Link round-up

The Architectural Record rounds up architectural websites, the good and the bad thereof. Mostly architectural journalists get incredibly frustrated with tricky navigation, links that can’t be saved and pictures that can’t be clipped… / The Great Myth of Urban Britain / another slice of improbable nautical architecture for the superrich / more: SeaOrbiter by Jacques Rougerie / for sale, the Heuliez Collection of concept versions of classic Renault and Citroens, including the incredible SM Espace and Peugeot 504 Loisirs / massive history of Atari (via MeFi).

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Strekla has launched an e-book publishing house / the Lego into Google (via MeFi) / Is this UK’s most gentrified street? / Piers Taylor, architect, writes On Youth, and how contrary to popular wisdom, age does not necessarily bring experience in the architectural realm / Riseart.com attempts to divine your taste in visual art with a simple either/or set of questions / Notes from the Zeitgeist, a weblog / Hand to Mouth, a blog about food / Between the Folds, a documentary about origami / design-y things at Sight Unseen.

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Early icons

A little bit more about the Victorian ‘tower for London’ competition posted about last week. Flicking through the descriptive illustrated catalogue of the competition and the sheer range and stylistic variety of the entrants is self-evident, from amateur improbabilities to rather cynical ventures from industry. For example, an ironworks would naturally suggest that the city build an iron tower, as is the case with the Thames Ironworks and Shipbuilding Co. Ltd and their very Eiffel-esque proposal. Famously, the intention was to build London’s equivalent to the Eiffel Tower, a purely capitalistic exercise to raise revenue. As the catalogue noted:

The popularity of the Eiffel Tower may be fairly guaged (sic) by the receipts in connection with it. During the Exhibition the net takings on the Tower amounted to £260,000, a sum almost equal to its cost. During the period the Tower has been open, since the closing of the Exhibition, the average weekly receipts from entrance charges alone (excluding rents of shops and profits from the restaurants and the resources) amounted to £1,148, and this during very unfavourable weather. The receipts from the shops, restaurants, concerts &c., would very materially raise the above-named weekly average, leaving very large profit over expenses. The Eiffel Tower has already rendered valuable service to science, besides affording special opportunities for for observation and research, which, owing to its altitude, are no otherwise attainable. Taking into consideration the enormous popularity of the Eiffel Tower and the consequent pecuniary benefits conferred on those interested in that undertaking, it is not too much to anticipate that, in the course of a short time, every important country will possess its tall Tower. The project of erecting a great Tower in London soon found the willing support of many capitalists, who felt convinced that if the scheme were properly laid before the public there would be no great difficulty in accomplishing the object.

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Unsurprisingly, aping Gustave Eiffel was the preferred strategy of many entrants, including J.H.M Harrison-Vasey’s attempt to solve the problem of tapering floor plates, or even the winner of the competition by the architects Stewart, MacLaren and Dunn. The organisers even approached the Frenchman to persuade him to enter. He apparently replied, ‘If after erecting my tower on French soil, I were to erect one in England, they would not think me so good a Frenchman as I hope I am.’ Other suggestions were more elaborate, like the surprisingly futuristic Skylon-esque construction by by Rendel, Findlay and Ricardo, who also had a crack at a more ornate design. Another especially picturesque design came from the Italian architect Lamont Young. They were also mostly unbuildable, leaving the Stewart, MacLaren and Dunn scheme practically the only option.

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The project was ultimately doomed. Although the winning design became known as Watkin’s Tower, named for its instigator, the MP and entrepreneur Sir Edward Watkin, it was soon dubbed Watkin’s Folly, as financial woes and construction difficulties led to the scheme being abandoned in 1894, with only the first platform completed. It was eventually demolished in 1907, the Wembley location now the site of Wembley Stadium. The above photo is by cam man.

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It all used to be fields

We’re late to the Secret History of Our Streets documentary on BBC, but having read Owen Hatherley’s The secret history of sentimentality about two-up two-downs before we watched the first programme (on Deptford High Street) it was hard not get frustrated with the approach. In particular, the choppy editing and context-free presentation of the former planner as a ‘pantomime villain’ (in Hatherley’s words) and the floppy haired estate agent at the end, as well as the very vague use of the timeline, infuriated for all the wrong reasons. The valid empirical evidence about how inspections were either ignored or botched to speed up ‘slum’ demolition wasn’t countered by anything but anecdote, creating a wholly one-sided view of post-war planning as a deliberately malicious (or at best, hugely incompetent) operation. The coda – that the surviving houses are now worth vast amounts of money – simply highlights the fact that practically every centrally located terrace of 18th-19th century housing in London has experienced similar fortunes. In the period since the post-war estates were built, changing taste and shifting values has done as much again to re-shape the city’s communities.

