK singles chart^[42], and went as high as number two in Australia, and in 2007, was voted the greatest cover ever by readers of The Observer newspaper.^[43] She recorded "Candle in the Wind", as the single's b-side.^[44]

The Red Shoes was released in November 1993. The Red Shoes features more high-profile cameo appearances than Bush's previous efforts, including contributions from composer and conductor Michael Kamen. Comedian Lenny Henry, Prince, Eric Clapton, Gary Brooker of Procol Harum, Trevor Whittaker, and Jeff Beck also contributed to the album. Both "The Sensual World" and "The Red Shoes" featured contributions from Trio Bulgarka, a trio of women who sang on several tracks, including "You're The One" and "Rocket's Tail." The album gave Bush her highest chart position in the US, reaching number 28, although the only song from the album to make the US singles chart was "Rubberband Girl", which peaked at number 88 in January 1994. In the UK, the album reached number two, and the singles "Rubberband Girl", "The Red Shoes", "Moments of Pleasure", and "And So Is Love" all reached the top 30.^[34][45] That same year, the short film The Line, the Cross & the Curve, written and directed by Bush, and starring Bush and English actress Miranda Richardson,^[46] used six of the songs on the album.

The initial plan had been to take the songs out on the road (though a new tour did not transpire), so Bush deliberately aimed for a live-band feel, with less of the studio trickery that had typified her last three albums and that would be difficult to recreate on stage.^[47] The result alienated some of her fan base, who enjoyed the intricacy of her earlier compositions,^[48] but others found a new complexity in the lyrics and the emotions they expressed.^[49]

This was a troubled time for Bush. She had suffered a series of bereavements, including the loss of guitarist Alan Murphy, who had started working with her on The Tour Of Life in 1979, and her mother Hannah, to whom she was exceptionally close.^[18] Many of the people she lost are honoured in the ballad "Moments of Pleasure". However, Bush's mother was still alive when "Moments of Pleasure" was written and recorded. Bush describes playing the song to her mother, who thought the line where she is quoted by Bush as saying "Every old sock meets an old shoe", was hilarious and "couldn't stop laughing".^[50]

[edit] Aerial

After the release of The Red Shoes, Bush dropped out of the public eye for many years, although her name occasionally cropped up in the media with rumours of a new album release. Bush had originally intended to take one year off but despite working on material 12 years would pass before her next album release.^[51] The press often viewed her as an eccentric recluse, sometimes drawing a comparison with Miss Havisham from Charles Dickens's Great Expectations.^[52] In reality, she was trying to give her young son a normal childhood, and needed a quiet place for her creative process to function.^[51] In 1998, Bush had given birth to Albert, known as "Bertie", fathered by her guitarist and now-husband Danny McIntosh.^[18][53] After living for many years on Court Road, Eltham, southeast London, the couple and their son moved away from the city and currently have two homes: a £2.5 million house in East Portlemouth on the Devon coast^[53] and a mansion on an islet on the Kennet and Avon canal at Sulhamstead in West Berkshire.^[54]

Bush's eighth studio album, Aerial, was released on double CD and vinyl in November 2005.^[18] The first single from the album was "King of the Mountain", which was played for the first time on BBC Radio 2 on 21 September 2005.^[55]

As on Hounds of Love (1985), the album is divided into two sections, each with its own theme and mood.^[56] The first disc, subtitled A Sea of Honey, features a set of unrelated themed songs, including "King of the Mountain"; "Bertie", a Renaissance-style ode to her son; and "Joanni", based on the story of Joan of Arc. In the song "π", Bush sings the number Pi to 115 decimal places.^[56][57] The second disc, subtitled A Sky of Honey, features one continuous piece of music describing the experience of being outdoors after waking at dawn, moving through afternoon, dusk, to night, then back to the following dawn of single summer's day. All the pieces in this suite refer or allude to sky and sea in their lyrical content. Bush mixed her voice with cooing wood pigeons to repeat the phrases "A sea of honey, a sky of honey," and "You're full of beauty" throughout the piece, and uses recordings of actual birdsong throughout. A Sky of Honey features Rolf Harris playing the didgeridoo on one track, and providing vocals on "The Painter's Link".^[56] Other artists making guest appearances on the album include Peter Erskine, Eberhard Weber, Lol Creme, and Gary Brooker. Two tracks feature string arrangements by Michael Kamen, performed by the London Metropolitan Orchestra. A CD release of the single "King of the Mountain" included a cover of "Sexual Healing" by Marvin Gaye.^[58]

