name	Judy Collins
background	solo_singer
birth name	Judith Marjorie Collins
birth date	May 01, 1939
origin	Seattle, Washington, United States
instruments	Vocals, Piano, Guitar
genre	Rock and roll, pop, folk
occupation	Singer, songwriter, musician
years active	1959–present
label	Elektra RecordsGeffen/MCA RecordsMesa Bluemoon/Rhino/Atlantic RecordsWildflower Records
associated acts	Leonard CohenBob DylanJoni MitchellJoan Baez
website	judycollins.com
notable instruments	Vocals, Piano, Guitar }}

Judith Marjorie "Judy" Collins (born May 1, 1939) is an American singer and songwriter, known for her eclectic tastes in the material she records (which has included folk, show tunes, pop, rock and roll and standards); and for her social activism. She is an alumna of the University of Colorado.

Musical career

Collins was born and raised in Seattle, Washington. As a child, Collins studied classical piano with Antonia Brico, making her public debut at age 13, performing Mozart's ''Concerto for Two Pianos''. Dr. Brico took a dim view, both then and later, of Collins's developing interest in folk music, which led her to the difficult decision to discontinue her piano lessons. Years later, when Collins had become internationally known through her music, she invited Dr. Brico to one of her concerts in Denver. When they met after the performance, Brico took both of Judy's hands in hers, looked wistfully at her fingers and said, "Little Judy—you really could have gone places." Still later, Collins discovered that Brico herself had made a living when she was younger playing jazz and ragtime piano (''Singing Lessons'', pp. 71–72). She also had the fortune of meeting many musicians through her blind father, a Seattle radio program host.

It was the music of Woody Guthrie and Pete Seeger, and the traditional songs of the folk revival of the early 1960s, however, that piqued Collins' interest and awoke in her a love of lyrics. Three years after her debut as a piano prodigy, she was playing guitar. Her music became popular at the University of Connecticut, where her husband taught. She performed at parties and for the campus radio station along with David Grisman and Tom Azarian. She eventually made her way to Greenwich Village, New York City, where she busked and played in clubs until she signed with Elektra Records, a record label she was associated with for 35 years. In 1961, Collins released her first album, ''A Maid of Constant Sorrow'', at the age of 22.

At first she sang traditional folk songs or songs written by others — in particular the protest poets of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of important songs from the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn, Turn, Turn." Collins was also instrumental in bringing little-known musicians to a wider public. For example, Collins recorded songs by Canadian poet Leonard Cohen, who became a close friend over the years. She also recorded songs by singer-songwriters such as Joni Mitchell, Randy Newman, Robin Williamson and Richard Fariña long before they gained national acclaim.

While Collins' first few albums comprised straightforward guitar-based folk songs, with 1966's ''In My Life'', she began branching out and including work from such diverse sources as The Beatles, Leonard Cohen, Jacques Brel, and Kurt Weill. Mark Abramson produced and Joshua Rifkin arranged the album, adding lush orchestration to many of the numbers. The album was regarded as a major departure for a folk artist and set the course for Collins' subsequent work over the next decade.

With her 1967 album ''Wildflowers'', also produced by Mark Abramson and arranged by Rifkin, Collins began to record her own compositions, beginning with "Since You've Asked." The album also provided Collins with a major hit, and a Grammy award, in Mitchell's "Both Sides, Now," which reached #8 on the Billboard Hot 100.

Collins' 1968 album, ''Who Knows Where the Time Goes'', was produced by David Anderle and featured back-up guitar by Stephen Stills (of Crosby, Stills & Nash), with whom she was romantically involved at the time. (She was the inspiration for Stills's CSN classic "Suite: Judy Blue Eyes"). ''Time Goes'' had a mellow country sound, and included Ian Tyson's "Someday Soon" and the title track written by the UK singer-songwriter Sandy Denny. The album also featured Collins' composition "My Father" and one of the first covers of Leonard Cohen's "Bird on the Wire."

By the 1970s Collins had a solid reputation as an art song singer and folksinger and had begun to stand out for her own compositions. She was also known for her broad range of material: her songs from this period include the traditional Christian hymn "Amazing Grace," the Stephen Sondheim Broadway ballad "Send in the Clowns" (both of which were top 20 hits as singles), a recording of Joan Baez's "A Song for David," and her own compositions, such as "Born to the Breed."

In the 1970s Collins guest starred on ''The Muppet Show'', where she sang "Leather-Winged Bat", "I Know An Old Lady who Swallowed a Fly," "Do Re Mi" and "Send in the Clowns." Collins also appeared several times on ''Sesame Street'', where she performed "Fishermen's Song" with a chorus of Anything Muppet fishermen, sang a trio with Biff and Sully using the word "yes," and even starred in a modern musical fairy tale skit called "The Sad Princess."

She sang the theme song of the Rankin-Bass TV movie ''The Wind in the Willows''.

In more recent years Collins has taken to writing, producing a memoir, ''Trust Your Heart'', in 1987, and a novel, ''Shameless''. A more recent memoir, ''Sanity and Grace'', tells of her son Clark's death in January 1992. Though her record sales are not what they once were, she still records and tours in the U.S., Europe, Australia, and New Zealand. She performed at President Bill Clinton's first inauguration in 1993, singing "Amazing Grace" and "Chelsea Morning." (The Clintons have stated that they named their daughter, Chelsea, after Collins' recording of the song.) In 2006, she sang "This Little Light of Mine" in a commercial for Eliot Spitzer.

In 2008 she oversaw an album featuring artists ranging from Dolly Parton and Joan Baez to Rufus Wainwright and Chrissie Hynde covering her compositions; she also released a collection of The Beatles covers, and she received an honorary doctorate from Pratt Institute on May 18 of that year. In 2010, Collins sang ''The Weight of the World'' at the Newport Folk Festival, a song by Amy Speace.

Collins joined the 10th annual Independent Music Awards judging panel to assist independent musicians' careers. She was also a judge for the 7th and 9th Independent Music Awards.

Activism

Like many other folk singers of her generation, Collins was drawn to social activism. Her political idealism also led her to compose a ballad entitled "Che" in honor of the 1960s icon Che Guevara.

Collins sympathized with the Yippie movement, and was friendly with its leaders, Abbie Hoffman and Jerry Rubin. On March 17, 1968, she attended Hoffman's press conference at the Americana Hotel in New York to announce the party's formation. In 1969, she testified in Chicago in support of the Chicago Seven; during her testimony, she began singing Pete Seeger's "Where Have All the Flowers Gone?," and was admonished by prosecutor Tom Foran and judge Julius Hoffman.

She is currently a representative for UNICEF and campaigns on behalf of the abolition of landmines.

Personal life

Collins has been married twice. Her first marriage in 1958 to Peter Taylor produced her only child, Clark C. Taylor. The marriage ended in divorce in 1965.

In 1962, shortly after her debut at Carnegie Hall, Collins was diagnosed with tuberculosis and spent six months recuperating in a sanitorium.

Collins later admitted suffering from bulimia after she had quit smoking in the 1970s. "I went straight from the cigarettes into an eating disorder," she told ''People'' magazine in 1992. "I started throwing up. I didn't know anything about bulimia, certainly not that it is an addiction or that it would get worse. My feelings about myself, even though I had been able to give up smoking and lose 20 lbs., were of increasing despair." She also talks at length, in ''Singing Lessons'' (pp. 172–190, 238–240) about her years of addiction to alcohol, the damage it did to her personal and musical life, and how it contributed to her feelings of depression. She says that, although she tried other drugs in the 1960s, alcohol was always her primary drug of choice, just as it had been for her father. She entered a rehabilitation program in Pennsylvania in 1978, and she has maintained her sobriety ever since, even through such traumatic events as the suicide of her only child, Clark, after his final relapse. In 1992, he committed suicide at age 33 after a long bout with clinical depression and substance abuse. Since his death, she has also become a strong advocate of suicide prevention.

In April 1996, she married designer and fellow activist Louis Nelson. They live together in New York City.

Her sister, Holly, was married to actor James Keach and they have a son, Kalen.

Awards and recognition

Grammy Award, Best Folk Performance or Folk Recording, "Both Sides Now," 1968

Stephen Sondheim won a Grammy Award for Song of the Year, "Send in the Clowns," in 1975, it was believed, largely on the strength of Collins' performance of the song on her album ''Judith''

Nominated with Jill Godmillow for an Academy Award for the documentary "Antonia: A Portrait of the Woman" (1975), about her classical piano instructor, conductor Antonia Brico.

Honorary Doctor of Fine Arts Degree from Pratt Institute, May 2009

Discography

Charted singles

! Year	! Song	Billboard Hot 100>US Hot 100	Adult Contemporary chart>US A.C.	! Album
	"Hard Lovin' Loser"		style="text-align:center;"
	"Chelsea Morning"			''(single only)''
	"Turn! Turn! Turn!/To Everything There Is A Season"			''Recollections''
	"Amazing Grace"			''Whales & Nightingales''
	"Open The Door (Song For Judith)"
	"Cook With Honey"			''True Stories and Other Dreams''
	"Secret Gardens"		style="text-align:center;"
''True Stories and Other Dreams''
	"Send In The Clowns"
	"Send In The Clowns" (re-release)
	"Hard Times For Lovers"			''Hard Times for Lovers''
	"Home Again" (duet with T.G. Sheppard)	style="text-align:center;"
	"Fires Of Eden"	style="text-align:center;"
	''Fires Of Eden''

Filmography

''Baby's Bedtime'' (1992)

''Baby's Morningtime'' (1992)

''Junior'' (1994), playing the operator of a spa for pregnant women opposite Arnold Schwarzenegger

''Christmas at the Biltmore Estate'' (1998)

''A Town Has Turned to Dust'' (1998), telefilm based on a Rod Serling science-fiction story

''The Best of Judy Collins'' (1999)

''Intimate Portrait: Judy Collins'' (2000)

''Judy Collins Live at Wolf Trap'' (2003)

''Wildflower Festival'' (2003) (DVD with guest artists Eric Andersen, Arlo Guthrie, and Tom Rush)

Bibliography

''Trust Your Heart'' (1987)

''Amazing Grace'' (1991)

''Shameless'' (1995)

''Singing Lessons'' (1998)

''Sanity and Grace: A Journey of Suicide, Survival and Strength'' (2003)

''The Seven T's : Finding Hope and Healing in the Wake of Tragedy'' (2007)

''Sweet Judy Blue Eyes : my life in music'' (2011) ISBN 0-307-71734-8

References

External links

Judy Collins web site

Wildflower Records

audio interview with Judy Collins

Audio interview, Minnesota Public Radio 7 Apr 2009

Basking in the Afterglow of a Tribute Album by John Soeder, ''Cleveland Plain Dealer'', June 24, 2009

Listen or Watch Woodsongs archived show 549: Performs and is interviewed by Michael Johnathon before a live audience on October 12, 2009; 83 minutes.

Category:1939 births Category:Living people Category:People from Seattle, Washington Category:American folk singers Category:American female singers Category:American singer-songwriters Category:American buskers Category:American anti–Vietnam War activists Category:American Episcopalians Category:People from Ridgefield, Connecticut Category:American musicians of Irish descent Category:University of Colorado alumni Category:Grammy Award winners Category:Yippies Category:Elektra Records artists

ca:Judy Collins de:Judy Collins fr:Judy Collins it:Judy Collins nl:Judy Collins pl:Judy Collins pt:Judy Collins ru:Коллинз, Джуди sv:Judy Collins

name	Leonard Cohen
background	solo_singer
birth name	Leonard Norman Cohen
birth date	September 21, 1934
Birth place	Montreal, Quebec, Canada
genre	Folk, folk rock, rock, pop rock, spoken word, synthpop
occupation	Musician, singer-songwriter, poet, novelist
instrument	Vocals, guitar, piano, keyboards, synthesizer
years active	1956-present
label	Columbia
associated acts	Sharon Robinson, Jennifer Warnes, Phil Spector, John Lissauer }}

Leonard Norman Cohen, (born 21 September 1934) is a Canadian singer-songwriter, musician, poet, and novelist. His work often explores religion, isolation, sexuality, and interpersonal relationships. Cohen has been inducted into the American Rock and Roll Hall of Fame and both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame. He is also a Companion of the Order of Canada, the nation's highest civilian honour.

While giving the speech at Cohen's induction into the Rock and Roll Hall of Fame on 10 March 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters."

Early life

Cohen was born on 21 September 1934 in Westmount, Montreal, Quebec, into a middle-class Jewish family. His mother, Marsha Klinitsky, of Lithuanian Jewish ancestry, emigrated from Lithuania while his great-grandfather emigrated from Poland. He grew up in Westmount on the Island of Montreal. His grandfather was Lyon Cohen, founding president of the Canadian Jewish Congress. His father, Nathan Cohen, who owned a substantial Montreal clothing store, died when Cohen was nine years old. On the topic of being a Kohen, Cohen has said that, "I had a very Messianic childhood." He told Richard Goldstein in 1967. "I was told I was a descendant of Aaron, the high priest." Cohen attended Westmount High School, beginning in 1948 where he was involved with the Student Council and studied music and poetry. He became especially interested in the poetry of Federico Garcia Lorca. As a teenager, he learned to play the guitar, and formed a country-folk group called the Buckskin Boys. Although he initially played a regular acoustic guitar as a teenager, he soon switched to playing a classical guitar after meeting a young Spanish flamenco guitar player who taught him "a few chords and some flamenco."

