This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (March 2011)

Ugarit
Entrance to the royal palace at Ugarit
Shown within Syria
Location	Latakia Governorate, Syria
Coordinates	35°36′07″N 35°46′55″E / 35.602°N 35.782°E / 35.602; 35.782
Type	settlement
History
Founded	ca. 6000 BC
Abandoned	ca. 1190 BC
Periods	Neolithic–Late Bronze Age
Cultures	Canaanite
Events	Bronze Age Collapse
Site notes
Excavation dates	1928–present
Archaeologists	Claude F. A. Schaeffer
Condition	ruins
Ownership	Public
Public access	Yes

Excavated ruins at Ras Shamra

Ugarit (Ugaritic: 𐎜𐎂𐎗𐎚, ʼUgrt; Arabic: أوغاريت‎) was an ancient port city on the eastern Mediterranean at the Ras Shamra headland^[1] near Latakia and Minet el-Beida^[2] in northern Syria. The site is some 11 kilometres (7 mi) north of Latakia (Latin Laodicea ad Mare) and approximately 80 kilometres (50 mi) east of Cyprus. Ugarit sent tribute to Egypt and maintained trade and diplomatic connections with Cyprus (then called Alashiya), documented in the archives recovered from the site and corroborated by Mycenaean and Cypriot pottery found there. The polity was at its height from ca. 1450 BC until 1200 BC.

History [link]

Though the site is thought to have been inhabited earlier, Neolithic Ugarit was already important enough to be fortified with a wall early on, perhaps by 6000 BC. Ugarit was important perhaps because it was both a port and at the entrance of the inland trade route to the Euphrates and Tigris lands.^{[citation needed]}

The first written evidence mentioning the city comes from the nearby city of Ebla, ca. 1800 BC. Ugarit passed into the sphere of influence of Egypt, which deeply influenced its art. The earliest Ugaritic contact with Egypt (and the first exact dating of Ugaritic civilization) comes from a carnelian bead identified with the Middle Kingdom pharaoh Senusret I, 1971 BC – 1926 BC. A stela and a statuette from the Egyptian pharaohs Senusret III and Amenemhet III have also been found. However, it is unclear at what time these monuments got to Ugarit. Amarna letters from Ugarit ca. 1350 BC record one letter each from Ammittamru I, Niqmaddu II, and his queen.^{[citation needed]}

Boar rhyton, Mycaenean ceramic imported to Ugarit, 14th–13th century BC (Louvre)

From the 16th to the 13th century BC Ugarit remained in constant touch with Egypt and Alashiya (Cyprus).^{[citation needed]}

In the second millennium BC Ugarit's population was Amorite, and the Ugaritic language probably has a direct Amoritic origin.^[3] The kingdom of Ugarit may have controlled about 2,000 km². on average.^[3]

Destruction[link]

The last Bronze Age king of Ugarit, Ammurapi, was a contemporary of the Hittite king Suppiluliuma II. The exact dates of his reign are unknown. However, a letter^[4] by the king is preserved, in which Ammurapi stresses the seriousness of the crisis faced by many Near Eastern states from invasion by the advancing Sea Peoples in a dramatic response to a plea for assistance from the king of Alasiya. Ammurapi highlights the desperate situation Ugarit faced:

My father, behold, the enemy's ships came (here); my cities(?) were burned, and they did evil things in my country. Does not my father know that all my troops and chariots(?) are in the Land of Hatti, and all my ships are in the Land of Lukka?...Thus, the country is abandoned to itself. May my father know it: the seven ships of the enemy that came here inflicted much damage upon us.^[5]

Unfortunately for Ugarit, no help arrived, and the city was burned to the ground at the end of the Bronze Age. Its destruction levels contained Late Helladic IIIB ware, but no LH IIIC (see Mycenaean period). Therefore, the date of the destruction of Ugarit is important for the dating of the LH IIIC phase in mainland Greece. Since an Egyptian sword bearing the name of pharaoh Merneptah was found in the destruction levels, 1190 BC was taken as the date for the beginning of the LH IIIC. A cuneiform tablet found in 1986 shows that Ugarit was destroyed after the death of Merneptah (1203 BC). It is generally agreed that Ugarit had already been destroyed by the 8th year of Ramesses III (1178 BC). Recent radiocarbon work indicates a destruction between 1192 and 1190 BC.^[6]

Whether Ugarit was destroyed before or after Hattusa, the Hittite capital, is debated. The destruction is followed by a settlement hiatus. Many other Mediterranean cultures were deeply disordered just at the same time, apparently by invasions of the mysterious "Sea Peoples."

