This article has been nominated to be checked for its neutrality. Discussion of this nomination can be found on the talk page. (February 2012)

St. Dominic of Silos enthroned as abbot (Hispano-Flemish Gothic 15th century)

The word abbot, meaning father, is a title given to the head of a monastery in various traditions, including Christianity. This article is intended to present facts related to the role and history associated with abbots in Christianity. The office may also be given as an honorary title to a clergyman who is not actually the head of a monastery. The female equivalent is abbess.

Origins[link]

The title had its origin in the monasteries of Egypt and Syria, spread through the eastern Mediterranean, and soon became accepted generally in all languages as the designation of the head of a monastery. At first it was employed as a respectful title for any monk, but it was soon restricted by canon law to certain priestly superiors. At times it was applied to various priests, e.g. at the court of the Frankish monarchy the Abbas palatinus ('of the palace') and Abbas castrensis ('of the camp') were chaplains to the Merovingian and Carolingian sovereigns’ court and army respectively. The title "abbot" came into fairly general use in western monastic orders whose members include priests.^[1]

Monastic history[link]

Coptic icon of St. Pachomius, the founder of cenobitic monasticism.

Carving of St. Benedict of Nursia, holding an abbot's crozier and his Rule for Monasteries (Münsterschwarzach, Germany).

An abbot (from Old English abbod, abbad, from Latin abbas (“father”), from Ancient Greek ἀββᾶς (abbas), from Aramaic ܐܒܐ/אבא (’abbā, “father”); confer German Abt; French abbé) is the head and chief governor of a community of monks, called also in the East hegumen or archimandrite.^[1] The English version for a female monastic head is abbess.

Early history[link]

In Egypt, the first home of monasticism, the jurisdiction of the abbot, or archimandrite, was but loosely defined. Sometimes he ruled over only one community, sometimes over several, each of which had its own abbot as well. Saint John Cassian speaks of an abbot of the Thebaid who had 500 monks under him. By the Rule of St Benedict, which, until the Cluniac reforms, was the norm in the West, the abbot has jurisdiction over only one community. The rule, as was inevitable, was subject to frequent violations; but it was not until the foundation of the Cluniac Order that the idea of a supreme abbot, exercising jurisdiction over all the houses of an order, was definitely recognized.^[1]

Monks, as a rule, were laymen, nor at the outset was the abbot any exception. For the reception of the sacraments, and for other religious offices, the abbot and his monks were commanded to attend the nearest church. This rule proved inconvenient when a monastery was situated in a desert or at a distance from a city, and necessity compelled the ordination of some monks. This innovation was not introduced without a struggle, ecclesiastical dignity being regarded as inconsistent with the higher spiritual life, but, before the close of the 5th century, at least in the East, abbots seem almost universally to have become deacons, if not priests. The change spread more slowly in the West, where the office of abbot was commonly filled by laymen till the end of the 7th century. The ecclesiastical leadership exercised by abbots despite their frequent lay status is proved by their attendance and votes at ecclesiastical councils. Thus at the first Council of Constantinople, AD 448, 23 archimandrites or abbots sign, with 30 bishops.^[1]

The second Council of Nicaea, AD 787, recognized the right of abbots to ordain their monks to the inferior orders^[1] below the diaconate, a power usually reserved to bishops.

Abbots were originally subject to episcopal jurisdiction, and continued generally so, in fact, in the West till the 11th century. The Code of Justinian (lib. i. tit. iii. de Ep. leg. xl.) expressly subordinates the abbot to episcopal oversight. The first case recorded of the partial exemption of an abbot from episcopal control is that of Faustus, abbot of Lerins, at the council of Arles, AD 456; but the exorbitant claims and exactions of bishops, to which this repugnance to episcopal control is to be traced, far more than to the arrogance of abbots, rendered it increasingly frequent, and, in the 6th century, the practice of exempting religious houses partly or altogether from episcopal control, and making them responsible to the pope alone, received an impulse from Pope Gregory the Great. These exceptions, introduced with a good object, had grown into a widespread evil by the 12th century, virtually creating an imperium in imperio, and depriving the bishop of all authority over the chief centres of influence in his diocese.^[1]

Later Middle Ages[link]

In the 12th century the abbots of Fulda claimed precedence of the archbishop of Cologne. Abbots more and more assumed almost episcopal state, and in defiance of the prohibition of early councils and the protests of St Bernard and others, adopted the episcopal insignia of mitre, ring, gloves and sandals.^[1]