	Kate Bush "King of the Mountain" (2005) noicon Sample from Kate Bush's "King of the Mountain".
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"King of the Mountain" entered the UK Downloads Chart at number six on 17 October 2005,^[59] and by 30 October it had become Bush's third-highest-charting single ever in the UK, peaking at number four on the full chart. Aerial entered the UK albums chart at number 3,^[60] and the US chart at number 48.^[61] Bush herself carried out relatively little publicity for the album, only conducting a handful of magazine and radio interviews. Aerial earned Bush two nominations at the 2006 BRIT Awards, for Best British Female Solo Artist and Best British Album.^[62]

In late 2007, Bush composed and recorded a new song, "Lyra", for the soundtrack to the fantasy film The Golden Compass.^[63]

[edit] Director's Cut and 50 Words for Snow

On 16 May 2011, Bush released the album Director's Cut. The album, which Bush has described as an entirely new project rather than a collection of mere remixes, contains 11 tracks of substantially reworked material from her earlier albums The Sensual World and The Red Shoes, all of which have been recorded using analogue, rather than digital, equipment to create "a warmer sound". All the tracks have new lead vocals, new drums, and radically reworked instrumentation. Some of them have been transposed to a lower key to accommodate her lowering voice. Three of the songs, including "This Woman's Work", have been completely re-recorded, with lyrics often changed in places.^[64] The album has been met with a wide range of reviews with most reviewers a bit confused about the concept of the album itself, while responding with varying degrees of enthusiasm about its revamped tracks. Of particular note is the warmer, more intimate tone of the songs and the richer, more mature sound of her voice.^[65][66] This is the first album on her new label, Fish People, a division of EMI Records, with whom she's had a relationship since she started recording. In addition to the album Director's Cut in both its single CD form and in a box-set with The Sensual World and the analogue re-mastered The Red Shoes, Fish People will be releasing re-mastered editions of The Hounds of Love and The Dreaming.^[67] The album debuted at number 2 on the United Kingdom chart.^[68]

The song "The Sensual World" has been renamed "Flower of the Mountain" and contains a passage of Molly Bloom's famous soliloquy from James Joyce's novel Ulysses. Bush said, "Originally when I wrote the song "The Sensual World", I had used text from the end of Ulysses. When I asked for permission to use the text I was refused, which was disappointing. I then wrote my own lyrics for the song, although I felt that the original idea had been more interesting. Well, I'm not James Joyce am I? When I came to work on this project I thought I would ask for permission again and this time they said yes."^[69]

The first single released from the album was "Deeper Understanding" and contains a new chorus featuring computerised vocals from Bush's son, Albert. A video for the song, directed by Bush, has been released through her channel on YouTube. It features Robbie Coltrane as a man consumed by his relationship with his computer (voiced by Bush's son). Frances Barber plays the man's wife, and Noel Fielding also appears.

Bush's next studio album, 50 Words for Snow, was released on 21 November 2011. The album contains seven new songs "set against a backdrop of falling snow," with a total running time of 65 minutes.^[70][71] A radio edit of the first single, "Wild Man," was played on BBC Radio 2's 'Ken Bruce' show on 10 October.^[72] and was released as a digital download on 11 October.^[73] The album will be distributed in the United States by Anti-Records.

On 14 November 2011, NPR played 50 Words for Snow in its entirety for the first time.^[74] Australia's ABC Radio National declared 50 Words for Snow album of the week of 12 November 2011.^[75]

The album's songs are built around Bush's quietly jazzy piano and Steve Gadd's drums, and utilise both sung and spoken word vocals in what Classic Rock's Stephen Dalton calls "a...supple and experimental affair, with a comtemporary chamber pop sound grounded in crisp piano, minimal percussion and light-touch electronics...billowing jazz-rock soundscapes, interwoven with fragmentary narratives delivered in a range of voices from shrill to Laurie Anderson-style cooing."^[76] Bassist Danny Thompson appears on the album, which also features performances by Elton John and actor Stephen Fry.

