Live Aid was a dual-venue concert that was held on 13 July 1985. The event was organized by Bob Geldof and Midge Ure to raise funds for relief of the ongoing Ethiopian famine. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, England, United Kingdom (attended by 72,000 people) and John F. Kennedy Stadium in Philadelphia, Pennsylvania, United States (attended by about 100,000 people).^[1] On the same day, concerts inspired by the initiative happened in other countries, such as Australia and Germany. It was one of the largest-scale satellite link-ups and television broadcasts of all time: an estimated global audience of 1.9 billion, across 150 nations, watched the live broadcast.^[2]

Origins[link]

The 1985 Live Aid concert was conceived as a follow-on to another Geldof/Goldsmith project, the successful charity single "Do They Know It's Christmas?". In October 1984, images of millions of people starving to death in Ethiopia were shown in the UK in Michael Buerk's BBC News reports on the 1984 famine.^[3] Bob Geldof saw the report, and called Midge Ure from Ultravox, and together they quickly co-wrote the song, "Do They Know It's Christmas?" in the hope of raising money for famine relief.^[3] Geldof then contacted colleagues in the music industry and persuaded them to record the single under the title 'Band Aid' for free.^[3] Performed by a collection of British, Irish and American musicians, the song was released on 7 December 1984 and became the fastest-selling single ever in Britain and raised £8 million, rather than the £70,000 Geldof had expected.^[3] Geldof then set his sights on staging a huge concert to raise further funds.^[3]

The concert grew in scope, as more acts were added on both sides of the Atlantic. As a charity fundraiser, the concert far exceeded its goals: on a television programme in 2001, one of the organisers stated that while initially it had been hoped that Live Aid would raise £1 million with the help of Wembley tickets costing £25.00 each, the final figure was £150 million (approx. $283.6 million). Partly in recognition of the Live Aid effort, Geldof received an honorary knighthood. Music promoter Harvey Goldsmith was also instrumental in bringing the plans of Geldof and Ure to fruition.

Collaborative effort[link]

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The concert began at 12:00 BST (7:00 EST) at Wembley Stadium in the United Kingdom. It continued at JFK Stadium in the United States, starting at 13:51 BST (8:51 EST). The UK's Wembley performances ended at 22:00 BST (17:00 EST). The JFK performances and whole concert in the US ended at 04:05 BST July 14 (23:05 EST). (See the full schedule of the concert here ^[4]). Thus, the concert continued for 16 hours, but since many artists' performances were conducted simultaneously in Wembley and JFK, the total concert's length was much longer.

It was the original intention for Mick Jagger and David Bowie to perform an intercontinental duet, with Bowie in London and Jagger in Philadelphia. Problems of synchronization meant that the only remotely practical solution was to have one artist, likely Bowie at Wembley, mime along to prerecorded vocals broadcast as part of the live sound mix for Jagger's performance from Philadelphia. Veteran music engineer David Richards (Pink Floyd and Queen) was brought in to create footage and sound mixes that Jagger and Bowie could perform to in their respective venues. The BBC would then have had to ensure that those footage and sound mixes were in synch while also performing a live vision mix of the footage from both venues. The combined footage would then have had to be bounced back by satellite to the various broadcasters around the world. Due to the time lag (the signal would take several seconds to be broadcast twice across the Atlantic Ocean) Richards concluded there would be no practical way for Jagger to be able to hear or see Bowie's performance, meaning there could be no interaction between the artists, which would defeat the whole point of the exercise. On top of this both artists objected to the idea of miming at what was perceived as an historic event. Instead, Jagger and Bowie worked with Richards to create a video clip for the song they would have performed, a cover of "Dancing in the Street". The video was shown on the screens of both stadiums and also broadcast as part of many TV networks coverage.

Each of the two main portions of the concert ended with their particular continental all-star anti-hunger anthems, with Band Aid's "Do They Know It's Christmas?" closing the UK concert, and USA for Africa's "We Are the World" closing the US concert (and thus the day's proceedings).

Concert organizers have subsequently said that they were particularly keen to ensure that at least one surviving member of The Beatles, ideally Paul McCartney, took part in the concert as they felt that having an 'elder statesman' from British music would give it greater legitimacy in the eyes of the political leaders whose opinions the performers were trying to shape. McCartney agreed to perform and has said that it was "the management" – his children – that persuaded him to take part. In the event, he was the last performer (aside from the Band Aid finale) to take to the stage and one of the few to be beset by technical difficulties; his microphone was turned off for the first two minutes of his piano performance of "Let It Be", making it difficult for television viewers and impossible for those in the stadium to hear him. He later jokingly thought about changing the lyrics to "There will be some feedback, let it be".

Phil Collins performed at both Wembley Stadium and JFK, utilising Concorde to get him from London to Philadelphia. UK TV personality Noel Edmonds piloted the helicopter that took Collins to Heathrow Airport to catch his flight. Aside from his own set at both venues, he also provided drums for Eric Clapton and the reunion of the former members of Led Zeppelin at JFK. On the Concorde flight, Collins encountered actress and singer Cher, who later claimed not to know anything about the Live Aid concerts. Upon reaching the US however she did attend the Philadelphia concert and can be seen performing as part of that concert's "We Are the World" finale.

An official book was produced by Bob Geldof in collaboration with photographer Denis O'Regan.

The broadcasts[link]

"It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for: Live Aid ...." Richard Skinner opening the show.

The concert was the most ambitious international satellite television venture that had ever been attempted at the time. In Europe, the feed was supplied by the BBC, whose broadcast was opened by Richard Skinner, co-hosted by Andy Kershaw, and included numerous interviews and chats in between the various acts. The BBC's television sound feed was mono, as was all UK TV audio before NICAM was introduced, but the BBC Radio 1 feed was stereo and was simulcast in sync with the TV pictures. Unfortunately, in the rush to set up the transatlantic feeds, the sound feed from Philadelphia was sent to London via transatlantic cable, while the video feed was bounced the much longer distance via satellite, which meant a gross lack of synchronisation on British television receivers. (Though there is no actual evidence of this when watching the original broadcasts, part of The Who's performance appeared on UK screens with the sound directly from Wembley, but with the video feed taken from the American feed after the video footage had been passed via satellite, converted from PAL to NTSC and vice versa, back to the UK, leading to the video feed of this performance being delayed behind the audio feed by around 3 seconds on the UK TV feed. The UK video feed was switched to a direct video feed from Wembley after around a minute of the concert returning after another technical fault during The Who's performance). Due to the constant activities in both London and Philadelphia, the BBC producers omitted the reunion of Crosby, Stills, Nash & Young from their broadcast. The BBC, however, did supply a 'clean feed' to various television channels in Europe.

ABC was largely responsible for the US broadcast (although ABC themselves only telecast the final three hours of the concert from Philadelphia, hosted by Dick Clark, with the rest shown in syndication through Orbis Communications, acting on behalf of ABC). An entirely separate and simultaneous US feed was provided for cable viewers by MTV, whose broadcast was presented in stereo, and accessible as such for those with special receivers of the time, as there were very few stereo sets in the summer of 1985, and few television stations were able to broadcast in stereo. While the BBC telecast was run commercial-free (as it is a public broadcaster), both the MTV and syndicated/ABC broadcasts included advertisements and interviews. As a result, many songs were omitted due to the commercial breaks, as these songs were played during these slots.

The biggest caveat of the syndicated/ABC coverage is that the network had wanted to reserve some of the biggest acts that had played earlier in the day for certain points in the entire broadcast, particularly in the final three hours in prime time; thus, Orbis Communications had some sequences replaced by others, especially those portions of the concert that had acts from London and Philadelphia playing simultaneously. For example, while the London/Wembley finale was taking place at 22:00 (10:00 pm) London time, syndicated viewers saw segments that had been recorded earlier, so that ABC could show the UK finale during its prime-time portion.

The ABC Radio Network broadcast the American domestic feed of the concert, and later broadcast many of the acts that were missing from the original live radio broadcast.

At one point midway through the concert, Billy Connolly announced he had just been informed that 95% of the television sets in the world were tuned to the event, though this can of course not be verified. In 1995, VH1 and MuchMusic aired a re-edited ten-hour re-broadcast of the concert for its 10th Anniversary.

The Live Aid concert in London was also the first time that the BBC outside broadcast sound equipment had been used for an event of such a scale. In stark contrast to the mirrored sound systems commonly used by the rock band touring engineers, with two 40–48 channel mixing consoles at the Front of house, and another pair for monitors, the BBC sound engineers had to use multiple 12 channel desks. Some credit this as the point where the mainstream entertainment industry realised that the rock concert industry had overtaken them in technical expertise.^[5]

Memorable moments at Wembley Stadium[link]

The Coldstream Guards band opened with the "Royal Salute", "God Save the Queen". Status Quo started their set with "Rockin' All Over the World", also playing "Caroline" and fan favourite "Don't Waste My Time".^[6] This was to be the last appearance by the band to feature bassist and founder member Alan Lancaster, and drummer Pete Kircher who had joined the band three years earlier.

Queen galvanised the stadium with some of their greatest hits, in which lead singer Freddie Mercury at times led the entire crowd of 72,000 in thundering unison refrains.^[7] In their 20 minute set the band opened with "Bohemian Rhapsody" and closed with "We Are the Champions".^[2][8] They extensively rehearsed their performance at London's Shaw Theatre.^[9] Queen's performance on that day has since been voted by more than 60 artists, journalists and music industry executives as the greatest live performance in the history of rock music.^[10] Mercury and fellow band member Brian May later sang the first song of the three-part Wembley event finale, "Is This The World We Created...?".^[8]

Bob Geldof himself performed with the rest of the Boomtown Rats, singing "I Don't Like Mondays". He stopped just after the line: "The lesson today is how to die" to loud applause with the lyrics taking on a whole other meaning.^[2][11] He finished the song and left the crowd to say the final words.

Elvis Costello appeared singing a simple but touching version of The Beatles' "All You Need Is Love", which he introduced by asking the audience to "help [him] sing this old northern English folk song".^[12]

U2's performance established them as a pre-eminent live group for the first time – something for which they would eventually become superstars. The band played a 14-minute rendition of "Bad", during which lead vocalist Bono jumped off the stage to join the crowd and dance with a girl. The length of their performance of "Bad" limited them to playing just two songs; the third, "Pride (In the Name of Love)", had to be ditched. In July 2005, the girl with whom he danced revealed that he actually saved her life at the time. She was being crushed by the throngs of people pushing forwards; Bono saw this, and gestured frantically at the ushers to help her. They did not understand what he was saying, and so he jumped down to help her himself.^[13]

Another moment that garnered a huge crowd response was when David Bowie performed "Heroes" and dedicated it to his son, as well as "All our children, and the children of the world".^[14]

The UK reception of the US feed failed several times and was dogged throughout the US concert by an intermittent regular buzzing on the audio from the US (see the JFK Stadium section for more detail) and also failed during their relay of Japan's concert, which blacked out most of Off Course's song "Endless Nights".

