A scrum during a rugby union game between the Crusaders and Brumbies.

Rugby football is a style of football named after Rugby School in the United Kingdom. It is seen most prominently in two current sports, rugby league and rugby union. See comparison of rugby league and rugby union.

History[link]

This unreferenced section requires citations to ensure verifiability.

The field at Rugby School where, according to legend, the game was invented.

Statue of William Webb Ellis, running with the ball in his hand, outside Rugby School. In the foreground, a hedge carved into the shape of a cup—in the town where legend claims the game was invented—commemorates England's victory at the 2003 Rugby World Cup.

Rugby football developed from a version of football played at Rugby School and was originally one of several versions of football played at English public schools during the 19th century.

The game of football that was played at Rugby School between 1750 and 1859 permitted handling of the ball, but players were not allowed to run with it in their hands towards the opposition's goal.^{[citation needed]} With no limit to the number of players per side, hundreds would participate in an enormous rolling maul, sometimes resulting in major injuries. The innovation of running with the ball was introduced between 1859 and 1865. The popular myth of the sport's origin states that Rugby pupil William Webb Ellis broke the local rules by running forward with the ball in his hands in 1823. Rugby School produced the first written rules for their version of the sport in 1845.

In the result that the teams were still tied at the end of the match, a drop goal shootout was held. The selected kickers of the two teams would have one shot at the goal each and would take turns shooting at the goal until one of the kickers missed.^{[citation needed]}

Consolidated timeline for rugby union and rugby league[link]

This list (which may have dates, numbers, etc.) may be better in a sortable table format. Please help improve this list or discuss it on the talk page. (November 2011)

Status of rugby codes in various countries[link]

Rugby union is both a professional and amateur game, and is dominated by the first tier unions: Argentina, Australia, England, France, Ireland, Italy, New Zealand, Scotland, South Africa and Wales. Second and third tier unions include Brazil, Canada, Chile, Colombia, Fiji, Georgia, Japan, Mexico, Namibia, Peru, Portugal, Romania, Samoa, Spain, Tonga, the United States, Uruguay and Venezuela. Rugby Union is administered by the International Rugby Board (IRB), whose headquarters are located in Dublin, Ireland. It is the national sport in New Zealand, South Africa, Wales, Fiji, Samoa, Tonga and Madagascar, and is the most popular form of rugby globally,^[1] with the seven-a-side version of the game, known as Rugby Sevens, having been admitted into the programme of the Olympic Games from Rio de Janeiro in 2016 onwards.^[2] There is also a possibility that Rugby Sevens will also be a demonstration sport at the 2012 London Olympics.

In Canada and the United States, rugby union evolved into gridiron football. During the late 1800s (and even the early 1900s), the two forms of the game were very similar (to the point where the United States was able to win the gold medal for rugby union at the 1924 Summer Olympics), numerous rule changes have differentiated the gridiron-based game from its rugby counterpart. Among unique features of the North American game are the separation of play into downs instead of releasing the ball immediately upon tackling, the allowance for one forward pass from behind the site of the last tackle on each down, the evolution of hard plastic equipment (particularly the football helmet and shoulder pads), a smaller and pointier ball that is favorable to being passed but makes drop kicks impractical, a generally smaller and narrower field measured in customary units instead of metric (in some variants of the American game a field can be as short as 50 yards between end zones), and a distinctive field (shaped like a gridiron, from which the code's nickname is derived) with lines marked in five-yard intervals.

Rugby league is also both a professional and amateur game, administered on a global level by the Rugby League International Federation. In addition to amateur and semi-professional competitions in the United States, Russia, Lebanon, Serbia, Europe and Australasia, there are two major professional competitions—the Australasian National Rugby League and the European Super League. International Rugby League is dominated by Australia, England and New Zealand. Other nations from the South Pacific and Europe also play in the Pacific Cup and European Cup respectively.

Rules[link]

Distinctive features common to both rugby codes include the oval ball and the ban on throwing the ball forward, so that players can gain ground only by running with the ball or by kicking it. As the sport of rugby league moved further away from its union counterpart, rule changes were implemented with the aim of making a faster-paced and more try-orientated game.

The main differences between the two games, besides league having teams of 13 players and union of 15, involve the tackle and its aftermath:

• Union players contest possession following the tackle: depending on the situation, either a ruck or a maul can occur. League players may not contest possession after making a tackle: play is continued with a play-the-ball.
• In league, if the team in possession fails to score before a set of six tackles, it surrenders possession. Union has no six-tackle rule; a team can keep the ball for an unlimited number of tackles before scoring as long as it maintains possession and does not commit an offence.

Set pieces of the union code include the "scrum", in which packs of opposing players push against each other for possession, and the "line-out", in which parallel lines of players from each team, arranged perpendicular to the touch-line, attempt to catch the ball thrown from touch. A rule has been added to line-outs which allows the jumper to be pulled down once a players's feet are on the ground.

In the league code, the scrum still exists, but with greatly reduced importance as it involves fewer players and is rarely contested. Set pieces are generally started from the play-the-ball situation. Many of the rugby league positions have similar names and requirements to rugby union positions, but there are no flankers in rugby league.

