Claude "Butch" Trucks
Background information
Birth name	Claude Hudson Trucks
Also known as	Butch Trucks
Born	(1947-05-11) May 11, 1947 (age 65) Jacksonville, Florida United States
Genres	Rock, Southern rock
Occupations	Musician
Instruments	Drums
Years active	1964–present
Labels	Flying Frog
Associated acts	The Allman Brothers Band, The 31st of February

Claude Hudson "Butch" Trucks (born May 11, 1947 in Jacksonville, Florida) is an American drummer who is one of the founding members of The Allman Brothers Band.

One of Trucks' first bands was local Jacksonville band The Vikings, who made one 7-inch record in 1964. Another early band was The 31st of February which formed and broke up in 1968. This group's lineup eventually included both Duane Allman and Gregg Allman. They recorded a cover of "Morning Dew", by 1960s folk singer Bonnie Dobson.

Trucks then helped form The Allman Brothers Band in 1969, along with Duane Allman (guitar), Gregg Allman (vocals and organ), Dickey Betts (guitar), Berry Oakley (bass), and fellow drummer Jai Johanny Johanson.

Together, the two drummers developed a rhythmic drive that would prove crucial to the band. Trucks laid down a powerful conventional beat while the jazz-influenced Johanson added a second laminate of percussion and ad libitum cymbal flourishes, seamlessly melded into one syncopated sound.

Said founding member and co-lead guitarist Dickey Betts of Trucks' addition to the original band lineup, "...When Butch came along, he had that freight train, meat-and-potatoes kind of thing that set Jaimoe up perfectly. He had the power thing we needed."^[1]

Trucks continues to record and perform with the Allman Brothers Band today.

Along with band members Gregg Allman, Jai Johanny "Jaimoe" Johanson, and Dickey Betts, Butch Trucks is named as plaintiff in a lawsuit against UMG Recordings. The suit, initiated in 2008, seeks $10 million over royalties from CD sales and digital downloads services such as Apple's iTunes. Trucks sees the license given to users for downloads as legally unsound.^[2] Butch actually embraces Internet technology for the group and has plans to use Moogis.com to make the Web a real venue for the Allman Brothers and other jam bands.^[2][3]

Trucks has had a long interest in philosophy and literature; in 2005 he published a letter in the New York Times Book Review criticizing a review of a decades-old article about the band in which the members were made to look like uneducated characters from a William Faulkner novel.^[4]

His nephew, guitarist Derek Trucks, is the frontman and bandleader of The Derek Trucks Band and joined the Allman Brothers Band in 1999. His oldest son, guitarist Vaylor Trucks, is part of a trio called Bonobos Convergence based in Atlanta. He is also the nephew of MLB pitcher Virgil Trucks.

References[link]

1. ^ "Dickey Betts remembers Duane Allman". Dickeybetts.com. http://www.dickeybetts.com/print.php?sid=181. Retrieved 2011-10-29. 
2. ^ ^{a b} "2010 interview on Outsight Radio Hours". Archive.org. http://www.archive.org/details/ButchTrucksInterview7-march-2010. Retrieved 2011-10-29. 
3. ^ Wright, Jeb (2009). "The Moogis Industry: An Exclusive Interview with Butch Trucks". Classicrockrevisited.com. http://www.classicrockrevisited.com/interviewbutchtrucks09.htm. Retrieved 2009-11-17. 
4. ^ Wednesday's Duane Allman pic (May 11, 2005), Blog article for Florida Cracker (accessed April 12, 2006

Susan Tedeschi is the wife of Derek Trucks, not Butch Trucks. Melinda Trucks is the wife of Butch Trucks

External links[link]

• Flying Frog Records Butch Trucks' jamband label

The Allman Brothers Band
Background information
Origin	Jacksonville, Florida, U.S.A.
Genres	Southern rock, blues rock, folk rock, hard rock, blues
Years active	1969–1976, 1978–1982, 1989–present
Labels	Capricorn, PolyGram, Arista, Epic, Sanctuary
Associated acts	Gov't Mule, The Dead, The Derek Trucks Band, Derek and the Dominos, Hour Glass, Great Southern, Sea Level
Website	www.allmanbrothersband.com
Members
Gregg Allman Butch Trucks Jai Johanny "Jaimoe" Johanson Warren Haynes Marc Quiñones Oteil Burbridge Derek Trucks
Past members
Duane Allman Dickey Betts Berry Oakley Chuck Leavell Lamar Williams Dan Toler David Goldflies David "Frankie" Toler Mike Lawler Allen Woody Johnny Neel Jack Pearson Jimmy Herring

The Allman Brothers Band is an American rock/blues band once based in Macon, Georgia. The band was formed in Jacksonville, Florida, in 1969 by brothers Duane Allman (slide guitar and lead guitar) and Gregg Allman (vocals, organ, songwriting), who were supported by Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums).^[1] While the band has been called the principal architects of Southern rock,^[2] they also incorporate elements of blues, jazz, and country music, and their live shows have jam band-style improvisation and instrumental songs.

The band achieved its artistic and commercial breakthrough in 1971 with the release of At Fillmore East, featuring extended renderings of their songs "In Memory of Elizabeth Reed" and "Whipping Post" and often considered one of the best live albums ever made. George Kimball of Rolling Stone magazine hailed them as "the best damn rock and roll band this country has produced in the past five years."^[3] A few months later, group leader Duane Allman was killed in a motorcycle accident. The group survived that and the death of bassist Oakley in another motorcycle accident a year later; with replacement members Chuck Leavell and Lamar Williams, the Allman Brothers Band achieved its peak commercial success in 1973 with the album Brothers and Sisters and the hit single "Ramblin' Man". Internal turmoil overtook the band soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.

In 1989, the group reformed with some new members and has been recording and touring since. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge, Warren Haynes and Derek Trucks, (the nephew of their drummer), serving as its guitarists, and became renowned for their month-long string of shows in New York City each spring. The band has been awarded eleven gold and five platinum albums between 1971 and 2005^[4] and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.^[5]

Band history[link]

Beginnings[link]

The band was formed in Macon, GA, and consisted of Duane and Gregg Allman, Dickey Betts, Berry Oakley, Butch Trucks, and Jai Johanny Johanson.^[1] Brothers Duane and Gregg Allman grew up in Daytona Beach, Florida, and had been playing music publicly since the early 1960s. They formed a garage band called the Escorts in 1963, which evolved into the Allman Joys in 1965.^[6] From there the brothers formed Hour Glass and moved to Los Angeles. The Hour Glass released two failed albums on Liberty Records in 1967 and 1968.^[1][6] They were all released from the contract except Gregg, who Liberty thought might have some commercial potential.^[6] Gregg and Duane had previously met Butch Trucks and his band The 31st of February while touring as the Allman Joys, and decided to record an album with them in September 1968, shortly after the breakup of Hour Glass. This album was eventually released as Duane & Greg Allman on the Bold Records label in 1972. Duane Allman played on Wilson Pickett's hit version of "Hey Jude" and became the primary session guitarist for FAME Studios in Muscle Shoals, Alabama, recording with Aretha Franklin, King Curtis, Percy Sledge, and others.^[6] Allman started jamming with Dickey Betts, Butch Trucks and Berry Oakley in Jacksonville. Eddie Hinton, with whom Duane Allman had played in Muscle Shoals, was considered to play guitar, but Hinton refused in order to join the Muscle Shoals studio band.^{[citation needed]} Duane brought in Jaimoe, a drummer he had played with in the past.

Jaimoe, percussionist

Gregg was in Los Angeles, fulfilling the Hour Glass contract with Liberty Records. He was summoned back to Jacksonville.

Duane Allman playing guitar at the Fillmore East, 1971

The Allman Brothers Band played numerous shows in the South before releasing their debut album, The Allman Brothers Band in 1969 to critical acclaim. It featured future jam standards "Whipping Post" and a 12/8 time slide guitar tour de force "Dreams". A cult following began to build.

Idlewild South was released in 1970 to critical success and improved sales. Produced by Tom Dowd it featured the upbeat "Revival" and the moody-but-resolute "Midnight Rider". After completing the Idlewild South sessions Duane Allman joined Eric Clapton and his ad hoc Derek and the Dominos to record the classic Layla and Other Assorted Love Songs.