It has been maintained that the right to wear mitres was sometimes granted by the popes to abbots before the 11th century, but the documents on which this claim is based are not genuine (J. Braun, Liturgische Gewandung, p. 453). The first undoubted instance is the bull by which Alexander II in 1063 granted the use of the mitre to Egelsinus, abbot of the monastery of St Augustine at Canterbury. The mitred abbots in England were those of Abingdon, St Alban's, Bardney, Battle, Bury St Edmunds, St Augustine's Canterbury, Colchester, Croyland, Evesham, Glastonbury, Gloucester, St Benet's Hulme, Hyde, Malmesbury, Peterborough, Ramsey, Reading, Selby, Shrewsbury, Tavistock, Thorney, Westminster, Winchcombe, and St Mary's York^{[citation needed]}. Of these the precedence was originally yielded to the abbot of Glastonbury, until in AD 1154 Adrian IV (Nicholas Breakspear) granted it to the abbot of St Alban's, in which monastery he had been brought up. Next after the abbot of St Alban's ranked the abbot of Westminster. To distinguish abbots from bishops, it was ordained that their mitre should be made of less costly materials, and should not be ornamented with gold, a rule which was soon entirely disregarded, and that the crook of their pastoral staff (the crosier) should turn inwards instead of outwards, indicating that their jurisdiction was limited to their own house.^[1]

The adoption of certain episcopal insignia (pontificalia) by abbots was followed by an encroachment on episcopal functions, which had to be specially but ineffectually guarded against by the Lateran council, AD 1123. In the East abbots, if in priests' orders and with the consent of the bishop, were, as we have seen, permitted by the second Nicene council, AD 787, to confer the tonsure and admit to the order of reader; but gradually abbots, in the West also, advanced higher claims, until we find them in AD 1489 permitted by Innocent IV to confer both the subdiaconate and diaconate. Of course, they always and everywhere had the power of admitting their own monks and vesting them with the religious habit.^[1]

The power of the abbot was paternal but absolute, limited, however, by the canon law. One of the main goals of monasticism was the purgation of self and selfishness, and obedience was seen as a path to that perfection. It was sacred duty to execute the abbot's orders, and even to act without his orders was sometimes considered a transgression. Examples among the Egyptian monks of this submission to the commands of the superiors, exalted into a virtue by those who regarded the entire crushing of the individual will as a goal, are detailed by Cassian and others, e.g. a monk watering a dry stick, day after day, for months, or endeavoring to remove a huge rock immensely exceeding his powers.^[1]

Appointments[link]

When a vacancy occurred, the bishop of the diocese chose the abbot out of the monks of the convent, but the right of election was transferred by jurisdiction to the monks themselves, reserving to the bishop the confirmation of the election and the benediction of the new abbot. In abbeys exempt from the (arch)bishop's diocesan jurisdiction, the confirmation and benediction had to be conferred by the pope in person, the house being taxed with the expenses of the new abbot's journey to Rome. It was necessary that an abbot should be at least 25 years of age, of legitimate birth, a monk of the house, unless it furnished no suitable candidate, when a liberty was allowed of electing from another convent, well instructed himself, and able to instruct others, one also who had learned how to command by having practised obedience.^[1] In some exceptional cases an abbot was allowed to name his own successor. Cassian speaks of an abbot in Egypt doing this; and in later times we have another example in the case of St Bruno. Popes and sovereigns gradually encroached on the rights of the monks, until in Italy the pope had usurped the nomination of all abbots, and the king in France, with the exception of Cluny, Premontré and other houses, chiefs of their order. The election was for life, unless the abbot was canonically deprived by the chiefs of his order, or when he was directly subject to them, by the pope or the bishop.^[1]

The ceremony of the formal admission of a Benedictine abbot in medieval times is thus prescribed by the consuetudinary of Abingdon. The newly elected abbot was to put off his shoes at the door of the church, and proceed barefoot to meet the members of the house advancing in a procession. After proceeding up the nave, he was to kneel and pray at the topmost step of the entrance of the choir, into which he was to be introduced by the bishop or his commissary, and placed in his stall. The monks, then kneeling, gave him the kiss of peace on the hand, and rising, on the mouth, the abbot holding his staff of office. He then put on his shoes in the vestry, and a chapter was held, and the bishop or his delegate preached a suitable sermon.^[1]

General information[link]

