Harmony Korine
Korine at the 2007 Toronto International Film Festival
Born	Harmony Korine (1973-01-04) January 4, 1973 (age 39) Bolinas, California, United States

Harmony Korine (born January 4, 1973)^[1] is an American film director, producer, screenwriter, and author.

He is best known for writing Kids, and for directing Gummo, Julien Donkey-Boy and Mister Lonely. His film Trash Humpers premiered at Toronto International Film Festival and won the main prize, the DOX Award, at CPH:DOX in November 2009. As of March 2012, Korine's project Spring Breakers was under production in Florida.

Early life[link]

Korine was born in Bolinas, California to Eve and Sol Korine and raised in Nashville, Tennessee. Sol produced documentaries for PBS in the 1970s about an "array of colourful Southern characters" and taught Korine how to use a Bolex camera.^[2] As a child, Korine watched movies with his father, who rented Buster Keaton films and took him to see Even Dwarfs Started Small in the theater. Korine reminisces, "I knew there was a poetry in cinema that I had never seen before that was so powerful."^[3][4] Korine spent his childhood in Nashville, attending Hillsboro High School before moving to New York City to live with his grandmother.^[1] Korine also spent some time living with his parents in a commune, which helped to inspire the commune setting of Mister Lonely.^[5] As a teenager, Korine frequented revival theaters, watching classic films by John Cassavetes, Werner Herzog, Jean-Luc Godard, Rainer Werner Fassbinder, and Alan Clarke. In an interview with Bruce LaBruce, Korine briefly mentioned that he studied Business Administration in college. Other sources state that he studied Dramatic Writing at Tisch School of the Arts at New York University for one semester before dropping out to pursue a career as a professional skateboarder.

Film career[link]

[edit] Kids & Gummo (1995–1998)

Korine was skating with friends in Washington Square Park when he noticed photographer Larry Clark. Korine showed Clark a "35-page script he'd written about a kid whose father took him to a prostitute on his 13th birthday".^[6] Impressed, the photographer asked him to compose a script about skaters and to include in the plot a teenage AIDS experience.^[7] Korine told Clark, "I've been waiting all my life to write this story."^[8] Within three weeks, Korine wrote Kids, a film about 24 hours in the sex and drug filled lives of several Manhattan teenagers that has been touted as a realistic viewpoint of youth in New York City during the AIDS crisis. Kids garnered good reviews, but due to its NC-17 rating, few audiences actually saw the film upon its debut. However, it has since become a significant cult film. Among others, the film features Chloë Sevigny and Rosario Dawson in their first movie roles. The film, while controversial, jumpstarted Korine's career. This put him into contact with film producer Cary Woods who budgeted about $1 million to produce Gummo, Korine's personal vision.^[6]

In 1997, Korine wrote and directed Gummo, a film based on life in Xenia, Ohio, a town devastated by a tornado in the early 1970s. Forgoing conventional narrative, Gummo embodies sketches written by Korine, hence the nonlinear, fragmented events over the course of the film capitalizing on the obscure. Much of the cast was found during preproduction where it was filmed in Tennessee, and of all those who appeared in the film, only five were experienced actors. The film is notable for having unsettling, often bizarre scenes, as well as its dreamlike soundtrack, which strengthens the disconcerting atmosphere. It features "an eclectic soundtrack including death metal, Madonna and Roy Orbison".^[9]

It premiered at the 24th Telluride Film Festival on August 29, 1997. During the screening, numerous people got up and left during the initial cat drowning sequence. Three months later, Werner Herzog called Korine to give praise to the film overall, especially the bacon taped to the wall during the bathtub scene. He told the New York Times, "When I saw a piece of fried bacon fixed to the bathroom wall in Gummo, it knocked me off my chair. [Korine's] a very clear voice of a generation of filmmakers that is taking a new position. It's not going to dominate world cinema, but so what?"^[10]

Although a majority of mainstream critics derided it as an unintelligible mess, it won top prizes at that year's Venice Film Festival and earned Korine the respect of noted filmmakers such as Gus Van Sant, among others. Its stature has only grown in the ensuing years, gaining a cult classic status as a truly shocking and experimental film "unlike anything you've seen in a while – maybe ever" – and that "if you're the kind of person who claims to be frustrated by the predictability of commercial filmmaking, [it presents] a rare opportunity to put your money where your mouth is."^[11]

In 1998, Korine released The Diary of Anne Frank Pt II, a 40-minute three-screen collage featuring a boy burying his dog, kids in satanic dress vomiting on a Bible, and a man in black-face dancing and singing "My Bonnie Lies over the Ocean". It utilizes some of the same actors and themes as Gummo, and can be considered a companion piece. The film "further disgusted critics"^[7] and solidified his status as a notoriously shocking and experimental director.

[edit] Julien Donkey-Boy & Ken Park (1999–2003)

Julien Donkey-Boy, released in 1999, included a signed Dogme 95 manifesto. While it broke a number of the movement's basic tenets, Lars Von Trier lauded Korine's ability to interpret the rules creatively.

The story is told from the perspective of a young man suffering from untreated schizophrenia, played by Ewen Bremner, as he tries to understand his deteriorating world. Julien's abusive father is played by Werner Herzog. At one point, Korine was to play the son, but he backed down and was replaced by Bremner.

Like Gummo and Kids, it too has since become something of a cult classic, a go-to film for those seeking cinema that is, as Roger Ebert said in his three star review, "shocking for most moviegoers", unlike "the slick aboveground indie productions" that are now the norm.^[12]

In 2000 The Devil, The Sinner, and His Journey premiered, which featured Korine in blackface as O.J. Simpson and the actor Johnny Depp as Kato Kaelin.

In 2002, Larry Clark made the film Ken Park, based on a script Korine had written several years earlier. The film, another adult tale of youth gone awry, was not distributed in the United States. At the time of its release, Clark and Korine had long since parted ways and Korine had no involvement in its production.

In 2003 he made the television documentary film Above the Below about his friend and collaborator David Blaine and his 44-day stunt in a park over the bank of River Thames in London inside a suspended plexiglas box. A documentary commissioned by Sky Television and Channel 4, it also includes jokes, visual poetry, and music. In addition to the documentary, Korine has worked with Blaine on a number of Blaine's specials.

He first met his wife Rachel, a 17-year-old from Nashville, around this time.

[edit] Mister Lonely & Trash Humpers (2007–2009)

His third feature film, Mister Lonely, was co-written by his brother, Avi Korine and starred Diego Luna, Samantha Morton, Denis Lavant, Anita Pallenberg, David Blaine, Werner Herzog and Mal Whiteley. The movie was released in 2008 and debuted at Cannes.^[13] His largest film with a budget of $8.2 million,^[14] it received mixed reviews and earned $386,915 in its first 9 months.^[15]

The film is the story of "a young American man lost in Paris. He scratches out a living as a Michael Jackson look-alike, dancing in the streets, in public parks, at tourist spots and trade shows. Different from everyone else, he feels as if he's floating between two worlds. During a show at a geriatric home Michael Jackson meets Marilyn Monroe. Haunted by her angelic beauty he follows her to a commune in the Highlands, joining her husband Charlie Chaplin and her daughter Shirley Temple. The commune is a place where everyone is famous and "no-one gets old". Here, The Pope, The Queen of England, Madonna, James Dean and other impersonators build a stage in the hope that the world will visit and watch them perform. Everything is beautiful. Until the world shifts, and reality intrudes on their utopian dream."^[16]

Korine also appeared in the 2007 documentary film Beautiful Losers in which his life and career were one of the focuses of the film, along with other artists such as Mike Mills, Shepard Fairey, Margaret Kilgallen, Jo Jackson and Barry McGee. In the documentary, Korine discusses his motivation as an artist and filmmaker, as well as his inspiration for creating films he has never seen. Footage also appears from one of Korine's rare, early and untitled short films, that preceded his work on Kids.

In 2008 Harmony Korine was signed to MJZ for worldwide commercial representation.

On 6 September 2009 Korine's latest film, Trash Humpers^[17] premiered as part of the Visions section of the 2009 Toronto International Film Festival.^[18] Despite being a work of fiction, the film went on to win the top award at the prominent European documentary film festival CPH:DOX – Copenhagen International Documentary Festival – in November 2009.

In March 2011, Korine released a short film entitled Umshini Wam, which is a popular Zulu struggle song meaning "bring me my machine gun". The film starred Ninja and Yo-Landi of Die Antwoord. In September 2011, Korine released a short film entitled Snowballs, sponsored by the Proenza Schouler fashion label.

Current projects[link]

As of March 2012, Korine's latest project, Spring Breakers was under production in Florida. Starring Selena Gomez, James Franco, Ashley Benson, Vanessa Hudgens, the film is a comedy romance set to release in Spring 2013.^[19][20] In looking at early scenes being filmed and in speaking toward the plot, cast, and earlier works of the filmmaker, Indiewire wrote "this might be the weirdest movie the director has ever made simply by nature of being totally unlike his previous work."^[19] It was reported on the official Selena Gomez website,^[21] and by Gomez herself using Instagram,^[22] that principal filming wrapped up on March 30, 2012.

Unreleased projects[link]

[edit] Fight Harm

Korine originally intended to follow up Gummo with a short-lived project known as Fight Harm, filmed by illusionist David Blaine. It comprised footage of Korine engaging random people in actual street fights. In these he followed rules of always provoking the fight and continuing until threat of death. Korine, who often said he would die for the cinema, hoped to make a cross between a Buster Keaton vehicle and a snuff film, but after only six fights, he was hospitalized and forced to abandon the project.^[7]

[edit] Jokes

Jokes is an unfinished three-part film written by Harmony Korine. The three chapters – Easter, Herpes and Slippers – were to be each directed by different directors.^[23]

[edit] What Makes Pistachio Nuts?