1971 saw the release of a live album, At Fillmore East, recorded on Friday and Saturday March 12 and March 13 of that year at the legendary rock venue the Fillmore East. The album was another huge hit. Rolling Stone listed At Fillmore East as number 49 on of The 500 Greatest Albums of All Time.^[7] It showcased the band's mix of jazz, classical music, hard rock, and blues, with arrangements propelled by Duane's and Betts' dual lead guitars, Oakley's long, melodic "third guitar" bass runs, the rhythm section's pervasively percussive yet dynamically flexible foundation, and Gregg Allman's gritty Ray Charles-like vocals and piano/organ play which all completed the band's wall of sound. The rendering of Blind Willie McTell's "Statesboro Blues" was a straight-ahead opener, the powerful "Whipping Post" (with its famous 11/4 bass opening) became the standard for an epic jam that never lost interest, while the ethereal-to-furious "In Memory of Elizabeth Reed" invited comparisons to John Coltrane and Miles Davis.^[8][9]

The Allman Brothers were the last act to play the Fillmore East before it closed in June 1971. The final shows achieved legendary status, partly due to bands literally playing all night; in 2005 Gregg Allman would relate how the jamming musicians lost track of time, not realizing it was dawn until the side doors of the Fillmore were opened and the morning light poured in.

The band continued to tour; decades later, a special-order recording of one of their final concerts in this lineup, S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71, would be released.^[10] It reveals that Duane Allman's slide guitar playing on "Dreams" and other songs was touching the farthest reaches of both that instrument and his imagination.^[10]

Loss and triumph[link]

Dickey Betts on guitar

Duane Allman died not long after the Fillmore East album was certified gold, killed in a motorcycle accident on October 29, 1971 in Macon, Georgia, when he collided with the rear of a flatbed truck that had turned in front of him. The group decided to carry on. The album continued to gain FM radio airplay, with stations even playing 13-minute and 23-minute selections.

Dickey Betts filled Duane's former role in completing the last album Duane participated in, Eat a Peach, released in February 1972. The album was often softer ("Blue Sky", "Little Martha") and wistful in tone ("Melissa", "Ain't Wastin' Time No More"), capped by the 34-minute "Mountain Jam" reverie taken from the Fillmore East concerts. Writer Greil Marcus described parts of Eat a Peach as an "after-the-rain celebration... ageless, seamless... front-porch music stolen from the utopia of shared southern memory."

The group played some concerts as a five-man band, then decided to add Chuck Leavell, a pianist, to gain another lead instrument but without, however, directly replacing Duane. This new configuration debuted on November 2, 1972, on ABC's In Concert late-night television program.

Days later, on November 11, 1972, Berry Oakley died from head injuries he received in another motorcycle accident near Napier Avenue and Inverness Street, only three blocks from the site of Duane's accident the previous year. The common retelling that it was at exactly the same site as Duane's death is incorrect, as is the legend that the Eat a Peach album is named for what was being carried by the truck involved in Allman's accident.^[11] Both Duane and Berry were 24 years old, yet another coincidence.

Oakley was replaced by Lamar Williams at the end of 1972, in time to finish the next album, Brothers and Sisters, released in August 1973.

Dickey Betts was becoming the group's unofficial leader.^[6] Brothers and Sisters included the group's best known hits, "Ramblin' Man" and "Jessica", both written by Betts; the former reached #2 on the Billboard Hot 100 as a single, while the latter was a seven-minute instrumental hit.

The Allman Brothers Band had become one of the top concert draws in the country. Probably their most celebrated performance of the era took place on July 28, 1973 at the Summer Jam at Watkins Glen outside Watkins Glen, New York, in a joint appearance with The Grateful Dead and The Band. An estimated 600,000 people made it to the racetrack where this massive outdoor festival took place.

In the wake of the Allman Brothers Band's success, many other Southern rock groups rose to prominence, including the Marshall Tucker Band (who played as the Allman Brothers Band's opening act for many shows on their 1973 tour) and Lynyrd Skynyrd.

Another peak of the Allmans' success came on New Year's Eve, 1973, when promoter Bill Graham arranged for a nationwide radio broadcast of their concert from San Francisco's Cow Palace. New arrangements of familiar tunes such as "You Don't Love Me" went out over the airwaves, as the show stretched out over three sets, with Boz Scaggs sitting in, along with Grateful Dead members Jerry Garcia and Bill Kreutzmann (Allmans and Grateful Dead members guested at each other's shows multiple times in the early 1970s).

Turmoil and dissolution[link]

Gregg Allman, playing organ and singing

Personality conflicts started to tear the band apart, however. Gregg Allman and Dickey Betts both began solo careers, while Allman married Cher, separated quickly, reconciled, and eventually separated again, all in a storm of publicity; drug abuse took its toll on the entire band. Musically, Betts and Leavell were pulling in opposite directions, with Allman trying to mediate.

The tension resulted in the uneven Win, Lose or Draw (1975), with some members not participating on all tracks or doing so only from afar. The few stand-out tracks included a stop-start take on Muddy Waters' "Can't Lose What You Never Had", Betts' instrumental "High Falls", and Allman's Jackson Browne-influenced title song.

The band managed to limp along until 1976, when Gregg Allman was arrested on federal drug charges and agreed to testify against a friend and tour manager and bodyguard for the band, John "Scooter" Herring. Leavell, Johanson, and Williams formed Sea Level, while Betts worked on his solo career. All four swore that they would never work with Allman again.

Meanwhile, Capricorn Records released a compilation album, The Road Goes On Forever, and a poorly received live album, Wipe the Windows, Check the Oil, Dollar Gas. Neither sold very well.

The group reformed in 1978 and released the strong Enlightened Rogues (1979). It featured new members Dan Toler (guitar) and David Goldflies (bass), who replaced Leavell and Williams, both of whom concentrated on Sea Level instead. "Crazy Love" was a minor hit single, and the instrumental "Pegasus" got some airplay, but overall The Allman Brothers Band was no longer as popular as before, and financial woes plagued both the group and Capricorn Records, which collapsed in 1979. PolyGram took over the catalogue, and the Allman Brothers Band signed to Arista Records. The group released a pair of critically slammed albums, firing Jaimoe in the process, and then disbanded once again in early 1982.

Allman quickly formed the Gregg Allman Band with the Toler brothers Dan and David ("Frankie") (drums) in 1982 and began touring small venues and clubs. Betts, Leavell, Trucks and Goldflies formed the band Betts Hall Leavell Trucks (BHLT). Neither garnered attention from any record labels. BHLT would dissolve two years later.

The Allman Brothers Band reunited in 1986 for a pair of benefit concerts for promoter Bill Graham in New York and Macon. Allman, Betts, Trucks, Jaimoe, Leavell, and Dan Toler performed together but no subsequent reunion plans for the band were made. The following year, the Gregg Allman Band and the Dickey Betts Band co-headlined a theatre and club tour. After each band played a set of music, Betts, Allman and the Tolers performed a closing set of Allman Brothers music together.

In 1987, Epic Records signed both Allman and Betts to separate solo contracts. The Gregg Allman Band had a surprise FM hit single with the title track to the 1987 album I'm No Angel. Just Before the Bullets Fly quickly followed from Allman in 1988. The Dickey Betts Band, including Warren Haynes, was also formed during this time and released the album Pattern Disruptive in 1988. This series of collaboration among bandmembers and interest from a major label during the late 1980s laid the groundwork for the next era of Allman Brothers Band activity and success.

Revival[link]

Warren Haynes, vocalist and guitarist

In 1989 The Allman Brothers reunited and returned to popular consciousness of the American public, spurred by Gregg's recent FM radio success, the release of archival material by PolyGram, and the start of regular appearances on the American summer outdoor amphitheatre circuit. Warren Haynes (guitar, vocals), Johnny Neel (keyboards and harmonica), and Allen Woody (bass guitar) joined originals Allman, Betts, Jaimoe and Trucks. Leavell opted to go on tour again with the Rolling Stones, with whom he has been a touring member since 1982.

