5:25

The Cramps - Surfin' Bird
The cramps surfin bird evil music evil people may cause shakeness Edit : Holy shit over 40...
published: 01 Apr 2007
The Cramps - Surfin' Bird
The cramps surfin bird evil music evil people may cause shakeness Edit : Holy shit over 400000 views!
published: 01 Apr 2007
author: fraserskate
3:07

The Cramps - I Was a Teenage Werewolf
The Cramps - I Was a Teenage Werewolf (Aug 15 1980 Urgh! A Music War-Outtake)...
published: 26 Sep 2006
The Cramps - I Was a Teenage Werewolf
The Cramps - I Was a Teenage Werewolf (Aug 15 1980 Urgh! A Music War-Outtake)
published: 26 Sep 2006
author: NADIELODIJO
6:33

The Cramps - Tear It Up LIVE
Tear It Up by The Cramps live in Amsterdam 1990 Sexy guitar player Poison Ivy with Lux Int...
published: 03 Feb 2009
The Cramps - Tear It Up LIVE
Tear It Up by The Cramps live in Amsterdam 1990 Sexy guitar player Poison Ivy with Lux Interior singing also, Candy Del Mar on bass and Nick Knox on drums
published: 03 Feb 2009
author: Cramps4ever
2:13

Human Fly
I found footage homage to B-horror and the Cramps. My first project at SAIC...
published: 30 Mar 2007
Human Fly
I found footage homage to B-horror and the Cramps. My first project at SAIC
published: 30 Mar 2007
author: Nick Williams
Vimeo results:
5:26

THE BOX PRO - FINAL DAY
Margaret River local, Ryan Hardy (WA, AUS) has conquered bodyboarding's finest and some of...
published: 20 Apr 2011
Author: IBA World Tour
THE BOX PRO - FINAL DAY
Margaret River local, Ryan Hardy (WA, AUS) has conquered bodyboarding's finest and some of the craziest conditions Mother Nature could produce to claim the second event on the 2011 IBA World Tour, the IBA Box Pro.
In wild and dangerous five-metre plus waves, 31 year-old Hardy defeated Brazil's Magno Oliveira (Guarapari) in a 30-minute final, earning himself 2,000 valuable Grand Slam Series ratings points and second place on the IBA World Ratings heading into event three scheduled for Arica, Chile beginning May 20th.
Hardy choked back tears as he accepted his trophy on the presentation dais in front of his wife, Leah and newborn son, Oliver, while friends and fellow Margaret River locals, cheered the most prestigious win of his career.
“It means so much to win at my home break and with your friends and family and everyone here from my hometown, it's the biggest win of my career by far. To get the conditions we have and to be able to win is just incredible, it's a dream come true, said Hardy.
Hardy did not drop a heat the entire event, and admitted 20 years of surfing the break was the major factor in his win, particularly on a day where riders were faced with giant waves that threatened to close out the entire bay from Margaret River's Surfers Point, to the Box itself.
I could see the guys who hadn't surfed out there much were getting pulled out of position. Knowing the way the water moved around on the reef was a huge advantage. When a wave breaks at the Box, it's much more intense than a lot of places, you have these swells that travel so far through the Indian Ocean and then hit this shallow slab of reef. It can be dangerous, but if you know which ones to catch, then it's easily one of the most exciting waves in the world, said Hardy.
I've surfed it this big before, but never in competition. Today it was twice as big as forecasted, so it definitely caught everyone by surprise.
Hardy's first leapt to prominence on the international bodyboarding stage came when he claimed the Tahiti Skins at the notorious Teahupoo in 2000. His second major win was at Cronulla's Shark Island near Sydney in 2006. He has also won at Hawaii's famous Banzai Pipeline in 2009.
Oliveira's runner-up performance was world-beating; the 26 year-old eliminated two world champions on the final day, taking out reigning champion Amaury Lavernhe (REU) in the semi-finals and six-time world champion Guilherme Tamega (BRA) in the quarter-finals to post what is easily the best result of his career.
It was the best result of my life for sure. These are the kind of waves are the waves I like best. There are giant waves and it's shallow and pretty dangerous. You don't see any other sports run in these kind of conditions. I'm proud of being a bodyboarder and days like this, said Oliveira.
Oliveira's path to the final also would not have been possible if it were not for the implementation of the unique new three round non-elimination format at the IBA Box Pro. Oliveira missed his first heat entirely when he went for a warm up session at a nearby break during, but good placings in his following two outings saw him survive the cut and qualify for Round 4.
Miracles happen, I went through a lot of miracles to make the final, laughed Oliveira. So I knew I could do it. But there wasn't many waves in the final. I had a lot of cramps in my last heat. It was so inconsistent. I had a bad selection, maybe if I had more time against Ryan, it was tough, he added.
If a single move summed up the commitment of the riders in such wild conditions today, Oliveira's invert air on a stepped-out 10-ft plus Box mutation during his semi was prime example.
With one eye on the lip and the other on the reef lurking just inches below the surface, Oliveira punched for heavens and landed the giant air, with the wave gobbling him whole moments after impact.
Even reigning Wold Champion, Lavernhe, who was eliminated by Oliveira in the heat, was impressed.
I was in the lineup and I had priority. I saw him take off on that set wave and I thought, Okay, that's good for me, He's going to be wasting his time, then I looked behind and I just saw his body flying through the air and I was like, Oh, sh#t! That's a big air!
I asked him, Did you land it? and he said yeah. That was the biggest move of the comp. He was ripping the whole competition, so I am stoked for him.
South African, Mark McCarthy (Richard's Bay) finished equal third alongside Lavernhe today, McCarthy falling victim to Hardy's rampaging hometown finals run. Though there was a glimmer of hope for the visiting 27 year-old, he had Hardy on the ropes with less than a third of their semi-final remaining.
Ryan was really patient. We had like 15 minutes where the sets poured in from the wrong direction and messed up the lineup. So we had to wait for it to clean up, then Ryan was lucky to get those good ones and he surfed them like a champ. I knew I was ahead for most of the heat, then Ryan got those s
13:58