Prior to Mister Lonely Korine had written a story about a pig named Pistachio. The film was to take place during a race war in Florida and have a boy who would saddle the pig, put adhesive on its feet, climb up walls and throw molotov-cocktails. "It was going to be my masterpiece," Korine comments. The script burnt in a fire and Korine spent $11,000 trying to recover it from his computer. He reportedly retrieved one sentence: "The speech is pointless; the finger is speechless.".^[24]

Other works[link]

Books[link]

Korine has also published a number of books. In 1995 a screenplay for Kids was published by Grove Press, followed by a collection of the screenplays for Gummo, Julien Donkey-Boy, and Jokes in Collected Screenplays, published by Faber and Faber in 2002. In 2008 the screenplay for Mister Lonely was released by Swiss publisher Nieves with photographs by Rachel Korine and Brent Stewart. The majority of these books differ substantially from the movies eventually produced.

In 1998 Korine published a book entitled A Crack Up at the Race Riots, an experimental novel, described as his attempt to write "the Great American Choose Your Own Adventure novel" in his appearance on Letterman. In November 2008, Drag City published a collection of his fanzines called The Collected Fanzines with skateboarder/writer Mark Gonzalez. 2009 sees Korine returning to the collaborative zine process alongside fellow avant-garde artist Noel Sinclair Boyt.^[25]

Art[link]

Korine released a number of photographic collections, usually in conjunction with gallery exhibits. In 1998 he published The Bad Son in conjunction with Taka Ishii gallery in Tokyo, documenting his various photo shoots with Macaulay Culkin. 2002 saw the release of Pass the Bitch Chicken, a collaboration with artist Christopher Wool, which consists of Korine's photographs heavily edited by Korine and Wool. In 2009 he published Pigxote in conjunction with the Vanderbilt University Fine Arts Gallery and released by Nieves. The university describes the exhibition, which ran through Feb. 26, 2009, as culling "together a number of photographs from Korine’s private files in order to reveal a side of the artist’s creative process that remains largely unexamined. Depicting an unnamed, mysterious young girl moving through a televised landscape of shifting contexts, Pigxote further illustrates Korine’s interest in replacing plot lines and expected narrative tropes with intuitively arranged “experiential moments.” They also provide a unique insight into the poetic mind of Nashville’s most compelling prodigal son."^[26] Most recently his works were presented in a 2003 exhibition at agnès b's Galerie du jour in Paris, with whom Korine has often been associated. In 2010 Korine collaborated with New York Visual Artist Bill Saylor on the book Ho Bags. The book consists of drawing and paintings in which Korine and Saylor drew over each others works. In 2011 Korine collaborated with NYC skate brand Supreme, releasing two skateboard decks featuring original artworks.

Music[link]

Korine has directed a number of music videos for artists such as Sonic Youth, Cat Power and Will Oldham (e.g. No More Workhorse Blues). In addition, he sang on Oldham's "Ease Down The Road", and co-authored the lyrics of Björk's musical composition "Harm of Will" from her album Vespertine (2001). In 1999 Korine and Brian Degraw of Gang Gang Dance released a music CD SSAB Songs. "I don't really know what it sounds like", Korine explained to i-D magazine. "I only listened to it once. I think it's the kind of album I'd only listen to once". The tracks labeled "Harmony" on Songs in A&E are named after Korine by Jason Pierce of Spiritualized, who also made the soundtrack to Mister Lonely. "Harmony Korine" is the lead track on the solo album Insurgentes by Porcupine Tree lead singer Steven Wilson.

Themes and influence[link]

Much of Korine's work is based around the dark humor and absurdism involved in dysfunctional childhoods, mental disorders, and poverty.^[27] This is often incorporated into surrealist, non-linear forms and presented experimentally (see the mix of Polaroids, Super 8 and 35mm film that makes up Gummo). Blackface, tap-dance, and minstrelsy are common elements to Korine's work.^[28] "I'm a huge fan of vaudeville – like Fanny Brice, Eddie Cantor, and Al Jolson... There's this random tragedy associated with the decline of the vaudeville entertainer, which is a theme in Gummo that I completely stole from vaudeville."^[29] Like vaudeville, the narrative of Korine's work is abstract and works by association. Korine compares this concept to a book of private photos. On their own each photo would be seemingly random and devoid of context, but because they are compiled in one volume and presented in succession, a narrative exists. "That's how Gummo was written."^[29] Improvisation is also an important filmmaking technique for Korine, as a way to maintain his movies as "living thing[s]."^[5] Korine does not try to write messages or meanings into his scripts, as he finds it belittling to the audience. With his films, Korine strives to retain a "margin of the undefined."^[12]

Though mainstream success has eluded Korine, he has gained a significant cult following, inspiring director Fabrizio Federico's Pink8 Manifesto. Despite the scorn of a majority of mainstream reviewers, he has won festival prizes at Venice and Rotterdam, among others, and established directors such as Bernardo Bertolucci and Gus Van Sant are outspoken proponents of Korine's work. On Gummo Van Sant said it "changed his life"^[30] and Bertolucci said Korine has "created a revolution in the language of cinema."^[31] A significant number of scholarly essays have been written on the importance of his oeuvre to film and art in general.^[32]

The Toronto International Film Festival writes, "Such is the dilemma with Korine and his remarkable career; for all the fireworks, there is an impressive coherence in the subject matter of his work. His four feature films all seek to shed light on a certain class of people: unique and bizarre individuals usually lumped under the heading of 'subculture.' ... His portraits come from many angles – the baroque stillness of Gummo contrasts radically with the rough-hewn melodrama of Julien Donkey-Boy. His last film, Mister Lonely, had an epic quality and interest in celebrity that Trash Humpers disdains, preferring instead a low-end surveillance-video look with frequent in-camera lighting distortions and a cinéma-vérité authenticity.^[33]

Recurrent in his work (with the exception perhaps of Mister Lonely) is a portrait of what Korine calls the "American Landscape."^[34] He recently stated "to me, the most beautiful thing in the world is an abandoned parking lot and a soiled sofa on the edge… with a street lamp off to the side. America seems like a series of abandoned parking lots, streetlights and abandoned sofas."^[35] Such a statement gives insight into Korine's complex aesthetic.

Korine has frequently been labeled as an enfant terrible and been accused of exploitation and self-indulgance, to which he has responded, "How can an artist be expected not to be self-indulgent? That's the whole thing that's wrong with filmmaking today... To me, art is one man's voice, one idea, one point-of-view, coming from one person."^[36] Korine feels there is no need to justify or explain the images he puts to the screen, in that they are simply the result of "a cinema of passion and obsession."^[29] "I mostly just make things to entertain myself and at the same time hope that there’s some type of audience that likes what I’m doing."^[37] Korine adds, "Film is like a dead art because of people not taking chances."^[36] To Korine, the only films that matter are the auteurist works.^[38]

In his films, Korine attempts to convey a poetic, or "estatic truth" as filmmaker and friend, Werner Herzog termed in his 1999 Minnesota declaration. Korine is also proponent of what he calls a "mistake-ist" artform. During Julien Donkey-Boy Korine went so far as to write a "Mistakist declaration", which has been published in his Collected Screenplays.

On the current state of cinema, Korine comments, "When I look at the history of film – the early commercial narrative movies directed by D.W. Griffith, say – and then look at where films are now, I see so little progression in the way they are made and presented, and I'm bored with that. Film can be so much more."^[4]

On looking for meaning in his films Korine states, "I think people will lose the film as soon as they start trying to figure out my logic or what I'm doing or while they're watching it start to dissect metaphors... I'm not really so interested in it working on a purely cerebral level. I'm much more concerned with it on an emotional level and that you leave feeling a certain way."^[38] Korine states that if there is at least one image that sticks with you after viewing the film, then it is a success.^[30]

Producer Cary Woods writes, "I think the best hope for cinema is allowing people who are artists to make a movie that isn't wholly ruled by screenplay structure... [Korine's] a storyteller, and he's gone out of his way to put images that are moving on the screen, and meaningful in some way."^[30]

As critic Roger Ebert said in his review of Julien Donkey-Boy, "Korine, who at 25 is one of the most untamed new directors, belongs on the list with Godard, Cassavetes, Herzog, Warhol, Tarkovsky, Brakhage and others who smash conventional movies and reassemble the pieces... Harmony Korine is the real thing, an innovative and gifted filmmaker whose work forces us to see on his terms."^[12]

In 1997, Korine's favorite writers were listed as James Thurber, S. J. Perelman, and Flannery O'Connor.^[30] Korine has noted British filmmaker Alan Clarke as an influence. (See Elephant)^[39]

In a 1999 Dazed and Confused magazine article Korine listed his top ten films as: Pixote by Hector Babenco, Badlands and Days of Heaven by Terrence Malick, Fat City by John Huston, Stroszek by Werner Herzog, The Killing of a Chinese Bookie and A Woman Under the Influence by John Cassavetes, McCabe and Mrs. Miller by Robert Altman, Out of the Blue by Dennis Hopper and Hail Mary by Jean-Luc Godard.