In addition, the transatlantic broadcast from Wembley Stadium suffered technical problems and failed during The Who's performance of their song "My Generation", immediately after Roger Daltrey sang "Why do not you all fade..." (the last word was cut off when a blown fuse caused the Wembley stage TV feed to temporarily fail).^[2] The Who were playing with Kenney Jones on drums, who was still an official member of The Who at this time, although this was their first performance since they'd officially disbanded after their 1982 'farewell' tour. The Who's performance included an at times chaotic but still blistering version of "Won't Get Fooled Again", which was extremely popular with the audience in Wembley Stadium. The band's performance was described as "rough but right" by Rolling Stone magazine, but they would not perform together again until the 1988 BPI Awards.^[15]

While performing "Let it Be" near the end of the show, the microphone mounted to Paul McCartney's piano failed for the first two minutes of the song, making it difficult for television viewers and the stadium audience to hear him.^[2] During this performance, the TV audience were better off, audio-wise, than the stadium audience, as the TV sound was picked up from other microphones near Paul McCartney as a disappointing, but preferable choice to no sound at all from Paul. The stadium audience, who could obviously not hear the electronic sound feed from these mikes, unless they had portable TV sets and radios, completely drowned out what little sound from Paul could be heard during this part of his performance. As a result, organiser and performer Bob Geldof, accompanied by earlier performers David Bowie, Alison Moyet, and Pete Townshend, returned to the stage to sing with him and back him up (as did the stadium audience despite not being able to hear much), by which time, Paul's microphone had been repaired.^[16]

At the conclusion of the Wembley performances, Bob Geldof was raised heroically onto the shoulders of The Who's guitarist Pete Townshend and Paul McCartney – symbolising his great achievement in unifying the world for one day, in the spirit of music and charity.^[17]

Memorable moments at JFK Stadium[link]

Stage view of Live Aid at JFK Stadium in Philadelphia

At the very beginning of the televised portion of the Philadelphia concert, Joan Baez announced to the assembled crowd (and the viewing audience) that "this is your Woodstock, and it's long overdue", before leading the crowd in "Amazing Grace" (paired with a couple of verses of "We Are the World").

When Madonna got on stage, despite the 95°F ambient temperature, she proclaimed "I'm not taking shit off today!" referring to the recent release of early nude photos of her in Playboy and Penthouse magazines.

During his opening number, "American Girl", Tom Petty flipped the middle finger to somebody off stage about one minute into song. Petty stated the song was a last minute addition when the band realised that they would be the first act to play the American side of the concert after the London finale and "since this is, after all, JFK Stadium".^[18]

When Bob Dylan broke a guitar string, Ronnie Wood took off his own guitar and gave it to Dylan. Wood was left standing on stage guitarless. After shrugging to the audience, he played air guitar, even mimicking The Who's Pete Townshend by swinging his arm in wide circles, until a stagehand brought him a replacement. Although this moment was left off the DVD, the performance itself was included, featuring footage focusing solely on Keith Richards.

During their duet on "It's Only Rock 'n' Roll", Mick Jagger ripped away part of Tina Turner's dress, leaving her to finish the song in what was, effectively, a leotard.

The JFK portion included reunions of Crosby, Stills, Nash & Young, the original Black Sabbath with Ozzy Osbourne, and former members of Led Zeppelin, with Phil Collins and Chic member Tony Thompson sharing duties on drums (although they were not officially announced by their group name from the stage, but were announced as Led Zeppelin on the VH1 10th Anniversary re-broadcast in 1995).

Teddy Pendergrass made his first public appearance since his near-fatal car accident in 1982 which paralysed him. Pendergrass, along with Ashford & Simpson, performed "Reach Out and Touch".

Also, Duran Duran performed a four-song set. The five original band members would not perform together publicly again until 2003. Their set is also memorable for an incredibly weak, off-key falsetto note hit by frontman Simon Le Bon during "A View to a Kill". The error was trumpeted by some media outlets as "The Bum Note Heard Round The World", in contrast to Freddie Mercury's powerful, sustained note during the a cappela section of Queen's Wembley set, which was dubbed as "The Note Heard Round The World". Simon later recalled that it was the most embarrassing moment of his career.

The UK TV feed from Philadelphia was dogged by an intermittent regular buzzing on the sound during Bryan Adams' turn on stage and continued less frequently throughout the rest of the UK reception of the American concert and both the audio and video feed failed entirely during that performance and during Simple Minds's performance.

Live Aid under the lights at JFK Stadium

Raising money[link]

Throughout the concerts, viewers were urged to donate money to the Live Aid cause. Three hundred phone lines were manned by the BBC, so that members of the public could make donations using their credit cards. The phone number and an address that viewers could send cheques to were repeated every twenty minutes.

Nearly seven hours into the concert in London, Bob Geldof enquired how much money had been raised; he was told £1.2 million. He is said to have been sorely disappointed by the amount and marched to the BBC commentary position. Pumped up further by a performance by Queen that he later called "absolutely amazing", Geldof gave an infamous interview in which he used the word 'fuck'. The BBC presenter David Hepworth, conducting the interview, had attempted to provide a list of addresses to which potential donations should be sent; Geldof interrupted him in mid-flow and shouted: "Fuck the address, let's get the numbers!" It has passed into folklore ^[19] that he yelled at the audience, "Give us your fucking money!" although Geldof has stated that this phrase was never uttered.^[20] Private Eye magazine made great capital out of these outbursts, emphasising Geldof's accent which meant the profanities were heard as "fock" and "focking". After the outburst, giving increased to £300 per second.

Later in the evening, following David Bowie's set, a video shot by the CBC (Video Editor: Colin Dean) was shown to the audiences in London and Philadelphia, as well as on televisions around the world (though notably neither US feed, ABC or MTV chose to show the film), showing starving and diseased Ethiopian children set to the song "Drive" by The Cars. (This would also be shown at the London Live 8 concert in 2005.) The rate of giving became faster in the immediate aftermath of the moving video. Ironically, Geldof had previously refused to allow the video to be shown, due to time constraints, and had only relented when Bowie offered to drop the song "Five Years" from his set as a trade-off.

As Geldof mentioned during the concert, the Republic of Ireland gave the most donations per capita, despite being in the throes of a serious economic recession at the time. The single largest donation came from the ruling family of Dubai. They donated £1m in a phone conversation with Geldof.

The next day, news reports stated that between £40 and £50 million had been raised. Now, it is estimated that around £150m has been raised for famine relief as a direct result of the concerts.

Notable absences[link]

This unreferenced section requires citations to ensure verifiability.

Bruce Springsteen declined an invitation to play at Live Aid despite his huge popularity in 1985, later stating that he "simply did not realise how big the whole thing was going to be". He has since expressed regret at turning down Geldof's invitation to appear at Live Aid stating that he could have played a couple of acoustic songs had there been no slot available for a full band performance.

Michael Jackson and Prince also did not play (although Prince did send a pre-taped video of an acoustic version of "4 the Tears in Your Eyes", which was played during the concert. The original version appears on the We Are the World album, while the video version was released in 1993 on Prince's compilation The Hits/The B-Sides.)

Billy Joel, Boy George, Waylon Jennings, Kris Kristofferson, Tears for Fears, and Stevie Wonder, along with Huey Lewis and the News and Paul Simon, were all included in the initial promotional material for the Philadelphia concert, but failed to appear at the show itself. The final poster for the Philadelphia show features the acts Peter, Paul and Mary and Rod Stewart (who also featured in the Philadelphia concert programme). Peter, Paul and Mary were to have joined Bob Dylan for a rendition of "Blowing In The Wind" which on the day failed to happen (though they can be spotted taking part in the concert's finale), while Rod Stewart was not touring at the time and was ultimately unable to put together a band in time for the concert.

Tears for Fears did not appear at the Philadelphia leg of the concert, though listed on the bill. According to band member Roland Orzabal, Bob Geldof "gave us so much gip for not turning up at Live Aid. All those millions of people dying, it was our fault. I felt terrible. I tell you, I know how Hitler must have felt." The group made up for their absence by donating the proceeds from several shows of their world tour that year, and also contributed a re-recording of "Everybody Wants to Rule the World" (entitled "Everybody Wants to Run the World") for Geldof's Sport Aid charity event in 1986. The single reached the Top 5 in the UK, even though the band's original version had been a hit only a year earlier.

Cat Stevens wrote a song for the Live Aid concert, which he never got to perform – had he done so, he would have made his first public concert appearance since converting to Islam and changing his name to Yusuf Islam. However according to the official book that was released after the event, he arrived at Wembley Stadium on the day without prior warning, and Geldof was unable to fit him into the schedule.

Liza Minnelli, Yoko Ono, and Cyndi Lauper were tapped to present at JFK Stadium, but due to scheduling conflicts the singers backed out. Lauper did appear in a commercial for the "Live Aid Book" that aired during the concert.

A reunited Deep Purple were also due to appear from Switzerland via satellite, but pulled out after guitarist Ritchie Blackmore refused to take part in the event. Eurythmics were scheduled to play Wembley but cancelled after Annie Lennox suffered serious throat problems. Huey Lewis and the News and Paul Simon both accepted requests to play the Philadelphia concert but later issued press statements stating they had chosen not to appear after all, citing disagreements with promoter Bill Graham. Deep Purple (minus Blackmore, who left the band in 1993) appeared at Geldof's Live 8 sequel 20 years later, performing at the Toronto leg of the event while Annie Lennox appeared at the London leg of the same event.

There were wild rumours at the time that George Harrison, Paul McCartney and Ringo Starr would reunite as The Beatles; for the first time since the band's dissolution in 1970. There was also frenzied speculation that Julian Lennon would join the three former Beatles. There were no grounds for the rumours or speculation from any of the musicians referred to and there is no evidence that the rumours were anything but fan fantasy. Paul McCartney appeared at the event in his own right.

Bob Geldof also invited Def Leppard to perform at the event, but due to Rick Allen's car accident and uncertain future of the next album, they turned it down. Def Leppard appeared at the Philadelphia leg of Geldof's Live 8 sequel 20 years later.

Talking Heads was to have appeared, but David Byrne was currently busy with his film True Stories at the time of the concert.

AC/DC were also invited to play at the event, however they declined the invitation.