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Related, London’s Hidden Modern Houses, a round-up of stealthy (and invariably wealthy) modernism sneaked in to the suddenly conservation-minded city. Actually, plenty of the houses featured aren’t so hidden – like Robert Dye’s Stealth House in Camberwell (despite its name). Paradoxically, much of this new modernism sits on or in the ruins or shells of the immediate past, the bits that no-one wanted (e.g. GTP’s Deptford Warehouse conversion, just off the High Street. Also related, a celebration of Victorian community spirit (do apartments in the Shard really have a sea view? A nice PR story – we suspect that you’ll be able to spot something like this with a powerful telescope on a clear day, providing it hasn’t keeled over).

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On rails

Ivan Puig’s SEFT 1 project, in collaboration with Andres Padilla (via Thank You Very Much), takes the aesthetic and heroics of the space programme and translates it to the rather more pragmatic mission of exploring the history and remnants of many of Mexico’s rather investment-lacking railway system. To this end, Puig built the SEFT-1, the Sonda de Exploración Ferroviaria Tripulada (Manned Railway Exploration Probe), a bizarrely angular probe built from aluminium body panels on a pick-up truck chassis: ‘The probe is a vehicle that can travel on land with rubber tires on the roads and transit through the Hi-Rail, mechanism of metal wheels that guide the ship on the rails.’ Puig and Padilla traveled across the remnants of the railroad, taking photographs, audio samples and short films about the surviving stretches of track and the places the railway once went.

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Other things. The Internet Underground Music Archive is back / SketchUp has been updated and spliced away from the Google mothership / live recordings on video From the Basement / My mobile hometown, a photo essay by Eric Tabuchi / Acorn Moon, a weblog about art / chronological collection of paintings by Wassily Kandinksy – a masterclass in the evolution of abstraction.

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How to Kill a Rational Peasant, Adam Curtis on the strange, sad and violent history of counterinsurgency / From the New Statesman: ‘In 2006 (when figures were last available) James Dyson contributed the bulk of the income tax paid by the 54 billionaires then resident in the UK. Out of £14.7m paid by all 54, he contributed £9m. That’s a whopping 61 per cent of the total tax take from billionaires.’

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The city’s spiky skyline

London in 20 Gigapixels, 2012 and a Descriptive Illustrated Catalogue of the Sixty-Eight Competitive Designs for the Great Tower for London, 1890. The former would have been greatly enhanced by the success of the latter (both via b3ta).

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Should I leave the engine on, to listen to that mountain song

The traditional American station wagon is the subject of Wagonmasters, a new documentary about the cultural impact of these road-going behemoths from the pre-SUV era. Now almost entirely displaced by the SUV, CUV and everything in between, the film celebrates the heyday of this vanishing vehicle type, once a symbol of freedom and leisure, sold as a paragon of the American dream and, by and large, American designed and built. The above image of the 1957 Mercury Colony Park 4 Door Hardtop Station Wagon embodies the kind of glamour normally reserved for sports cars and the kind of escapism and vacation imagery that’s now the preserve of the Sports Utility Vehicle. So why did the American station wagon fall from grace? The demand for kid conveyances was gradually taken up by minivans and SUVs, while the ‘glamour’ of the original wagons was killed stone dead by the arrival of the SUV, an archetype that conveyed adventure as well as utility. Many wagon forums live on as the form becomes increasingly rare.

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Carrying the green flag all winter long

Henry Bourne’s British Folklore Project, brining the Green Man/Jack in the Green to life / Battersea to Peckham in the style of Claude LeLouch’s C’était un rendez-vous / illustration by Adam Simpson / other things, a weblog / Spine Out, a weblog / unintended architectural hotspots: the Museum Tower in Dallas, Gehry’s Walt Disney Concert Hall in LA, and Las Vegas’s Vdara Hotel ‘death ray’.

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From ‘Happiness is a glass half empty‘:

‘The museum [of failed products] is home to discontinued brands of caffeinated beer; to TV dinners branded with the logo of the toothpaste manufacturer Colgate; to self-heating soup cans that had a regrettable tendency to explode in customers’ faces; and to packets of breath mints that had to be withdrawn from sale because they looked like the tiny packages of crack cocaine dispensed by America’s street drug dealers. It is where microwaveable scrambled eggs – pre-scrambled and sold in a cardboard tube with a pop-up mechanism for easier consumption in the car – go to die.’

Related, 25 consumer products that failed, from the vast array stored at the ‘museum’ (actually a research centre) by GfK Custom Research North America.

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Be kind, rewind

The film American Collectors, produced and directed by Bob Ridgley and Terri Krantz, examines the psychology of collecting, with interviews with 15 ‘unique’ collectors. According to Krantz: “in our research for this film we found that 30% of the American population collects, and has more room and space to fill with their collections than any other country in the world. Because of this unique set of circumstances we decided to focus on American collectors.” Anything can be a collection (The Museum of Forgotten Art Supplies (via)), as we never tire of pointing out. But the emergence of MoOMismcollecting the collectors – has given fresh impetus to the aggregation of related things. Arguably, private museology is as popular now as it ever has been, with hitherto unknown levels of validation for the act of collecting. Above image from Phantom’s Reel To Reel Tape Recorder OnLine Museum.