Filmography[link]

As writer/director:

• Gummo (1997)
• The Devil, The Sinner, and His Journey (1998, Short)
• The Diary of Anne Frank Pt II (1998, Exhibition)
• Julien Donkey-Boy (1999, Uncredited)
• Jokes (2000, Unfinished)
• Mister Lonely (2007)
• Trash Humpers (2009)
• Mac and Plak (2010, Short)
• Act Da Fool (2010, Short)
• Umshini Wam (2010, Short)
• Blood of Havana (2011, Short)
• Rebel (2011, Exhibition, Segment "Caput")
• Snowballs (2011, Short)
• The Fourth Dimension (2012, Segment "Lotus Community Workshop")
• Spring Breakers (2013)

As director only:

• Above the Below (2003)

As writer only:

• Kids (1995)
• Ken Park (2002)

As producer:

• The Aluminium Fowl (2006)
• Blackberry Winter (2006)
• Mister Lonely (2007)
• The Dirty Ones (2009)

As actor:

• Kids (1995) – Fidget
• Good Will Hunting (1997) – Jerve
• Gummo (1997) – Boy on Couch
• Last Days (2005) – Guy in Club
• Trash Humpers (2009) – Hervé

As himself:

• The Name of This Film Is Dogme95 (2000)
• Beautiful Losers (2008)
• Until The Light Takes Us (2008)
• Sleepless Night Stories (2011)
• The Advocate For Fagdom (2011)
• Fight Harm (unfinished)

References[link]

External links[link]

• Harmony Korine Fansite, Bio, Photos, Interviews & Articles
• Harmony Korine at the Internet Movie Database
• Senses of Cinema Essay
• Korine on Letterman 95', Korine on Letterman 97', Korine on Letterman 98'
• Korine Retrospective & Interview
• Amateur french short movie based on extracts from Harmony Korine's book "A Crackup at the race riots"

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2011)

This article may be written from a fan's point of view, rather than a neutral point of view. Please clean it up to conform to a higher standard of quality, and to make it neutral in tone. (September 2010)

Steven Wilson
Steven Wilson onstage with Blackfield, Bowery Ballroom, NYC, March 2007.
Background information
Birth name	Steven John Wilson
Born	(1967-11-03) 3 November 1967 (age 44) Kingston upon Thames, England
Genres	Progressive rock, progressive metal, psychedelic rock, art rock, ambient, krautrock, alternative rock, post-punk, jazz fusion, experimental rock.
Occupations	Musician, songwriter, producer
Instruments	Vocals, guitars, bass, piano, keyboards, mellotron, hammer dulcimer, flute, banjo, sampler, organ, harp, programming
Years active	1983–present
Associated acts	Porcupine Tree, Blackfield, No-Man, Incredible Expanding Mindfuck, Bass Communion, Opeth, Continuum, Storm Corrosion
Website	Steven Wilson Headquarters

Steven John Wilson (born 3 November 1967) is an English musician, best known as the founder, lead guitarist, singer and songwriter of progressive rock band Porcupine Tree. He is involved in many other bands and musical projects both as musician and producer (including No-Man and Blackfield) and also maintains a solo career.

Wilson is a self-taught producer, audio engineer, guitar and keyboard player, playing other instruments as and where required (including bass guitar, concert harp, hammered dulcimer and flute).

He used to split his living time between Tel Aviv and London, England,^[1] but he no longer holds a permanent residence in Tel Aviv.^[2]

Biography[link]

Background and early years[link]

Born in Kingston upon Thames, London, England^[3] (but brought up in Hemel Hempstead, Hertfordshire, England from the age of 6)^{[citation needed]}, Wilson discovered his love for music around the age of 8. It began one Christmas when his parents bought presents for each other in the form of LPs. His father and mother received Pink Floyd's The Dark Side of the Moon and Donna Summer's Love to Love You Baby, respectively. The young Steven spent much of his childhood listening to these albums in "heavy rotation", as he once commented.

Both LPs would influence his future song writing. He claims "...in retrospect I can see how they are almost entirely responsible for the direction that my music has taken ever since." His interest in Pink Floyd led him towards experimental/psychedelic conceptual progressive rock (as exemplified by Porcupine Tree and Blackfield), and Donna Summer's trance-inflected grooves inspired the initial musical approach of No-Man (Wilson's long-running collaboration with fellow musician and vocalist Tim Bowness), although the band would later develop a more meditative and experimental Talk Talk-esque approach.

As a child, Steven was forced to learn the guitar, but he did not enjoy it; his parents eventually stopped paying for lessons. However, at the age of 11 Wilson rescued a nylon string classical guitar from his attic and started to experiment with it; or in his own words, "...scraping microphones across the strings, feeding the resulting sound into overloaded reel to reel tape recorders and producing a primitive form of multi-track recording by bouncing between two cassette machines." At the age of twelve, his father, who was an electronic engineer, built him his first multi-track tape machine and a Vocoder so he could begin experimenting with the possibilities of studio recording.^[4]

Early bands[link]

It didn't take long before he began to form bands with his friends from school and play live. However, the activity which kept him satisfied the most was that of experimenting with sounds and producing the recordings he made. Between the years 1983 and 1986 he began to record material for release. Some of those tapes have recently resurfaced due to the increasing popularity of Porcupine Tree. Wilson describes it as "...a bit like a painter having his nursery school paint blots on display..."^{[citation needed]}

One of these projects was the psychedelic duo Altamont (featuring a 15-year-old Wilson working with synth/electronics player Simon Vockings). Their one and only cassette album, Prayer for the Soul, featured lyrics by British psychedelic scenester Alan Duffy, whose work Wilson would later use for two Porcupine Tree songs: "This Long Silence" and "It Will Rain for a Million Years". Around the same time that Wilson was working as Altamont, he was also in a teenaged progressive rock band called Karma, who played live around Hertfordshire and recorded two cassette albums, The Joke's On You (1983) and The Last Man To Laugh (1985). These contained early versions of "Small Fish", "Nine Cats" and "The Joke's On You", which were subsequently resurrected as Porcupine Tree songs.

Wilson went on to join the New Wave/AOR band Pride of Passion as keyboard player, replacing former Marillion keyboard player Brian Jelliman (another former Marillion member, Diz Minnitt, also played in the band). Pride of Passion would later change their name to Blazing Apostles and alter their lineup and approach, finally coming to an end in 1987.^[5][6]

Breakthrough work[link]

Up to this point Wilson's diverse musical experiments had contained avant-garde and industrial recordings, psychedelia and progressive rock. He was, however, also becoming more interested in songwriting and pop music, something that would manifest itself in his next developments.

In 1986, Wilson launched the two projects that would make his name. The first of these was initially called "No Man Is An Island (Except The Isle Of Man)", although it would later be renamed "No-Man." This began life as a solo Wilson instrumental project blending progressive rock with synth pop, subsequently moving towards art-pop when singer/lyricist Tim Bowness joined the project the following year. The second project was "Porcupine Tree", which was originally a full-on pastiche of psychedelic rock (inspired by the similar Dukes of Stratosphear project by XTC) and which was carried out for the mutual entertainment of Wilson and his schoolfriend Malcolm Stocks.

Over the next three years, the projects would evolve in parallel. No Man Is An Island (Except The Isle Of Man) was the first to release a commercial single (1989's "The Girl From Missouri", on Plastic Head Records), while Porcupine Tree built an increasing underground reputation via the release of a series of cassette-only releases via The Freak Emporium (the mail-order wing of British psychedelic label Delerium Records).

By 1990, No Man Is An Island (Except The Isle Of Man) had fully evolved into No-Man and was a voice/violin/multi-instrument trio which had incorporated dance beats into its art-pop sound. The second No-Man single – a crooned cover of the Donovan song "Colours" arranged in a dub-loop style anticipating trip-hop - won the Single of the Week award in Melody Maker and gained the band a recording contract with the high-profile independent label One Little Indian (at the time, famous for The Shamen and Björk). Their debut One Little Indian single, "Days In The Trees", won the same Single of the Week award the following year. The single also briefly charted and, although sales were not outstanding, Wilson had now gained credibility in the record industry (as well as enough finance to fit out his home studio with the equipment he’d need to advance his music). By this time, he’d also released the official, lavishly packaged Porcupine Tree debut album, On the Sunday of Life... (which compiled the best material from the underground tapes).

No-Man's debut full-length release – a compilation of EP tracks called Lovesighs – An Entertainment – followed in 1992, as did Porcupine Tree's infamous LSD-themed maxi-single "Voyage 34" which made the NME indie chart for six weeks.^[7] No-Man also toured England with a six-piece band including three ex-members of the glam-pop band Japan – Mick Karn, Steve Jansen and (most significantly) keyboardist Richard Barbieri. 1993 saw Wilson consolidating his initial success with albums from both Porcupine Tree (Up the Downstair) and No-Man (Loveblows And Lovecries – A Confession). At the end of 1993, Porcupine Tree was launched as a four-piece live band featuring Wilson, Barbieri, bass player Colin Edwin and former No-Man live drummer Chris Maitland.

From this point onwards, Wilson would alternate between Porcupine Tree and No-Man releases. Although No-Man retired from live performance in 1994 (and would not return to the stage until 2006), the band continued to release a steady stream of albums featuring guests such as Barbieri, Steve Jansen, Robert Fripp, Theo Travis and Pat Mastelotto, and has maintained a healthy cult following as well as continued critical acclaim. Porcupine Tree, meanwhile, toured frequently (steadily gaining credibility as a consistent band) and passed through various overt phases of different musical stylings (including psychedelia, progressive rock, modern guitar rock and heavy metal) while retaining the core of Wilson's sonic imagination and songwriting. By the mid-2000s Porcupine Tree had become a highly successful rock band with albums on major labels such as Atlantic and Roadrunner, with Wilson's singing, songwriting and frontman skills increasing by the year. Also by this time, Wilson had become in-demand as a producer and was being cited as an influence by various up-and-coming musicians.

Diversification[link]

During the late 90's Wilson's love of experimental, drone and ambient music began to manifest itself in a series of new projects, notably Bass Communion and Incredible Expanding Mindfuck (also known as IEM). He also began to release a series of CD singles under his own name.

Having established himself as a skilled producer with a very high standard of sound engineering, Wilson was invited to produce other artists, notably the Norwegian artist Anja Garbarek and Swedish progressive-metal band Opeth. Though he claims to enjoy production more than anything else, with the demands of his own projects, he has mostly restricted himself to mixing for other artists in the last few years.^[8]

More recently Wilson has become known for his 5.1 Surround Sound mixes: the 2007 Porcupine Tree album Fear of a Blank Planet was nominated for a Grammy in the "Best Mix For Surround Sound" category.^[9] The album was also voted #3 album of the year by Sound And Vision.^[10] Wilson is currently working on several other surround sound projects, including remixing the Jethro Tull and King Crimson back catalogue.^[11]

Steven Wilson has recently begun to write reviews for the Mexican edition of the Rolling Stone magazine. They're all translated to Spanish. Two reviews have been published so far: one for Radiohead's In Rainbows and other for Murcof's 2007 work, Cosmos.^[12] He also contributes to UK magazine Classic Rock as an occasional reviewer.