Culture[link]

The Home Countries[link]

In England, rugby union is widely regarded as an "establishment" sport, played mostly by members of the upper and middle classes. For example, many students at private schools and grammar schools play rugby union.^[3] In contrast, rugby league has traditionally been seen as a working class pursuit. An exception to this stereotype is evident in the neighboring countries of England and Wales. In England rugby union is associated with the public school system. In Wales, rugby is associated with small village teams which consisted of coal miners and other industrial workers playing on their days off.^[4] In Ireland, and in particular Leinster, rugby union is also associated with private education and the "D4" stereotype, and this image of the spoilt, ignorant, wealthy rugby-playing jock inspired the best-selling Ross O'Carroll Kelly novels.

In Australia support for both codes is concentrated in New South Wales, Queensland and the Australian Capital Territory (see Barassi Line). The same perceived class barrier as exists between the two games in England also occurs in these states, fostered by rugby union's prominence and support at schools.^[5]

Exceptions to the above include New Zealand (although league is still considered to be a lower class game by many, or a game for 'westies' referring to lower class western suburbs of Auckland and more recently the poorer southern Auckland where the game is popular), Wales, France except Paris, Cornwall, Gloucestershire, Somerset, the Borders region of Scotland, County Limerick in Ireland (see Munster), and the Pacific Islands, where rugby union is popular in working class communities. Nevertheless, Rugby League is perceived as the game of the working class people in northern England,^[6] and in the Australian states of New South Wales and Queensland.^[5]

In the United Kingdom, rugby union fans sometimes use the term "rugger" as an alternative name for the sport, (see Oxford '-er').^[7] New Zealanders refer to rugby in general as "footy" or "football", rugby union simply as either "rugby" or "union" and to rugby league as "rugby league" or "league".^[8] In the U.S., people who play rugby are sometimes called "ruggers", a term little used elsewhere except facetiously.

Those considered to be heavily involved with the rugby union lifestyle—including heavy drinking and striped jumpers—sometimes identify as “rugger buggers”.^{[citation needed]}

The Rest of the World[link]

In France, rugby is widely played and has a strong tradition in the Basque people along the border regions between Spain and France. It rivals the popularity of Association Football. The game is very popular in South Africa among both blacks and whites, having been introduced by English-speaking settlers in the 19th century. British colonists also brought the game with them to Australia and New Zealand, where the game is widely played. It has spread thence to much of Polynesia, having particularly strong followings in Fiji, Samoa, and Tonga.

Rugby ball[link]

A Gilbert rugby football as used in rugby union

In rugby union, the International Rugby Board the size and shape of the ball under Law 2(also known as Law E.R.B); an official rugby union ball is oval and made of four panels, has a length in-line of 280–300 millimetres, a circumference (end to end) of 740–770 millimetres, and a circumference (in width) of 580–620 millimetres. It is made of leather or suitable synthetic material, and may be treated to make it water resistant and easier to grip. The rugby ball may not weigh more than 460 grams or less than 410 and has an air pressure of 65.71–68.75 kilopascals, or 0.67–0.70 kilograms per square centimetre, or 9.5–10.0 lbs per square inch.^[9] Spare balls are allowed under the condition that players or teams do not seek an advantage by changing the ball. Smaller sized balls may also be used in games between younger players. Much larger versions of traditional balls are also available for purchase, but these are mainly for their novelty attraction.

Rugby shirt[link]

Rugby shirts were formerly made of cotton but are now made of a cotton and polyester mix. This material has the advantage of not absorbing as much water or mud as cotton alone.

The rugby jerseys are slightly different depending on the type of rugby game played. The shirts worn by rugby league players commonly have a large "V" around the neck and they also tend to be more colourful than the rugby union jerseys.^[10] The players in the rugby union wear jerseys with a more traditional design, sometimes completely white (Cahors Rugby in France). However, most of the players in rugby union wear one color jerseys with a different color stripes.The number of the player and his or her surname are placed on the upper back of the jersey (often name above number, with the number being significantly larger and more central), and the logo of the team on the upper left chest.

See also[link]

	Rugby football portal
	Rugby league portal
	Rugby union portal

• Comparison of rugby league and rugby union
• Medieval football
• Rugby sevens
• Tag Rugby

References[link]

External links[link]

Wikimedia Commons has media related to: Rugby football

• Rugby's Most Unfortunate Faces—slideshow by Life magazine
• The basics of rugby video

Michael McIntyre
McIntyre at the British Academy Television Awards 2009
Birth name	Michael Hazen James McIntyre
Born	(1976-02-21) 21 February 1976 (age 36) Merton, London, England
Medium	Stand-up, Television
Nationality	British
Years active	1999–present
Genres	Social satire Observational comedy
Influences	Woody Allen, Billy Connolly[1]
Spouse	Kitty McIntyre (m. 2003) «start: (2003)»"Marriage: Kitty McIntyre to Michael McIntyre" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Michael_McIntyre)
Notable works and roles	Michael McIntyre's Comedy Roadshow Live at the Apollo
Website	http://www.michaelmcintyre.co.uk/

Michael Hazen James McIntyre (born 21 February 1976) is a British stand-up comedian. As well as his stand-up, he has performed on programmes such as Live at the Apollo and has his own programme, Michael McIntyre's Comedy Roadshow.

McIntyre has released two stand-up DVDs; Live and Laughing in 2008 featured material from his first nationwide tour, while Michael McIntyre: Hello Wembley was released in November 2009 following a set at Wembley Arena. The former was the fastest selling debut stand-up DVD ever, and Hello Wembley is the fastest selling stand-up DVD in UK chart history, selling over a million copies.^[2] In 2009 McIntyre performed live to half a million people and won Best Live Stand-up at the British Comedy Awards.