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Saadiyat Island, a vast leisure complex in the UAE, seems to trundle on, with only marginal improvements in worker’s rights. At the same, the area’s biggest projects – the Guggenheim Abu Dhabi and the Louvre Abu Dhabi – have both slipped further into the future, with delays and controversies dogging the initial glamour of their annoucement. It’s a salutary lesson that we should always sound a note of caution – perhaps more than a timid note – when relaying jumped up statistics and excitable predictions about some unlikely-sounding mega-project that’s meant to rejuvenate or kickstart a place purely through its grandeur and perceived status.

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Satan in Society, by ‘A Physician’, an 1871 broadside against the dangers of masturbation and birth control. On the latter:

‘All other methods of prevention of offspring are disgusting, beastly, positively wrongful as well as unnatural and physically injurious. Some of them are so revolting that it is impossible to imagine how persons with the least pretensions to decency can adopt them. Any deliberate preparations with such an object savour too much of cold-blooded calculation to be even possible with pure-minded people. At best, the conjugal act should be spontaneous, and directly in accordance with the promptings of Nature. A husband who can coolly lay his plans with reference to future performances of this character, is guilty of practising the seducer’s art in relation to his own marriage bed; he is the unclean bird that literally befouls his own nest. It is then impossible that those who are guilty of such practices can be ignorant of their wicked and criminal nature, and the woman who consents, equally with the man who organises the method, is a willful and premeditated criminal.’ (page 151)

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A million monkeys

IBM Sequoia: ‘The computer is capable of calculating in one hour what otherwise would take 6.7 billion people using hand calculators 320 years to complete if they worked non-stop.’ A torturous analogy / Adaism, a coffee table tumblr / Automobila, Literature, Ads, Postcards & Brochures, a colossal collection of Americana at coconv’s photostream / designer and game-maker Matthew DiVito has a tumblr full of elegant, old school animations. His online game, No Escape, is elegantly nihilistic / last week we wondered who exactly was in the market for a ‘heritage lifestyle‘. Answer: these people, for whom ‘Living in the Past Is a Full-Time Gig‘ / the above image of a Model 1201 Friden Electronic Display Calculator comes from The Old Calculator Museum.

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Everybody knows this is nowhere

Friday link round-up. The Reverend Awdry’s Revenge, a fine broadside from Bat, Bean, Beam against the ubiquitous railway stories and their relentlessly marketed toy division:

‘The titular hero of the modern cartoon and toy empire, Thomas, turns out to be an insufferable character with an inflated sense of self and an overriding desire to grow up to become, in the words that he often parrots from his master, ‘a really useful engine’, and therein is encapsulated the bludgeoning moral of conformity and compliance of the whole thing. Add some dodgy imagery surrounding the otherness of the diesel engines, or the thuggish underclass status of the goods wagons, not to mention the fact that the only females in the original set of stories are carriages who can aspire at best to be pulled, and the discomfitingly retrograde picture will be complete.’

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Classic Campervans, pre 1995 only / an analysis of the crunch and whistle of the classic dial-up modem sound. Ah, the lost sonic landscape of early computing / ‘A pole of inaccessibility marks a location that is the most challenging to reach owing to its remoteness from geographical features that could provide access.’ The above image is a map of distance to the nearest coastline / Torben Bernhard has a slick tumblr, including an image of the Minister’s Tree House, which seems to dodge legal bullets by insisting that everyone who visits is a trespasser / attend the Monocle Country Fayre this weekend and indulge in terrifyingly tasteful variants of traditional fairground activities.

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The Dabbler looks at the ‘grotesque and beautiful’ Convair B-58 Hustler as part of its compelling machinery series. The B-58 incorporated voice warning messages, then very ahead of its time, and was so fuel hungry that ‘the entire interior of the wing, and most of the interior of the fuselage, [was] filled with fuel’. From Aviation History: ‘The pod or pods carried beneath the aircraft are also largely filled with fuel. The single 57-foot-long MB pod contains mostly fuel. The 54-foot-long lower element of the two-part TC pod, designed to be dropped before run-in to the target, is filled entirely with fuel, while the 35-foot-long upper pod contains at least 2,450 Ib. of fuel as well as a warhead’.

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Hand-stitched by Peter Crawley, a Wallpaper* exhibition / Lost Architecture, a tumblr / Vast, Grand and Monumental, a tumblr / Ten Bets You’ll Never Lose. Guard yourself against the pub gambler / the tagline of Vintage Seekers is ‘curating a heritage lifestyle’, the first usage of that phrase we’ve encountered. Does anyone self-consciously describe themselves as living a ‘heritage lifestyle’? / chord analysis / illustrations by Lucy Cheung / Lucy World, a tumblr / Lego Inception, seen everywhere / The escapement, a tumblr / extreme locations on earth / ‘room portraits‘ by photographer Menno Aden. If we all lived in Atic Atac.

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