Excellence is a talent or quality which is unusually good and so surpasses ordinary standards. It is also an aimed for standard of performance.

History[link]

The Ancient Greeks had a concept of arete which meant an outstanding fitness for purpose. This occurs in the works of Aristotle and Homer. Aristotle once said. "We are what we repeatedly do . . . excellence, then, is not an act, but a habit." ^[1]Another related concept was eudaimonia which was the happiness which resulted from a life well-lived, being prosperous and fulfilled. The equivalent concept in Muslim philosophy is ihsan.

Practice makes perfect[link]

Studies have shown that the most important way to achieve excellent performance in fields such as sport, music, professions and scholarship is to practice. Achievement of excellence in such fields commonly requires approximately 10 years of dedication, comprising about 10,000 hours of effort.^[2]

See also[link]

• Diligence
• Sophistication

References[link]

Kanye West
West at the SWU Music & Arts Festival, 2011
Background information
Birth name	Kanye Omari West
Born	(1977-06-08) June 8, 1977 (age 35) Atlanta, Georgia, United States
Origin	Chicago, Illinois, United States
Genres	Hip hop
Occupations	rapper, singer, songwriter, record producer, music video director, film director, fashion designer
Instruments	Vocals, keyboards, sampler, percussion, synthesizer
Years active	1996–present
Labels	GOOD Music, Roc-A-Fella, Def Jam
Associated acts	Go Getters, Child Rebel Soldier, Jay-Z, The Throne, Common, John Legend, Kid Cudi, Rihanna, Jeff Bhasker, Pusha T, Mos Def, Mr Hudson, Talib Kweli, Big Sean, A-Trak, Pharrell, Lupe Fiasco, RZA
Website	kanyewest.com

Kanye Omari West ( /ˈkɑːnjeɪ/; born June 8, 1977)^[1] is an American musician, film director and fashion designer. West first rose to fame as a producer for Roc-A-Fella Records, where he eventually achieved recognition for his work on Jay-Z's album The Blueprint, as well as hit singles for musical artists including Alicia Keys, Ludacris, and Janet Jackson. His style of production originally used pitched-up vocal samples from soul songs incorporated with his own drums and instruments. However, subsequent productions saw him broadening his musical palette and expressing influences encompassing '70s R&B, baroque pop, trip hop, arena rock, folk, alternative, electronica, synthpop, and classical music.^[2]

West released his debut album The College Dropout in 2004, his second album Late Registration in 2005, his third album Graduation in 2007, his fourth album 808s & Heartbreak in 2008, and his fifth album My Beautiful Dark Twisted Fantasy in 2010. West released a collaborative album, Watch the Throne with Jay-Z in 2011, which is the duo's first collaborative album. His five solo albums, all of which have gone platinum, have received numerous awards and critical acclaim.^[3] As of 2012, West has won a total of eighteen Grammy Awards, making him one of the most awarded artists of all-time.^[4] All albums have been very commercially successful, with My Beautiful Dark Twisted Fantasy becoming his fourth consecutive No. 1 album in the U.S. upon release.^[5] West has had 5 songs exceed 3 million in digital sales as of July 2011, with "Gold Digger" selling 3,086,000, "Stronger" selling 4,402,000, "Heartless" selling 3,742,000, "E.T." selling over 4,000,000 and "Love Lockdown" selling over 3,000,000^[6][7] placing him third in overall digital sales of the past decade.^[8][9] He has sold over 30 million digital songs in the United States making him one of the best-selling digital artists of all-time.^[10]

West also runs his own record label GOOD Music, home to artists such as John Legend, Common and Kid Cudi.^[11] West's mascot and trademark is "Dropout Bear," a teddy bear which has appeared on the covers of three of his five solo albums as well as various single covers and in his music videos.^[12] About.com ranked Kanye West No. 8 on their "Top 50 Hip-Hop Producers" list.^[13] On May 16, 2008, Kanye West was crowned by MTV as the year's No. 1 "Hottest MC in the Game."^[14] On December 17, 2010, Kanye West was voted as the MTV Man of the Year by MTV.^[15] Billboard ranked Kanye West No. 3 on their list of Top 10 Producers of the Decade.^[16] West has also been included in the Time 100 list of the most influential people in the world as well as being listed in a number of Forbes' annual lists.^[17]

Kanye will release the full-length album entitled Cruel Summer with GOOD Music signed artists sometime in 2012.

Early life[link]

Kanye West was born in Atlanta, Georgia,^[18] where he lived with his parents. When he was three years old, his parents divorced, and he and his mother moved to Chicago, Illinois.^[19] His father was Ray West, a former Black Panther who was one of the first black photojournalists at The Atlanta Journal-Constitution, and is now a Christian counselor.^[19] West's mother, Dr. Donda West, was a Professor of English at Clark Atlanta University, and the Chair of the English Department at Chicago State University before retiring to serve as West's manager. He was raised in a middle-class background, attending Polaris High School^[20] in suburban Oak Lawn, Illinois after living in Chicago.^[21] When asked about his grades in high school, West replied, "I got A's and B's. And I'm not even frontin'".^[22]

West attended art classes at the American Academy of Art in Chicago, and also enrolled at Chicago State University, but dropped out to focus on his music career.^[23] While attending school, West produced for local artists. He later gained fame by producing hit singles for major hip hop/R&B artists, including Jay-Z, Talib Kweli, Cam'ron, Paul Wall, Common, Mobb Deep, Jermaine Dupri, Scarface, The Game, Alicia Keys, Janet Jackson, John Legend among others. He also "ghost-produced" for his mentor Deric Angelettie, according to his song "Last Call" and the credits of Nas' "Poppa Was a Playa".^[23]

Music career[link]

1996–2003: Career beginnings[link]

Kanye West's first career productions came on Chicago rapper Grav's 1996 debut album Down to Earth. West produced eight tracks on the album. While the album did not attract much attention and would be the only album released by Grav, West would soon be producing for higher profile artists. In 1998–1999 he produced for well-known artists such as Jermaine Dupri, Foxy Brown, Goodie Mob, and the group Harlem World.

