Jello Biafra
Jello Biafra at Fusion Festival 2010
Background information
Birth name	Eric Reed Boucher
Also known as	Occupant, Count Ringworm, Osama McDonald
Born	(1958-06-17) June 17, 1958 (age 54) Boulder, Colorado, U.S.
Genres	Punk rock, spoken word
Occupations	Musician, speaker, record label director, Green Party politician
Instruments	Vocals
Years active	1976–present
Labels	Alternative Tentacles
Associated acts	Dead Kennedys, The Melvins, No WTO Combo, D.O.A., Lard, Al Jourgensen, Ministry, Pennywise, The Offspring, Pansy Division, Leftöver Crack, Nomeansno, Sepultura, Tool, Revolting Cocks, Napalm Death, Brujeria, Mojo Nixon, 1000 Homo DJs, Métal Urbain, Body Count, Tumor Circus, Butthole Surfers, Jello Biafra and the Guantanamo School of Medicine
Website	AlternativeTentacles.com Alternative Tentacles myspace

Jello Biafra (born Eric Reed Boucher; June 17, 1958, Boulder, Colorado) is an American musician, spoken word artist and leading figure of the Green Party of the United States. Biafra first gained attention as the lead singer and songwriter for San Francisco punk rock band Dead Kennedys. After he left the band, he took over the influential independent record label Alternative Tentacles, which he had co-founded in 1979 with Dead Kennedys bandmate East Bay Ray. Although now focused primarily on spoken word, he has continued as a musician in numerous collaborations.

Politically, Biafra is a member of the Green Party of the United States^[1] and actively supports various political causes. He ran for the party's Presidential nomination in 2000, finishing second to Ralph Nader.^[2] He is a staunch believer in free society, which is not to be confused with libertarianism or voluntary society (voluntaryism), who utilizes shock value and^[1] advocates direct action and pranksterism in the name of political causes. Biafra is known to use absurdist media tactics, in the leftist tradition of the Yippies, to highlight issues of civil rights and social justice.

Early life[link]

Eric Boucher was born in Boulder, Colorado, to parents Stanley Boucher, a psychiatric social worker and poet, and Virginia Boucher, a librarian, who worked two cubicles away from Ed Sauer.^{[citation needed]} He also had a sister, Julie J. Boucher, the Associate Director of the Library Research Service at the Colorado State Library (who died in a mountain-climbing accident on October 12, 1996).^[3] As a child, Eric Boucher developed an interest in international politics that was encouraged by his parents. An avid news watcher, one of his earliest memories was of the John F. Kennedy assassination.^[4] Biafra says he has been a fan of rock music since first hearing it in 1965, when his parents accidentally tuned in to a rock radio station. During the 1970s, he became involved in activism in reaction to several events of the era including the Vietnam War, the Chicago 7 trial, and the Kent State shootings.^[5]

He began his career in music in January 1977 as a roadie for the punk rock band The Ravers (who later changed their name to The Nails), soon joining his friend John Greenway in a band called The Healers. The Healers became infamous locally for their mainly improvised lyrics and avant garde music. In the autumn of that year, he began attending the University of California, Santa Cruz.^[6] He studied acting and the history of Paraguay before leaving to become involved in San Francisco, California's punk scene.

Musical career[link]

The Dead Kennedys[link]

In June 1978, he responded to an advertisement placed in a store by guitarist East Bay Ray, stating "Guitarist wants to form punk band",^[7] and together they formed the Dead Kennedys. He began performing with the band under the stage name Occupant,^{[citation needed]} but soon began to use his current stage name, a combination of the brand name Jell-O and the short-lived African state Biafra. Biafra wrote the band's lyrics, most of which were political in nature and displayed a sardonic, sometimes absurdist, sense of humor despite their serious subject matter. In the tradition of UK anarcho-punk bands like Crass, the Dead Kennedys were one of the first US punk bands to write politically-themed songs. The lyrics Biafra wrote helped popularize the use of humorous lyrics in hardcore. Biafra cites Joey Ramone as the inspiration for his use of humor in his songs (as well as being the musician who made him interested in punk rock), noting in particular songs by The Ramones such as "Beat on the Brat" and "Now I Wanna Sniff Some Glue".^[8]

Biafra initially attempted to compose music on guitar, but his lack of experience on the instrument and his own admission of being "a fumbler with my hands" led Dead Kennedys bassist Klaus Flouride to suggest that Biafra simply sing the parts he envisioned to the band.^[9] Biafra sang his riffs and melodies into a tape recorder, which he brought to the band's rehearsal and/or recording sessions. This later became a problem when the other members of the Dead Kennedys sued Biafra over royalties and publishing rights.^{[clarification needed]} By all accounts, including his own, Biafra is not a conventionally-skilled musician,^[9] though he and his collaborators (Joey Shithead of D.O.A. in particular) attest that he is a skilled composer^[10] and his work, particularly with the Dead Kennedys, is highly respected by punk-oriented critics and fans.

	Holiday in Cambodia noicon "Holiday in Cambodia" by the Dead Kennedys from Fresh Fruit for Rotting Vegetables
Problems listening to this file? See media help.

Jello Biafra with the Dead Kennedys

Biafra's first popular song was the first single by the Dead Kennedys, "California Über Alles". The song, which spoofed California governor Jerry Brown, was the first of many political songs by the group and Biafra. The song's popularity resulted in its being covered by other musicians, such as The Disposable Heroes of Hiphoprisy (who rewrote the lyrics to parody Pete Wilson), John Linnell of They Might Be Giants and Six Feet Under on their Graveyard Classics album of cover versions. Not long after, the Dead Kennedys had a second and bigger hit with "Holiday in Cambodia" from their debut album Fresh Fruit for Rotting Vegetables. Allmusic cites this song as "possibly the most successful single of the American hardcore scene"^[11] and Biafra counts it as his personal favorite Dead Kennedys song.^[12] Minor hits from the album included "Kill the Poor" (about potential abuse of the then-new neutron bomb) and a satirical cover of Elvis Presley's "Viva Las Vegas".

The Dead Kennedys received some controversy in the spring of 1981 over the single "Too Drunk to Fuck". The song became a big hit in Britain, and the BBC feared that it would manage to be a big enough hit to appear among the top 30 songs on the national charts, requiring a mention on Top of the Pops. However, the single peaked at number 31 in the charts.^[5]

Later albums also contained memorable songs, but with less popularity than the earlier ones. The EP In God We Trust, Inc. contained the song "Nazi Punks Fuck Off!" as well as "We've Got A Bigger Problem Now", a rewritten version of "California Über Alles" about Ronald Reagan. Punk musician and scholar Vic Bondi considers the latter song to be the song that "defined the lyrical agenda of much of hardcore music, and represented its break with punk".^[13] The band's most controversial album, Frankenchrist, brought with it the song "MTV Get Off the Air", which accused MTV of promoting poor quality music and sedating the public. The album also contained a controversial poster by Swiss surrealist artist H. R. Giger entitled Penis Landscape.

