West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End.^[1] Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London.^[1]

Total attendances first surpassed 12 million in 2002 and 13 million in 2007,^[2] setting a new record for the West End. Since the late 1990s there has been an increase in the number of famous screen actors on the London stage.

History[link]

The Theatre in London flourished after the English Reformation. The first permanent public playhouse, known simply as The Theatre, was constructed in 1576 in Shoreditch by James Burbage. It was soon joined by The Curtain. Both are known to have been used by William Shakespeare's company. In 1599, the timber from The Theatre was moved to Southwark, where it was used in building the Globe Theatre in a new theatre district formed, beyond the controls of the City corporation. These theatres were closed in 1642 during the interregnum.

At the restoration (1660), two companies were licensed to perform, the Duke's Company and the King's Company. Performances were held in converted buildings, such as Lisle's Tennis Court. The first West End theatre, known as Theatre Royal in Bridges Street, was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane. It opened on 7 May 1663 and was destroyed by a fire nine years later. It was replaced by a new structure designed by Christopher Wren and renamed the Theatre Royal, Drury Lane.^[3][4]

Outside the West End, Sadler's Wells Theatre opened in Islington on 3 June 1683. Taking its name from founder Richard Sadler and monastic springs that were discovered on the property,^[5][6] it operated as a 'Musick House,' with performances of opera; as it was not licensed for plays. In the West End, the Haymarket Theatre opened on 29 December 1720 on a site slightly north of its current location, and the Theatre Royal, Covent Garden opened in Covent Garden on 7 December 1732.

The Patent theatre companies retained their duopoly on drama well into the 19th century, and all other theatres could perform only musical entertainments. By the early 19th century, however, music hall entertainments became popular, and presenters found a loophole in the restrictions on non-patent theatres in the genre of melodrama. Melodrama did not break the Patent Acts, as it was accompanied by music. Initially, these entertainments were presented in large halls, attached to public houses, but purpose-built theatres began to be established in the East End at Shoreditch and Whitechapel.

The West End theatre district became established with the opening of many small theatres and halls, including the Adelphi in The Strand on 17 November 1806. South of the River Thames, the Old Vic, Waterloo Road, opened on 11 May 1818. The expansion of the West End theatre district gained pace with the Theatres Act 1843; which relaxed the conditions for the performance of plays, and The Strand gained another venue when the Vaudeville opened on 16 April 1870. The next few decades saw the opening of many new theatres in the West End. The Criterion Theatre opened on Piccadilly Circus on 21 March 1874, and in 1881, two more houses appeared: the Savoy Theatre in The Strand, built by Richard D'Oyly Carte specifically to showcase the comic operas of Gilbert and Sullivan, opened on 10 October (the first theatre to be lit by cooler, cleaner electric lights), and five days later the Comedy Theatre opened as the Royal Comedy Theatre on Panton Street in Leicester Square. It abbreviated its name three years later.^[4] The theatre building boom continued until about World War I.

Among the noted performers who began their careers in the early days of West End theatre are Robert William Elliston, John Liston, Nell Gwynne, Lennie Dean and later Henry Irving, Ellen Terry, John Lawrence Toole, Nellie Farren, Marie Tempest, Seymour Hicks, Ellaline Terriss, and Marie Brema.

The London Opera Glass Company was founded in 1913 and has provided operas glasses for many West End theatres.^[7][8]

During the 1950s and 1960s, many plays were produced in theatre clubs, in order to evade the censorship then exercised by the Lord Chamberlain's Office. The Theatres Act 1968 finally abolished censorship of the stage in the United Kingdom.

Since the 1990s, there has been a growing tendency for film actors to play in West End productions.

Theatreland[link]

This unreferenced section requires citations to ensure verifiability.

The Lyceum Theatre, home to Disney's The Lion King.^[8]

Now^[when?] rebranded — by Westminster council and the Society of London Theatre — as 'Theatreland,' London's main theatre district, which contains approximately forty venues, is located in the heart of the West End of central London, and is traditionally defined by The Strand to the south, Oxford Street to the north, Regent Street to the west, and Kingsway to the east. Prominent theatre streets include Drury Lane, Shaftesbury Avenue, and The Strand. The works staged are predominantly musicals, classic or middle-brow plays, and comedy performances.