West got his big break in the year 2000, when he began to produce for artists on Roc-a-Fella Records. He produced the well-received Jay-Z song "This Can't Be Life" off of the album The Dynasty: Roc La Familia. West would later state that to create the beat for "This Can't Be Life", he sped up the drum beat from Dr. Dre's song "Xxplosive".^[24]

After producing for Jay-Z earlier, West’s sound was featured heavily on Jay-Z's critically acclaimed album The Blueprint, released September 11, 2001.^[25] His work was featured on the lead single "Izzo (H.O.V.A.)", "Heart of the City (Ain't No Love)" and a diss track against Nas and Mobb Deep named "Takeover"; West has worked with Mobb Deep and Nas since the track's release.^[25]

After meeting great commercial success and critical acclaim for his productions on The Blueprint, West became a sought after producer in the hip-hop industry, even before he became known as a rapper and solo artist. In the years 2002–2003 he would produce for artists such as Nas, Scarface, Talib Kweli, Mos Def, T.I., Ludacris, DMX, and Monica. He also continued producing for Roc-a-Fella Records artists and contribued four tracks to Jay-Z's follow up album to The Blueprint, The Blueprint²: The Gift & the Curse.

After great successes as a producer, West now looked to pursue a career as a rapper and solo artist, but struggled to get a record deal. Chris Anokute, then A&R at Def Jam, said that when West regularly dropped by the office to pick up his producer checks he would play demos of solo material to Anokute in his cubicle and bemoan the fact that no one was taking him seriously as a rapper.^[26] Jay-Z admitted that Roc-A-Fella was initially reluctant to support West as a rapper, claiming that he saw him as a producer first and foremost.^[27] Multiple record companies felt he was not as marketable as rappers who portray the "street image" prominent in hip hop culture.^[24] Beginning his career as a rapper, Kanye West recorded the third verse on the song "The Bounce" off of Jay-Z's The Blueprint²: The Gift & the Curse, an album he produced for, from the same label he was signed to as a rapper.

[edit] 2004–05: The College Dropout and Late Registration

On October 23, 2002, West was involved in a near fatal car crash while driving home from the recording studio.^[28] The crash provided inspiration for West's first single, "Through the Wire".^[29] West's faith is apparent in many of his songs, such as "Jesus Walks", which became a staple at his benefit performances, such as the Live 8 concert. These songs were featured on West's debut album, The College Dropout, which was released on Roc-A-Fella Records in February 2004, and went on to receive critical acclaim. The album also defined the style for which West would become known, including wordplay and sampling.^[29] The album was eventually certified triple platinum. Guest appearances included Jay-Z, Ludacris, GLC, Consequence, Talib Kweli, Mos Def, Common, and Syleena Johnson. The album also featured the singles, "All Falls Down" and "The New Workout Plan", as well as Twista's number one single, "Slow Jamz".^[30] During 2003 West also co-produced songs for British singer Javine Hylton, even appearing in the music video to Real Things playing the love interest of Javine.

West was involved in a financial dispute over Royce Da 5'9"'s song "Heartbeat", produced by West and released on Build & Destroy: The Lost Sessions. West maintains that Royce never paid for the beat, but recorded to it and released it; hearing him on the beat, the original customers decided not to buy it from West. After the disagreement, West vowed to never work with Royce again.^[31] Other Kanye West-produced hit singles during the period The College Dropout was released included "I Changed My Mind" by Keyshia Cole, "Overnight Celebrity" by Twista and "Talk About Our Love" by Brandy.^[29]

West and Jamie Foxx performing "Gold Digger" at the Democratic Convention in Denver, Colorado

Taking a more eclectic route, West collaborated with American film score composer Jon Brion to construct his second album, Late Registration, which was released on August 30, 2005.^[32] Like its predecessor, the sophomore effort garnered universal acclaim from music critics.^[33] Late Registration topped countless critic polls and was revered as the best album of the year by numerous publications, including USA Today, Spin, and Time.^[34][35] Rolling Stone awarded the album the highest position on their end of the year record list and hailed it as a "sweepingly generous, absurdly virtuosic hip-hop classic."^[36] The record earned the number one spot on the Village Voice's Pazz & Jop critics' poll of 2005 for the second consecutive year.^[37] Late Registration was also a commercial success, selling over 860,000 copies in its first week alone and topping the Billboard 200.^[38] Grossing over 2.3 million units sold in the United States alone by year's end, Late Registration was considered by industry observers as the sole majorly successful album release of the fall of 2005, a season that was plagued by steadily declining CD sales.^[39] The second album earned eight Grammy Award nominations including Album of the Year and Record of the Year for the song "Gold Digger".^[40] The album is certified triple platinum.^[41]

On August 22, 2005, the MTV special All Eyes On Kanye West aired, in which West spoke out against homophobia in hip-hop. He claimed that hip-hop has always been about "speaking your mind and about breaking down barriers, but everyone in hip-hop discriminates against gay people."^[42] He then reflected on a personal experience. He said that he had a "turning point" when he realized one of his cousins was gay. He said regarding this experience: "This is my cousin. I love him and I've been discriminating against gays." He drew comparison between African Americans' struggle for civil rights and today's gay rights movement. The following year, in an interview with Entertainment Weekly, West further expounded his experiences with and views on the relationship between the black and gay communities.^[43]

In September 2005, West announced that he would release his Pastelle Clothing line in spring 2006:^[44] "Now that I have a Grammy under my belt and Late Registration is finished, I am ready to launch my clothing line next spring." In that year, West produced the hit singles "Go" by Common and "Dreams" by The Game.^[45]

[edit] 2007–09: Graduation and 808s & Heartbreak

West performing in Kuala Lumpur, Malaysia, April 2007.

