Adi Shankara
Srimad Guru Adi Shankaracharya by Raja Ravi Varma
Born	788 CE Kalady, present day Kerala, India
Died	820 CE[1] Kedarnath, Pala Empire present day Uttarakhand, India
Birth name	Shankara
Titles/honours	Expounded Advaita Vedanta, Hindu Revivalism, Founded Dashanami Sampradaya, Shanmata
Guru	Govinda Bhagavatpada
Philosophy	Advaita Vedanta

Adi Shankara (Sanskrit: आदिशङ्करः Ādi Śaṅkara, pronounced [aːd̪i ɕəŋkəɾə]) (788 CE - 820 CE), also known as Śaṅkara Bhagavatpādācārya and Ādi Śaṅkarācārya was an Indian sage from Kalady in present day Kerala who consolidated the doctrine of advaita vedānta.^[1][2] His teachings are based on the unity of the ātman and brahman— non-dual brahman, in which brahman is viewed as nirguna brahman, brahman without attributes.^[3]

Shankara travelled across the Indian subcontinent to propagate his philosophy through discourses and debates with other thinkers. He is reputed to have founded four mathas ("monasteries"), which helped in the historical development, revival and spread of Advaita Vedanta of which he is known as the greatest revivalist.^[2] Adi Shankara is believed to be the organizer of the Dashanami monastic order and the founder of the Shanmata tradition of worship.

His works in Sanskrit concern themselves with establishing the doctrine of advaita (nondualism). He also established the importance of monastic life as sanctioned in the Upanishads and Brahma Sutra, in a time when the Mimamsa school established strict ritualism and ridiculed monasticism. Shankara represented his works as elaborating on ideas found in the Upanishads, and he wrote copious commentaries on the Vedic canon (Brahma Sutra, principal upanishads and Bhagavad Gita) in support of his thesis. The main opponent in his work is the Mimamsa school of thought, though he also offers arguments against the views of some other schools like Samkhya and certain schools of Buddhism.^[3][4][5]

Life[link]

Traditional accounts of Adi Shankara's life can be found in the Shankara Vijayams, which are poetic works that contain a mix of biographical and legendary material, written in the epic style. The most important among these biographies are the Mādhavīya Śaṅkara Vijayaṃ (of Mādhava, c. 14th century), the Cidvilāsīya Śaṅkara Vijayaṃ (of Cidvilāsa, c. between 15th century and 17th century), and the Keraļīya Śaṅkara Vijayaṃ (of the Kerala region, extant from c. 17th century).^[6][7]

Birth and childhood[link]

The birth place of Adi Shankara at Kalady

Shankara was born in orthodox Hindu family to Sivaguru and Aryamba in Kaladi in central present day Kerala. According to lore, it was after his parents, who had been childless for many years, prayed at the Vadakkunnathan temple, Thrissur that Sankara was born under the star Thiruvathira.^[8][9]

His father died while Shankara was very young. Shankara's upanayanaṃ, the initiation into student-life, had to be delayed due to the death of his father, and was then performed by his mother.^[10] As a child, Shankara showed remarkable scholarship, mastering the four Vedas by the age of eight.^[11]

Sannyasa[link]

At the age of 7, Shankara was inclined towards sannyasa, but it was only after much persuasion that his mother finally gave her consent. He only received her consent in a very interesting manner. While bathing in the river Poorna one day, a crocodile caught hold of his leg. Shankara appealed to his mother, who had arrived at Poorna, asking for permission to become a sanyasi. His mother finally gave consent, only to have the crocodile let go of young Shankara. A crocodile had never been found in Poorna ever or since^[12] Shankara then left Kerala and travelled towards North India in search of a guru. On the banks of the Narmada River, he met Govinda Bhagavatpada the disciple of Gaudapada at Omkareshwar. When Govinda Bhagavatpada asked Shankara's identity, he replied with an extempore verse that brought out the Advaita Vedanta philosophy. Govinda Bhagavatapada was impressed and took Shankara as his disciple.^[13]

The guru instructed Shankara to write a commentary on the Brahma Sutras and propagate the Advaita philosophy. Shankara travelled to Kashi, where a young man named Sanandana, hailing from Chola territory in South India, became his first disciple. According to legend, while on his way to the Vishwanath Temple, Sankara came upon an untouchable accompanied by four dogs. When asked to move aside by Shankara's disciples, the untouchable replied: "Do you wish that I move my ever lasting Ātman ("the Self"), or this body made of flesh?" Realizing that the untouchable was none other than god Shiva himself, and his dogs the four Vedas, Shankara prostrated himself before him, composing five shlokas known as Manisha Panchakam.^[14][15]

At Badari he wrote his famous Bhashyas ("commentaries") and Prakarana granthas ("philosophical treatises").^[16][17]