Poetry and novels

In 1951, Cohen enrolled at McGill University, where he became president of the McGill Debating Union and won the Chester MacNaughton Prize for Creative Writing for a series of four poems titled "Thoughts of a Landsman." He graduated in 1955 with a B.A. degree. His literary influences during this time included William Butler Yeats, Irving Layton, Walt Whitman, Federico Garcia Lorca and Henry Miller. His first published book of poetry, ''Let Us Compare Mythologies'' (1956), was published by Louis Dudek (who taught poetry at McGill and was a mentor to Cohen) as the first book in the McGill Poetry Series while Cohen was still an undergraduate student. The book contained "poems written largely when Cohen was between the ages of fifteen and twenty," and Cohen dedicated the book to his late father. The famous and influential Canadian literary critic Northrop Frye wrote a review of the book in which he gave Cohen "restrained praise."

After completing an undergraduate degree, Cohen spent a term in McGill's law school and then a year (1956-7) at the School of General Studies at Columbia University. Cohen described his graduate school experience as "passion without flesh, love without climax". Consequently, Cohen left New York and returned to Montreal in 1957, working various odd jobs and focusing on the writing of fiction and poetry, including the poems for his next book, ''The Spice-Box of Earth'' (1961), which was the first book that Cohen published through the Canadian publishing company McClelland & Stewart. Fortunately, his father's will provided him with a modest trust income, sufficient to allow him to pursue his literary ambitions for the time, and ''The Spice-Box of Earth'' was successful in helping to expand the audience for Cohen's poetry, helping him reach out to the poetry scene in Canada, outside the confines of McGill University. The book also helped Cohen gain critical recognition as an important new voice in Canadian poetry. One of Cohen's biographers, Ira Nadel, stated that "reaction to the finished book was enthusiastic and admiring. . .[noting that] the critic Robert Weaver found it powerful and declared that Cohen was 'probably the best young poet in English Canada right now.'"

Cohen continued to write poetry and fiction throughout much of the 1960s and preferred to live in quasi-reclusive circumstances after he bought a house on Hydra, a Greek island in the Saronic Gulf. While living and writing on Hydra, Cohen published the poetry collection ''Flowers for Hitler'' (1964), and the novels ''The Favourite Game'' (1963) and ''Beautiful Losers'' (1966). His novel ''The Favourite Game'' was an autobiographical ''bildungsroman'' about a young man who discovers his identity through writing. ''Beautiful Losers'' received a good deal of attention from the Canadian press and stirred up controversy because of a number of sexually graphic passages. In 1966 Cohen also published ''Parasites of Heaven'', a book of poems. Both ''Beautiful Losers'' and ''Parasites of Heaven'' received mixed reviews and sold few copies.

Subsequently, Cohen published less, with major gaps, concentrating more on recording songs. In 1978, he published his first book of poetry in many years, ''Death of a Lady's Man'' (not to be confused with the album he released the previous year with the similar title, ''Death of a Ladies' Man''). It wasn't until 1984 that Cohen published his next book of poems, ''Book of Mercy'', which won him the Canadian Author's Association Literary Award for Poetry. The book contains 50 prose-poems, influenced by the Bible, Torah, and Zen-Buddhist writings. Cohen himself referred to the pieces as "prayers".

In 1993, Cohen published ''Stranger Music: Selected Poems and Songs'', and in 2006, after 10 years of delays, additions and rewritings, ''Book of Longing''. During the late 1990s and 2000s, many of his poems were first published on his fan website The Leonard Cohen Files

Cohen's writing process, as he told an interviewer in 1998, is "...like a bear stumbling into a beehive or a honey cache: I'm stumbling right into it and getting stuck, and it's delicious and it's horrible and I'm in it and it's not very graceful and it's very awkward and it's very painful and yet there's something inevitable about it."

In 2011, Cohen was awarded the Prince of Asturias Award for literature.

Recording career

1960s and 1970s

In 1967, disappointed with his lack of financial success as a writer, Cohen moved to the United States to pursue a career as a folk music singer-songwriter. During the 1960s, he was a fringe figure in Andy Warhol's "Factory" crowd. Warhol speculated that Cohen had spent time listening to Nico in clubs and that this had influenced his musical style. His song "Suzanne" became a hit for Judy Collins and was for many years his most covered song. After performing at a few folk festivals, he came to the attention of Columbia Records representative John H. Hammond. At this time, Cohen recorded at least one demo acetate (possibly for some subsidiary of Polygram), supported by his close companion at the time, Joni Mitchell.

Cohen's first album was ''Songs of Leonard Cohen'' (1967). Although Hammond was originally supposed to produce the record, he became sick and was replaced by the producer John Simon. Unfortunately, Simon and Cohen clashed over instrumentation and mixing. Cohen wanted the album to have a spare sound, but Simon felt that the songs could benefit from arrangements that included strings and horns. According to biographer Ira Nadel, although Cohen was able to make changes to the mix, some of Simon's additions "couldn't be removed from the four-track master tape." Nevertheless, the album became a cult favorite in the US, as well as in the UK, where it spent over a year on the album charts. Several of the songs on that first album were covered by other popular folk artists, including James Taylor, and Judy Collins. Cohen followed up that first album with ''Songs from a Room'' (1969) (featuring the often-recorded "Bird on the Wire") and ''Songs of Love and Hate'' (1970). Both of these albums were produced in Nashville by famed producer Bob Johnston, who helped Cohen achieve the sparer sound that he'd been after on his first album; Johnston also joined Cohen on two subsequent live tours, playing organ and piano.

In 1970, Cohen toured for the first time, with dates in the United States, Canada and Europe, and appeared at the Isle of Wight Festival. He toured again in Europe and Israel in 1972 with some of the same band-mates, including Charlie Daniels and his producer Bob Johnston. Both tours were represented on the ''Live Songs'' LP, while ''Leonard Cohen Live at the Isle of Wight 1970'' was released in 2009. The 1972 tour was also filmed by Tony Palmer; the film ''Bird on a Wire'' (with which Cohen was unhappy) was shown re-cut under Cohen's guidance in 1974, but released only in 2010, reconstructed according to Palmer's original version.

In 1971, Cohen's music was used in the soundtrack to Robert Altman's film ''McCabe & Mrs. Miller''. When Cohen was on a stay in Nashville, Altman phoned to ask permission to use some tracks off ''Songs of Leonard Cohen''. Coincidentally, earlier that same day, Cohen had seen Altman's then-current film ''Brewster McCloud'' in a local theater. He hadn't paid attention to the credits so when Altman asked permission to use Cohen's songs in his new film, Cohen had to ask him who he was. Altman mentioned his hit film ''MASH'', but Cohen had never heard of it. When Altman mentioned his lesser-known ''Brewster McCloud'', Cohen replied, "Listen, I just came out of the theater. I saw it twice. You can have anything of mine you want!"

Beginning around 1974, Cohen's collaboration with pianist and arranger John Lissauer created a live sound praised by the critics. They toured together in 1974 in Europe, and in US and Canada in late 1974 and early 1975, in support of Cohen's record ''New Skin for the Old Ceremony''. In late 1975 Cohen performed a short series of shows in the US and Canada with a new band, in support of his ''Best Of'' release. However, none of the recordings from the three live tours with John Lissauer were ever officially released.

In 1976 Cohen, now without Lissauer, embarked on a new major European tour, with a new band and major changes in his sound and arrangements, again, in support of his ''The Best of Leonard Cohen'' release (in Europe retitled as ''Greatest Hits''). One of the band members was Laura Branigan, and the set-list included unreleased songs "Everybody's Child" (a.k.a. "Blessed Is the Memory") and "Storeroom" (both released as bonus tracks to 2007 reissue of ''Songs of Leonard Cohen''), and the new song "Do I Have to Dance All Night?" (which was released as a single with the song "The Butcher" in a single available in Europe only). From April to July, Cohen gave 55 shows, including his first appearance at the famous Montreux Jazz Festival.

After the European tour of 1976, Cohen again attempted a new change in his style and arrangements - his new 1977 record, ''Death of a Ladies' Man'' (one year later, in 1978, Cohen also released a volume of poetry with the coyly revised title, ''Death of a Lady's Man''), was co-written and produced by Phil Spector, known as the inventor of the "wall of sound" technique, which backs up pop music with many layers of instrumentation, an approach very different from Cohen's usually minimalist instrumentation. The recording of the album was fraught with difficulty—Spector reportedly mixed the album in secret studio sessions, and Cohen said Spector once threatened him with a crossbow. Cohen thought the end result "grotesque," but also "semi-virtuous." The record was released by Spector's label, Warner, and was returned to Columbia's Cohen catalogue in the late 1980s. Cohen did not take part in the album's promotion, but in his tours of 1979, 1980 and 1985, he performed two songs from the album, "Memories" and "Iodine". However, Cohen chose not to include any of the album's songs on his later compilations ''More Best of Leonard Cohen'' and ''The Essential Leonard Cohen''.

In 1979, Cohen returned with the more traditional ''Recent Songs'', which blended his acoustic style with jazz and Oriental and Mediterranean influences. Beginning with this record, praised in 2001 by Cohen as his favourite, Cohen began to co-produce his albums. Produced by Cohen and Henry Lewy (Joni Mitchell's sound engineer), ''Recent Songs'' included performances by Passenger, an Austin-based jazz-fusion band that met Cohen through Mitchell. The band helped Cohen create a new sound by featuring instruments like the oud, the Gypsy violin and the mandolin. The album was supported by Cohen's major tour with the new band, and Jennifer Warnes and Sharon Robinson on the backing vocals, in Europe in late 1979, and again in Australia, Israel and Europe in 1980. The tour was filmed by Harry Rasky as ''The Song of Leonard Cohen'', and the film was broadcast on television in 1980. Cohen also gave a couple of major TV appearances in 1979, including German's ZDF television. In 2000 Columbia released an album of live recordings of songs from the 1979 tour, entitled ''Field Commander Cohen: Tour of 1979''; the album (with a different track list) was originally rejected by the label in 1980.

During 1970s, Cohen toured twice with Jennifer Warnes as a back-up singer (in 1972 and 1979). Warnes would become a fixture on Cohen's future albums, receiving full co-vocals credit on Cohen's 1985 album ''Various Positions'' (although the record was released under Cohen's name, the inside credits say "Vocals by Leonard Cohen and Jennifer Warnes"). In 1987, she recorded an album of Cohen songs, ''Famous Blue Raincoat''.

1980s

In early 1980s, Cohen co-wrote the rock musical film ''Night Magic'' with Lewis Furey, starring Carole Laure and Nick Mancuso (voice-over by Furey); the LP was released in 1985. At that time, Cohen also worked on an unfinished album of his poetry recitations with producer Henry Lewy, before turning back to John Lissauer. Lissauer produced Cohen's next record ''Various Positions,'' which was released in late 1984. The LP included "Dance Me to the End of Love", which was promoted by Cohen's first video clip, directed by French photographer Dominique Issermann, and the frequently covered "Hallelujah". Columbia declined to release the album in the United States. Cohen supported the release of the album with his biggest tour to date, in Europe and Australia, and with his first tour in Canada and United States since 1975. Anjani Thomas, who would become Cohen's partner, and a regular member of Cohen's recording team, joined his touring band. The band performed at the Montreux Jazz Festival, and the Roskilde Festival. They also gave a series of highly emotional and politically controversial concerts in Poland, which was under martial law and performed the song "The Partisan," regarded as the hymn of the Polish Solidarity movement. During the 80s, almost all Cohen's songs were performed in Polish language by Maciej Zembaty.

In 1986, Cohen appeared in the episode "French Twist" of the TV series ''Miami Vice.'' In 1987, Jennifer Warnes's tribute album ''Famous Blue Raincoat'' helped restore Cohen's career in the US. The following year he released ''I'm Your Man,'' which marked a drastic change in his music. Synthesizers ruled the album and Cohen's lyrics included more social commentary and dark humor. The album, self-produced by Cohen, remains one of Cohen's most acclaimed albums, and was promoted by iconic black and white video shot by Dominique Issermann at the beach of Normandy. Cohen supported the record with series of television interviews, and an extensive tour of Europe, Canada and US. Many shows were broadcast on European and US television and radio stations, while Cohen performed for the first time in his career on PBS's Austin City Limits show; he also performed at the Roskilde Festival again, among other dates. The tour gave the basic structure to typical Cohen's concert which he used in his tours in 1993, 2008–09 and 2010. The selection of performances from the late 1980s was released in 1994 on ''Cohen Live''. None of the concerts was released in its entirety, although some were bootlegged. Parts of one of three Royal Albert Hall concerts were used in BBC documentary ''The Songs from the Life of Leonard Cohen'', which was released on laser disc and video tape.

1990s

The use of the album track "Everybody Knows" (co-written by Sharon Robinson) in the 1990 film ''Pump Up the Volume'' helped expose Cohen's music to a younger audience. The song also featured prominently in fellow Canadian Atom Egoyan's 1994 film, ''Exotica''. In 1992, Cohen released ''The Future'', which urges (often in terms of biblical prophecy) perseverance, reformation, and hope in the face of grim prospects. Three tracks from the album - "Waiting for the Miracle", "The Future" and "Anthem" - were featured in the movie ''Natural Born Killers'', which helped Cohen reach a younger audience in the United States.

As with ''I'm Your Man'', the lyrics on the ''The Future'' were dark, and made references to political and social unrest. The title track is reportedly a response to the L.A. unrest of 1992. Cohen promoted the album with two music videos, for "Closing Time" and "The Future", and supported the release with the major tour through Europe, United States and Canada, with the same band as in his 1988 tour, including a second appearance at the PBS's Austin City Limits. Some of the Scandinavian shows were broadcast live on the radio. The selection of performances, mostly recorded on the Canadian leg of the tour, was released on 1994 ''Cohen Live'' album, but none of the new songs from the album itself were included in the live album.