Kings of Ugarit[link]

Language and literature[link]

Alphabet[link]

Scribes in Ugarit appear to have originated the "Ugaritic alphabet" around 1400 BC: 30 letters, corresponding to sounds, were inscribed on clay tablets; although they are cuneiform in appearance, that is, impressed in clay with the end of a stylus, they bear no relation to Mesopotamian cuneiform signs. A debate exists as to whether the Phoenician or Ugaritic "alphabet" was first. While the letters show little or no formal similarity, the standard letter order (preserved in the Latin alphabet as A, B, C, D, etc.) shows strong similarities between the two, suggesting that the Phoenician and Ugaritic systems were not wholly independent inventions.^[7]

Ugaritic language[link]

The Ugaritic language is attested in texts from the 14th through the 12th century BC. Ugaritic is usually classified as a Northwest Semitic language and therefore related to Hebrew, Aramaic, and Phoenician, among others. Its grammatical features are highly similar to those found in Classical Arabic and Akkadian. It possesses two genders (masculine and feminine), three cases for nouns and adjectives (nominative, accusative, and genitive); three numbers: (singular, dual, and plural); and verb aspects similar to those found in other Northwest Semitic languages. The word order in Ugaritic is verb–subject–object (VSO); possessed–possessor (NG) (first element dependent on the function and second always in genitive case); and noun–adjective (NA) (both in the same case (i.e. congruent)).^[8]

Ugaritic literature[link]

Apart from royal correspondence with neighboring Bronze Age monarchs, Ugaritic literature from tablets found in the city's libraries include mythological texts written in a poetic narrative, letters, legal documents such as land transfers, a few international treaties, and a number of administrative lists. Fragments of several poetic works have been identified: the "Legend of Kirtu," the "Legend of Danel", the Ba'al tales that detail Baal-Hadad's conflicts with Yam and Mot, and other fragments.^[9]

The discovery of the Ugaritic archives in 1929 has been of great significance to biblical scholarship, as these archives for the first time provided a detailed description of Canaanite religious beliefs, during the period directly preceding the Israelite settlement. These texts show significant parallels to Biblical Hebrew literature, particularly in the areas of divine imagery and poetic form. Ugaritic poetry has many elements later found in Hebrew poetry: parallelisms, metres, and rhythms. The discoveries at Ugarit have led to a new appraisal of the Hebrew Bible as literature.

Ugaritic religion[link]

The important textual finds from the Ras Shamra (Ugarit) site shed a great deal of light upon the cultic life of the city.^[10]

The foundations of Ras Shamra, the Bronze Age city, were divided into "quarters." In the north-east quarter of the walled enclosure the remains of three significant buildings were unearthed; the temples of Baal and Dagon and the library (sometimes referred to as the high priest's house). Within these structures atop the acropolis numerous invaluable mythological texts were found. Since the 1930s these texts have opened some initial understanding of the Canaanite mythological world. The Baal cycle represents Baal's destruction of Yam (the chaos sea monster), demonstrating the relationship of Canaanite chaoskampf with those of Mesopotamia and the Aegean: a warrior god rises up as the hero of the new pantheon to defeat chaos and bring order.

Archaeology[link]

A Baal statuette from Ugarit

After its destruction in the early 12th century BC, Ugarit's location was forgotten until 1928 when a peasant accidentally opened an old tomb while ploughing a field. The discovered area was the necropolis of Ugarit located in the nearby seaport of Minet el-Beida. Excavations have since revealed a city with a prehistory reaching back to ca. 6000 BC.^{[citation needed]}

The site is a sixty-five foot high mound. A brief investigation of a tomb at Minet el-Beida being ransacked by locals was conducted by Léon Albanèse in 1928, who also examined the main mound of Ras Shamra.^[11] The first scientific excavations of Ugarit were undertaken by archaeologist Claude Schaeffer from the Musée archéologique in Strasbourg in 1929.^[12] Work continued under Schaeffer until 1970, with a break from 1940 to 1947 because of World War II.^[13][14]

The excavations uncovered a royal palace of ninety rooms laid out around eight enclosed courtyards, and many ambitious private dwellings. Crowning the hill where the city was built were two main temples: one to Baal the "king", son of El, and one to Dagon, the chthonic god of fertility and wheat.