The Dead Kennedys toured widely during their career, starting in the late 1970s. They began playing mostly at southern Californian clubs (most notably the Whisky a Go Go), but eventually they moved to major clubs across the country, including CBGB in New York. Later, they played to larger audiences such as at the 1980 Bay Area Music Awards (where they played the notorious "Pull My Strings" for the only time), and headlined the 1983 Rock Against Reagan festival.^[14]

On May 7, 1994, people who believed Biafra was a "sell out" attacked him at the 924 Gilman Street club in Berkeley, California. Biafra claims that he was attacked by a man nicknamed Cretin, who crashed into him while moshing. The crash injured Biafra's leg, causing an argument between the two men. During the argument, Cretin pushed Biafra to the floor and five or six friends of Cretin assaulted Biafra while he was down, yelling "Sellout rock star, kick him", and attempting to pull out his hair.^[15] Biafra was later hospitalized with serious injuries.^[16] The attack derailed Biafra's plans for both a Canadian spoken-word tour and an accompanying album, and the production of Pure Chewing Satisfaction was halted. However, Biafra returned to the Gilman club a few months after the incident to perform a spoken-word performance as an act of reconciliation with the club.^[17]

Biafra has been a prominent figure of the Californian punk scene and was one of the founding members of the San Francisco hardcore punk community. Many later hardcore bands have cited the Dead Kennedys as a major influence.^[18] Hardcore punk author Steven Blush describes Biafra as hardcore's "biggest star" who was a "powerful presence whose political insurgence and rabid fandom made him the father figure of a burgeoning subculture [and an] inspirational force [who] could also be a real prick... Biafra was a visionary, incendiary [performer]."^[19]

After the Dead Kennedys disbanded, Biafra's new songs were recorded with other bands, and he released only spoken word albums as solo projects. These collaborations had less popularity than Biafra's earlier work. However, his song "That's Progress", originally recorded with D.O.A. for the album Last Scream of the Missing Neighbors, received considerable exposure when it appeared on the album Rock Against Bush, Vol. 1.

Obscenity prosecution[link]

In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC).^[20] In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist.^[21] In actuality, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.^[22]

Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle."^[23] Facing the possible sentence of a year in jail and a $2000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit made up of several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped.^{[citation needed]} The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances. His early spoken word albums focused heavily on the trial (especially in High Priest of Harmful Matter), which made him renowned for his anti-censorship stance.

Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). Whilst arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.

On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. The episode was about Guarino's change of opinion and the reconciliation between Guarino and Biafra.

Lawsuit by former band members and reunion activities[link]

In October 1998, former members of the Dead Kennedys sued Biafra for nonpayment of royalties. According to Biafra, the suit resulted from his refusal to allow one of the band's most well known singles, "Holiday in Cambodia", to be used in a commercial for Levi's Dockers; Biafra opposes Levi's because he believes that they use unfair business practices and sweatshop labor.^[24] The three former members claimed that their motive had nothing to do with advertising, and that they had filed suit because Biafra had denied them royalties and failed to promote their albums. Biafra maintained that he had never denied them royalties, and that he himself had not even received royalties for rereleases of their albums or "posthumous" live albums which had been licensed to other labels by the Decay Music partnership. Decay Music denied this charge and have posted what they say are his cashed royalty checks.^[25] Biafra also complained about the songwriting credits in new reissues and archival live albums of songs that Biafra claims he composed himself to the entire band. In May 2000, a jury found Biafra liable for fraud and malice and ordered him to pay $200,000, including $20,000 in punitive damages, to the band members.^[26] After an appeal by Biafra’s lawyers, in June 2003, the California Court of Appeal unanimously upheld all the conditions of the 2000 verdict against Biafra and Alternative Tentacles.^[27]

The other band members reunited in 2001 without Biafra under the name of "DK Kennedys" (later returning to the original band name), replacing Biafra first with Brandon Cruz, then with Jeff Penalty, and finally with Ron "Skip" Greer. Biafra himself has openly criticized his former bandmates' legal tactics and reunion tours, most notably in the song "Those Dumb Punk Kids (Will Buy Anything)", which he performed with The Melvins.

Other bands[link]

In 1988, Biafra, with Al Jourgensen and Paul Barker of the band Ministry, and Jeff Ward, formed Lard. The band became yet another side project for Ministry, with Biafra providing vocals and lyrics. According to a March 2009 interview with Jourgensen, he and Biafra are working on a new Lard album, which is being recorded in Jourgensen's El Paso studio.^[28] While working on the film Terminal City Ricochet in 1989, Biafra did a song for the film's soundtrack with D.O.A.. As a result, Biafra worked with D.O.A. on the album Last Scream of the Missing Neighbors. Biafra also worked with Nomeansno on the soundtrack, which led to their collaboration on the album The Sky Is Falling and I Want My Mommy the following year. Biafra also provided lyrics for the song "Biotech is Godzilla" for Sepultura's 1993 album Chaos A.D..

In 1999, Biafra and other members of the anti-globalization movement protested the WTO Meeting of 1999 in Seattle. Along with other prominent West Coast musicians, he formed the short-lived band the No WTO Combo to help promote the movement's cause. The band was originally scheduled to play during the protest, but the performance was canceled due to riots. The band performed a short set the following night at the Showbox in downtown Seattle (outside the designated area), along with the hiphop group Spearhead. No WTO Combo later released a CD of recordings from the concert, entitled Live from the Battle in Seattle.

As of late 2005, Biafra was performing with the band The Melvins under the name "Jello Biafra and the Melvins", though fans sometimes refer to them as "The Jelvins." Together they have released two albums, and have been working on material for a third collaborative release, much of which was premiered live at two concerts at the Great American Music Hall in San Francisco during an event called Biafra Five-O, commemorating Biafra's 50th birthday, the 30th anniversary of the founding of the Dead Kennedys, and the beginning of legalized same-sex marriage in California. Biafra is also working with a new band known as Jello Biafra and the Guantanamo School of Medicine, which includes Ralph Spight of Victims Family on guitar and Billy Gould of Faith No More on bass. This group debuted during Biafra Five-O.

In 2011, Biafra appeared in a singular concert event with an all-star cast of Southern musicians including members from Cowboy Mouth, Dash Rip Rock, Mojo Nixon and Down entitled, "Jello Biafra and the New Orleans Raunch & Soul All Stars" who performed an array of classic Soul covers to a packed house at the 12-Bar in New Orleans, Louisiana.^[29]

Alternative Tentacles[link]

In June 1979, Biafra co-founded the record label Alternative Tentacles, with which the Dead Kennedys released their first single, "California Über Alles".^[30] The label was created to allow the band to release albums without having to deal with pressure from major labels to change their music (although the major labels were not willing to sign the band due to their songs being deemed too controversial).^[31] After dealing with Cherry Red in the UK and IRS Records in the US for their first album Fresh Fruit for Rotting Vegetables, the band released all later albums (and later pressings of Fresh Fruit) on Alternative Tentacles (with the exception of live albums released after the band's break-up, which the other band members compiled from recordings in the band partnership's vaults without Biafra's input or endorsement)^{[citation needed]}. Biafra has been the owner of the company ever since its founding, though he does not receive a salary for his position (Biafra has referred to his position in the company as "absentee thoughtlord").^[12]

Biafra is an ardent collector of unusual vinyl records of all kinds, from 1950s and 1960s ethno-pop recordings by the likes of Les Baxter and Esquivel to vanity pressings that have circulated regionally, to German crooner Heino; he cites his always growing collection as one of his biggest musical influences. In 1993 he gave an interview to RE/Search Publications for their second Incredibly Strange Music book focusing primarily on these records. His heavy interest in such recordings (often categorized as outsider music) eventually led to his discovery of the prolific (and schizophrenic) singer/songwriter/artist Wesley Willis, whom he signed to Alternative Tentacles in 1994, preceding Willis' major label deal with American Recordings. His collection grew so large that on October 1, 2005, Biafra donated a portion of his collection to an annual yard sale co-promoted by Alternative Tentacles and held at their warehouse in Emeryville, California.^[32]

In 2006, along with Alternative Tentacles employee and The Frisk lead singer Jesse Luscious, Biafra began co-hosting The Alternative Tentacles Batcast, a downloadable podcast hosted by alternativetentacles.com. The show primarily focuses on interviews with artists and bands that are currently signed to the Alternative Tentacles label, although there are also occasional episodes where Biafra devoted the show to answering fan questions.

