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Paul Leni - Waxworks (1924)
Waxworks (German: Das Wachsfigurenkabinett) is a 1924 German silent anthology film directed by Paul Leni. The film encompasses several genres, including a fantasy adventure, a historical film, and a horror film through its various episodes. Its stories are linked by a plot thread about a writer (William Dieterle) who accepts a job from a waxworks proprietor to write a series of stories about the exhibits of Caliph of Baghdad (Emil Jannings), Ivan the Terrible (Conrad Veidt) and Jack the Ripper (Werner Krauss) in order to boost business.
published: 08 May 2022
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The Man Who Laughs (1927) Paul Leni | Silent Era
A proud nobleman refuses to kiss the hand of the despotic King James in 1690, and is cruelly executed and his son disfigured.
published: 03 Apr 2024
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Paul Leni's THE CAT AND THE CANARY (1927) (Masters of Cinema) New & Exclusive Trailer
Paul Leni’s ground-breaking masterpiece of early cinematic horror, is AVAILABLE NOW for the first time ever on Blu-ray presented from a glorious 4K restoration, as part of the Masters of Cinema Series. The first print run of 2000 copies features a Limited-edition O-card slipcase.
🇬🇧 Eureka Store https://bit.ly/428SuYl
🇬🇧 Zavvi https://bit.ly/3SeLjcu
🇬🇧 HMV online https://bit.ly/42gTU2X
🇬🇧 Amazon UK https://bit.ly/3SaV0sx
🇺🇸🇨🇦 MVD https://bit.ly/42blleu
🇺🇸🇨🇦 Diablolik https://bit.ly/428z71z
🇺🇸🇨🇦 Grindhouse https://bit.ly/47ZqTdy
🇺🇸🇨🇦 Oldies http://bit.ly/eureka-cat-and-the-canary
🇺🇸🇨🇦 Orbit DVD https://buff.ly/3UBUXsh
🇺🇸🇨🇦 Amazon US https://bit.ly/3u9OXfL
🇺🇸🇨🇦 Amazon CA https://a.co/d/2fcBv5q
🇺🇸🇨🇦 Unobstructed View https://bit.ly/4aabZTq
Paul Leni (THE MAN WHO LAUGHS) directs one o...
published: 25 Jan 2024
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The Last Warning (1929) | Directed by Paul Leni - Trailer [HD]
AVAILABLE ON BLU-RAY & DVD AT https://www.flickeralley.com/
Universal Pictures and Flicker Alley present Universal Pictures’ new 4K restoration of the 1929 silent classic, The Last Warning, accompanied by a newly recorded score from Arthur Barrow. Adapted from Thomas F. Fallon’s 1922 Broadway play of the same name, The Last Warning is based on the story The House of Fear by Wadsworth Camp and centers on an unsolved murder that occurs during a live Broadway performance. When the victim’s body goes missing, the death remains unsolved and the theater is condemned. That is, until years later when a suspicious new “producer” arrives to restage the play with the original cast and crew. As one of the last silents Universal produced, The Last Warning was later released as a “part-talkie” with rou...
published: 15 Oct 2022
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The Man Who Laughs (1928) | Directed by Paul Leni - Trailer [HD]
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Facebook - https://www.facebook.com/FlickerAlley/
Flicker Alley, in partnership with Universal Pictures, are proud to present Universal Pictures’ new 4K restoration of the 1928 silent classic, The Man Who Laughs, accompanied by a newly recorded orchestral score by the Berklee Silent Film Orchestra. The composers, in reel order, are Phil Carlson, Benjamin Knorr, Marcelle Simpson, Sonia Coronado, Daniel Tauber, Emi Nishida, and Dai Haraguchi.
Based on the novel by Victor Hugo, the story centers on the extraordinary adventures of Gwynplaine (Conrad Veidt), whose wide and mirthless grin inspired DC Comics’ legendary Batman villain, the ...
published: 15 Oct 2022
-
Waxworks (1924) | Directed by Paul Leni - Trailer [HD]
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Facebook - https://www.facebook.com/FlickerAlley/
Waxworks (Das Wachsfigurenkabinett) was the final film Paul Leni directed in Germany before striking out for Hollywood, where he made such classic genre films as The Cat and the Canary, The Man Who Laughs, and The Last Warning. Its sophisticated medley of genres was in fact what inspired Universal’s Carl Laemmle to invite Leni to come to Hollywood, as Laemmle was hoping to capitalize on the emerging comedy-horror craze of the 1920s. Stylistically, Waxworks was celebrated as a late example of German Expressionism. Its stylized sets (designed by Leni), fantastical costumes, chiaroscuro ...
published: 15 Oct 2022
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Il Cinema Ritrovato 2020 | Incontro sul restauro: Paul Leni
In search of the original version of Paul Leni's 'Das Wachsfigurenkabinett'.