Before the late modern era, the abbot was treated with the utmost reverence by the brethren of his house. When he appeared either in church or chapter all present rose and bowed. His letters were received kneeling, as were those of the pope and the king. No monk might sit in his presence, or leave it without his permission, reflecting the hierarchical etiquette of families and society. The highest place was assigned to him, both in church and at table. In the East he was commanded to eat with the other monks. In the West the Rule of St Benedict appointed him a separate table, at which he might entertain guests and strangers. This permission opening the door to luxurious living, the council of Aachen, AD 817, decreed that the abbot should dine in the refectory, and be content with the ordinary fare of the monks, unless he had to entertain a guest. These ordinances proved, however, generally ineffectual to secure strictness of diet, and contemporaneous literature abounds with satirical remarks and complaints concerning the inordinate extravagance of the tables of the abbots. When the abbot condescended to dine in the refectory, his chaplains waited upon him with the dishes, a servant, if necessary, assisting them. When abbots dined in their own private hall, the Rule of St Benedict charged them to invite their monks to their table, provided there was room, on which occasions the guests were to abstain from quarrels, slanderous talk and idle gossiping.^[1]

Arms of a Roman Catholic abbot are distinguished by a gold crozier with a veil attached and a black galero with twelve tassels (the galero of a territorial abbot would be green)

The ordinary attire of the abbot was according to rule to be the same as that of the monks. But by the 10th century the rule was commonly set aside, and we find frequent complaints of abbots dressing in silk, and adopting sumptuous attire. Some even laid aside the monastic habit altogether, and assumed a secular dress. With the increase of wealth and power, abbots had lost much of their special religious character, and become great lords, chiefly distinguished from lay lords by celibacy. Thus we hear of abbots going out to hunt, with their men carrying bows and arrows; keeping horses, dogs and huntsmen; and special mention is made of an abbot of Leicester, c. 1360, who was the most skilled of all the nobility in hare hunting. In magnificence of equipage and retinue the abbots vied with the first nobles of the realm. They rode on mules with gilded bridles, rich saddles and housings, carrying hawks on their wrist, followed by an immense train of attendants. The bells of the churches were rung as they passed. They associated on equal terms with laymen of the highest distinction, and shared all their pleasures and pursuits.^[1] This rank and power was, however, often used most beneficially. For instance, we read of Whiting, the last abbot of Glastonbury, judicially murdered by Henry VIII, that his house was a kind of well-ordered court, where as many as 300 sons of noblemen and gentlemen, who had been sent to him for virtuous education, had been brought up, besides others of a lesser rank, whom he fitted for the universities. His table, attendance and officers were an honour to the nation. He would entertain as many as 500 persons of rank at one time, besides relieving the poor of the vicinity twice a week. He had his country houses and fisheries, and when he travelled to attend parliament his retinue amounted to upwards of 100 persons. The abbots of Cluny and Vendôme were, by virtue of their office, cardinals of the Roman church.^[1]

In process of time the title abbot was extended to clerics who had no connection with the monastic system, as to the principal of a body of parochial clergy; and under the Carolingians to the chief chaplain of the king, Abbas Curiae, or military chaplain of the emperor, Abbas Castrensis. It even came to be adopted by purely secular officials. Thus the chief magistrate of the republic at Genoa was called Abbas Populi.^[1]

Lay abbots (M. Lat. defensores, abbacomites, abbates laici, abbates milites, abbates saeculares or irreligiosi, abbatiarii, or sometimes simply abbates) were the outcome of the growth of the feudal system from the 8th century onwards. The practice of commendation, by which—to meet a contemporary emergency—the revenues of the community were handed over to a lay lord, in return for his protection, early suggested to the emperors and kings the expedient of rewarding their warriors with rich abbeys held in commendam.^[1]

During the Carolingian epoch the custom grew up of granting these as regular heritable fiefs or benefices, and by the 10th century, before the great Cluniac reform, the system was firmly established. Even the abbey of St Denis was held in commendam by Hugh Capet. The example of the kings was followed by the feudal nobles, sometimes by making a temporary concession permanent, sometimes without any form of commendation whatever. In England the abuse was rife in the 8th century, as may be gathered from the acts of the council of Cloveshoe. These lay abbacies were not merely a question of overlordship, but implied the concentration in lay hands of all the rights, immunities and jurisdiction of the foundations, i.e. the more or less complete secularization of spiritual institutions. The lay abbot took his recognized rank in the feudal hierarchy, and was free to dispose of his fief as in the case of any other. The enfeoffment of abbeys differed in form and degree. Sometimes the monks were directly subject to the lay abbot; sometimes he appointed a substitute to perform the spiritual functions, known usually as dean (decanus), but also as abbot (abbas legitimas, monasticus, regularis).^[1]