Beyond the West End are the Royal National Theatre and Old Vic, in Southwark; and the Barbican Theatre, in the City of London. London also has many smaller theatres, both around the West End and its periphery.

Many theatres in the West End are of late Victorian or Edwardian construction and are privately owned. The majority of them have great character, and the largest and best maintained feature grand neo-classical, Romanesque, or Victorian façades and luxurious, detailed interior design and decoration. On the other hand, leg room is often cramped, and audience facilities such as bars and toilets are often much smaller than in modern theatres. The protected status of the buildings and their confined urban locations, combined with financial constraints, make it is very difficult to make substantial improvements to the level of comfort offered. In 2004, it was estimated an investment of £250 million was required for modernisation, and the theatre owners unsuccessfully requested tax concessions to help them meet the costs.

Long-running shows[link]

The length of West End shows depend on ticket sales. Musicals tend to have longer runs than dramas. The longest-running musical in West End history is Les Misérables. It overtook Andrew Lloyd Webber's Cats, which closed in 2002 after running for 8,949 performances and 21 years, as the longest-running West End musical of all time on 8 October 2006. Other long-runners include Lloyd Webber's The Phantom of the Opera and Willy Russell's Blood Brothers which have also subsequently overtaken Cats. However the non-musical Agatha Christie play The Mousetrap is the longest-running show in the world, and has been showing since 1952.

The St Martin's Theatre, home to The Mousetrap, the longest-running play in the world.

• The Mousetrap at the St Martin's Theatre – opened 25 November 1952 originally at the Ambassadors Theatre^[9] – 60th year
• Les Misérables at the Queen's Theatre – opened 8 October 1985 originally at the Palace Theatre – 27th year
• The Phantom of the Opera at Her Majesty's Theatre – opened 9 October 1986^[10] – 26th year
• Blood Brothers at the Phoenix Theatre – opened 28 July 1988 originally at the Albery Theatre^[11] – 24th year
• The Woman in Black at the Fortune Theatre opened 15 February 1989 originally at the Strand Theatre^[12] – 23rd year
• Cats – opened 11 May 1981 at the New London Theatre and closed 11 May 2002 on its 21st anniversary
• Starlight Express – opened 27 March 1984 at the Apollo Victoria Theatre and closed 12 January 2002^[13] – 17 years
• No Sex Please, We're British – opened 3 June 1971 at the Strand Theatre and closed 16 January 1987^[13] – 16 years
• Chicago at the Garrick Theatre originally at the Adelphi Theatre – opened 18 November 1997 - 15th year
• Mamma Mia! at the Prince of Wales Theatre – opened 6 April 1999 originally at the Prince Edward Theatre – 13th year
• Disney's The Lion King at the Lyceum Theatre – opened 19 October 1999 – 13th year
• Buddy - The Buddy Holly Story – opened 12 October 1989 at the Victoria Palace Theatre, transferred to the Novello Theatre October 1995 and closed 19 May 2002^[13] – 12 years
• We Will Rock You at the Dominion Theatre – 14 May 2002 – 11th year
• The Black and White Minstrel Show – opened in 1962 at the Victoria Palace Theatre and closed about 1972^[13] – 10 years
• Miss Saigon – opened 20 September 1989 at the Theatre Royal, Drury Lane and closed 30 October 1999^[13] – 10 years
• Stomp now at the Ambassadors Theatre opened 25 September 2002 at the Vaudeville Theatre – 9th year
• Jesus Christ Superstar – opened 9 August 1972 at the Palace Theatre and closed about 1980^[13] – 8 years
• Me and My Girl (revival) – opened 12 February 1985 at the Adelphi Theatre and closed 16 January 1993^[13] – 8 years
• Aldwych Farces (revue) – opened in 1925 at the Aldwych Theatre and closed in 1933 – 8 years
• Evita – opened 21 January 1978 at the Prince Edward Theatre and closed on 8 February 1986^[13] – 7 years
• There's A Girl In My Soup – opened June 1966 at the Globe Theatre. Closed in 1973 after over a thousand performances – 6½ years
• Billy Elliot the Musical – opened May 2005 at the Victoria Palace Theatre – 7th year
• Wicked – opened 27 September 2006 at the Apollo Victoria Theatre – 6th year
• The 39 Steps - opened 30 September 2006 at the Criterion Theatre - 6th Year
• Oliver! – opened in 1960 at the New Theatre and closed about 1966^[13] – 6 years