Spoken word[link]

Biafra in an appearance in Aarau, Switzerland

Biafra first became a spoken word artist in January 1986, starting with a performance at University of California, Los Angeles. In his performance he combined his sense of humor with his political beliefs, much in the same way that he did with the lyrics to his songs. Biafra has held this career since, but did not begin recording spoken word records until after the disbanding of the Dead Kennedys.

His ninth spoken word album, In the Grip of Official Treason, was released in October 2006.

Biafra was also featured in the British band Pitchshifter's song As Seen on TV reciting the words of dystopian futuristic radio advertisements.

Politics[link]

Mayoral campaign[link]

In the autumn of 1979, Biafra ran for mayor of San Francisco, using the Jell-O ad campaign catchphrase, "There's always room for Jello", as his campaign slogan. Having entered the race before creating a campaign platform, Biafra later wrote his platform on a napkin while attending a Pere Ubu concert where Dead Kennedy's drummer Ted told Biafra, "Biafra, you have such a big mouth that you should run for Mayor." As he campaigned, Biafra wore campaign T-shirts from his opponent Quentin Kopp's previous campaign and at one point vacuumed leaves off the front lawn of another opponent, current U.S. Senator Dianne Feinstein, to mock her publicity stunt of sweeping streets in downtown San Francisco for a few hours. He also made a whistlestop campaign tour along the BART line. Supporters committed equally odd actions; two well known signs held by supporters said "If he doesn't win I'll kill myself" and "What if he does win?"^[34]

In San Francisco any individual could legally run for mayor if a petition was signed by 1500 people or pay $1500. Biafra paid $900 and got signatures over time and eventually became a legal candidate, meaning he received statements put in voters pamphlets and equal news coverage.

His platform included unconventional points such as forcing businessmen to wear clown suits within city limits, erecting statues of Dan White (who assassinated Mayor George Moscone and City Supervisor Harvey Milk in 1978) all over town and allowing the parks department to sell eggs and tomatoes with which people could pelt them, hiring out of job workers, due to a tax initiative, to become pan handlers in wealthy neighborhoods (one being where Diannne Feinstein lives), and a citywide ban on cars (although the latter point was not considered completely outlandish by many voters at the time, as the city was suffering from serious pollution).^[31] Biafra has expressed irritation that these parts of his platform attained such notoriety, preferring instead to be remembered for serious proposals such as legalizing squatting in vacant, tax-delinquent buildings and requiring police officers to keep their jobs by running for election voted by the people of the neighborhoods they patrol.^[34]

He finished fourth out of a field of ten, receiving 3.79% of the vote (6,591 votes); the election ended in a runoff that did not involve him (Feinstein was declared the winner).

Presidential campaign[link]

Biafra discussing politics

In 2000, the New York State Green Party drafted Biafra as a candidate for the Green Party presidential nomination, and a few supporters were elected to the party's nominating convention in Denver, Colorado. Biafra chose death row inmate Mumia Abu-Jamal as his running mate. Despite the fact that his address to the convention was positively received, the party overwhelmingly chose Ralph Nader as the presidential candidate with 295 of the 319 delegate votes. Biafra finished in a second place tie with Stephen Gaskin; both received 10 votes.

Biafra, along with a camera crew (dubbed by Biafra as "The Camcorder Truth Jihad"), later reported for the Independent Media Center at the Republican and Democratic conventions. Biafra detailed these events in his album Become The Media, which has resulted in his being credited with coining the slogan "Don't hate the media, become the media". Indymedia and related alternative media often use this line, or the now more apt "Don't hate the media, be the media."

Post-2000[link]

After losing the 2000 nomination, Jello became highly active in Ralph Nader's presidential campaign, as well as in 2004 and 2008.

During the 2008 campaign Jello played at rallies^[35] and answered questions for journalists in support of Ralph Nader. After Barack Obama won the general election, Jello wrote an open letter making suggestions on how to run his term as president.^[36]

Boycott of Israel[link]

In the summer of 2011 Jello Biafra and his band were scheduled to play at the Barby Club in Tel Aviv. They came under heavy pressure by the pro-Palestinian Boycott, Divestment and Sanctions (BDS) campaign, and finally decided to cancel the gig – after a debate which according to Biafra "deeply tore at the fabric of our band (,,,) This whole controversy has been one of the most intense situations of my life - and I thrive on intense situations". Biafra then decided to travel to Israel and the Palestinian Occupied Territories, at his own expense, and talk with Israeli and Palestinian activists as well as with fans disappointed at his cancellation. In the article stating his conclusions he wrote: "I will not perform in Israel unless it is a pro-human rights, anti-occupation event that does not violate the spirit of the boycott. Each artist must decide this for themselves. I am staying away for now, but am also really creeped out by the attitudes of some of the boycott hardliners, and hope someday to find a way to contribute something positive here. I will not march or sign on with anyone who is more interested in making threats than making friends.

"I do not regret speaking out. It has been quite a learning experience along the way. I can't very well shut up now. It's as if I've been covered with someone else's chewing gum, and I'll never be able to scrape it all off. As my friend said, "it gets in your blood" - and it has definitely gotten in mine.

I loved Tel Aviv, and Jerusalem was hardly the "dead city" at night that some Tel Aviv hipsters claim it is. I want to go back. I want to play. But I, too, am as sickened as the next person that not all the cool people I met in the West Bank can cross into Israel and enjoy Tel Aviv - or even worship in Jerusalem. That unnecessary checkpoints prevent them from reaching their farms, schools or even hospitals. Forty-four years of brutal occupation has done no more to solve the problem than the United States has accomplished in its War on Drugs. You can't just keep almost four million people in prison." ^[37]

Personal life[link]

Biafra married Therese Soder, aka Ninotchka, lead singer of San Francisco-area punk band The Situations on October 31, 1981.^[38] The wedding was conducted by Flipper vocalist/bassist Bruce Loose, who became a Universal Life Church minister just to conduct the ceremony, which took place in a graveyard.^[39] The wedding reception, which members of Flipper, Black Flag, and D.O.A. attended, was held at director Joe Rees' Target Video studios.^[40] The marriage ended in 1986.

Musical samples[link]

	I Wanna Be A Drug Sniffing Dog noicon "I Wanna Be A Drug Sniffing Dog" by Lard from Pure Chewing Satisfaction Ban Everything noicon "Ban Everything" by Jello Biafra from Beyond the Valley of the Gift Police Yuppie Cadillac noicon "Yuppie Cadillac" by Jello Biafra and the Melvins from Never Breathe What You Can't See Full mp3 file from Alternative Tentacles' website
Problems listening to these files? See media help.

Partial discography[link]

For a more complete list, see the Jello Biafra discography.