On the first track, "Snowflake," in a song written specifically to use his still high choir-boy voice,^[77] Bush's son Albert (Bertie) sings the role of a falling snowflake in a song expressing the hope of a noisy world soon being hushed by snowfall. "Snowflake" drifts into "Lake Tahoe", where choral singer Stefan Roberts and Bush sing about a rarely seen ghost: a woman who appears in a Victorian gown to call to her dog, Snowflake. Bush explained to fellow musician Jamie Cullum in an interview on Dutch Radio^[78] that she wished to explore using high male voices in contrast to her own, deeper, voice. "Misty" is about a snowman lover who melts away after a night of passion, while "Wild Man" tells the story of a group of climbers in the Himalayas who, upon finding evidence of a nearby Yeti, erase all traces of it to protect it from discovery. Elton John and Bush as eternally divided lovers trade vocals on "Snowed In at Wheeler Street", while Stephen Fry recites the "50 Words for Snow". The quiet "Among Angels" finishes the album.^[79]

50 Words For Snow received general acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 88, based on 26 reviews, which indicates "universal acclaim".^[80] She was nominated for a Brit Award in the "Best Female Artist" category^[81], and the album was nominated in 2012 in the Best Album category of both the South Bank Arts and Ivor Novello Awards.^[82]

On 1 May 2012, Bush won the South Bank Arts Award.^[5]

Musical style[link]

Bush's music is eclectic, using various styles of music even within the same album. Her songs have spanned genres as diverse as rock, pop, alternative and art rock.^[1] Even in her earliest works where the piano was a primary instrument, she wove together many diverse influences, melding classical music, rock, and a wide range of ethnic and folk sources, and this has continued throughout her career.

In an interview with Melody Maker magazine in 1977, she revealed that male artists had more influence on her work than females, stating: "Every female you see at a piano is either Lynsey De Paul, or Carole King. And most male music—not all of it but the good stuff—really lays it on you. It really puts you against the wall and that's what I like to do. I'd like my music to intrude. Not many females succeed with that."^[11]

The experimental nature of her music has led it to be described as a later, more technological, and more accessible manifestation of the British progressive rock movement.^[2][15] Southern England was the home to the most influential and successful acts of the progressive rock movement and,^[2] like other artists in this genre, Bush rejects the classic American style of making pop music, which was adopted by most UK pop artists. Bush's vocals contain elements of British, Anglo-Irish and most prominently (southern) English accents and, in its utilisation of musical instruments from many periods and cultures, her music has differed from American pop norms.^[2] Elements of Bush's lyrics tend to be more unusual and less clichéd than American-style pop lyrics, often employing historical or literary references and avoiding autobiographical lyrics. She considers herself a storyteller who embodies the character singing the song and strenuously rejects efforts by others to insist that her songs are autobiographical.^[2][83][84]

Reviewers have used the term "surreal" to describe her music.^[85] Many of her songs have a melodramatic emotional and musical surrealism that defies easy categorisation.^[86] It has been observed that even the more joyous pieces are often tinged with traces of melancholy, and even the most sorrowful pieces have elements of vitality struggling against all that would oppress them.^[87]

Bush is not afraid to tackle sensitive and taboo subjects.^[88] "The Kick Inside" is based on a traditional English folk song (The Ballad of Lucy Wan) about an incestuous pregnancy and a resulting suicide.^[89] "Kashka from Baghdad" is a song about a homosexual male couple;^[90] Out magazine listed two of her albums in their Top 100 Greatest Gayest albums list.^[91][92] "The Infant Kiss" is a song about a haunted, unstable woman's almost paedophile infatuation with a young boy in her care (inspired by Jack Clayton's film The Innocents (1961), which had been based on Henry James's famous novella The Turn of the Screw);^[93] and "Breathing" explores the results of nuclear fallout from the perspective of an unborn child in the womb.^[94] Her lyrics have referenced a wide array of subject matter, often relatively obscure, as in "Cloudbusting", which was inspired by Peter Reich's autobiography, "Book of Dreams", about his relationship with his father, Wilhelm Reich, and G. I. Gurdjieff in "Them Heavy People", while "Deeper Understanding", from The Sensual World, portrays a person who stays indoors, obsessively talking to a computer and shunning human contact.