After the 20th Anniversary tour, the band signed to Epic Records and released Seven Turns (1990), which got excellent reviews. This was followed by Neel's departure and a series of moderately-selling, but critically well-received albums including Shades Of Two Worlds (1991) and Where It All Begins (1994, certified Gold by the RIAA 1998), both featuring new percussionist Marc Quiñones. Warren Haynes and Allen Woody formed their own side project Gov't Mule in 1994. In 1995, the band was inducted into the Rock and Roll Hall of Fame and in 1996 they won the Grammy Award for Best Rock Instrumental Performance for "Jessica". When Haynes and Woody decided to concentrate full-time on Gov't Mule in 1997, Haynes was replaced on guitar by Jack Pearson, while Woody was replaced on bass by Oteil Burbridge. Derek Trucks, nephew of original Brother Butch Trucks, replaced Pearson in 1999.

In 2000, the band forced Dickey Betts out for "personal and professional reasons." For this tour, he was replaced by Jimmy Herring. Betts then filed a lawsuit against the other three original members and the summer separation turned into a permanent divorce. Also in 2000, former bassist Allen Woody was found dead on August 26. The band did release the live CD Peakin' at the Beacon that year which chronicled the now-annual March tradition of a many-night stand at the Beacon Theater in New York City. The band has sold out the 2900-seat Upper West Side Manhattan theatre 188 times since 1989. The tradition is known as the "Beacon Run" among fans, who travel from across the United States, Canada and Western Europe to see these annual March and April shows.

2000s onward[link]

Derek Trucks playing slide guitar, 2009

Warren Haynes began appearing with the Allmans again in 2000 and rejoined full-time in 2001, while also maintaining his active schedule with Gov't Mule. (Haynes also toured during this time and later in the decade with former members of the Grateful Dead). Haynes' return marked a new period of stability and productivity for the band after nearly four years of lineup shifts. The Haynes-produced Hittin' the Note was released in 2003 to popular and critical acclaim, as was the Live At the Beacon Theatre DVD film (2003, certified Platinum 2004). The live CD One Way Out (2004) also chronicled the Beacon concerts.

The Allman Brothers garnered back to back Grammy Award nominations in 2003 and 2004 in the category of Best Rock Instrumental for performances of "Instrumental Illness" from Hittin' The Note and One Way Out. In 2003, Rolling Stone magazine named Duane Allman, Warren Haynes, Dickey Betts, and Derek Trucks to their list of the 100 Greatest Guitarists of All Time,^[12] with Allman coming in at #2 and Trucks being the youngest guitarist on their list.

The Warren Haynes and Derek Trucks lineup continued the band's connection with younger music fans via concert pairings with popular jam bands The String Cheese Incident, moe, and Dave Matthews Band among others. The Allman Brothers Band continue to be a major attraction at the Bonnaroo Music Festival since 2003. Since 2005, the Allmans have staged their own two day Wanee Music Festival at the Spirit of the Suwannee Music Park in Live Oak, Florida. The Allmans, Gov't Mule and The Derek Trucks Band perform on different stages along with younger roots artists including the North Mississippi Allstars, Robert Randolph and The Family Band, Medeski, Martin and Wood, Devon Allman's Honeytribe, Nickel Creek, Mofro and others.

Allman Brothers songs have been used in various advertising campaigns and television programs, with the most well-known use being that of "Jessica" used in both the 1977 and 2002 formats of the BBC television series Top Gear. "Jessica" was also used in the film Field of Dreams. It was also the opening song of a famous radio show in the State of Bavaria, Germany during the 70s known as "Club 16" (http://peterhammer.de/sound4/br/club16outro.html with an example while the show ends. )

Oteil Burbridge, bass guitarist, 2005

The band cancelled their Beacon run for 2008 due to Gregg Allman recovering from hepatitis C treatments,^[13] but they were back on the road that summer for the amphitheater circuit. On November 20, 2008, The Allman Brothers Band received the Legend Of Live Award at the 2008 Billboard Touring Awards ceremony in New York.^[14] The award recognized "a touring professional who has had a significant and lasting impact on the concert industry."^[15] At the ceremony, Gregg Allman talked about his brother Duane, saying: "It happens to be today would have been his 62nd birthday and I'm sure he's looking down on this and is really proud of us. We'll keep coming back until we can't come back no more."^[14]

The Allman Brothers Band celebrated their 40th anniversary in 2009.^[15] That year's Beacon run also marked the 20th anniversary of their appearances in that venue; and the band focused on paying tribute to Duane, inviting guest appearances from those who had played with him.^[13] The 15-night stand was considered to be the best Beacon run of all,^[16] highlighted by two nights of the first-ever stage appearance of Eric Clapton with the band and performances of numbers from Layla and Other Assorted Love Songs.^[16] Guests on other nights included members of the Grateful Dead, Phish, Levon Helm and his band, and represented genres from bluesman Buddy Guy to jazz great Lenny White to rap-rock-country eccentric Kid Rock.^[16] On March 26, three days after the actual anniversary of the band's 1969 forming, what's been known as the "Legendary Jacksonville Jam", the band featured no guests but performed their first two albums in their entirety.^[16]

In March 2010, The Allman Brothers Band's New York run changed venues from the Beacon Theater to the far uptown United Palace Theatre, but in March 2011, the Allman Brothers returned to the Beacon Theater, playing their 200th show there on March 26.

In 2012, the Allman Brothers Band was awarded the Grammy Lifetime Achievement Award.

Awards and recognition[link]

Guest appearances during the "Beacon Run" are common. Here Eric Clapton joins the band in March 2009 to play songs from 1970's classic Layla and Other Assorted Love Songs, which had featured Duane Allman.

• Grammy Award for Best Rock Instrumental Performance, 1996, "Jessica"
• Grammy Lifetime Achievement Award, 2012
• Inducted into the Rock and Roll Hall of Fame, 1995
• Rolling Stone Magazine's "Greatest...of All Time" lists:
  • 100 Greatest Artists of All Time (2004): #52^[17]
  • 500 Greatest Albums of All Time (2003): #49 for At Fillmore East^[18]
  • 100 Greatest Guitarists of All Time (2003):
    • #2 Duane Allman^[19]
    • #23 Warren Haynes^[20]
    • #58 Dickey Betts^[21]
    • #81 Derek Trucks^[22]
  • 100 Greatest Guitarists of All Time (2011):
    • #9 Duane Allman^[23]
    • #16 Derek Trucks^[24]
    • #61 Dickey Betts^[25]

Discography[link]

• The Allman Brothers Band (1969)
• Idlewild South (1970)
• At Fillmore East (1971)
• Eat a Peach (1972)
• Brothers and Sisters (1973)
• Win, Lose or Draw (1975)
• Wipe the Windows, Check the Oil, Dollar Gas (1976)
• Enlightened Rogues (1979)
• Reach for the Sky (1980)
• Brothers of the Road (1981)
• Seven Turns (1990)
• Shades of Two Worlds (1991)
• An Evening with the Allman Brothers Band: First Set (1992)
• Where It All Begins (1994)
• An Evening with the Allman Brothers Band: 2nd Set (1995)
• Peakin' at the Beacon (2000)
• Hittin' the Note (2003)
• One Way Out (2004)^[26]

Lineups[link]

Original members in bold.

See also[link]

• Almost Famous
• List of rock instrumentals
• Gregg Allman Band
• Sea Level
• Gov't Mule
• The Derek Trucks Band
• The Allman Brothers Band Museum (the "Big House")
• Red Dog Long Term Roadie and supporter of the band.

References[link]

Further reading[link]

• The Allman Brothers Band: Dreams liner notes
• Freeman, Scott. Midnight Riders: The Story of the Allman Brothers Band, Little, Brown & Co. 1995.
• Reynolds, Dean. The Complete Allman Brothers Band Discography, 2000.
• Leavell, Chuck with J. Marshall Craig. Between Rock and a Home Place, Macon, GA: Mercer University Press, 2004.
• Perkins, Willie. No Saints, No Saviors, Macon, GA: Mercer University Press, 2005.
• Poe, Randy. Skydog: The Duane Allman Story, Milwaukee, WI: Backbeat Books, 2006.
• Reid, Jan. Layla and Other Assorted Love Songs by Derek and the Dominos (Rock of Ages). New York: Rodale, Inc., 2006.