In 2007, it was announced that West would be starring in a series directed by Larry Charles. He has been working on the pilot episode for the past two years with Larry Charles and Rick Rubin. He also had this to say on January 14: "I wouldn't do something as cliché as a reality show. At least give me the credit for being more creative than that. It's a situational half-hour comedy. It's fictional, and loosely based on my life.^[46] " West also collaborated with Japanese hip-hop group Teriyaki Boyz to produce the single "I Still Love H.E.R.", a reference to Common's 1994 single "I Used to Love H.E.R.". Further to this, during a radio appearance in early 2007, West, like many of his peers, recorded an impromptu freestyle to the popular song "Throw Some D's." The song that to all other rappers was about automobile rims, was used by West to comically refer to D-cup breasts. Because of the unexpected success of the song, West went on to make a video for the freestyle, in which he is seen playing his 'Old Ass Cousin'.^[47]

West was also featured in a new song called "Classic (Better Than I've Ever Been)". It was believed to be a single for, Graduation, because he is featured on the track, but Nike quickly explained that it was for the Nike Air Force 1's anniversary. It was meant only to be an exclusive track for the company.^[48]

On March 25, 2007, he and his father Ray West supported World Water Day by having a "Walk for Water" rally.^[49] After a two-year break, West has returned to being a fashion columnist in lifestyle magazine Complex.^[50] On July 7, 2007, West performed with The Police and John Mayer at the American leg of Live Earth.^[51] West hosted the August 17 edition of British comedy- variety show The Friday Night Project.^[52]

In July 2007, West changed the release date of Graduation, his third album, from September 18, 2007, to the same release date as 50 Cent's album Curtis, September 11, 2007.^[53] 50 Cent later claimed that if Graduation were to sell more records than Curtis, he would stop releasing solo albums. However, 50 Cent would later dispel his comments.^[54] The album has been certified double platinum. Guest appearances included T-Pain, Mos Def, and Lil Wayne.^[55]

On August 26, 2007, West appeared as himself on the HBO television show Entourage which he used as a platform to premier his new single "Good Life" during the end credits. On September 9, 2007, West performed at the 2007 MTV Video Music Awards, losing in every category he was nominated for; he gave an angry speech immediately afterward. (see "Controversies" section)

Following the MTV stint, West was nominated in eight Grammy Award categories for the 50th annual Grammy Awards.^[57] He won four of them,^[58] including Best Rap Album for Graduation and Best Rap Solo Performance for "Stronger" from Graduation. During the four-hour televised Grammy Awards ceremony, West also performed two songs: "Stronger" (with Daft Punk) and "Hey Mama" (in honor of his recently deceased mother).^[59]

West kicked off the Glow in the Dark Tour in Seattle at the Key Arena on April 16. The tour was originally scheduled to end in June in Cincinnati but was extended into August. Over the course of the tour West was joined by a varying group of opening acts, including Lupe Fiasco, Rihanna, N.E.R.D., DJ Craze, and Gnarls Barkley. On June 15, West was scheduled to perform a late night set at the Bonnaroo Music Festival. His performance started almost two hours late and ran for half of its alloted time, angering many fans in the audience. West later wrote an outraged entry on his blog, blaming the festival organizers as well as Pearl Jam's preceding set, which ran longer than expected.

On September 7, West debuted a new song "Love Lockdown" at the 2008 MTV Video Music Awards. "Love Lockdown" features no rapping and only singing using an auto-tune device. This song appears on West's fourth studio album, 808s & Heartbreak. The new album was expected to be released on December 16, but West announced on his blog on September 24, 2008, that he had finished the album and would be releasing it sometime in November, earlier than previously scheduled. In early October, West made a surprise appearance at a T.I. concert in Los Angeles, where he stated that 808s & Heartbreak was scheduled to be released on November 25, though it was actually released on the 24th, and that the second single is "Heartless". The album was another number one album for West, even though the first week numbers fell well short of Graduation with 450,145 sold.^[60]

West performing in 2008

West performed at the American Music Awards ceremony on November 23.^[61] That same night he won two AMA awards, including Favorite Rap/Hip-Hop Album for Graduation and Favorite Rap/Hip-Hop Male Artist. West performed at the Democratic National Convention in Denver in August 2008, along with Wyclef Jean and N.E.R.D. in support of Barack Obama. On January 20, 2009, Kanye West performed at the Youth Inaugural Ball hosted by MTV for Obama's inauguration.

On February 17, 2009, West was named one of Top 10 Most Stylish Men in America by GQ.^[62] The next day, February 18, 2009, West won International Male Solo Artist at The Brit Awards 2009. West was not in attendance but accepted his award with a video speech, saying "Barack is the 'Best Interracial Male' but I'm proud to be the Best International Male in the world.^[63]

In April 2009, Kanye West recorded a song called "Hurricane" with 30 Seconds to Mars to appear on their album This Is War, but was not released due to legal issues with both record companies. The song was eventually released on the deluxe version of This Is War, titled "Hurricane 2.0".^[64][65][66]

[edit] 2010–present: My Beautiful Dark Twisted Fantasy and Watch the Throne

West performing at The Big Chill

In May 2010, West made an animated television guest appearance on Fox's animated television series The Cleveland Show (a spin-off of Family Guy) as the voice behind "Kenny West", a rival of Cleveland Brown's son.^[67] In his first episode he performed in a rap battle with Cleveland's son. The producers stated working with West was a very good experience and a reason they chose him was because they knew he was a fan of Family Guy.^[68] Kenny West re-appeared in the season 2 premiere of The Cleveland Show.

West spent the first half of 2010 in Honolulu, Hawaii, working on his new album with the working title "Good Ass Job", later named My Beautiful Dark Twisted Fantasy, released on November 22, 2010.^[69] West has cited Maya Angelou, Gil Scott-Heron and Nina Simone as his musical inspirations for this album. Outside production is said to come from RZA, Q-Tip, Pete Rock, and DJ Premier.^[70][71] West also had Justin Vernon flown into his studio on Oahu after seemingly expressing interest in sampling one of Bon Iver's songs; Vernon proceeded to feature on a number of new tracks, including "Lost In The World," which features Vernon's vocal line from Woods.^[72]

On May 28, the Dwele-assisted first single from the album, entitled "Power", leaked to the Internet. On June 30, the track was officially released via iTunes. The upcoming music video was quoted as being "apocalyptic, in a very personal way" by the director Marco Brambilla.^[73]

On September 12, 2010, West performed a new song, "Runaway" featuring Pusha T, at the 2010 MTV Video Music Awards.^[74] Shortly after the performance, Kanye revealed he was working on a 35 minute short film based around the song. The movie is said to be influenced by film noir and concerns a fallen phoenix whom Kanye falls in love with.^[75] On October 15, 2010, Kanye West was ranked 3rd in BET's "Top Ten Rappers of the 21st Century" list.^[76]