Dead Kennedys[link]

• 1980 - Fresh Fruit for Rotting Vegetables
• 1981 - In God We Trust, Inc.
• 1982 - Plastic Surgery Disasters
• 1985 - Frankenchrist
• 1986 - Bedtime for Democracy
• 1987 - Give Me Convenience OR Give Me Death

Spoken word[link]

• 1987 - No More Cocoons
• 1989 - High Priest of Harmful Matter: Tales From the Trial
• 1991 - I Blow Minds for a Living
• 1994 - Beyond the Valley of the Gift Police
• 1998 - If Evolution Is Outlawed, Only Outlaws Will Evolve
• 2000 - Become the Media
• 2002 - The Big Ka-Boom, Pt. 1
• 2002 - Machine Gun in the Clown's Hand
• 2006 - In the Grip of Official Treason

Lard[link]

• 1989 - The Power of Lard
• 1990 - I Am Your Clock
• 1990 - The Last Temptation of Reid
• 1997 - Pure Chewing Satisfaction
• 2000 - 70's Rock Must Die

Jello Biafra and the Guantanamo School of Medicine[link]

• 2009 - The Audacity of Hype
• 2011 - Enhanced Methods of Questioning

Collaborations[link]

• 1990 - Supernaut with 1000 Homo DJs - "Hey Asshole" (credited as Count Ringworm)
• 1990 - Last Scream of the Missing Neighbors with D.O.A.
• 1990 - In Case You Didn't Feel Like Showing Up by Ministry (appears on the video release where he recites his own version of the Pledge of Allegiance)
• 1991 - The Sky is Falling and I Want My Mommy with Nomeansno
• 1991 - Tumor Circus with Steel Pole Bath Tub by Tumor Circus
• 1992 - Body Count with Body Count - "Freedom of Speech"
• 1993 - Chaos A.D. with Sepultura - "Biotech Is Godzilla" (credited on the lyrics)
• 1994 - Prairie Home Invasion with Mojo Nixon
• 1995 - Raza Odiada with Brujeria - "Raza Odiada (Pito Wilson)" (as the voice of Pete Wilson)
• 1997 - Helter Skelter with The D.O.C. - "Secret Plan"
• 1997 - Ixnay on the Hombre with The Offspring - "Disclaimer"
• 1998 - Every Home a Prison with Coldcut
• 2000 - Deviant with Pitchshifter - "As Seen on T.V."
• 2000 - Live from the Battle in Seattle with No WTO Combo
• 2001 - Nation with Sepultura - "Politricks"
• 2004 - Never Breathe What You Can't See with The Melvins (credited on the inner sleeve as Osama McDonald)
• 2005 - The Code Is Red...Long Live the Code with Napalm Death - "The Great and the Good"
• 2005 - Sieg Howdy! with The Melvins (credited on the inner sleeve as J Lo)
• 2005 - 13 Ft. and Rising with Throw Rag - "Children of the Secret State"
• 2005 - Hell's Winter with Cage - "Grand Ol' Party Crash" (credited on the Cage as the voice of George W. Bush)
• 2006 - J'Irai Chier dans Ton Vomi with Métal Urbain
• 2006 - Cocked and Loaded with Revolting Cocks - "Dead End Streets" and "Viagra Culture"
  (credited on the inner sleeve as Jello Biafra as well as all of his former stage names including Occupant, Smegma Pigvomit, Osama McDonald, and J Lo)
• 2006 - Rio Grande Blood with Ministry - "Ass Clown"
• 2007 - Deadline with Leftöver Crack - "Baby-Punchers"
• 2008 - Everybody Make Some Noise! with The A.K.A.s
• 2009 - All Sewn Up: A Tribute to Patrik Fitzgerald with Motorpsycho - "Punch"
• 2009 - That's So Gay with Pansy Division - "Average Men"

Filmography[link]

• 1977 - This Is America, Pt. 2
• 1978 - Massacre at Central High
• 1981 - Urgh! A Music War
• 1983 - Anarchism in America
• 1986 - Lovedolls Superstar, directed by Dave Markey
• 1987 - Household Affairs, directed & filmed by Allen Ginsberg
• 1988 - Tapeheads, directed by Bill Fishman
• 1990 - Terminal City Ricochet
• 1991 - Highway 61, directed by Bruce McDonald
• 1994 - Skulhedface, directed by Melanie Mandl
• 1997 - Mary Jane's Not a Virgin Anymore, directed by Sarah Jacobson
• 1999 - The Widower
• 1999 - Virtue
• 2001 - Plaster Caster
• 2002 - Bikini Bandits, directed by Steve and Peter Grasse
• 2004 - Death and Texas
• 2004 - Punk: Attitude
• 2005 - We Jam Econo: The Story Of The Minutemen
• 2006 - Punk's Not Dead, directed by Susan Dynner
• 2006 - Whose War?, directed by Donald Farmer
• 2007 - American Drug War: The Last White Hope, directed by Kevin Booth
• 2008 - Nerdcore Rising, directed by Negin Farsad
• 2009 - Open Your Mouth And Say Mr.Chi Pig, directed by Sean Patrick Shaul
• 2010 - A Man Within, directed by Yony Leyser

References and footnotes[link]

External links[link]

Wikimedia Commons has media related to: Jello Biafra

Wikiquote has a collection of quotations related to: Jello Biafra

• Jello Biafra at the Internet Movie Database
• Jello Biafra at AllRovi
• Biafra's label Alternative Tentacles

Republic of Biafra
Unrecognized state
← 1967–1970 →
Flag
Motto Peace, Unity, Freedom
Anthem Land of the Rising Sun
Green: Republic of Biafra Light green: Republic of Benin, a Biafran puppet state
Capital	Enugu
Language(s)	English (official), Igbo (also Ibo), Efik/Annang/Ibibio, Ekoi
Government	Republic
President	Chukwuemeka Odumegwu Ojukwu
Historical era	Cold War
- Established	30 May 1967
- Rejoins Federal Nigeria	15 January 1970
Area
- 1967	77,306 km2 (29,848 sq mi)
Population
- 1967 est.	13,500,000
Density	174.6 /km2  (452.3 /sq mi)
Currency	Biafran pound
[1]

Biafra, officially the Republic of Biafra, was a secessionist state in south-eastern Nigeria that existed from 30 May 1967 to 15 January 1970, taking its name from the Bight of Biafra (the Atlantic bay to its south).^[2] The inhabitants were mostly the Igbo people who led the secession due to economic, ethnic, cultural and religious tensions among the various peoples of Nigeria. The creation of the new country was among the complex causes for the Nigerian Civil War, also known as the Nigerian-Biafran War.

Land of the Rising Sun was chosen for Biafra's national anthem, and the state was formally recognised by Gabon, Haiti, Ivory Coast, Tanzania and Zambia. Other nations which did not give official recognition but which did provide support and assistance to Biafra included Israel, France, Portugal, Rhodesia, South Africa and the Vatican City.^[3] Biafra also received aid from non-state actors, including Joint Church Aid, Holy Ghost Fathers of Ireland, Caritas International, MarkPress and U.S. Catholic Relief Services.^[3]

After two-and-a-half years of war, during which a million civilians had died in fighting and from famine, Biafran forces agreed to a ceasefire with the Nigerian Federal Military Government (FMG), and Biafra was reintegrated into Nigeria.^[4]

History[link]

Secession[link]

In 1960, Nigeria became independent of the United Kingdom.^[5] As with many other new African states, the borders of the country did not reflect earlier ethnic boundaries. Thus the northern desert region of the country contained semi-autonomous feudal Muslim states, while the southern population was predominantly Christian and Animist. Furthermore, Nigeria's oil, its primary source of income, was located in the south of the country.^[5]

Following independence, Nigeria was divided primarily along ethnic lines with Hausa and Fulani in the north, Yoruba in the south-west, and Igbo in the south-east.^[5] In January 1966, a group of primarily eastern Igbo led a military coup during which 30 political leaders including Nigeria's Prime Minister, Sir Abubakar Tafawa Balewa and the Northern premier, Sir Ahmadu Bello were killed.^[6][7][8]

In July 1966 northern officers and army units staged a counter-coup. Muslim officers named a Christian from a small ethnic group (the Anga) in central Nigeria, General Yakubu "Jack" Gowon, as the head of the Federal Military Government (FMG). The two coups deepened Nigeria's ethnic tensions. In September 1966, approximately 30,000 Igbo were killed in the north, and some Northerners were killed in backlashes in eastern cities.^[9]

In January 1967, the military leaders and senior police officials of each region met in Aburi, Ghana and agreed on a loose confederation of regions. The Northerners were at odds with the Aburi Accord; Obafemi Awolowo, the leader of the Western Region warned that if the Eastern Region seceded, the Western Region would also, which persuaded the northerners.^[9]

After the federal and eastern governments failed to reconcile, on 26 May the Eastern region voted to secede from Nigeria. On 30 May, Chukwuemeka Odumegwu Ojukwu, the Eastern Region's military governor, announced the Republic of Biafra, citing the Easterners killed in the post-coup violence.^[5][9] The large amount of oil in the region created conflict, as oil was a major component of the Nigerian economy.^[11] The Eastern region was very ill equipped for war, out-manned, and out-gunned by the military of the remainder of Nigeria. Their advantages included fighting in their homeland, support of most Easterners, determination, and use of limited resources.^[12] The British, Soviet Union, and U.S. support (especially militarily) of the Nigerian government played a major role in the outcome of the war.^[13]

War[link]

Roundel of the Biafran Air Force.