Frank Zappa was invited to perform, but refused because he believed that money raised by Live Aid did not address the core problems facing the developing world. He also questioned the legitimacy of Live Aid, saying "I think Live Aid was the biggest cocaine money laundering scheme of all time." ^[21]

Criticisms and controversies[link]

Bob Dylan's performance generated controversy^[2] for his comment:

"I hope that some of the money…maybe they can just take a little bit of it, maybe…one or two million, maybe…and use it, say, to pay the mortgages on some of the farms and, the farmers here, owe to the banks…"

He is often misquoted, as on the Farm Aid website,^[22] as saying:

"Wouldn't it be great if we did something for our own farmers right here in America?"

In his best-selling autobiography, Is That It? (published in 1986), Geldof was extremely critical of the remark; he states:

"He displayed a complete lack of understanding of the issues raised by Live Aid…. Live Aid was about people losing their lives. There is a radical difference between losing your livelihood and losing your life. It did instigate Farm Aid, which was a good thing in itself, but it was a crass, stupid, and nationalistic thing to say."^[23]

Geldof was apparently not happy about The Hooters being tacked onto the bill as the opening band in Philadelphia. He felt pressured into it by Graham and local promoter Larry Magid. Magid, promoting the concert through Electric Factory Concerts, argued that the band was hugely popular in Philadelphia, despite their first major label album Nervous Night being released less than three months beforehand. Geldof let his feelings be known during an interview for Rolling Stone saying: "Who the fuck are The Hooters?"^[24] The Hooters did get their revenge in December 2004, when Geldof appeared on the bill with the Hooters in Germany as their opening act.^[24]

The anarcho-punk band Chumbawamba dedicated their first album Pictures of Starving Children Sell Records to criticize Live Aid.

Fund use in Ethiopia[link]

Although a professed admirer of Geldof's generosity and concern, Fox News Channel television host Bill O'Reilly has been critical of the Live Aid producer's oversight of the money raised for starving Ethiopian people, claiming (in June 2005) that much of the funds were siphoned off by Mengistu Haile Mariam and his army. O'Reilly believes that charity organizations, operating in aid-receiving countries, should control donations, rather than possibly corrupt governments.^[25]

Arguing that Live Aid accomplished good ends while inadvertently causing harm at the same time, David Rieff gave a presentation of similar concerns in The Guardian at the time of Live 8.^[26] Tim Russert, in an interview on Meet the Press shortly after O'Reilly's comments, addressed these concerns to Bono. Bono responded that corruption, not disease or famine, was the greatest threat to Africa, agreeing with the belief that foreign relief organizations should decide how the money is spent. On the other hand, Bono said that it was better to spill some funds into nefarious quarters for the sake of those who needed it, than to stifle aid because of possible theft.^[27]

Live Aid performers and setlists[link]

(In order of appearance, times given are British Summer Time and indicate the start time of the performance. Key: W – London Wembley Stadium, JFK – Philadelphia JFK Stadium)

London Wembley Stadium[link]

• Coldstream Guards – "Royal Salute", "God Save The Queen" (W 12:00);
• Status Quo – "Rockin' All Over the World", "Caroline", "Don't Waste My Time" (W 12:02);
• The Style Council – "You're the Best Thing", "Big Boss Groove", "Internationalists", "Walls Come Tumbling Down" (W 12:19);
• The Boomtown Rats – "I Don't Like Mondays", "Drag Me Down", "Rat Trap", "For He's A Jolly Good Fellow" (sung by the audience) (W 12:44);
• Adam Ant – "Vive Le Rock" (W 13:00);
• Ultravox – "Reap The Wild Wind", "Dancing with Tears in My Eyes", "One Small Day", "Vienna" (W 13:16);
• Spandau Ballet – "Only When You Leave", "Virgin", "True" (W 13:47);
• Elvis Costello – "All You Need Is Love" (W 14:07);
• Nik Kershaw – "Wide Boy", "Don Quixote", "The Riddle", "Wouldn't It Be Good" (W 14:22);
• Sade – "Why Can't We Live Together", "Your Love Is King", "Is It A Crime" (W 14:55);
• Sting and Phil Collins (with Branford Marsalis) – "Roxanne", "Driven To Tears", "Against All Odds (Take A Look At Me Now)", "Message In A Bottle", "In the Air Tonight", "Long Long Way To Go", "Every Breath You Take" (W 15:18);
• Howard Jones – "Hide And Seek" (W 15:50)
• Bryan Ferry (with Pink Floyd's David Gilmour on guitar) – "Sensation", "Boys And Girls", "Slave To Love", "Jealous Guy" (W 16:07);
• Paul Young – "Do They Know It's Christmas?" (intro), "Come Back and Stay", "That's The Way Love Is" (with Alison Moyet), "Every Time You Go Away" (W 16:38);
• U2 (introduced by Jack Nicholson)– "Sunday Bloody Sunday", "Bad" (with snippets of "Satellite Of Love", "Ruby Tuesday", "Sympathy For The Devil" and "Walk On The Wild Side") (W 17:20);
• Dire Straits – "Money for Nothing" (with Sting), "Sultans Of Swing" (W 18:00);
• Queen (introduced by comedians Mel Smith and Griff Rhys Jones) – "Bohemian Rhapsody"/"Radio Ga-Ga", "Hammer to Fall", "Crazy Little Thing Called Love", "We Will Rock You"/"We Are the Champions" (W 18:44);
• David Bowie (with Thomas Dolby on keyboards) – "TVC 15", "Rebel Rebel", "Modern Love", "Heroes" (W 19:22);
• The Who (introduced by Jack Nicholson) – "My Generation"/"Pinball Wizard", "Love, Reign O'er Me", "Won't Get Fooled Again" (W 20:00);
• Elton John (introduced by Billy Connolly) – "I'm Still Standing", "Bennie and the Jets", "Rocket Man", "Don't Go Breaking My Heart" (with Kiki Dee), "Don't Let the Sun Go Down on Me" (with George Michael and backing vocals by Andrew Ridgeley), "Can I Get a Witness" (W 20:50);
• Finale at Wembley Stadium:
  a) Freddie Mercury and Brian May (Queen) – "Is This The World We Created?" (W 21:48),
  b) Paul McCartney – "Let It Be" (W 21:51),
  c) Band Aid (led by Bob Geldof) – "Do They Know It's Christmas?" (W 21:54);

JFK Stadium[link]

• Bernard Watson – "All I Really Want to Do", "Interview" (JFK 13:51);
• Joan Baez (introduced by Jack Nicholson) – "Amazing Grace"/"We Are the World" (JFK 14:02);
• The Hooters – "And We Danced", "All You Zombies" (JFK 14:12);
• Four Tops – "Shake Me, Wake Me (When It's Over)", "Bernadette", "It's The Same Old Song", "Reach Out I'll Be There", "I Can't Help Myself (Sugar Pie, Honey Bunch)" (JFK 14:33);
• Billy Ocean – "Caribbean Queen", "Loverboy" (JFK 14:45);
• Black Sabbath (introduced by Chevy Chase) – "Children of the Grave", "Iron Man", "Paranoid" (JFK 14:52);
• Run–D.M.C. – "Jam Master Jay", "King Of Rock" (JFK 15:12);
• Rick Springfield – "Love Somebody", "State of the Heart", "Human Touch" (JFK 15:30);
• REO Speedwagon – "Can't Fight This Feeling", "Roll With The Changes" (JFK 15:47);
• Crosby, Stills and Nash – "Southern Cross", "Teach Your Children", "Suite: Judy Blue Eyes" (JFK 16:15);
• Judas Priest – "Living After Midnight", "The Green Manalishi (With The Two-Pronged Crown)", "You've Got Another Thing Comin'" (JFK 16:26);
• Bryan Adams (introduced by Jack Nicholson) – "Kids Wanna Rock", "Summer Of '69", "Tears Are Not Enough", "Cuts Like a Knife" (JFK 17:02);
• The Beach Boys (introduced by Marilyn McCoo) – "California Girls", "Help Me, Rhonda", "Wouldn't It Be Nice", "Good Vibrations", "Surfin' USA" (JFK 17:40);
• George Thorogood and the Destroyers – "Who Do You Love" (with Bo Diddley), "The Sky Is Crying", "Madison Blues" (with Albert Collins) (JFK 18:26);
• Simple Minds – "Ghost Dancing", "Don't You (Forget About Me)", "Promised You A Miracle" (JFK 19:07);
• The Pretenders – "Time The Avenger", "Message Of Love", "Stop Your Sobbing", "Back On The Chain Gang", "Middle of the Road" (JFK 19:41);
• Santana and Pat Metheny – "Brotherhood", "Primera Invasion", "Open Invitation", "By The Pool"/"Right Now" (JFK 20:21);
• Ashford & Simpson – "Solid", "Reach Out and Touch (Somebody's Hand)" (with Teddy Pendergrass) (JFK 20:57);
• Madonna (introduced by Bette Midler) – "Holiday", "Into The Groove", "Love Makes The World Go Round" (JFK 21:27);
• Tom Petty and the Heartbreakers (introduced by Don Johnson) – "American Girl", "The Waiting", "Rebels", "Refugee" (JFK 22:14);
• Kenny Loggins – "Footloose" (JFK 22:30);
• The Cars – "You Might Think", "Drive", "Just What I Needed", "Heartbeat City" (JFK 22:49);
• Neil Young – "Sugar Mountain", "The Needle and the Damage Done", "Helpless", "Nothing Is Perfect (In God's Perfect Plan)", "Powderfinger" (JFK 23:07);
• Power Station – "Murderess", "Get It On" (JFK 23:43);
• Thompson Twins – "Hold Me Now", "Revolution" (with Madonna, Steve Stevens and Nile Rodgers) (JFK 00:21);
• Eric Clapton (with Phil Collins) – "White Room", "She's Waiting", "Layla" (JFK 00:39);
• Phil Collins (having flown Concorde from UK to US) – "Against All Odds (Take A Look At Me Now)", "In The Air Tonight" (JFK 01:04);
• Led Zeppelin Reunion – (with Jimmy Page, Robert Plant, John Paul Jones, Tony Thompson, Paul Martinez, and Phil Collins) – "Rock and Roll", "Whole Lotta Love", "Stairway To Heaven" (JFK 01:10);
• Crosby, Stills, Nash & Young – "Only Love Can Break Your Heart", "Daylight Again"/"Find The Cost of Freedom" (JFK 01:40);
• Duran Duran – "A View to a Kill", "Union Of The Snake", "Save A Prayer", "The Reflex" (JFK 01:45);
• Patti LaBelle – "New Attitude", "Imagine", "Forever Young", "Stir It Up", "Over The Rainbow", "Why Can't I Get It Over" (JFK 02:20);
• Hall & Oates – "Out Of Touch", "Maneater", "Get Ready" (with Eddie Kendricks), "Ain't Too Proud To Beg" (with David Ruffin), "The Way You Do The Things You Do", "My Girl" (with Eddie Kendricks and David Ruffin) (JFK 02:50);
• Mick Jagger (with Hall & Oates / Eddie Kendricks / David Ruffin) – "Lonely At The Top", "Just Another Night", "Miss You", "State Of Shock"/"It's Only Rock 'n Roll (But I Like It) (reprise)" (with Tina Turner) (JFK 03:15);
• Finale at JFK Stadium:
  a) Bob Dylan, Keith Richards and Ronnie Wood – "Ballad of Hollis Brown", "When the Ship Comes In", Blowin' In The Wind" (JFK 03:39),
  b) USA for Africa (led by Lionel Richie) – "We Are the World" (JFK 3:55)

Sydney Live Aid[link]

Kian Geferyui

Cologne, Germany[link]

The German counterpart was Band für Afrika.