On excavation of the site, several deposits of cuneiform clay tablets were found; all dating from the last phase of Ugarit, around 1200 BC. These represented a palace library, a temple library and—apparently unique in the world at the time—two private libraries, one belonging to a diplomat named Rapanu. The libraries at Ugarit contained diplomatic, legal, economic, administrative, scholastic, literary and religious texts. The tablets are written in Sumerian, Hurrian, Akkadian (the language of diplomacy at this time in the ancient Near East), and Ugaritic (a previously unknown language). No less than seven different scripts were in use at Ugarit: Egyptian and Luwian hieroglyphs, and Cypro-Minoan, Sumerian, Akkadian, Hurrian, and Ugaritic cuneiform.

During excavations in 1958, yet another library of tablets was uncovered. These were, however, sold on the black market and not immediately recovered. The "Claremont Ras Shamra Tablets" are now housed at the Institute for Antiquity and Christianity, School of Religion, Claremont Graduate University, Claremont, California. They were edited by Loren R. Fisher in 1971.^[15]

After 1970, the excavations were led by Henri de Contenson followed by Jean Margueron, Marguerite Yon, and then Yves Calvet and Bassam Jamous in succession ending in 2000.^[16]

In 1973, an archive containing around 120 tablets was discovered during rescue excavations; in 1994 more than 300 further tablets were discovered on this site in a large ashlar building, covering the final years of the Bronze Age city's existence.

The most important piece of literature recovered from Ugarit is arguably the Baal cycle, describing the basis for the religion and cult of the Canaanite Baal.

There is also the famous hymn tablet to the moon goddess Nikkal. It offers both words and music, which were a series of 2-toned intervals played up a 9-string lyre.^[17]

See also [link]

Ancient Near East portal

• Cities of the ancient Near East
• Ugaritic script
• Ebla
• Elohim (gods)
• Short chronology timeline
• Ugaritic grammar
• Canaanite religion

Notes[link]

References[link]

• Bourdreuil, P. 1991. "Une bibliothèque au sud de la ville : Les textes de la 34e campagne (1973)". in Ras Shamra-Ougarit, 7 (Paris).
• Drews, Robert. 1995. The End of the Bronze Age: Changes in Warfare and the Catastrophe ca. 1200 BC (Princeton University Press). ISBN 0-691-02591-6
• Meletinskii, E. M., 2000 The Poetics of Myth
• Smith, Mark S., 2001. Untold Stories ; The Bible and Ugaritic Studies in the Twentieth Century ISBN 1-56563-575-2 Chapter 1: "Beginnings: 1928–1945"
• Ugarit Forschungen (Neukirchen-Vluyn). UF-11 (1979) honors Claude Schaeffer, with about 100 articles in 900 pages. pp 95, ff, "Comparative Graphemic Analysis of Old Babylonian and Western Akkadian", ( i.e. Ugarit and Amarna (letters), three others, Mari, OB,Royal, OB,non-Royal letters). See above, in text.
• K. Lawson and K. L. Younger Jr, "Ugarit at Seventy-Five," Eisenbrauns, 2007, ISBN 1-57506-143-0
• Dennis Pardee, Ritual and Cult at Ugarit (Writings from the Ancient World), Society of Biblical Literature, 2002, ISBN 1-58983-026-1
• William M. Schniedewind, Joel H. Hunt, 2007. A primer on Ugaritic: language, culture, and literature ISBN 0-521-87933-7 p. 14.
• Caquot, André & Sznycer, Maurice. Ugaritic Religion. Iconography of Religions, Section XV: Mesopotamia and the Near East; Fascicle 8; Institute of Religious Iconography, State University Groningen; Leiden: E.J. Brill, 1980.
• de Moor, Johannes C. The Seasonal Pattern in the Ugaritic Myth of Ba'lu, According to the Version of Ilimilku. Alter Orient und Altes Testament, Band 16. Neukirchen – Vluyn: Verlag Butzon & Berker Kevelaer, Neukirchener Verlag des Erziehungsvereins, 1971
• Gibson, J.C.L., originally edited by G.R. Driver. Canaanite Myths and Legends. Edinburgh: T. and T. Clark, Ltd., 1956, 1977.
• L'Heureux, Conrad E. Rank Among the Canaanite Gods: El, Ba'al, and the Repha'im. Harvard Semitic Museum, Harvard Semitic Monographs No. 21, Missoula MT: Scholars Press, 1979.
• Mullen, E. Theodore, Jr. The Assembly of the Gods: The Divine Council in Canaanite and Early Hebrew Literature. Harvard Semitic Museum, Harvard Semitic Monographs No. 24, Cambridge, MA: Harvard Press, 1980/ Atlanta, GA: Scholars Press Reprint, 1986. (comparison of Ugaritic and Old Testament literature)
• Smith, Mark S. The Ugaritic Baal Cycle: Volume 1. Introduction with Text, Translation and Commentary of KTU 1.1–1.2 (Vetus Testamentum Supplements series, volume 55; Leiden: Brill, 1994).
• _____. The Ugaritic Baal Cycle: Volume 2. Introduction with Text, Translation and Commentary of KTU 1.3–1.4 (Vetus Testament Supplement series, volume 114; Leiden: Brill, 2008). Co-authored with Wayne Pitard.
• Wyatt, Nicolas (1998): Religious texts from Ugarit: the worlds of Ilimilku and his colleagues, The Biblical Seminar, volume 53. Sheffield, England: Sheffield Academic Press, paperback, 500 pages.