Comedy is also a big influence on her and is a significant component of her work. She has cited Woody Allen,^[95] Monty Python, Fawlty Towers, and The Young Ones^[96] as particular favourites. Horror movies are another interest of Bush's and have influenced the gothic nature of several of her songs, such as "Hounds of Love", inspired by the 1957 horror movie Night of the Demon.^[97] Her songs have occasionally combined comedy and horror to form dark humour, such as murder by poisoning in "Coffee Homeground", an alcoholic mother in "Ran Tan Waltz" and the upbeat "The Wedding List", a song inspired by François Truffaut's 1967 film of Cornell Woolrich's The Bride Wore Black about the death of a groom and the bride's subsequent revenge against the killer.^[98]

Length of time between albums and perception of perfectionism[link]

The length of time in between album releases has led to rumours in the media concerning her health or appearance.^[96] In the past, stories of weight gain or mental instability have been disproved by Bush's periodic reappearance.^[99] In 2011 Bush told BBC Radio 4 that the amount of time between album releases is extremely stressful noting: "It's very frustrating the albums take as long as they do...I wish there weren't such big gaps between them." In the same interview Bush denied she was a perfectionist in the studio, saying: "I think it's important that things are flawed...That's what makes a piece of art interesting sometimes – the bit that's wrong or the mistake you've made that's led onto an idea you wouldn't have had otherwise," and reiterated her prioritisation of her family life.^[83]

Live performances[link]

Bush's only tour took place 2 April – 13 May 1979, after which she gave only the occasional live performance. Several reasons have been suggested as to why she abandoned touring, among them her reputed need to be in total control of the final product, which is incompatible with live stage performance, a rumour of a crippling fear of flying,^[100] and the suggestion that the death of 21-year-old Bill Duffield severely affected her. Duffield, her lighting director, was killed in an accident during her 2 April 1979 concert at Poole Arts Centre. Bush held a benefit concert on 12 May 1979, with Peter Gabriel and Steve Harley at London's Hammersmith Odeon for his family. Duffield would be honoured in two later songs: "Blow Away" on Never for Ever and "Moments of Pleasure" on The Red Shoes. Bush explained in a BBC Radio 2 interview with Mark Radcliffe that she actually enjoyed the tour but was consumed with producing her subsequent records. A BBC film crew followed the preparation for the tour which was shown on the BBC Nationwide program as a 30 minute special.

During the same period as her tour, she made numerous television appearances around the world, including Top of the Pops in the United Kingdom, Bios Bahnhof in Germany, and Saturday Night Live in the United States (with Paul Shaffer on piano).^[101] On 28 December 1979, BBC TV aired the Kate Bush Christmas Special. It was recorded in October 1979 at the BBC Studios in Birmingham, England; choreography by Anthony Van Laast.^[102] As well as playing songs from her first two albums, she played "December Will Be Magic Again", and "Violin" from her forthcoming album, Never for Ever. Peter Gabriel made a guest appearance to play "Here Comes the Flood", and a duet of Roy Harper's "Another Day" with Bush.^[103]

After the Tour of Life Bush desired to make two more albums before touring again. At that point she got involved with production techniques and sound experimentation that took up a lot of time and prevented her from touring. Later on there were a couple of instances where she came close to touring again.^[104]

In 1982, Bush participated in the first benefit concert in aid of The Prince's Trust alongside artists such as Madness, Midge Ure, Phil Collins, Mick Karn and Pete Townshend. On 25 April 1986 Bush performed live for British charity event Comic Relief, singing "Do Bears... ?", a humorous duet with Rowan Atkinson, and a rendition of "Breathing". Later in the year on 28 June 1986, she made a guest appearance to duet with Peter Gabriel on "Don't Give Up" at Earl's Court, London as part of his "So" tour. In March 1987, Bush sang "Running Up that Hill" at The Secret Policeman's Third Ball.

On 17 January 2002, Bush appeared with her long-time champion, David Gilmour, singing the part of the doctor in "Comfortably Numb" at the Royal Festival Hall in London.