West performing at a benefit at the Museum of Modern Art in 2011

Watch the Throne, a collaborative studio album by West and Jay-Z,^[77] was released by Def Jam Recordings on August 8, 2011.^[78] It has been under production since August 2010 as part of West's GOOD Friday initiative of releasing new songs every Friday between August 20 and Christmas 2010.^[79] West said through a recent interview with MTV that the album is "going to be very dark and sexy, like couture hip hop."^[79][80][81] He appeared at the Macy's Thanksgiving Day Parade, performing the track "Lost in the World" from My Beautiful Dark Twisted Fantasy.^[82] On January 6, 2011, Kanye announced via Twitter that the first official single from Watch the Throne would be a song called "H•A•M" produced by Lex Luger. The song was released on January 11, 2011.^[83]

On April 17, 2011, West closed the Coachella Festival with a headlining set that received glowing praise from fans and critics alike.^[84][85] On July 20, a track titled "Otis" from the album was released in the iTunes Store. It samples "Try a Little Tenderness" by Otis Redding.^[86] On October 19, 2011, via his Twitter, West announced plans for a Spring 2012 GOOD Music album release.^[87] On April 6, 2012, "Mercy", the lead single from the GOOD Music compilation album, Cruel Summer, was released.^[88] The song, produced by newly signed in-house producer Lifted, features West along with Big Sean, Pusha T and southern rapper 2 Chainz.^[89]

Other ventures[link]

Business ventures[link]

In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago.^[90] Additionally, West planned to launch his fashion career, and applied for internships with major European fashion houses.^[91] He was due to release his own clothing line called Past Tell in 2009. He also collaborated with Nike to release his own shoe, Air Yeezys.

On January 22, 2009, during Paris Fashion Week, West introduced his first shoe line designed for Louis Vuitton. The line was released in summer 2009.

On October 1, 2011, Kanye West premiered his women's fashion label, DW Kanye West^[92] at Paris Fashion Week. He received support from DSquared2 duo Dean and Dan Caten, Olivier Theyskens, Jeremy Scott, Azzedine Alaïa, and the Olsen twins, who were also in attendance during his show. His debut fashion show received mixed-to-negative reviews,^[93][94] ranging from reserved observations by Style.com^[95] to excoriating commentary by The Wall Street Journal,^[96] the New York Times,^[97] the International Herald Tribune, Elleuk.com, The Daily Telegraph, Harper's Bazaar and many others.^{[98][99][100]}

Philanthropy[link]

West started the "Kanye West Foundation" in Chicago in 2003. On August 24, 2007, West hosted the inaugural benefit concert to launch the foundation's partnership with Strong American Schools. It is focused on helping Latino and African American children stay in school and continue education through grade school, high school, and college. The foundation also helps children pursue music in school. West has contributed over $500,000 to his foundation. The foundation has also been called the "Donda West Foundation".

Kanye West has appeared and participated in many fundraisers, benefit concerts, and has done community work for Hurricane Katrina relief, the Kanye West Foundation, the Millions More Movement, 100 Black Men of America, a Live Earth concert benefit, World Water Day rally and march, Nike runs, and a MTV special helping young Iraq War veterans who struggle through debt and PTSD a second chance after returning home.^[101]

Musical style and influences[link]

West working in the studio with his mentor No I.D. (left)

At the start of his career, Kanye West's production style often used pitched-up vocal samples, usually from soul songs, with his own drums and instruments.^[25] His first major release featuring his trademark vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West said he sped up the drum beat of Dr. Dre's "Xxplosive" to use as a replacement for his drums on "This Can't Be Life".^[24]

West has said that Wu-Tang Clan producer RZA influenced him in his style,^[21][102] and has said on numerous occasions that Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard were some of his all-time favorites, "Wu-Tang? Me and my friends talk about this all the time... We think Wu-Tang had one of the biggest impacts as far as a movement. From slang to style of dress, skits, the samples. Similar to the [production] style I use, RZA has been doing that."^[103] RZA himself has spoken quite positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye. He came up to me about a year or two ago. He gave me mad praising and blessings... For people to say Wu-Tang inspire Kanye, Kanye is one of the biggest artists in the world. That goes back to what we say: 'Wu-Tang is forever.' Kanye is going to inspire people to be like him."^[104] After hearing his work on The Blueprint, RZA claimed that a torch-passing had occurred between him and West, saying, "The shoes gotta be filled. If you ain't gonna do it, somebody else is gonna do it. That's how I feel about rap today."^[104]

West accompanied by an eleven-piece chamber orchestra

While his use of sampling has lessened over time, West's production continues to feature distinctive and intricate string arrangements. This characteristic arose from him listening to the English trip hop group Portishead, whose 1998 live album Roseland NYC Live, with the New York Philharmonic Orchestra inspired him to incorporate string sections into his hip hop production.^[2] Though he was unable to afford live instruments beyond violin riffs provided by Israeli violinist Miri Ben-Ari around the time of his debut album, its subsequent commercial success allowed him to hire his very own eleven-piece string orchestra. For a time, West stood as the sole current pop star to tour with a string section.^[2]

West has stated on several occasions that outside of work, he favors listening to rock music over hip-hop. He cites Franz Ferdinand, Red Hot Chili Peppers, and The Killers as some of his favorite musical groups. Additionally, on Graduation, West drew inspiration from arena rock bands such as U2, The Rolling Stones and Led Zeppelin for melody and chord progression.^[105] Both a fan and supporter of indie culture, West uses his official website to promote obscure indie rock bands, posting up music videos and mp3s on a daily basis.^[106] This musical affinity is mutual, as West has collaborated with indie artists such as Santigold, Peter Bjorn and John, and Lykke Li while his songs have gone on to be covered countless times by myriad rock bands.^[107]

Personal life[link]

Relationships[link]

Kanye West and designer Alexis Phifer ended their 18-month engagement in 2008. The couple had been dating on and off since 2002, with West eventually proposing in August 2006. According to a friend, the couple's relationship had become increasingly strained, burdened by the sheer amount of time and attention West was dedicating to his current concert tour. "It's always sad when things like this end, and we remain friends," Phifer told People.^[108]

West was also in a high profile on/off relationship with Amber Rose from 2008 until the summer of 2010. He is now reportedly dating reality star Kim Kardashian.^[109]

Mother's death[link]

Donda West in August 2007

On November 10, 2007, West's mother, Donda West, died of complications from cosmetic surgery involving abdominoplasty and breast reduction.^[110] TMZ reported that Beverly Hills plastic surgeon Andre Aboolian refused to do the surgery because Donda West had a health condition that placed her at risk for a heart attack.^[110] Aboolian referred her to an internist to investigate her cardiac issue.^[110] Donda never met with the doctor recommended by Aboolian and had the procedures performed by a third doctor, Jan Adams.^[110] She was 58 years old (1949–2007).