The FMG launched "police measures" to annexe the Eastern Region on 6 July 1967. The FMG's initial efforts were unsuccessful; the Biafrans successfully launched their own offensive, taking land in the Mid-Western Region August 1967. By October 1967, the FMG had regained the land after intense fighting.^[9][14]

In September 1968, the federal army planned what Gowon described as the "final offensive." Initially the final offensive was neutralised by Biafran troops. In the latter stages, a Southern FMG offensive managed to break through the fierce resistance.^[9]

On 30 June 1969, the Nigerian government banned all Red Cross aid to Biafra; two weeks later it allowed medical supplies through the front line, but restricted food supplies.^[14] Later in October 1969, Ojukwu appealed to United Nations to mediate a cease-fire. The federal government called for Biafra's surrender. In December, the FMG managed to cut Biafra in half, primarily by the efforts of 3 Marine Commando Division of the Nigerian Army, led by then Colonel Benjamin Adekunle, popularly called 'The Black Scorpion' and later Olusegun Obasanjo. Ojukwu fled to the Ivory Coast, leaving his chief of staff, Philip Effiong, to act as the "officer administering the government". Effiong called for a cease-fire 12 January and submitted to the FMG.^[9] More than one million people had died in battle or from starvation.^[15][16] Biafra was reabsorbed into Nigeria.

Geography[link]

Enclosed in Biafra's borders were over 29,848 square miles (77,310 km²) of land;^[1] the land borders were shared with Nigeria to the north and Cameroon to the east. Its coast was on the Gulf of Guinea in the south.

The former country's southeast borders the Benue Hills and mountains that lead to Cameroon.

Two rivers flow from Biafra into the Gulf of Guinea: the Cross River and the Niger River.^[17]

Climate[link]

Biafra has a tropical climate with two distinct seasons, dry and rainy. From April to October the rainy season takes place, with heavy rain and high humidity. The heaviest rain occurs between June and July with up to 360 mm (14 in) of rain level. The temperature of the region on a clear day is 30 degrees Celsius (86 degrees Fahrenheit) high and 22 degrees Celsius (71.6 degrees Fahrenheit) low. The dry season starts in November and ends in April. The lowest rain level 16 mm (0.63 in) in February. The temperature at night reaches 20 °C (68 °F) and in the day has a peak temperature of 36 °C (96.8 °F).^[18]

Language[link]

The predominant language of Biafra was Igbo.^[19] Along with Igbo there were a variety of other different languages, including Efik and Ibibio.

Economy[link]

Biafran pound

An early institution created by the Biafran government was the Bank of Biafra, accomplished under ‘Decree No. 3 of 1967'.^[20] The bank carried out all central banking functions including the administration of foreign exchange and the management of the public debt of the Republic.^[20] The bank was administered by a governor and four directors; the first governor, who signes on bank notes, was Sylvester Ugoh.^[21] A second decree, ‘Decree No.4 of 1967’, modified the Banking Act of the Federal Republic of Nigeria for the Republic of Biafra.^[20]

The bank was first located in Enugu, but due to the ongoing war, the bank was relocated several times.^[20] Biafra attempted to finance the war through foreign exchange. After Nigeria announced their currency would no longer be legal tender (to make way for a new currency), this effort increased. After the announcement, tons of Nigerian bank notes were transported in an effort to acquire foreign exchange. The currency of Biafra had been the Nigerian pound, until the Bank of Biafra started printing out its own notes, the Biafran pound.^[20] The new currency went public on 28 January 1968, and the Nigerian pound was not accepted as an exchange unit.^[20] The first issue of the bank notes included only 5 shillings notes and 1 pound notes. The Bank of Nigeria exchanged only 30 pounds for an individual and 300 pounds for enterprises in the second half of 1968.^[20]

In 1969 new notes were introduced: £10, £5, £1, 10/- and 5/-.^[20]

It is estimated that a total of £115–140 million Biafran pounds were in circulation by the end of the conflict, with a population of about 14 million, approximately £10 per person.^[20]

Military[link]

At the beginning of the war Biafra had 3,000 troops, but at the end of the war the troops totalled 30,000.^[22] There was no official support for the Biafran army by another nation throughout the war, although arms were clandestinely acquired. Because of the lack of official support, the Biafrans manufactured many of their weapons locally. A number of Europeans served in the Biafran cause; German born Rolf Steiner was a Lt. Colonel assigned to the 4th Commando Brigade and Welshman Taffy Williams served as a Major until the very end of the conflict.^[23]

The Biafrans managed to set up a small yet effective air force. The BAF commanders were Chude Sokey and later Godwin Ezeilo, who had trained with the Royal Canadian Air Force.^[24] Early inventory included two B-25 Mitchells, one B-26 Invader (piloted by Polish pilot Jan Zumbach, known also as John Brown), a converted DC-3 and one Dove. In 1968 the Swedish pilot Carl Gustaf von Rosen suggested the MiniCOIN project to General Ojukwu. By the spring of 1969, Biafra had assembled five MFI-9Bs in Gabon, calling them "Biafra Babies". They were coloured green, were able to carry six 68 mm anti-armour rockets under each wing and had simple sights. The six aeroplanes were flown by three Swedish pilots and three Biafran pilots. In September 1969, Biafra acquired four ex-Armee de l'Air North American T-6Gs, which were flown successfully to Biafra the following month, with another aircraft lost on the ferry flight. These aircraft flew missions until January 1970, flown by Portuguese ex-military pilots.^[24]

Legacy[link]

A child suffering the effects of severe hunger and malnutrition during the Nigerian blockade

The international humanitarian organisation Médecins Sans Frontières ("Doctors Without Borders") came out of the suffering in Biafra. During the crisis, French medical volunteers, in addition to Biafran health workers and hospitals, were subjected to attacks by the Nigerian army and witnessed civilians being murdered and starved by the blockading forces. French doctor Bernard Kouchner also witnessed these events, particularly the huge number of starving children, and, when he returned to France, he publicly criticised the Nigerian government and the Red Cross for their seemingly complicit behaviour. With the help of other French doctors, Kouchner put Biafra in the media spotlight and called for an international response to the situation. These doctors, led by Kouchner, concluded that a new aid organisation was needed that would ignore political/religious boundaries and prioritise the welfare of victims.^[25]

In their book, Smallpox and its Eradication, Fenner and colleagues describe how vaccine supply shortages during the Biafra smallpox campaign led to the development of the focal vaccination technique, later adopted worldwide by the World Health Organization, which led to the early and cost effective interruption of smallpox transmission in west Africa and elsewhere.