When the great reform of the 11th century had put an end to the direct jurisdiction of the lay abbots, the honorary title of abbot continued to be held by certain of the great feudal families, as late as the 13th century and later, the actual head of the community retaining that of dean. The connection of the lesser lay abbots with the abbeys, especially in the south of France, lasted longer; and certain feudal families retained the title of abbes chevaliers (abbates milltes) for centuries, together with certain rights over the abbey lands or revenues. The abuse was not confined to the West. John, patriarch of Antioch, at the beginning of the 12th Century, informs us that in his time most monasteries had been handed over to laymen, bencficiarii, for life, or for part of their lives, by the emperors.^[1]

Giraldus Cambrensis reported (Itinerary, ii.iv) the common customs of lay abbots in the late 12th-century Church of Wales:

"for a bad custom has prevailed amongst the clergy, of appointing the most powerful people of a parish stewards, or, rather, patrons, of their churches; who, in process of time, from a desire of gain, have usurped the whole right, appropriating to their own use the possession of all the lands, leaving only to the clergy the altars, with their tenths and oblations, and assigning even these to their sons and relations in the church. Such defenders, or rather destroyers, of the church, have caused themselves to be called abbots, and presumed to attribute to themselves a title, as well as estates, to which they have no just claim."

In conventual cathedrals, where the bishop occupied the place of the abbot, the functions usually devolving on the superior of the monastery were performed by a prior.

Modern practices[link]

In the Roman Catholic Church, abbots continue to be elected by the monks of an abbey to lead them as their religious superior in those orders and monasteries that make use of the term (some orders of monks, as the Carthusians for instance, have no abbots, only priors). A monastery must have been granted the status of an abbey by the Pope,^{[citation needed]} and such monasteries are normally raised to this level after showing a degree of stability—a certain number of monks in vows, a certain number of years of establishment, a certain firmness to the foundation in economic, vocational and legal aspects. Prior to this, the monastery would be a mere priory, headed by a prior who acts as superior but without the same degree of legal authority that an abbot has.

Abbot Francis Michael and Prior Anthony Delisi (on the left) of Monastery of the Holy Spirit, a Trappist monastery in Conyers, Georgia, USA.

The abbot is chosen by the monks from among the fully professed monks. Once chosen, he must request blessing: the blessing of an abbot is celebrated by the bishop in whose diocese the monastery is or, with his permission, another abbot or bishop. The ceremony of such a blessing is similar in some aspects to the consecration of a bishop, with the new abbot being presented with the mitre, the ring, and the crosier as symbols of office and receiving the laying on of hands and blessing from the celebrant. Though the ceremony installs the new abbot into a position of legal authority, it does not confer further sacramental authority- it is not a further degree of Holy Orders (although some abbots have been ordained to the episcopacy).

Once he has received this blessing, the abbot not only becomes father of his monks in a spiritual sense, but their major superior under canon law, and has the additional authority to confer the ministries of acolyte and lector (formerly, he could confer the minor orders, which are not sacraments, that these ministries have replaced). The abbey is a species of "exempt religious" in that it is, for the most part, answerable to the Pope, or to the abbot primate, rather than to the local bishop.

The abbot wears the same habit as his fellow monks, though by tradition he adds to it a pectoral cross.

Territorial abbots follow all of the above, but in addition must receive a mandate of authority from the Pope over the territory around the monastery for which they are responsible.

Abbatial hierarchy[link]

In some monastic families there is a hierarchy of precedence or authority among abbots. In some cases, this is the result of an abbey being considered the "mother" of several "daughter" abbeys founded originally as dependent priories of the "mother." In other cases, abbeys have affiliated in networks known as "congregations." Some monastic families recognize one abbey as the motherhouse of the entire order.

• The abbot of Sant'Anselmo di Aventino, in Rome, is styled the "abbot primate," and is acknowledged the senior abbot for the Order of St. Benedict (O.S.B.)
• An abbot president is the head of a congregation (federation) of abbeys within the Order of St. Benedict (for instance, the English Congregation, The American Cassinese Congregation, etc.), or of the Cistercians (O. Cist.)
• An archabbot is the head of some monasteries which are the motherhouses of other monasteries (for instance, St. Vincent's Archabbey, Latrobe, Pennsylvania)

Modern abbots not as superior[link]