The Hague, The Netherlands[link]

• B. B. King

YU Rock Mission[link]

Moscow, USSR[link]

Autograph – "Golovokruzhenie", "Nam nuzhen mir".^[28] (15:55)

Live Aid recordings/releases[link]

When organiser Bob Geldof was persuading artists to take part in the concert, he promised them that it would be a one-off event, never to be seen again. That was the reason why the concert was never recorded in its complete original form, and only secondary television broadcasts were recorded. Following Geldof's request, ABC even erased its own broadcast tapes. However, before the syndicated/ABC footage was erased, copies of it were donated to the Smithsonian Institution and have now been presumed lost. MTV decided to keep recordings of its broadcast and recently^[when?] located more than 100 tapes of Live Aid in its archives, but many songs in these tapes were cut short by MTV's ad breaks and presenters (according to the BBC).^[29] The BBC also decided to erase fragments of the performance due to storage limitations, to pave the way for newer programmes^{[citation needed]} (this was common practise, and lead to 'missing' episodes of many shows, including popular programmes such as Porridge, Dad's Army, and Dr. Who). However, many performances from the US were not shown on the BBC, and recordings of these performances are missing.

Official Live Aid DVD[link]

An official four-disc DVD set of the Live Aid concerts was released on November 8, 2004. It contains 10-hour partial footage of the 16-hour length concert. The DVD was produced by Geldof's company, Woodcharm Ltd., and distributed by Warner Music Vision.

The decision to finally release it was taken by Bob Geldof nearly 20 years after the original concerts, after he found a number of pirate copies of the concert on the Internet (see full story here ^[30]). There has been controversy over the DVD release because a decision had been taken for a substantial number of tracks not to be included in this edited version.

The most complete footage that exists is used from the BBC source, and this was the main source of the DVD. During production on the official DVD, MTV lent Woodcharm Ltd. their B-roll and alternate camera footage where MTV provided extra footage of the Philadelphia concert (where ABC had erased the tapes from the command of Bob Geldof), and those songs that were not littered with ads were used on the official DVD.

Working from the BBC and MTV footage, several degrees of dramatic license were taken, in order to release the concert on DVD. For example, many songs on the official DVD had their soundtracks altered, mainly in sequences where there were originally microphone problems. In one of those instances, Paul McCartney had re-recorded his failed vocals for "Let It Be" in a studio the day after the concert (14 July 1985) but it was never used until the release of the DVD. Also, in the US finale, the original 'USA for Africa' studio track for "We Are the World" was overlaid in places where the microphone was absent (in fact, if you listen closely, you can hear the vocals of Kenny Rogers and James Ingram, two artists who did not even take part in Live Aid).

Judicious decisions were also made on which acts would be included and which ones would not, due to either technical difficulties in the original performances, the absence of original footage, or for music rights reasons. For example, Rick Springfield, The Four Tops, The Hooters, Power Station, and Crosby, Stills, Nash & Young were among those acts that were left off the DVD. Many of the artists' songs that were performed were also omitted. For example, Madonna performed three solo songs in the concert, but only two were included on the DVD ("Love Makes the World Go Round" was omitted). Phil Collins played "Against All Odds" and "In the Air Tonight" at both Wembley and JFK, but only the London performance of the former and the Philadelphia performance of the latter were included on the DVD. The JFK performance of "Against All Odds" was later included on Phil Collins' Finally...The First Farewell Tour DVD.

There were also issues with the artists themselves. Two such performers were left off at their own request: Led Zeppelin and Santana. The former defended their decision not to be included on the grounds that their performance was 'sub-standard', but to lend their support, Jimmy Page and Robert Plant have pledged to donate proceeds from an upcoming DVD release of Led Zeppelin to the campaign, and John Paul Jones has pledged proceeds from his current American tour with Mutual Admiration Society.^[31]

In 2007, Queen released a special edition of Queen Rock Montreal on Blu-ray and DVD formats containing their 1981 concert from The Forum in Montreal, Canada, and their complete Live Aid performance, along with Freddie Mercury and Brian May performing "Is This The World We Created...?" from the UK Live Aid finale, all re-mixed in DTS 5.1 sound by Justin Shirley-Smith. Also included is their Live Aid rehearsal, and an interview with the band, from earlier in the week.

On its release, the then British Chancellor of the Exchequer, Gordon Brown, decided the VAT collected on sales of the Live Aid DVD would be given back to the charity, which would raise an extra £5 for every DVD sold.

Unofficial recordings[link]

Because the Live Aid broadcast was watched by billions of people, most of the footage was recorded on home consumer video recorders all around the world, in various qualities. Many of these recordings were in mono, because in the mid 1980s most home video machines could only record mono sound, and also because the European BBC TV broadcast was in mono. (As mentioned previously, the US MTV broadcast, the ABC Radio Network and BBC Radio 1 simulcasts were stereo). These recordings started to circulate among collectors 20 years ago, and in recent years have also appeared on the Internet in file sharing networks. Since the official DVD release of Live Aid includes only partial footage of this event, unofficial distribution sources continue to stay the one and only source of the most complete recordings of this important historical music event.

The official DVD is the only authorized video release in which proceeds go directly to famine relief, the cause that the concert was originally intended to help.

Acts omitted from the official DVD release, which are available from the unofficial sources include:

• Status Quo – "Don't Waste My Time"

• The Style Council – "You're The Best Thing"
• The Style Council – "Big Boss Groove"

• The Boomtown Rats – "Rat Trap"

• Ultravox – "Reap The Wild Wind" (start missing)
• Ultravox – "One Small Day"

• Japanese contribution (complete with feed loss)

• Spandau Ballet – "Virgin"

• Joan Baez – "We Are The World"

• Austria For Afrika (complete)

• The Hooters – "All You Zombies"

• Nik Kershaw – "Wide Boy"
• Nik Kershaw – "Don Quixote"
• Nik Kershaw – "The Riddle"

• The Four Tops – "Shake Me, Wake Me (When It's Over)"
• The Four Tops – "Bernadette"
• The Four Tops – "It's The Same Old Song"
• The Four Tops – "Reach Out I'll Be There"
• The Four Tops – "I Can't Help Myself (Sugar Pie Honey Bunch)"

• Billy Ocean – "Caribbean Queen"
• Billy Ocean – "Loverboy"

• Sade – "Why Can't We Live Together"
• Sade – "Is It a Crime"

• Black Sabbath – "Children of the Grave"
• Black Sabbath – "Iron Man"

• Sting – "Driven To Tears"
• Sting – "Message In A Bottle"
• Phil Collins – "In The Air Tonight"
• Sting + Phil Collins – "Long Long Way To Go"

• Bryan Ferry – "Sensation"
• Bryan Ferry – "Boys And Girls"

• Crosby Still and Nash – "Southern Cross"
• Crosby Still and Nash – "Suite: Judy Blue Eyes"

• Judas Priest – "You've Got Another Thing Comin'"

• Bryan Adams – "Tears Are Not Enough"
• Bryan Adams – "Cuts Like A Knife"

• The Beach Boys – "California Girls"
• The Beach Boys – "Help Me, Rhonda"

• George Thorogood & Bo Diddley – "Who Do You Love"
• George Thorogood – "The Sky Is Crying"

• Griff-Rhys Jone & Mel Smith – Introduction for Queen

• Simple Minds – "Promised You A Miracle"

• The Pretenders – "Message Of Love"

• The Who – "My Generation" (incomplete)

• Tom Petty and the Heartbreakers - "The Waiting"

• Santana – "Brotherhood"
• Santana – "Primavera Invasion"
• Santana – "Open Invitation"
• Santana – "Right Now / By The Pool" (with Pat Metheny)

• Norway – All of us

• Elton John – "I'm Still Standing"
• Elton John – "Can I Get A Witness"

• Kool & the Gang – "Stand Up And Sing"
• Kool & the Gang – "Cherish"

• Madonna – "Love Makes The World Go Round" (end is incomplete)

• Paul McCartney – "Let It Be" (original audio)

• The Cars – "Drive" (start missing)

• Neil Young – "Sugar Mountain"
• Neil Young – "Helpless"
• Neil Young – "Powderfinger"

• Power Station – "Murderess"
• Power Station – "Get It On"

• Thomson Twins – "Hold Me Now"

• Led Zeppelin – "Rock & Roll"
• Led Zeppelin – "Whole Lotta Love"
• Led Zeppelin – "Stairway To Heaven"

• Crosby, Stills, Nash & Young – "Only Love Can Break Your Heart"
• Crosby, Stills, Nash & Young – "Daylight Again/Find The Cost Of Freedom"

• Duran Duran – "A View To A Kill" (start missing)

• Patti LaBelle – "New Attitude" (start missing)
• Patti LaBelle – "Stir It Up"
• Patti LaBelle – "Over The Rainbow"
• Patti LaBelle – "Why Can't I Get It Over"

• Hall & Oates – "Out Of Touch"
• Hall & Oates – "The Way You Do The Things You Do"

• Mick Jagger – "Lonely At The Top"

• Bob Dylan – "Ballad Of Hollis Brown"
• Bob Dylan – "When The Ship Comes In"

See also[link]

• 1984–1985 famine in Ethiopia
• Harry Chapin
• Live 8, Geldof's 2005 series of concerts aimed at increasing poverty awareness
• Live Earth, a 2007 series of concerts aimed at increasing awareness of Global Warming.
• Farm Aid, a Live-Aid inspired relief event for American farms.
• Sport Aid, another famine relief event organised by Geldof
• YU Rock Misija, the former Yugoslav contribution to Band Aid campaign
• The 1971 Concert for Bangladesh at Madison Square Garden, organised by George Harrison
• Hear 'n Aid, similar joint effort from the heavy metal scene of the 1980s
• Band Aid
• Chef Aid, a South Park parody of the benefit concert

References[link]

• Live Aid: Rockin' All Over the World – BBC2 documentary, recalling the build-up to the day, and the day itself; viewed 18 June 2005.
• Live Aid: World Wide Concert Book – Peter Hillmore with Introduction by Bob Geldof, ISBN 0-88101-024-3, Copyright 1985, The Unicorn Publishing House, New Jersey.