List of West End theatres[link]

• If no show is currently running, the play listed is the next show planned (dates marked with an *)
• If the next show planned is not announced, the applicable columns are left blank

Upcoming productions[link]

• Spamalot, Harold Pinter Theatre
• Soul Sister, Savoy Theatre
• Constellations, Duke of York's Theatre
• One Man, Two Guvnors, Theatre Royal, Haymarket
• Private Peaceful, Theatre Royal, Haymarket
• Cabaret, Savoy Theatre
• Nickelodeon’s Dora the Explorer LIVE!, Apollo Theatre
• Chicken, Trafalgar Studios 2
• A Walk On Part - The Fall of New Labour, Arts Theatre
• The Bodyguard, Adelphi Theatre
• Uncle Vanya in Russian, Noël Coward Theatre
• Let It Be, Prince of Wales Theatre
• Derren Brown: Svengali, Novello Theatre
• Jumpy, Duke of York's Theatre
• Paul Merton - Out of My Head, Vaudeville Theatre
• Gatz, Noël Coward Theatre
• Much Ado About Nothing, Noël Coward Theatre
• Julius Caeser, Noël Coward Theatre
• Mamma Mia!, Novello Theatre

London's non-commercial theatres[link]

The exterior of the Old Vic

It should be noted that the term West End Theatre is sometimes used to refer specifically to commercial productions in Theatreland. However the leading non-commercial (usually government subsidised) theatres in London, such as the National Theatre, the Royal Shakespeare Company, the Globe Theatre, the Old Vic, the Young Vic, the Royal Court Theatre, the Hampstead Theatre, the Almeida Theatre, and the Open Air Theatre, most of which are not located in Theatreland, arguably enjoy greater artistic prestige. These theatres stage a higher proportion of more demanding work, including Shakespeare, other classic plays and premieres of new plays by leading highbrow playwrights. Hit plays from the non-commercial theatres sometimes transfer to one of the commercial Theatreland houses for an extended second run.

The Royal Opera House is one of London's most famous theatres and widely regarded as one of the greatest opera houses in the world, comparable with the Palais Garnier, La Scala and the Metropolitan Opera House, New York. Commonly known simply as Covent Garden due to its location, it is unique among West End theatres in many ways, not least in having three resident performance companies, The Royal Ballet, Royal Opera and a resident symphony orchestra. It has three performance spaces (19th Century Main Auditorium, Linbury Theatre and Clore Studio) and hosts guest performances from other leading opera, ballet and performance companies from around the world.

Producing houses[link]

While the vast majority of West End theatres are receiving houses (houses that receive productions from elsewhere), there are a number of established producing houses, both within the heart of the West End and in other parts of London. Some of the more famous ones are listed:

• Almeida Theatre
• Barbican Centre
• Bush Theatre
• Donmar Warehouse
• Hampstead Theatre
• Lyric Hammersmith
• Old Vic
• Open Air Theatre, Regent's Park
• Rose Theatre, Kingston
• Royal Court Theatre
• Royal National Theatre
• Shakespeare's Globe
• Young Vic

Other London theatre[link]

There is a great deal of theatre in London outside of the West End. Much of this is known as fringe theatre which is the equivalent of Off Broadway Theatre in New York. Fringe venues range from well-equipped small theatres to rooms above pubs, and the performances range from classic plays, to cabaret, to plays in the languages of London's ethnic minorities. The performers range from emerging young professionals to amateurs.

There are many theatres located throughout Greater London, staging a wide variety of work, such as the New Wimbledon Theatre, the Ashcroft Theatre in Croydon, and the Churchill Theatre in Bromley.

Awards[link]

There are a number of annual awards for outstanding achievements in London theatre:

• Laurence Olivier Awards
• Evening Standard Awards
• London Critics' Circle Theatre Awards
• National Dance Awards
• West End Cares Awards
• Whatsonstage.com Theatregoers' Choice Awards

See also[link]

London portal

• List of London theatres
• List of West End musicals
• List of notable musical theatre productions
• Musical theatre

Notes[link]

External links[link]

• Society of London Theatre – trade body for the London theatre industry

Coordinates: 51°30′41″N 0°07′41″W / 51.51139°N 0.12806°W / 51.51139; -0.12806

Michael Grandage CBE (born 2 May 1962) is an award-winning British theatre director and producer. He is currently Artistic Director of the Michael Grandage Company. From 2002 to 2012 he was Artistic Director of the Donmar Warehouse in London.