In 1993 Cohen also published his book of selected poems and songs, ''Stranger Music'', on which he had worked since 1989. It includes a number of new poems from the late 1980s and early 1990s.

In 1997, Cohen oversaw the selection and release of ''More Best of Leonard Cohen'' album, which included a previously unreleased track, "Never Any Good", and an experimental piece "The Great Event". The first was left over from Cohen's unfinished mid-1990s album, which was announced to include songs like "In My Secret Life" (already recited as song-in-progress in 1988) and "A Thousand Kisses Deep", both later re-worked with Sharon Robinson for 2001 album ''Ten New Songs''.

In 1994, Cohen retreated to the Mt. Baldy Zen Center near Los Angeles, beginning what became five years of seclusion at the center. In 1996, Cohen was ordained as a Rinzai Zen Buddhist monk and took the Dharma name ''Jikan'', meaning "silence". He served as personal assistant to Kyozan Joshu Sasaki Roshi. Japanese songwriter and poet Masato Tomobe stated he admires Cohen and this made him better recognized in Japan around this time.

Although around 2000 there was a public impression that Cohen would not resume recording or publishing, he returned to Los Angeles in May 1999. He began to contribute regularly to The Leonard Cohen Files fan website, emailing new poems and drawings from ''Book of Longing'' and early versions of new songs, like "A Thousand Kisses Deep" in September 1998 and Anjani Thomas's story sent on 6 May 1999, the day they were recording "Villanelle for our Time" (released on 2004 ''Dear Heather'' album). The section of The Leonard Cohen Files with Cohen's online writings has been titled "The Blackening Pages".

Cohen is mentioned in the Nirvana song "Pennyroyal Tea" from the band's 1993 release, ''In Utero''. Kurt Cobain wrote, "Give me a Leonard Cohen afterworld/ So I can sigh eternally." Cohen, after Cobain's suicide, was quoted as saying "I'm sorry I couldn't have spoken to the young man. I see a lot of people at the Zen Centre, who have gone through drugs and found a way out that is not just Sunday school. There are always alternatives, and I might have been able to lay something on him."

2000s

Post-monastery records: ''Ten New Songs'', ''Dear Heather'' and Anjani's ''Blue Alert''

After two years of production, Cohen returned to music in 2001 with the release of ''Ten New Songs'', featuring a heavy influence from producer and co-composer Sharon Robinson. The album, recorded at Cohen's and Robinson's home studios, includes the song "Alexandra Leaving", a transformation of the poem "The God Abandons Antony", by the Greek poet Constantine P. Cavafy. The album was a major hit for Cohen in Canada and Europe, and he supported it with the hit single "In My Secret Life" and accompanying video shot by Floria Sigismondi.

In October 2004, Cohen released ''Dear Heather'', largely a musical collaboration with jazz chanteuse (and current romantic partner) Anjani Thomas, although Sharon Robinson returned to collaborate on three tracks (including a duet). As light as the previous album was dark, ''Dear Heather'' reflects Cohen's own change of mood - he has said in a number of interviews that his depression has lifted in recent years, which he attributed to Zen Buddhism. In an interview following his induction into the Canadian Songwriters' Hall of Fame, Cohen explained that the album was intended to be a kind of notebook or scrapbook of themes, and that a more formal record had been planned for release shortly afterwards, but that this was put on ice by his legal battles with his ex-manager. He decided not to promote the album at all, but in 2005 he released a home video accompanying the song "Because Of", shot by his daughter Lorca Cohen, while there were no official album singles.

''Blue Alert'', an album of songs co-written by Anjani and Cohen, was released on 23 May 2006 to positive reviews. Sung by Anjani, who according to one reviewer "...sounds like Cohen reincarnated as woman...though Cohen doesn't sing a note on the album, his voice permeates it like smoke." The album includes a recent musical setting of Cohen's "As the mist leaves no scar", a poem originally published in ''The Spice-Box of Earth'' in 1961 and adapted by Phil Spector as "True Love Leaves No Traces" on ''Death of a Ladies' Man'' album. ''Blue Alert'' also included Anjani's own version of "Nightingale", performed by her and Cohen on his ''Dear Heather'', as well the country song "Never Got to Love You", apparently made after an early demo version of Cohen's own 1992 song "Closing Time". During the 2010 tour, Cohen was closing his live shows with the performance of "Closing Time" which included the recitation of verses from "Never Got to Love You". The title song, "Blue Alert", and "Half the Perfect World" were covered by Madeleine Peyroux on her 2006 album ''Half the Perfect World'', while the third covered song, "Crazy To Love You", was included in the albums Japanese edition.

Before embarking on his 2008-2010 world tour, and without finishing the new album which has been in work since 2006 (new song, "The Street", was recited by Cohen in 2006 on KCRW radio, and he also played two new songs from demo tape, "Book of Longing" and "Puppets"), Cohen contributed few tracks to other artists' albums - new version of his own "Tower of Song" was performed by him, Anjani Thomas and U2 in 2006 tribute film ''Leonard Cohen I'm Your Man'' (the video and track were included on the film's soundtrack and released as B-side of U2's single "Window in the Skies", reaching No 1 in Canadian Singles Chart), in 2007 he recited "The Sound of Silence" on album ''Tribute to Paul Simon: Take Me to the Mardi Gras'' and "The Jungle Line" by Joni Mitchell, accompanied by Herbie Hancock on piano, on Hancock's Grammy-winning album ''River: The Joni Letters'', while in 2008 he recited the poem "Since You've Asked" on album ''Born to the Breed: A Tribute to Judy Collins''.

2005 financial issues

On 8 October 2005, Cohen alleged that his longtime former manager, Kelley Lynch, misappropriated over US $5 million from Cohen's retirement fund leaving only $150,000. Cohen was sued in turn by other former business associates. These events placed him in the public spotlight, including a cover feature on him with the headline "Devastated!" in Canada's ''Maclean's'' magazine. In March 2006, Cohen won a civil suit and was awarded US $9 million by a Los Angeles County superior court. Lynch, however, ignored the suit and did not respond to a subpoena issued for her financial records. As a result it has been widely reported that Cohen may never be able to collect the awarded amount. In 2007, US. District Judge Lewis T. Babcock dismissed a claim by Cohen for more than US $4.5 million against Colorado investment firm Agile Group, and in 2008 he dismissed a defamation suit that Agile Group filed against Cohen. Cohen has been under new management since April 2005.

''Book of Longing''

Cohen's book of poetry and drawings, ''Book of Longing'', was published in May 2006; in March a Toronto-based retailer offered signed copies to the first 1500 orders placed online. All 1500 sold within hours. The book quickly topped bestseller lists in Canada. Around the time of the release, RJ Smith wrote an essay about Cohen in ''Poetry'' magazine, in which he noted, "The pieces in ''Book of Longing'' are casual, but never so casual that the old horndog doesn’t have muscle or bite." On 13 May 2006, Cohen made his first public appearance in thirteen years, at an in-store event at a bookstore in Toronto. Approximately 3000 people turned up for the event, causing the streets surrounding the bookstore to be closed. He sang two of his earliest and best-known songs: "So Long, Marianne" and "Hey, That's No Way To Say Goodbye", accompanied by the Barenaked Ladies and Ron Sexsmith. Also appearing with him was Anjani, the two promoting her new CD along with his book.

In 2006, Philip Glass composed music to Cohen's 2006 book of poetry ''Book of Longing''. Following the series of live performances which included Glass on keyboards, Cohen's recorded spoken text, four voices (soprano, mezzo-soprano, tenor, and bass-baritone), and other instruments, and as well the screenings of Cohen's artworks and drawings, Glass' label Orange Mountain Music released a double CD with the recording of the work, entitled ''Book of Longing. A Song Cycle based on the Poetry and Artwork of Leonard Cohen''.

2008-2010 World Tour

2008 tour

13 January 2008, Cohen quietly announced a long-anticipated concert tour. The tour, Cohen's first in 15 years, began 11 May in Fredericton, New Brunswick to wide critical acclaim, and was extended until Winter of 2010. The schedule of the first leg in Summer of 2008 encompassed Canada and Europe, including performances at The Big Chill, the Montreal Jazz Festival, and on the Pyramid Stage at the 2008 Glastonbury Festival on 29 June 2008. His performance at Glastonbury was hailed by many as the highlight of the festival, and his performance of "Hallelujah" as the sun went down received a rapturous reception and a lengthy ovation from a packed Pyramid Stage field. He also played two shows in London's O2 Arena, and in Dublin he gave a "milestone concert", while in Dublin he was the first performer to play an open air concert at IMMA (Royal Hospital Kilmainham) ground, performing there on 13, 14 and 15 June 2008. In 2009, the performances were awarded Ireland's Meteor Music Award as the best international performance of the year.

In September, October and November 2008, Cohen gave a marathon tour of Europe, including stops in Austria, Ireland, Poland, Romania, Italy, Germany, and Scandinavia. In London, he played two more shows at the O2 Arena and two additional shows at the Royal Albert Hall.

''Live in London''

On 21 March 2009, Cohen released ''Live in London'', recorded on 17 July 2008 at London's O2 Arena and released on DVD and as a two-CD set. The album contains 25 songs and is over two-and-a-half hours long. It was the first official DVD in Cohen's recording career. The quotation on the album referred to one hundred five-star reviews the tour gained in the international press in 2008.

2009 tour

The third leg of Cohen's World Tour 2008-2009 encompassed New Zealand and Australia from 20 January to 10 February 2009. In January 2009, The Pacific Tour first came to New Zealand. Simon Sweetman in The Dominion Post (Wellington) of 21 January wrote "It is hard work having to put this concert in to words so I'll just say something I have never said in a review before and will never say again: this was the best show I have ever seen." The Sydney Entertainment Centre show on 28 January sold out rapidly, which motivated promoters to announce a second show at the venue. The first performance was well-received, and the audience of 12,000 responded with five standing ovations. In response to hearing about the devastation to the Yarra Valley region of Victoria in Australia, Cohen donated $200,000 to the Victorian Bushfire Appeal in support of those affected by the extensive Black Saturday bushfires that razed the area just weeks after his performance at the Rochford Winery in the ''A Day on the Green'' concert. Melbourne's Herald Sun newspaper reported: "Tour promoter Frontier Touring said $200,000 would be donated on behalf of Cohen, fellow performer Paul Kelly and Frontier to aid victims of the bushfires."

On 19 February 2009, Cohen played his first American concert in fifteen years at the Beacon Theatre in New York City. The show, showcased as the special performance for fans, Leonard Cohen Forum members and press, was the only show in the whole three-year tour which was broadcast on the radio (NPR) and available as the free podcast.

The North American Tour of 2009 opened on 1 April and included the performance at the Coachella Valley Music and Arts Festival on Friday, 17 April 2009, in front of one of the largest outdoor theatre crowds in the history of the festival. His performance of ''Hallelujah'' was widely regarded as one of the highlights of the festival, thus repeating the major success of the 2008 Glastonbury appearance. The performance has been included on 2010 ''Songs from the Road'' live release. During this leg, Cohen regularly performed new song, "Lullaby".

On 1 July 2009, Cohen started his marathon European tour, his third in two years. The itinerary mostly included sport arenas and open air Summer festivals in Germany, UK, France, Spain, Ireland (the show at O2 in Dublin won him the second Meteor Music Award in a row), but also performances in Serbia in the Belgrade Arena, in the Czech Republic, Hungary, Turkey, and again in Romania. On 3 August, Cohen gave an open air show at the Piazza San Marco in Venice.

On 18 September 2009, on the stage at a concert in Valencia, Spain, Cohen suddenly fainted halfway through performing his song "Bird on the Wire", the fourth in the two-act set list; Cohen was brought down backstage by his band members and then admitted to local hospital, while the concert was suspended. It was reported that Cohen had stomach problems, and possibly food poisoning. Three days later, on 21 September, on his 75th birthday, he performed in Barcelona. The show, last in Europe in 2009 and rumoured to be the last European concert ever, attracted many international fans, who lighted the green candles honouring Cohen's birthday, leading Cohen to give a special speech of thanks for the fans and Leonard Cohen Forum.

The last concert of this leg was held in Tel Aviv, Israel, on 24 September, three days after Cohen's 75th birthday, at Ramat Gan Stadium. The event was surrounded by public discussion due to a cultural boycott of Israel proposed by a number of musicians. Nevertheless, tickets for the Tel Aviv concert, Cohen's first performance in Israel since 1980, sold out in less than 24 hours. It was announced that the proceeds from the sale of the 47,000 tickets would go into a charitable fund in partnership with Amnesty International and would be used by Israeli and Palestinian peace groups for projects providing health services to children and bringing together Israeli veterans and former Palestinian fighters and the families of those killed in the conflict. However, on 17 August 2009, Amnesty International released a statement saying they were withdrawing from any involvement with the concert and its proceeds. Amnesty International later stated that its withdrawal was not due to the boycott but "the lack of support from Israeli and Palestinian NGOs." The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) led the call for the boycott, claiming that Cohen was "intent on whitewashing Israel's colonial apartheid regime by performing in Israel." On 24 September at the Ramat Gan concert, Cohen was highly emotional about the Israeli-Palestinian NGO Bereaved Families for Peace. He mentioned the organization twice, saying "It was a while ago that I first heard of the work of the 'Bereaved Parents for Peace'. That there was this coalition of Palestinian and Israeli families who had lost so much in the conflict and whose depth of suffering had compelled them to reach across the border into the houses of the enemy. Into the houses of those, to locate them who had suffered as much as they had, and then to stand with them in aching confraternity, a witness to an understanding that is beyond peace and that is beyond confrontation. So, this is not about forgiving and forgetting, this is not about laying down one's arms in a time of war, this is not even about peace, although, God willing, it could be a beginning. This is about a response to human grief. A radical, unique and holy, holy, holy response to human suffering. Baruch Hashem, thank God, I bow my head in respect to the nobility of this enterprise." At the end of the show he blessed the crowd by the Priestly Blessing, a Jewish blessing offered by Kohanim. Cohen's surname derives from this Hebrew word for priest, thus identifying him as a Kohen.