Meeting with Mandana Mishra[link]

One of the most famous debates of Adi Shankara was with the ritualist Maṇḍana Miśra. Maṇḍana Miśra held the view that the life of a householder was far superior to that of a monk. This view was widely shared and respected throughout India at that time.^[18] Thus it would have been important for Adi Shankara to debate with him. Madana Mishra's guru was the famous Mimamsa philosopher, Kumārila Bhaṭṭa. Shankara sought a debate with Kumārila Bhaṭṭa and met him in Prayag where he had buried himself in a slow burning pyre to repent for sins committed against his guru: Kumārila Bhaṭṭa had learned Buddhist philosophy from his Buddhist guru under false pretenses, in order to be able to refute it. Learning anything without the knowledge of one's guru while still under his authority constitutes a sin according to the Vedas.^[19] Kumārila Bhaṭṭa thus asked Adi Shankara to proceed to Mahiṣmati to meet Maṇḍana Miśra and debate with him instead.(Mahishmati is on the banks of the holy river - Narmada, in Madhya Pradesh. Mahishmati is now known as Mandala. . Mandala finds mention in Pauranic literature as the capital of Sahasrabahu Kartyaveer Arjun who had obstructed the river by his thousand arms by his frolicking, at his capital Mahishmati),

After debating for over fifteen days, with Maṇḍana Miśra's wife Ubhaya Bhāratī acting as referee, Maṇḍana Miśra accepted defeat.^[20] Ubhaya Bhāratī then challenged Adi Shankara to have a debate with her in order to 'complete' the victory. She asked him questions related to sexual congress between man and woman - a subject in which Shankaracharya had no knowledge, since he was a true celibate and sannyasi. Sri Shankracharya asked for a "recess" of 15 days. As per legend, he used the art of "para-kaya pravesa" (the spirit leaving one's own body and entering another's) and exited his own body, which he asked his disciples to look after, and psychically entered the dead body of a king. The story goes that from the King's two wives, he acquired all knowledge of "art of love". The queens, thrilled at the keen intellect and robust love-making of the "revived" King, deduced that he was not their husband, as of old. The story continues that they sent their factotums to "look for the lifeless body of a young sadhu and to cremate it immediately" so that their "king" (Shankracharya in the king's body) would continue to live with them. Just as the retainers piled Shankracharaya's lifeless corpse upon a pyre and were about to set fire to it, Shankara entered his own body and regained consciousness. Finally, he answered all questions put to him by Ubhaya Bhāratī; and she allowed Maṇḍana Miśra to accept sannyasa with the monastic name Sureśvarācārya, as per the agreed-upon rules of the debate.^[21]

Philosophical tour[link]

Sharada temple at Sringeri Sharada Peetham, Sringeri

Adi Shankara then travelled with his disciples to Maharashtra and Srisailam. In Srisailam, he composed Shivanandalahari, a devotional hymn in praise of Shiva. The Madhaviya Shankaravijayam says that when Shankara was about to be sacrificed by a Kapalika, the god Narasimha appeared to save Shankara in response to Padmapadacharya's prayer to him. As a result, Adi Shankara composed the Laksmi-Narasimha stotra.^[22]

He then travelled to Gokarṇa, the temple of Hari-Shankara and the Mūkambika temple at Kollur. At Kollur, he accepted as his disciple a boy believed to be dumb by his parents. He gave him the name, Hastāmalakācārya ("one with the amalaka fruit on his palm", i.e., one who has clearly realised the Self). Next, he visited sringeri to establish the Śārada Pīṭham and made Sureśvarācārya his disciple.^[23]

After this, Adi Shankara began a Dig-vijaya "tour of conquest" for the propagation of the Advaita philosophy by controverting all philosophies opposed to it. He travelled throughout India, from South India to Kashmir and Nepal, preaching to the local populace and debating philosophy with Hindu, Buddhist and other scholars and monks along the way.

With the Malayali King Sudhanva as companion, Shankara passed through Tamil Nadu, Andhra Pradesh and Vidarbha. He then started towards Karnataka where he encountered a band of armed Kapalikas. King Sudhanva, with his Nairs, resisted and defeated the Kapalikas. They safely reached Gokarna where Shankara defeated in debate the Shaiva scholar, Neelakanta.

Proceeding to Saurashtra (the ancient Kambhoja) and having visited the shrines of Girnar, Somnath and Prabhasa and explaining the superiority of Vedanta in all these places, he arrived at Dwarka. Bhaṭṭa Bhāskara of Ujjayini, the proponent of Bhedābeda philosophy, was humbled. All the scholars of Ujjayini (also known as Avanti) accepted Adi Shankara's philosophy.