External links[link]

Wikimedia Commons has media related to: Ugarit

• Ugarit (Tell Shamra) 1999 application for UNESCO world heritage site
• The Edinburgh Ras Shamra project includes an introduction to the discovery of Ugarit.
• Introduction to Ras Shamra (Ugarit), and a virtual museum of Ugaritic art.
• Le Royaume d'Ougarit (in French)
• Dennis Pardee, Ugarit Ritual texts – Oriental Institute

Malek Jandali مالك جندلي
Birth name	Malek Jandali
Born	(1972-12-25) December 25, 1972 (age 39) Waldbröl, Germany
Origin	Homs, Syria
Genres	Classical Jazz Arabic Classical Film Music
Occupations	Composer-Pianist
Instruments	Piano
Years active	1981–present
Labels	Soul b Music
Website	www.malekjandali.com/
Notable instruments
Steinway & Sons

Malek Jandali (Arabic: مالك جندلي‎) (b. 1972),^[1] is a Syrian composer and pianist considered to be among the most versatile and creative musicians in the Arab world.^[2] He is the first Syrian and only Arab musician to arrange music based on the oldest music notation in the world,^[3] which was discovered in the Bronze Age city of Ugarit, Syria.

Life [link]

Malek Jandali was born in Germany and raised in Homs, Syria.^[4] Malek began his musical career as a pianist, winning the first prize at the National Young Artists’ competition of Syria in 1988.^[2] Jandali studied at the Arab Conservatory of music in Damascus with Valdimir Zaritsky and Victor Bunin from the Tchaikovsky Moscow Conservatory. In 1995, he received a full scholarship to the US and attended North Carolina School of the Arts (NCSA), under Eric Larsen. He has appeared as a soloist in performances around the world from New York, Washington D.C.,^[5] Moscow, Cairo, Paris, Istanbul to Las Vegas, including The Cairo Symphony Orchestra, The Ludwig Symphony Orchestra,The Russian Philharmonic Orchestra, and the Syrian National Symphony Orchestra at Damascus Opera House. Malek received numerous prizes including the Wallace Stegner Grant For The Arts Fellowship and the 1997 Outstanding Musical Performer Award from Queens University. He studied composition and orchestration with Harry Bulow, Lawrence Dillon and Richard Prior. In 2004, he completed his masters degree from the University of North Carolina at Charlotte. Malek currently resides in Atlanta, GA and travels frequently to perform concerts and complete film scoring projects around the world.

Music [link]

Jandali is the only Syrian and the first Arab composer to arrange the oldest music notation in the world^[3] discovered in the Bronze Age city of Ugarit, Syria. Malek has a deep interest in writing music for dramatic purposes and has often drawn upon visual images for musical inspiration. His compositions range from solo instrumental pieces to large ensemble and orchestral works. His music is dynamic, energetic and powerful, combining orchestra with piano and Arabic modes and melodies.^[6]

Malek has a special interest in Arabic music where he incorporates the "maqams" or modes with western harmony in his piano and orchestral compositions. His constantly expanding horizons have led him to become a unique composer with the ability to juxtapose oriental melodies with complex harmony to end up with an original blend of civilizations.^[7]

He also experiments not only with live, acoustical instruments, but also the implementation of MIDI and electronic sounds. A prolific composer, Malek has written and produced music for corporate multimedia, video presentations and commercials. Recent projects include scoring music for an independent films, television programs and documentaries. In April 2011, he composed a song titled "Watani Ana: I am my homeland" which was inspired by the Arab Spring revolutionary movements in the Middle East .^[8]

Awards [link]

• National Young Artists Competition - First Prize - Syria, 1988
• North Carolina School of the Arts - Full Scholarship - USA, 1995
• The Stegner Foundation for the Arts Fellowship
• Queens University - Outstanding Musical Performer - USA, 1997
• Echoes from Ugarit The first arrangement of the oldest music notation in the world! USA, 2007
• The 2011 Freedom of Expression Award - CAIR Los Angeles, USA, 2011^[9]
• Culture and Arts Achievement Award, Network of Arab American Professionals of New York, 2012

Albums [link]

His latest album "Echoes from Ugarit" includes original music compositions for piano and orchestra recorded with The Russian Philharmonic Orchestra with Seregey Kondrashev as a conductor, and Andrey Kudryavtsev concertmaster. This is the first arrangement of the oldest music notation in the world. The release of “Echoes from Ugarit” was accompanied by a hugely successful tour of the USA, Europe and the Middle East.