Early years[link]

Grandage was born in Yorkshire, England, and raised in Penzance, Cornwall where his parents ran a family business. He was educated at the Humphry Davy Grammar School before training as an actor at Central School of Speech and Drama through 1984. He spent twelve years working as an actor for companies such as the Royal Exchange and the Royal Shakespeare Company before turning to directing. He made his directorial debut in 1996 with a production of The Last Yankee at the Mercury Theatre, Colchester. In 1998 he was invited to Sheffield to direct Twelfth Night, his first Shakespeare production.^[1] He lives in London and Cornwall with his partner, the award-winning British theatre designer Christopher Oram.^[2]

Sheffield Theatres[link]

From 1999 to 2005 he was Artistic Director of Sheffield Theatres where his high-profile productions included Edward II with Joseph Fiennes, Richard III with Kenneth Branagh, Suddenly Last Summer with Diana Rigg and Victoria Hamilton, The Tempest with Derek Jacobi and Don Carlos with Derek Jacobi. He produced over forty plays with predominantly young directors and designers. The Crucible was awarded Theatrical Management Association Theatre of the Year in 2001.

Donmar Warehouse[link]

From 2002 to 2012 he was Artistic Director of the Donmar Warehouse where he succeeded Sam Mendes. During his tenure, he expanded the theatre's repertoire to include European work, touring productions and an extensive education programme as well as taking the new Donmar brand to international audiences in America, Australia, Argentina and Europe. In September 2008 he launched a one-year Donmar West End ‘access for all’ season of four plays with affordable ticket prices.

In September 2008 the company extended its repertory to the newly refurbished Wyndham's Theatre. Grandage directed all four productions: Kenneth Branagh in Ivanov, Derek Jacobi in Twelfth Night, Judi Dench in Madame de Sade and Jude Law in Hamlet.^[3]

In 2010 he launched a three year West End season at the Trafalgar Studios to highlight the work of young directors who have emerged from the Donmar’s training scheme.^[4] During his decade at the Donmar he produced sixty six productions directing twenty five of them himself. His most lasting legacy will be the purchase of the theatre site in Earlham Street in 2009 and the purchase of Dryden Street (office and rehearsal space) in 2011. Both of these were made possible because of the commercial activity that Grandage engaged in on behalf of the Donmar during his tenure, particularly transferring productions to the West End and Broadway.^[5]

His work at the Donmar won Tony, Olivier, Evening Standard, Critics' Circle and South Bank Awards. He was first nominated for a Laurence Olivier Award in 2001 for Best Director for Peter Nichols' Passion Play at the Donmar Warehouse before winning in 2004 for David Greig’s Caligula. Two of his musical productions for the Donmar have also won the Olivier Award for Outstanding Musical Production and a third won the Olivier Award for Best New Musical. He has won four Evening Standard Awards for his Donmar work including productions of Passion Play, Merrily We Roll Along, Grand Hotel, Ivanov, The Chalk Garden and Othello. In 2010, his production of Red by John Logan won 6 Tony Awards including Best Play and Best Director.

Opera[link]

In 2010 Grandage started to work in opera making his debut at Glyndebourne with a production of Billy Budd.^[6] He returns there in 2012 to direct Le Nozze de Figaro.^[7] In the U.S. he has also directed at the Metropolitan Opera^[8] and at Houston Grand Opera.^[9]

2012 onwards[link]

At the end of 2011, Grandage set up the Michael Grandage Company^[10][11] with James Bierman (formerly Executive Producer of the Donmar) to produce work in Theatre, Film and TV.

In April 2012, Constable & Robinson will publish A Decade At The Donmar by Michael Grandage, a photographic record of his tenure.

Stage productions[link]

Honours, Appointments, Awards and nominations[link]

Grandage has been awarded Honorary Doctorates by both Sheffield Hallam University and Sheffield University as well as an Honorary Fellowship by Central School of Speech and Drama. He was awarded the 2006 Award for Excellence in International Theatre by the International Theatre Institute. In 2009 he became a Visiting Professor of University College Falmouth and in 2010 became President of Central School. He was appointed Commander of the Order of the British Empire (CBE) in the 2011 Birthday Honours for services to Drama.