Incontro con Julia Wallmüller (Deutsche Kinemathek).
Video di 1Cinquantesimo, un progetto di Margherita Caprilli, Elia Andreotti, Andrea Marchi
published: 03 Sep 2020
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Paul Leni's Film - Trailer
Paul Leni is one of my favorite director.. his film always make me excited.. and we can remember him with this video.. enjoy :)
published: 17 May 2014
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Dornröschen (Paul Leni, 1917)
Silent adaptation of the famous fairy tale 'Sleeping Beauty'.
published: 17 Oct 2023
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1925 Paul Leni - "Rebus-film" (ident)
This is an ident for a series of "Rebus-films". These films were shown in two parts before and after a feature film. The first part gave filmed clues to words in a cross-word puzzle and the second part gave the answers. Eight episodes were released in 1925 and 1926.
This ident is a quick montage consisting mainly of street scenes that were shot quite freely with the camera swinging in all directions. Some experimental film-makers like Man Ray and René Clair had made influential short movies in the year before this was released, that may have inspired Paul Luni to create this wild opening for a project that was clearly aimed at a wide audience.
published: 27 Sep 2011
1:23:42
Paul Leni - Waxworks (1924)
Waxworks (German: Das Wachsfigurenkabinett) is a 1924 German silent anthology film directed by Paul Leni. The film encompasses several genres, including a fanta...
Waxworks (German: Das Wachsfigurenkabinett) is a 1924 German silent anthology film directed by Paul Leni. The film encompasses several genres, including a fantasy adventure, a historical film, and a horror film through its various episodes. Its stories are linked by a plot thread about a writer (William Dieterle) who accepts a job from a waxworks proprietor to write a series of stories about the exhibits of Caliph of Baghdad (Emil Jannings), Ivan the Terrible (Conrad Veidt) and Jack the Ripper (Werner Krauss) in order to boost business.
https://wn.com/Paul_Leni_Waxworks_(1924)
Waxworks (German: Das Wachsfigurenkabinett) is a 1924 German silent anthology film directed by Paul Leni. The film encompasses several genres, including a fantasy adventure, a historical film, and a horror film through its various episodes. Its stories are linked by a plot thread about a writer (William Dieterle) who accepts a job from a waxworks proprietor to write a series of stories about the exhibits of Caliph of Baghdad (Emil Jannings), Ivan the Terrible (Conrad Veidt) and Jack the Ripper (Werner Krauss) in order to boost business.
- published: 08 May 2022
- views: 245
1:50:40
The Man Who Laughs (1927) Paul Leni | Silent Era
A proud nobleman refuses to kiss the hand of the despotic King James in 1690, and is cruelly executed and his son disfigured.
A proud nobleman refuses to kiss the hand of the despotic King James in 1690, and is cruelly executed and his son disfigured.
https://wn.com/The_Man_Who_Laughs_(1927)_Paul_Leni_|_Silent_Era
A proud nobleman refuses to kiss the hand of the despotic King James in 1690, and is cruelly executed and his son disfigured.
- published: 03 Apr 2024
- views: 6
1:07
Paul Leni's THE CAT AND THE CANARY (1927) (Masters of Cinema) New & Exclusive Trailer
Paul Leni’s ground-breaking masterpiece of early cinematic horror, is AVAILABLE NOW for the first time ever on Blu-ray presented from a glorious 4K restoration,...
Paul Leni’s ground-breaking masterpiece of early cinematic horror, is AVAILABLE NOW for the first time ever on Blu-ray presented from a glorious 4K restoration, as part of the Masters of Cinema Series. The first print run of 2000 copies features a Limited-edition O-card slipcase.
🇬🇧 Eureka Store https://bit.ly/428SuYl
🇬🇧 Zavvi https://bit.ly/3SeLjcu
🇬🇧 HMV online https://bit.ly/42gTU2X
🇬🇧 Amazon UK https://bit.ly/3SaV0sx
🇺🇸🇨🇦 MVD https://bit.ly/42blleu
🇺🇸🇨🇦 Diablolik https://bit.ly/428z71z
🇺🇸🇨🇦 Grindhouse https://bit.ly/47ZqTdy
🇺🇸🇨🇦 Oldies http://bit.ly/eureka-cat-and-the-canary
🇺🇸🇨🇦 Orbit DVD https://buff.ly/3UBUXsh
🇺🇸🇨🇦 Amazon US https://bit.ly/3u9OXfL
🇺🇸🇨🇦 Amazon CA https://a.co/d/2fcBv5q
🇺🇸🇨🇦 Unobstructed View https://bit.ly/4aabZTq
Paul Leni (THE MAN WHO LAUGHS) directs one of the most important and influential films in the early history of American genre cinema, which perfected the ‘old dark house’ formula and set the stage for the Universal horror cycle of the 1930s.