The title abbé (French; Ital. abate), as commonly used in the Catholic Church on the European continent, is the equivalent of the English "Father" (parallel etymology), being loosely applied to all who have received the tonsure. This use of the title is said to have originated in the right conceded to the king of France, by the concordat between Pope Leo X and Francis I (1516), to appoint abbés commendataires to most of the abbeys in France. The expectation of obtaining these sinecures drew young men towards the church in considerable numbers, and the class of abbés so formed—abbés de cour they were sometimes called, and sometimes (ironically) abbés de sainte espérance, (abbés of holy hope; or the pun, of St. Hope)—came to hold a recognized position. The connection many of them had with the church was of the slenderest kind, consisting mainly in adopting the title of abbé, after a remarkably moderate course of theological study, practising celibacy and wearing a distinctive dress—a short dark-violet coat with narrow collar. Being men of presumed learning and undoubted leisure, many of the class found admission to the houses of the French nobility as tutors or advisers. Nearly every great family had its abbé. The class did not survive the Revolution; but the courtesy title of abbé, having long lost all connection in people's minds with any special ecclesiastical function, remained as a convenient general term applicable to any clergyman.

Eastern Christian[link]

In the Eastern Orthodox and Eastern Catholic Churches, the Abbot is referred to as the Hegumen. The Superior of a Convent of Nuns is called the Hēguménē. The title of Archimandrite (literally the head of the enclosure) used to mean something similar.

In the East, the principle set forth in the Code of Justinian still applies, whereby most abbots are immediately subject to the local bishop. Those monasteries which enjoy the status of being stauropegiac will be subject only to a primate or his Synod of Bishops and not the local bishop.

Though the title "abbot" is not given in the Western Church to any but actual abbots of monasteries today, the title archimandrite is given to "monastics" (i.e., celibate) priests in the East, even when not attached to a monastery, as an honor for service, similar to the title of monsignor in the Western/Latin Rite of the Roman Catholic Church. In the Orthodox Church, only actual monastics are permitted to be elevated to the rank of Archimandrite. Married priests are elevated to the parallel rank of Archpriest or Protopresbyter. Normally there are no celibate priests who are not monastics in the Orthodox Church, with the exception of married priests who have been widowed. Since the time of Catherine II the ranks of Abbot and Archimandrite have been given as honorary titles in the Russian Church, and may be given to any monastic, even if he does not in fact serve as the superior of a monastery. In Greek practice the title or function of Abbot corresponds to a person who actually serves as the head of a monastery, although the title of the Archimandrite may be given to any celibate priest who could serve as the head of a monastery.

In the German Evangelical Church the German title of Abt (abbot) is sometimes bestowed, like the French abbé, as an honorary distinction, and survives to designate the heads of some monasteries converted at the Reformation into collegiate foundations. Of these the most noteworthy is Loccum Abbey in Hanover, founded as a Cistercian house in 1163 by Count Wilbrand of Hallermund, and reformed in 1593. The abbot of Loccum, who still carries a pastoral staff, takes precedence over all the clergy of Hanover, and was ex officio a member of the consistory of the kingdom. The governing body of the abbey consists of the abbot, prior and the "convent" of Stiftsherren (canons).

In the Church of England, the Bishop of Norwich, by royal decree given by Henry VIII, also holds the honorary title of "Abbot of St. Benet." This title hails back to England's separation from the See of Rome, when King Henry, as supreme head of the newly independent church, took over all of the monasteries, mainly for their possessions, except for St. Benet, which he spared because the abbot and his monks possessed no wealth, and lived like simple beggars, disposing the incumbent Bishop of Norwich and seating the abbot in his place, thus the dual title still held to this day.

Additionally, at the enthronement of the Archbishop of Canterbury, there is a threefold enthronement, once in the throne the chancel as the diocesan bishop of Canterbury, once in the Chair of St. Augustine as the Primate of All England, and then once in the chapter-house as Titular Abbot of Canterbury.

There are several Benedictine Abbeys throughout the Anglican Communion. Most of them have mitred abbots.

Abbots in art and literature[link]

"The Abbot", from the Dance of Death, by Hans Holbein the Younger

"The Abbot" is one of the archetypes traditionally illustrated in scenes of Dance Macabre.

The lives of numerous abbots make up a significant contribution to Christian hagiography, one of the most well-known being the Life of St. Benedict of Nursia by St. Gregory the Great.

During the years 1106-1107 A.D., a Russian Orthodox Abbot named Daniel made a pilgrimage to the Holy Land and recorded his experiences. His diary was much-read throughout Russia, and at least seventy-five manuscript copies survive.

Saint Joseph, Abbot of Volokolamsk (1439–1515), wrote a number of influential works against heresy, and about monastic and liturgical discipline, and Christian philanthropy.