The earliest music notation of which a written record exists anywhere on earth appears to be the Hurrian Hymn (Fink 1988; Dumbrill 2000,[page needed]). The clay tablets were discovered in the ancient city of Ugarit on the Mediterranean coast of Syria. This music may have been microtonal, even though, while interpretation of many aspects of the Hurrian records has been disputed (West 1994), expert opinion overwhelmingly favors some variety of diatonic, Pythagorean tuning (Duchesne-Guillemin 1975, 1977, 1980, 1984; Kilmer 1965, 1971, 1974, 1976; Vitale 1982; West 1994; Wulstan 1968).

Concerts and projects[link]

His diverse career remains truly international, as he continues to captivate audiences in concerts throughout North America, Europe and Middle East. Malek has performed in sold-out venues in London, Cairo, Damascus, Istanbul, Paris and Atlanta as well as The Kennedy Center in Washington, D.C.^[5] and Stude Hall^[3] at Rice University in Shepherd School of Music in Houston to name a few. He performed his works with many orchestras such as [www.cairo-symphony.com The Cairo Symphony Orchestra], The Russian Philharmonic Orchestra and the Ludwig Symphony Orchestra. Concert tours include cities such as London, Paris, Moscow, Dubai, Damascus, Istanbul and countries such as Italy, Australia, China, Canada, Japan and Egypt. Click here for a complete list of past and upcoming performances. Future recording and production plans include solo piano music and several orchestral works, as well as scoring for a number of documentaries and independent films.

Affiliations [link]

• The Recording Academy
• The American Society of Composers, Authors and Publishers (ASCAP)

References[link]

External links [link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (April 2012)

• The Official Website - الموقع الرسمي للموسيقار السوري مالك جندلي
• Syria Comment CD Review
• NPR The Front Row Interview - Houston, USA
• BBC World Service Radio Interview - The Strand - London
• Composer & Pianist Malek Jandali on National Public Radio (NPR) The Craig Fahle Show
• CNN World News:Syrian musician blames security forces for his parents' beating
• NPR News:Syrian American Musician will Continue to Perform Watani Ana Despite Threats
• الأسطورة تنبض بالحياة في موسيقا مالك جندلي
• The National Newspaper - Syrian tablet fragment shatters long-held beliefs about origin of music - By Stephen Starr
• CBC Radio Interview
• "Arab American News - The first Arab composer to arrange world’s oldest music notation: Syria is the birthplace of alphabet, music and harmony!
• "What's On" Magazine - March 2008- From Ugarit to the World! - Interview With Composer & Pianist Malek Jandali
• "Forward Magazine - December 2007 - Syrian Echoes that Reach the World; Malek Jandali Plays Passion on Strings!
• "Annahar Newspaper - April 17, 2008 - عازف البيانو والمؤلف الموسيقي السوري مالك جندلي
• "Dubai Jazz - Malek Jandali: A Truly Hidden Syrian Gem!
• "The Center for Arab Culture and Dialogue - Washington D.C.- Syrian Musician Arranges and Performs World's Oldest Music Notation
• Dubai TV interview - Meeting with Barween Habib
• "www.US4Arabs.com - First Arab composer to arrange world’s oldest music from Syria!
• "Asdaa Newspaper - Press Release - Montréal Canada - May 2008
• "Arab News - Press Release - Middle East - May 27, 2008
• "Cham Press - Article (Arabic) - مالك جندلي يحاول أن يعلم الأمريكيين ثراء الثقافة العربية ويؤكد عظمة الموسيقى السورية القديمة
• "Ministry of Culture - Arabic Press Release - Damascus, Syria
• "Al Watan Newspaper
• "Syria News Article - موسيقا مالك جندلي تحاكي الحضارة السورية على أهم مسارح أمريكا
• "Huffington Post, June 11, 2011
• "Ahram Online - Malek Jandali honoured with 2011 Freedom of Expression Award