Twenty years after the death of millionaire Cyrus West, his surviving relatives are called together in a decaying mansion on the Hudson River. There, they gather to hear West’s lawyer Roger Crosby (Tully Marshall) read his last will and testament and discover that West has left everything to his niece Annabelle (Laura La Plante). That is, at least, on the condition that she is judged to be legally sane. As the family settles in for the evening, tensions rise when they are informed that a murderer nicknamed the Cat has escaped from a nearby asylum and is suspected to be somewhere on the grounds. Crosby soon disappears in mysterious circumstances, which proves to be just the first in a series of horrifying events that will punctuate a long, dark night of terror – during which Annabelle’s sanity will be called into question again and again.
Based upon the 1922 stage production by John Willard, THE CAT AND THE CANARY is a perfect blend of horror and black comedy and stands at the apex of a cycle of films adapted from mystery plays throughout the 1920s. It later inspired James Whale’s THE OLD DARK HOUSE and has been remade several times – but never bettered. The Masters of Cinema Series is proud to present this cornerstone of horror cinema for the first time ever on Blu-ray from a glorious 4K restoration.
SPECIAL BLU-RAY EDITION FEATURES
Limited-edition O-card slipcase featuring new artwork by Graham Humphreys [First print run of 2000 copies only] | 1080p HD presentation on Blu-ray from a 4K digital restoration of the original negatives supplied by MoMA | DTS-HD MA 5.1 score by Robert Israel; compiled, synchronised and edited by Gillian B. Anderson, based on music cue sheets compiled and issued for the original 1927 release | Brand new audio commentary by author Stephen Jones and author / critic Kim Newman | Brand new audio commentary by Kevin Lyons and Jonathan Rigby | MYSTERIES MEAN DARK CORNERS – brand new video essay by David Cairns & Fiona Watson | PAMELA HUTCHINSON ON THE CAT AND THE CANARY – brand new interview with writer and film critic Pamela Hutchinson | PHUONG LE ON THE CAT AND THE CANARY – brand new interview with film critic Phuong Le | A VERY ECCENTRIC MAN & YEAH, A CAT! – extracts from John Willard’s original play | LUCKY STRIKE – Paul Leni gives a full-throated endorsement to the product that got him through filming THE CAT AND THE CANARY | PLUS: A collector’s booklet featuring new writing on the film by Richard Combs, Craig Ian Mann, and Imogen Sara Smith
https://wn.com/Paul_Leni's_The_Cat_And_The_Canary_(1927)_(Masters_Of_Cinema)_New_Exclusive_Trailer
Paul Leni’s ground-breaking masterpiece of early cinematic horror, is AVAILABLE NOW for the first time ever on Blu-ray presented from a glorious 4K restoration, as part of the Masters of Cinema Series. The first print run of 2000 copies features a Limited-edition O-card slipcase.
🇬🇧 Eureka Store https://bit.ly/428SuYl
🇬🇧 Zavvi https://bit.ly/3SeLjcu
🇬🇧 HMV online https://bit.ly/42gTU2X
🇬🇧 Amazon UK https://bit.ly/3SaV0sx
🇺🇸🇨🇦 MVD https://bit.ly/42blleu
🇺🇸🇨🇦 Diablolik https://bit.ly/428z71z
🇺🇸🇨🇦 Grindhouse https://bit.ly/47ZqTdy
🇺🇸🇨🇦 Oldies http://bit.ly/eureka-cat-and-the-canary
🇺🇸🇨🇦 Orbit DVD https://buff.ly/3UBUXsh
🇺🇸🇨🇦 Amazon US https://bit.ly/3u9OXfL
🇺🇸🇨🇦 Amazon CA https://a.co/d/2fcBv5q
🇺🇸🇨🇦 Unobstructed View https://bit.ly/4aabZTq
Paul Leni (THE MAN WHO LAUGHS) directs one of the most important and influential films in the early history of American genre cinema, which perfected the ‘old dark house’ formula and set the stage for the Universal horror cycle of the 1930s.