In the Tales of Redwall series the creatures of Redwall are led by an Abbot or Abbess. These "abbots" are appointed by the brothers and sisters of Redwall to serve as a superior and provide paternal care, much like real abbots.

"The Abbot" was a nickname of RZA from the Wu Tang Clan.

See also[link]

• Abbé
• Abbé Pierre
• Abbess
• Abbot Lawn
• Commendatory abbot
• Hegumen
• Archimandrite

Notes[link]

References[link]

•  "Abbot". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. 

Attribution

•  This article incorporates text from a publication now in the public domain: Venables, Edmund (1911). "Abbot". In Chisholm, Hugh. Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links[link]

• Russian Orthodox Abbot of Valaam Monastery
• The Pilgrimage of the Russian Abbot Daniel in the Holy Land
•  James Wood (1907). "Abbot". The Nuttall Encyclopædia. 
•  "Abbot". Collier's New Encyclopedia. 1921. 

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (July 2007)

Russ Abbot (born Russell Allan Roberts on 18 September 1947) is an English musician, comedian and actor who first came to public notice during the 1970s as the singer and drummer with British comedy showband the Black Abbots, later forging a prominent solo career as a television comedian with his own weekly show on British television.

Continuing his musical career as a solo artist Abbot released several charting singles and albums. Latterly his career has continued with a shift into more mainstream serious acting in television shows, series and stage productions.

Career[link]

As a drummer/backing singer, Abbot founded the Black Abbots in Chester during the mid-1960s and released several singles to modest chart success on minor labels in the early 1970s.^[2] The band only signed their first major recording contract in 1977, putting out a series of comedy singles and a lone live album with Abbot now taking lead vocals, before disbanding in 1980.^[3] Later on he appeared as a comedian, winning the Funniest Man On Television award five times.

From 1980 onwards, Abbot released some albums as a solo artist, and appeared in several TV series. The most successful of his music singles was called "Atmosphere", which did well in the UK top 10, peaking at No 7 in 1984.

Russ Abbot's Madhouse and The Russ Abbot Show showcased his talents as an all-round entertainer, attracting millions of viewers. This show was especially popular among younger viewers, prompting two annuals to be published in 1982 and 1983. These annuals featured comic strips based on popular characters, plus some publicity photos of Abbot in a variety of guises, including his well-known James Bond satire featuring characters named Basildon Bond and Miss Funnyfanny (based on the fictional MI6 spy duo James Bond and Miss Moneypenny).

From 2000, Abbot played the lead role in the British National Tour of Doctor Doolittle. Taking a break over the Christmas period, Russ stepped down for Phillip Schofield to take the part, but returned to the tour subsequently.

In 2003, his 'See You Jimmy' character (called C. U. Jimmy) came third in The Glasgow Herald's poll to find the most Scottish person in the world, behind Iain and Jimmy Krankie.

Abbot's theatre roles include Alfred P. Doolittle in My Fair Lady (starring Amy Nuttall) at the Theatre Royal, Drury Lane and on tour; The Narrator in The Rocky Horror Show; Grandpa Potts in Chitty Chitty Bang Bang at the London Palladium and Fagin in Oliver! both in 1998 and 2009. From July 2007, he took over the role of Roger De Bris in the UK tour of Mel Brooks' The Producers. In 2008, Abbot appeared as the Tin Man in the stage production of The Wizard of Oz at the Mayflower in Southampton.

In 2008, the BBC announced that Abbot would be joining the cast of Last of the Summer Wine for the show's 30th series. He played Luther 'Hobbo' Hobdyke, who was the leader of a group consisting also of Entwistle, played by Burt Kwouk and Alvin, played by Brian Murphy.^[4] In 2008 he guest starred in The Sarah Jane Adventures episode 'Secrets of the Stars' as a character called Martin Trueman, an astrologer who was possessed by the Ancient Lights.

On 8 August 2009, it was announced that Abbot would appear in an episode of Casualty playing a pet shop owner. This will be Abbot's second Casualty role - he previously appeared as a different character in a 1999 episode.^[5] Abbot also appeared on Harry Hill's TV Burp parodying the character he played in Casualty.

In 2009, when Rowan Atkinson fell ill during the original run of Cameron Mackintosh's West End revival of Oliver!, Abbot stepped into the role of Fagin for the second time. He has again taken the role, after Griff Rhys Jones left the show on 12 June 2010.