Adams sent condolences to Donda West's family but declined to publicly discuss the procedure because of confidentiality.^[111] He had previously been under scrutiny by the medical board.^{[112][113][114]} Adams appeared on Larry King Live on November 20, 2007 but left before speaking. Two days later, he appeared again, with his attorney, stating he was there to "defend himself." He said that the recently released autopsy results "spoke for themselves".^[115] The final coroner's report January 10, 2008 concluded that Donda West died of "coronary artery disease and multiple post-operative factors due to or as a consequence of liposuction and mammoplasty."^[116]

The funeral and burial for Donda West was held in Oklahoma City on November 20, 2007.^[117] West held his first concert following the funeral at The O2 in London on November 22. He dedicated a performance of "Hey Mama", as well as a cover of Journey's "Don't Stop Believin'", to his mother, and did so on all other dates of his Glow in the Dark tour.^[118]

At a December 2008 press conference in New Zealand, West spoke about his mother's death for the first time. "It was like losing an arm and a leg and trying to walk through that," he told reporters.^[119]

California governor Arnold Schwarzenegger passed the "Donda West Law," a legislation which makes it mandatory for patients to provide medical clearance for elective cosmetic surgery.^[120]

Legal issues[link]

In December 2006, Robert "Evel" Knievel sued West for trademark infringement in West's video for "Touch the Sky." Knievel took issue with a "sexually charged video" in which West takes on the persona of "Evel Kanyevel" and attempts flying a rocket over a canyon. The suit filed in federal court claims infringement on his trademarked name and likeness. Knievel also claims the "vulgar and offensive" images depicted in the video damage his reputation. The suit seeks damages and to stop distribution of the video.^[121] West's attorneys argued that the music video amounted to satire and therefore was covered under the First Amendment. Just days before his death in November 2007, Knievel amicably settled the suit after being paid a visit from West, saying, "I thought he was a wonderful guy and quite a gentleman."^[122]

On September 11, 2008, West and his road manager/bodyguard Don "Don C." Crowley were arrested at Los Angeles International Airport and booked on charges of felony vandalism after an altercation with the paparazzi in which West and Crowley broke the photographers' cameras.^[123][124] West was later released from the Los Angeles Police Department's Pacific Division station in Culver City on $20,000 bail bond. On September 26, 2008 the Los Angeles County District Attorney's Office said it would not file felony counts against West over the incident. Instead the case file was forwarded to the city attorney's office, which charged West with one count of misdemeanor vandalism, one count of grand theft and one count of battery and his manager with three counts of each on March 18, 2009.^[125] West's and Crowley's arraignment was delayed from an original date of April 14, 2009.^[126]

West was arrested again on November 14, 2008 at the Hilton hotel near Gateshead after another scuffle involving a photographer outside the famous Tup Tup Palace nightclub in Newcastle Upon Tyne. He was later released "with no further action", according to a police spokesperson.^[127]

Controversies[link]

General media[link]

West has had several controversies throughout his career. On September 2, 2005, during a benefit concert for Hurricane Katrina relief on NBC, A Concert for Hurricane Relief, West was a featured speaker. When West was presenting alongside actor Mike Myers, he deviated from the prepared script. Myers spoke next and continued to read the script. Once it was West's turn to speak again, he said "George Bush doesn't care about black people." At this point, telethon producer Rick Kaplan cut off the microphone and then cut away to Chris Tucker, who was unaware of the cut for a few seconds. Still, West's comment reached much of the United States.^[128][129] Bush stated in an interview that the comment was "one of the most disgusting moments” of his presidency.^[130]

In January 2006, West again sparked controversy when he appeared on the cover of Rolling Stone in the image of Jesus wearing a crown of thorns.^[131]

In November, 2010, in a taped interview with Matt Lauer for the Today Show, West expressed regret for his criticism of Bush. "I would tell George Bush in my moment of frustration, I didn't have the grounds to call him a racist," he told Lauer. "I believe that in a situation of high emotion like that we as human beings don't always choose the right words." The following day, Bush reacted to the apology in a live interview with Lauer saying he appreciated the rapper's remorse. "I'm not a hater," Bush said. "I don't hate Kanye West. I was talking about an environment in which people were willing to say things that hurt. Nobody wants to be called a racist if in your heart you believe in equality of races."

Reactions were mixed, but some felt that West had no need to apologize. "It was not the particulars of your words that mattered, it was the essence of a feeling of the insensitivity towards our communities that many of us have felt for far too long," noted Def Jam co-founder Russell Simmons.^[132] Dr. Boyce Watkins said that West was, "now part of the establishment, where waffling on your principles is fully expected. Bush deserved no apology, for you don’t apologize to a criminal after repudiating him for an egregious crime.^[133] " Bush himself was receptive to the apology, saying, "I appreciate that. It wasn't just Kanye West who was talking like that during Katrina, I cited him as an example, I cited others as an example as well. You know, I appreciate that."^[134]

Award shows[link]

In 2004, West had his first of a number of incidents involving music award events. At the American Music Awards of 2004, West stormed out of the auditorium after losing Best New Artist to country singer Gretchen Wilson. He later commented, "I felt like I was definitely robbed [...] I was the best new artist this year."^[135] After the 2006 Grammy nominations were released, West said he would "really have a problem" if he did not win the Album of the Year, saying, "I don't care what I do, I don't care how much I stunt – you can never take away from the amount of work I put into it. I don't want to hear all of that politically correct stuff."^[136] On November 2, 2006, when his "Touch the Sky" failed to win Best Video at the MTV Europe Music Awards, West went onto the stage as the award was being presented to Justice and Simian for "We Are Your Friends" and argued that he should have won the award instead.^[137][138] Hundreds of news outlets worldwide criticized the outburst. On November 7, 2006, West apologized for this outburst publicly during his performance as support act for U2 for their Vertigo concert in Brisbane.^[139] He later spoofed the incident in the season premiere of Saturday Night Live.