In 2011 Bush told Classic Rock Magazine "I do hope that some time I get a chance to do some shows. Maybe not a tour, but something"^[104]

Video projects[link]

In 1979 Bush's one live show, The Tour of Life, was recorded for the BBC and for release on VHS as Kate Bush Live at Hammersmith Odeon.^[105]

Bush has appeared in innovative music videos designed to accompany her singles releases. Among the best known are those for "Running Up that Hill", "Babooshka", "Breathing", "Wuthering Heights", and "The Man with the Child in His Eyes", and "Cloudbusting", featuring actor Donald Sutherland, who made time during the filming of another project to take part in the video.^[106] EMI has released collections of her videos, including The Single File, Hair of the Hound, The Whole Story, a career video overview released in conjunction with the 1986 compilation album of the same title,^[105] and The Sensual World.

In 1993, she directed and starred in the short film, The Line, the Cross & the Curve, a musical co-starring Miranda Richardson, featuring music from Bush's album The Red Shoes, which was inspired by the classic movie of the same name. It was released on VHS in the UK in 1994 and also received a small number of cinema screenings around the world. In recent interviews, Bush has said that she considers it a failure, and stated in 2001: "I'm very pleased with four minutes of it, but I'm very disappointed with the rest."^[107] In a 2005 interview, she described the film as "A load of bollocks."^[108]

In 1994, Bush provided the music used in a series of psychedelic-themed television commercials for the soft drink Fruitopia that appeared in the United States. The same company aired the ads in the United Kingdom, but the British version featured Elizabeth Fraser of Cocteau Twins instead of Bush.^[109]

In late 2006, a DVD documentary titled Kate Bush Under Review was released by Sexy Intellectual, which included archival interviews with Bush, along with interviews with a selection of music historians and journalists (including Phil Sutcliffe, Nigel Williamson, and Morris Pert). The DVD also includes clips from several of Bush's music videos.^[110]

On 2 December 2008, the DVD collection of the fourth season of Saturday Night Live, including her performances, was released.^[111] A three DVD set of The Secret Policeman's Balls benefit concerts that includes Bush's performance was released on 27 January 2009.^[112].

Bush has released four short videos for the album 50 Words for Snow. One is an advertisement for the album. Two stop-motion "Animation Segments" were posted on the Kate Bush Official website and YouTube, one to accompany a 2 minute 25 second section of "Misty", called "Mistraldespair", the other to accompany a 2 minute 33 second section of "Wild Man". "Mistraldespair" was directed by Bush and animated by Gary Pureton,^[113] while the "Wild Man" segment was created by Finn and Patrick at Brandt Animation.^[114] On 24 January 2012, a third piece called "Eider Falls at Lake Tahoe", was premiered on her website and on YouTube. Running at 5:01, the piece is a sepia tone shadow puppet animation. Directed by Bush and photographed by award-winning British cinematographer Roger Pratt, the shadow puppets were designed by Robert Allsopp.^[115] Bush stated that "Eider Falls at Lake Tahoe" is intended to be a "self contained piece" separate from the song "Lake Tahoe".^[116]

Movie projects[link]

In 1990, Bush starred in the black comedy film Les Dogs, produced by The Comic Strip for BBC television. Aired on 8 March 1990, Bush plays the bride Angela at a wedding set in a post-apocalyptic version of Britain. While Bush's is a silent presence in a wedding dress throughout most of the film, she does have several lines of dialogue with Peter Richardson in two dream sequences. In another Comic Strip Presents film, GLC, she produced the theme song "Ken", which includes a vocal performance by Bush. The song was written about Ken Livingstone, the leader of the Greater London Council, who would later be elected as mayor of London and at the time was working with musicians to help the Labour Party garner the youth vote.^[117]

She also produced all the incidental music, which is synthesiser based. Bush wrote and performed the song "The Magician", in a fairground-like arrangement, for Menahem Golan's 1979 film The Magician of Lublin.^[118] In 1985, Bush contributed a darkly melancholic version of the Ary Barroso song "Brazil" to the soundtrack of the Terry Gilliam film Brazil. The track was scored and arranged by Michael Kamen. In 1986, she wrote and recorded "Be Kind To My Mistakes" for the Nicolas Roeg film Castaway. An edited version of this track was used as the B side to her 1989 single "This Woman's Work". In 1988, the song "This Woman's Work" was featured in the John Hughes film She's Having a Baby, and a slightly remixed version appeared on Bush's album The Sensual World.^[119] The song has since appeared on numerous television shows, and in 2005 reached number eight on the UK download chart after featuring in a British television advertisement for the charity NSPCC.^[120]