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (March 2012)

Wikimedia Commons has media related to: The Allman Brothers Band

• Official web site
• Founding Member Dickey Betts' website
• Flying Frog Records - Butch Trucks' jamband label
• Chuck Leavell's website - former keyboardist
• David Goldflies' website - former bassist
• The Allman Brothers Band at the New Georgia Encyclopedia
• The Allman Brothers Band Legends of Southern Rock at Swampland.com
• The Allman Brothers Band at RollingStone.com
• 2009 Concert Photo Gallery

Duane Allman
At Fillmore East, 1971
Background information
Birth name	Howard Duane Allman
Also known as	Skydog
Born	(1946-11-20)November 20, 1946 Nashville, Tennessee
Died	October 29, 1971(1971-10-29) (aged 24) Macon, Georgia
Genres	Southern rock, blues, blues-rock, soul, rock, jazz
Occupations	Musician, songwriter
Instruments	Guitar, vocals
Years active	1961–1971
Labels	Mercury, Capricorn
Associated acts	The Hour Glass, Wilson Pickett, The Allman Brothers Band, Derek and the Dominos, Aretha Franklin, Herbie Mann, Gregg Allman, The Allman Joys
Website	AllmanBrothersBand.com
Notable instruments
Gibson Les Paul Gibson SG Fender Stratocaster Gibson ES-345

Duane Allman (born Howard Duane Allman; November 20, 1946 – October 29, 1971) was an American guitarist, session musician and the primary co-founder and leader of the The Allman Brothers Band, until his early death in a motorcycle accident in 1971 at the age of 24.

ABB was formed in 1969 and, unusually for the time, based in the Southeastern United States. In the early 1970s the band was hugely successful. Duane is best remembered for his brief but influential tenure in that band and in particular for his expressive slide guitar playing and inventive improvisational skills.^[1] In 2003, Rolling Stone magazine ranked Allman at #2 in their list of the 100 greatest guitarists of all time, second only to Jimi Hendrix and in 2011 he was ranked #9.^[2] His tone (achieved with a Gibson Les Paul and two 50-watt bass Marshall amplifiers) was named one of the greatest guitar tones of all time by Guitar Player.^[3]

A sought-after session musician both before and during his tenure with the band, Duane Allman performed with such established stars as King Curtis, Aretha Franklin, Wilson Pickett, and Herbie Mann. He also contributed heavily to the 1970 album Layla and Other Assorted Love Songs by Derek and the Dominos.

Duane Allman’s skills as a guitarist were complemented by personal qualities such as his intensity, drive and ability to draw the best out of others in making music.^[4] He is still referred to by his nickname "Skydog".^[5]

Early years[link]

Duane Allman was born November 20, 1946 in Nashville, Tennessee. He was the eldest son of Willis Allman, a career United States Army sergeant, and Geraldine (née Robbins). His younger brother Gregg Allman was born in late 1947.

While the family were living near Norfolk, Virginia, his father was murdered by a fellow veteran hitchhiker.^[6] In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely.^[7] In 1957, the family moved to Daytona Beach, Florida where the boys attended Seabreeze High School.

The boys returned to Nashville to spend summers with their grandmother where Gregg learned guitar basics from a neighbour. In 1960, Gregg had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone while Duane acquired a Harley 165 motorbike which he soon wrote off. So Duane began to take an interest in the guitar leading to fights over it and eventually their mother bought Duane a Gibson Les Paul Junior.^[8]

It was also in Nashville that the boys became musically inspired by a rhythm and blues concert they attended, at which blues guitar legend B. B. King performed. Apparently, Duane turned to Gregg and said, "We got to get into this." ^[8]

Duane learned to play very quickly and soon became the better guitarist of the two, dropping out of high school to stay home during the day and focus on developing his guitar skills.

Allman Joys and Hour Glass[link]

The two Allman brothers started playing publicly in 1961, joining or forming a number of small, local groups. Shortly thereafter, Duane quit high school to stay home during the day and focus on his guitar playing. Their band the Escorts opened for The Beach Boys in 1965 but disbanded and eventually became the Allman Joys. After Gregg graduated from Seabreeze High School in 1965, the Allman Joys went on the road, performing throughout the Southeast and eventually being based in Nashville and St. Louis, Missouri.

The Allman Joys morphed into another not-completely-successful band, The Hour Glass, which moved to Los Angeles in early 1967. There the Hour Glass produced two albums that left the band unsatisfied. Liberty, their record company, tried to market them as a pop band, completely ignoring the band's desire to play more blues-oriented material.

In 1968, Gregg Allman went to visit Duane on his 22nd birthday. Duane was sick in bed. Gregg brought along a bottle of Coricidin pills for his fever and the debut album by guitarist Taj Mahal as a gift. "About two hours after I left, my phone rang," Gregg states. "Baby brother, baby brother, get over here now!" When Gregg got there, he found that Duane had poured the pills out of the bottle, washed off the label and was using it as a slide to play "Statesboro Blues", an old Blind Willie McTell song that Taj Mahal covered. "Duane had never played slide before," says Gregg, "he just picked it up and started burnin'. He was a natural."^{[citation needed]} The song would go on to become a part of the Allman Brothers Band's repertoire, and Duane's slide guitar became crucial to their sound.

The Hour Glass broke up in early 1968, and Duane and Gregg Allman went back to Florida, where they played on demo sessions with the 31st of February, a folk rock outfit whose drummer was Butch Trucks. Gregg returned to California to fulfill Hour Glass obligations, while Duane jammed around Florida for months but didn't get another band going.

Session musician[link]

Allman's playing on the two Hour Glass albums and an Hour Glass session in early 1968 at FAME Studios in Muscle Shoals, Alabama, had caught the ear of Rick Hall, owner of FAME. In November 1968 Hall hired Allman to play on an album with Wilson Pickett. Allman's work on that album, Hey Jude (1968), got him hired as a full-time session musician at Muscle Shoals and brought him to the attention of a number of other musicians, such as Eric Clapton, who later said, "I remember hearing Wilson Pickett's 'Hey Jude' and just being astounded by the lead break at the end. I had to know who that was immediately—right now."

Allman's performance on "Hey Jude" blew away Atlantic Records producer and executive Jerry Wexler when Hall played it over the phone for him. Wexler immediately bought Allman's recording contract from Hall and wanted to use him on sessions with all sorts of Atlantic R&B artists. While at Muscle Shoals, Allman was featured on releases by a number of artists, including Clarence Carter, King Curtis, Aretha Franklin, Laura Nyro, Wilson Pickett, Otis Rush, Percy Sledge, Johnny Jenkins, Boz Scaggs, Delaney & Bonnie and jazz flautist Herbie Mann. Shortly after he recorded the lead break in "Hey Jude", he recorded all of the lead guitar in Boz Scaggs' "Loan Me a Dime". For his first sessions with Aretha, Allman traveled to New York, where in January 1969 he went as an audience member to the Fillmore East to see Johnny Winter and told fellow Shoals guitarist Jimmy Johnson that in a year he'd be on that stage. That December, the Allman Brothers Band indeed played the Fillmore.

Formation of The Allman Brothers Band[link]

The limits of full-time session playing frustrated Allman. The few months in Muscle Shoals were by no means a waste, however; besides meeting the great artists and other industry professionals he was working with, Allman had rented a small, secluded cabin on a lake and spent many solitary hours there refining his playing. Perhaps most significantly, Allman got together with R&B and jazz drummer Jaimoe Johanson, who came to meet Allman at the urging of Otis Redding's manager, Phil Walden, who by now was managing Allman and wanted to build a three-piece band around him. Allman and Jaimoe got Chicago-born bassist Berry Oakley to come up from Florida and jam as a trio, but Berry was committed to his rock band with guitarist Dickey Betts, the Second Coming, and returned south.

Getting fed up with Muscle Shoals, in March Allman took Jaimoe with him back to Jacksonville, Florida, where they moved in with Butch Trucks. Soon a jam session of these three plus Betts, Oakley, and Reese Wynans took place and forged what all present recognized as a natural, or even magical, bond. With the addition of brother Gregg, called back from Los Angeles to sing and replace Wynans on keyboards, at the end of March 1969, the Allman Brothers Band was formed. (Wynans became well known over a decade later as organist with Stevie Ray Vaughan & Double Trouble.) After a bit of rehearsing and gigging, the sextet moved to Macon, Georgia, in April to be near Walden and his Capricorn Sound Studios. While living in Macon, Allman met Donna Roosman, who bore his only child, Galadrielle. Despite their child, the relationship quickly ended.