On September 9, 2007, West suggested that his race had to do with his being overlooked for opening the 2007 MTV Video Music Awards (VMAs) in favor of Britney Spears; he claimed, "Maybe my skin’s not right."^[140] West was performing at the event; that night, he lost all 5 awards that he was nominated for, including Best Male Artist and Video of the Year. After the show, he was visibly upset that he had lost at the VMAs two years in a row, stating that he would not come back to MTV ever again. He also appeared on several radio stations saying that when he made the song "Stronger" that it was his dream to open the VMAs with it. He has also stated that Spears has not had a hit in a long period of time and that MTV exploited her for ratings.^[141]

On September 13, 2009, during the 2009 MTV Video Music Awards while Taylor Swift was accepting her award for Best Female Video for "You Belong with Me", West went on stage and grabbed the microphone to proclaim that Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated for the same award, was "one of the best videos of all time". He was subsequently removed from the remainder of the show for his actions.^{[142][143][144]} When Beyoncé later won the award for Best Video of the Year for "Single Ladies (Put a Ring on It)", she called Swift up on stage so that she could finish her acceptance speech.^[142] West was criticized by various celebrities for the outburst,^{[143][145][146][147][148]} and by President Barack Obama, who called West a "jackass".^{[149][150][151][152][153]} In addition, West's VMA disruption sparked a large influx of Internet photo memes with blogs, forums and "tweets" with the "Let you finish" photo-jokes.^[154] Subsequently, West posted two apologies for the outburst on his personal blog; one on the night of the incident and the other the same day he appeared on The Jay Leno Show, on September 14, 2009, where he apologized again.^[146][155] After Swift appeared on The View two days after the outburst, partly to discuss the matter, West called her to apologize personally. Swift said she accepted his apology.^{[156][157][158]} In September 2010, West wrote a series of apologetic tweets addressed to Swift including "Beyonce didn't need that. MTV didn't need that and Taylor and her family friends and fans definitely didn't want or need that" and concluding with "I'm sorry Taylor." West also revealed he had written a song for Swift and if she did not accept the song, he would perform it himself.^[159] However, on November 8, 2010, in an interview with a Minnesota radio station, West seemed to recant a bit of his past apologies by attempting to describe the act at the 2009 awards show as "selfless" and downgrade the perception of disrespect it created.^[160][161]

Discography[link]

Solo Albums

• The College Dropout (2004)
• Late Registration (2005)
• Graduation (2007)
• 808s & Heartbreak (2008)
• My Beautiful Dark Twisted Fantasy (2010)

Collaborations

• Watch the Throne (2011) – with Jay-Z
• Cruel Summer (2012) – with GOOD Music artists^[87]

Filmography[link]

• We Were Once a Fairytale (2009)
• Runaway (2010)
• Cruel Summer (2012)

Awards and nominations[link]

Kanye West portal

References[link]

External links[link]

Wikimedia Commons has media related to: Kanye West

Wikiquote has a collection of quotations related to: Kanye West

• Official website
• Kanye West at Allmusic
• Kanye West at Beatbuggy
• Kanye West at the Internet Movie Database

Watch the Throne is a collaborative studio album by American rappers Jay-Z and Kanye West, released on August 8, 2011, by Roc-A-Fella Records, Roc Nation, and Def Jam Recordings. Recording sessions for the album took place at various recording locations and began in November 2010. It was produced by West, 88 Keys, RZA, Swizz Beatz, Jeff Bhasker, and Mike Dean, among others. Prior to the album, Jay-Z and West had collaborated on their respective singles and with West as a producer on Jay-Z's work.

Expanding on the dense production style of West's 2010 album My Beautiful Dark Twisted Fantasy, Watch the Throne incorporates orchestral and progressive rock influences, unconventional samples, and dramatic melodies in its sound. Jay-Z and West's braggadocio lyrics on the album exhibit themes of opulence, fame, materialism, power, and the burdens of success, as well as political and socioeconomic context. Music writers interpreted the album's subject matter to concern the rappers' plight as African Americans struggling with financial success in America.

The album debuted at number one on the US Billboard 200 chart, selling 436,000 copies its first week. It produced seven singles, including the international hits "Otis" and "Niggas in Paris" and Billboard hit "H•A•M". Upon its release, Watch the Throne received generally positive reviews from music critics, who commended its production and the rappers' performances, although some criticized its subject matter and cohesiveness. It was one of the top-ranked albums in year-end lists by critics and publications. Jay-Z and West promoted the album with a concert tour that spanned October to December 2011. The album has been certified platinum by the Recording Industry Association of America and, as of March 2012, has sold 1,421,000 copies in the United States.

Background[link]

Jay-Z and Kanye West had first worked together on the former's 2000 song "This Can't Be Life", which was produced by West,^[1] and on Jay-Z's 2001 album The Blueprint, which showcased West's style of hip hop production at the time.^[2] West's early production work on Jay-Z's music helped raise his profile in the music industry.^[1] Subsequent collaborative work by the two included further production work by West for Jay-Z and collaborations on singles such as "Swagga Like Us", "Run This Town", and "Monster".^[2][3][4] Originally intended to be a five-track EP by Jay-Z and West, Watch the Throne was revealed by West to be a full-length album in an October 2010 interview for MTV.^[5] He said in the interview that they planned to record in the south of France.^[5]

Recording[link]

Recording sessions for the album took place at Avex Recording Studio in Honolulu, Hawaii, Barford Estate in Sydney, Australia, Electric Lady Studios, The Mercer Hotel, MSR Studios, and Tribeca Grand Hotel in New York, New York, Le Meurice in Paris, France, and Real World Studios in Wiltshire, England.^[6] Production began in November 2010 in England and continued during available times in Jay-Z's and West's respective schedules at locations in Australia, Paris, Abu Dhabi,^[7] New York City, and Los Angeles.^[8] In an interview for Billboard, Jay-Z said that they often recorded in hotel rooms and that the album went through three iterations, as he and West had scaled back from their original musical direction.^[9] He also noted difficulties in the recording process, including arguments with West regarding their direction.^[9] The album's earlier sessions produced little material that made the final cut.^[7]

Jay-Z and West recorded at various locations, including Real World Studios in Wiltshire, England.