Awards

• 2011 London Evening Standard Editor’s Award - for a decade at the Donmar
• 2011 Critics' Circle Award for Best Director - King Lear
• 2010 Tony Award for Best Direction of a Play - Red
• 2010 Drama Desk Award for Outstanding Direction of a Play - Red
• 2009 Critics' Circle Award for Best Director - Ivanov/The Chalk Garden
• 2009 Theatregoers' Choice Award for Best Director - Ivanov/The Chalk Garden/Othello
• 2008 London Evening Standard Theatre Award for Best Director - Ivanov/The Chalk Garden/Othello
• 2005 Critics' Circle Award for Best Director - The Wild Duck
• 2005 TMA Award for Best Director - Don Carlos
• 2005 London Evening Standard Theatre Award for Best Director - Grand Hotel/Don Carlos
• 2004 Laurence Olivier Award for Best Director – Caligula
• 2000 Critics' Circle Award for Best Director – Merrily We Roll Along/Passion Play/As You Like It
• 2000 London Evening Standard Theatre Award for Best Director – Merrily We Roll Along/Passion Play/As You Like It

Nominations

• 2011 Laurence Olivier Award for Best Director - King Lear
• 2010 Laurence Olivier Award for Best Director - Hamlet
• 2010 Drama Desk Award for Outstanding Direction of a Play - Hamlet
• 2007 Tony Award for Best Direction of a Play – Frost/Nixon
• 2007 Drama Desk Award for Outstanding Director of a Play – Frost/Nixon
• 2006 London Evening Standard Award for Best Director - Frost/Nixon, Don Juan in Soho, Evita
• 2005 Laurence Olivier Award for Best Director - Don Carlos
• 2001 Laurence Olivier Award for Best Director - Passion Play

References[link]

External links[link]

• Official website: www.michaelgrandage.com
• Michael Grandage at the Internet Broadway Database
• Michael Grandage at the Internet Movie Database

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (December 2010)

Sylvia Young OBE (born 1939) is the founder and principal of Sylvia Young Theatre School in London, England.

Sylvia Young Theatre School[link]

Young founded her theatre school in 1981 in Drury Lane, London, before moving to its current Marylebone premises in 1983.^[1][2] The school is co-educational and provides a combination of academic and vocational classes for children aged 10 to 16 years. The academic curriculum encompasses GCSEs, while the vocational curriculum teaches acting, dance and music. Many SYTS students have gone on to become successful in the performing arts world, including Amy Winehouse, Denise Van Outen, Billie Piper, former Spice Girl Emma Bunton, I Am Number Four star Alex Pettyfer, Dawn from EastEnders Kara Tointon, Stacey from EastEnders Lacey Turner, Chenelle Olaiya, McFly member Tom Fletcher, ex Busted bass player Matt Willis, member of The Saturdays, Vanessa White and member of The Wanted, Nathan Sykes. The film High School Musical 3 features an SYTS pupil, Jemma McKenzie-Brown.

Family[link]

Young has two children, former actresses Frances Ruffelle and Alison Ruffelle. Young's granddaughter is pop singer Eliza Doolittle.^[3]

Styles and honours[link]

Young was appointed an Officer of the Order of the British Empire (OBE) in the Queen's Birthday Honours List of 2005 for her services to the arts.^[4][5]

References[link]

1. ^ "Blonde ambition". The Guardian. 18 May 1999. http://www.guardian.co.uk/theguardian/1999/may/19/features11.g27. Retrieved 8 April 2012. 
2. ^ Sylvia Young Theatre School - Full Time School
3. ^ "Eliza Doolittle lives with mum". Belfast Telegraph. 28 July 2010. http://www.belfasttelegraph.co.uk/entertainment/music/news/eliza-doolittle-lives-with-mum-14890128.html. Retrieved 8 April 2012. 
4. ^ Welham, Jamie; Moore-Bridger, Benedict (19 September 2008). "Theatre school of the stars is on the move". London Evening Standard. http://www.thisislondon.co.uk/news/theatre-school-of-the-stars-is-on-the-move-6903927.html. Retrieved 8 April 2012. 
5. ^ "Chief becomes Sir". SomethingJewish. 6 November 2005. http://www.somethingjewish.co.uk/articles/1493_chief_becomes_sir.htm. Retrieved 8 April 2012. 

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