Twenty years after the death of millionaire Cyrus West, his surviving relatives are called together in a decaying mansion on the Hudson River. There, they gather to hear West’s lawyer Roger Crosby (Tully Marshall) read his last will and testament and discover that West has left everything to his niece Annabelle (Laura La Plante). That is, at least, on the condition that she is judged to be legally sane. As the family settles in for the evening, tensions rise when they are informed that a murderer nicknamed the Cat has escaped from a nearby asylum and is suspected to be somewhere on the grounds. Crosby soon disappears in mysterious circumstances, which proves to be just the first in a series of horrifying events that will punctuate a long, dark night of terror – during which Annabelle’s sanity will be called into question again and again.
Based upon the 1922 stage production by John Willard, THE CAT AND THE CANARY is a perfect blend of horror and black comedy and stands at the apex of a cycle of films adapted from mystery plays throughout the 1920s. It later inspired James Whale’s THE OLD DARK HOUSE and has been remade several times – but never bettered. The Masters of Cinema Series is proud to present this cornerstone of horror cinema for the first time ever on Blu-ray from a glorious 4K restoration.
SPECIAL BLU-RAY EDITION FEATURES
Limited-edition O-card slipcase featuring new artwork by Graham Humphreys [First print run of 2000 copies only] | 1080p HD presentation on Blu-ray from a 4K digital restoration of the original negatives supplied by MoMA | DTS-HD MA 5.1 score by Robert Israel; compiled, synchronised and edited by Gillian B. Anderson, based on music cue sheets compiled and issued for the original 1927 release | Brand new audio commentary by author Stephen Jones and author / critic Kim Newman | Brand new audio commentary by Kevin Lyons and Jonathan Rigby | MYSTERIES MEAN DARK CORNERS – brand new video essay by David Cairns & Fiona Watson | PAMELA HUTCHINSON ON THE CAT AND THE CANARY – brand new interview with writer and film critic Pamela Hutchinson | PHUONG LE ON THE CAT AND THE CANARY – brand new interview with film critic Phuong Le | A VERY ECCENTRIC MAN & YEAH, A CAT! – extracts from John Willard’s original play | LUCKY STRIKE – Paul Leni gives a full-throated endorsement to the product that got him through filming THE CAT AND THE CANARY | PLUS: A collector’s booklet featuring new writing on the film by Richard Combs, Craig Ian Mann, and Imogen Sara Smith
- published: 25 Jan 2024
- views: 5122
1:41
The Last Warning (1929) | Directed by Paul Leni - Trailer [HD]
AVAILABLE ON BLU-RAY & DVD AT https://www.flickeralley.com/
Universal Pictures and Flicker Alley present Universal Pictures’ new 4K restoration of the 1929 sil...
AVAILABLE ON BLU-RAY & DVD AT https://www.flickeralley.com/
Universal Pictures and Flicker Alley present Universal Pictures’ new 4K restoration of the 1929 silent classic, The Last Warning, accompanied by a newly recorded score from Arthur Barrow. Adapted from Thomas F. Fallon’s 1922 Broadway play of the same name, The Last Warning is based on the story The House of Fear by Wadsworth Camp and centers on an unsolved murder that occurs during a live Broadway performance. When the victim’s body goes missing, the death remains unsolved and the theater is condemned. That is, until years later when a suspicious new “producer” arrives to restage the play with the original cast and crew. As one of the last silents Universal produced, The Last Warning was later released as a “part-talkie” with roughly sixty feet of sound scenes added.
The Last Warning was Paul Leni's final film before his untimely death, and a prime showcase for Universal's 1920s leading lady, Laura La Plante. A visual artist at the peak of his career, Leni’s camera never stops shifting, offering cutaways and trick shots involving nervous could-be culprits, a highly suspicious sleuth, and cast members who suddenly disappear in the darkened theater. The result is a cinematic funhouse that restlessly cross-examines the suspense of the story’s stage play against the “real” murder mystery saga, all unfolding amid the outstanding production design of Charles D. Hall.
Part of Universal's ongoing silent restoration initiative, The Last Warning honors the studio's rich film history that has spanned more than a century. Universal's team of restoration experts conducted a worldwide search for The Last Warning's available elements, ultimately working with materials from the Cinémathèque française, and the Packard Humanities Institute Collection in the UCLA Film & Television Archive. NBCUniversal's restoration team was able to stabilize and deflicker the film as well as repair scratches, warps, and dirt. The 4K digital restoration was completed by NBCUniversal StudioPost.
BONUS MATERIALS INCLUDE:
• Paul Leni and The Last Warning - A visual essay by film historian and author, John Soister on Leni’s final film.
• “Of Gods and Monsters” - An essay excerpt from the book of the same name by historian John Soister.
• "Notes On the New Score" - A short essay by composer Arthur Barrow on his new score for The Last Warning.