[edit] Success: Layla, At Fillmore East

The Allman Brothers Band went on to become one of the most influential rock groups of the 1970s, described by Rolling Stone's George Kimball in 1971 as "the best damn rock and roll band this country has produced in the past five years."^[9] After months of nonstop rehearsing and gigging, including free shows in Macon's Central City Park and Atlanta's Piedmont Park, the group was ready to settle on the Allman Brothers Band name, and to record. Their debut album, The Allman Brothers Band, was recorded in New York in September 1969 and released a few months later. In the midst of intense touring, work began in Macon and Miami (Atlantic South - Criteria Studios), and a little bit in New York, on the band's second album, Idlewild South. Produced mostly by Tom Dowd, Idlewild South was released in August 1970 and broke new ground for them by quickly hitting the Billboard charts.

A group date in Miami, also that August, gave Allman the chance to participate in Eric Clapton's Layla and Other Assorted Love Songs. Clapton had long wanted to meet Allman; when he heard that the Allman Brothers were due to play in Miami, where he had just started work on Layla with producer Tom Dowd, he insisted on going to see their concert, where he met Allman. At one point, Allman approached Clapton, fully admiring his ability to play guitar as much as Clapton admired his, and cautiously asked Clapton if he could come by the studio to watch. Clapton was in no way reluctant to say yes, as he knew that his masterful playing combined with Allman's would be greater than the sum of its parts. After the show the two bands—the Allman Brothers Band and Derek and the Dominos—returned to Criteria, where Allman and Clapton quickly formed a deep rapport during an all-night jam session.^[10] Allman wound up participating on most of the album's tracks, contributing some of his best-known work. Allman never left the Allman Brothers Band, though, despite being offered a permanent position with Clapton. Allman never toured with Derek and the Dominos, but he did make three appearances with them on December 1, 1970 at the Curtis Hixon Hall in Tampa (Soulmates LP) and the following day at Onondaga County War Memorial, and one appearance (or possibly just Delaney Bramlett or both Duane and Delaney) November 20, 1970^[11] at the Santa Monica Civic Auditorium, California.

In an interview, Duane told listeners how to tell who played what: Eric played the Fender parts and Duane played the Gibson parts. He continued by nonchalantly noting that the Fender had a sparklier sound, while the Gibson produced more of a "full-tilt screech".^[12]

The Allman Brothers went on to record At Fillmore East in March 1971. Meanwhile, Allman continued contributing session work to other artists' albums whenever he could. According to Skydog: the Duane Allman Story, Allman was in the habit of spontaneously dropping in at recording sessions and contributing to whatever was being taped that day. He received cash payments but no recording credits, making it virtually impossible to compile a complete discography of his works.

Allman was well known for his melodic, extended and attention-holding guitar solos. During this period two of his stated influences were Miles Davis and John Coltrane, having listened extensively to Kind of Blue for two years.^[12][13]

As Allman's distinctive electric bottleneck steel sound began to mature it evolved in time into the musical voice of what would come to be known as Southern Rock, being picked up and redefined in their own styles by slide guitarists that included bandmate Dickey Betts (after Duane's passing), Rory Gallagher, Derek Trucks and Gary Rossington of Lynyrd Skynyrd.

Death[link]

Duane Allman was killed in a motorcycle accident only months after the release and initial success of At Fillmore East.^[14] While in the western part of Macon on October 29, 1971 during a band break from touring and recording, Allman was riding his motorcycle at high speed toward an intersection as a flatbed truck carrying a lumber crane approached. The flatbed truck stopped suddenly in the intersection, forcing Duane to swerve his Harley Davidson Sportster motorcycle sharply to the left to avoid a collision. As he was doing so, he struck either the back of the truck or the ball on the lumber crane and was immediately thrown from the motorcycle. The motorcycle bounced up in the air and landed on Allman and proceeded to skid another 90 feet with Duane pinned underneath, crushing his internal organs. Though he was still alive when he arrived at the hospital, despite emergency surgery, he died several hours later from massive internal injuries. He was just weeks from his 25th birthday.

Memorial[link]

After Allman's funeral and some weeks of mourning, the five surviving members of the Allman Brothers Band carried on, resuming live performances and finishing the recording work interrupted by Duane's death. They named their next album Eat a Peach for Duane's response to an interviewer's question: "How are you helping the revolution?" Allman replied: "There ain't no revolution, only evolution, but every time I'm in Georgia I 'eat a peach' for peace." Released in February, 1972, this double album contains a side of live and studio tracks with Allman, two sides of "Mountain Jam", recorded with Duane at the same At Fillmore East stand in March, and a side of tracks by the surviving five member band.

Bass guitarist Berry Oakley died less than 13 months later in a similar motorcycle crash with a city bus, three blocks from the site of Duane Allman's fatal accident. Oakley's remains were laid to rest beside Duane Allman's in Macon, Georgia's Rose Hill Cemetery.

The variety of Allman's session work and Allman Brothers Band bandleading can be heard to good effect on two posthumous Capricorn releases, An Anthology (1972) and An Anthology Volume II (1974). There are also several archival releases of live Allman Brothers Band performances from what the band calls "Duane's Era".

Shortly after Duane's death, Ronnie Van Zant of Lynyrd Skynyrd dedicated the song "Free Bird", to the memory of Duane Allman. Van Zant would sometimes allude to this in concert; in the "Free Bird" performance at Skynyrd's famed 1976 appearance at Knebworth, England, Van Zant says to pianist Billy Powell, "Play it for Duane Allman." Many people assume the song was written about Duane. However, it had actually been written well before Duane died. (Allen Collins wrote the song after his then girlfriend asked him the question "if I leave here tomorrow, would you still remember me?")

In 1973, fans carved the very large letters "REMEMBER DUANE ALLMAN" in a dirt embankment along Interstate Highway 20 near Vicksburg, Mississippi.^[15][16] A photograph was published in Rolling Stone magazine and in the Rolling Stone Illustrated History of Rock & Roll; the carving itself lasted for over ten years.^[17]

In 1998 the Georgia State Legislature passed a resolution designating a stretch of State Highway 19, US 41, within Macon as the "Duane Allman Boulevard" in his honor.^[18]

Country singer Travis Tritt, in the song "Put Some Drive In Your Country" on his debut album, sings "Now I still love old country/I ain't tryin' to put it down/But damn I miss Duane Allman/I wish he was still around."

Equipment[link]

Allman Joys, Hour Glass[link]

• Fender Telecaster, modified with a Stratocaster neck.^[19]
• Marshall amplifier, with six 10-inch speakers and two horns.^[19]

Early session work[link]

• 1954 Fender Stratocaster, used on the Muscle Shoals Sound Studio studio sessions, now at the Hard Rock Cafe in London at the Vault.^[20]
• Dallas Arbiter Fuzz Face, which used old 9V batteries because "they make a special sound."
• Fender Twin Reverb with JBL speakers.^[19]
• Maestro Echoplex.^[19]
• 1959 Fender Bassman.^[19]

Allman Brothers Band, "Layla", later session work[link]

• 1961 Fender Stratocaster (for early session work overlapping with formation of the Band).^[19]
• 1958-1962 Gibson ES-345 Semi-hollow body (first album)^[20]
• 1957 Gibson Les Paul Standard goldtop, serial no. 7 3312. Traded on September 16, 1970 for a 1959 Gibson Les Paul Standard cherry sunburst, except for the pickups.
• 1959 Gibson Les Paul Standard cherry sunburst, acquired on September 16, 1970, except for the pickups.
• 1958 Gibson Les Paul Standard tobacco sunburst,^[20] acquired in June 1971.
• 1961 Gibson SG,^[20] used for slide,^[19] given by Dickey Betts.
• Marshall 50-watt^[3] head, two Marshall 4x12 cabinets with JBL speakers.^[19]
• Fender Champ combo amplifier ("Layla")

Other[link]

• Gibson L-00 acoustic guitar^[19]
• Fender Rock N' Roll 150 strings (Hour Glass)
• Coricidin medicine bottle (slide)

Discography[link]

Biography portal

References[link]

Further reading[link]

External links[link]

• Duane Allman.com
• Duane Allman on allmanbrothersband.com
• Duane Allman.info
• In memory of Duane Allman: 35 years after his death, Skydog still among rock's very best guitarists, on MSNBC
• The 100 Greatest Guitarists of All Time
• Georgia House of Representatives SR653, designating Duane Allman Boulevard and Raymond Berry Oakley Bridge
• "Duane Allman". Find a Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=1189. Retrieved September 2, 2010. 
• Inducted into the Rock & Roll Hall of Fame 1995