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (August 2011)

• Unofficial Live Aid fan site
• BBC news stories about the Live Aid DVD
• Unofficial Behind the Scenes site
• http://www.herald.co.uk/local_info/live_aid.html
• http://news.bbc.co.uk/1/hi/entertainment/music/3604680.stm
• http://news.bbc.co.uk/1/hi/entertainment/music/3530269.stm
• David Rieff, Prospect Magazine, July 2005, "Dangerous pity"
• Philly.com: Live Aid Philadelphia Photo Gallery
• Live Aid at the Internet Movie Database

Phil Collins
Phil Collins performing in Perugia, Italy, 1996
Background information
Birth name	Philip David Charles Collins
Born	(1951-01-30) 30 January 1951 (age 61) Chiswick, Middlesex, England, United Kingdom
Genres	Progressive rock, rock, pop, pop rock, soft rock, jazz fusion, R&B, big band
Occupations	Singer-songwriter, musician, actor
Instruments	Vocals, drums, percussion, guitar, piano, keyboards
Years active	1968–2011
Labels	Virgin, Atlantic
Associated acts	Genesis, Brand X, Flaming Youth, Philip Bailey, Eric Clapton, the Phil Collins Big Band, Frida Lyngstad, Brian Eno
Website	philcollins.co.uk

Philip David Charles "Phil" Collins, LVO (born 30 January 1951)^[1] is an English singer-songwriter, drummer, pianist and actor best known as a drummer and vocalist for British progressive rock group Genesis and as a solo artist.

Collins sang the lead vocals on several chart hits in the United Kingdom and the United States between 1975 and 2010, either as a solo artist or with Genesis. His singles, sometimes dealing with lost love, ranged from the drum-heavy "In the Air Tonight", dance pop of "Sussudio", piano-driven "Against All Odds", to the political statements of "Another Day in Paradise".

Collins's professional music career began as a drummer, originally in a band called The Real Thing with Andrea Bertorelli, who later became his first wife. Collins played drums and shared lead vocals (with Brian Chatton) in Flaming Youth which recorded one album, (Ark II). In 1970, he took over drums for Genesis, which had already recorded two albums. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. Following Gabriel's departure in 1975, Collins became the group's lead singer.

His solo career, heavily influenced by his personal life, brought both himself and Genesis commercial success. According to Atlantic Records, Collins's total worldwide sales as a solo artist, as of 2000, were 150 million.^[2] Collins has won numerous music awards throughout his career, including seven Grammy Awards, five Brit Awards—winning Best British Male three times, an Academy Award, and two Golden Globes for his solo work.^[3][4] He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010.

Collins is one of only three recording artists (along with Paul McCartney and Michael Jackson) who have sold over 100 million albums worldwide both as solo artists and (separately) as principal members of a band.^[5] When his work with Genesis, his work with other artists, as well as his solo career is totalled, Collins had more top 40 hits on the Billboard Hot 100 chart during the 1980s than any other artist.^[6] In 2008, Collins was ranked the 22nd most successful artist on the "The Billboard Hot 100 Top All-Time Artists".^[7]

Early life[link]

Collins was born in Chiswick, London, the son of Winifred M. "June" (née Strange), a theatrical agent, and Greville Philip Austin Collins, an insurance agent.^[8][9] He was given a toy drum kit for Christmas when he was five. Later, his uncle made him a makeshift one that he used regularly. As Collins grew older these were followed by more complete sets bought by his parents.^[10] He practiced by playing alongside the television and radio, and never learned to read and write conventional musical notation; instead, he uses a system he devised himself.^[11]

Early career[link]

His professional training began at 14 when he entered Barbara Speake Stage School.^[12] He began a career as a child actor and model, and won his first major role as the Artful Dodger in the London production of Oliver!. He was an extra in the Beatles' A Hard Day's Night, one of hundreds of screaming teenagers during the TV concert sequence and seen fleetingly in a close-up. He was also in Chitty Chitty Bang Bang as one of the children who storms the castle at the end of the film, but it was cut.^[13] He also auditioned for the role of Romeo in Romeo and Juliet (1968),^[14] a role won by fellow Artful Dodger actor Leonard Whiting.^[15] Collins was among the last three finalists for the role of I.Q. on the American children's television show The Bugaloos (he lost out to English actor/musician John McIndoe).^[16]

Despite the beginnings of an acting career, Collins continued to gravitate towards music. While attending Chiswick Community School he formed a band called the Real Thing and later joined the Freehold. With the latter group, he wrote his first song titled "Lying Crying Dying".^[17]

Collins's first record deal came as drummer for Hickory, who changed their name to Flaming Youth by the time of their sole album, Ark 2 (1969).^[18] A concept album inspired by the recent media attention surrounding the moon landing, Ark 2 (with Ronnie Caryl, Brian Chatton and Gordon (Flash) Smith), failed to make much commercial success despite positive critical reviews. Melody Maker featured the album as "Pop Album of the Month", describing it as "adult music beautifully played with nice tight harmonies".^[19] The album's main single, "From Now On", failed on the radio. After a year of touring, band tensions and the lack of commercial success dissolved the group. In 1970, the 19-year old Collins played percussion on the George Harrison song "The Art of Dying". Harrison credited him in the liner notes to the remastered CD version of the album released in 2000.^[20]

Genesis era[link]

In 1970, Collins answered a Melody Maker classified ad for "...a drummer sensitive to acoustic music, and acoustic twelve-string guitarist".^[21] Genesis placed the ad after having already lost three drummers over two albums.^[22] The audition occurred at the home of Peter Gabriel's parents. Prospective candidates performed tracks from the group's second album, Trespass (1970). Collins arrived early, listened to the other auditions while swimming in Gabriel's parents' pool, and memorised the pieces before his turn.^[23]

Collins won the audition. Nursery Cryme was released a year later. Although his role remained primarily that of drummer and backing vocalist for the next five years, he twice sang lead vocals: once on "For Absent Friends" (from Nursery Cryme) and once on "More Fool Me" (from Selling England by the Pound).

In 1974, while Genesis were recording the concept album The Lamb Lies Down on Broadway, Brian Eno (who is credited with "Enossification" for electronic vocal effects on the track "Grand Parade of Lifeless Packaging") needed a drummer for his album Taking Tiger Mountain (By Strategy).^[24] Collins was sent to fill the gap, and played drums in lieu of payment for Eno's work with the band. Collins later contributed drums to the Brian Eno 1975, and 1977 art rock releases Another Green World and Before and After Science.

In 1975, following the final tour supporting the album The Lamb Lies Down on Broadway, Gabriel left the group to pursue a solo career. Collins became lead vocalist after a lengthy but ultimately fruitless search for Gabriel's replacement (where he sang back-up with the over 400 hopefuls that reportedly auditioned).^[25] In the short term, the group recruited former Yes and King Crimson drummer Bill Bruford to play drums during live shows, although Collins continued to play during longer instrumental sections. Bruford's drumming can be heard on the track "The Cinema Show" on the live album Seconds Out. He was soon replaced by ex-Frank Zappa band member Chester Thompson, who became a mainstay of the band's live line-up. Collins, however, continued to play drums on all of the group's studio recordings.

The first album with Collins as lead vocalist, 1976's A Trick of the Tail, reached the American Top 40, and peaked high as No.3 on the UK charts. Said Rolling Stone, "Genesis has managed to turn the possible catastrophe of Gabriel's departure into their first broad-based American success."^[26] Following the recording of Genesis's next album Wind and Wuthering guitarist Steve Hackett left the group to pursue his own solo career. The group decided to continue as a trio for recording with Mike Rutherford playing guitar and bass in the studio, although the lineup was regularly augmented by Chester Thompson and American guitarist Daryl Stuermer for concert tours.

Collins simultaneously performed in a jazz fusion group called Brand X. The band recorded their first album, Unorthodox Behaviour, with Collins as drummer, but because Genesis was Collins's priority, there were several Brand X tours and albums without him. Collins credits Brand X as his first use of a drum machine as well as his first use of a home 8-track tape machine.^[27]

Collins also performed on Steve Hackett's first solo album, Voyage of the Acolyte, on which he sang lead vocals and played drums. As the decade closed, Genesis began a shift from their progressive rock roots and toward more accessible, radio-friendly pop-rock music. The album ...And Then There Were Three... featured their first UK Top 10 and US Top 40 single, "Follow You Follow Me".^[28][29]

	"Dance on a Volcano" (1976) noicon The first track from Genesis's A Trick of the Tail was Collins's début as the group's full-time lead singer. A progressive rock track, it contrasts with the style of his later work.
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In the 1980s, while Collins developed as a songwriter and established a parallel career as a solo artist, Genesis recorded a series of highly successful albums including Duke, Abacab, Genesis, and Invisible Touch. The latter album's title track reached No.1 on the American Billboard singles chart, the only Genesis song to do so. The group received an MTV "Video of the Year" nomination in 1987 for the single "Land of Confusion" (which featured puppet caricatures created by the British satirical team Spitting Image) but lost out to Peter Gabriel's solo hit, "Sledgehammer".^[30] Reviews were generally positive, with Rolling Stone's J. D. Considine stating, "every tune is carefully pruned so that each flourish delivers not an instrumental epiphany but a solid hook."^[31]

Collins left Genesis in 1996 to focus on his solo career.^[17] The last studio album with him as the lead singer was 1991's We Can't Dance. He and Gabriel reunited with other Genesis members in 1999 to re-record "The Carpet Crawlers" for Genesis's Turn It on Again: The Hits. When in the mid-2000s discussions of a possible Genesis reunion arose, Collins stated that he would prefer to return as the drummer, with Gabriel handling the vocals.^[32] Eventually Turn It On Again: The Tour was announced for 2007, with the Collins/Rutherford/Banks line-up.

In March 2010, Phish guitarist Trey Anastasio was asked to pay tribute to Genesis, one of his favourite bands, upon being inducted into the Rock & Roll Hall of Fame. In addition to Anastasio's speech, Phish appeared and performed two Genesis songs, "Watcher of the Skies" and "No Reply At All". Collins and his Genesis band-mates (minus Peter Gabriel) attended the ceremony but they did not perform.