In January 2011, they regrouped and rented a block of rooms at the Mercer Hotel in New York City and invited a select group of producers and recording artists.^[7] Chauncey "Hit-Boy" Hollis, who produced the track "Niggas in Paris", said of recording at the hotel, "There was music going on in every room. I had a room where I was cranking out beats, and then I’d go into the main room with Jay and [Kanye] and play beats for them. Kanye is really hands-on. I would come in with a beat and he’d be like, ‘Take this out, slow it down.’ It would make it sound 100 times better. Jay would then mumble different flows to the beat."^[7] Parts of the album were also recorded in New York City's Tribeca Grand Hotel.^[10] In an interview for Rolling Stone, Jay-Z discussed their insistence on recording in person and attributed it to the delay in releasing the album, stating "If we were gonna do it, we were gonna do it together. No mailing it in."^[8] The album was mastered by producer and engineer Mike Dean at the Mercer Hotel.^[6]

Jay-Z and West worked with several guest recording artists, including Beyoncé, Frank Ocean, and Mr Hudson.^[11] "No Church in the Wild", the last song recorded for the album, was conceived by Jay-Z, West, and the song's producer 88-Keys throughout most of June.^[12] Producer and recording artist The-Dream sings a verse on the track using AutoTune.^[6] Additional vocalists Elly Jackson, Connie Mitchell, and Justin Vernon provide the hook on "That's My Bitch".^[6] Swizz Beatz, who produced "Welcome to the Jungle", also provided background vocals to the track, and Kid Cudi contributed additional vocals to "The Joy" and "Illest Motherfucker Alive", bonus tracks on the album's deluxe edition.^[6]

Composition[link]

Music and style[link]

Julian Benbow of The Boston Globe writes that the album's music is as "massive, dour, and relentlessly unconventional" as that of West's previous 2010 album My Beautiful Dark Twisted Fantasy.^[13] Music writer Robert Christgau describes West's production as "a funkier and less ornate variant of the prog-rap of 2010's acclaimed My Beautiful Dark Twisted Fantasy".^[14] Music journalist Jody Rosen characterizes the music as "vast, dark and booming," commenting that West "continues in the sonic vein he introduced in My Beautiful Dark Twisted Fantasy, lacing the songs with rock dynamics, layering his beats with eerie vocal chorales, piling on proggy flourishes."^[15] Conversely, Matthew Cole of Slant Magazine finds West's "knack for dramatic, melodically sophisticated tracks [...] channeled away from the Olympian scale" of his previous album "and toward the more commercial vein of Jay-Z's recent work," which he attributes to West splitting production work with several other producers.^[16] On the songs' structure, Cole states, "every track eschews the standard verse-hook-repeat format in favor of more dynamic material."^[16]

Music journalist Alexis Petridis comments that the album incorporates "unlikely samples."^[17] Jon Caramanica of The New York Times writes that the album's production "can be roughly segmented into three categories," noting "Southern-inflected tracks" such as "Niggas in Paris" and "H•A•M", "moody and harsh numbers" like "Who Gon Stop Me" and "Why I Love You", and "the nostalgia that creeps over much of this album, giving it a sonic through-line and mission statement."^[18] Pitchfork Media's Tom Breihan perceives "pure orchestral excess" on some of its songs and describes the album's musical scope as "a tribute to [West's] distinctive taste and sense of style."^[19]

Lyrical themes[link]

The album features themes of opulence, fame,^[20] materialism,^[21] power, and the burdens of success.^[22] Jay-Z's and West's lyrics include boasts of obscene wealth, grandiosity,^[23] and social commentary.^[16][19] Sputnikmusic's Tyler Fisher describes Watch the Throne as "an album centered around larger-than-life egos."^[24] Robert Christgau notes "regal grandiosity" and "glory" as primary themes on the album.^[25] Andy Kellman of Allmusic characterizes much of the album's lyrical content as "ruthless flaunting of material wealth and carte blanche industry resources."^[26] Ross Green of Tiny Mix Tapes describes it as "luxury rap", noting Jay-Z's and West's "whimsy and braggadocio."^[27] Rob Harvilla of Spin views that their lyrics express elitism, narcissism, "relentless capitalism," and "smug yet undeniable greatness."^[20]

Music critic Greg Kot views that the album is about "mutual admiration" and writes of the rappers' respective personas, "Jay-Z is about imperious flow, bridging his gritty past life on the streets with his current status as a cultural tastemaker and business mogul. [...] West is more desperate, transparent, awkward, vulnerable."^[28] Music critic Nathan Rabin states that Jay-Z and West "are a study in contrasts: the businessman and the bohemian, the faithful husband and the drugged-up playboy, the walking press release and the loose cannon. Jay-Z is tidy. Kanye is nothing but rough edges."^[29] Jon Caramanica writes similarly, "breaking [...] old barriers is a means to acceptance and stability" for Jay-Z, while "West sounds lonely" with his fame, adding that "For Mr. West every flash of Dionysian extreme is tempered by the realization of its hollowness."^[18] In his article "Brag Like That" for Barnes & Noble, Robert Christgau comments that "Jay-Z is a grown man and Kanye West is not" on the album and elaborates on their lyrics, stating:

Both co-kings flaunt their arrogance even by the standards of a genre where braggadocio is the main event, and neither is shy about pretending that the line of succession from Otis Redding and Martin Luther King is paved with their gold. [...] One could venture that maybe Watch the Throne divvies up the way it does for rhetorical purposes—that one king plays the hero and the other the hedonist, two equally royal hip-hop archetypes.^[14]

—Robert Christgau

Their lyrics also exhibit political and socioeconomic context,^[23][30] which Jody Rosen denotes as "serious, sober, weighty."^[15] Nitsuh Abebe of New York views that the album is "about the relationship of black American men to wealth, power, and success. [...] a portrait of two black men thinking through the idea of success in America."^[22] He compares it to Yinka Shonibare's 1998 piece Diary of a Victorian Dandy, "in which the artist luxuriates in all the genteel pleasures of the time."^[22] Randall Roberts of the Los Angeles Times notes "musings on the spoils of riches and the chaos that accompanies it," adding that "[the] tension between worshiping the spirit and celebrating the bounty drives Watch the Throne [...] The record questions faith while clinging to heritage and family, places this moment in an historical context, wonders on the mystery, power and confusion of the gilded life — while rolling around in amulets."^[31] Writer Kitty Empire interprets it to be about "black power [...] conceived as a swaggering taunt of achievement, in line with both men's previous works, which routinely double as shopping guides. [...] [T]hey need to humanise all the conspicuous consumption."^[32] Claire Suddath of Time views the rappers' "bacchanal celebration of the finer things in life" as secondary to the theme of "two men grappling with what it means to be successful and black in a nation that still thinks of them as second class."^[33]