• Rare Image Gallery - A slide show presentation of vintage marketing materials and production stills.
• Reversible Cover Artwork
• Blu-ray / DVD Authoring by David Mackenzie of Fidelity In Motion
https://wn.com/The_Last_Warning_(1929)_|_Directed_By_Paul_Leni_Trailer_Hd
AVAILABLE ON BLU-RAY & DVD AT https://www.flickeralley.com/
Universal Pictures and Flicker Alley present Universal Pictures’ new 4K restoration of the 1929 silent classic, The Last Warning, accompanied by a newly recorded score from Arthur Barrow. Adapted from Thomas F. Fallon’s 1922 Broadway play of the same name, The Last Warning is based on the story The House of Fear by Wadsworth Camp and centers on an unsolved murder that occurs during a live Broadway performance. When the victim’s body goes missing, the death remains unsolved and the theater is condemned. That is, until years later when a suspicious new “producer” arrives to restage the play with the original cast and crew. As one of the last silents Universal produced, The Last Warning was later released as a “part-talkie” with roughly sixty feet of sound scenes added.
The Last Warning was Paul Leni's final film before his untimely death, and a prime showcase for Universal's 1920s leading lady, Laura La Plante. A visual artist at the peak of his career, Leni’s camera never stops shifting, offering cutaways and trick shots involving nervous could-be culprits, a highly suspicious sleuth, and cast members who suddenly disappear in the darkened theater. The result is a cinematic funhouse that restlessly cross-examines the suspense of the story’s stage play against the “real” murder mystery saga, all unfolding amid the outstanding production design of Charles D. Hall.
Part of Universal's ongoing silent restoration initiative, The Last Warning honors the studio's rich film history that has spanned more than a century. Universal's team of restoration experts conducted a worldwide search for The Last Warning's available elements, ultimately working with materials from the Cinémathèque française, and the Packard Humanities Institute Collection in the UCLA Film & Television Archive. NBCUniversal's restoration team was able to stabilize and deflicker the film as well as repair scratches, warps, and dirt. The 4K digital restoration was completed by NBCUniversal StudioPost.
BONUS MATERIALS INCLUDE:
• Paul Leni and The Last Warning - A visual essay by film historian and author, John Soister on Leni’s final film.
• “Of Gods and Monsters” - An essay excerpt from the book of the same name by historian John Soister.
• "Notes On the New Score" - A short essay by composer Arthur Barrow on his new score for The Last Warning.
• Rare Image Gallery - A slide show presentation of vintage marketing materials and production stills.
• Reversible Cover Artwork
• Blu-ray / DVD Authoring by David Mackenzie of Fidelity In Motion
- published: 15 Oct 2022
- views: 2334
1:45
The Man Who Laughs (1928) | Directed by Paul Leni - Trailer [HD]
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Fa...
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Facebook - https://www.facebook.com/FlickerAlley/
Flicker Alley, in partnership with Universal Pictures, are proud to present Universal Pictures’ new 4K restoration of the 1928 silent classic, The Man Who Laughs, accompanied by a newly recorded orchestral score by the Berklee Silent Film Orchestra. The composers, in reel order, are Phil Carlson, Benjamin Knorr, Marcelle Simpson, Sonia Coronado, Daniel Tauber, Emi Nishida, and Dai Haraguchi.
Based on the novel by Victor Hugo, the story centers on the extraordinary adventures of Gwynplaine (Conrad Veidt), whose wide and mirthless grin inspired DC Comics’ legendary Batman villain, the Joker. Veidt's character has become well known to most cinephiles. Orphaned as a child, Gwynplaine is punished by the king for his father’s transgressions by having his face carved into a hideous grin. Disfigured and alone, Gwynplaine rescues a blind girl named Dea (Mary Philbin), and both end up starring in a sideshow where they fall in love. Because she cannot see, Dea does not know about her lover’s tormented grin.
Masterfully directed by Paul Leni, The Man Who Laughs marks Leni’s penultimate work. Having grown up in Germany during the era of Expressionism, Leni embraces haunting characters, twisted sets, harsh angles, and deep shadows. Heralded as one of the best American silents emulating German Expressionism, The Man Who Laughs presents Leni at his creative directorial peak. Originally released silent, the film was enough of a hit for Universal in 1928 that the studio released it with a synched musical score using the Movietone sound-on-film process, presented here as a secondary audio track.
Part of Universal Pictures’ ongoing silent restoration initiative, The Man Who Laughs honors the studio's rich film history that has spanned more than a century. The primary source element for this restoration was a 35mm composite fine grain from the Universal Pictures vault, created in 1954 from the nitrate original camera negative. NBCUniversal's restoration team was able to stabilize and deflicker the film, as well as repair scratches, warps, and dirt. The 4K digital restoration was completed by NBCUniversal StudioPost.