Group projects (and pseudonymous projects)[link]

Porcupine Tree[link]

Steven Wilson photo of 2007

Porcupine Tree started out as a duo of Wilson and his schoolfriend Malcolm Stocks (with Wilson providing the majority of the instrumentation and Stocks contributing mostly ideas, additional vocals and experimental guitar sounds). Wilson began experimenting by recording music in his home until he had the hunch it could become someway marketable. The material was subsequently compiled into three demo tapes (Tarquin's Seaweed Farm, Love, Death & Mussolini and The Nostalgia Factory). For the first tape, he even wrote an inlay introduction to an obscure (imaginary) band called "The Porcupine Tree", suggesting the band met in the early '70s at a rock festival, and they had been in and out of prison many times. The booklet also contained information about band's obscure members like Sir Tarquin Underspoon and Timothy Tadpole-Jones, and crew members like Linton Samuel Dawson (if put into initials forming LSD). Wilson: "It was a bit of fun. But of course like anything that starts as a joke, people started to take it all seriously!".^[13] When Wilson signed to Delerium label, he selected what he considered the best tracks from these early tapes. All those songs were mastered and made up Porcupine Tree's first official studio album, On the Sunday of Life....

Quickly after, Wilson would release the single "Voyage 34", a thirty-minute long piece that could be described as a mixture of ambient, trance and psychedelia. This was done partly as an attempt to produce the longest single yet released, which it was until it was later exceeded by The Orb's "Blue Room." With non-existent radio play "Voyage 34" still managed to enter the NME indie chart for six weeks and became an underground chill-out classic.^[7]

The second full-length album, Up the Downstair (though Wilson considers it the first 'proper' PT album since it was made as such and not simply compiled), was released in 1993 and had a very good reception, praised by Melody Maker as "a psychedelic masterpiece... one of the albums of the year".^[14] This was the first album to include ex-Japan member, keyboardist Richard Barbieri and Australian-born bassist Colin Edwin. About the end of the year, Porcupine Tree became a full band for the first time with the inclusion of Chris Maitland on drums.

Wilson continued exploring the ambient and trance grounds and issued The Sky Moves Sideways. It also entered the NME, Melody Maker, and Music Week charts^[7] and many fans started hailing them as the Pink Floyd of the nineties, something Wilson would reject: "I can't help that. It's true that during the period of 'The Sky Moves Sideways', I had done a little too much of it in the sense of satisfying, in a way, the fans of Pink Floyd who were listening to us because that group doesn't make albums any more. Moreover, I regret it".^[13]

The band's fourth work, Signify, included the first full-band compositions and performance, which resulted in less use of drum machines and a more full-band sound. It can be considered a departure from its predecessors for a more song-oriented style.^[15] After the release of the live album Coma Divine concluded their deal with Delerium in 1997, the band moved to Snapper and issued two poppier albums, Stupid Dream in 1999 and Lightbulb Sun in 2000. Both were critical successes and only increased their popularity in the underground music scene.

Two years would pass until their sixth studio album, and in the meantime the band switched labels again, this time signing to Lava, and drummer Chris Maitland was replaced by Gavin Harrison. Now with the support of a major label, In Absentia saw the light of day in 2002, featuring a heavier sound than all the group's previous works. It charted in many European countries and remains one of the top-selling Porcupine Tree albums by now; it was also their first record to be released in 5.1 Surround Sound, in a special edition of 2004 that shortly after won the "Best Made-For-Surround Title" award for the Surround Music Awards 2004. Another two years elapsed before its follow-up, Deadwing, an ambitious and very cohesive record inspired by a film script by Steven Wilson and his friend Mike Bennion, was released in May 2005. This became the first Porcupine Tree album to chart the Billboard 200, entering at #132. The album was prizewinning for the "Album of the Year" award on the Classic Rock magazine awards^[16] and its surround version received the "Best Made-For-Surround Title" once again.^[17]

Steven Wilson started writing Porcupine Tree's next album in early 2006 in Tel Aviv, Israel, alongside work on the second album for his side-project Blackfield. Writing sessions finished in London, UK, in June 2006, then in August of the same year, the band released their first live DVD, titled Arriving Somewhere... and started a tour between September and November to promote it, during which the first half of each show was made up of all-new material. When the tour concluded the band went to studio and finished recording and mastering and added the last touches to the album. In early January 2007, the band revealed the album title was going to be Fear of a Blank Planet (a deliberate reference to Public Enemy's Fear of a Black Planet), and the concept was influenced by the Bret Easton Ellis novel Lunar Park. The album hit the shops on 16 April 2007 in Europe and April 24 in USA. The lyrics revolve around common 21st Century issues such as technology alienation, teen violence, prescription drugs, attention deficit disorder and bipolar disorder.

Fear of a Blank Planet resulted in the most successful album to date in terms of market and sales, and also received the most favourable reviews of the band's whole career. It entered the Billboard 200 at #59, and charted in almost all European countries, peaking at #31 in the UK. It was nominated for a US Grammy, and won several polls as the best album of the year (e.g. Classic Rock magazine, Aardshock, The Netherlands). In July 2007 the Nil Recurring EP was released, containing other material that hadn't made it onto the album for one reason or another.

At a European show in August 2008, Wilson said that Porcupine Tree was beginning work on material for their next album with an eye toward a release in 2009.^[18] Consisting of one long 55 minute song along with 4 shorter songs on the second disc, The Incident was released on September 14, 2009.

The Incident is a double CD set containing the self-titled 55 minute song cycle on disc 1. It has received significant attention and media coverage, and achieved for the band their highest chart positions to date, reaching 5 in The Netherlands, 9 in Germany, 23 in the UK, and 25 on the Billboard 200 in the USA. The subsequent tour of the US and Europe highlighted a large increase in the band's following, with many shows sold out. The single from The Incident, "Time Flies" was available as the free download from iTunes for one week in October 2009.^[19] A new DVD release is expected in Spring 2010, and a preview appeared on the band's website in April 2010.

No-Man[link]

No-Man is Wilson's long term collaboration with singer and songwriter Tim Bowness. Influenced by everything from ambient music to hip-hop, their early singles and albums were a mixture of dance beats and lush orchestrations. However, after a few years the duo started to create more textural and experimental music, most comparable with later Talk Talk. Beginning with Flowermouth in 1994, they have worked with a very wide palette of sounds, and many guest musicians, blending balladry with both acoustic and electronic sounds. No-Man was the first Wilson project to achieve any degree of success, signing with UK independent label One Little Indian (the label of Björk, The Shamen and Skunk Anansie among others), and releasing a string of critically acclaimed singles. The band remains an ongoing, predominantly studio-based project and continues to produce material, although it has never achieved the same level of commercial success as Porcupine Tree.

I.E.M.[link]

In 1996 came the first in a series of albums by I.E.M. (The Incredible Expanding Mindfuck, a name which had also been considered for Porcupine Tree in its infancy), dedicated to exploring Wilson's love of krautrock and experimental rock music. Initially Wilson had planned for the project to be anonymous, but then label Delerium Records published a song on their Pick N Mix compilation with the composition credited to "Steven Wilson" and so attempts to pass off the project in this way were abandoned.^[20] The project released 2 more albums Arcadia Son, and IEM Have Come For Your Children, both in 2001. A box set of 4 CDs, consisting of everything Wilson recorded under the name - billed as "an homage and a final farewell to I.E.M." - was released in June 2010.

Bass Communion[link]

In 1998 Wilson launched another solo project Bass Communion, dedicated to recordings in an ambient, drone, and/or electronic vein. The atmosphere of the music has tended towards the dark and melancholic, but expressed with an almost Zen-like beauty. More recently Wilson has also started working with a guitar and laptop configuration to create fuzzy power drones. So far there have been several full length Bass Communion CDs, vinyl LPs, and singles, many of them issued in handmade or limited editions (which sell out very quickly) in elaborate packaging. Bass Communion has collaborated with many leading experimental musicians such as Muslimgauze, Robert Fripp, Vidna Obmana (on the ongoing Continuum project), Jonathan Coleclough, Colin Potter, Andrew Liles, and several others.

Steven Wilson during a Blackfield performance at New York, in 2005

Blackfield[link]

In 2001 Wilson met and began to collaborate with Israeli rock star Aviv Geffen, with whom he created the band Blackfield. Since then the duo have released three highly acclaimed albums of what they refer to as "melodic and melancholic rock". The albums spawned several hits, notably "Blackfield", "Pain" and "Once". The band has toured several times, and a live DVD of their show in New York was released in 2007. A third album, titled "Welcome to my DNA" was released on 28 March 2011 with a European and American tour to follow.

Storm Corrosion[link]

In March 2010 Wilson and Mikael Åkerfeldt, the front man of Opeth decided to work on a new project as a collaboration under the name of Storm Corrosion. The self-titled album is set to be released in April 2012 on Roadrunner Records. It has been described as being "the final part in the odd trilogy of records completed by (Opeth's) Heritage and Steven Wilson's brand new solo album Grace for Drowning.^[21][22]

Solo career[link]

Cover Versions[link]

Between 2003 and 2010 Wilson released a series of six two-track CD singles under his own name, each one featuring a cover version and an original Steven Wilson song. The choice of covers is unpredictable, featuring songs by Canadian singer Alanis Morissette, Swedish pop group Abba, UK rock band The Cure, Scottish songwriter Momus, Prince, and Scottish singer/songwriter Donovan.

Separate from the Cover Versions series, Wilson has also contributed a cover version of the Cardiacs song "Stoneage Dinosaurs" to Leader Of The Starry Skies: A Tribute To Tim Smith, Songbook 1 (a fundraising compilation album released in December 2010 to benefit the hospitalised Cardiacs leader Tim Smith, whom Wilson has cited as a major inspiration spiritually, if not necessarily in style).^[23]

[edit] Insurgentes

In November 2008 Wilson released his first official solo album, Insurgentes, recorded all over the world between January–August, as a double CD plus a DVD-A (limited to 3,000 copies) and a 4 x 10 inch vinyl version (limited to 1,000 copies), both with hardback book featuring the images of acclaimed and long time collaborator Danish photographer Lasse Hoile. A standard retail CD version (also including the 5.1 DVD-A) was released on 9 March 2009.^[24]

Lasse Hoile's full length feature version of the film based on the recording of the album was premiered at the CPH:DOX international film festival in Copenhagen in November 2009. The film will also be screened at film festivals in Sweden, Germany, Mexico, USA, and Canada. The film is described as part documentary / part surreal road movie. Lasse also directed a video for the song Harmony Korine from the Insurgentes album - the video was a homage to some of Steven and Lasse's favourite European art house films, and has been nominated for Best Cinematography Award and Best Music Video Award at the prestigious Plus Camerimage - International Film Festival of the Art of Cinematography Awards.