Take Away Show #41 _ THE ARCADE FIRE
paris, l'olympia, march 2007
images & edit by vincent moon
sounds by adrien cordier & chr...
published: 06 Mar 2010
Author: Vincent Moon / Petites Planètes
Take Away Show #41 _ THE ARCADE FIRE
paris, l'olympia, march 2007
images & edit by vincent moon
sounds by adrien cordier & chryde
mix by francois clos
produced by chryde for la blogotheque
http://www.blogotheque.net/Arcade-Fire,2868
The creation of Take Away Shows is linked to Arcade Fire. Before the cancellation of their European Tour, Arcade Fire played two amazing video sessions in Paris: one in a lift, and, after, into the crowd.
___________
Win Butler had to slouch a little to fit into the freight elevator. He went directly to the back, leaned against the iron door, turned around, looked at the cramped space, and asked us, “Think we can all go back now?” Then he smiled a smile that a kid would give, pure and honest, like he had just found his hiding place. Win Butler smiled, and five weeks of work seemed to crumble before us.
During those weeks, I had been in continual contact with Vincent Morisset, who runs the Neon Bible site. Win and Régine had been responsible for coordinating our Take Away Show. We had discussed dates and places, imagining the Madeleine at night, the knoll at the Île de la Cité, an old café, a roundabout behind the Olympia...We checked the weather every day and despaired about the cold front that was passing through Paris. We had surveyed the entire inhumane neighborhood from top to bottom, trying to anticipate the crowd, the willpower of the group, the cold, and the fatigue. Then, suddenly, we had a plan. Win asked if there was a freight elevator. We found it, Win smiled, and the Take Away Show was no longer in our hands.
We knew that the Take Away Show with Arcade Fire wouldn’t be like the others. The project was made for them because they’re of a different kind, a different essence. We had spent the afternoon with them when suddenly we realized, in a flash: “yes, this group is different.”
We had been playing the role of “outsider” the entire day, like a foreign body that latches onto the daily grind of these magnificent musicians. We had to adapt, through astonishment and wonder, as the band took up their instruments and started to play. But Arcade Fire didn’t take us as outsiders. It all seemed to unfold naturally: we entered into their logic as they awaited us and eventually swallowed us up. It was now Win Butler’s Take Away Show, and we followed.
It was too cold to play outside after the show, so we initially thought about playing in the entrance hall during Electrelane’s performance, but the Olympia didn’t allow it. All we had left was the freight elevator, and we had to do a little convincing to make it happen. On the other side of the elevator, there was a door that would lead us into the concert hall. They could go back to the pit in the Olympia by exiting through there, and then re-exit through the door near the stage. Win wasn’t so hot on the plan...the venue was a little too big and the whole thing sounded complicated. It took us about 20 minutes to convince him, not knowing at all what was waiting for us at the other end of this crazy idea. Win went back to tell Richard and Will to follow him to the elevator, with everyone asking when to play, or whether this was going to happen before or after the show. It was going to be before. Régine was the only one who thought differently, and there were a few seconds of furious looks, which immediately mellowed and eased into resolution. The big guy won, and everyone went back to reconfigure the set-list.
Arcade Fire is a unique group. Everyone’s split up during the day, managing and wandering through his/her own affairs in the dressing rooms and corridors. No one seems to move about as much as Win, who manages everything, knows everything, watches everything, and hears everything. Afterwards, as show time approaches, everyone slowly comes together again, each still folded into him/herself. A couple of notes sound from a bugle, Régina taps on a box, Jérémy amuses himself with a drum, and Tim does a little Monty Python dance. A mobile cacophony, a music that takes form, several people coming together, and some random and various snippets of songs to come. Everyone is concentrating alone, but at the same time following a trace towards the group’s uncanny unity. As the orchestra tuned and grew powerfully aligned, we started towards the elevator.
The rest waits on film. We all bunched into the elevator, and I took my position at Richard’s feet. They started off with an enchanting version of “Neon Bible” and the door opened, allowing us to approach and penetrate the massive torrent of fans. I didn’t think about anything more. I was taken by the fervor, watching Vincent Moon with his camera, screaming in silence, and thinking over and over again:
“We did it. Shit, we really did it!”
text by chryde
1:10