He then defeated the Jainas in philosophical debates at a place called Bahlika. Thereafter, the Acharya established his victory over several philosophers and ascetics in Kamboja (region of North Kashmir), Darada and many regions situated in the desert and crossing mighty peaks, entered Kashmir. Later, he had an encounter with a tantrik, Navagupta at Kamarupa.^[24]

Accession to Sarvajnapitha[link]

Statue of Adi Shankara at his Samadhi Mandir, behind Kedarnath Temple, in Kedarnath, India

Adi Shankara visited Sarvajñapīṭha (Sharada Peeth) in Kashmir (now in POK, Pakistan).^[25] The Madhaviya Shankaravijayam states this temple had four doors for scholars from the four cardinal directions. The southern door (representing South India) had never been opened, indicating that no scholar from South India had entered the Sarvajna Pitha. Adi Shankara opened the southern door by defeating in debate all the scholars there in all the various scholastic disciplines such as Mimamsa, Vedanta and other branches of Hindu philosophy; he ascended the throne of Transcendent wisdom of that temple.^[26]

Towards the end of his life, Adi Shankara travelled to the Himalayan area of Kedarnath-Badrinath and attained videha mukti ("freedom from embodiment"). There is a samadhi mandir dedicated to Adi Shankara behind the Kedarnath temple. However, there are variant traditions on the location of his last days. One tradition, expounded by Keraliya Shankaravijaya, places his place of mahasamadhi (leaving the body) as Vadakkunnathan temple in Thrissur, Kerala.^[27] The followers of the Kanchi kamakoti pitha claim that he ascended the Sarvajñapīṭha and attained videha mukti in Kanchipuram (Tamil Nadu).

Dates[link]

Several different dates have been proposed for Shankara:

• 788–820 CE: This is the mainstream scholarly opinion, placing Shankara in mid to late 8th century CE. These dates are based on records at the Śṛṅgeri Śāradā Pīṭha, which is the only matha to have maintained a relatively unbroken record of its Acharyas; starting with the third Acharya, one can with reasonable confidence date the others from the 8th century to the present.^[28] The Sringeri records state that Shankara was born in the 14th year of the reign of "VikramAditya", but it is unclear as to which king this name refers. Though some researchers identify the name with Chandragupta II (4th. c. CE), modern scholarship accepts the VikramAditya as being from the Chalukya dynasty of Badami, most likely Vikramaditya II (733–746 CE),^[29] which would place him in the middle of the 8th c.^[28] Max Muller, Macdonnel, Pathok, Deussen and Radhakrishnan all accept the dates 788-820 CE.^[30] The date 788–820 is also among those considered acceptable by Swami Tapasyananda, though he raises a number of questions.^[31][32]
• 509–477 BCE: This dating, more than a millennium ahead of all others, is based on records of the heads of the Shankara Maṭhas at Dvaraka Pitha and Govardhana matha and the fifth Peetham at Kanchi.^[33] However, such an early date is not consistent with the fact that Shankara quotes the Buddhist logician Dharmakirti, who finds mention in Xuanzang (7th c.).^[28] Also, his near-contemporary Kumārila Bhaṭṭa is usually dated ca. 8th c. CE. Most scholars feel that due to invasions and other discontinuities, the records of the Dwaraka and Govardhana mathas are not as reliable as those of Sringeri.^[28] Thus, while considerable debate exists, the pre-Christian Era dates are usually discounted, and the most likely period for Shankara is during the 8th c. CE.

• 44-12 BCE: Anandagiri believed he was born at Chidambaram in 44 BCE and died in 12 BCE.^[30]

• 6th Century CE: Telang placed him in this century. Sir R G Bandarkar believed he was born in 680 CE.^[30]

• 805-897 CE: A D Venkiteswara not only places Adishankara later than most, but also had the opinion that it would not have been possible for him to have achieved all the works apportioned to him, and has him live ninety two years.^[30]

Mathas[link]

(Vidyashankara temple) at Sringeri Sharada Peetham, Shringeri

Adi Shankara founded four Maṭhas (Sanskrit: मठ) to guide the Hindu religion. These are at Sringeri in Karnataka in the south, Dwaraka in Gujarat in the west, Puri in Orissa in the east, and Jyotirmath (Joshimath) in Uttarakhand in the north. Hindu tradition states that he put in charge of these mathas his four main disciples: Sureśvara, Hastamalakacharya, Padmapāda, and Totakacharya respectively. The heads of the mathas trace their authority back to these figures. Each of the heads of these four mathas takes the title of Shankaracharya ("the learned Shankara") after the first Shankaracharya. The table below gives an overview of the four Amnaya Mathas founded by Adi Shankara and their details.^[34]

According to the tradition in Kerala, after Sankara's samadhi at Vadakkunnathan Temple his disciples founded four mathas in Thrissur, namely Naduvil Madhom, Thekke Madhom, Idayil Madhom and Vadakke Madhom.