A remix mini album was released in November, featuring remixes of material from Insurgentes by TV on the Radio's David A. Sitek, Dälek, Engineers, Pat Mastelotto, and Fear Falls Burning.

[edit] Grace for Drowning

Wilson's second album, Grace For Drowning, was released in September 2011 in CD, vinyl and Blu-ray formats.^[25] It is a double album, with the individual parts named Deform to Form a Star and Like Dust I Have Cleared From My Eye.^[26] He also announced his first solo tour, in Europe and North America, to promote his solo albums. The tour took place in October and November 2011 and contained songs from both Insurgentes and Grace for Drowning.^{[citation needed]}

On December 16, 2011, Wilson announced on his Facebook page new European tourdates for the second leg of his Grace for Drowning tour, running in April and May 2012. South American dates were later added and announced in February 21, 2012, including Venezuela, Chile, Argentina and Brazil^[27].

Third solo studio album[link]

Wilson has announced plans to do a third solo studio album, with the members of the touring band for Grace for Drowning.^[28]

Collaborations[link]

He produced and contributed backing vocals, guitar and keyboards for Opeth on the albums Blackwater Park, Deliverance, and Damnation. In addition to this, he has collaborated on many projects with Belgian experimental musician Dirk Serries of Vidna Obmana and Fear Falls Burning, most notably on their collaboration project Continuum which has so far produced two albums. Wilson is also featured on a Fovea Hex EP "Allure" (Part 3 of the "Neither Speak Nor Remain Silent" trilogy of EP's) on bass guitar. This EP was released in April 2007 through Die-Stadt Musik.

Steven Wilson has also worked with OSI, Marillion, JBK, Orphaned Land, Paatos, Theo Travis, Yoko Ono, Fish, Cipher and Anja Garbarek performing songwriting duties as well as performing musically. Most recently, Wilson is featured on the Pendulum album "Immersion", with his vocals featuring on "The Fountain".^[29] He made a guest appearance on Dream Theater's 2007 album, Systematic Chaos on the song "Repentance", as one of several musical guests recorded apologizing to important people in their lives for wrongdoings in the past.

Wilson did an interview with German musician and composer Klaus Schulze. Schulze was an important figure of the Krautrock movement. This interview is featured as bonus material in Schulze's Live DVD, Rheingold.^[30]

The Anathema album, We're Here Because We're Here, was mixed by Wilson in a period beginning January 2010 and he is thanked in the album liner notes.^[31] A current ongoing project for Wilson is remixing the back catalogue of King Crimson from 1969 to 1984 into MLP (Meridian Lossless Packaging) 5.1 and new stereo mixes.^[32] The first three new editions were issued in October 2009, with more emerging in batches over the coming years.^[33]

Performance style[link]

For live shows Wilson plays with bare feet. This particular custom goes back to his early childhood, where he remembers: "I always had a problem wearing shoes and I've always gone around with bare feet".^[34] He also adds that another factor on performing barefoot is the advantage it gives in operating his diverse guitar pedals.^[35]

Wilson:

"I’ve stepped on nails, screws, drawing pins, stubbed my toe, I’ve come off stage with blood just coming out… I mean, I’ve had it all mate, but to be honest, nothing's going to stop me."^[34]

Discography[link]

See also[link]

• List of hammered dulcimer players

References[link]

External links[link]

Wikimedia Commons has media related to: Steven Wilson

• Steven Wilson Headquarters
• Steven Wilson's Complete Discography
• Chemical Harvest - French Porcupine Tree & Steven Wilson Site
• Steven Wilson at last.fm
• The Seaweed Farm - Steven Wilson related news
• Aural Innovations Review/Interview
• Steven Wilson French Site - Steven Wilson French Site (since 2008)

David Letterman
Letterman performing on his show in June 2011.
Pseudonym	Earl Hofert
Born	(1947-04-12) April 12, 1947 (age 65) Indianapolis, Indiana, United States[1]
Medium	Stand-up, talk show
Nationality	American
Years active	1974–present
Genres	Observational comedy, surreal humor, deadpan
Subject(s)	Self-deprecation, everyday life
Influences	Steve Allen,[citation needed] Johnny Carson,[2] Jack Paar,[citation needed] Paul Dixon[3]
Influenced	Jimmy Kimmel, Jim Gaffigan, Jon Stewart, Conan O'Brien, Jimmy Fallon
Spouse	Michelle Cook (1969–1977) Regina Lasko (2009–present)
Domestic partner(s)	Regina Lasko (1986–2009)
Notable works and roles	Host of The David Letterman Show (NBC) Host of Late Night with David Letterman (NBC) Host of Late Show with David Letterman (CBS)
Signature
Website	CBS.com/latenight/lateshow
Emmy Awards
Outstanding Host or Hostess in a Variety Series 1981 The David Letterman Show Outstanding Individual Achievement — Writers 1981 The David Letterman Show Outstanding Writing in a Variety or Music Program 1984 Late Night with David Letterman 1985 Late Night with David Letterman 1986 Late Night with David Letterman 1987 Late Night with David Letterman Outstanding Variety, Music or Comedy Series 1994 Late Show with David Letterman
American Comedy Awards
Funniest Male Performer in a TV Special (Leading or Supporting) Network, Cable or Syndication 1989 Late Night with David Letterman 1995 Late Show with David Letterman: Video Special Funniest Male Performer in a TV Series (Leading Role) Network, Cable or Syndication 1994 Late Show with David Letterman 2001 Late Show with David Letterman

David Michael Letterman (born April 12, 1947) is an American television host and comedian.^[1] He hosts the late night television talk show, Late Show with David Letterman, broadcast on CBS. Letterman has been a fixture on late night television since the 1982 debut of Late Night with David Letterman on NBC. Letterman recently surpassed friend and mentor Johnny Carson for having the longest late-night hosting career in the United States of America.^[4]

Letterman is also a television and film producer. His company Worldwide Pants produces his show as well as its network follow-up The Late Late Show with Craig Ferguson. Worldwide Pants has also produced several prime-time comedies, the most successful of which was Everybody Loves Raymond, currently in syndication.

In 1996, David Letterman was ranked #45 on TV Guide's 50 Greatest TV Stars of All Time.^[5]

Early life and career[link]

Letterman was born in Indianapolis, Indiana. His father, Harry Joseph Letterman (April 1915 – February 1973),^[6] was a florist of British descent; his mother Dorothy Letterman (née Hofert, now Dorothy Mengering), a Presbyterian church secretary of German descent, is an occasional figure on the show, usually at holidays and birthdays.

Letterman lived on the north side of Indianapolis (Broad Ripple area), not far from Speedway, IN, and the Indianapolis Motor Speedway, and he enjoyed collecting model cars, including racers.^[7] In 2000, he told an interviewer for Esquire that, while growing up, he admired his father's ability to tell jokes and be the life of the party. Harry Joseph Letterman survived a heart attack at age 36, when David was a young boy. The fear of losing his father was constantly with Letterman as he grew up.^[8] The elder Letterman died of a second heart attack^[9] at age 57.

Letterman attended his hometown's Broad Ripple High School at the same time as Marilyn Tucker (future wife of Dan Quayle) and worked as a stock boy at the local Atlas supermarket.^[10] According to the Ball State Daily News, he originally had wanted to attend Indiana University, but his grades weren't good enough, so he decided to attend Ball State University, in Muncie, Indiana.^[11] He is a member of the Sigma Chi Fraternity, and he graduated from what was then the Department of Radio and Television, in 1969. A self-described average student, Letterman endowed a scholarship for what he called "C students" at Ball State.^[12]

Though he registered for the draft and passed his physical after graduating from college, he was not drafted for service in Vietnam due to receiving a draft lottery number of 352 (out of 365).^[13]

Letterman began his broadcasting career as an announcer and newscaster at the college's student-run radio station—WBST—a 10-watt campus station which now is part of Indiana Public Radio.^[14] He was fired for treating classical music with irreverence.^[14]

Letterman then became involved with the founding of another campus station—WAGO-AM 570 (now WWHI, 91.3).^[15]

Letterman credits Paul Dixon—host of the Paul Dixon Show, a Cincinnati-based talk show also shown in Indianapolis while Letterman was growing up—for inspiring his choice of career:^[3]

"I was just out of college [in 1969], and I really didn't know what I wanted to do. And then all of a sudden I saw him doing it [on TV]. And I thought: That's really what I want to do!"

Weatherman[link]

Letterman began his career as a radio talk show host on WNTS (AM), and on Indianapolis television station WLWI (now called WTHR) as an anchor, and weatherman. He received some attention for his unpredictable on-air behavior, which included congratulating a tropical storm for being upgraded to a hurricane and predicting hail stones "the size of canned hams."^[16] He would also occasionally report the weather and the day's very high and low temps for fictitious cities ("Eight inches of snow in Bingree and surrounding areas.") while on another occasion saying that a state border had been erased.^[17] ("From space you can see the border between Indiana and Ohio has been erased. I'm not in favor of this.") He also starred in a local kiddie show, made wisecracks as host of a late night TV show called "Freeze-Dried Movies" (he once acted out a scene from "Godzilla" using plastic dinosaurs),^[18] and hosted a talk show that aired early on Saturday mornings called "Clover Power,"^[19] in which he interviewed 4-H members about their projects.^[20]

In 1971, Letterman appeared as a pit road reporter for ABC Sports' tape-delayed coverage of the Indianapolis 500.^[21] David initially is introduced as Chris Economaki in his job as a corner reporter. Letterman interviews Mario Andretti who has just crashed out of the race and asks him a question about traffic on the course.

Move to Los Angeles[link]

In 1975, encouraged by his then-wife Michelle and several of his Sigma Chi fraternity brothers, Letterman moved to Los Angeles, California, with hope of becoming a comedy writer.^[22] He started off by writing material for comedian Jimmie Walker.^[23] He also began performing stand-up comedy at The Comedy Store, a proving ground for unknown comics.