The sixth leg of the 2008-2009 world tour went again to US, with fifteen shows in October and November, with the "final" show in San Jose. The final leg included two new songs, "Feels So Good" and "The Darkness". But at that point, Cohen's "World Tour 2010" was already announced with the European dates in March.

The 2009 world tour earned a reported $9.5 million, putting Cohen at number 39 on ''Billboard'' magazine's list of the year's top musical "money makers."

Live releases

On 14 September 2010, Sony Music released a live CD/DVD album, ''Songs from the Road'', showcasing Cohen's 2008 and 2009 live performances. The previous year, Cohen's performance at the 1970 Isle of Wight Music Festival was released as a CD/DVD combo. The DVD version included interviews with Kris Kristofferson and others.

2010 tour

Cohen's 2008-2009 world tour was prolonged into 2010. Originally scheduled to start in March, the first dozen of the original European dates were postponed to September and October due to Cohen's lower-back injury. Officially billed as the "World Tour 2010", the tour started on 25 July 2010 in Arena Zagreb, Croatia, where in the week of the show 16 of Cohen's albums simultaneously entered the Croatian Top 40, while Cohen's work was presented by the translation of ''Book of Mercy'', two of Cohen's biographies, and with selection of poems in major literary magazine ''Quorum'', while there was also the translation of Linda Hutcheon's work on Cohen's literary output. In December 2010, the national daily newspaper ''Vjesnik'' ranked Cohen's show among the five most important cultural event in Croatia in 2010, in the poll among dozen of intellectuals and writers; it was the only event ranked which was not actually Croatian. The tour continued through August, with stops in Austria, Belgium, Germany, Scandinavia, and Ireland, where on 31 July 2010 Cohen performed at Lissadell House in County Sligo. It was Cohen’s eighth Irish concert in just two years after a hiatus of more than 20 years. On 12 August, Cohen played the 200th show of the tour in Scandinavium, Gothenburg, Sweden, where he had already played in October 2008; the show was four hours long.

The Fall leg of the European tour started in early September with an open-air show in Florence, Italy, and continued through Germany, Portugal, Spain, Switzerland, and Austria, where Cohen performed at the famous open-air opera stage of Römersteinbruch bei St. Margarethen im Burgenland, and then continued with dates in France, Poland, Russia (Moscow's State Kremlin Palace), Slovenia and Slovakia. In Slovenia's brand new Arena Stožice, Cohen accepted Croatia's Porin music award for best foreign live video programme, which he won for his ''Live in London'' DVD. Cohen's last European show was held in Sibamac Arena, in Bratislava, Slovakia. The shows in late September and October were performed without Sharon Robinson, who left this tour leg due to heavy illness; the setlist omitted songs co-written by her, but old Cohen standards were added instead.

The third leg of the 2010 tour started on 28 October in New Zealand and continued in Australia, including an open-air concert at Hanging Rock near Melbourne. It was the first show ever organised at the site. The tour finished with seven special dates added in Vancouver, Portland, Victoria and Oakland, with two final shows in Las Vegas' The Colosseum at Caesars Palace on 10 and 11 December. The very last concert on 11 December was the 246th show on the world tour which started on 11 May 2008.

The world tour 2010 was covered daily on the Flickr photo blog which was edited by Cohen's road manager, entitled Notes from the Road.

2010s

In August 2011, Cohen completed work on the studio album, ''Old Ideas'', with producer Ed Sanders. The album was released on 27 January 2012. The lyric for the song "Going Home" was originally published as a poem in ''The New Yorker'' magazine in January 2012, prior to the record's release. The album received uniformly positive reviews from publications like ''Rolling Stone'', the Chicago Tribune, and The Guardian. At a record release party for the album in January 2012, Cohen spoke with ''The New York Times'' reporter Jon Pareles who states that "mortality was very much on his mind and in his songs [on this album]." Pareles goes to characterize the album as "an autumnal album, musing on memories and final reckonings, but it also has a gleam in its eye. It grapples once again with topics Mr. Cohen has pondered throughout his career: love, desire, faith, betrayal, redemption. Some of the diction is biblical; some is drily sardonic."

"Hallelujah"

"Hallelujah" was first released on Cohen's studio album ''Various Positions'' in 1984. While initially the song had limited success it found greater popular acclaim through a cover by John Cale in 1991, which later formed the basis for a cover by Jeff Buckley. In recent years "Hallelujah" has been performed by almost 200 artists in various languages. Statistics from the Recording Industry Association of America (RIAA); the Canadian Recording Industry Association; the Australian Recording Industry Association; and the International Federation of the Phonographic Industry show that, prior to late 2008, more than five million copies of the song sold in compact-disc format. It has been the subject of a BBC Radio documentary and been featured in the soundtracks of numerous films and television programs.

Themes

Recurring themes in Cohen's work include love, sex, religion, depression, and music itself. He has also engaged with certain political themes, though sometimes ambiguously so. "Suzanne" mixes a wistful type of love song with a religious meditation, themes that are also mixed in "Joan of Arc". "Famous Blue Raincoat" is from the point of view of a man whose marriage has been broken by his wife's infidelity with his close friend, and is written in the form of a letter to that friend. "Everybody Knows" is about sexual relationships during the AIDS crisis of the 1980s in which "the naked man and woman are just a shining artifact of the past."

Cohen is Jewish, and he has drawn from Jewish religious and cultural imagery throughout his career. Examples include "Story of Isaac", and "Who by Fire", the words and melody of which echo the Unetaneh Tokef, an 11th-century liturgical poem recited on Rosh Hashana and Yom Kippur. Broader Jewish themes sound throughout the album ''Various Positions''. "Hallelujah," which has music as a secondary theme, begins by evoking the biblical King David composing a song that "pleased the Lord" and continues with references to Bathsheba and Samson. The lyrics of "Whither Thou Goest", performed by him and released in his album ''Live in London'', are adapted from the Bible (Ruth 1:16-17, King James Version). "If It Be Your Will" also has a strong air of religious resignation.

Having suffered from depression during much of his life (although less so recently), Cohen has written much (especially in his early work) about depression and suicide. ''Beautiful Losers'' and "Seems So Long Ago, Nancy" are about suicide; darkly comic "One of Us Cannot Be Wrong" mentions suicide; "Dress Rehearsal Rag" is about a last-minute decision not to commit suicide. An atmosphere of depression pervades "Please Don't Pass Me By" and "Tonight Will Be Fine." As in the aforementioned "Hallelujah," music itself is the subject of "Tower of Song," "A Singer Must Die," and "Jazz Police."

Themes of political and social justice also recur in Cohen's work, especially in later albums. In "Democracy," he both acknowledges political problems and celebrates the hopes of reformers: "from the wars against disorder/ from the sirens night and day/ from the fires of the homeless/ and the ashes of the gay/ Democracy is coming to the USA." He has made the observation in "Tower of Song" that "the rich have got their channels in the bedrooms of the poor/ And there's a mighty judgment coming." In the title track of ''The Future'' he recasts this prophecy on a pacifist note: "I've seen the nations rise and fall/ …/ But love's the only engine of survival." In "Anthem", he promises that "the killers in high places [who] say their prayers out loud/ [are] gonna hear from me."

War is an enduring theme of Cohen's work that—in his earlier songs and early life—he approached ambivalently. Challenged in 1974 over his serious demeanor in concerts and the military salutes he ended them with, Cohen remarked, "I sing serious songs, and I'm serious onstage because I couldn't do it any other way...I don't consider myself a civilian. I consider myself a soldier, and that's the way soldiers salute." In "Field Commander Cohen" he imagines himself as a soldier of sorts, socializing with Fidel Castro in Cuba—where he had actually visited at the height of US-Cuba tensions in 1961, allegedly sporting a Che Guevara-style beard and military fatigues. This song was written immediately following Cohen's front-line stint with the Israeli air force, the "fighting in Egypt" documented in a passage of "Night Comes On." In 1973, Cohen, who had traveled to Jerusalem to sign up on the Israeli side in the Yom Kippur War, had instead been assigned to a USO-style entertainer tour of front-line tank emplacements in the Sinai Desert, coming under fire.

Deeply moved by encounters with Israeli and Arab soldiers, he left the country to write "Lover Lover Lover." This song has been interpreted as a personal renunciation of armed conflict, and ends with the hope his song will serve a listener as "a shield against the enemy." He would later remark, "'Lover, Lover, Lover' was born over there; the whole world has its eyes riveted on this tragic and complex conflict. Then again, I am faithful to certain ideas, inevitably. I hope that those of which I am in favour will gain." Asked which side he supported in the Arab-Israeli conflict, Cohen responded, "I don't want to speak of wars or sides ... Personal process is one thing, it's blood, it's the identification one feels with their roots and their origins. The militarism I practice as a person and a writer is another thing.... I don't wish to speak about war."

His recent politics continue a lifelong predilection for the underdog, the "beautiful loser." Whether recording "The Partisan", a French Resistance song by Anna Marly and Emmanuel d'Astier, or singing his own "The Old Revolution," written from the point of view of a defeated royalist, he has throughout his career expressed in his music sympathy and support for the oppressed. Although Cohen's fascination with war is often as a metaphor for more general cultural and personal issues, as in "New Skin for the Old Ceremony," by this measure his most militant album.

Cohen blends pessimism about political/cultural issues with humour and, especially in his later work, with gentle acceptance. His wit contends with his stark analysis as his songs are often verbally playful and cheerful. In "Tower of Song" the famously raw-voiced Cohen sings ironically that he was "born with the gift of a golden voice." The generally dark "Is This What You Wanted?" contains playful lines "You were the whore and the beast of Babylon/ I was Rin Tin Tin." In concert he often plays around with his lyrics ("If you want a doctor/ I'll examine every inch of you" from "I'm Your Man" sometimes becomes "If you want a Jewish doctor..."). He may introduce one song by using a phrase from another song or poem—for example, introducing "Leaving Green Sleeves" by paraphrasing his own "Queen Victoria," "This is a song for those who are not nourished by modern love."

Cohen has also recorded such love songs as Irving Berlin's "Always" or the more obscure soul number "Be for Real" (originally sung by Marlena Shaw).

Personal life

Romantic relationships

Leonard Cohen lived at Hydra, Greece in 1960 with Marianne C. Stang Jensen Ihlen (born in Norway 1935), and the song "So long Marianne" was written to and about her. Their relationship lasted for most of the 1960s.

Cohen had a relationship beginning in the 1970s with the Los Angeles artist Suzanne Elrod, with whom he has two children: a son, Adam, born in 1972, and a daughter, Lorca, named after poet Federico García Lorca, born in 1974. Adam Cohen began a career as a singer-songwriter in the mid-1990s and fronts a band called Low Millions, while Lorca took the part in her father's tour team during the 2008-2010 world tour as photographer and videographer. She also shot Cohen's video for the song "Because Of" in 2004, while her "Backstage Sketch" was included on Cohen's 2010 DVD ''Songs from the Road''. She has directed and shot video clips for The Webb Sisters and Kamila Thompson. On 2 February 2011, Lorca gave birth to a daughter, Viva Katherine Wainwright Cohen. The father of the child is Rufus Wainwright.

Cohen has said that "cowardice" and "fear" prevented him from ever actually marrying Elrod. Elrod took the cover photograph on Cohen's ''Live Songs'' album and is pictured on the cover of the ''Death of a Ladies' Man'' album. She is also the "Dark Lady" of Cohen's 1978 book ''Death of a Lady's Man''. Cohen and Elrod split up in 1979.

"Suzanne", one of his best-known songs, refers to Suzanne Verdal, the former wife of his friend, the Québécois sculptor Armand Vaillancourt, rather than Elrod.

In the 1980s, Cohen was in a relationship with the French photographer Dominique Issermann, who shot his first two music videos for the songs "Dance Me To The End Of Love" and "First We Take Manhattan." Today Issermann is most famous for her photo sessions with Carla Bruni and for her fashion photography for magazines like ''Elle''; in 2010 she was the official photographer of Cohen's world tour. Her photographs were used for the covers of his 1993 book ''Stranger Music'' and his album ''More Best of Leonard Cohen'' and for the inside booklet of Cohen's 1988 record ''I'm Your Man'' (which is dedicated to Issermann with words: "All these songs are for you, D. I.").

In the 1990s, Cohen was romantically linked to actress Rebecca De Mornay. De Mornay co-produced Cohen's 1992 album ''The Future'', which is also supposedly dedicated to her with an inscription which quotes Rebecca's coming to the well from the Book of Genesis chapter 24 and giving drink to Eliezer's camels, after he prayed for the help; Eliezer ("God is my help" in Hebrew) is Cohen's Hebrew name, and Cohen sometimes referred to himself as "Eliezer Cohen" or even "Jikan Eliezer."