In 2010, McIntyre released his autobiography, Life and Laughing: My Story, and also became the youngest-ever host of the Royal Variety Performance.^[3] He started as a judge on the fifth series of Britain's Got Talent in April 2011.^[4] He is to embark on his second nationwide tour in 2012.^[5]

Early life[link]

McIntyre was born in Merton, southwest London, and raised in Hampstead.^[6] McIntyre's parents were both in show business: his Canadian father, Ray Cameron (19 April 1938 – 27 December 1993), né Thomas Cameron McIntyre, was a writer on The Kenny Everett Television Show, and his Hungarian mother, Kati, was a dancer. McIntyre has some Eastern European Jewish heritage on his mother's side.^[7][8] His parents divorced when he was seven; both his parents remarried and went on to have other children with their new spouses. Ray Cameron relocated to Los Angeles, where he died of a heart attack in 1993, aged 55.

Education[link]

McIntyre went to Arnold House Prep School and then attended Merchant Taylors' School, Northwood for three years before transferring to local state school Woodhouse College for financial reasons.^[9] McIntyre later attended Edinburgh University for one year before dropping out to pursue a career in script writing.^[10] He has said that he cannot remember whether it was biology or chemistry that he studied while there.^[6][10]

Career[link]

Television and stage[link]

McIntyre has appeared three times on BBC One's Live at the Apollo and also on the Royal Variety Performance, in 2006, 2008 and 2010. While performing on stage in Wolverhampton in 2008, as he was running back onto stage for his encore, McIntyre tripped, fell over and dislocated his shoulder. Many of the audience believed this to be part of his act and started to laugh; only after his manager came on stage to assist did they realise it was real.^[11]

McIntyre's routine on We Are Most Amused, staged at the New Wimbledon Theatre on 12 November 2008 in aid of The Prince's Trust was televised. This comedy gala celebrated the 60th birthday of Prince Charles, and was performed in the presence of the Prince of Wales and his wife the Duchess of Cornwall.^{[citation needed]}

Among McIntyre's many comedy panel show appearances are Chris Moyles' Quiz Night, Mock the Week, 8 out of 10 Cats, Have I Got News for You, The Big Fat Quiz of the Year, Would I Lie To You?, and The Apprentice: You're Fired!. On 13 February 2009, he was a guest on Friday Night with Jonathan Ross. On 21 February 2009, McIntyre appeared live as a guest judge alongside head judge Anton du Beke and fellow guest Emma Bunton in the first round of Let's Dance for Comic Relief. He appeared on the show again in the final on 14 March.

In 2009, McIntyre performed for an estimated total of 500,000 people on his first tour of the United Kingdom that included a record-breaking six nights at Wembley Arena and four at The O2 Arena. His second DVD, Hello Wembley, was another hit. 58 dates have been announced for his second tour in the autumn of 2012, at arenas in ten UK cities as well as Dublin.^[5]

From 6 June 2009, McIntyre began hosting Michael McIntyre's Comedy Roadshow, aired on Saturday nights on BBC One. On 5 July 2009, McIntyre appeared on the BBC show Top Gear as the "star in a reasonably priced car", driving around the Top Gear test track in one minute and 48.7 seconds. During his lap of the track he almost rolled the car while going around the final corner.

In December 2009, McIntyre cancelled a stand-up show at short notice after discovering that he would be performing to debt collectors. He had revealed only weeks earlier how he had struggled with substantial debt only a few years before breaking through in to the mainstream. McIntyre stated that he would have gone against his principles by performing the show.^[12]

On 31 March 2010, McIntyre took part in Channel 4's Comedy Gala, a benefit show held in aid of Great Ormond Street Hospital, filmed live at London's O2 Arena. Also in 2010 he appeared on the year's edition of The Big Fat Quiz of the Year, partnered with Alan Carr. The other participants were Richard Ayoade, Noel Fielding, Jonathan Ross and Ruth Jones.

On 14 December 2010, it was announced that McIntyre would join the Britain's Got Talent judges' panel in 2011, alongside David Hasselhoff and Amanda Holden.^[13]

On 18 March 2011 McIntyre was among the hosts of the BBC's Red Nose Day.

In Sept 2011 McIntyre quit his role as judge on Britain's Got Talent to focus on his 2012 Stand-up tour^[14]

On Christmas Day 2011 McIntyre hosted a Christmas Special of his show, ‘’Michael McIntyre's Comedy Roadshow’’, that featured Jack Dee, Sean Lock, Rhod Gilbert, David Mitchell, James Corden, Miranda Hart, Rob Brydon and had music from Pixie Lott and Kylie Minogue. The show was watched by 8.1 million viewers.^[15]

Radio[link]

McIntyre's radio appearances have included:

• Does the Team Think? (BBC Radio 2)
• Heresy, 4 Stands Up, Happy Mondays, The Unbelievable Truth (all on BBC Radio 4)
• The Jon Richardson Show (BBC 6 Music)
• The Jonathan Ross Show (BBC Radio 2)
• The Chris Moyles Show (BBC Radio 1)
• Desert Island Discs 2011-07-22 (BBC radio 4)^[16]

Personal life[link]

McIntyre lives in Hampstead, London^[17] with his aromatherapist wife Kitty, a daughter of actor Simon Ward. The couple married in 2003 and have two sons, Oscar and Lucas.