In the summer of 1977, Letterman was a writer and regular on the six-week summer series The Starland Vocal Band Show, broadcast on CBS.^[24] He hosted a 1977 pilot for a game show entitled The Riddlers^[25][26] that was never picked up and co-starred in the Barry Levinson-produced comedy special Peeping Times that aired in January 1978. Later that year, Letterman was a cast member on Mary Tyler Moore's variety show, Mary.^[27] Letterman made a guest appearance on Mork & Mindy (as a parody of EST leader Werner Erhard^[28]) and appearances on game shows such as The $20,000 Pyramid,^[29] The Gong Show, Password Plus^[30] and Liar's Club, as well as talk shows such as The Mike Douglas Show.^[31] He was also screen tested for the lead role in the 1980 film Airplane!, a role that eventually went to Robert Hays.^[32]

His dry, sarcastic humor caught the attention of scouts for The Tonight Show Starring Johnny Carson, and Letterman was soon a regular guest on the show. Letterman became a favorite of Carson's and was a regular guest host for the show beginning in 1978. Letterman credits Carson as the person who influenced his career the most.^[2]

NBC[link]

Letterman at the 38th Primetime Emmy Awards in 1986

Morning show[link]

On June 23, 1980, Letterman was given his own morning comedy show on NBC, The David Letterman Show. It was originally 90 minutes long, but was shortened to 60 minutes in August 1980.^[33] The show was a critical success, winning two Emmy Awards, but was a ratings disappointment and was canceled in October 1980.

[edit] Late Night with David Letterman

NBC kept Letterman under contract to try him in a different time slot. Late Night with David Letterman debuted February 1, 1982; the first guest on the first show was Bill Murray.^[34] Murray also guested on January 31, 2012 – 30 years later. The show ran Monday through Thursday at 12:30 a.m. Eastern Time, immediately following The Tonight Show Starring Johnny Carson (a Friday night broadcast was added in June 1987). It was seen as being edgy and unpredictable, and soon developed a cult following (particularly among college students). Letterman's reputation as an acerbic interviewer was borne out in verbal sparring matches with Cher^[35] (who even called him an asshole on the show), Shirley MacLaine,^[36] Charles Grodin, and Madonna. The show also featured comedy segments and running characters, in a style heavily influenced by the 1950s and 1960s programs of Steve Allen.^[37] Although Ernie Kovacs is often cited as an influence on the show,^[38] Letterman has denied this.^[2]

The show often featured quirky, genre-mocking regular features, including "Stupid Pet Tricks^[39] ", dropping various objects off the roof of a five-story building,^[40] demonstrations of unorthodox clothing (such as suits made of Alka-Seltzer,^[41] Velcro^[42] and suet), a recurring Top 10 list, the Monkey-Cam^[43] (and the Audience Cam), and a facetious letter-answering segment.^[44] The Top 10 list, several "Film[s] by My Dog Bob" in which a camera was mounted on Letterman's own dog^[45] (often with comic results), Stupid Human Tricks,^[46] Small Town News,^[47] and Stupid Pet Tricks^[48] (which had its origins on Letterman's morning show) all eventually moved with Letterman to CBS.

Other memorable moments included Letterman using a bullhorn to interrupt a live interview on The Today Show, announcing that he was the NBC president while not wearing any pants; interrupting Al Roker on WNBC-TV's broadcast of Live at Five by walking into their studio (which occupied the same floor of 30 Rockefeller Plaza as Letterman's studio); and staging "elevator races", complete with commentary by NBC Sports' Bob Costas. In one infamous appearance, in 1982, Andy Kaufman (who was already wearing a neck brace) appeared to be slapped and knocked to the ground by professional wrestler Jerry Lawler (though Lawler and Kaufman's friend Bob Zmuda later revealed that the event was staged.)^[49] In another memorable exchange, sex expert Dr. Ruth Westheimer included cucumbers in a list of handy sex objects that women could find at home. The following night, guest Ted Koppel asked Letterman "May I insert something here?" and Dave responded "OK, as long as it's not a cucumber."^{[citation needed]}

[edit] Late Show with David Letterman

The Ed Sullivan Theater, where Late Show with David Letterman is recorded

In 1992, Johnny Carson retired, and many fans believed that Letterman would become host of The Tonight Show. When NBC instead gave the job to Jay Leno, Letterman departed NBC to host his own late-night show on CBS, opposite The Tonight Show at 11:30 p.m., called the Late Show with David Letterman. The new show debuted on August 30, 1993 and was taped at the historic Ed Sullivan Theater, where Ed Sullivan taped his eponymous variety series from 1948 to 1971. For Letterman's arrival, CBS spent $8 million in renovations.^[50] In addition to that cost, CBS also signed Letterman to a lucrative three-year, $14 million/year contract,^[51] doubling his Late Night salary. The total cost for everything (renovations, negotiation right paid to NBC, signing Letterman, announcer Bill Wendell, Shaffer, the writers and the band) was over $140 million.

But while the expectation was that Letterman would retain his unique style and sense of humor with the move, Late Show was not an exact replica of his old NBC program. Recognizing the more formal mood (and wider audience) of his new time slot and studio, Letterman eschewed his trademark blazer with khaki pants and white sneakers wardrobe combination in favor of expensive shoes, tailored suits and light-colored socks. The monologue was lengthened and Paul Shaffer and the "World's Most Dangerous Band" followed Letterman to CBS, but they added a brass section and were rebranded the "CBS Orchestra" as a short monologue and a small band were mandated by Carson while Letterman occupied the 12:30 slot. Additionally, because of intellectual property disagreements, Letterman was unable to import many of his Late Night segments verbatim,^[52] but he sidestepped this problem by simply renaming them (the "Top Ten List" became the "Late Show Top Ten", "Viewer Mail" became the "CBS Mailbag", etc.)

Popularity[link]

The main competitor of The Late Show is NBC's The Tonight Show, which was hosted by Jay Leno for nearly 16 years, but from June 1, 2009, to January 22, 2010, was hosted by Conan O'Brien. In 1993 and 1994, The Late Show consistently gained higher ratings than The Tonight Show. But in 1995, ratings dipped and Leno's show consistently beat Letterman's in the ratings from the time that Hugh Grant came on Leno's show after Grant's arrest for soliciting a prostitute.;^[53] Leno typically attracted about 5 million nightly viewers between 1999 and 2009. The Late Show lost nearly half its audience during its competition with Leno, attracting 7.1 million viewers nightly in its 1993–94 season and about 3.8 million per night as of Leno's departure in 2009.^[54] In the final months of his first stint as host of The Tonight Show, Leno beat Letterman in the ratings by a 1.3 million viewer margin (5.2 million to 3.9 million), and Nightline and The Late Show were virtually tied.^[55] Once O'Brien took over Tonight, however, Letterman closed the gap in the ratings.^[56][57][58] O'Brien initially drove the median age of Tonight Show viewers from 55 to 45, with most older viewers opting to watch The Late Show instead.^[59]

Following Leno's return to The Tonight Show, however, Leno has regained his lead.^[60]

Letterman's shows have garnered both critical and industry praise, receiving 67 Emmy Award nominations, winning 12 times in his first 20 years in late night television. From 1993–2009, Letterman ranked higher than Leno in the annual Harris Poll of Nation's Favorite TV Personality 12 times.^[61] For example, in 2003 and 2004 Letterman ranked second in that poll, behind only Oprah Winfrey, a year that Leno was ranked fifth.^[62] Leno was higher than Letterman on that poll three times during the same period, in 1998, 2007, and 2008.^[61]

Hosting the Academy Awards[link]

On March 27, 1995, Letterman acted as the host for the 67th Academy Awards ceremony. Critics blasted^[63] Letterman for what they deemed a poor hosting of the Oscars, noting that his irreverent style undermined the traditional importance and glamor of the event.^{[citation needed]} In a joke about their unusual names (inspired by a similar joke by Woody Allen), he started off by introducing Uma Thurman to Oprah Winfrey, and then both of them to Keanu Reeves: "Oprah...Uma. Uma...Oprah," "Have you kids met Keanu?"^[64] This and many of his other jokes fell flat.^{[citation needed]} Although Letterman attracted the highest ratings to the annual telecast since 1983, many felt that the bad publicity garnered by Letterman's hosting caused a decline in the Late Show's ratings.^[65]

Letterman recycled the apparent debacle into a long-running gag. On his first show after the Oscars, he joked, "Looking back, I had no idea that thing was being televised." He lampooned his stint two years later, during Billy Crystal's opening Oscar skit, which also parodied the plane-crashing scenes from that year's chief nominated film, The English Patient.

For years afterward, Letterman recounted his hosting the Oscars, although the Academy of Motion Picture Arts and Sciences continued to hold Letterman in high regard and they had invited him to host the Oscars again.^[66][67] On September 7, 2010, he made an appearance on the premiere of the 14th season of The View, and confirmed that he had been considered for hosting again.

Heart surgery hiatus[link]

On January 14, 2000, a routine check-up revealed that an artery in Letterman's heart was severely obstructed. He was rushed to emergency surgery for a quintuple bypass.^[68]

During the initial weeks of his recovery, reruns of the Late Show were shown and introduced by friends of Letterman including Drew Barrymore,^[58] Ray Romano, Robin Williams, Bonnie Hunt, Megan Mullally, Bill Murray, Regis Philbin, Charles Grodin, Nathan Lane, Julia Roberts,^[58] Bruce Willis, Jerry Seinfeld, Martin Short, Steven Seagal, Hillary Rodham Clinton, Danny DeVito, Steve Martin, and Sarah Jessica Parker.

Subsequently, while still recovering from surgery, Letterman revived the late night tradition that had virtually disappeared on network television during the 1990s of 'guest hosts' by allowing Bill Cosby, Kathie Lee Gifford (recommended by Regis Philbin, who was asked first but had no time in his schedule), Dana Carvey, Janeane Garofalo, and others to host new episodes of The Late Show. Cosby—the show's first guest host—refused to sit at Letterman's desk out of respect, using the couch instead; Garofalo followed suit, utilizing a set of grade-school desks instead.