In 1999, Bush wrote and recorded a song for the Disney film Dinosaur, but the track was ultimately not included on the soundtrack. According to the winter 1999 issue of HomeGround, a Bush fanzine, it was scrapped when Disney asked her to rewrite the song and she refused. Also in 1999, Bush's song "The Sensual World" was featured prominently in Canadian filmmaker Atom Egoyan's film "Felicia's Journey".^[121] "The Man with the Child in His Eyes" is on the soundtrack for the 2007 British romantic comedy film Starter for 10.^[122]

In 2007, Bush was asked to write a song for The Golden Compass soundtrack which made reference to the lead character, Lyra Belacqua. The song, "Lyra", was used in the closing credits of the film, reached number 187 in the UK Singles Chart^[123] and was nominated for the International Press Academy's Satellite Award for original song in a motion picture.^[124][125]

According to Del Palmer, Bush was asked to compose the song on very short notice and the whole project was completed in 10 days.^[126] The song was produced and recorded by Bush in her own studio, and features the Magdalen College, Oxford choir.

Collaborations[link]

Bush provided vocals on two of Peter Gabriel's albums, including the hits "Games Without Frontiers" and "Don't Give Up", as well as "No Self-Control". Gabriel appeared on Bush's 1979 television special, where they sang a duet of Roy Harper's "Another Day". She has sung on two Roy Harper tracks, "You", on his 1979 album, "The Unknown Soldier", and "Once", the title track of his 1990 album. She has also sung on the title song of the 1986 Big Country album The Seer, the Midge Ure song "Sister and Brother" from his 1988 album Answers to Nothing, Go West's 1987 single "The King Is Dead" and two songs with Prince – "Why Should I Love You?", from her 1993 album The Red Shoes, and in 1996, the song "My Computer" from Prince's album Emancipation. In 1987, she sang a verse on the charity single "Let It Be" by Ferry Aid. She sang a line on the charity single "Spirit of the Forest" by Spirit of the Forest in 1989. 1990 saw Kate producing, for the only time in her career, one song for another artist, Alan Stivell's "Kimiad", on his album Again. Stivell had appeared on The Sensual World. In 1995, Bush covered George Gershwin's "The Man I Love" for the tribute album The Glory of Gershwin. In 1996, Bush contributed a version of "Mná na hÉireann" (Irish for Women of Ireland) for the Anglo-Irish folk-rock compilation project Common Ground: The Voices of Modern Irish Music. Bush had to sing the song in Irish, which she learned to do phonetically.^[127] Artists who have contributed to Bush's own albums include Eric Clapton, Jeff Beck, David Gilmour, Nigel Kennedy, Gary Brooker, and Prince. Bush provided backing vocals for a song that was recorded during the 1990s titled Wouldn't Change a Thing by Lionel Azulay, the drummer with the original band that was later to become the KT Bush Band. The song, which was engineered and produced by Del Palmer, is available for download and will be on Azulay’s upcoming CD.^[128][129]

Bush declined a request by Erasure to produce one of their albums because "she didn’t feel that that was her area".^[130]

In 2010, Bush provided vocals for Rolf Harris's cover of the traditional Irish song "She Moves Through the Fair". Harris, who described the collaboration the "best thing I’ve done," is unsure of how to release the track.^[131]

Bush's most recent collaborations, including duets with Elton John and Stephen Fry, took place on her 2012 album, 50 Words for Snow.

Reluctance to tour[link]

Kate has always been reluctant to tour and has always cited the reason is she finds it exhausting. She has said by the time she's completed the album, videos and promotional work "there's nothing left of me". ^[13] She said it would be impossible for her to tour the way she works.

She did do some shows in 1979 and the one at the Hammersmith Odeon was released on video. She said she "really enjoyed it" and that it was a "tremendous, fabulous experience". However, she also found it "incredibly exhausting and a total commitment. I don't think people understand the level of involvement I get into when I do a project."^[13]

The Hammersmith video shows an elaborate set complete with mime, magicians and theatrics.