Solo career[link]

Early solo recordings (1981–1983)[link]

The dominant theme running through Collins's early solo recordings (although never specifically mentioned in his songs) was the acrimonious breakdown of his first marriage and then-recent divorce. Two songs he wrote on the Genesis album Duke, "Please Don't Ask", and the Top 20 hit "Misunderstanding", dealt with failed relationships. One year earlier, he had played drums and sung backing vocals on John Martyn's Grace and Danger, an album whose main theme is also marriage break-up. With the recording of his first solo album, Face Value, Collins attributed his divorce as his main influence,^[33] as can be inferred from songs such as "If Leaving Me Is Easy".

	"In the Air Tonight" noicon "In the Air Tonight" from Face Value (1981), was the first single of Collins' solo career.
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Collins made his live debut as a solo performer, appearing at the invitation of producer Martin Lewis at the Amnesty International benefit show, The Policeman's Other Ball at the Theatre Royal in London in September 1981, performing two songs from Face Value including "In the Air Tonight" and "The Roof is Leaking" accompanying himself on piano. Face Value became a surprise international success topping the charts in at least seven countries and hitting the top ten of the Billboard 200 eventually going triple-platinum in the US. Hits from the album included "In the Air Tonight", "I Missed Again" and "If Leaving Me Is Easy". In 1982, he produced ABBA member Frida's solo album, Something's Going On, which helped to spawn the title track, "I Know There's Something Going On", which became a hit.

Much like Face Value, many of the songs from Collins's 1982 follow-up album, Hello, I Must Be Going!, came from Collins's marital problems with his first wife such as "I Don't Care Anymore" and "Do You Know and Do You Care". Collins’s early albums had a dark presence, usually heavy on the drums. Regarding Face Value, he says, "I had a wife, two children, two dogs, and the next day I didn't have anything. So a lot of these songs were written because I was going through these emotional changes."^[34] There were occasional poppier influences–Face Value's "Behind the Lines", for example, was a jazzy remake of a Genesis song he co-wrote. Face Value was a critical and multi-platinum success, and saw Collins’s profile increase further. Hello, I Must Be Going! gave him a UK No.1 for his cover of the Supremes' "You Can't Hurry Love". The album went triple-platinum in the United States, like its predecessor. The Supremes' cover was his first Top 10 US hit (it also hit the Top 10 of Billboard's Adult Contemporary chart). The album also reached No.2 on the UK album chart, spending well over a year there.^[28]

Two years before, Collins had played drums on Peter Gabriel's third self-titled record (often referred to as Melt), the first record to feature the "gated reverb" sound, which was used on the song "Intruder". Gabriel reportedly "didn't want any metal on the record" and asked Collins to leave his cymbals at home, to concentrate on the sound of his kit more heavily than usual. Studio engineer Hugh Padgham augmented the drum sound by using a microphone normally intended for studio communication rather than recording and feeding it through a signal processor called a noise gate. This allowed the reverberation added to the drums to be suddenly cut off before it naturally decayed. The result was the arresting "gated reverb" which became Collins signature sound. This was the same 'big drum sound' used on such songs as "In The Air Tonight", "Mama" by Genesis, and Frida's "There's Something Going On".

Mid-career (1984–1992)[link]

	"Against All Odds" noicon "Against All Odds" from the soundtrack of the same name (1984), is a piano-driven ballad. "Another Day in Paradise" noicon A sample of "Another Day in Paradise" from ...But Seriously (1989). The ballad was written to bring attention to the problem of homelessness
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Collins changed his musical style with the release of the ballad, "Against All Odds (Take a Look at Me Now)", which was the theme song to the movie of the same name in 1984. The more pop-friendly and radio-accessible single became Collins's first solo single to reach number-one on the Billboard Hot 100.^[29] Later that year, Collins contributed to production on Earth, Wind & Fire singer Phillip Bailey's debut album, Chinese Wall, collaborating with Bailey on the hit duet, "Easy Lover". Collins featured on Band Aid's "Do They Know It's Christmas", he played drums and sang on the song. Collins released his most successful album, No Jacket Required, in early 1985. It contained the hits "Sussudio", "One More Night", "Don't Lose My Number", and "Take Me Home", as well as the less known yet equally robust "Who Said I Would", and "Only You Know and I Know". The album featured Sting, Helen Terry and ex-bandmate Peter Gabriel as backing vocalists. He also recorded the successful song "Separate Lives", a duet with Marilyn Martin, and a US number one, for the movie White Nights.^[29] Collins had three US number one songs in 1985, the most by any artist that year.^[29] No Jacket Required went on to win several Grammy awards including Album of the Year.

No Jacket Required received criticism that the album was too safe, despite its upbeat reviews and commercial success. A positive review by David Fricke of Rolling Stone ended, "After years on the art-rock fringe, Collins has established himself firmly in the middle of the road. Perhaps he should consider testing himself and his new fans' expectations next time around."^[35] "Sussudio" also drew criticism for sounding too similar to Prince's "1999", a charge that Collins did not deny.^[36] Nevertheless, the album went straight to #1 in the US and UK. In 1985, Collins was invited by Bob Geldof to perform at the Live Aid charity event. Collins had the distinction of being the only performer to appear at both the UK concert at Wembley Stadium and the US concert at JFK Stadium in Philadelphia. He accomplished this by performing early in the day at Wembley as both a solo artist and alongside Sting, then transferring to a Concorde flight to the US enabling him to perform his solo material, and drum for Led Zeppelin and Eric Clapton in Philadelphia. While being a guest on major artists' hit recordings, Collins continued to enjoy solo success even while on tour with Genesis, besides from his number-one duet with Marilyn Martin in 1986, Collins would score two more hits from movies with the singles, "Two Hearts" (No.1 US, No.6 UK), and "Groovy Kind of Love" (No.1 UK, No.1 US), the latter two from the soundtrack of his feature film, Buster.^[28][29]

In 1989, Collins produced another successful album, ...But Seriously, featuring the anti-homelessness anthem "Another Day in Paradise", with David Crosby on backing vocals. (Collins later went on to co-write, sing and play on the song "Hero" on Crosby's 1993 album Thousand Roads.) "Another Day in Paradise" went to Number 1 on the Billboard Charts at the end of 1989 and won Collins Best British Single at the 1990 Brit Awards, and the 1991 Grammy Award for Record of the Year.^[37][38] In the process, it became the last No.1 US pop hit of the 1980s. The album ...But Seriously became the first No.1 US album of the 1990s and the best-selling album of 1990 in the UK. Other songs included "Something Happened on the Way to Heaven" (No.4 US, No.15 UK), "Do You Remember?" (not released in the UK, but a No.4 hit in the US), and "I Wish It Would Rain Down" (the latter featuring Eric Clapton on guitar) (No.3 US, No.7 UK).^[28][29] Songs about apartheid and homelessness demonstrated Collins’s turn to politically-driven material. This theme recurred on his later albums. A live album, Serious Hits... Live!, followed. In September 1990, Collins performed "Sussudio" at the 1990 MTV Video Music Awards in Los Angeles.^[39]

Later solo work and Genesis reunion (1993–2008)[link]

Collins's record sales began to drop with the 1993 release of Both Sides, a largely experimental album that, according to Collins, included songs that "were becoming so personal, so private, I didn't want anyone else's input".^[40] Featuring a less polished sound and fewer up-tempo songs than his previous albums, Both Sides was a significant departure. Collins used no backing musicians, performed all the vocal and instrumental parts at his home studio, and used rough vocal takes for the final product. The album was not well received by radio. Its two biggest hits were "Both Sides of the Story" and "Everyday". Collins worked on the album completely independently of his record company, and took them by surprise when he delivered them a completed album that they were unaware he was making.

Collins officially parted ways with Genesis in 1996 to focus on his solo career (Genesis would produce one album without Collins—...Calling All Stations...—before going on hiatus). Collins attempted a return to pop music with Dance into the Light, which Entertainment Weekly reviewed by saying that "(e)ven Phil Collins must know that we all grew weary of Phil Collins".^[41] It included minor hits such as the title track and the Beatles-inspired "It's in Your Eyes". Although the album went Gold in the US, it sold considerably less than his previous albums. Despite this, the subsequent tour regularly sold out arenas.

In 1996, Collins formed the Phil Collins Big Band. With Collins as drummer, the band performed jazz renditions of various Collins and Genesis hits. The Phil Collins Big Band did a world tour in 1998 that included a performance at the Montreux Jazz Festival. In 1999, the group released the CD A Hot Night in Paris including big band versions of "Invisible Touch", "Sussudio", and the more obscure "The Los Endos Suite" from A Trick of the Tail.

Phil Collins's star on the Hollywood Walk of Fame, 6834 Hollywood Blvd

A compilation album ...Hits was released in 1998 and sold very well, returning Collins to multi-platinum status in America. The album's sole new track, a cover of the Cyndi Lauper hit "True Colors", received considerable play on US Adult Contemporary stations while peaking at No.2.^[42] Some of Collins's earlier hits (e.g. "I Missed Again", "If Leaving Me Is Easy", etc.) and other successes were not included in this compilation.

Collins's next single, "You'll Be in My Heart", from the Disney animated movie Tarzan, spent 19 weeks at No.1 on Billboard's Adult Contemporary chart – the longest time ever up to that point. The song won Collins an Academy Award for Best Song. It was his third nomination in the songwriters' category, after being nominated in 1985 and 1989. Collins was awarded a star on the Hollywood Walk of Fame, on 16 June 1999.^[43]

Collins performing in Barcelona, Spain in July 2004

In 2002 Collins released Testify. Metacritic's roundup of album reviews found this record to be the worst-reviewed album at the time of its release, though it has since been "surpassed" by three more recent releases.^[44] The album's "Can't Stop Loving You" (a Leo Sayer cover) was yet another #1 Adult Contemporary smash hit for Collins. Testify sold 140,000 copies in the United States by year's end, although a successful worldwide tour followed.^[45]

That same year Collins accepted an invitation to drum for the "house band" at a concert celebrating Queen Elizabeth II's Golden Jubilee. In 2003 announced his last solo tour^[46] – the "First Final Farewell Tour", a tongue-in-cheek reference to the multiple farewell tours of other popular artists. In 2006 he worked with Disney on a Broadway production of Tarzan, a musical which received generally mixed reviews. In 2007 Collins reunited with his Genesis bandmates Tony Banks and Mike Rutherford for Turn It On Again: The Tour, a tour of Europe and North America. During the tour Genesis performed at the Live Earth concert at Wembley Stadium. Following the band's performance, presenter Jonathan Ross had to apologise to viewers watching the televised version as Collins had used a swear word while singing "Invisible Touch".

[edit] Going Back and retirement (2009–2011)

In October 2009, it was reported that Collins was to record a Motown covers album. He told a German newspaper, "I want the songs to sound exactly like the originals", and that the album would feature up to 30 songs.^[47] In January 2010, Chester Thompson said that the album had been completed and would be released some time soon. He also revealed that Collins managed to play the drums on the album despite the adverse effects of his recent spinal operation.^[48] It was the first solo album Collins had recorded which consisted entirely of songs written by other people.