In 2000s, Cohen has been romantically involved with Anjani Thomas. Together they wrote the album ''Blue Alert'' in 2006, produced by Cohen. Thomas co-produced and co-wrote some songs on Cohen's 2004 album ''Dear Heather'' and is currently involved in recording of Cohen's forthcoming record.

Religious beliefs and practices

Cohen is described as an observant Jew in an article in ''The New York Times'':

Mr. Cohen keeps the Sabbath even while on tour and performed for Israeli troops during the 1973 Arab-Israeli war. So how does he square that faith with his continued practice of Zen? "Allen Ginsberg asked me the same question many years ago," he said. "Well, for one thing, in the tradition of Zen that I've practiced, there is no prayerful worship and there is no affirmation of a deity. So theologically there is no challenge to any Jewish belief."

Cohen has been involved with Buddhism since the 1970s and was ordained a Buddhist monk in 1996; however he is still religiously Jewish: "I'm not looking for a new religion. I'm quite happy with the old one, with Judaism."

In his concert in Ramat Gan, Israel, on 24 September 2009, Cohen spoke Jewish prayers and blessings to the audience in Hebrew. He opened the show with the first sentence of Ma Tovu. At the middle he used Baruch Hashem, and he ended the concert reciting the blessing of Birkat Cohanim.

Since late 1970s, Cohen has been associated with the Buddhist monk and teacher Kyozan Joshu Sasaki, regularly visiting him at Mount Baldy Zen Center and serving him as personal assistant during Cohen's own reclusion into Mt. Baldy monastery in the 1990s. Roshi appears as regular motif or addressee in Cohen's poetry, especially in the ''Book of Longing'', and also took part in 1997 documentary about Cohen's monastery years, ''Leonard Cohen: Spring 1996''. Cohen's 2001 album ''Ten New Songs'' is dedicated to Joshu Sasaki.

Awards, titles and honours

1964 the Québec Literary Competition Prize (awarded 1923-70 by the Province of Québec) ''The Favourite Game'' (Cohen's first novel)

1968 Governor General's Award (English language poetry or drama) for ''Selected Poems 1956–1968''. (Refused)

1970 Honorary degree from Dalhousie University

1984 The Golden Rose, the main award at the international television festival Rose d'Or in Montreux, for ''I am a Hotel'', made-for-TV short musical film written by Cohen and based on his songs.

1985 Canadian Author's Association Literary Award for Poetry for ''Book of Mercy''

1986 Genie Award for Best Original Song for "Angel Eyes" from ''Night Magic'' (with Lewis Furey)

1988 Columbia Records Crystal Globe Award from CBS for ''I'm Your Man''. The award is for artists who sell more than five million copies of an album in foreign territories

1989 Nominated for Juno Awards for Canadian Entertainer of the Year and Male Vocalist of the Year

1991 Officer of the Order of Canada

1991 Induction into the Juno/Canadian Music Hall of Fame

1991 Nominated for a Juno Award for Songwriter of the Year.

1992 Honorary degree from McGill University, Montreal.

1993 Juno Award for Male Vocalist of the Year. The video for Closing Time, directed by Curtis Wehrfritz, won for Best Video. He was also nominated as Producer of the Year (with co-producer Leanne Ungar, for "Closing Time").

1993 Governor General's Award for Lifetime Artistic Achievement.

1994 Juno Award for Songwriter of the Year and was nominated for the Juno Award for Album of the Year (for ''The Future''). The video for The Future, directed by Curtis Wehrfritz, was nominated for Juno Award for Best Video.

1996 Ordained a Rinzai Buddhist monk.

2001 Nagroda Muzyczna Fryderyk, the annual Polish music award, for best foreign album (''Ten New Songs'').

2002 Nominated for Juno Award as Best Songwriter Cohen (with Sharon Robinson) for "Boogie Street", "In My Secret Life", and "You Have Loved Enough").

2002 Nominated for the Juno Award for Best Video for "In My Secret Life", directed by Floria Sigismondi. ''Ten New Songs'' nominated for Best Pop Album, and he was nominated for Best Artist.

2002 SNEP Award Cohen for more than 100,000 copies sold of ''Ten New Songs'' in France.

2003 Companion of the Order of Canada, Canada's highest civilian honour.

2004 Inclusion in Canada Reads 2005 with ''Beautiful Losers''

2005 Induction into the Canadian Folk Music Walk of Fame.

2006 Induction into the Canadian Songwriters Hall of Fame.

2007 Grammy for Album of the Year as a featured artist on Herbie Hancock's ''River: The Joni Letters''. 2008 Induction into the Rock and Roll Hall of Fame. 2008 Grand Officer of the National Order of Quebec. 2009 Long Listed for the Polaris Music Prize for ''Live in London'' 2009 Nominated for Mojo Honours Lists for Best Live Act category.

2009 Meteor Music Award for Best International Live Performance for his 2008 show in Dublin's IMMA's Royal Hospital Kilmainham.

2010 Grammy Lifetime Achievement Award.

2010 A second Meteor Music Award for Best International Live Performance for his 2009 show in Dublin's O2.

2010 Porin Award in Croatia in category of foreign video programme, for his ''Live in London'' DVD.

2010 Induction into the Songwriters Hall of Fame.

2011 Glenn Gould Prize

2011 Prince of Asturias Awards, Literature, Spain

2012 Inaugural PEN Award for Song Lyrics of Literary Excellence. Chuck Berry received same award.

Discography

Studio albums

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Poetry

''Six Montreal Poets''. New York: Folkways Records, 1957.

Tribute albums

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Publications

Collections: poems and songs

''Let Us Compare Mythologies''. Montreal: Contact Press [McGill Poetry Series], 1956. reissued 2007 ''The Spice-Box of Earth''. Toronto: McClelland & Stewart, 1961. ''Flowers for Hitler''. Toronto: McClelland & Stewart, 1964. ''Parasites of Heaven''. Toronto: McClelland & Stewart, 1966. ''Selected Poems 1956–1968''. New York, Toronto: Viking, McClelland & Stewart, 1968. ''The Energy of Slaves''. London,Toronto: Cape, McClelland and Stewart, 1972. ISBN 0771022042 ISBN 0771022034 New York: Viking, 1973. ''Selected Poetry of Leonard Cohen''. Penguin Classics, 1978. ''Death of a Lady's Man''. Toronto: McClelland & Stewart, 1978. ISBN 0771021771 London, New York: Viking, Penguin, 1979. - reissued 2010 ''Book of Mercy''.London: Cape, 1984. - reissued 2010 ''Stranger Music: Selected Poems and Songs''. London, New York, Toronto: Cape, Pantheon, McClelland & Stewart, 1993. ISBN 0771022301 ''The Lyrics of Leonard Cohen''. London, Omnibus, 1998. ISBN 0711971412 2nd edition, 2009. ''God is Alive. Magic is Afoot.'' Sarah Perkins and Ian Jackson illus. Toronto: Stoddart, 2000. ISBN 0773761802 ''Book of Longing''. London, New York, Toronto: Penguin, Ecco, McClelland & Stewart, 2006. (poetry, prose, drawings) ISBN 9780771022340

''Poems and Songs (Everyman's Library Pocket Poets)'' 2011

Novels

''The Favorite Game''. London, New York, Toronto: Secker & Warburg, Viking P, McClelland & Stewart, 1963. Reissued as ''The Favourite Game.'' Toronto: McClelland & Stewart [New Canadian Library], 1994. ISBN 9780771099540 ''Beautiful Losers''. New York, Toronto: Viking Press, McClelland & Stewart, 1966. Toronto: McClelland & Stewart [New Canadian Library], 1991. ISBN 9780771098758 McClelland & Stewart [Emblem], 2003. ISBN 9780771022005

Film and television

Cohen was the subject of the 1965 documentary ''Ladies and Gentlemen... Mr. Leonard Cohen'', directed by Donald Brittain and Don Owen and produced by the National Film Board of Canada. This film, which pre-dates Cohen's career as a songwriter, explores his career as a well-known Canadian poet. Cohen also appeared in Owen's 1967 film ''The Ernie Game'', which was entered into the 18th Berlin International Film Festival.

Cohen's music also appeared the following year in the 1966 NFB animated short ''Angel''.

In 1968 Cohen performed on the BBC, both on the Julie Felix Show and in his own special, split into two thirty minute shows. The first clip still exists, while the second is only available as a bootleg CD.

Cohen makes a cameo appearance performing "The Stranger Song" in the Canadian film ''The Ernie Game'' (1968), which is based on the stories of Bernard Cole Spencer.

Cohen's music was popular among the directors of the New German Cinema, and appeared in Rainer Werner Fassbinder's ''Beware of a Holy Whore'' (1971) and Werner Herzog's ''Stroszek'' (1977).

Cohen's 1970 performance at the Isle of Wight Festival was filmed by Murray Lerner, but remained unreleased until 2009 when it was released as ''Leonard Cohen Live at the Isle of Wight 1970'', and included Lerner's 2009 documentary material.

Robert Altman's 1971 western ''McCabe and Mrs. Miller'' used three Cohen songs on its soundtrack, as well the instrumental parts of The Stranger Song performed by Cohen. Multiple record singles were released during the film's distribution. In 1972, Cohen's European tour was filmed by British director Tony Palmer; the re-edited material appeared in 1974 under the title ''Bird On a Wire'' and exists only as a bootleg VHS tape. Palmer's authorised and restored film was released in 2010. In October 1979, Cohen recorded a show for German TV show ''RockPop Special'', available only as a bootleg. The show is often rebroadcast by the German satellite TV channel 3Sat.

''The Song Of Leonard Cohen'', a 1980 documentary by Harry Rasky, featuring Irving Layton, includes highlights from Cohen's 1979 European tour and tracks from the LP ''Recent Songs''.

In 1983, Cohen wrote and starred in made-for-TV short musical film ''I am a Hotel'', based on his songs. It won the Golden Rose award at the Rose d'Or television festival in Montreux in 1984.

In 1985, Cohen co-wrote and co-composed ''Night Magic'' (starring Carole Laure) with fellow Quebecker, Lewis Furey.

Cohen is subject of the BBC documentary ''Songs from the Life of Leonard Cohen'', filmed during his 1988 tour.

Cohen appeared as villain Francois Zolan in the "French Twist" episode of the American television series ''Miami Vice'' (season 2, episode 17), originally broadcast on 21 February 1986.

In 1988, Spanish TV station RTE televised the full version of Cohen's show in San Sebastian, 20 May, later aired in number of European countries and still rerun on the Spanish TV. It remains the only completely televised Cohen show.

In 1989, Cohen gave his first major performance on US television on Austin City Limits (recorded in November 1988). He performed for the show again in July 1993. Both programs have been often rebroadcast by the PBS.

"Everybody Knows" and "If It Be Your Will" play prominent parts in the 1990 film Pump Up the Volume

Three of Cohen's songs from his album The Future ("Waiting for the Miracle", "Anthem", and "The Future") are used in Oliver Stone's 1994 film Natural Born Killers. Songs from this album have also appeared in the films ''Wonder Boys'' (2000), starring Michael Douglas and The Life of David Gale (2003), starring Kevin Spacey.

In 1994, Cohen narrated NFB-produced documentary ''The Tibetan Book of the Dead''.

Cohen's years at the Mt. Baldy Zen Centre were the subject of 1997 French documentary ''Leonard Cohen: Spring 96'' by Armelle Brusq, released on DVD in 2009.

In 2001, Cohen's song Hallelujah was used on the soundtrack of ''Shrek'', in a version by John Cale.

''The Favourite Game (Le Jeu de l'ange)'', based on his novel of the same title, was released in Canada in 2003.

''Leonard Cohen: I'm Your Man'' was released in 2006. It features a 2005 tribute concert to Cohen, "Came So Far For Beauty", held at the Sydney Opera House and produced by Hal Willner. The film, directed by Lian Lunson, has appearances by Nick Cave, Beth Orton, Antony of Antony and the Johnsons, Rufus and Martha Wainwright, and a performance of "Tower of Song" by Cohen and U2. The film also features Cohen recalling significant parts of his life and career.

Cohen is the subject of a two-part documentary, ''Leonard Cohen: Under Review 1934-1977'' (2007) and ''Leonard Cohen: Under Review 1978-2006'' (2008), available separately on DVD.

See also

Music of Canada

List of Quebec musicians

Music of Quebec

Culture of Quebec

List of people with depression

References

Further reading

External links

Official website

The Leonard Cohen Files

''Bird on a Wire'' (1972) at TCM Movie Morlocks

''Canadian Poetry: Studies/Documents/Reviews'', Vol. 33 (Fall/Winter, 1993). The Proceedings of the Leonard Cohen Conference, Red Deer College, 22-24 Oct. 1993.