The smallest IKEA store in the World
With city populations on the rise, living spaces have become increasingly limited.
IKEA b...
published: 03 Apr 2012
Author: IKEA
The smallest IKEA store in the World
With city populations on the rise, living spaces have become increasingly limited.
IKEA believes that no matter how cramped your space, there’s always a solution. To demonstrate this, we built an entire IKEA store in a 10.5cm x 8.8cm web banner.
We targeted people looking for studio flats as well as one/two bedroom apartments by placing our tiny stores in the real estate section of community websites.
As with our full size stores, shoppers were able to browse by department and buy all of the featured products.
2:53

Matt And Kim "Daylight"
Green Label Sound is pleased to showcase the video for “Daylight” by Brooklyn’s destructiv...
published: 15 Dec 2009
Author: GreenLabelSound
Matt And Kim "Daylight"
Green Label Sound is pleased to showcase the video for “Daylight” by Brooklyn’s destructive dance duo, Matt and Kim. New York director Micah Perta explains, “the concept for the video was to have Matt and Kim in cramped spaces at the beginning of the song as a counterpoint to the songs lyrics about daylight. Then we have a surprise ending where they shift into a colorful, open world that sets them into flight (even though they’re really on the ground)."
Youtube results:
2:48

Funnel Of Love - Wanda Jackson (ft. the Cramps)
Funnel Of Love (Charlie McCoy, Kent Westberry) - Wanda Jackson ft. the Cramps ( Heart Trou...
published: 07 Oct 2009
Funnel Of Love - Wanda Jackson (ft. the Cramps)
Funnel Of Love (Charlie McCoy, Kent Westberry) - Wanda Jackson ft. the Cramps ( Heart Trouble, 2003)
published: 07 Oct 2009
author: Dimitris Skazas