Steve Martin
Martin in April 2011
Birth name	Stephen Glenn Martin
Born	(1945-08-14) August 14, 1945 (age 66) Waco, Texas, United States
Medium	Concert, film, recordings, television, books
Nationality	American
Years active	1967–present
Genres	Surreal humor, Musical comedy, physical comedy, sketch comedy, Wit/word play Music: bluegrass
Influences	British television, Red Skelton, Jerry Lewis, Jack Benny, Laurel and Hardy, Wally Boag[1]
Influenced	Judd Apatow, Will Arnett, Louis C.K., Stephen Colbert,[2] Eddie Izzard, Patton Oswalt,[3] Lucy Porter, Sarah Silverman, Jon Stewart
Spouse	Victoria Tennant (1986–1994)[4] Anne Stringfield (2007–present)
Signature
Website	www.stevemartin.com
Emmy Awards
Outstanding Writing Achievement in Comedy, Variety or Music 1969 The Smothers Brothers Comedy Hour
Grammy Awards
Best Comedy Album 1978 Let's Get Small 1979 A Wild and Crazy Guy Best Country Instrumental Performance 2002 Foggy Mountain Breakdown Best Bluegrass Album 2009 The Crow: New Songs for the 5-String Banjo
American Comedy Awards
Lifetime Achievement Award in Comedy 2000 Lifetime Achievement
NYFCC Award for Best Actor
All of Me (1984)

Stephen Glenn "Steve" Martin (born August 14, 1945) is an American actor, comedian, author, playwright, producer, musician and composer. Martin came to public notice as a writer for the Smothers Brothers Comedy Hour, and later became a frequent guest on The Tonight Show. In the 1970s, Martin performed his offbeat, absurdist comedy routines before packed houses on national tours. In 2004, Comedy Central^[5] ranked Martin at sixth place in a list of the 100 greatest stand-up comics.

Since the 1980s, having branched away from stand-up comedy, Martin has become a successful actor in both comedic and dramatic roles, as well as an author, playwright, pianist, and banjo player, eventually earning Emmy, Grammy, and American Comedy awards, among other honors.

Early life[link]

Martin was born in Waco, Texas,^[6] the son of Mary Lee (née Stewart) and Glenn Vernon Martin, a real estate salesman and aspiring actor.^[4][7] Martin was raised in Inglewood, California, and then later in Garden Grove, California, in a Baptist family.^[8] Martin was a cheerleader of Garden Grove High School.^[9] One of his earliest memories is of seeing his father, as an extra, serving drinks onstage at the Call Board Theatre on Melrose Place. During World War II, in England, Martin's father had appeared in a production of Our Town with Raymond Massey. Years later, he would write to Massey for help in Steve's fledgling career, but would receive no reply. Expressing his affection through gifts of cars, bikes, etc., Martin's father was stern, and not emotionally open to his son.^[10] He was proud but critical, with Martin later recalling that in his teens his feelings for his father were mostly ones of hatred.^[11] Martin's first job was at Disneyland, selling guidebooks on weekends and full-time during the summer school break. That lasted for three years (1955–1958). During his free time he frequented the Main Street Magic shop, where tricks were demonstrated to potential customers.^[10] By 1960, he had mastered several of the tricks and illusions, and took a paying job there in August. There he perfected his talents for magic, juggling, and creating balloon animals, frequently performing for tips.^[12] In his authorized biography, close friend Morris Walker suggests that Martin could "be described most accurately as an agnostic [...] he rarely went to church and was never involved in organized religion of his own volition".^[13]

Comedy[link]

After high school graduation, Martin attended Santa Ana Junior College, taking classes in drama and English poetry. In his free time, he teamed up with friend and Garden Grove High School classmate Kathy Westmoreland to participate in comedies and other productions at the Bird Cage Theatre. He joined a comedy troupe at Knott's Berry Farm.^[10] Later, he met budding actress Stormie Sherk, and they developed comedy routines and became romantically involved. Sherk's influence caused Martin to apply to the California State University, Long Beach, for enrollment with a major in Philosophy.^[10] Stormie enrolled at UCLA, about an hour's drive north, and the distance eventually caused them to lead separate lives.^[14]

Inspired by his philosophy classes, Martin considered becoming a professor instead of an actor-comedian. His time at college changed his life. "It changed what I believe and what I think about everything. I majored in philosophy. Something about non-sequiturs appealed to me. In philosophy, I started studying logic, and they were talking about cause and effect, and you start to realize, 'Hey, there is no cause and effect! There is no logic! There is no anything!' Then it gets real easy to write this stuff, because all you have to do is twist everything hard—you twist the punch line, you twist the non sequitur so hard away from the things that set it up".^[15] Martin recalls wondering in a psychology class "What if there were no punch lines? What if there were no indicators? What if I created tension and never released it? What if I headed for a climax, but all I delivered was an anticlimax? What would the audience do with all that tension? Theoretically, it would have to come out sometime. But if I kept denying them the formality of a punch line, the audience would eventually pick their own place to laugh, essentially out of desperation."^[16] Martin periodically spoofed his philosophy studies in his 1970s stand-up act, comparing philosophy with studying geology. "If you're studying geology, which is all facts, as soon as you get out of school you forget it all, but philosophy you remember just enough to screw you up for the rest of your life."^[17]

In 1967, Martin transferred to UCLA and switched his major to theater. While attending college, he appeared in an episode of The Dating Game. Martin began working local clubs at night, to mixed notices, and at twenty-one he dropped out of college.^[18]

Career[link]

Early career – stand-up[link]

Steve Martin, circa 1977

In 1967, his former girlfriend Nina Goldblatt, a dancer on The Smothers Brothers Comedy Hour, helped Martin land a writing job with the show by submitting his work to head writer Mason Williams.^[19] Williams initially paid Martin out of his own pocket. Along with the other writers for the show, Martin won an Emmy Award^[20] in 1969, aged 23.^[10] He also wrote for John Denver (a neighbor of his in Aspen, Colorado, at one point), The Glen Campbell Goodtime Hour, and The Sonny and Cher Comedy Hour. Martin's first TV appearance was on The Steve Allen Show in 1969. He says: "[I] appeared on The Virginia Graham Show, circa 1970. I looked grotesque. I had a hairdo like a helmet, which I blow-dried to a puffy bouffant, for reasons I no longer understand. I wore a frock coat and a silk shirt, and my delivery was mannered, slow and self-aware. I had absolutely no authority. After reviewing the show, I was depressed for a week."^[21] During these years his roommates included comedian Gary Mule Deer and singer/guitarist Michael Johnson.^[22] Martin opened for groups such as The Nitty Gritty Dirt Band, The Carpenters, and Toto. He appeared at San Francisco's The Boarding House, among other venues. He continued to write, earning an Emmy nomination for his work on Van Dyke and Company in 1976.

In the mid-1970s, Martin made frequent appearances as a stand-up comedian on The Tonight Show Starring Johnny Carson.,^[21] and on The Gong Show, HBO's On Location and NBC's Saturday Night Live (SNL). SNL's audience jumped by a million viewers when he made guest appearances, though despite a common misconception, he was never a cast member.^[10] Martin has guest-hosted Saturday Night Live 15 times, bested only in number of presentations by host Alec Baldwin (who has hosted 16 times as of September 2011). On the show, Martin popularized the air quotes gesture, which uses four fingers to make double quote marks in the air.^[23] While on the show Martin became close with several of the cast members, including Gilda Radner. On the day Radner died of ovarian cancer in 1989, a visibly shaken Martin hosted SNL and featured footage of himself and Radner together in a 1978 sketch.

His TV appearances in the 1970s led to the release of comedy albums that went platinum.^[10] The track "Excuse Me" on his first album, Let's Get Small, helped establish a national catch phrase.^[10] His next album, A Wild and Crazy Guy (1978), was an even bigger success, reaching the No.2 spot on the US sales chart, selling over a million copies. "Just a wild and crazy guy" became another of Martin's known catch phrases.^[10] The album featured a character based on a series of Saturday Night Live sketches where Martin and Dan Aykroyd played "Georgi" and "Yortuk" the Festrunk Brothers, a couple of bumbling Czechoslovak would-be playboys. The album ends with the song "King Tut", sung and written by Martin and backed by the "Toot Uncommons", members of the Nitty Gritty Dirt Band. It was later released as a single, reaching No.17 on the US charts in 1978 and selling over a million copies.^[10][24] The song came out during the King Tut craze that accompanied the popular traveling exhibit of the Egyptian king's tomb artifacts. Both albums won Grammys for Best Comedy Recording in 1977 and 1978, respectively. Martin performed "King Tut" on the April 22, 1978, edition of SNL.