On 29 May 2000, the Lagos Guardian newspaper reported that the now ex-president Olusegun Obasanjo commuted to retirement the dismissal of all military persons who fought for the breakaway state of Biafra during Nigeria's 1967–1970 civil war. In a national broadcast, he said the decision was based on the belief that "justice must at all times be tempered with mercy".^[26]

Violence between Christians and Muslims (usually Igbo Christians and Hausa or Fulani Muslims) has been incessant since the end of the civil war in 1970.^{[citation needed]}

In July 2006 the Center for World Indigenous Studies reported that government sanctioned killings were taking place in the southeastern city of Onitsha, because of a shoot-to-kill policy directed toward Biafran loyalists, particularly members of the Movement for the Actualization of the Sovereign State of Biafra (MASSOB).^[27][28]

In 2010, researchers from Karolinska Institutet in Sweden and University of Nigeria, Nsukka, showed that Igbos born in Biafra during the years of the famine were of higher risk of suffering from overweight, hypertension and impaired glucose metabolism compared to controls born a short period after the famine had ended. The findings are in line with the developmental origin of health and disease hypothesis suggesting that malnutrition in early life is a predisposing factor for cardiovascular diseases and diabetes later in life.^[29][30]

Movement to re-secede[link]

The Movement for the Actualization of the Sovereign State of Biafra (MASSOB) advocates a separate country for the Igbo people of south-eastern Nigeria.^[16] They accuse the state of marginalising the Igbo people. MASSOB says it is a peaceful group and advertises a 25-stage plan to achieve its goal peacefully.^[31] there are two arms to the government, the Biafra Government in Exile and Biafra Shadow Government.^[32] The Nigerian government accuses MASSOB of violence; MASSOB's leader, Ralph Uwazuruike, was arrested in 2005 and is being detained on treason charges; MASSOB is calling for his release. MASSOB is also championing the release of oil militant Mujahid Dokubo-Asari, who is facing similar charges.^[16] In 2009, The MASSOB launched "the Biafran International Passport" in response to persistent demand by Biafrans in diaspora.^[33]

Meaning of "Biafra" and location[link]

Little is known about the literal meaning of the word Biafra. It is not part of the Igbo language. It is unclear whether the origin of the word Biafra has any relationship to "Bia", the Igbo word for "Come". The word Biafra most likely derives from the subgroup Biafar or Biafada^[34] of the Tenda ethnic group who reside primarily in Guinea-Bissau.^[35] Manuel Álvares (1526–1583), a Portuguese Jesuit educator, in his work "Ethiopia Minor and a geographical account of the Province of Sierra Leone", writes about the "Biafar heathen" in chapter 13 of the same book.^[36] The word Biafar thus appears to have been a common word in the Portuguese language back in the 16th century.

Historical maps[link]

Early modern maps of Africa from the 15th–19th centuries, drawn by European cartographers from accounts written by explorers and travellers, reveal some interesting information about Biafra:

1. The original word used by the European travellers was not Biafra but Biafara,^[37][38] Biafar^[39] and sometimes also Biafares.^[40]
2. The exact original region of Biafra is not restricted to Eastern Nigeria alone. According to the maps, the European travellers used the word Biafara to describe the entire region east of River Niger going down to the Mount Cameroon region, thus including Cameroon and a large area around Gabon. The word Biafara also appears on maps from the 18th century in the area around Gambia.^[41]

Maps indicating the word Biafara (sometimes also Biafares or Biafar) with corresponding year:

• 1662
• 1660
• 1707
• 1729

Maps from the 19th century indicating Biafra as the region around today's Cameroon:

• 1843
• Additional maps from the Michigan State University Map Collection

See also[link]

	Igbo portal
	Nigeria portal

• Land of the Rising Sun (national anthem)
• List of A-26 Invader operators
• Manillas
• Nigerian Civil War
• Movement for the Actualization of the Sovereign State of Biafra
• Radio Northsea International
• Ambazonia
• Chimamanda Ngozi Adichie: Half of a Yellow Sun
• Rolf Steiner
• Taffy Williams
• Postage stamps and postal history of Biafra
• Yorùbáland

References[link]

External links[link]

Wikimedia Commons has media related to: Biafra

• My Biafran Eyes – Writer Okey Ndibe's memoir of the Biafran War in Guernica
• These Women Are Brave – A project on Igbo women's experiences during the Biafran war.
• Remember Biafra Page [1] – A brief history on the Republic and conflict
• Insight guide into Igboland

v t e Biafra topics History (Chronological order) 1966 anti-Igbo pogrom Nigeria-Biafra War Ahiara Declaration Republic of Benin Unholy Alliance (geopolitical) Geography Capital(s): Enugu, Umuahia Eastern Nigeria Politicians Chukwuemeka Odumegwu Ojukwu Philip Effiong Ethnic groups Igbo Ijaw Ibibio Efik Ekoi Annang Society Land of the Rising Sun (national anthem) Biafran pound Flag of Biafra MASSOB

Coordinates: 6°27′N 7°30′E / 6.45°N 7.5°E / 6.45; 7.5

Tipper Gore
Second Lady of the United States
In office January 20, 1993 – January 20, 2001
Preceded by	Marilyn Tucker Quayle
Succeeded by	Lynne Cheney
Personal details
Born	Mary Elizabeth Aitcheson (1948-08-19) August 19, 1948 (age 63) Washington, D.C., U.S.
Political party	Democratic
Spouse(s)	Al Gore (1970-2010; separated)[1]
Children	Karenna, Kristin, Sarah, Albert III
Occupation	Author, photographer
Religion	Episcopalian

Mary Elizabeth "Tipper" Gore (née Aitcheson; born August 19, 1948) is an author, photographer, former second lady of the United States, and the estranged wife of Al Gore. She is known for her role in the Parents Music Resource Center criticizing record covers featuring "profane language", especially in the heavy metal and rap genres.

Background[link]

Born Mary Elizabeth Aitcheson in Washington, D.C., Tipper Gore is the daughter of John Kenneth "Jack" Aitcheson, Jr., a plumbing-supply entrepreneur, and his first wife, Margaret Ann (née Carlson) Odom (who lost her first husband during World War II). Her nickname, Tipper, derives from the lullaby "Tippy, Tippy, Tin",^[2] originally sung in the 1940 Our Gang short "All About Hash" by child actress Janet Burston. Her ancestry includes English, Scottish, German, and Swedish.^[3][4] Gore grew up in Arlington, Virginia. Her parents divorced and she was raised by her mother and grandmother.

She attended St. Agnes (now St. Stephen's & St. Agnes School), a private Episcopal school in Alexandria, Virginia, where she excelled in athletics and played the drums for an all-girl band, The Wildcats.^[2]

She met Gore at his senior prom in 1965. Although she came to the prom with one of his classmates, Gore and Tipper began to date immediately afterwards.^[5] When Gore began attending Harvard University, she enrolled in Garland Junior College (now part of Simmons College) and later transferred to Boston University, receiving her B.A. in psychology in 1970.^[6][7] Gore pursued a master's degree in psychology from George Peabody College, graduating in 1975.^[8] She then worked part-time as a newspaper photographer until her husband was elected to the U.S. Congress in 1976. In 1982, she resumed her photography career, working part-time for^[9] Quarante Magazine (1982–1985) published by Kathleen Katz of Arlington.^[2]

On May 19, 1970, she and Gore were married at the Washington National Cathedral.^[10][11] She has four children: Karenna Aitcheson Gore Schiff^[12] (born on August 6, 1973), Kristin Carlson Gore^[13] (born on June 5, 1977), Sarah LaFon Gore^[13] (born on January 7, 1979), and Albert Gore III (born on October 19, 1982).^[14] A longtime family friend of Al and Tipper Gore confirmed on June 1, 2010, that the Gores had sent out an e-mail to family friends announcing that they had made a mutual decision to separate.^[15]