Content[link]

The opening track "No Church in the Wild" features a cinematic production style.^[30] "Lift Off" has baroque strings and a chorus sung by Beyoncé.^[34] "Niggas in Paris" incorporates staccato orchestration, fizzing industrial noise, a sampling of dialogue from the 2007 film Blades of Glory.^[17] West and Jay-Z's lyrics frame their rags to riches story on the song.^[30] "Otis" samples Otis Redding's 1966 song "Try a Little Tenderness", manipulating it into a rhythm track with Redding's vocals and grunts.^[17][19] "Gotta Have It", produced by The Neptunes, incorporates chopped-up James Brown vocal samples and Eastern flute melodies.^[19]

On "New Day", they address future sons about fame.^[29] It references the line "me and the RZA connect" from Raekwon's 1995 song "Incarcerated Scarfaces", which was also produced by RZA.^[18] The track incorporates a sample of Nina Simone's 1965 song "Feeling Good" through an Auto-Tune voice processor.^[19] On "Welcome to the Jungle", Jay-Z laments personal losses and overcoming struggles.^[21] "Who Gon Stop Me" features bombastic production and samples Flux Pavilion's 2011 song "I Can't Stop".^[35] "Murder to Excellence" addresses black-on-black crime and limited social mobility for African Americans.^[19] "Made in America" has themes of family life and the American Dream,^[31] with Jay-Z and West discussing their respective rises to fame, while acknowledging those who helped and inspired them.^[21] "Why I Love You" has Jay-Z lamenting betrayal and how his past protégés failed to maintain without him.^[18][19]

Release and promotion[link]

The album was released by Roc-A-Fella Records, Roc Nation, and Def Jam Recordings,^[36] Jay-Z's and West's respective record labels.^[37] On July 4, it was made available to pre-order on Life + Times, Jay-Z's lifestyle webzine, which redirected to Island Def Jam's website that featured the deluxe version available for $16.99, standard CD for $13.99, a deluxe digital version for $14.99, and standard digital album for $11.99.^[9] On July 22, its pre-order was made available on the iTunes Store.^[38] The album was released digitally on August 8 exclusively through iTunes, while its physical release was made available on August 12.^[39] Its deluxe CD edition was sold exclusively by Best Buy through August 23, when it became available at other retailers.^[39] The sales strategy for the album received criticism from other retailers, who accused the labels of giving preferential treatment to iTunes and Best Buy.^[39] One of the most anticipated albums in 2011, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak.^[40][41]

West (left) and Jay-Z (right) on the Watch the Throne Tour, 2011.

On July 7, Jay-Z hosted a private listening session at the Mercer Hotel in New York City, previewing the album's songs from his MacBook Pro for a select group of reporters and music journalists.^[8][42] It was also exclusive to two teenage fans who had won access to the session for being the first two people to pre-order the album through Jay-Z's Life + Times website.^[9] The album's cover and artwork, both designed by Italian designer Riccardo Tisci,^[10] were also premiered at the session.^[43] Benjamin Meadows-Ingrim of Billboard, who attended the session, said of the previewed material, "The songs were dramatic and boastful, with Jay-Z often taking the lead lyrically, and the collection showcased the differences between the two artists - Jay-Z, the technical marksman, and Kanye, the emotive chest beater."^[9] On August 1, Jay-Z and West held a listening session for the album at the Rose Center for Earth and Space in New York City's American Museum of Natural History.^[44] The session premiered the album in its entirety and featured attendance from journalists, models, industry types, and recording artists such as Busta Rhymes, 88-Keys, and Beyoncé Knowles.^[44]

Jay-Z and West promoted Watch the Throne with a 34-date, North American concert tour produced by Live Nation,^[45] which began on October 29 and concluded on December 18.^[46] By the end of the year, the tour had grossed $48.3 million making it the highest grossing hip-hop tour and the eighth highest grossing tour of 2011.^[47]

IFC films is producing an independent film, "Watch the Throne: The Indie Movie", based on the lyrics from the album. Written and directed by Patrick Willems, the film stars Chloe Holgate, Lily Holgate, and Katie Dana.^[48]

Singles[link]

Following West's announcement via his Twitter account,^[49] "H•A•M" was officially released as a digital download on January 11.^[50] It charted at number 23 on the US Billboard Hot 100.^[51] On July 20, "Otis" was premiered on Funkmaster Flex's Hot 97 radio show and subsequently leaked to the Internet.^[52] It was sent to rhythmic contemporary and urban contemporary radio on August 9.^[53][54] Its cover art was created by Riccardo Tisci.^[55] "Otis" reached number 12 on the Billboard Hot 100.^[56] A music video for the song was filmed by director Spike Jonze in Los Angeles.^[57] "Lift Off" was sent to US urban radio on August 23.^[58] On September 13, "Why I Love You" was sent to US rhythmic radio,^[59] and "Niggas in Paris" was sent to both rhythmic and urban radio and has since peaked at number five on the Billboard Hot 100.^[60][61][62] "Niggas in Paris" was sent to Top 40/Mainstream radio on November 8.^[63] By February 2012, it had reached digital sales of two million in the US.^[64] The following single in the US, "Gotta Have It", impacted Urban radio on December 6, 2011,^[65] and Rhythmic radio on January 31, 2012.^[66] "No Church in the Wild" impacted Urban radio on March 20, 2012.^[67]

Reception[link]

Critical response[link]

Professional ratings
Review scores
Source	Rating
Allmusic	[26]
Robert Christgau	A−[25]
Entertainment Weekly	B−[34]
The Guardian	[17]
The New York Times	favorable[18]
Pitchfork Media	8.5/10[19]
Q	[68]
Rolling Stone	[15]
Slant Magazine	[16]
Spin	6/10[20]