Philosophy and religious thought[link]

Advaita ("non-dualism") is often called a monistic system of thought. The word "Advaita" essentially refers to the identity of the Self (Atman) and the Whole (Brahman^[35]). Advaita Vedanta says the one unchanging entity (Brahman) alone exists, and that changing entities do not have absolute existence, much as the ocean's waves have no existence in separation from the ocean. The key source texts for all schools of Vedānta are the Prasthanatrayi–the canonical texts consisting of the Upanishads, the Bhagavad Gita and the Brahma Sutras.

Adi Shankara was the first in the tradition to consolidate the siddhānta ("doctrine") of Advaita Vedanta. He wrote commentaries on the Prasthana Trayi. A famous quote from Vivekacūḍāmaṇi, one of his prakarana granthas that succinctly summarises his philosophy is:

Brahma satyaṃ jagat mithyā, jīvo brahmaiva nāparah

Brahman is the only truth, the spatio-temporal world is an illusion, and there is ultimately no difference between Brahman and individual self.

Advaita Vedanta is based on śāstra ("scriptures"), yukti ("reason") and anubhava ("experience"), and aided by karmas ("spiritual practices").^[36] This philosophy provides a clear-cut way of life to be followed. Starting from childhood, when learning has to start, the philosophy has to be realised in practice throughout one's life, even up to death. This is the reason why this philosophy is called an experiential philosophy-the underlying tenet being "That thou art", meaning that ultimately there is no difference between the experiencer and the experienced (the world) as well as the universal spirit (Brahman). Among the followers of Advaita, as well those of other doctrines, there are believed to have appeared Jivanmuktas, ones liberated while alive. These individuals (commonly called Mahatmas, great souls, among Hindus) are those who realised the oneness of their self and the universal spirit called Brahman.

Adi Shankara's Bhashyas (commentaries) on the Upanishads, the Bhagavad Gita and the Brahma Sutras are his principal works. Although he mostly adhered to traditional means of commenting on the Brahma Sutra, there are a number of original ideas and arguments to establish that the essence of Upanishads is Advaita. He taught that it was only through direct knowledge that one could realize Brahman. "A perception of the fact that the object seen is a rope will remove the fear and sorrow which result from the illusory idea that it is a serpent". Cited from Shankara's "Vivekachuudaamani"/ verse #12/translated by Mohini M Chatterji. This metaphor was borrowed from Yogacara Buddhist thinkers, who used it in a different context.^[37]

Adi Shankara's opponents accused him of teaching Buddhism in the garb of Hinduism, because his non-dualistic ideals seemed rather radical to contemporary Hindu philosophy, and so he earned the title "pracchannabauddha". However, although Advaita proposes the theory of Maya, explaining the universe as a "trick of a magician", Adi Shankara and his followers see this as a consequence of their basic premise that Brahman alone is real. Their idea of Maya emerges from their belief in the reality of Brahman, as opposed to Buddhist doctrines of emptiness, which emerge from the empirical Buddhist approach of observing the nature of reality.

Historical and cultural impact[link]

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v t e

Because of his unification of two seemingly disparate philosophical doctrines, Atman and Brahman, Westerners who know about him perceive him as the "St. Thomas Aquinas of Indian thought"^[38] and "the most brilliant personality in the history of Indian thought."^[39]

At the time of Adi Shankara's life, Hinduism was increasing in influence in India at the expense of Buddhism and Jainism.^[40] Hinduism was divided into innumerable sects, each quarreling with the others. The followers of Mimamsa and Sankhya philosophy were atheists, insomuch that they did not believe in God as a unified being. Besides these atheists there were numerous theistic sects. There were also those who rejected the Vedas, like the Charvakas.^{[citation needed]}

Adi Shankara held discourses and debates with the leading scholars of all these sects and schools of philosophy to controvert their doctrines. He unified the theistic sects into a common framework of Shanmata system. In his works, Adi Shankara stressed the importance of the Vedas, and his efforts helped Hinduism regain strength and popularity. Many trace the present worldwide prominence of Vedanta to his works. He travelled on foot to various parts of India to restore the study of the Vedas.

Even though he lived for only thirty-two years his impact on India and on Hinduism was striking. He reintroduced a purer form of Vedic thought. His teachings and tradition form the basis of Smartism and have influenced Sant Mat lineages.^[41] He is the main figure in the tradition of Advaita Vedanta. He was the founder of the Daśanāmi Sampradāya of Hindu monasticism and Ṣaṇmata of Smarta tradition. He introduced the Pañcāyatana form of worship.