Personal life[link]

Abbot was the fifth of six sons born to Betty and Don. His siblings are John, Donald, Derek, Stuart and Neil. Abbot's parents met when his father (who earned a living as a salesman), played cornet in a bluecoat band for a party at the Duke of Westminsters' estate in Chester, where his mother was a ladies maid for the Dukes household. Abbot is of Scottish heritage through his mother, who was born in Falkirk.

Abbot passed his eleven plus at Hoole & Newton Jnr School and moved onto Chester City Grammar School. As a young drummer, Abbot joined Adam & the Apples, The Buccaners, Johnny Gibson & the D Notes and then the Black Abbots. He worked part-time backstage at the Royalty Theatre, Chester and in 1965, the Black Abbots took residency there. Whilst Abbot was there, he met Denis Critchley with whom he learnt the craft of comedy.

Abbot met his wife Trish backstage at a Black Abbots gig and in 1966, they married. They went on to have four children; Gary, Richard, Christopher and Erika. He has two grandchildren; Laine and Charlotte.

Discography[link]

Singles[link]

• 1980 - "Space Invaders Meet the Purple People Eater" / "Country Cooper Man"^[2]
• 1982 - "A Day In The Life of Vince Prince" (UK #61, one week; re-entered at #75 two weeks later for one week)^[6]
• 1984 - "Atmosphere" (UK #7, in chart for thirteen weeks)^[6]
• 1985 - "All Night Holiday" (UK #20, in chart for seven weeks)^[6]
• 1985 - "Let's Go To The Disco" (No UK chart placing)
• 2009 - "Atmosphere" - Basildon Bond's Madhouse Mix

Albums[link]

• 1984 - Russ Abbot's Madhouse
• 1985 - I Love A Party - (UK #12)^[7]
• 1990 - Songs Of Joy

Filmography[link]

• 1972 - Who Do You Do (television programme)
• 1976 - What's On Next (television programme)
• 1979 - The Freddie Starr Variety Madhouse (television programme)
• 1980 - Madhouse (television programme)
• 1982 - My Beard is My Lighthouse (radio show on BBC Radio 4)
• 1986 - The Russ Abbot Show (television programme)
• 1993 - Stars in Their Eyes - cover for Leslie Crowther (also presented a one-off Elvis special)
• 1993 - September Song (television programme)
• 1996 - Married for Life (television programme)
• 2000 - Heartbeat (UK TV series) (television programme); guest appearance, December 2000, single episode
• 2001 - TV to Go (television programme)
• 2003 - The Bill (television programme); guest appearance, single episode
• 2003 - My Family (television programme); guest appearance, single episode
• 2005 - Miss Marple (television programme)
• 2007 - Hotel Babylon (television programme) as Mr Poldark, guest appearance, February 2007, single episode, in conjunction Cherie Lunghi
• 2007 - The Last Detective (television programme) guest appearance, May 2007, single episode, in conjunction Roy Hudd
• 2008 - The Sarah Jane Adventures (television programme) Secrets of the Stars : Series 2 Episode 5 ^[8]
• 2008–2010 - Last of the Summer Wine
• 2009 - Casualty (TV series) (television programme); guest appearance, November 2009, single episode
• 2012 - Run For Your Wife (film); cameo role

References[link]

External links[link]

• Russ Abbot at the Internet Movie Database

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2008)

William Alexander "Bud" Abbott (October 2, 1895 – April 24, 1974) was an American actor, producer and comedian.^[1] He is best remembered as the straight man of the comedy team of Abbott and Costello, with Lou Costello.

Early life[link]

Abbott was born in Asbury Park, New Jersey into a show business family. His parents worked for the Barnum and Bailey Circus: his mother, Rae (née Fisher), was a bareback rider and his father, Harry, was an advance man. Abbott dropped out of school as a child and began working at Coney Island. When Abbott was 16, his father, now an employee of the Columbia Burlesque Wheel, installed him in the box office of the Casino Theater in Brooklyn. Eventually, Abbott began putting together touring burlesque shows. In 1918, he married Betty Smith, a burlesque dancer and comedienne. Shortly after his marriage, Abbott and his new wife began producing a vaudeville "tab show" called Broadway Flashes. This show toured on the Gus Sun Vaudeville Circuit.^[2] Around 1924, Abbott started performing as a straight man in an act with Betty. As his stature grew, Abbott began working with veteran comedians like Harry Steppe and Harry Evanson.^[3]

Career[link]

Lou Costello and Hollywood[link]

Abbott crossed paths with Lou Costello in burlesque in the early 1930s. Abbott was producing and performing in Minsky's Burlesque shows, while Costello was a rising comic. They formally teamed up in 1936 and performed together in burlesque, vaudeville, minstrel shows, and cinemas.