Category:1934 births Category:Anglophone Quebec people Category:Ashkenazi Jews Category:Canadian buskers Category:Canadian folk singers Category:Canadian male singers Category:Canadian Music Hall of Fame inductees Category:Canadian novelists Category:Canadian people of Lithuanian descent Category:Canadian people of Polish descent Category:Canadian poets Category:Canadian singer-songwriters Category:Canadian Zen Buddhists Category:Companions of the Order of Canada Category:Genie Award winners Category:Governor General's Award winning poets Category:Grammy Award winners Category:Grand Officers of the National Order of Quebec Category:International PEN literary awards Category:Jewish Canadian culture Category:Jewish composers and songwriters Category:Jewish poets Category:Jewish singers Category:Jewish Canadian writers Category:Juno Award winners Category:Living people Category:McGill University alumni Category:Musicians from Montreal Category:People from Westmount, Quebec Category:Rock and Roll Hall of Fame inductees Category:Mystics Category:Writers from Montreal Category:Jewish Canadian musicians Category:Rinzai Buddhists

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name	Jacques Brel
background	solo_singer
birth name	Jacques Romain Georges Brel
birth date	April 08, 1929
birth place	Schaarbeek, Belgium
death date	October 09, 1978
death place	Bobigny, France
resting place	Calvary Cemetery, Atuona, Hiva Oa, Marquesas Islands
genre	Chanson
occupation	Singer-songwriter, Actor
years active	1953–1978
label	Philips RecordsBarclay RecordsBarclay/Universal
website	www.jacquesbrel.be }}

Jacques Brel (; 8 April 1929 – 9 October 1978) was a Belgian singer-songwriter who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following in France initially, and later throughout the world. He was widely considered a master of the modern chanson. Although he recorded most of his songs in French, he became a major influence on English-speaking songwriters and performers such as David Bowie, Leonard Cohen, and Rod McKuen. English translations of his songs were recorded by many top performers in the United States, including Ray Charles, Judy Collins, John Denver, the Kingston Trio, Nina Simone, Frank Sinatra, Scott Walker, and Andy Williams. In French-speaking countries, Brel was also a successful actor, appearing in ten films. He also directed two films, one of which, ''Le Far West'', was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Jacques Brel has sold over 25 million records worldwide, and is the third best-selling Belgian recording artist of all time.

Early life

Jacques Romain Georges Brel was born on 8 April 1929 in Schaarbeek, Brussels, Belgium to Romain Brel and Elisabeth Lambertine Brel. Although his family spoke French, they were of Flemish descent, with some of the family originating from Zandvoorde, near Ypres. His father worked in an import-export firm, and later became co-director of a company that manufactured cardboard. Jacques and his older brother Pierre grew up in an austere environment, attending a Catholic primary school run by the Saint-Viateur Brothers. They were also members of the local Cub Scouts troop. The family lived at 138 Avenue du Diamant in Schaerbeek, one of the 19 Brussels communes. Jacques was close to his mother, fascinated by her generosity and sense of humor, which he inherited.

In 1941, his parents enrolled Jacques at the Saint-Louis College, at rue du Marais, near the Botanical Garden of Brussels. Although he did poorly in many subjects, he showed a talent for writing. He helped set up the Saint-Louis College Drama Club, and took on his first stage roles with great enthusiasm. He wrote short stories, poems, and essays. In 1944, at the age of 15, Jacques began playing the guitar. The following year, he formed his own theatre group with friends and began writing plays.

Brel was never a good student, failing many of his exams. In August 1947, at the age of 18, Jacques went to work at his father's cardboard factory. To offset the boredom of his daily office routine, he joined a local Catholic youth organization, La Franche Cordée, which was dedicated to philanthropic work. In 1948, Brel also enrolled for part-time military service. By 1949, Brel became president of La Franche Cordée, and produced a number of benefit plays for the organization, including Saint Exupéry's ''Le Petit Prince''.

While working at La Franche Cordée, Brel met his future wife, Thérèse Michielsen, known to her friends as Miche. On 1 June 1950, Jacques and Miche were married at Laeken, a Brussels commune. On 6 December 1951, Miche gave birth to their first daughter, Chantal.

In 1952, Brel began writing songs and performing them at family gatherings and in Brussels' cabaret circuit. His family and friends were not supportive of Brel's stark lyrics and violent, emotional performances. That year he performed on a local radio station for the first time.

Music career

1953–1959

In January 1953, Brel performed at the cabaret La Rose Noire in Brussels. In February he signed a contract with Philips Records and recorded his first 78 rpm record, "La foire" (The Fair), which was released in March. The talent scout and artistic director at the record company, Jacques Canetti, invited Brel to move to Paris. Despite his family's objections and the added pressure of raising a second daughter, France, born on 12 July, Brel left Brussels for Paris in the fall of 1953.

In Paris, Brel worked hard to get his career off the ground. He stayed at the Hotel Stevens and gave guitar lessons to artist-dancer Francesco Frediani to pay his rent. He found work on the cabaret circuit at venues such as L'Ecluse, L'Echelle de Jacob, and in Jacques Canetti's cabaret Les Trois Baudets.

In 1954, Brel competed in the music contest Grand Prix de la Chanson in Knokke-le-Zoute, finishing a disappointing 27th out of 28 participants. One positive result of the experience was that the French star Juliette Gréco requested to sing one of Brel's songs, "Ça va le diable" (There goes the devil), at her upcoming concert at the prestigious Olympia music-hall. She went on to record the song that spring. In July 1954, Brel made his first appearance at the prestigious Olympia Theatre in Paris. Later that summer, Brel embarked on his first French tour, appearing on the bill with French singers Dario Moreno, Philippe Clay, and Catherine Sauvage. By the end of the year, Philips released his debut album, a nine-song, 10-inch LP called ''Jacques Brel et ses Chansons'' (Jacques Brel and his songs).

In February 1955, Brel met Georges Pasquier (known as Jojo) who would become the singer's closest friend, manager, and personal chauffeur. He began singing with a number of Christian associations, which later led to his being called, "Abbé Brel". In March, Brel's wife and children joined him in France and the family settled in the Paris suburb of Montreuil-sous-Bois at the rue du Moulin à Vent. In June, Brel toured France again with Canetti's show ''Les Filles de Papa'', which included Françoise Dorin, Perrette Souplex, and Suzanne Gabriello.

In March 1956, Brel performed in North Africa, Amsterdam, Lausanne, and throughout Belgium. In July, while visiting Grenoble, Brel met François Rauber, a classical pianist who would become his accompanist on future recordings. Rauber played a major role in providing Brel with the formal musical training he was lacking, and was responsible for Brel's musical arrangements. In September, Brel recorded "Quand on n'a que l'amour" (When you only have love), which would prove to be his commercial breakthrough. The song was released in November on a Philips 7-inch EP ''Quand on n'a que l'amour''. The song reached number three on the French music charts.

In February 1957, Brel performed at the Alhambra Theatre with Maurice Chevalier, Michel Legrand, and ballet dancer Zizi Jeanmaire. In April, Brel released his second studio album, ''Quand on n'a que l'amour'', which contained the popular title song. The album was recorded at the Théâtre de l'Apollo in Paris, with André Popp and Michel Legrand conducting. In June, Brel won the prestigious Grand Prix du Disque from the Académie Charles Cros. In September, he appeared on the bill in the Discorama programmme Au Palace d'Avignon with Raymond Devos, Pierre-Jean Vaillard, and Les Trois Ménestrels. And in November, Brel met pianist Gérard Jouannest, another talented pianist, who would accompany the singer on his many concert tours. Brel and Jouannest would also collaborate on many of Brel's future classic songs, such as "Madeleine", "La chanson des vieux amants" (Song of the old lovers), and "Les vieux" (The old ones).

In February 1958, Brel's wife Miche and their two children returned to live in Belgium, while Brel rented a room near Place de Clichy in Paris—a place to stay on those rare occasions when he was not touring. In March and April, Brel recorded his third album, ''Au Printemps'' (In the spring), which would be released later that year. In May, while touring Canada for the first time, Brel met Félix Leclerc. On August 23, Brel's third daughter, Isabelle, was born back in Belgium. In November, Brel gave a recital at the Halles d'Arlon in Belgian Luxembourg with Stéphane Steeman. And in December, Brel appeared at the Olympia in Paris as the supporting act to Philippe Clay. The pianist Gérard Jouannest and François Rauber joined Brel on stage for this performance. Brel's incredibly emotional performance brought the house down.

In January 1959, Brel signed a new recording contract with Philips Records. He continued to tour extensively throughout the year. On 22 February, Brel performed at the Bolivie Gala in the Solvay Casino in Couillet. In March, he starred at the Trois Baudets with Serge Gainsbourg. In September, Brel recorded his fourth album, ''La Valse à Mille Temps'' (The waltz a thousand times as fast), with François Rauber and his orchestra. On 14 October, he appears at the Eden in Mouscron with Raymond Devos. On 20 November, he sang with Charles Aznavour at the Ancienne Belgique in Brussels. At the close of the decade, Brel had gained an impressive and enthusiastic following across France. He was so popular that he was invited to headline the end-of-year concert at the renowned Bobino Cabaret in Paris. The concert was an enormous success. During these appearances, Brel stopped accompanying himself on the guitar in order to concentrate entirely on his increasingly theatrical vocal performances.

1960–1967

In January 1960, Brel's new impressario, Charles Marouani, organised a series of international concert tours for the singer that would take him from the French provinces to the then Soviet Union, the Middle East, Canada, and the United States. From 19-24 March, he appeared at the Ancienne Belgique in Brussels. On 19 October, he performed at the Shepheard's Hotel in Cairo. The year's concert tours brought him international recognition and popularity. His appearances initiated the first United States release of a Jacques Brel recording, ''American Début'', released on Columbia Records. It was a compilation of previously-released Philips tracks.

In January 1961, Brel made a triumphant return to the Bobino Theatre. By now, accordionist Jean Corti had joined Brel's touring group. Between 22 February and 12 April, he recorded his fifth album for Philips simply titled, '' No. 5'', which introduced the future Brel classics "Marieke" and "Le moribond" (The dying man). In March, Brel toured Canada again. In Montreal, he met French actress and singer Clairette Oddera at her club on the rue Saint-Jacques. They would become good friends. While in Montreal, Brel appears with Raymond Devos at La Comédie Canadienne. In May, Brel performed at the Kurhaus of Scheveningen in The Hague in the Netherlands. From 12-29 October, Brel returned to the Olympia Theatre in Paris with star billing, after Marlene Dietrich cancelled at the last minute. Many critics point to these inspired performances as the turning point in Brel's career. The audiences responded with rapturous applause, and the critics proclaimed him as the new star of French chanson.

In March 1962, Brel left Philips Records and signed a five-year contract with Barclay Records. The contract would be renewed in 1967 for another six years. His first album release for his new label was a live album, ''Enregistrement Public à l'Olympia 1961'', recorded the previous year. On 6 March, he recorded his first song for Barclay, "Le plat pays" (The flat country). During the second week of March, he recorded the remaining tracks for his sixth studio album, ''Les Bourgeois'' (The middle class). In addition to the title song and "Le plat pays", the new album contained the future Brel classics "Madeleine", "Les biches" (The does), and "La statue" (The statue). In October, Brel set up his own music publishing company, Arlequin, which was soon renamed Editions Musicales Pouchenel. Brel's wife Miche was appointed company director. In November, he recorded "Les Bigotes", "Quand maman reviendra" (When mother returns), "Filles et les chiens" (Girls and dogs), and "La Parlote" as singles.

In April 1963, Brel performed at the Bobino in Paris. In July, he headlined at the Casino in Knokke for the fifth Coupe d'Europe de Tour de Chant. During this engagement, he performed the classic "Mathilde" for the first time. Brel also returned for another triumphant engagement at the Olympia Theatre in Paris, performing with Isabelle Aubret, who was the support act. Once again, Brel's performance was a critical and artistic success, with the audience leaping up from their seats in a standing ovation following Brel's emotional rendering of "Amsterdam".

The year 1964 brought a mix of personal tragedies and professional triumphs. On 8 January, Brel's father Romain died of bronchial pneumonia. Only two months later, on 7 March, his mother Elisabeth (nicknamed Mouky) also died. At the same time, he was given the Gold Medal of Brussels from the Tourist Information Bureau, and won a prize from the Société d’Auteurs Belge / Belgische Auteurs Maatschappij (SABAM). He was also awarded the French Academy's Grand Prix du Disque. Brel continued his ambitious touring schedule. By the end of the year, he released a new live album, ''Enregistrement Public à l'Olympia 1964''. That year, Brel discovered a new passion, aviation. After taking flying lessons with Paul Lepanse, he purchased a small plane. In the United States, Brel's audience was growing. American poet and singer Rod McKuen began translating Brel's songs into English, and the Kingston Trio recorded one of his English versions on their ''Time to Think'' album, "Seasons in the Sun", based on Brel's "Le moribond" (The dying one).

In 1965, Reprise Records licensed tracks from Barclay for a United States album titled ''Jacques Brel''. On 25 March, Brel performed at the Kurhaus of Scheveningen in the Netherlands. In October, he completed a successful five-week tour of the former Soviet Union, which included a week's engagement at the Estrada Theatre in Moscow. On 6 November, he was back in France, recording the songs "Fernand", "Les désespérés" (The despaired), and "Ces gens-là" (Those people) for Barclay. On 4 December, he appeared at the prestigious Carnegie Hall in New York City. His performance was received with high public and critical acclaim.

By 1966, Brel had grown increasingly weary of his gruelling concert schedules. In April, he toured Jibouti, Madagascar, Reunion Island, and Mauritius. On 21 August, while on tour in Vittel, he revealed to his musicians his decision to retire from touring. In subsequent public statements, Brel stated that he had nothing more to give to the music world, and that he wanted to devote more time to other projects. In October 1966, Brel gave a series of farewell concerts at the Olympia in Paris. Thousands of devoted fans flocked to see these final performances, which took place over the course of three weeks. On 1 November, he gave his final concert at the Olympia. After a highly emotional and stunning performance, the audience's standing ovations prompted Brel to return to the stage seven times for his final bows. Brel spent the next six months fulfilling his concert commitments. On 15 November, he gave his farewell performance at the Palais des Beaux-Arts in Brussels. Later that month, he gave his final UK performance at the Royal Albert Hall in London. During these last months of his world tour, many of Brel's close friends, including Charles Aznavour, urged him to reconsider his decision to retire from singing, but Brel was adamant about his decision. On 4 December, Brel returned to Carnegie Hall in New York City and gave inspired performances before enthusiastic fans. By then, several English recordings of his songs were on the charts, including Damita Jo's "If You Go Away", based on "Ne me quitte pas", Judy Collins' "The Dove", based on "La colombe", and Glenn Yarbrough's "The Women", based on "Les biches".