Adi Shankara, along with Madhva and Ramanuja, was instrumental in the revival of Hinduism. These three teachers formed the doctrines that are followed by their respective sects even today. They have been the most important figures in the recent history of Hindu philosophy. In their writings and debates, they provided polemics against the non-Vedantic schools of Sankhya, Vaisheshika etc. Thus they paved the way for Vedanta to be the dominant and most widely followed tradition among the schools of Hindu philosophy. The Vedanta school stresses most on the Upanishads (which are themselves called Vedanta, End or culmination of the Vedas), unlike the other schools that gave importance to the ritualistic Brahmanas, or to texts authored by their founders. The Vedanta schools hold that the Vedas (which include the Upanishads) are unauthored, forming a continuous tradition of wisdom transmitted orally. Thus the concept of apaurusheyatva ("being unauthored") came to be the guiding force behind the Vedanta schools. However, along with stressing the importance of Vedic tradition, Adi Shankara gave equal importance to the personal experience of the student. Logic, grammar, Mimamsa and allied subjects form main areas of study in all the Vedanta schools.

Regarding meditation, Shankara refuted the system of Yoga and its disciplines as a direct means to attain moksha, rebutting the argument that it can be obtained through concentration of the mind. His position is that the mental states discovered through the practices of Yoga can be indirect aids to the gain of knowledge, but cannot themselves give rise to it. According to his philosophy, knowledge of Brahman springs from inquiry into the words of the Upanishads, and the knowledge of Brahman that shruti provides cannot be obtained in any other way.^[42] It has to be noted that it is generally considered that for Shankara the Absolute Reality is attributeless and impersonal, while for Madhava and Ramanuja, the Absolute Truth is Vishnu. This has been a subject of debate, interpretation, and controversy since Shankara himself is attributed to composing the popular 8th century Hindu devotional composition Bhaja Govindam (literal meaning, "Worship Govinda"). This work of Adi Shankara is considered as a good summary of Advaita Vedanta and underscores the view that devotion to God, Govinda, is not only an important part of general spirituality, but the concluding verse drives through the message of Shankara: "Worship Govinda, worship Govinda, worship Govinda, Oh fool! Other than chanting the Lord's names, there is no other way to cross the life's ocean". Bhaja Govindam invokes the almighty in the aspect of Vishnu; it is therefore very popular not only with Sri Adi Shankaracharya's immediate followers, the Smarthas, but also with Vaishnavas and others.

A well known verse, recited in the Smarta tradition, in praise of Adi Shankara is:

श्रुतिस्मृतिपुराणानामालयं करुणालयम्|
नमामि भगवत्पादशंकरं लोकशङ्करम् ||
Śruti smṛti purāṇānāṃālayaṃ karuṇālayaṃ|
Namāmi Bhagavatpādaśaṅkaraṃ lokaśaṅkaraṃ||
I salute the compassionate abode of the Vedas, Smritis and Puranas known as Shankara Bhagavatpada, who makes the world auspicious.

Adi Shankara begins his Gurustotram or Verses to the Guru with the following Sanskrit Sloka, that has become a widely sung Bhajan:

Guru Brahma, Guru Vishnu, Guru Deva Maheshwara. Guru Sakshath Parambrahma, Tasmai Shri Gurave Namaha.
Translation: Guru is the creator Brahma, Guru is the preserver Vishnu, Guru is the destroyer Shiva. Guru is directly the supreme spirit — I offer my salutations to this Guru.)

The great Indian Muslim Philosopher Muhammad Iqbal considered him to be one of the greatest thinkers of medieval India and acknowledged influence by him.^[43]

Works[link]

Adi Shankara's works deal with logically establishing the doctrine of Advaita Vedanta as he saw it in the Upanishads. He formulates the doctrine of Advaita Vedanta by validating his arguments on the basis of quotations from the Vedas and other Hindu scriptures. He gives a high priority to svānubhava ("personal experience") of the student. His works are largely polemical in nature. He directs his polemics mostly against the Sankhya, Buddha, Jaina, Vaisheshika and other non-vedantic Hindu philosophies.

Traditionally, his works are classified under Bhāṣya ("commentary"), Prakaraṇa grantha ("philosophical treatise") and Stotra ("devotional hymn"). The commentaries serve to provide a consistent interpretation of the scriptural texts from the perspective of Advaita Vedanta. The philosophical treatises provide various methodologies to the student to understand the doctrine. The devotional hymns are rich in poetry and piety, serving to highlight the relationship between the devotee and the deity.