BONUS MATERIALS INCLUDE:
• Paul Leni and The Man Who Laughs - A visual essay by film historian and author, John Soister, on Leni's work at Universal during this period.
• Celebrating Universal’s Masterpiece - A new booklet essay written by renowned film historian and author, Kevin Brownlow.
• Notes On the New Score - A short essay by composer Sonia Coronado of the Berklee Silent Film Orchestra on their new score for The Man Who Laughs.
• Optional Secondary Audio Track - In addition to the new Berklee Silent Film Orchestra score, the film’s original 1928 Movietone score presented here as a secondary audio track.
• Rare Image Gallery - A slide show presentation of vintage marketing materials, trade ads, memorabilia, and more.
• Reversible Cover Artwork
• Blu-ray / DVD Authoring by David Mackenzie of Fidelity In Motion
https://wn.com/The_Man_Who_Laughs_(1928)_|_Directed_By_Paul_Leni_Trailer_Hd
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Facebook - https://www.facebook.com/FlickerAlley/
Flicker Alley, in partnership with Universal Pictures, are proud to present Universal Pictures’ new 4K restoration of the 1928 silent classic, The Man Who Laughs, accompanied by a newly recorded orchestral score by the Berklee Silent Film Orchestra. The composers, in reel order, are Phil Carlson, Benjamin Knorr, Marcelle Simpson, Sonia Coronado, Daniel Tauber, Emi Nishida, and Dai Haraguchi.
Based on the novel by Victor Hugo, the story centers on the extraordinary adventures of Gwynplaine (Conrad Veidt), whose wide and mirthless grin inspired DC Comics’ legendary Batman villain, the Joker. Veidt's character has become well known to most cinephiles. Orphaned as a child, Gwynplaine is punished by the king for his father’s transgressions by having his face carved into a hideous grin. Disfigured and alone, Gwynplaine rescues a blind girl named Dea (Mary Philbin), and both end up starring in a sideshow where they fall in love. Because she cannot see, Dea does not know about her lover’s tormented grin.
Masterfully directed by Paul Leni, The Man Who Laughs marks Leni’s penultimate work. Having grown up in Germany during the era of Expressionism, Leni embraces haunting characters, twisted sets, harsh angles, and deep shadows. Heralded as one of the best American silents emulating German Expressionism, The Man Who Laughs presents Leni at his creative directorial peak. Originally released silent, the film was enough of a hit for Universal in 1928 that the studio released it with a synched musical score using the Movietone sound-on-film process, presented here as a secondary audio track.
Part of Universal Pictures’ ongoing silent restoration initiative, The Man Who Laughs honors the studio's rich film history that has spanned more than a century. The primary source element for this restoration was a 35mm composite fine grain from the Universal Pictures vault, created in 1954 from the nitrate original camera negative. NBCUniversal's restoration team was able to stabilize and deflicker the film, as well as repair scratches, warps, and dirt. The 4K digital restoration was completed by NBCUniversal StudioPost.
BONUS MATERIALS INCLUDE:
• Paul Leni and The Man Who Laughs - A visual essay by film historian and author, John Soister, on Leni's work at Universal during this period.
• Celebrating Universal’s Masterpiece - A new booklet essay written by renowned film historian and author, Kevin Brownlow.
• Notes On the New Score - A short essay by composer Sonia Coronado of the Berklee Silent Film Orchestra on their new score for The Man Who Laughs.
• Optional Secondary Audio Track - In addition to the new Berklee Silent Film Orchestra score, the film’s original 1928 Movietone score presented here as a secondary audio track.
• Rare Image Gallery - A slide show presentation of vintage marketing materials, trade ads, memorabilia, and more.
• Reversible Cover Artwork
• Blu-ray / DVD Authoring by David Mackenzie of Fidelity In Motion
- published: 15 Oct 2022
- views: 4402
1:36
Waxworks (1924) | Directed by Paul Leni - Trailer [HD]
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Fa...
AVAILABLE ON BLU-RAY AND DVD AT https://www.flickeralley.com/
Instagram - https://www.instagram.com/flickeralley/
Twitter - https://twitter.com/flickeralley
Facebook - https://www.facebook.com/FlickerAlley/
Waxworks (Das Wachsfigurenkabinett) was the final film Paul Leni directed in Germany before striking out for Hollywood, where he made such classic genre films as The Cat and the Canary, The Man Who Laughs, and The Last Warning. Its sophisticated medley of genres was in fact what inspired Universal’s Carl Laemmle to invite Leni to come to Hollywood, as Laemmle was hoping to capitalize on the emerging comedy-horror craze of the 1920s. Stylistically, Waxworks was celebrated as a late example of German Expressionism. Its stylized sets (designed by Leni), fantastical costumes, chiaroscuro lighting, and startlingly bold performances are characteristic of that cinematic movement and contribute to the film’s lasting appeal.