He is a supporter of Tottenham Hotspur.^[18]

Awards[link]

Stand-up DVDs[link]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Michael McIntyre

• Official website
• Official fansite
• Chortle page
• Tour dates
• Fan Club
• Michael McIntyre at the Internet Movie Database

v t e Britain's Got Talent Got Talent Series 1 · 2 · 3 · 4 · 5 · 6 Presenters Ant & Dec · Stephen Mulhern Judges Current Simon Cowell · Amanda Holden · Alesha Dixon · David Walliams Former Kelly Brook · Piers Morgan · Michael McIntyre · David Hasselhoff Guest Louis Walsh · Carmen Electra Winners Paul Potts · George Sampson · Diversity · Spelbound · Jai McDowall · Ashleigh and Pudsey Other notable contestants Series 1 Bessie Cursons · Connie Talbot · Damon Scott · Bar Wizards · Jake Pratt Series 2 Signature · Andrew Johnston · Escala · Faryl Smith · Kate and Gin · Charlie Green · Charlie Wernham Series 3 Susan Boyle · Julian Smith · Aidan Davis · Hollie Steel · Shaheen Jafargholi · Callum Francis · DJ Talent · Flawless · John Farnworth Series 4 Twist and Pulse · Paul Burling · ReConnected · Myles and Connor · Kev Orkian · Stevie Starr · The Cheeky Girls · Matthew Ahmet Series 5 Ronan Parke · Out of the Blue Series 6 Jonathan and Charlotte · Only Boys Aloud · The Loveable Rogues · Ryan O'Shaughnessy  · Molly Rainford · The Zimmers Related articles List of episodes · Discography · SYCOtv · FremantleMedia · talkbackTHAMES · Thames · ITV Category

Monty Python (sometimes known as The Pythons)^[2][3] was a British surreal comedy group who created Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles' influence on music.^[4][5]

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content.^[6][7] A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find The Comedian's Comedian, three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.^[8]

[edit] Before Flying Circus

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue Cambridge Circus (originally entitled A Clump of Plinths). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future Goodies (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of Yes Minister and Yes, Prime Minister). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before Monty Python's Flying Circus. The Frost Report is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

• I'm Sorry, I'll Read That Again (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]
• The Frost Report (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]
• At Last the 1948 Show (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]
• Twice a Fortnight (1967) [Palin and Jones: cast members and writers]
• Do Not Adjust Your Set (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation]
  — Bonzo Dog Band: musical interludes]
• We Have Ways of Making You Laugh (1968) [Idle: cast member & writer] – [Gilliam: animation]
• How to Irritate People (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]
• The Complete and Utter History of Britain (1969) [Palin and Jones: cast members & writers]
• Doctor in the House (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of Do Not Adjust Your Set, originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on The Frost Report and At Last The 1948 Show. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.^[9]

[edit] Monty Python's Flying Circus

Development of the series[link]

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on Beyond the Fringe, and had worked on Frost, which was similar in style. They enjoyed Cook and Moore's sketch show Not Only... But Also. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series Q5 (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called Beware of the Elephants, which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled Christmas Cards, and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the Flying Circus series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members (Jones and Palin) was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's".^[10] Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before Monty Python's Flying Circus was settled upon. Some were Owl Stretching Time, Toad Elevating Moment, A Bucket, a Horse and a Spoon, Vaseline Review and Bun, Wackett, Buzzard, Stubble and Boot. Flying Circus stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered Monty Python's Flying Circus to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. Arthur Megapode's Flying Circus was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary Live At Aspen during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".^[11]

Style of the show[link]

Flying Circus popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements.^[12] An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. Because of their dislike of finishing with punchlines, they experimented with ending the sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken,^[13] before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is The Liberty Bell, a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.^[12]

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece Venus, Cupid, Folly, and Time by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) only when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in Monty Python's Life of Brian they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

Introduction to North America[link]

The Canadian Broadcasting Corporation (CBC) added Monty Python’s Flying Circus to its national September 1970 fall lineup.^[14] They aired the 13 episodes of Series 1, which had first run on the BBC the previous fall (October 1969 to January 1970), as well as the first 6 episodes of Series 2 only a few weeks after they first appeared on the BBC (September to November 1970).^[14] The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining 7 episodes of series 2 on the January 1971 CBC schedule.^[14] Within a week the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged a demonstration at the CBC’s Montreal studios.^[14]

Time-Life Films had the right to distribute all BBC-TV programs in the United States, however they had decided that British comedy simply would not work in America. Therefore, it was not worth the investment to convert the Python episodes from the European PAL standard to the American NTSC standard.

Sketches from Monty Python’s Flying Circus were introduced to American audiences in August 1972, with the release of the Python movie And Now for Something Completely Different, featuring sketches from series 1 and 2 of the television show. This 1972 release met limited box office success.

In the summer of 1974 Ron Devillier, the program director for non-profit PBS television station KERA in Dallas, Texas, started airing episodes of Monty Python’s Flying Circus. Ratings shot through the roof, providing an encouraging sign to the other 100 PBS stations that had signed up to begin airing the show in October 1974—exactly 5 years after their BBC debut. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy. The popularity on PBS resulted in the 1974 re-release of the 1972 "...Completely Different" movie, with much greater box office success.