Adi Shankara wrote Bhashyas on the ten major Upanishads, the Brahma Sutras and the Bhagavad Gita. In his works, he quotes from Shveshvatara, Kaushitakai, Mahanarayana and Jabala Upanishads, among others. Bhashyas on Kaushitaki, Nrisimhatapani and Shveshvatara Upanishads are extant but the authenticity is doubtful.^[44] Adi Shankara's is the earliest extant commentary on the Brahma Sutras. However, he mentions older commentaries like those of Dravida, Bhartrprapancha and others.^[45]

In his Brahma Sutra Bhashya, Adi Shankara cites the examples of Dharmavyadha, Vidura and others, who were born with the knowledge of Brahman acquired in previous births. He mentions that the effects cannot be prevented from working on account of their present birth. He states that the knowledge that arises out of the study of the Vedas could be had through the Puranas and the Itihasas. In the Taittiriya Upanishad Bhashya 2.2, he says:^[46]

Sarveśāṃ cādhikāro vidyāyāṃ ca śreyah: kevalayā vidyāyā veti siddhaṃ

It has been established that everyone has the right to the knowledge (of Brahman) and that the supreme goal is attained by that knowledge alone.

Some western academics consider only Upadeśasāhasrī among independent philosophical works as authentic. Many other such texts exist, among which there is a difference of opinion among scholars on the authorship of Viveka Chudamani. The former pontiff of Sringeri Math, Shri Shri Chandrashekhara Bharati III has written a voluminous commentary on the Viveka Chudamani.

Adi Shankara also wrote commentaries on other scriptural works, such as the Vishnu sahasranāma and the Sānatsujātiya.^[47] Like the Bhagavad Gita, both of these are contained in the Mahabhārata.

Film[link]

In 1983 a film directed by G. V. Iyer named Adi Shankaracharya was premiered, the first film ever made entirely in Sanskrit language in which all of Adi Shankaracharya's works were compiled.^[48] The movie received the National Film Awards for Best Film, Best Screenplay, Best Cinematography and Best Audiography and has been known as a master piece.^[49][50]

See also[link]

Notes[link]

References[link]

• Isayeva, Natalia (1993). Shankara and Indian Philosophy. Albany: State University of New York Press (SUNY). 
• Keay, John (2000). India: A History. New York: Grove Press. ISBN 978-0-8021-3797-5. 
• Mudgal, S.G. (1975). Advaita of Shankara: A Reappraisal. New Delhi: Motilal Banarasidass. 
• Swami, Tapasyananda (2002). Sankara-Dig-Vijaya: The Traditional Life of Sri Sankaracharya by Madhava-Vidyaranya. India: Sri Ramakrishna Math. ISBN 978-81-7120-434-2. 
• Greaves, Ron (March 2002). From Totapuri to Maharaji: Reflections on a Lineage (Parampara). 27th Spalding Symposium on Indian Religions, Oxford. 
• Y Keshava Menon (1976). The Mind of Adi Shankaracharya. India: Jaico. ISBN 978-81-7224-214-5. 
• Swami Pradhavananda and Christopher Isherwood (1978). Shankara's Crest-Jewel of Discrimination. USA: Vedanta Press. ISBN 978-0-87481-038-7. 

Further reading[link]

• Ingalls, Daniel H. H. (1954). "Sankara's Arguments Against the Buddhists". Philosophy East and West (Hawaii: University of Hawaii Press) 3 (4): 291–306. DOI:10.2307/1397287. JSTOR 1397287. http://ccbs.ntu.edu.tw/FULLTEXT/JR-PHIL/ew27155.htm. 

• Mishra, Parameshwar Nath (2003), "Era of Adi Shankaracharya 507 B.C.-475 B.C.", Howrah Samskriti Rakshak Parishad, West Bengal.

• Mishra, Parameshwar Nath, "Amit Kalrekha", 3 vols. (in Hindi), Howrah Samskriti Rakshak Parishad, West Bengal.

• Reigle, David, "Original Sankaracarya", www.easterntradition.org/original%20sankaracarya.pdf

External links[link]

Wikisource has original works written by or about: Adi Shankara

Wikimedia Commons has media related to: Adi Shankara

• Complete works of Adi Shankara
• Information on Sri Adi Shankara

This table is incomplete. Please help to improve the article, or discuss the issue on the talk page. (February 2012)

M.S.Subbulakshmi
An EMI record of Subbulakshmi
Background information
Born	(1916-09-16)September 16, 1916 Madurai, Madras Presidency, India
Origin	India
Died	December 11, 2004(2004-12-11) (aged 88) Chennai, Tamil Nadu, India
Genres	Indian classical music
Occupations	Classical Vocalist
Years active	1930–2004
Labels	HMV

Madurai Shanmukhavadivu Subbulakshmi (Tamil: மதுரை சண்முகவடிவு சுப்புலட்சுமி, Madhurai Shanmukhavadivu Subbulakshmi ^? 16 September 1916 – 11 December 2004), also known as M.S., was a renowned Carnatic vocalist. She was the first musician ever to be awarded the Bharat Ratna, India's highest civilian honor.^[1] She is the first Indian musician to receive the Ramon Magsaysay award, Asia's highest civilian award, in 1974 with the citation reading "Exacting purists acknowledge Srimati M. S. Subbulakshmi as the leading exponent of classical and semi-classical songs in the Karnataka tradition of South India."^[2][3]

Biography[link]

Early years[link]

Subbulakshmi (Kunjamma to her family) was born in Madurai, Madras Presidency, India to veena player Shanmukavadiver Ammal and Subramania Iyer. Her grandmother Akkammal was a violinist.