On his comedy albums, Martin's stand-up is self-referential and sometimes self-mocking. It mixes philosophical riffs with sudden spurts of "happy feet", banjo playing with balloon depictions of concepts like venereal disease, and the controversial kitten juggling (he is a master juggler). His style is off-kilter and ironic, and sometimes pokes fun at stand-up comedy traditions, such as Martin opening his act (from A Wild and Crazy Guy) by saying, "I think there's nothing better for a person to come up and do the same thing over and over for two weeks. This is what I enjoy, so I'm going to do the same thing over and over and over [...] I'm going to do the same joke over and over in the same show, it'll be like a new thing." Or: "Hello, I'm Steve Martin, and I'll be out here in a minute."^[23][25] In one comedy routine, used on the Comedy Is Not Pretty! album, Martin claimed that his real name was "Gern Blanston". The riff took on a life of its own. There is a Gern Blanston website, and for a time a rock band took the moniker as their name.^[26] He stopped stand-up in 1981 to concentrate on movies and never went back.^[10]

Acting career – film[link]

Martin in 1982

By the end of the 1970s, Martin had acquired the kind of following normally reserved for rock stars, with his tour appearances typically occurring at sold-out arenas filled with tens of thousands of screaming fans. But unknown to his audience, stand-up comedy was "just an accident" for him; his real goal was to get into film.^[15]

Martin's first film was a short, The Absent-Minded Waiter (1977). The seven-minute-long film, also featuring Buck Henry and Teri Garr, was written by and starred Martin. The film was nominated for an Academy Award as Best Short Film, Live Action. He made his first feature film appearance in the musical Sgt. Pepper's Lonely Hearts Club Band, where he sang The Beatles' "Maxwell's Silver Hammer". In 1979, Martin co-wrote and starred in his first full-length movie, The Jerk, directed by Carl Reiner. The movie was a huge success, grossing over $100 million on a budget of approximately $4 million.^[27]

Stanley Kubrick met with him to discuss the possibility of Martin starring in a screwball comedy version of Traumnovelle (Kubrick later changed his approach to the material, the result of which was 1999's Eyes Wide Shut). Martin was executive producer for Domestic Life, a prime-time television series starring friend Martin Mull, and a late-night series called Twilight Theater. It emboldened Martin to try his hand at his first serious film, Pennies from Heaven, a movie he was anxious to perform in because of his desire to avoid being typecast. To prepare for that film, Martin took acting lessons from director Herbert Ross, and spent months learning how to tap dance. The film was a financial failure; Martin's comment at the time was "I don't know what to blame, other than it's me and not a comedy."^[28]

Martin was in three more Reiner-directed comedies after The Jerk: Dead Men Don't Wear Plaid in 1982, The Man with Two Brains in 1983 and All of Me in 1984, possibly his most critically acclaimed comic performance to date.^[29][30] In 1986, Martin joined fellow Saturday Night Live veterans Martin Short and Chevy Chase in ¡Three Amigos!, directed by John Landis, and written by Martin, Lorne Michaels, and singer-songwriter Randy Newman. It was originally entitled The Three Caballeros and Martin was to be teamed with Dan Aykroyd and John Belushi. In 1986, Martin was in the movie musical film version of the hit Off-Broadway play Little Shop of Horrors (based on a famous B-movie), playing the sadistic dentist, Orin Scrivello. The film was the first of three films teaming Martin with Rick Moranis. In 1987, Martin joined comedian John Candy in the John Hughes movie Planes, Trains and Automobiles. That same year, Roxanne, the film adaptation of Cyrano de Bergerac which Martin co-wrote, won him a Writers Guild of America, East award. It also garnered recognition from Hollywood and the public that he was more than a comedian. In 1988, he performed in the Frank Oz film Dirty Rotten Scoundrels, a remake of Bedtime Story, alongside Michael Caine.

Martin starred in the Ron Howard film Parenthood, with Moranis in 1989. He later met with Moranis to make the Mafia comedy My Blue Heaven in 1990. In 1991, Martin starred in and wrote L.A. Story, a romantic comedy, in which the female lead was played by his then-wife Victoria Tennant. Martin also appeared in Lawrence Kasdan's Grand Canyon, in which he played the tightly-wound Hollywood film producer, Davis, who was recovering from a traumatic robbery that left him injured, which was a more serious role for him. Martin also appeared in a remake of the comedy Father of the Bride in 1991 (followed by a sequel in 1995). He starred in the 1992 comedy HouseSitter, with Goldie Hawn and Dana Delany.

In David Mamet's 1997 thriller, The Spanish Prisoner, Martin played a darker role as a wealthy stranger who takes a suspicious interest in the work of a young businessman (Campbell Scott). He went on to star with Eddie Murphy in the 1999 comedy Bowfinger, which Martin also wrote. He appeared in a version of Waiting for Godot as Vladimir, with Robin Williams as Estragon and Bill Irwin as Lucky. In 1998, Martin guest starred with U2 in the 200th episode of The Simpsons titled "Trash of the Titans", providing the voice for sanitation commissioner Ray Patterson. In 1999, Martin and Hawn starred in a remake of the 1970 Neil Simon comedy, The Out-of-Towners. By 2003, Martin ranked 4th on the box office stars list, after starring in Bringing Down The House and Cheaper By The Dozen, each of which earned over $130 million at U.S. theaters. That same year, he also played the villainous Mr. Chairman in the animation/live action blend, Looney Tunes: Back in Action.

Martin wrote and starred in Shopgirl (2005), based on his own novella (2000), and starred in Cheaper by the Dozen 2. He also starred in the box office hit The Pink Panther in 2006, standing in Peter Sellers's shoes as the bumbling Inspector Clouseau, a role which he reprised in 2009's The Pink Panther 2. In Baby Mama (2008), he played the founder of a health food company, and in It's Complicated (2009), he played opposite Meryl Streep and Alec Baldwin. In 2009, an article in The Guardian listed Martin as one of the best actors never to receive an Oscar nomination.^[31]

He appeared with Jack Black, Owen Wilson, and JoBeth Williams in the birdwatching comedy The Big Year, in 2011.

Writing[link]

Martin at the 2008 Tribeca Film Festival

In 1993, Martin wrote his first full length play Picasso at the Lapin Agile. The first reading of the play took place in Beverly Hills, California at Steve Martin's home, with Tom Hanks reading the role of Pablo Picasso and Chris Sarandon reading the role of Albert Einstein. Following this, the play opened at the Steppenwolf Theatre Company in Chicago, Illinois, and played from October 1993 to May 1994, then went on to run successfully in Los Angeles, New York City and several other US cities.^[32] In 2009, the La Grande, Oregon school board refused to allow the play to be performed after several parents complained about the content. In an open letter in the local Observer newspaper, Martin wrote "I have heard that some in your community have characterized the play as 'people drinking in bars, and treating women as sex objects.' With apologies to William Shakespeare, this is like calling Hamlet a play about a castle [...] I will finance a non-profit, off-high school campus production [...] so that individuals, outside the jurisdiction of the school board but within the guarantees of freedom of expression provided by the Constitution of the United States can determine whether they will or will not see the play".^[33]

Throughout the 1990s, Martin wrote various pieces for The New Yorker. In 2002, he adapted the Carl Sternheim play The Underpants, which ran Off Broadway at Classic Stage Company and in 2008, co-wrote and produced Traitor, starring Don Cheadle. He has also written the novellas, Shopgirl (2000), and The Pleasure of My Company (2003), both more wry in tone than raucous.^[34] A story of a 28-year-old woman behind the glove counter at the Neiman Marcus department store in Beverly Hills, Shopgirl was made into a film starring Martin and Claire Danes.^[34] The film premiered at the Toronto Film Festival in September 2005 and was featured at the Chicago International Film Festival and the Austin Film Festival before going into limited release in the US. In 2007, he published a memoir, Born Standing Up, which TIME magazine named as one of the Top 10 Nonfiction Books of 2007, ranking it at #6, and praising it as "a funny, moving, surprisingly frank memoir."^[35] In 2010, he published the novel An Object of Beauty.