The ability to show Monty Python’s Flying Circus under the American NTSC standard had been made possible by the commercial actions of American television producer Greg Garrison. Garrison produced the NBC series The Dean Martin Comedy World, which ran during the summer of 1974. The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". Payment for use of these two sketches was enough to allow Time-Life Films to convert the entire Python library to NTSC standard, allowing for the sale to the PBS network stations who then brought the entire show to US audiences.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as Are You Being Served? gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.^[15]

[edit] End of Flying Circus

Having considered the possibility at the end of the second series, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts.^[9] He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."^[16]

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name Monty Python's Flying Circus appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the Holy Grail script. While the first three series contained 13 episodes each, the fourth ended after six.

[edit] Life after the Flying Circus

Filmography[link]

[edit] And Now for Something Completely Different (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the Flying Circus, reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

[edit] Monty Python and the Holy Grail (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. Monty Python and the Holy Grail was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. Holy Grail was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.^[17]

[edit] Monty Python's Life of Brian (1979)

Following the success of Holy Grail, reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked Holy Grail in sixth place, with Life of Brian at the top.^[18]

[edit] Monty Python Live at the Hollywood Bowl (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for The Meaning of Life, this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of Flying Circus) and live performances of several songs from the troupe's then-current Monty Python's Contractual Obligation Album.

[edit] Monty Python's The Meaning of Life (1983)

Python's final film returned to something structurally closer to the style of Flying Circus. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, The Meaning of Life is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—The Crimson Permanent Assurance. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation Parrot Sketch Not Included, where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

[edit] Secret Policeman's Ball benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the Secret Policeman's Ball shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues.^[19] Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting.^[19] The shows are credited by Amnesty with helping the organisation develop public awareness in the US where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first Secret Policeman's Ball benefit—the 1976 A Poke In The Eye (With A Sharp Stick)—where they performed several Python sketches. In this first show they were collectively billed as Monty Python. (Peter Cook deputised for the errant Idle in one major sketch The Courtroom.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing Secret Policeman's Ball benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo[link]

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably A Fish Called Wanda (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in Time Bandits (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed Jabberwocky (1977), and also directed and co-wrote Brazil (1985) and The Adventures of Baron Munchausen (1988), which featured Palin and Idle respectively. Yellowbeard (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series Ripping Yarns (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film Erik the Viking, also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel The Wind in the Willows. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including Cheers, 3rd Rock from the Sun, Q's assistant in the James Bond movies, and Will & Grace), 23 direct-to-video productions, six video games, and a number of commercials.^[20] His BBC sitcom Fawlty Towers (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the Flying Circus on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with Rutland Weekend Television in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary All You Need Is Cash), and as an actor in Nuns on the Run (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical Spamalot has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas.^[21] This was followed by Not the Messiah (He's a Very Naughty Boy), which repurposes The Life of Brian as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions[link]

Since The Meaning of Life, their last project as a team, the Pythons have often been the subject of reunion rumours.^[21] The final reunion of all six members occurred during the Parrot Sketch Not Included – 20 Years of Monty Python special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of The Wind in the Willows, which was later renamed Mr. Toad's Wild Ride.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years.^[22] The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first Flying Circus television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD The Life of Python. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of The Meaning of Life, Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings.^[23] A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."^[24]

2003's The Pythons Autobiography By The Pythons, compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to Holy Grail that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that The Meaning of Life had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original Grail and Brian films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from Holy Grail, mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical Spamalot, based on Monty Python and the Holy Grail. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of Spamalot, PBS announced on 13 July 2005, that it would begin to re-air the entire run of Monty Python's Flying Circus and new one-hour specials focusing on each member of the group, called Monty Python's Personal Best.^[25] Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of Monty Python's Flying Circus, a six part documentary entitled Monty Python: Almost the Truth (The Lawyer's Cut) was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of Not the Messiah (He's a Very Naughty Boy) at the Royal Albert Hall. The European premiere was held on 23 October 2009.^[26] An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.^[27]

In June 2011, it was announced that Monty Python have begun production on their first film project since the Meaning of Life in 1983. Their next film, A Liar's Autobiography, is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. A Liar’s Autobiography was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.^[28]

Python members[link]

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in Holy Grail, as King Arthur, and Life of Brian, as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman, in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin.^[29] He started off as an animator and strip cartoonist for Harvey Kurtzman's Help! magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for Do Not Adjust Your Set and was then asked by its makers to join them on their next project: Monty Python's Flying Circus. He co-directed Monty Python and the Holy Grail and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before The Meaning of Life).

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After Flying Circus, he hosted Saturday Night Live four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film Splitting Heirs (written, produced by and starring him) and 1998's An Alan Smithee Film: Burn Hollywood Burn (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical Spamalot, based on the Holy Grail movie. He also wrote Not the Messiah (He's a Very Naughty Boy), an oratorio derived from the Life of Brian.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in Life of Brian, "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.^[30][31]

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series Ripping Yarns together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After Flying Circus, he hosted Saturday Night Live four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled Michael Palin Diaries 1969–1979, published in 2007.

Associate Pythons[link]

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the 7th Python, in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as Associate Pythons at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994.

Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the Flying Circus. He appeared in sketches and the Python films, as well as performing some of his songs in Monty Python Live at the Hollywood Bowl. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for All You Need is Cash (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album The Rutles: Archaeology and Idle's straight-to-DVD The Rutles 2: Can't Buy Me Lunch, each undertaken without the other's participation. According to an interview with Idle in the Chicago Tribune in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the Flying Circus, she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors[link]

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in Monty Python and the Holy Grail. Cleese and Booth later co-wrote and co-starred in Fawlty Towers.

Douglas Adams was "discovered" by Chapman when a version of the Footlights Revue (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode The Light Entertainment War, Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of Mr. Neutron, Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including Out of the Trees. He also contributed to a sketch on the soundtrack album for Monty Python and the Holy Grail.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of Flying Circus, the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled The Life of Python (1999) that was part of the Python Night and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as Live at Aspen).

Cultural influence[link]

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish".^[32] A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre Monty Python's Flying Circus was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence"^[33] Matt Groening, creator and co-developer of the animated sitcom The Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.^[34]

Space[link]

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records[link]

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.^[35]

'Pythonesque'[link]

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries.^[36] Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".^[37]

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of South Park, whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).^[38]

Good Eats creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode.^[39] Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python[link]

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

• The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( [1] ), named after Bicycle Repair Man sketch.
• In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of Montypythonoides riversleighensis in honour of the Monty Python team.^[40] (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".)
• In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor.^[41][42]
• In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."^[43]
• The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's Contractual Obligation Album from 1980.
• The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year.^[44]
• A philosophy lecture series entitled Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python.^[45][46]
• The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.^[47]
• In the book The Reptile Room by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.
• Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .
• The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

• Dead Parrot Society is the title of a comedy CD released in 1993 featuring sketches from Monty Python's Flying Circus as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film Dead Poets Society.

Media[link]

Television[link]

• Monty Python's Flying Circus (1969–74)

The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

• Monty Python's Fliegender Zirkus (1972)

Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

• Monty Python's Personal Best (2006)

Six one-hour specials, each episode presenting the best of one member's work.

Films[link]

There were five Monty Python productions released as theatrical films:

• And Now for Something Completely Different (1971)

A collection of sketches from the first and second TV series of Monty Python's Flying Circus purposely re-enacted and shot for film.

• Monty Python and the Holy Grail (1974)

King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

• Monty Python's Life of Brian (1979)

Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

• Monty Python Live at the Hollywood Bowl (1982)

A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

• Monty Python's The Meaning of Life (1983)

An examination of the meaning of life in a series of sketches from conception to death and beyond.

• Monty Python: Almost the Truth (The Lawyer's Cut) (2009)

This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

• A Liar's Autobiography: Volume IV (2012)

This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums[link]

• Monty Python's Flying Circus (1970)
• Another Monty Python Record (1971)
• Monty Python's Previous Record (1972)
• The Monty Python Matching Tie and Handkerchief (1973)
• Monty Python Live at Drury Lane (1974)
• The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail (1975)
• Monty Python Live at City Center (1976)
• The Monty Python Instant Record Collection (1977)
• Monty Python's Life of Brian (1979)
• Monty Python's Contractual Obligation Album (1980)
• Monty Python's The Meaning of Life (1983)
• The Final Rip Off (1988)
• Monty Python Sings (1989)
• The Monty Python Instant Record Collection, Volume 2 (1991)
• The Ultimate Monty Python Rip Off (1994)
• The Instant Monty Python CD Collection (1994)
• Spamalot (Broadway version of Monty Python and the Holy Grail with Tim Curry as King Arthur) (2005)
• The Hastily Cobbled Together for a Fast Buck Album (unreleased)

Theatre[link]

• Monty Python's Flying Circus – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.
• Monty Python's Spamalot – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, Spamalot is a musical adaptation of the film Monty Python and the Holy Grail. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.
• Not the Messiah (He's a Very Naughty Boy) – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on Monty Python's Life of Brian. Entitled Not the Messiah, it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. Not the Messiah was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books[link]

• Monty Python's Big Red Book (1971) ISBN 0-413-29520-6.
• The Brand New Monty Python Bok (1973) ISBN 0-7493-1170-3.
• Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk) (1977) ISBN 0-413-38520-5.
• MONTYPYTHONSCRAPBOOK/ The Life of Brian (1979) ISBN 0-413-46550-0.
• Monty Python's Flying Circus – Just The Words Volume 1 (1989) ISBN 0-413-62540-0.
• Monty Python's Flying Circus – Just The Words Volume 2 (1989) ISBN 0-413-62550-8.
• The Complete Monty Python's Flying Circus Volumes 1 & 2
• The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book (1994) ISBN 0-413-69000-8
• Michael Palin Diaries 1969–1979
• The Pythons: Autobiography by the Pythons
• The Life of Brian/Jesus (2011) ISBN 978-1-84876-628-0.