Going Back was released on 13 September 2010, entering the UK charts at number 4, rising to number one the following week.^[49] In early summer 2010, Collins played six concerts entirely dedicated to the music from Going Back. These included a special programme, Phil Collins: One Night Only, which was broadcast on ITV1 on 18 September 2010. Collins also promoted Going Back with his first and only appearance on the BBC's foremost music series Later... with Jools Holland, broadcast on 17 September 2010.

As of January 2011, Collins has spent 1,730 weeks in German music charts – 766 weeks of them with Genesis albums and singles and 964 weeks with solo releases.^[50]

Citing health problems and other concerns, Collins announced on 4 March 2011 that he was taking time off from his career, prompting widespread reports of his retirement.^[51] Days later, on 7 March, his UK representative told the press, "He is not, has no intention of, retiring."^[52] However, later that day, Collins posted a message to his fans on his own website, confirming his intention to retire in order to focus on his family life.^[53][54]

Drums and other equipment[link]

Phil Collins uses Gretsch drums and Sabian cymbals. Drums (all single headed concert toms except for the snare): 20" Bass Drum, 18" Floor Tom, 16" Floor Tom, 15" Mounted Tom, 12" Tom, 10" Tom, 8" Tom, 14"x4" Snare, 14" Phil Collins Special.

Cymbals: HH Medium Crash 20" – HH Extra Thin Crash 17" – Hi-Hats 15" – HH China 20" – HH Medium-Thin Crash 16" -HH China 22" – HH Raw Bell Dry Ride 21".^[55]

Until 1986, Collins played Paiste and Zildjian cymbals. Other drums he's used over the years are Premier, Noble & Cooley, Pearl, Simmons and Ludwig drums. He uses a Ludwig Speed King pedal and Pro Mark sticks.

Other instruments which have become synonymous with Collins's sound (particularly in his post-1978 Genesis and subsequent solo career) include the Roland CR-78 and Roland TR-808 drum machines, Sequential Circuits Prophet-5 synthesizer,^[56] and the Yamaha CP-70 electric grand piano.

Career as producer[link]

For his solo career and his career with Genesis, Collins produced or co-produced virtually all of his singles and albums, the notable exceptions being "Against All Odds (Take A Look At Me Now)" (produced by Arif Mardin), and his cover of "True Colors" (produced by Kenneth "Babyface" Edmonds.)

Collins also maintained a career as a producer for other artists throughout the 1980s, usually working on outside projects at the rate of one artist per year. His first outside work as a producer was the 1981 album Glorious Fool for John Martyn; he followed that up by producing Frida's 1982 album Something's Going On, which contained the international hit "I Know There's Something Going On".

1983 found Collins producing two tracks for Adam Ant, both of which hit the UK charts: "Puss 'N' Boots" and "Strip". ("Strip" was a minor US hit as well.) In 1984, he produced Phillip Bailey's album Chinese Wall, from which the hit Bailey/Collins duet "Easy Lover" was drawn. This album also contained the Bailey hit "Walking On The Chinese Wall".

In 1985, Collins produced several tracks on the Eric Clapton album Behind The Sun. The following year, he produced (in collaboration with Hugh Padgham) one track for Howard Jones, the international hit "No One Is to Blame".

Returning to work with Clapton, Collins was one of the producers on his 1987 album August. The UK top 20 single "Behind The Mask" was drawn from this album, and this particular track credited production to "Phil Collins in association with Tom Dowd."

In 1988, Collins and Lamont Dozier collaborated as writers and producers of the Four Tops top 10 UK hit "Loco In Acapulco", which was taken from the soundtrack of the film Buster, in which Collins starred. Finally, in 1989, Collins was one of the producers of the Stephen Bishop album Bowling in Paris, which included the US Adult Contemporary hit "Walking on Air", produced by Collins and Padgham.

Films, theatre and television[link]

The majority of Collins's film work has been through music. Four of his seven American number one songs came from film soundtracks, and his work on Disney's Tarzan earned him an Oscar. Collins even sang German, Italian, Spanish and French versions of the Tarzan soundtrack for the respective film versions. Collins's acting career has been brief. As a child, he appeared in three films, although two of the films were for brief moments as an extra. Besides the aforementioned A Hard Day's Night (1964), Collins's first lead role was in a children's film Calamity the Cow (1967).

Collins wrote and performed the title song to Against All Odds in 1984. The song became the first of his seven American number one songs and received an Academy Award nomination for Best Song. Collins was not invited to perform the song at that year's presentation, although he was in the audience as the song's composer. Collins had arranged his US tour to accommodate the possibility of appearing on the telecast in the event his song was nominated for an Oscar. It is believed that the producers of that year's Academy Awards show were not aware of his prominence as a musical performer. A note to Collins's label from telecast co-producer Larry Gelbart explaining the lack of invitation stated, "Thank you for your note regarding Phil Cooper [sic]. I'm afraid the spots have already been filled". Collins instead watched Ann Reinking perform his song.^[57] For a long time afterwards, he would introduce his performance of "Against All Odds" at his concerts by saying: "Miss Ann Reinking's not here tonight, so I guess I'll have to sing my own song".

As a vocalist, Collins sang Stephen Bishop's composition "Separate Lives" for the film White Nights (1985) as a duet with Marilyn Martin. The single of the recording became another number one hit for Collins. The song itself was nominated for an Academy Award for Best Song (a category that honours the composer, not the vocalists). Bishop's song had parallels to some of the songs on Collins's first two albums. Writer Stephen Bishop noted that he was inspired by a failed relationship and called "Separate Lives" "a song about anger".^[58] When the song was being nominated for an Academy Award, in interviews about the original snub by the Academy for "Against All Odds", Collins would jokingly say "the hell with him – I'm going up too," referring to if Bishop's song were to win the award.^[59]

Collins's first film role since becoming a musician came in 1988 with Buster about the Great Train Robbery, which took place in England in August, 1963. The film received good reviews and Collins contributed four songs to the film's soundtrack. His rendition of "Groovy Kind of Love", originally a 1966 single by the Mindbenders, with lyrics by Toni Wine and music by Carole Bayer Sager, but with the melody of the Rondo section of Muzio Clementi's "Sonatina in G major", op. 36 no. 5 reached number one. The film also spawned the hit single "Two Hearts", which he wrote in collaboration with legendary Motown songwriter Lamont Dozier; the two artists would go on to win a Golden Globe for Best Original Song and receive an Oscar nomination in the same category, the second such honour for Collins; "Big Noise", written by Phil Collins and Lamont Dozier, which included Collins on vocals (although the song was not released as a single, an instrumental version of this song appeared as the B-side to the single version of "A Groovy Kind Of Love".) The final song, "Loco In Acapulco", was another collaboration between him and Dozier, with the vocals performed by the legendary Motown group the Four Tops. Film critic Roger Ebert said the role of Buster was "played with surprising effectiveness" by Collins, although the film's soundtrack proved more successful than the film did.^[60]

Collins had cameo appearances in Steven Spielberg's Hook (1991) and the AIDS docudrama And the Band Played On (1993). He starred in 1993's Frauds, which competed for the Palme d'Or at the 1993 Cannes Film Festival.^[61] He supplied voices to two animated features: Amblin's Balto (1995) and Disney's The Jungle Book 2 (2003). A long-discussed but never completed project was a film titled The Three Bears; originally meant to star him alongside Danny DeVito and Bob Hoskins, he often mentioned the film, though an appropriate script never materialised.^[62]

Collins performed the soundtrack to the animated film Tarzan (1999) for the Walt Disney Company. Collins won an Academy Award for "You'll Be in My Heart", which he performed at that year's telecast as well as during a Disney-themed Super Bowl halftime show. The song, which he also recorded in Spanish among other languages, became his only appearance on Billboard's Hot Latin Tracks.^[42] Disney hired him, along with Tina Turner, in 2003 for the soundtrack to another animated feature film, Brother Bear, and had some airplay with the song "Look Through My Eyes".

On television, he twice hosted the Billboard Music Awards. He also appeared in an episode of the series Miami Vice, entitled "Phil the Shill", in which he plays a cheating con-man. He also guest starred in several sketches with The Two Ronnies. Most recently, he had a cameo appearance on the television series Whoopi.

In 2001, Collins was sought out by the satirist Chris Morris, and appeared in the Brass Eye 'Paedophile Special' endorsing a spoof charity called 'Nonce Sense'. At one point Collins, dressed in a matching baseball cap and t-shirt emblazoned with the name of this fictitious charity, stares into the camera and declares: "I'm talking Nonce-sense."

In 2005, Collins's work on Brother Bear was expanded as Disney used the song "Welcome" as the theme for Walt Disney's Parade of Dreams, the main parade celebrating the 50th Anniversary of Disneyland.

In 2006 Disney's Tarzan was adapted for Broadway. Collins contributed 11 new songs and instrumental pieces, and was deeply involved in the production. Unlike the film, where Collins sang all the material, the characters sang on stage.

Collins made an appearance as himself in the 2006 PlayStation Portable and PlayStation 2 video game Grand Theft Auto: Vice City Stories, set in 1984. He appears in three missions in which the main character must save him from a gang that is trying to kill him, the final mission occurring during his concert, where the player must defend the scaffolding against saboteurs while Phil is simultaneously performing "In the Air Tonight." After this, the player is given the opportunity to watch this performance of 'In the Air Tonight.' "In the Air Tonight" was also featured in the soundtrack of Grand Theft Auto: Vice City Stories and it was also featured in the film Aqua Teen Hunger Force Colon Movie Film For Theaters, the 2009 movie The Hangover and the 2007 Gorilla commercial for Cadbury's Dairy Milk chocolate. The advertisement also helped the song re-enter the New Zealand RIANZ Singles Chart at number three in July 2008, the following week reaching number one, beating its original 1981 No.6 peak. Phil Collins had several ties to the hit show Miami Vice with 5 songs used in the course of the series as well as having starred in the episode "Phil The Shill."

Phil Collins was portrayed in the hit cartoon South Park in the episode "Timmy 2000" holding his Oscar throughout, referring to his 1999 win for "You'll Be In My Heart", which defeated "Blame Canada" from South Park: Bigger, Longer & Uncut. He was seen again in the episode "Cartman's Silly Hate Crime".

Phil Collins appears briefly in the Finnish animated sitcom Pasila in the episode "Phil Collins Hangover". The music of this episode is a pastiche of Phil Collins' "Another Day In Paradise".