Al and Tipper Gore's wedding day, May 19, 1970 at the Washington National Cathedral

Author[link]

Tipper Gore is the author of a number of books including:

• Raising PG Kids in an X-Rated Society, 1987, ISBN 0-687-35282-7
• Picture This: A Visual Diary, 1996, ISBN 0-553-06720-6
• From the Bottom of Our Hearts, 2002, ISBN 1-931718-32-6 (introduction)
• Joined at the Heart: The Transformation of the American Family, 2002, ISBN 0-8050-7450-3, (with Al Gore)
• The Spirit of Family, 2002, ISBN 5-550-15167-7 (with Al Gore)

Politics and activism[link]

From left: Bill Clinton, Tipper Gore, Al Gore and Hillary Clinton

In 1985, she co-founded the Parents Music Resource Center (PMRC) with Susan Baker, wife of then United States Secretary of the Treasury James Baker, because Tipper heard her then 11-year-old daughter playing "Darling Nikki" by Prince. According to an article by NPR, Gore went "before Congress to urge warning labels for records marketed to children."^[16] Tipper explained that her purpose wasn't to put a "gag" on music but, to keep it safe for younger listeners. A number of individuals including Dee Snider of Twisted Sister,^[17] Jello Biafra of the Dead Kennedys, John Denver,^[18] Joey Ramone and Frank Zappa^[16] criticized the group, arguing that it was a form of censorship. In response, NPR further stated that according to Gore, she "wasn't out to censor the objectionable material" and quoted her as stating that she is "a strong believer in the First Amendment" who is calling for greater "consumer information in the marketplace."^[16] Gore resigned from the group in 1992 when she became Second Lady.^[18]

She was actively involved in her husband's presidential campaign in 2000, making numerous campaign stops nationwide such as at Chicago's Taste of Polonia over Labor Day Weekend where she appeared along with Hadassah Lieberman.^[19][20]

In 2002, Tipper was urged by her supporters to run for the vacant U.S. Senate seat her husband once held in Tennessee, which was being vacated by Fred Thompson. However, she declined.^[21]

In 2003, Gore spoke at the "Erasing the Stigma Awards" about her experience with depression after her son, Al Gore III, was hit by a car when he was a young child.^[22]

References[link]

External links[link]

• Tipper Gore Photography
• Official White House homepage (archived)
• Early version of official White House homepage, 1994
• Warm and personable wins points with public - Tipper Gore (1996)
• Biography - Frontline
• Biography
• Tipper Gore and Family Values - NPR
• Tipper Gore speaks at the Democratic National Convention, 1996
• The Women Who Made Al Gore

v t e Second Ladies of the United States Abigail Adams Ann Gerry Hannah Minthorne Tompkins Floride Calhoun Letitia Christian Tyler Sophia Dallas Abigail Fillmore Mary Cyrene Burch Breckinridge Ellen Vesta Emery Hamlin Eliza Johnson Ellen Maria Colfax Eliza Hendricks Anna Morton Letitia Stevenson Jennie Tuttle Hobart Edith Roosevelt Cornelia Cole Fairbanks Carrie Babcock Sherman Lois Irene Marshall Grace Coolidge Caro Dawes Mariette Rheiner Garner Ilo Wallace Bess Truman Jane Hadley Barkley Pat Nixon Lady Bird Johnson Muriel Humphrey Judy Agnew Betty Ford Happy Rockefeller Joan Mondale Barbara Bush Marilyn Quayle Tipper Gore Lynne Cheney Jill Biden

v t e Al Gore Family Tipper Gore (wife, separated) Karenna Gore Schiff (daughter) Kristin Gore (daughter) Albert Gore, Sr. (father) Pauline LaFon Gore (mother) Politics Electoral history Atari Democrat United States Senate elections, 1984 Prevention of Genocide Act of 1988 United States Senate elections, 1990 1988 presidential campaign Vice Presidency 2000 presidential campaign Environment Global Marshall Plan Environmental activism Alliance for Climate Protection An Inconvenient Truth Live Earth Technology Role in information technology High Performance Computing and Communication Act of 1991 National Information Infrastructure Information superhighway The Superhighway Summit 24 Hours in Cyberspace NetDay Digital Earth Current TV Recognition Awards and honors Books Earth in the Balance An Inconvenient Truth The Assault on Reason Our Choice

This article has multiple issues. Please help improve it or discuss these issues on the talk page. It needs additional citations for verification. Tagged since January 2009. Its lead section may not adequately summarize its contents. Please consider expanding the lead to provide an accessible overview of the article's key points. Tagged since December 2011. It may contain improper references to self-published sources. Tagged since December 2011.

Wesley Willis
Willis in 2000
Background information
Birth name	Wesley Lawrence Willis
Born	(1963-05-31)May 31, 1963
Origin	Chicago, Illinois
Died	August 21, 2003(2003-08-21) (aged 40)
Genres	Outsider music, electronic, punk rock, alternative
Instruments	vocals, keyboards
Years active	1976–2003 (as artist) 1989–2003 (as musician)
Labels	Alternative Tentacles, American Recordings
Associated acts	Wesley Willis Fiasco Monster Voodoo Machine
Website	Wesley Willis on Alternative Tentacles

Wesley Willis (May 31, 1963 – August 21, 2003) was a musician and artist from Chicago.^[1][2] A diagnosed chronic schizophrenic,^[1][2] he gained an enormous cult following in the 1990s after releasing several hundred songs of simple but unique music, with emphasis on his humorous, bizarre, and frequently obscene lyrics.^[3] In addition to his large body of solo musical work, Willis fronted the punk rock band the Wesley Willis Fiasco.^[2] He was also a visual artist long before his forays into music, and produced hundreds of intricate, unusual, colored ink-pen drawings,^[2] most of them of Chicago streetscapes and CTA buses.^[3]

Life[link]

Willis was born in Chicago, Illinois on May 31, 1963. In 1989, Willis began hearing what he called "demons" and was diagnosed with paranoid schizophrenia. He was institutionalized for two months after his diagnosis. He often mentioned that his demons were named "Heartbreaker", "Nervewrecker", and "Meansucker". He called his psychotic episodes "hell rides", and alternatively, he declared rock and roll to be "the joy ride music".

Willis sold ink pen drawings of the Chicago cityscape on the street. In The Daddy of Rock 'N' Roll, Steve Albini tells an anecdote about how Willis was in one train station drawing a detailed picture of a different train station from memory. These works of outsider art appear on the covers of his albums. Willis joined musicians from the city's alternative rock scene to form the hard rock band The Wesley Willis Fiasco. Willis created a fervor in the Chicago music scene and soon caught the attention of American Recordings, an independent label distributed by The Warner Group.

In early 1994, Willis recorded with the Canadian industrial-metal band Monster Voodoo Machine and appeared on their Juno Award winning debut album Suffersystem (RCA Records). In 1995, Willis was signed as a solo musician to American Recordings and went on to record two albums while producing dozens of other albums independently, becoming a minor novelty rock sensation. He toured frequently, was profiled on MTV and was a guest on The Howard Stern Show on September 26, 1996 where he played nearly identical songs about Baba Booey and Howard Stern.

Rock critic and Okkervil River frontman Will Sheff wrote that Willis' "[P]eriodic appearances for crowds of jeering white fratboys evoke an uncomfortable combination of minstrel act and traveling freak show." ^[4] Conversely, guitarist Scott Anthony, who toured with Willis in 1998, said "It's not frat boys coming to his shows and making fun of him; it's punk rock kids who appreciate that he sings stuff people are thinking." Willis was known for greeting people with a friendly headbutt, resulting in the notable callus on his forehead.