Games[link]

• Monty Python's Flying Circus (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum^[48]
• Monty Python's Complete Waste of Time (1994) released by 7th Level for PC / DOS
• Monty Python & the Quest for the Holy Grail (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".
• Monty Python's The Meaning of Life (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.
• Python-opoly (2007), a Monty Python-themed property game released by Toy Vault Inc.^[49]
• Monty Python Fluxx (2008), a card game released by Looney Labs^[50]
• Blazing Dragons

See also[link]

• Beyond the Fringe
• List of Monty Python's Flying Circus episodes
• List of recurring characters in Monty Python's Flying Circus
• Monty Python's Complete Waste of Time
• Python (Monty) Pictures
• Spamalot
• The Goodies
• The Goon Show

References[link]

Further reading[link]

• Graham Chapman; Jim Yoakum (1997). Graham Crackers: Fuzzy Memories, Silly Bits, and Outright Lies. Career Press. ISBN 978-1-56414-334-1. http://books.google.com/books?id=8xGcAAAACAAJ. Retrieved 1 October 2010. 
• Marcia Landy (2005). Monty Python's flying circus. Wayne State University Press. ISBN 978-0-8143-3103-3. http://books.google.com/books?id=J1CxIuG-_NkC. Retrieved 1 October 2010. 
• Darl Larsen (2003). Monty Python, Shakespeare, and English Renaissance drama. McFarland. ISBN 978-0-7864-1504-5. http://books.google.com/books?id=qVa1Hfh11V0C. Retrieved 1 October 2010. 
• David Morgan (1999). Monty Python speaks!. Fourth Estate. ISBN 978-1-84115-168-7. http://books.google.com/books?id=aTYcAQAAIAAJ. Retrieved 1 October 2010. 
• Alan Parker; Mick O'Shea (2006). And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs. The Disinformation Company. ISBN 978-1-932857-31-3. http://books.google.com/books?id=G49bRxbeH1kC. Retrieved 1 October 2010. 
• George Perry (2007). The Life of Python. Pavilion. ISBN 978-1-86205-762-3. http://books.google.com/books?id=J_Zg-9u4yLAC. Retrieved 1 October 2010. 
• Roger Wilmut (1980). From fringe to flying circus: celebrating a unique generation of comedy, 1960–1980. Eyre Methuen. ISBN 978-0-413-46950-2. http://books.google.com/books?id=PzxaAAAAMAAJ. Retrieved 1 October 2010. 
• The Secret Policeman's Balls, 3-DVD set (2009)
  • "The Secret Policeman's Balls DVD Release". Music For Human Rights. 27 January 2009. http://www.musicforhumanrights.org/news/secret-policemans-balls-dvd-release. Retrieved 19 August 2009. 
• Monty Python: 40 Years of Insanity
  • "Monty Python: 40 Years of Insanity". Life.com. 5 October 2009. http://www.life.com/image/first/in-gallery/34232/monty-python-40-years-of-insanity. Retrieved 6 October 2009. 
• The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)
  • "The Life of Python – 20 Greatest Monty Python Sketches". Gnews.com. 5 October 2009. http://gnews.com/entertainment/The-Life-of-Python-20-Greatest-Monty-Python-Sketches-110424014489.html. Retrieved 6 October 2009. 

External links[link]

Wikiquote has a collection of quotations related to: Monty Python

Wikimedia Commons has media related to: Monty Python

• Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle
• Monty Python – Official YouTube page
• Monty Python Videos – Monty Python's best videos and movies
• 2012 interview with Carol Cleveland, covering Flying Circus and Holy Grail
• Python at ifilm.com
• Pythonisms: Python quotes as figures of speech
• Release of the 3-DVD Secret Policeman's Balls
• 40 Years of Monty Python – photo essay by TIME magazine
• Monty Python Reunion event, New York, 15 October 2009

Boston Irish Wolfhounds

200px
Full name	Boston Irish Wolfhounds Rugby Football Club
Union	USA Rugby
Nickname(s)	Wolfhounds
Founded	1989
Ground(s)	Irish Cultural Centre (Capacity: 2,000)
President	Phillip O'Dwyer
Coach(es)	Adam Lewis
League(s)	Rugby Super League
1st kit 2nd kit
Official website
www.biwrfc.com

The Boston Irish Wolfhounds Rugby Football Club (also known as BIWRFC) is a rugby union team based in Boston, Massachusetts, USA. The club competes in, and is governed by, the New England Rugby Football Union (their LAU), the Northeast Rugby Union (their TAU), and USA Rugby.

The club was established in the late 1980s as a social touring side, but was not recognised as an official club until 1992, when they entered the NERFU Division II in 1992. They advanced to the NRU Premier Division in 1995, winning it for the first time in 1998 and entered the Super League in 2007. Since 2007, BIWRFC has been represented in both the Premier Division and the Super League, as the first XV competes in the Super League and the third XV competes in the Premier Division. BIWRFC is recognised as one of the leading rugby union clubs in the United States.

History[link]

• The Wolfhounds began as a social touring side of rugby players in the Boston area looking to travel the U.S. during their off-seasons with their respective clubs. Due to their successes while touring (particularly in New Orleans and Texas) and enormous support from the Boston Irish community, the Wolfhounds became an official team and entered into the New England Rugby Football Union (NERFU) Division II in 1992. An unintended consequence of the establishment was the eventual disestablishment of Beacon Hill RFC (lost most of its first XV pack), the end of Mystic River Rugby Club's appearances as a national level club (lost three key first XV), and the relegation of Charles River RFC (lost complete first XV backline) to Division II.

• During their inaugural season, the first XV suffered only one regular season loss and reached the Northeast Championships.

• In 1995, the Wolfhounds met enough success to warrant the leap to the Northeast Rugby Football Union (NRU) Premier Division.

• In 2000, they won the Northeast Championships for the first time.