Personal life[link]

Family[link]

Collins has been married three times. He married Canadian Andrea Bertorelli in 1975. They met as students in a drama class in London.^[63][64] They had a son, Simon Collins, and Collins adopted Bertorelli's daughter Joely Collins, a Canadian actress. They divorced in 1980, after she started an affair with their painter and decorator. Collins later appeared on the BBC's Top of the Pops singing his 1981 solo hit "In The Air Tonight" with a pot of paint and brush positioned near his piano.^[65] Collins has since claimed that the presence of the paint and brush was coincidental.

Collins met his second wife, Jill Tavelman, in 1980. They were married from 1984^[66] to 1996. They had one daughter, Lily Collins, born in 1989.^[67] Collins openly admits that some of their divorce-related correspondence was by fax (one, about access to their daughter, was reproduced in the Sun), but denies that this took her by surprise.^[64] Collins paid Jill £17M as final settlement.^[65]

Collins married his third wife, Orianne Cevey, in 1999 after a five year romance.^[65] They have two sons, Nicholas and Matthew. They bought Sir Jackie Stewart's former house located in Begnins, Switzerland, overlooking Lake Geneva. Announcing their separation on 16 March 2006, they were divorced on 17 August 2008. Collins reportedly paid Cevey £25M in settlement.^[65] Collins has said he will continue to live in Switzerland to be near the children. He is currently residing in Féchy, while also maintaining homes in New York and Dersingham, Norfolk, England.^[65][68] In 2008, Collins was quoted in People Magazine: "Marriage is a difficult proposition. But I haven't given up on it, either."^[69] Collins, however, stated in 2010 that he had no intention of marrying again.^[70]

Fortune[link]

Collins was estimated to have a fortune of £115 million in the Sunday Times Rich List of 2011, making him one of the 20 richest people in the British music industry.^[71]

Court case[link]

On 29 March 2000, Phil Collins launched a case against two former musicians from his band to recoup £500,000 ($780,000) in royalties that were overpaid. Louis Satterfield, 62, and Rahmlee Davis, 51, claimed their contract entitled them to 0.5 per cent of the royalties from Serious Hits... Live!, a live album recorded during Collins's Seriously, Live! World Tour tour in 1990. Their claim was they were an integral part of the whole album, but Collins responded the two should only receive royalties from the five tracks in which they were involved.^[72] Instead of asking for a return of what Collins considered overpayment, he sought to recoup the funds by withholding future royalties to Satterfield and Davis, which amounted to less than an annual sum of £12,500 ($20,000) each.

On 19 April 2000, the High Court ruled that the two musicians would receive no more royalty money from Phil Collins. The amount that Collins was seeking was halved, and Satterfield and Davis (who originally brought the suit forward in California) would not have to repay any of it. The judge agreed with Collins's argument that Satterfield and Davis should have been paid for only the five tracks on which they performed, including the hit "Sussudio".^[73]

Health problems[link]

Collins reported losing his hearing in his right ear in 2000 due to a viral infection. In September 2009, it was reported that Collins could no longer play drums, due to a recent operation to repair dislocated vertebrae in his neck.^[74] A statement from Collins on the Genesis band website said, "There isn't any drama regarding my 'disability' and playing drums. Somehow during the last Genesis tour I dislocated some vertebrae in my upper neck and that affected my hands. After a successful operation on my neck, my hands still can't function normally. Maybe in a year or so it will change, but for now it is impossible for me to play drums or piano. I am not in any 'distressed' state; stuff happens in life."^[75]

Honorary Degrees[link]

Collins has received several honorary doctorates in recognition of his work in music and also for his personal interests. In 1987, he received an honorary doctorate of fine arts at Fairleigh Dickinson University.^[76] . In 1991, he received an honorary doctorate of music at the Berklee College of Music.^[77] Then on 12 May 2012, he received an honorary doctorate of history at McMurry University in Abilene, Texas for his research and collection of Texas Revolution artefacts and documents, which has led him to own one of the world's largest private collection of Alamo related artefacts.^[78] His passion for the Battle at the Alamo has also led him to write the book The Alamo and Beyond: A Collector's Journey, published in 2012.^[79]

Activism[link]

Collins was appointed a Lieutenant of the Royal Victorian Order in 1994 in recognition of his work on behalf of the Prince's Trust.^[80]

Collins has stated he is a supporter of animal rights and People for the Ethical Treatment of Animals (PETA). In 2005, he donated an autographed drumstick in support of PETA's campaign against Kentucky Fried Chicken.^[81]

Collins also has a long-standing interest in the Alamo. He has collected hundreds of artefacts related to the famous 1836 battle in San Antonio, Texas, narrated a light and sound show about the Alamo, and spoken at related events.^[82] He has completed a book entitled "The Alamo and Beyond: A Collector's Journey" published by Statehouse Press, based in Buffalo Gap, Texas.^[83]

Collins has often been mentioned erroneously in the British media as being a supporter of the Conservative Party and an opponent of the Labour Party. This derives from the famous article in the Sun, printed on the day of the 1992 UK general election, titled "If Kinnock wins today will the last person to leave Britain please turn out the lights", which claimed that Collins was among several celebrities who were planning to leave Britain in the event of a Labour victory.^{[citation needed]} Shortly before the 2005 election (when Collins was living in Switzerland), Noel Gallagher is reported as saying: "Vote Labour. If you don't and the Tories get in, Phil is threatening to come back."^[84] However, Collins has since stated that although he did once claim many years earlier that he might leave Britain if most of his income was taken in tax, which was Labour Party policy at that time for top earners, he has never been a Conservative Party supporter and he left Britain for Switzerland in 1994 purely because he met a woman who lived there. He said of Gallagher: “I don’t care if he likes my music or not. I do care if he starts telling people I’m a wanker because of my politics. It’s an opinion based on an old misunderstood quote.”^[85] Despite his claim that he did not leave Britain for tax purposes, he was one of several super-rich figures living in tax havens who were singled out for criticism in a report by the charity Christian Aid in 2008.^[86] Questioned about his politics by Mark Lawson in an interview broadcast in 2009, Collins said: "My father was Conservative but it wasn't quite the same, I don't think, when he was alive. Politics never loomed large in our family anyway. I think the politics of the country were very different then."^[87]

Collins founded the Little Dreams Foundation in February 2000, which aims to "realise the dreams of children in the fields of sports and art" by providing future prodigies aged 4 to 16 years with financial, material, and mentoring support with the help of experts in various fields.^[88]

Collins supports the South African charity the Topsy Foundation, which provides relief services to some of South Africa's most under-resourced rural communities through a multi-faceted approach to the consequences of HIV and AIDS and extreme poverty. He donates all royalties earned in South Africa to the organization.^[89][90]

Collins is a patron of the charity Children in Hunger, a small UK based charity working to combat child poverty in Brazil.^[91]

Discography[link]

Genesis[link]

Studio albums[link]

Number one singles[link]

"In the Air Tonight" re-entered the New Zealand charts in 2008 at No.3 and then peaked at No.1, after featuring in a Cadbury Gorilla advertisement.

See also[link]

• List of awards and nominations received by Phil Collins
• Touring and studio musicians of Phil Collins

Notes[link]

References[link]

• Atlantic Records Press Release (15 November 2002). "Phil Collins Celebrates TESTIFY With Weekend Today Performance and NYC In-Store". Atlantic Records. http://www.atlanticrecords.com/article/?article=15627&artist=111349. Retrieved 19 January 2006. 
• Baker, G.A. (1993). "Penthouse Interview". Penthouse. Archived from the original on 20 December 2005. http://web.archive.org/web/20051220080230/http://www.philcollins.co.uk/penthouse93.htm. Retrieved 13 January 2006. 
• Billboard Magazine, Online. "Genesis Biography". Billboard Online. http://www.billboard.com/bbcom/bio/index.jsp?&cr=artist&or=ASCENDING&sf=length&pid=4704&kw=genesis. Retrieved 16 January 2006. 
• Billboard Magazine, Online. "Phil Collins Chart History". Billboard Online. http://www.billboard.com/bbcom/retrieve_chart_history.do?model.vnuArtistId=4332&model.vnuAlbumId=555318. Retrieved 13 January 2006. 
• Bronson, Fred The Billboard Book of Number One Hits. Billboard Books, New York. 1998. p. 624. ISBN 0-8230-7641-5
• Browne, David (1 November 1996). "Dance into the Light Review". Entertainment Weekly. http://www.ew.com/ew/article/review/music/0,6115,294844_4_0_,00.html. Retrieved 10 February 2006. 
• Ebert, Roger (25 November 1988). "Buster review". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19881125/REVIEWS/811250301/1023. Retrieved 10 February 2006. 
• Fricke, David (9 May 1985). "No Jacket Required review". Rolling Stone. http://www.rollingstone.com/artists/philcollins/albums/album/245563/rid/5941462/. Retrieved 8 February 2006. 
• Giammetti, Mario. Phil Collins – The Singing Drummer. Edizioni Segno. Tavagnacco. 2005. ISBN 88-7282-836-8
• Gigging-Drum-Charts.com (14 November 2008). "Phil Collins of Genesis". SBI. http://www.gigging-drum-charts.com/phil-collins.html. Retrieved 14 November 2008. 
• Hear-it.org. "Famous baby boomers with significant hearing loss and/or tinnitus". http://www.hear-it.org/page.dps?page=2649. Retrieved 13 January 2006. ^{[dead link]}
• Hewitt, Alan. "From "Opening the Music Box: A Genesis Chronicle"". Excerpted on www.philcollins.co.uk. Archived from the original on 10 January 2006. http://web.archive.org/web/20060110113821/http://www.philcollins.co.uk/brandxgigs.htm. Retrieved 14 January 2006. 
• "MTV Video Awards Past Winners". MTV. http://www.mtv.com/onair/vma01/archive/archive.jhtml?year=1987&category=bestvideo. Retrieved 16 January 2006. 
• Rosen, Craig. The Billboard Book of Number One Albums. Billboard Books, New York. 1996. ISBN 0-8230-7586-9 (Two essays about Collins)
• Russell, Paul (2002). "Phil Collins Biography". www.philcollins.co.uk. Archived from the original on 4 January 2006. http://web.archive.org/web/20060104025818/http://www.philcollins.co.uk/biog1.htm. Retrieved 9 January 2006. 
• Thompson, Dave. Turn It On Again: Peter Gabriel, Phil Collins, and Genesis. Back Beat Books. San Francisco. 2004. ISBN 0-87930-810-9

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• Official website
• Phil Collins at Atlantic Records
• Genesis' official website
• Little Dreams Foundation, project of Phil Collins and his former wife Orianne, supporting young musicians
• Phil Collins at the Internet Movie Database
• Tarzan at the Internet Broadway Database