She started learning Carnatic music at an early age and trained in Carnatic music under the tutelage of Semmangudi Srinivasa Iyer and subsequently in Hindustani music under Pandit Narayanrao Vyas. She also learned Sanskrit and Telugu under Dr. Nedunuri Krishnamurthy.

Her mother, from the devadasi community, was a music exponent and a regular stage performer, and Subbulakshmi grew up in an environment very conducive to musical learning. Her musical interests were also shaped by regular interactions with Karaikudi Sambasiva Iyer, Mazhavarayanendal Subbarama Bhavathar and Ariyakudi Ramanuja Iyengar.^[4] Subbulakshmi gave her first public performance in 1929 when she was 13 years old at the prestigious Madras Music Academy. The performance consisted of singing bhajans (Hindu hymns).^[5] The academy was known for its discriminating selection process, and they broke tradition by inviting a young girl as a key performer. Her performance was described as spellbinding and earned her many admirers and the moniker of musical genius from critics. Soon after her debut performance Subbulakshmi became one the leading Carnatic vocalists.^[6][7]

Move to Madras[link]

In 1936 Subbulakshmi moved to Madras (now Chennai).^[7] She also made her film debut in Sevasadan in 1938,.^[8]

Musical style and performance[link]

M.S. Subbulakshmi (left) with S. Varalakshmi in Sevasadhanam (1938)

Singing career[link]

M.S. Subbulakshmi began her Carnatic classical music training under her mother Shanmugavadivu; and later in Hindustani classical training under Pandit Narayan Rao Vyas. Subbulakshmi first recording was released when she was 10 years old. She gave her first public performance, at the age of eleven, in the 100 pillar hall inside the Rockfort Temple, Tiruchirappalli; with Mysore Chowdiah on the violin and Dakshinamurthy Pillai on the mriganga. ^[9] By the age of 17, Subbulakshmi was giving concerts on her own, including major performances at the Madras Music Academy, a prestigious centre for the study and promotion of Carnatic music. Performance in Carnatic music concerts, was until then, a domain, traditionally reserved for men. She performed a vast variety of devotional musical forms in different languages including Tamil, Kannada, Sanskrit, Panjabi, Hindi, Malayalam, Telugu, Bengali, Gujarati and Marathi.

When the governor of Madras wanted the famous spiritual leader, Mata Sri Anandamayi Ma, to reside in his residence, Anandamayi Ma replied, "I will stay in the house of Subbulakshmi. She is Meera to me." Within two days, Sadasivam had special quarters built in their garden for Mata to give darshan and arranged for a new well to be dug nearby for fresh drinking water. Every evening thousands of people gathered there.

She traveled to London, New York, Canada, the Far East, and other places as India's cultural ambassador. Her concerts at

• Edinburgh International Festival of Music and Drama in 1963
• Carnegie Hall, New York; the UN General Assembly on UN day in 1966
• Royal Albert Hall, London in 1982
• Festival of India in Moscow in 1987

were significant landmarks in her career.^[10] In 1969 she was accompanied by Indian Railways Advisor SN Venkata Rao to Rameshwaram, where she famously sang several songs in front of each idol in the Rameshwaram temple.

After the death of her husband Kalki Sadasivam in 1997, she stopped all her public performances.

Films[link]

M.S. also acted in a few Tamil films in her youth. Her first movie Sevasadanam was released in 1938. MS Subbulakshmi also played the male role of Narada in "Savitri" (1941) to raise money for launching Kalki, her husband's nationalist Tamil weekly. Her title role of the Rajasthani saint-poetess Meera in the eponymous 1945 film gave her national prominence. This movie was re-made in Hindi in 1947. The movie had M.S Subbulakshmi. sing the famous Meera bhajans, with Dilipkumar Roy as the music director. Later, she quit films and turned wholly to concert music.

Awards and honours[link]

Pandit Jawaharlal Nehru had this to say about M.S. Subbulakshmi- "Who am I, a mere Prime Minister before a Queen, a Queen of Music". While Lata Mangeshkar called her Tapaswini (the Renunciate), Ustad Bade Ghulam Ali Khan termed her Suswaralakshmi (the goddess of the perfect note), and Kishori Amonkar labeled her the ultimate eighth note or Aathuvaan Sur, which is above the seven notes basic to all music. The great national leader and poet Sarojini Naidu called her "Nightingale of India". Her many famous renditions of bhajans include the chanting of Bhaja Govindam, Vishnu sahasranama (1000 names of Vishnu), Hari Tuma Haro and the Venkateswara Suprabhatam (musical hymns to awaken Lord Balaji early in the morning).