Upon his return to the show on February 21, 2000, Letterman brought all of the doctors and nurses on stage who had participated in his surgery and recovery (with extra teasing of a nurse who had given him bed baths—"This woman has seen me naked!"),^[69] including Dr. O. Wayne Isom and physician Louis Aronne, who frequently appears on the show. In a show of emotion, Letterman was nearly in tears as he thanked the health care team with the words "These are the people who saved my life!" The episode earned an Emmy nomination. For a number of episodes, Letterman continued to crack jokes about his bypass, including saying, "Bypass surgery: it's when doctors surgically create new blood flow to your heart. A bypass is what happened to me when I didn't get The Tonight Show! It's a whole different thing." In a later running gag he lobbied his home state of Indiana to rename the freeway circling Indianapolis (I-465) "The David Letterman Bypass." He also featured a montage of faux news coverage of his bypass surgery, which included a clip of Dave's heart for sale on the Home Shopping Network. Letterman became friends with his doctors and nurses. In 2008, a Rolling Stone interview stated "he hosted a doctor and nurse who'd helped perform the emergency quintuple-bypass heart surgery that saved his life in 2000. 'These are people who were complete strangers when they opened my chest,' he says. 'And now, eight years later, they're among my best friends.' "^[4]

Additionally, Letterman invited the band Foo Fighters to play "Everlong",^[70] introducing them as "my favorite band, playing my favorite song."^[71] During a later Foo Fighters appearance, Letterman said that Foo Fighters had been in the middle of a South American tour which they canceled to come play on his comeback episode.

Letterman again handed over the reins of the show to several guest hosts (including Bill Cosby, Brad Garrett, Elvis Costello, John McEnroe, Vince Vaughn, Will Ferrell, Bonnie Hunt, Luke Wilson and bandleader Paul Shaffer) in February 2003, when he was diagnosed with a severe case of shingles. Later that year, Letterman made regular use of guest hosts—including Tom Arnold and Kelsey Grammer—for new shows broadcast on Fridays. In March 2007, Adam Sandler—who had been scheduled to be the lead guest—served as a guest host while Letterman was ill with a stomach virus.^[72]

Re-signing with CBS[link]

Letterman hosting President Barack Obama at Late Show with David Letterman, September 2009

In March 2002, as Letterman's contract with CBS neared expiration, ABC offered him the time slot for long-running news program Nightline with Ted Koppel. Letterman was interested as he believed he could never match Leno's ratings at CBS due to Letterman's complaint of weaker lead-ins from the network's late local news programs, but was reluctant to replace Koppel.^[73] Letterman addressed his decision to re-sign on the air, stating that he was content at CBS and that he had great respect for Koppel.

On December 4, 2006, CBS revealed that Letterman signed a new contract to host The Late Show with David Letterman through the fall of 2010. "I'm thrilled to be continuing on at CBS," said Letterman. "At my age you really don't want to have to learn a new commute."^[74] Letterman further joked about the subject by pulling up his right pants leg, revealing a tattoo, presumably temporary, of the ABC logo.

"Thirteen years ago, David Letterman put CBS late night on the map and in the process became one of the defining icons of our network," said Leslie Moonves, president and CEO of CBS Corporation. "His presence on our air is an ongoing source of pride, and the creativity and imagination that the Late Show puts forth every night is an ongoing display of the highest quality entertainment. We are truly honored that one of the most revered and talented entertainers of our time will continue to call CBS 'home.'"^[75]

According to a 2007 article in Forbes magazine, Letterman earned $40 million a year.^[76] A 2009 article in The New York Times, however, said his salary was estimated at $32 million per year.^[77] In June 2009, Letterman's Worldwide Pants and CBS reached agreement to continue the Late Show until at least August 2012. The previous contract had been set to expire in 2010, and the two-year extension is shorter than the typical three-year contract period negotiated in the past.^[77] Worldwide Pants agreed to lower its fee for the show, though it had remained a "solid moneymaker for CBS" under the previous contract.^[77]

On the February 3, 2011, edition of the Late Show, during an interview with Howard Stern, Letterman said he would continue to do his talk show for "maybe two years, I think."^[78]

2007–2008 writers' strike[link]

The Late Show went off air for eight weeks during the months of November and December because of the Writers Guild of America strike. Letterman's production company—Worldwide Pants—was the first company to make an individual agreement with the WGA,^[79] thus allowing his show to come back on air on January 2, 2008. On his first episode since being off air, he surprised the viewing audience with his newly grown beard, which signified solidarity with the strike.^[80] His beard was shaved off during the show on January 7, 2008.

Controversy over jokes about daughter of Sarah Palin[link]

On June 8 and June 9, 2009, Letterman told a sexually-themed joke on his show each night about a daughter of Sarah Palin.^[81] Palin was in New York City at the time with her fourteen year-old daughter, Willow, and the jokes were said to be aimed at the daughter, never named, who was visiting New York City with her mother.^[81] Palin criticized the jokes, saying in a statement posted on the internet that "I doubt he'd ever dare make such comments about anyone else's daughter," and "laughter incited by sexually-perverted comments made by a 62-year-old male celebrity aimed at a 14-year-old girl" is "disgusting."^[82] On June 10, Letterman responded to the controversy on his show by stating that the jokes were meant to be about Palin's eighteen year-old daughter, Bristol, whose pregnancy as an unmarried teenager had caused controversy during the 2008 Presidential election, and that "(t)hese are not jokes made about (Palin's) 14-year-old daughter. I would never, never make jokes about raping or having sex of any description with a 14-year-old girl."^[82] His remarks didn't put an end to the public criticism, however, with the National Organization for Women, who supported Palin in a statement, noting he had given only "something of an apology."^[81] With the controversy not subsiding, Letterman addressed the issue again on his June 15 show, faulting himself for the error and apologizing "especially to the two daughters involved, Bristol and Willow, and also to the governor and her family and everybody else who was outraged by the joke."^[83]

Letterman and Carson[link]

In spite of Johnny Carson's clear intention to pass his title to Letterman, NBC selected Jay Leno to host The Tonight Show after Carson's departure.^[84] Letterman maintained a close relationship with Carson through his break with NBC. Three years after he left for CBS, HBO produced a made-for-television movie called The Late Shift, based on a book by New York Times reporter Bill Carter, chronicling the battle between Letterman and Leno for the coveted Tonight Show hosting spot. Letterman would mock the film for months afterward, specifically on how the actor playing him, John Michael Higgins, did not resemble him in the least.^{[citation needed]}

Carson later made a few cameo appearances as a guest on Letterman's show. Carson's final television appearance came May 13, 1994, on a Late Show episode taped in Los Angeles, when he made a surprise appearance during a 'Top 10 list' segment. The audience went wild as Letterman stood up and proudly invited Carson to sit at his desk. The applause was so protracted that Carson was unable to say anything, and he finally returned backstage as the applause continued (it was later explained that Carson had laryngitis, though Carson can be heard talking to Letterman during his appearance).

In early 2005, it was revealed that Carson still kept up with current events and late-night TV right up to his death that year, and that he occasionally sent jokes to Letterman, who used these jokes in his monologue; according to CBS senior vice president Peter Lassally (a onetime producer for both men), Carson got "a big kick out of it."^[85] Letterman would do a characteristic Johnny Carson golf swing after delivering one of Carson's jokes. In a tribute to Carson, all of the opening monologue jokes during the first show following Carson's death were written by Carson.

Lassally also claimed that Carson had always believed Letterman, not Leno, to be his "rightful successor."^[86] Letterman also frequently employs some of Carson's trademark bits on his show, including "Carnac the Magnificent" (with Paul Shaffer as Carnac), "Stump the Band" and the "Week in Review."

Letterman and Oprah Winfrey[link]

Letterman and Oprah had a 16 year feud which according to Letterman started when he and his girlfriend decided to skip out on a bill, tricking the waiter into thinking Oprah agreed to pay it.^[87]

On September 10, 2007, Letterman made his first appearance on The Oprah Winfrey Show at Madison Square Garden in New York City. He shared pictures of his son and live-in girlfriend. The so-called feud between Letterman and Winfrey apparently ended in 2005 when Winfrey appeared on CBS's Late Show with David Letterman on December 2, in an event Letterman jokingly referred to as "the Super Bowl of Love".^[88] Winfrey had previously appeared on Letterman's show when he was hosting NBC's Late Night on May 2, 1989.

Winfrey and Letterman also appeared together in a Late Show promo that aired during CBS's coverage of Super Bowl XLI in February 2007, with the two sitting next to each other on the couch watching the game. Since the game was played between the Indianapolis Colts and Chicago Bears, the Indianapolis-born Letterman wears a Peyton Manning jersey, while Winfrey—who tapes her show in Chicago—is in a Brian Urlacher jersey.^[89] Three years later, during CBS's coverage of Super Bowl XLIV, the two appeared again, this time with Winfrey sitting on a couch between Letterman and Jay Leno. The appearance was Letterman's idea: Leno flew to New York City in an NBC corporate jet, sneaking into the Ed Sullivan Theater during the Late Show's February 4 taping wearing a disguise, meeting Winfrey and Letterman at a living room set created in the theater's balcony where they taped their promo.^[90]

Response to Internet death threat[link]

On August 17, 2011, it was reported that a Muslim militant had posted a death threat against Letterman on a website frequented by Al-Qaeda supporters, calling on American Muslims to kill Letterman for making a joke about the death of an Al-Qaeda leader killed in a drone strike in Pakistan in June 2011.^[91] In his show on August 22, Letterman joked about the threat, saying "State Department authorities are looking into this. They're not taking this lightly. They're looking into it. They're questioning, they're interrogating, there's an electronic trail—but everybody knows it's Leno."^[92]

Appearances in other media[link]

Letterman appeared in issue 239 of the Marvel comic book The Avengers, in which the title characters are guests on Late Night.^[93] A parody of Letterman, named "David Endochrine," is gassed to death along with his bandleader named "Paul" and their audience in Frank Miller's The Dark Knight Returns.^[94]

Letterman appeared in the pilot episode of the short-lived 1986 series "Coach Toast", and he appears with a bag over his head as a guest on Bonnie Hunt's ca. 1993 sitcom The Building. He also appears in The Simpsons, as himself in a couch gag when The Simpsons find themselves (and the couch) in "Late Night with David Letterman." He had a cameo in the feature film Cabin Boy, with Chris Elliott, who worked as a writer on Letterman's show. In this and other appearances, Letterman is listed in the credits as "Earl Hofert", the name of Letterman's maternal grandfather. He also appeared as himself in the Howard Stern biopic Private Parts as well as the 1999 Andy Kaufman biopic Man on the Moon, in a few episodes of Garry Shandling's 1990s TV series The Larry Sanders Show and in "The Abstinence", a 1996 episode of the sitcom Seinfeld. Letterman also made an uncredited appearance in the first episode of the third season of the sitcom The Nanny.