Upon the release of The Director's Cut, she said she wouldn't rule out the possibility of shows in the future: "Maybe I will do some shows some day. I'd like to think so, before I get too ancient - turn up with my Zimmer frame."^[132]

Influence[link]

From the 1980s onward, it has become almost standard for individualistic female singer-songwriters to be compared to Bush by the media. She has been noted as an influence on female artists such as Tori Amos, Björk,^[133] Alison Goldfrapp,^[134][135] Nerina Pallot,^[136] KT Tunstall,^[137] Happy Rhodes,^[138] Lily Allen,^[139] PJ Harvey,^[36][140] Little Boots,^{[141][142][143]} and Florence Welch,^[144][145] in addition to acts as diverse as Muse,^[137] OutKast,^[140] and Bloc Party.^[146] Paula Cole named Bush as an influence while accepting the Best New Artist Grammy in 1996. Ariel Pink wrote a tribute song for her titled "For Kate I Wait" on the album The Doldrums. The trip-hop artist Tricky has said about Bush, "I don't believe in God, but if I did, her music would be my bible".^[18] Punk rocker John Lydon, better known as Johnny Rotten of the Sex Pistols, declared her work to be "beauty beyond belief",^[147] "fucking brilliant" and labelled her "a true original". Rotten once wrote a song for her, titled "Bird in Hand" (about exploitation of parrots) that Bush rejected. Rotten theorised that Bush thought the song contained insulting references aimed at her.^[148][149] Marc Almond chose "Moments of Pleasure" as one of his 10 favourite songs on Radio 2 in June 2007, saying that the song had a profound influence on him when he was combating drug addiction in New York in the 1990s. In November 2006, the singer Rufus Wainwright named Bush as one of his top ten gay icons.^[150] Outside music, Bush has been an inspiration to several fashion designers, most notably Hussein Chalayan.^[151]

Many artists around the world have recorded cover versions of Bush songs, including Charlotte Church, The Futureheads (who had a UK top ten hit with a cover of "Hounds of Love"), Placebo (whose cover of "Running Up that Hill" has featured in many TV series and films), Pat Benatar, Faith and the Muse, Hayley Westenra, Jane Birkin, Natalie Cole, Ra Ra Riot,^[152][153] Maxwell,^[154] The Church^[155] and Nada Surf.^[156] The British dance act Utah Saints sampled a line from "Cloudbusting" for their single, "Something Good". Artists such as Tori Amos, Nolwenn Leroy, Patrick Wolf and Happy Rhodes (whose upper vocal range has been compared with the one of Kate Bush)^[157] have covered her songs in live performances. Coldplay said their track "Speed of Sound" was originally an attempt to re-create "Running Up that Hill". Suede front-man Brett Anderson has stated that "Wuthering Heights" was the first single he ever bought and mentioned "And Dream of Sheep" in Suede's song "These are the Sad Songs".^[158] British folk singer Jim Moray also references "And Dream of Sheep" in his self-penned track "Longing for Lucy".^[159] Progressive death metal act Novembre also covered "Cloudbusting" on their album Novembrine Waltz. In 2009, John Forté released a hip hop version of "Running Up that Hill".^[160]

In 2010, composer and vocalist Theo Bleckmann released an album of Kate Bush covers, titled Hello Earth! – The Music of Kate Bush which includes his interpretation of fourteen Bush classics,^[161] which he also performs live around the world. In an interview with Hungarian online music magazine Kortár's Blog, Bleckmann explained his choice to explore Bush's work: "The music of Kate Bush has been a saviour throughout my teenage years when I lived in a small town in Germany...To come back to her music fresh...and to discover more depths and beauty in it, became an overwhelming confirmation of the endurance of great music regardless of genre and time."^[162][163]

Personal life[link]

Kate Bush is married to guitarist Dan McIntosh and the couple have a son, Albert.^[164] She resides in Devon and until late-2011 had another residence near Theale, West Berkshire.

Discography[link]

• The Kick Inside (1978)
• Lionheart (1978)
• Never for Ever (1980)
• The Dreaming (1982)
• Hounds of Love (1985)
• The Sensual World (1989)
• The Red Shoes (1993)
• Aerial (2005)
• Director's Cut (2011)
• 50 Words for Snow (2011)

See also[link]

• List of Kate Bush awards

References[link]