She was widely honored, praised and awarded. Some of the more popular ones include^[11]

• Padma Bhushan in 1954
• Sangeet Natak Akademi Award in 1956
• Sangeetha Kalanidhi in 1968 (literally, Treasure Chest of Music. She was the first woman recipient of the title)
• Ramon Magsaysay award (often considered Asia's Nobel Prize) in 1974
• Padma Vibhushan in 1975
• Kalidas Samman in 1988
• Indira Gandhi Award for National Integration in 1990
• Bharat Ratna in 1998.

She was honored as the court-singer[Asthana Vidhwan] of Tirumala Tirupati Devasthanams.^[12] Tirupati Urban Development Authority (TUDA) has installed a bronze statue of M.S. Subbulakshmi at the Poornakumbham circle in the temple town. It was unveiled by Andhra Pradesh Chief Minister Y. S. Rajasekhara Reddy on 28 May 2006.^[13]

The famous Kancheepuram Saree shade known as MS Blue was named after her^[14] by the well known Congress party member and philanthropist, Sri Muthu Chettiyar when they met at the residence of Sri R. Aiyadurai and Smt. Thangam Aiyadurai at Lady Desikachari Road, Madras, who were close friends of MS and Sadasivam.

She was bestowed with enormous prize moneys with these awards, she donated most of them to charity. She has given more than 200 charity concerts and raised well over Rs. 10,000,000. She was awarded honorary degree degrees from several Universities.

She was an ardent devotee of Kanchi Mahaswamigal and she rendered his composition Maithreem Bhajatha (O World! Cultivate peace) in her concert at the UN in 1966. Venkatesa Suprabhatam in Gramaphone record of HMV, the royalty from which goes to the Veda Patasala run by the Tirupati Tirumala Devasthanam.^[15] She donated many of the royalties on several best sold records to many charity organizations.

References[link]

Further reading[link]

• M.S. Subbulaksmi, the Voice Divine (79 pages) by V. Gangadhar.
• MS - A Life in Music, T. J. S. George. 2004, HarperCollins. ISBN 978-81-7223-527-7
• Gowri Ramnarayan (Dec. 18–31, 2004), "Cover Story: The M.S. phenomenon", Frontline 21 (26), http://www.hinduonnet.com/fline/fl2126/stories/20041231006400900.htm 
• MS & Radha - Saga of Steadfast Devotion - by Gowri Ramnarayan - http://www.msstribute.org/

External links[link]

Wikimedia Commons has media related to: M. S. Subbulakshmi

• "Artists: M.S.Subbulakshmi, Nat Geo Music". National Geographic Society. http://worldmusic.nationalgeographic.com/worldmusic/view/page.basic/artist/content.artist/ms_subbulakshmi. 
• Biography at the official site of Ramon Magsaysay award
• M.S. Subbulakshmi at the Internet Movie Database
• Photo of MS, Sadhasivam and Ellis R. Dungan
• M.S. Subbulakshmi: Portraits of a diva - The Hindu

See also[link]

Indian classical music portal

v t e Bharat Ratna laureates Sarvepalli Radhakrishnan (1954) C. Rajagopalachari (1954) C. V. Raman (1954) Bhagwan Das (1955) Mokshagundam Visvesvarayya (1955) Jawaharlal Nehru (1955) Govind Ballabh Pant (1957) Dhondo Keshav Karve (1958) Bidhan Chandra Roy (1961) Purushottam Das Tandon (1961) Dr. Rajendra Prasad (1962) Dr. Zakir Hussain (1963) Pandurang Vaman Kane (1963) Lal Bahadur Shastri (1966) Indira Gandhi (1971) V. V. Giri (1975) K. Kamaraj (1976) Mother Teresa (1980) Acharya Vinoba Bhave (1983) Khan Abdul Ghaffar Khan (1987) M. G. Ramachandran (1988) B. R. Ambedkar (1990) Nelson Mandela (1990) Rajiv Gandhi (1991) Sardar Vallabhbhai Patel (1991) Morarji Desai (1991) Abul Kalam Azad (1992) J. R. D. Tata (1992) Satyajit Ray (1992) A. P. J. Abdul Kalam (1997) Gulzarilal Nanda (1997) Aruna Asaf Ali (1997) M. S. Subbulakshmi (1998) Chidambaram Subramaniam (1998) Jayaprakash Narayan (1998) Ravi Shankar (1999) Amartya Sen (1999) Gopinath Bordoloi (1999) Lata Mangeshkar (2001) Bismillah Khan (2001) Bhimsen Joshi (2008)