On August 21, 2003, Willis died due to complications from chronic myelogenous leukemia in Skokie, Illinois. He was 40 years old. A memorial service for him was held on August 27, in Chicago.^[1]

Hellride[link]

"Hellride" is the term used by Willis to describe his encounters with "demons"^[5], which occurred mainly on the CTA bus lines in Chicago.^{[citation needed]} Willis, diagnosed with paranoid schizophrenia, often claimed that demons were trying to ruin his "Harmony Joy Music" or "Joy Rides".^[1][5] Willis also used the term to describe general harassment: In one of his songs he says, "He gave me a yelldown warhellride." When asked about the demons or Hellrides, Willis would often comment that he was trying to "stay the hell out of prison" by "not hitting people in the street with bricks." In several songs, both terms are used openly. One of Willis' songs is entitled "I Deserve a Warhellride".

Song style and structure[link]

The Wesley Willis Fiasco songs were essentially punk rock songs with Willis howling his obscene, absurd rants as lyrics. Some called it exploitation; others dubbed it "savant-garde." The Wesley Willis Fiasco recorded at least three cover songs: Thin Lizzy's "Jailbreak",^[6] Pure Prairie League's "Amie", and Duran Duran's "Girls on Film", the last of which was recorded for a 1997 Duran Duran tribute album. Another song by the Wesley Willis Fiasco, "The Bar Is Closed", recreates a section of Rush's "Tom Sawyer"; the song "Casper the Homosexual Friendly Ghost" does the same with Van Halen's "Jamie's Cryin'".

After the Fiasco broke up, Willis' popularity increased markedly. As a solo artist, Willis created more than 50 albums, each with over 20 tracks, full of bizarre, tense, and often obscene rants about crime, fast food, cultural trends, bus routes, violent confrontations with superheroes, commands for his "demons" to engage in bestiality (in The Daddy of Rock 'N' Roll, Willis explained that these songs (e.g. "Drink a Camel's Cum, Suck a Cheetah's Dick") would "gross out" the demons enough to leave him alone), and praise for his favorite actors, friends (both platonic and romantic), politicians, and hip-hop and rock artists. Songs about rock artists were usually confined to describing a show performed by the band that Willis had attended or opened for, recycling key phrases such as "The crowd roared like a lion," "A lot of people met the band," "The band got down like a Magikist," and the opening couplet "This band played the [venue of appearance] / About [number] people were at the show," as well as uses of the phrases "rock show" and "jam session" in conjunction with "the (rock) show was..." or stating that the existence of one of these within the show "was awesome" or "whipped a(n) [random animal, generally a non-human mammal]'s ass". Many songs end with the phrase "Rock over London, rock on, Chicago," followed by a product slogan, such as "Polaroid. See what develops."

Willis' keyboard of choice was the Technics KN series.^[1] Willis would obsessively trade in one KN model for the newest ones on the market during the time when he was making the most money (after his break-up with The Wesley Willis Fiasco). The KN1200 was the keyboard he was currently using, according to a Howard Stern interview.

Cultural impact[link]

• In 2003, Filmmaker Daniel Bitton released a film about Wesley Willis called The Daddy of Rock 'N' Roll. The documentary follows Willis around as he talks to himself and others, rides the bus, writes a song on a public computer at Kinko's, performs a concert, records a track, and visits his friends. Bitton also interviewed many people who commonly interacted with Willis. Willis and his band the Fiasco were also featured in the 1997 Chicago rock documentary Out of the Loop as well as in the German documentary Golden Lemons^[7][8] by Jörg Siepmann about the Wesley Willis tour supported by the German band Die Goldenen Zitronen (The Golden Lemons) and the group Grand Buffet.
• In 2008, the documentary film Wesley Willis' Joy Rides made its public debut at the Slamdance Film Festival in Park City, Utah. The film comprises footage of Willis collected by the filmmakers over a period of five years, interviews of family and friends after Willis' death, and animations created from his artwork.
• During his lifetime, he frequently drew and either gave his drawings away to friends or sold them for small amounts (typically $10 or $20) in Chicago parks. However, after his death, Willis began to receive recognition in the art community for his large body of visual art. In 2008 his artwork was exhibited at the Mohamed Khalil Museum of Egypt, and he was the subject of a special exhibit entitled Drawn By Wesley Willis at Dominican University.^[9]
• A song of Willis' about Star Wars was later included as an example of remix culture material in the documentary film The People vs. George Lucas.

Partial discography[link]

This unreferenced section requires citations to ensure verifiability.

This list is incomplete; you can help by expanding it.

• 1993 Radiohead
• 1994 Double Door
• 1994 Machine Gun Kelly
• 1994 Mr. Magoo Goes to Jail
• 1994 Prisonshake
• 1994 Rev Norb
• 1994 Rev Norb #2
• 1995 Atomic Records
• 1995 Delilah's
• 1995 Drag Disharmony Hellride
• 1995 Fireman Rick
• 1995 Policeman Steve Harvey
• 1995 Greatest Hits (great album)
• 1995 Jason Rau
• 1995 Rock Power
• 1995 Tammy Smith
• 1995 Dr. Wax
• 1995 Wesley Willis (Fuse Records)
• 1995 Daren Hacker (Wesley Willis Records)
• 1995 Wesley Willis (Alternative Tentacles)
• 1996 Spookydisharmoniousconflicthellride (with the Wesley Willis Fiasco) (Urban Legends Records)
• 1996 Mr. Magoo Goes to Jail Vol. 1
• 1996 Mr. Magoo Goes to Jail Vol. 2
• 1996 Mr. Magoo Goes to Jail Vol. 3
• 1996 New York New York
• 1996 Fabian Road Warrior (American Recordings)
• 1996 Feel The Power (American Recordings)
• 1996 Rock 'N' Roll Will Never Die (Oglio Records)
• 1996 Black Light Diner
• 1997 Metal Clink Punishment Jail
• 1997 QUT Music Grads Rock Out Man
• 1998 Rock 'N' Roll Jackflash
• 1998 SMD Promotions
• 1999 Dead End Street
• 1999 Greatest Hits Vol. 2 (Alternative Tentacles)
• 1999 Silver Fish Sea World
• 2000 Guitar Rock of Ages
• 2000 Shake Your Piggy Bank (Coldfront Records)
• 2000 Joe Hunter (Wesley Willis Records)
• 2000 Joe Hunter #2
• 2000 Never Kill an Ape (Wesley Willis Records)
• 2000 Rush Hour (Alternative Tentacles)
• 2001 ASCAP
• 2001 Fool's Gold
• 2001 Torture Demon Hellride
• 2001 Full Heavy Metal Jacket
• 2001 Live EP (with the Wesley Willis Fiasco) (Cornerstone R.A.S.)
• 2001 North Carolina Highway Patrol (Wesley Willis Records)
• 2003 Greatest Hits Vol. 3 (Alternative Tentacles)
• 2003 Big Black Ball Sack (Wesley Willis Records)

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Wesley Willis

• Wesley Willis discography at MusicBrainz
• Wesley Willis Biography and MP3s at Alternative Tentacles
• monzy.org Wesley Willis Biography including Wesley Willis Song Generator
• Press release from Willis' good friend Jello Biafra in memory of Willis
• Art of Wesley Willis, drawings by Willis of scenes in Chicago, as well as a sampling of his music.
• Wesley Willis Art, drawings by Willis of scenes in Chicago
• Loved Like a Milkshake A Wesley Willis tribute album by a variety of artists
• Wesley Willis: Artist of the Streets (1988 video of Wesley Willis drawing and explaining his technique)
• Wesley Willis on Artist Direct
• Wesley Willis: Howard Stern Interview (listen online)