The three episodes of Waxworks are united by the character of a young poet (William Dieterle), who is hired by the owner of a wax museum to create backstories for a trio of the museum’s figures: Caliph Haroun-al-Raschid (Emil Jannings), Ivan the Terrible (Conrad Veidt), and Jack the Ripper (Werner Krauss). The stories with leading actors of Weimar cinema are depicted successively, the poet casting himself together with the daughter of the wax museum’s owner at the center of each tale. Though the poet and the daughter play different characters every time, they are always lovers threatened by an animated wax figure tyrant.
As the original German version of Waxworks has not survived, this newly restored English edition—a joint effort by the Deutsche Kinemathek and Cineteca di Bologna, L’Immagine Ritrovata (with funding from the German Commission for Culture and the Media)—is composed of vintage export prints and additional film materials from archives around the world. The elements, including English intertitles, were scanned in 4K resolution and then restored in 2K. Presented by Flicker Alley and Eureka Entertainment in a Blu-ray/DVD dual-format edition, there is an option of two scores to accompany the film: a new piano score by Richard Siedhoff and a new instrumental score by Bernd Schultheis, Olav Lervik and Jan Kohl, commissioned by ZDF/ARTE and performed by Ensemble Musikfabrik.
BONUS MATERIALS INCLUDE:
- Audio Commentary Track - Featuring Australian film and arts critic Adrian Martin.
- Paul Leni’s Rebus-Films Nr. 1 (1925) - Courtesy of Kino/Lorber, these Leni-helmed cinematic crossword puzzles were originally screened in 1920s German cinemas as featurettes accompanying the main film. Each of these animated shorts was split into two parts - a clue and an answer - and presented before and after the feature presentation.
- In search of the original version of Paul Leni’s Das Wachsfigurenkabinett (2020) - An interview with Julia Wallmüller (Deutsche Kinemathek) based on her presentation after the premiere of the restored film at Il Cinema Ritrovato festival in Bologna 2020.
- A Conversation with Kim Newman (2020) - An in-depth interview with journalist, film critic, and fiction writer Kim Newman, discussing the legacy of Waxworks.
- Collector’s Edition Souvenir Booklet - Limited edition booklet featuring new essays by Phillip Kemp and Richard Combs on the film’s history and significance; notes on the restoration process by Julia Wallmüller (Deutsche Kinemathek); and rarely seen production photographs and promotional material.
- Featuring reversible cover artwork
https://wn.com/Waxworks_(1924)_|_Directed_By_Paul_Leni_Trailer_Hd
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Waxworks (Das Wachsfigurenkabinett) was the final film Paul Leni directed in Germany before striking out for Hollywood, where he made such classic genre films as The Cat and the Canary, The Man Who Laughs, and The Last Warning. Its sophisticated medley of genres was in fact what inspired Universal’s Carl Laemmle to invite Leni to come to Hollywood, as Laemmle was hoping to capitalize on the emerging comedy-horror craze of the 1920s. Stylistically, Waxworks was celebrated as a late example of German Expressionism. Its stylized sets (designed by Leni), fantastical costumes, chiaroscuro lighting, and startlingly bold performances are characteristic of that cinematic movement and contribute to the film’s lasting appeal.
The three episodes of Waxworks are united by the character of a young poet (William Dieterle), who is hired by the owner of a wax museum to create backstories for a trio of the museum’s figures: Caliph Haroun-al-Raschid (Emil Jannings), Ivan the Terrible (Conrad Veidt), and Jack the Ripper (Werner Krauss). The stories with leading actors of Weimar cinema are depicted successively, the poet casting himself together with the daughter of the wax museum’s owner at the center of each tale. Though the poet and the daughter play different characters every time, they are always lovers threatened by an animated wax figure tyrant.
As the original German version of Waxworks has not survived, this newly restored English edition—a joint effort by the Deutsche Kinemathek and Cineteca di Bologna, L’Immagine Ritrovata (with funding from the German Commission for Culture and the Media)—is composed of vintage export prints and additional film materials from archives around the world. The elements, including English intertitles, were scanned in 4K resolution and then restored in 2K. Presented by Flicker Alley and Eureka Entertainment in a Blu-ray/DVD dual-format edition, there is an option of two scores to accompany the film: a new piano score by Richard Siedhoff and a new instrumental score by Bernd Schultheis, Olav Lervik and Jan Kohl, commissioned by ZDF/ARTE and performed by Ensemble Musikfabrik.