In January 1967, Brel finished recording songs for a new studio album, ''Jacques Brel 67'', which was released later in the year. The album included "Mon enfance" (My childhood), "Fils de..." (Sons of...), "Les bonbons 67" (The candies 67), and "La chanson des vieux amants" (Song of the old lovers). In late January, Brel returned to Carnegie Hall and gave one final performance. While in New York, he went to see ''Man of La Mancha'', a musical based on Cervantes's novel ''Don Quixote'', at the ANTA Washington Square Theatre in Greenwich Village. Moved by the experience, he began planning a French language production of the musical for Europe. Brel returned to France in the spring, and on 16 May 1967, he gave his final concert performance in the town of Roubaix in northern France. Toward the end of the year, with vague plans of sailing around the world, Brel purchased a yacht.

1968–1972

Following his retirement from the concert stage, the focus of Jacques Brel's professional life was on film. He would record only four more studio albums in the last decade of his life. In September 1968, Brel recorded the songs for the album, ''J'arrive'' (I arrived), which would be released later in the year. In addition to the title song, the album included "Vesoul", "Je suis un soir d’été" (I am a summer's eve), and "Un enfant" (A child). In October 1968, Brel's ''L'Homme de La Mancha'' (''Man of La Mancha'') premièred in Brussels, with Brel playing Don Quixote and Dario Moreno playing Sancho Panza. Moreno would die tragically only ten days before the musical's Paris première. From 23-27 November, Brel and his fellow cast-members recorded the studio album, ''L'Homme de la Mancha''. Brel adapted the book, translated the lyrics, directed the production, and played the lead role. This was the only time he ever adapted songs by other writers or appeared in a stage musical. The album contains Brel's classic performance of "La quête" (The quest). Moreno was replaced by Robert Manuel, and the first performance at the Théâtre des Champs-Élysées in Paris went ahead as planned on 11 December 1968. Brel's performance received unanimous praise. After 150 performances of ''L'Homme de La Mancha'', Brel gave his final performance in the role of Don Quixote on 17 May 1969. He was never replaced.

In 1972, Brel signed a special 30-year contract with Barclay Records. Although there were no new songs to record, Barclay persuaded Brel to return to the studio to rerecord eleven of the better-known songs he cut for Philips Records during the early years of his music career. The result was the album ''Ne me quitte pas'' (Don't leave me), which contained the title track, "Marieke", "Les Flamandes" (Flemish women), "Quand on a que l’amour" (When you only have love), "Les biches" (The does), "Le moribond" (The dying one), "La valse à mille temps" (The waltz a thousand times as fast), and "Je ne sais pas" (I don't know). Brel's earlier youthful energy was now lovingly harnessed by his long-time colleagues, arranger Francois Raubert and pianist Gerard Jouannest.

Film career

In 1967, Brel began his film career appearing in André Cayatte's ''Les risques du métier'' (''Risky Business''), co-starring Emmanuelle Riva, Jacques Harden, and Nadine Alari. Brel also produced the soundtrack with François Rauber. The film tells the story of a teenage girl who accuses her primary schoolteacher, Jean Doucet (Brel), of trying to rape her. The police and the mayor investigate, but Doucet denies the charges. Two other students come forward to reveal more of Doucet's misconduct — one confessing to be his mistress. Doucet faces trial and hard labour if convicted. The film was released on 21 December 1967. Film critics praised Brel's performance.

In 1968, Brel appeared in his second film, ''La bande à Bonnot'' (''Bonnot's Gang''), directed by Philippe Fourastié, and co-starring Annie Girardot and Bruno Cremer. Once again, Brel produced the soundtrack with François Rauber. The story is set in 1911 Paris . Raymond-la-science (Brel), an anarchist, is released from prison after serving a sentence for spreading agitation among his co-workers. He meets up with his friends who live together with their families in the villa of their political leader. They get involved with the notorious Bonnot Gang — gangsters who revolt against society by robbing, stealing, and killing. The film was released on 30 October 1968.

In 1969, Brel appeared in his third film, ''Mon oncle Benjamin'' (''My Uncle Benjamin''), directed by Édouard Molinaro, and co-starring Claude Jade and Bernard Blier. He also produced the soundtrack. The film is period piece, set in 1750 during the time of Louis XV. Benjamin (Brel) is a country doctor in love with the beautiful innkeeper's daughter, Manette, but she refuses his advances until he is produces a marriage contract. After suffering a humiliating practical joke and condemned to prison, Benjamin escapes with Manette, who realizes she prefers happiness to a marriage contract after all. The film was released 28 November 1969.

In 1970, Brel appeared in his fourth feature film, ''Mont-Dragon'', directed by Jean Valère and co-starring François Prévost, Paul le Person and Catherine Rouvel,with a screen play by Robert Margerit. The story involves a soldier, Georges Dormond (Brel), who seduces Germaine de Boismesnil and is subsequently driven out of the army by one of Germaine's friends who is a colonel. After Germaine's husband dies, Dormond returns to the widow's castle seeking revenge. After seducing Pierrette the maid, he reminds Germaine of their past love affair and arranges a meeting with the widow, at which he underdresses her, humiliates her, and then leaves. The orphan Marthe, who witnesses the scene, throws herself at Gaston, the colonel's orderly, to avenge her mother. Georges ridicules their feelings and forces Germaine to reveal her attachment to Pierrette, thereby causing a scandal. The film was released 16 December 1970.

In 1971, Brel appeared in his fifth feature film, ''Franz'', the first film he directed. Brel also co-wrote the screenplay with Paul Andréota, and produced the soundtrack with François Rauber. The film co-starred Barbara, Danièle Evenou, Fernand Fabre, Serge Sauvions, Louis Navarre, Jacques Provins, and François Cadet. The film is about Léon (Brel) and Léonie (Barbara), who meet in a convalescent home for state employees in Blankenberge: Catherine (Danièle Evenou) is Léonie's friend. Léonie is shy and reserved while Catherine is loose and flirtatious. Most men are attracted to her vitality, but Léon is the exception. Léonie is intrigued by Léon's secretive personality. She gradually becomes attracted to his clumsy behaviour and they fall in love. The other residents, amused by this unlikely love affair, decide to obstruct their relationship which drives Léon to suicide. The film was released on 2 February 1972, and although praised by the critics, it was not a commercial success.

In 1971, Brel appeared in his sixth feature film, ''Les assassins de l'ordre'' (''Law Breakers''), directed by Marcel Carné and co-starring Paola Pitagora, Catherine Rouvel, and Charles Denner. Brel plays Bernard Level, a provincial judge, who presides over a delicate case. A man who was arrested for a minor crime died during police questioning. When Level decides to prosecute the policemen and initiates an investigation, he receives threats and intimidation from those wanting to stop the investigation. The film was released on 7 May 1971.

In 1972, Brel appeared in his seventh feature film, ''L'aventure, c'est l'aventure'' (Adventure, is adventure), directed by Claude Lelouch. The story follows five crooks who decide to switch from bank robbery to political kidnapping. Among their first hostages is singer Johnny Hallyday. The film was released 4 May 1972, and became a huge box office smash. While filming ''L'aventure c'est l'aventure'' on location in the Caribbean, Brel met and fell in love with a young actress and dancer by the name of Madly Bamy. Brel would spend the final years of his life with her.

In 1972, Brel appeared in his eighth feature film, ''Le bar de la fourche'' (''The Bar at the Crossing''), directed by Alain Levent, and co-starred Rosy Varte and Isabelle Huppert. Brel plays Vincent Van Horst, a hard-drinking bon viveur ho loves his freedom and his women. He leaves Europe in 1916, which is torn apart by the war, and moves to Canada, intending to meet up with Maria, the only woman he ever loved. On the way to Canada, he meets a young boy who dreams about fighting in the European war. When Vincent arrives at the Bar de la Fourche, managed by Maria, he finds her looking older. He finds consolation in another woman, Annie, who looks down on him and drives Vincent and Olivier to fight a duel against each other. The film was released on 23 August 1972.

In 1973, Brel appeared in his ninth feature film, ''Le Far West'', his second directorial effort. The film co-starred Gabriel Jabbour, Danielle Evenou, and Arlette Lindon. The story is about Jacques, a 40-year old citizen of Brussels, who meets the fakir Abracadabra who, before dying, gives him a special power. Jacques meets, Gabriel, a generous man, who dresses up as Davy Crockett, and who follows Jacques without asking questions. The two companions and other new friends set out to conquer the Far West, their childhood — just as Voltaire sought Eldorado, and Saint-Exupéry the unknown planet. The Far West they seek cannot be found, because it is an imaginary place, a piece of happiness buried in our hearts. The film was released 15 May 1973.

In 1973, Brel appeared in his tenth and final feature film, ''L'emmerdeur'' (The troublemaker), directed by Edouard Molinaro and co-starred Lino Ventura, Caroline Cellier, and Jean-Pierre Darras. Jacques Brel et François Rauber produced the soundtrack. The story is about a contract killer, Ralph Milan, who works for the Mafia. He is paid to kill Louis Randoni, whose testimony in various trials could harm the organisation. Ralph waits for his prey in his hotel room, but is interrupted by his comical neighbour, François Pignon (Brel). The film was released 20 September 1973.

Final years

By early 1973, Brel knew that he was ill. He prepared his will, leaving everything to his wife Miche. In the spring he recorded a new single, "L'enfance" (My childhood), the proceeds of which he donated to La Fondation Perce Neige, an association set up to help handicapped children. After completing his last film, ''L'emmerdeur'', he took his daughters on a cruise. In November, he embarked on a two-month cruise across the Atlantic with five of his closest friends on the training ship ''Le Korrig''.

The final years of Jacques Brel's life were devoting to his passion for sailing. On 28 February 1974, Brel purchased the ''Askoy II'', a 19-meter sailing yacht weighing 42 tons. He began planning a three-year voyage to circumnavigate the world. In July, Brel set off on his world trip with Madly and his daughter, France, aboard his new yacht. In August, while sailing around the Azores, he learned of the death of his old friend Jojo. He returned to France for his friend's funeral, and stayed on to attend the September wedding of his daughter, Chantal. In October, following medical tests in the Canary Islands, Brel learned that he had a small tumour on his left lung. In November, Brel was rushed to a hospital in Brussels, where he underwent an operation on his left lung. He was suffering from an advanced stage of lung cancer. Knowing his days were numbered, Brel issued a statement indicating that he wished to die alone in peace.

In January 1975, after 27 days at sea, the ''Askoy II'' anchored in the Fort-de-France Bay. From February to July, Brel cruised around the West Indies before going through the Panama Canal. In November, the ''Askoy II'' reached Atuona Bay at Hiva-Oa in the Marquesas Islands archipelago after spending 59 days crossing the Pacific Ocean. Jacques and Madly decided to live in the Marquesas Islands, living on the ''Askoy II'' off the island of Hiva-Oa.

In 1976, Brel returned to Brussels twice for medical examinations. Against the advice of his doctors, Brel returned to the Marquesas, where the tropical climate was particularly unsuitable for his lungs. In June, after selling the ''Askoy II'', he rented a small house in Atuona on the island of Hiva-Oa. In July, Brel renewed his pilot's licence, and took advanced flying lessons with his friend Michel Gauthier. Brel purchased a twin-engine plane, which he named ''Jojo'' in memory of his lost friend. This enabled him to travel more easily from Hiva-Oa to Tahiti. He also used the private plane to transport food and other supplies to the inhabitants of the neighbouring islands.

In 1977, Brel decided to record one final album. Despite his recent years away from the continent, Brel's legend continued to live on in Europe, and his records still sold millions of copies each year. In August, Brel returned to Paris and moved into a small hotel. Despite his poor health, he had quit smoking and was enthusiastic about working again with his faithful collaborators François Rauber and Gérard Jouannest. In September and October, Brel recorded 12 of the 17 new songs he had written in the Marquesas. The result was his final album, ''Les Marquises'', which included "Jaurès", "Vieillir" (To Grow Old), "Le Bon Dieu" (The Good Lord), "Orly", "Voir un Ami Pleurer" (To Watch a Friend Cry), "Jojo", and "Les Marquises". The new album was released on 17 November, and was received as an historic national event in France. At Brel's request, Barclay did not to run a huge promotional campaign for the album, and still, by word of mouth alone, over a million fans placed advance orders. The day the album was released, Jacques and Madly returned to their home in the Marquesas Islands.

From January to June 1978, Brel and Madly lived quietly at their home on Atuona Bay on Hiva-Oa island. In July, after his health began to fail, Brel was flown back to France and rushed to a hospital in Neuilly where doctors discovered a cancerous tumour. He remained in the hospital for six weeks, and then spent the rest of the summer in Southern France. On 7 October, he was rushed to a hospital in Bobigny near Paris. He died of a pulmonary embolism at 4:10am on 9 October 1978, aged 49. On 12 October, Brel's body was flown back to the Marquesas Islands, where he was buried in Calvary Cemetery in Atuona on the southern side of Hiva Oa island in the Marquesas, French Polynesia — a few yards away from the grave of painter Paul Gauguin.