Letterman provided vocals for the Warren Zevon song "Hit Somebody" from My Ride's Here,^[95] and provided the voice for Butt-head's father in the 1996 animated film Beavis and Butt-head Do America.

In 2010, a documentary Dying to Do Letterman was released directed by Joke Fincioen and Biagio Messina featuring Steve Mazan, a stand up comic, who has cancer and wants to appear on the Letterman Show. The film won Best Documentary and Jury Awards at the Cinequest Film Festival.^[96] Steve Mazan published a same-titled book (full title, Dying to Do Letterman: Turning Someday into Today) about his own saga.^[97]

Known for rarely giving television interviews, Letterman appeared as an exclusive guest on CNN's Piers Morgan Tonight on May 29, 2012. He was interviewed for one full hour by a long-time friend and fellow television host Regis Philbin, who guest hosted the show during Piers Morgan's leave during that week.

Other projects[link]

Worldwide Pants[link]

Letterman started his own production company—Worldwide Pants Incorporated—which produced his show and several others, including Everybody Loves Raymond, The Late Late Show, and several critically acclaimed, but short-lived television series for Bonnie Hunt. Worldwide Pants also produced the dramedy program Ed, which aired on NBC from 2000–2004. It was Letterman's first association with NBC since he left the network in 1993. During Ed's run, the star, Tom Cavanagh, appeared as a guest on The Late Show several times.

In 2005, Worldwide Pants produced its first feature film, Strangers with Candy, which was a prequel to the Comedy Central TV series of the same title. In 2007, Worldwide Pants produced the ABC comedy series, Knights of Prosperity.

Worldwide Pants made significant news in December 2007 when it was announced that Letterman's company had independently negotiated its own contract with the Writers Guild of America, East, thus allowing Letterman, Craig Ferguson, and their writers to return to work, while the union continued its strike against production companies, networks and studios who had not reached an agreement.

Record company[link]

In late April 2010, several music industry websites reported that Letterman started a record label named Clear Entertainment/C.E. Music and signed his first artist, Runner Runner.^[98][99] Lucy Walsh announced on her MySpace page that she has been signed by Letterman and Clear Entertainment/C.E. Music and is working on her album.

Rahal Letterman Lanigan Racing[link]

Rahal Letterman Lanigan Racing (RLLR) is an auto racing team that currently races in the American Le Mans Series, and part-time in the Indy Racing League. It is co-owned by 1986 Indianapolis 500 winner Bobby Rahal, businessman Mike Lanigan, and Letterman himself, and is based in Hilliard, Ohio. The team won the 2004 Indianapolis 500 with driver Buddy Rice. Letterman was a pit reporter for ABC in the 1971 Indianapolis 500.^[21]

American Foundation for Courtesy and Grooming[link]

American Foundation for Courtesy and Grooming is Letterman's private foundation. Through it, Letterman has donated millions of dollars to charities and other non-profits in Indiana and Montana, celebrity-affiliated organizations such as Paul Newman's Hole in the Wall Gang Camp, universities such as Ball State, and other organizations such as the American Cancer Society, Salvation Army, and Doctors Without Borders.

Personal life[link]

Marriages and long-term relationships[link]

In 1969, Letterman married Michelle Cook; the marriage ended by divorce in 1977.^[100] He also had a long-term relationship with former head writer and producer on Late Night, Merrill Markoe. Markoe was the mind behind several Late Night staples, such as "Stupid Pet/Human Tricks".

Wikinews has related news: TV late night show host David Letterman marries girlfriend of 23 years

Letterman has a son, Harry Joseph Letterman (born on November 3, 2003), with Regina Lasko. Harry is named after Letterman's father.^[101] In 2005, police discovered a plot to kidnap Harry Letterman and ransom him for $5 million. Kelly Frank, a house painter who had worked for Letterman, was charged in the conspiracy.^[102]

Letterman and Lasko, who had been together since 1986, wed on March 19, 2009, during a quiet courthouse civil ceremony in Choteau, Montana, where he purchased a ranch in 1999.^{[103][104][105]} Letterman announced the marriage during the taping of his March 23 show, shortly after congratulating Bruce Willis for getting married the previous week. Letterman told the audience he nearly missed the ceremony because his truck became stuck in mud two miles from their house.^[106] The family resides in North Salem, New York, on a 108-acre (44 ha) estate.^[107]

Stalking incident[link]

Beginning in May 1988, Letterman was stalked by Margaret Mary Ray, a woman suffering from schizophrenia. She once stole his Porsche, repeatedly broke into his house, and camped out on his tennis court. Her exploits drew national attention, and Letterman occasionally joked about her behavior in his show, although never mentioning her name. After she committed suicide in 1998, Letterman told the New York Times that he had had great compassion for her,^[108] and publicly expressed sympathy.^[109]

[edit] Extortion attempt and revelation of affairs

On his October 1, 2009, show, Letterman announced that he had been the victim of an extortion attempt by someone threatening to reveal that he had had sex with several of his female employees, and at the same time, he confirmed that he had had such relationships.^[110] He stated that three weeks earlier (on September 9, 2009) someone had left a package in his car with material he said he would write into a screenplay and a book if Letterman did not pay him $2 million. Letterman said that he contacted the Manhattan District Attorney's office, ultimately cooperating with them to conduct a sting operation involving giving the man a phony check.^[111] Subsequently, Robert J. "Joe" Halderman, a producer of the CBS true crime journalism series 48 Hours, was arrested after trying to deposit the check. He was indicted by a Manhattan grand jury and pleaded not guilty to a charge of attempted grand larceny on October 2, 2009.^[112] Eventually, on March 9, 2010, he pleaded guilty to this same felony and served a 6-month jail sentence, followed by probation and community service.^[113]

A central figure in the case and one of the women Letterman had had a sexual relationship with was his longtime personal assistant Stephanie Birkitt, who often appeared with him on his show. She had also worked for 48 Hours.^[114] Until a month prior to the revelations, she had shared a residence with Halderman,^[115] who allegedly had copied her personal diary and used it, along with private emails, in the blackmail package.^[116]

On October 3, 2009, a former CBS employee, Holly Hester, announced that she and Letterman had engaged in a year-long "secret" affair in the early 1990s while she was his intern and a student at New York University.^[117]

In the days following the initial announcement of the affairs and the arrest, several prominent women, including Kathie Lee Gifford, co-host of NBC's Today Show, and NBC news anchor Ann Curry questioned whether Letterman's affairs with subordinates created an unfair working environment.^[118] A spokesman for Worldwide Pants said that the company's sexual harassment policy did not prohibit sexual relationships between managers and employees.^[119] According to business news reporter Eve Tahmincioglu, "CBS suppliers are supposed to follow the company's business conduct policies" and the CBS 2008 Business Conduct Statement states that "If a consenting romantic or sexual relationship between a supervisor and a direct or indirect subordinate should develop, CBS requires the supervisor to disclose this information to his or her Company's Human Resources Department..."^[120]

On October 5, 2009, Letterman devoted a segment of his show to a public apology to his wife and staff.^[121][122] Three days later, Worldwide Pants announced that Birkitt had been placed on a "paid leave of absence" from the Late Show.^[123] On October 15, CBS News announced that the company's Chief Investigative Correspondent, Armen Keteyian, had been assigned to conduct an "in-depth investigation" into Halderman's blackmail of Letterman.^[124]

Awards and honors[link]

Awards[link]

In his capacities as either a writer, producer, performer, or as part of a writing team, Letterman is among the most nominated people in Emmy Award history with 52 nominations, winning two Daytime Emmys and five Primetime Emmys since 1981. His nomination record is second only to producer Jac Venza, who holds the record for the most Emmy nominations for an individual (57). Letterman has been nominated every year since 1984, when he first appeared on late night television as the host of Late Night with David Letterman. Additionally, he has won four American Comedy Awards. Letterman was the first recipient of the Johnny Carson Award for Comedic Excellence at The Comedy Awards in 2011.

David Letterman Communication and Media Building.

David Letterman Communication and Media Building[link]

On September 7, 2007, Letterman visited his alma mater, Ball State University in Muncie, Indiana, for the dedication of a communications facility named in his honor for his dedication to the university throughout his career as a comedian. The $21 million, 75,000-square-foot (7,000 m²) David Letterman Communication and Media Building opened for the 2007 fall semester. It features state-of-the-art recording equipment and facilities. Thousands of Ball State students, faculty, and local residents welcomed Letterman back to Indiana.^[125] Letterman's emotional speech touched on his struggles as a college student and his late father, and also included the "top ten good things about having your name on a building", finishing with, "if reasonable people can put my name on a $21 million building, anything is possible."^[126]

At the same time, Letterman also received a Sagamore of the Wabash award given by Indiana Governor Mitch Daniels, which recognizes distinguished service to the state of Indiana.^[125]

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (April 2012)

Wikimedia Commons has media related to: David Letterman

Wikiquote has a collection of quotations related to: David Letterman

• David Letterman at the Open Directory Project
• David Letterman at the Internet Movie Database
• David Letterman's Feb. 24, 1978 appearance on 90 Minutes Live
• Official Late Show biography
• 1999 article on Letterman from Salon.com
• Tape of Letterman announcing affairs/extortion attempt on Late Show
• Works by or about David Letterman in libraries (WorldCat catalog)