• In 2001, they advanced to the USA Rugby Division I National Championship pool for the first time, reaching the Sweet 16 pool. In 2002, they matched their 2001 successes and reached the Sweet 16 for a second straight season.

• In 2003, the Wolfhounds entered and won a number of local and national tournaments and they were able to win the NERFU Division I Championship as well as the National Championship. Wolfhounds scrumhalf Dave Williams was named tournament MVP.
• In 2004, the Wolfhounds repeated as both NERFU Division I champions and USA Rugby Division I national champions. Adam Thomas of the Wolfhouds was named tournament MVP.

• In 2005, the Wolfhounds became NERFU Division I champions for the third straight year and finished in fifth place in the Division I National Championship tournament.

• In 2006, the Wolfhounds became the first-ever US team to submit two sides to the national championship tournament. Both the first XV and the third XV came in second place (Division I and Division III, respectively).

• in 2007, the Wolfhounds became USA Division III National Champions in San Diego.

• The Wolfhounds also field a third XV of "old boys" and new players with little experience. They compete in the New England Rugby Football Union Division III. They have been met with recent success, winning the NERFU Division III championships in 1996, 1997, 2002, 2004, 2005, 2006, and 2009.

Honors[link]

Club Championships[link]

• USA Rugby Premier Division Champions – 2003, 2004
  • 2nd place – 2006
  • 5th place – 2005
• Division 1 Northeast Rugby Union Champions – 2000, 2002
• Division 1 New England Rugby Football Union Champions – 2003, 2004, 2005

Tournament Championships[link]

• Ft. Lauderdale Ruggerfest Champions – 2003, 2005
• Jersey Shore Tournament Champions – 2004
• Mad River Invitational Champions – 2004, 2007, 2008
• New England 10s Champions – 2003, 2005
• Newport 7s Champions – 2005
• Newport 15s Champions (Division I) – 2006
• New York 7s Champions – 2004
• Thompson Island Tournament Champions – 2003
• Vermont Invitational Tournament
  • 2nd place – 2005
• Worcester 7s Champions – 2003

Third XV Honors[link]

Club Championships[link]

• USA Rugby National Division III Competition
  • 2nd place – 2006
• Division III New England Rugby Football Union Champions – 1996, 1997, 2002, 2004, 2005, 2006, 2009

Tournament Championships[link]

• Lansdowne RFC NYC St. Patrick's Day Tournament Champions – 1998, 1999
• MIT Culliton Tournament Champions – 1996, 1997, 1998, 1999
• Newport 15s Champions (Division III) – 2006
• Saranac Lake Can-Am Tournament – 1996

Individual Honors[link]

• 2003 USA Rugby National Division I Championship Tournament MVP – Dave Williams
• 2004 USA Rugby National Division I Championship Tournament MVP – Adam Thomas

Sponsorship[link]

The SuperLeague's primary sponsor is Michelob Amber Bock and as such, each individual team receives a portion of those revenues. In addition to Amber Bock, the Wolfhounds have several individual sponsorships. Notable primary sponsors include Guinness and Tullamore Dew. The club also has several secondary sponsorships from local and regional businesses.^[1]

Recruiting[link]

The Wolfhounds have been able to provide hospitality, housing, and career opportunities for players coming to Boston to play for the Hounds. This is one of the reasons they have been able to maintain success on the field. The team is composed of Americans, but there is also a large contingent of foreigners. Many countries are represented Australia, England, New Zealand, Fiji, and Wales.

BIWRFC has established relationships with local high school and college sides, which become feeder teams for the Wolfhounds. This allows the Wolfhounds to maintain a large player pool of young athletes. Members of the Wolfhounds have coached Northeastern University RFC, a nationally ranked Division I college side, Boston College, Harvard University, MIT and University of Notre Dame. Wolfhounds players also coach the Boston collegiate select-side All-Star team, which won the NERFU collegiate all-star tournament last spring. The Wolfhounds also coach Boston College High School RFC, which is perennially one of the best high school teams in the country.

In recent years, the Wolfhounds have sent some of these young collegiate athletes abroad to gain experience by playing professionally. As of April 2006, there are two Wolfhounds playing in the NPC league in New Zealand.

As of April 2006, members of the Wolfhounds include a current USA Rugby U19 National Team player, two former U19 National Team players, and the current captain of the USA Rugby Collegiate All-Star team.

The Wolfhounds were a key player in organizing the Boston Rugby Consortium which consists of all NERFU clubs in the city of Boston. The club lent their administrative expertise to secure practice pitches from the city's Parks and Recreation department on a regular basis for the clubs. They have also initiated several coaching clinincs and courses to build rugby in the Boston area among all clubs.

The Wolfhounds always are recruiting new players for their four teams.

Notable Wolfhounds[link]

• Dave Williams, former Wolfhounds scrumhalf, USA Rugby National Team

• Brian Lemay, Wolfhounds prop, USA Rugby National Team

• Mark Tutton - Wolfhounds scrumhalf, South Canterbury provincial team (2002–present), New Zealand Heartland XV 2007

• Thomas Lee, former Wolfhounds wing, 1992 USA Rugby National U19 Team (US High School Development XV)

References[link]

External links[link]

• Official site
• New England Rugby Football Union
• Northeast Rugby Football Union
• USA Rugby
• International Rugby Board (IRB) Site

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