Legacy

In France, Jacques Brel's legacy as one of the major singers and songwriters of the twentieth century is secure. In the English-speaking world, his influence is limited by language and musical style. Yet with each new generation of English-speaking singers and songwriters, Brel is once again "discovered" for his songs. His lyrics delved into personal, dark, and adult subjects long before the emergence of Bob Dylan and other serious songwriters. In a way, Brel was the "French older brother" of Bob Dylan, Leonard Cohen, and those songwriters who followed. Translations of Brel's songs have extended his influence as a songwriter across most popular genres. A partial list of the pop, rock, folk, jazz, and country artists who have performed or recorded Brel's songs underscores his true enduring legacy:

Karen Akers

Marc Almond

Isabelle Aubret

Joan Baez

Shirley Bassey

Frida Boccara

David Bowie

Gérard Chambre

Glen Campbell

Ray Charles

Leonard Cohen

Judy Collins

Ray Conniff

John Denver

Neil Diamond

Marlene Dietrich

Céline Dion

Sheena Easton

Marianne Faithfull

Bobby Goldsboro

Juliette Gréco

Johnny Hallyday

Neil Hannon

Klaus Hoffmann

Shirley Horn

Julio Iglesias

Tom Jones

Ibrica Jusić

The Kingston Trio

Cyndi Lauper

Vicky Leandros

Brenda Lee

Jack Lukeman

Barry Manilow

Rod McKuen

Liza Minnelli

Momus

Nana Mouskouri

Olivia Newton-John

Duilio Del Prete

The Seekers

The Sensational Alex Harvey Band

Nina Simone

Frank Sinatra

Dusty Springfield

Sting

Scott Walker

Dionne Warwick

Andy Williams

Nancy Wilson

Glenn Yarbrough

Translations

The songs of Jacques Brel have been translated into many languages. Brel himself occasionally included parts of his songs in Dutch, as in "'Marieke". He also recorded Dutch versions of songs, such as "Mijn vlakke land" ("Le plat pays"), "Laat Me Niet Alleen" ("Ne me quitte pas"), "Rosa", "De Burgerij" ("Les Bourgeois"), and "De Nuttelozen van de Nacht" ("Les paumés du petit matin"). Brel also recorded two obscure singles in Dutch, "De apen" ("Les singes") and "Men vergeet niets" ("On n'oublie rien"), which were included in the 16-CD box set ''Boîte à Bonbons'' by Barclay. Since his own command of Dutch was poor, most of Brel's later Dutch interpretations were translated by Ernst van Altena, with Brel's cooperation, and are generally considered to be relatively true to the original French, as well as poetic. "De Apen" was translated by Eric Franssen. "Men vergeet niets" was translated by well known Flemish artist Will Ferdy. "Marieke" was translated by Brel himself.

English versions of Jacques Brel songs have been recorded by a wide variety of artists. Rod McKuen was one of the first American artists to discover and translate Brel's songs. Canadian Terry Jacks' version of "Seasons in the Sun" became a global pop hit in 1974, topping the charts internationally. McKuen and Brel formed a close friendship. McKuen later wrote, "When news of Jacques' death came, I stayed locked in my bedroom and drank for a week."

During the 1960s, other English translations emerged on the folk music scene, including "The Dove" ("La colombe"), an anti-war lament recorded both by Joan Baez and Judy Collins. This was the only translation of a Brel song written by Alasdair Clayre, an Oxford-educated Englishman who had a brief career as a singer-songwriter before becoming an author, academic, and sometime producer of BBC documentaries.

In 1968, an American musical revue ''Jacques Brel Is Alive and Well and Living in Paris'' made its debut. Consisting of 25 songs, the revue was performed by four vocalists, two male and two female. Jacques Brel contributed most of the music and French lyrics. English translations were provided by Eric Blau and Mort Shuman, a Brill Building songwriter responsible for such hits as "This Magic Moment", "Viva Las Vegas", "Teenager In Love", and others. The production enjoyed considerable international success, and has since played throughout the world in various productions.

In the 1970s, David Bowie began singing Brel's "Amsterdam" at a BBC session with John Peel and Evilan Tom (not released until 2000 on ''Bowie at the Beeb''). This version was also released as the B-side to "Sorrow" in 1973, and was released as a bonus track on the 1990 reissue of ''Pin-ups''. Dave Van Ronk also recorded this song, earlier, on Van Ronk. Bowie also sang "My Death" during his ''Ziggy Stardust'' era. This popular concert piece was never recorded in the studio. It appears on two of David Bowie's live albums: Live Santa Monica '72 and Ziggy Stardust - The Motion Picture. A similar version of this song was also recorded by Show Of Hands.

Scott Walker's first three solo albums, titled ''Scott'', ''Scott 2'', and ''Scott 3'', each contain three of the Blau/Shuman translations. Several of the original songs on this album, and on the later ''Scott 4'', can be seen as heavily influenced by Brel. The compilation Scott Walker Sings Jacques Brel contains all the Brel material that Walker covered on record. Walker also performed five Brel songs on his television series.

In the early 1980s, a second Brel revue, ''Encore Brel'', was produced in Canada, a performance of which was aired on CBC Radio. In addition to Alasdair Clayre's "The Dove", the revue used mostly Brel's later songs, including "Friend, Don't Let Me See You Cry" ("Voir un ami pleurer") and "To Grow Old" ("Vieillir").

In 1986, Momus and more recently Barb Jungr recorded new English translations of "Ne me quitte pas" which are much nearer to the original. Jungr used a translation called "Don't leave me now" by Des de Moor. Momus translated and recorded "Don't Leave Me" because he was dissatisfied with the dominant English translations to date. "People always sing the versions by Rod McKuen, which are highly sentimentalised, or the versions by Mort Shuman which are better but still really Americanised. To me the strength of Brel is that he doesn't come from the American tradition of songwriting, it's a strongly European thing."

In 1989, Marc Almond, who had performed Brel songs on his early albums with Marc and the Mambas, released his successful ''Jacques'', an album comprised solely of Jacques Brel songs. In 1991, he released "Jacky", which became a successful hit single. During his concerts, Almond nearly always plays at least one Brel song.

In 1991, the American band Vambo Marble Eye recorded a version of "Next" for their album ''Two Trick Pony'', 18 years after an English-language version of the song by SAHB in 1973, from their ''Next'' album.

In the 1990s, Brel's widow said that Arnold Johnston, a professor at Western Michigan University, translated Brel's work more accurately than Blau and Shuman, and eventually gave Dr. Johnston exclusive rights to translate Brel's work into English. Dr. Johnston recorded ''I'm Here!'' a collection of twenty songs, using a grant from the university.

In 2009, on their album ''Troubadours'', the American duo The Black Veils performed their own "poetic and faithful" English translations of Brel's "Ne me quitte pas" ("Don't Leave Me"), "Jaurès", "Il neige sur Liège" ("Snowfall on Liège"), and "Mai 40".

English translations of Brel's songs have been subject to criticism for being stripped of their original lyricism. In his song "Ne me quitte pas", for example, Brel evocatively states, "Moi, je t'offrirai / Des perles de pluie / Venues de pays / Où il ne pleut pas" (I, I'll offer you / Pearls of rain / That come from countries / Where it doesn't rain). In contrast, Rod McKuen’s English translation replaces that vivid and poetic imagery with "But if you stay / I'll make you a day / Like no day has been / or will be again."

The English translation by Mort Shuman and Eric Blau from their musical revue ''Jacques Brel Is Alive and Well and Living in Paris'' have also been criticized for their loose approach to translating the originals. In their song "Marathon" ("Les Flamandes"), they present a charming encapsulation of the United States in the twentieth century—mentioning, among others, Charles Lindbergh and Sacco and Vanzetti. The song bears no relationship to the original song, which is a tongue-in-cheek assessment of Flemish women. Their translation of "Jef" is another example of a version that bears little resemblance to the original. Terry Jacks intended to "lighten up" his version of McKuen's "Seasons in the Sun" — completely removing the cynical gist of Brel's "Le moribond". ironically, this sanitized version became a global pop hit in 1974. Translations of Jacques Brel songs into other languages have also come in for similar criticism.

Other language versions of Jacques Brel songs have been recorded by a wide variety of artists throughout the world. The most frequently recorded song in other languages is "Ne me quitte pas" (Don't leave me), with at least 400 different recorded versions in 22 different languages. Most English versions use the freely translated "If You Go Away" by Rod McKuen. Marlene Dietrich recorded the German version "Bitte geh' nicht fort". Paris-based Colombian salsa singer Yuri Buenaventura performed the Spanish version "No Me Dejes Mas". Czech chanteuse Hana Hegerová made the Czech version "Lásko prokletá" one of the pillars of her repertoire. Russian rock group Mumiy Troll recorded the Russian version "Когда ты уйдёшь".

The work of several German translators are considered particularly faithful to the original French versions. Dieter Kaiser, a Belgian-German singer, who performs internationally in public concerts with a music quartet comprising the French-German professional guitarist, Stéphane Bazire, the guitar playing female singer Barbara and a keyboarder, as Stéphane - Didier & Cie, has translated 30 of Brel's songs and has gathered them in a booklet with over 100 other French chansons in German (also available at www.deutsche-chanson-texte.de). Kaiser also issued a CD in German and a CD in French with various chansons of Brel. Klaus Hoffmann is another important German interpreter of Brel's songs, as is the Austrian actor Michael Heltau, who was asked by Brel himself to record his songs, using the translation of Werner Schneyder.

Discography

Assembling a comprehensive Jacques Brel discography is difficult, because his recordings have been released in so many different permutations, in different countries and in different formats. Furthermore, releases of Brel's recordings are sometimes known by different titles. This discography is restricted to Brel's original albums, as collected and reissued on 23 September 2003 in the sixteen CD box set of his work ''Boîte à Bonbons'', plus the additional album ''Chansons ou Versions Inédites de Jeunesse'', which was released for the first time as part of this box set. The titles listed here are the titles used in the box set. To mark the 25th anniversary of Brel's death, Barclay Records issued ''Comme quand il était beau'' (2003), a 3 volume DVD collection of Brel interviews and live performances as well as the compilation album ''Infiniment'' (2004). Both releases include five previously unpublished songs that Brel wrote in 1977: "La Cathédrale", "L'amour est mort", "Mai 40", "Avec Élégance", and "Sans Exigences".

Studio albums

''Grand Jacques'' (1954)

''Quand On n'a Que l'Amour'' (1957)

''Au Printemps'' (1958)

''La Valse à Mille Temps'' (1959)

''Marieke'' (1961)

''Les Bourgeois'' (1962)

''Les Bonbons'' (1966)

''Ces Gens-Là'' (1966)

''Jacques Brel 67'' (1967)

''J'arrive'' (1968)

''L'Homme de la Mancha'' (1968)

''Ne Me Quitte Pas'' (1972)

''Les Marquises'' (1977)

Live albums

''Enregistrement Public à l'Olympia 1961'' (1962)

''Enregistrement Public à l'Olympia 1964'' (1964)

Boxed sets, compilations, and rarities

''Boîte à Bonbons'' (2003)

''Infiniment'' (2003)

''Chansons ou Versions Inédites de Jeunesse'' (2003)

Cover versions

List of Jacques Brel cover versions

Filmography

As actor

''La grande peur de Monsieur Clément'' (short) (dir Paul Deliens) (1956)

''Les risques du métier'' (dir André Cayatte) (1967)

''La Bande à Bonnot'' (dir Philippe Fourastié) (1968)

''Mon oncle Benjamin'' (dir Édouard Molinaro) (1969)

''Mont-Dragon'' (dir Jean Valère) (1970)

''Franz'' (dir Jacques Brel) (1971)

''Les assassins de l'ordre'' (dir Marcel Carné) (1971)

''L'aventure, c'est l'aventure'' (dir Claude Lelouch) (1972)

''Le bar de la fourche'' (dir Alain Levent) (1972)

''Le Far West'' (dir Jacques Brel) (1973)

''L'emmerdeur'' (dir Édouard Molinaro) (1973)

As director

''Franz'' (1971)

''Le Far West'' (1973)

As writer

''La grande peur de Monsieur Clément'' (short) (1956)

''Jacques Brel is Alive and Well and Living in Paris'' (play) (1968)

''Franz'' (1971)

''Le Far West'' (1973)

As self

''Petit jour'' (short) (1960)

''Zeg hé, spaar je mee?'' (TV series) (1961)

''Tienerklanken'' (TV series) (1963)

''La grande farandole'' (TV series) (1964)

''Age tendre et tête de bois'' (TV series) (1964)

''Entrez dans la ronde'' (TV movie) (1965)

''Discorama'' (TV series) (1962-1966)

''Tid til at leve'' (TV series documentary) (1974)

''Jacques Brel Is Alive and Well and Living in Paris'' (dir Denis Heroux) (1974)

''Stellet Licht/Silent Light'' (dir Carlos Reygadas) (2007)

References

External links

Jacques Brel website

Facebook fanpage of Editions Jacques Brel

Station Jacques Brel

Askoy II former sailboat of Jacques Brel non-profit website

* Category:1929 births Category:1978 deaths Category:People from Schaerbeek Category:Belgian actors Category:Belgian poets Category:Belgian male singers Category:Belgian singer-songwriters Category:Cabaret singers Category:Cancer deaths in France Category:Deaths from lung cancer Category:Former Roman Catholics Category:French-language singers of Belgium

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