BONUS MATERIALS INCLUDE:
- Audio Commentary Track - Featuring Australian film and arts critic Adrian Martin.
- Paul Leni’s Rebus-Films Nr. 1 (1925) - Courtesy of Kino/Lorber, these Leni-helmed cinematic crossword puzzles were originally screened in 1920s German cinemas as featurettes accompanying the main film. Each of these animated shorts was split into two parts - a clue and an answer - and presented before and after the feature presentation.
- In search of the original version of Paul Leni’s Das Wachsfigurenkabinett (2020) - An interview with Julia Wallmüller (Deutsche Kinemathek) based on her presentation after the premiere of the restored film at Il Cinema Ritrovato festival in Bologna 2020.
- A Conversation with Kim Newman (2020) - An in-depth interview with journalist, film critic, and fiction writer Kim Newman, discussing the legacy of Waxworks.
- Collector’s Edition Souvenir Booklet - Limited edition booklet featuring new essays by Phillip Kemp and Richard Combs on the film’s history and significance; notes on the restoration process by Julia Wallmüller (Deutsche Kinemathek); and rarely seen production photographs and promotional material.
- Featuring reversible cover artwork
- published: 15 Oct 2022
- views: 838
53:49
Il Cinema Ritrovato 2020 | Incontro sul restauro: Paul Leni
In search of the original version of Paul Leni's 'Das Wachsfigurenkabinett'.
Incontro con Julia Wallmüller (Deutsche Kinemathek).
Video di 1Cinquantesimo, un p...
In search of the original version of Paul Leni's 'Das Wachsfigurenkabinett'.
Incontro con Julia Wallmüller (Deutsche Kinemathek).
Video di 1Cinquantesimo, un progetto di Margherita Caprilli, Elia Andreotti, Andrea Marchi
https://wn.com/Il_Cinema_Ritrovato_2020_|_Incontro_Sul_Restauro_Paul_Leni
In search of the original version of Paul Leni's 'Das Wachsfigurenkabinett'.
Incontro con Julia Wallmüller (Deutsche Kinemathek).
Video di 1Cinquantesimo, un progetto di Margherita Caprilli, Elia Andreotti, Andrea Marchi
- published: 03 Sep 2020
- views: 472
1:35
Paul Leni's Film - Trailer
Paul Leni is one of my favorite director.. his film always make me excited.. and we can remember him with this video.. enjoy :)
Paul Leni is one of my favorite director.. his film always make me excited.. and we can remember him with this video.. enjoy :)
https://wn.com/Paul_Leni's_Film_Trailer
Paul Leni is one of my favorite director.. his film always make me excited.. and we can remember him with this video.. enjoy :)
- published: 17 May 2014
- views: 189
43:41
Dornröschen (Paul Leni, 1917)
Silent adaptation of the famous fairy tale 'Sleeping Beauty'.
Silent adaptation of the famous fairy tale 'Sleeping Beauty'.
https://wn.com/Dornröschen_(Paul_Leni,_1917)
Silent adaptation of the famous fairy tale 'Sleeping Beauty'.
- published: 17 Oct 2023
- views: 307
1:10
1925 Paul Leni - "Rebus-film" (ident)
This is an ident for a series of "Rebus-films". These films were shown in two parts before and after a feature film. The first part gave filmed clues to words i...
This is an ident for a series of "Rebus-films". These films were shown in two parts before and after a feature film. The first part gave filmed clues to words in a cross-word puzzle and the second part gave the answers. Eight episodes were released in 1925 and 1926.
This ident is a quick montage consisting mainly of street scenes that were shot quite freely with the camera swinging in all directions. Some experimental film-makers like Man Ray and René Clair had made influential short movies in the year before this was released, that may have inspired Paul Luni to create this wild opening for a project that was clearly aimed at a wide audience.
https://wn.com/1925_Paul_Leni_Rebus_Film_(Ident)
This is an ident for a series of "Rebus-films". These films were shown in two parts before and after a feature film. The first part gave filmed clues to words in a cross-word puzzle and the second part gave the answers. Eight episodes were released in 1925 and 1926.
This ident is a quick montage consisting mainly of street scenes that were shot quite freely with the camera swinging in all directions. Some experimental film-makers like Man Ray and René Clair had made influential short movies in the year before this was released, that may have inspired Paul Luni to create this wild opening for a project that was clearly aimed at a wide audience.
- published: 27 Sep 2011
- views: 2331