Hosting[link]

Martin hosted Academy Awards solo in 2001 and 2003 and with Alec Baldwin in 2010.^[36] In 2005, Martin co-hosted Disneyland: The First 50 Magical Years, marking the park's anniversary. Disney continued to run the show until March 2009, which now plays in the lobby of Great Moments with Mr. Lincoln.

Music[link]

Martin first picked up the banjo when he was around 17 years of age. Martin has claimed in several interviews and in his autobiography, "Born Standing Up", that he used to take 33 rpm bluegrass records and slow them down to 16 rpm and tune his banjo down, so the notes would sound the same. Martin was able to pick out each note, and perfect his playing.

Martin learned how to play the banjo with help from John McEuen, who later joined the Nitty Gritty Dirt Band. McEuen's brother later managed Martin as well as the Nitty Gritty Dirt Band. Martin did his stand-up routine opening for the band in the early 1970s. He had the band play on his hit song, "King Tut", being credited as "The Toot Uncommons" (as in Tutankhamun).

The banjo was a staple of Martin's 1970s stand-up career, and he periodically poked fun at his love for the instrument.^[21] On the Comedy Is Not Pretty! album he included an all-instrumental jam, titled "Drop Thumb Medley", and played the track on his 1979 concert tour. His final comedy album, The Steve Martin Brothers (1981), featured one side of Martin's typical stand-up material, with the other side featuring live performances of Steve playing banjo with a bluegrass band.

In 2001, he played banjo on Earl Scruggs's remake of "Foggy Mountain Breakdown". The recording was the winner of the Best Country Instrumental Performance category at the following year's Grammys. In 2008, Martin appeared with the band, In the Minds of the Living, during a show in Myrtle Beach, South Carolina.^[37]

In 2009, Martin released his first all-music album, The Crow: New Songs for the 5-String Banjo with appearances from stars such as Dolly Parton.^[38] The album won the Grammy Award for Best Bluegrass Album in 2010.^[39] Nitty Gritty Dirt Band member John McEuen produced the album.

Martin made his first appearance on The Grand Ole Opry on May 30, 2009.^[40] In the American Idol season eight finals, he performed alongside Michael Sarver and Megan Joy in the song "Pretty Flowers". In June, Martin played banjo along with the Steep Canyon Rangers on A Prairie Home Companion, and began a two-month U.S. tour with the Rangers in September, including an appearances at the Hardly Strictly Bluegrass festival, Carnegie Hall and Benaroya Hall in Seattle.^[41][42] In November, they went on to play at the Royal Festival Hall in London with support from Mary Black.^[43] In 2010, Steve Martin and the Steep Canyon Rangers appeared at the New Orleans Jazzfest, Merlefest Bluegrass Festival in Wilkesboro, North Carolina, at Bonnaroo Music Festival, at the ROMP^[44] Bluegrass festival in Owensboro, Kentucky, at the Red Butte Garden Concert series and on the BBC's Later... with Jools Holland.^[45][46] Martin performed "Jubilation Day" with the Steep Canyon Rangers on The Colbert Report on March 21, 2011, on Conan on May 3, 2011, and on BBC's The One Show on July 6, 2011.^[47] Martin performed a song he wrote called "Me and Paul Revere"^[48] in addition to two other songs on the lawn of the Capitol Building in Washington, DC, at the "Capitol Fourth Celebration" on July 4, 2011.^[49]

Personal life[link]

Martin was romantically involved with actress and singer Bernadette Peters, his costar in the films The Jerk and Pennies from Heaven, during the 1970s and early 1980s. He married actress Victoria Tennant on November 20, 1986, and the union lasted until 1994. On July 28, 2007, after three years together, Martin married Anne Stringfield, a writer and former staffer for The New Yorker magazine.^[50] Former Nebraska Senator Bob Kerrey presided over the ceremony at Martin's Los Angeles home. Lorne Michaels, creator of Saturday Night Live, was best man.^[50] Several of the guests, including close friends Tom Hanks, Eugene Levy, comedian Carl Reiner, and magician/actor Ricky Jay were not informed that a wedding ceremony would take place. Instead, they were told they were invited to a party, and were surprised by the nuptials.^[50]

Investigators at Berlin's state criminal police office (LKA) think that Martin was one victim of a German art forgery scandal. In July 2004 Martin purchased what he believed to be a 1915 work by the German-Dutch painter Heinrich Campendonk, "Landschaft mit Pferden", or "Landscape With Horses", from a Paris gallery for what should have been a bargain price in the neighborhood of €700,000 (around $850,000 at the time). Before the purchase an expert authenticated the work and identified the painter's signature on a label attached to the back. Fifteen months later Martin put the painting up for sale, and auction house Christie's disposed of it in February 2006 to a Swiss businesswoman for €500,000 – a loss of €200,000. Police believe the fake Campendonk originated from an invented art collection devised by a group of German swindlers caught in 2010. Skillfully forged paintings from this group were sold to French galleries like the one where Martin bought the forgery.^[51]

Awards and honors[link]

• 1969 Emmy Award – The Smothers Brothers Comedy Hour (with other writers)
• 1978 Grammy Award for Best Comedy Album – Let's Get Small^[52]
• 1979 Grammy Award for Best Comedy Album – A Wild and Crazy Guy.^[52]
• 1989 Honorary Doctor of Humane Letters degree from California State University Long Beach^[53]
• 2001 Grammy Award for Best Country Instrumental Performance with Earl Scruggs (and others) – banjo performance of "Foggy Mountain Breakdown".^[52]
• 2005 Mark Twain Prize for American Humor
• 2005 Disney Legend award
• 2007 30th Annual Kennedy Center Honors
• 2009 Grammy Award for Best Bluegrass Album for his album The Crow: New Songs for the 5-String Banjo.^[52]
• 2011 International Bluegrass Music Association's Entertainer of the Year.

Written works by Martin[link]

• The Jerk (1979) (Screenplay written with Carl Gottlieb)
• Cruel Shoes (1979) (Essays)
• Picasso at the Lapin Agile and Other Plays: Picasso at the Lapin Agile, the Zig-Zag Woman, Patter for the Floating Lady, WASP (1996) (Play)
• L.A. Story and Roxanne: Two Screenplays (published together in 1997) (Screenplays)
• Pure Drivel (1998) (Stories)
• Bowfinger (1999) (Screenplay)
• Eric Fischl : 1970–2000 (2000) (Afterword)
• Modern Library Humor and Wit Series (2000) (Introduction and Series Editor)
• Shopgirl (2000) (Novella)
• Kindly Lent Their Owner: The Private Collection of Steve Martin (2001) (Art)
• The Underpants: A Play (2002) (Play)
• The Pleasure of My Company (2003) (Novel)
• The Alphabet from A to Y with Bonus Letter Z (2007) (Children's Books illustrated by Roz Chast)
• Born Standing Up (2007) (Memoir)
• An Object of Beauty (2010) (Novel)
• Late For School (2010) (Children's book)
• The Ten, Make That Nine, Habits of Very Organized People. Make That Ten.: The Tweets of Steve Martin (February 21, 2012) (Collection)

Released stand-up shows[link]

• Steve Martin-Live! (1986, VHS)
• Saturday Night Live: The Best Of Steve Martin (1998, DVD)

Filmography[link]

Discography[link]

Albums[link]

Singles[link]

Music videos[link]

TV specials[link]

References[link]

Sources[link]

• Martin, Steve. (2007) Born Standing Up: A Comic's Life. Scribner. ISBN 1-4165-5364-9.
• Walker, Morris (1999) Steve Martin: The Magic Years. SPI Books. ISBN 1-56171-980-3.

External links[link]

Wikimedia Commons has media related to: Steve Martin

Wikiquote has a collection of quotations related to: Steve Martin

• Official website
• Steve Martin at the Internet Movie Database
• Steve Martin on National Public Radio in 2008. Article and radio file
• Steve Martin on National Public Radio in 2003. Radio file.
• Steve Martin on Charlie Rose Video of interview
• Men's Vogue article
• Disney Legends profile
• Works by or about Steve Martin in libraries (WorldCat catalog)