In 1938, they received national exposure for the first time by performing on the Kate Smith Hour radio show, which led to the duo appearing in a Broadway musical, The Streets of Paris. In 1940, Universal signed Abbott and Costello for their first film, One Night in the Tropics. Although Abbott and Costello were only filling supporting roles, they stole the film with their classic routines, including an abbreviated version of "Who's On First?" A common misconception is that Abbott and Costello are the only two non-baseball players who have been inducted into the Baseball Hall of Fame. The comedic duo are not members of the Cooperstown society^[4] anymore than the sports writers and broadcasters who are acknowledged by separate awards. However, an honoring plaque and a gold record and transcript of their famous sketch has been included in the museum collection since 1956, and the routine runs on an endless loop on TVs at the Hall, making them one of the few non-baseball players or managers to have a memorial in the Baseball Hall of Fame.

Abbott on the Colgate Comedy Hour in 1951

During World War II, Abbott and Costello were among the most popular and highest-paid stars in the world. Between 1940 and 1956 they made 36 films, and earned a percentage of the profits on each. They were popular on radio throughout the 1940s, primarily on their own program which ran from 1942 until 1947 on NBC and from 1947 to 1949 on ABC. In the 1950s they brought their comedy to live television on The Colgate Comedy Hour, and launched their own half-hour series, The Abbott and Costello Show.

Norman and Betty Abbott, the children of Bud Abbott's sister Olive, started on their own careers with help from their uncle, Betty as the script girl on Breakfast at Tiffany's and Norm directing live TV. After Olive's husband abandoned his family, allegedly going for a pack of cigarettes and never coming home, Abbott supported them. He changed everyone's name back to Abbott and raised them as his own children. He also adopted two children with his wife Betty.

Abbott's great-grandniece and granddaughter of Norman Abbott, Kathleen Abbott aka Lisa Bay, was born to Chrissy Abbott in 1966, while Chrissy was attending Beverly Hills High School, and is the adopted sister of director Michael Bay.

Strain and split[link]

Relations between the two partners had been strained for years. In their early burlesque days, their salaries were split 60%-40%, favoring Abbott, because the straight man was always viewed as the more valuable member of the team. That was changed to 50%-50% after they became burlesque stars.

However, other accounts state that the 60%-40% split was Costello's idea. "A Good Straight Man is hard to find" is attributed to Costello. Yet the sixty-forty split had long irked Costello. Later, after Buck Privates made them movie stars, Costello insisted that the split be reversed in his favor, and it remained sixty-forty for the remainder of their careers. Costello's other demand, that the team be renamed "Costello and Abbott," was rejected by Universal Studios. The result was a "permanent chill" between the two partners, according to Lou's daughter Chris Costello, in her biography Lou's on First. The partners' relationship was also strained by Abbott's battle with alcohol, which began when he took to heavy drinking in order to combat the effects of epilepsy.

The team's popularity waned in the 1950s, and they were further bedeviled by tax issues—the IRS demanded heavy back taxes, forcing the partners (both of whom had been serious gamblers) to sell most if not all of their assets (including Costello's rights to their television show). They were forced to withdraw from Fireman Save My Child in 1954 due to Costello's health and were replaced by lookalikes Hugh O'Brian and Buddy Hackett, and were dropped by Universal the following year. Abbott and Costello parted ways formally in July 1957. Lou Costello died on March 3, 1959.

Later years[link]

Abbott attempted to begin performing again in 1960, with a new partner, Candy Candido, and received good reviews. But Abbott called it quits, remarking that "No one could ever live up to Lou." On TV, he performed in a dramatic episode of General Electric Theater titled "The Joke's On Me" in 1961. A few years later, Abbott provided his own voice for the Hanna-Barbera animated series Abbott and Costello, with Stan Irwin providing the voice of Lou Costello.

Personal life[link]

Abbott's star on the Hollywood Walk of Fame for his work on television.

Bud and Betty Abbott were married for 55 years. The couple adopted two children: Bud Jr. in 1942 and Vickie in 1949. Bud Jr. died on January 19, 1997 at the age of 57.

Bud Abbott has three stars on the Hollywood Walk of Fame: the radio star is located on 6333 Hollywood Boulevard, the motion pictures star is located on 1611 Vine Street, and the TV star is located on 6740 Hollywood Boulevard.

Death[link]

Abbott suffered from epilepsy throughout his life. In the early 1960s, he suffered the first in a series of strokes. In 1972, he broke his hip. Abbott died of cancer at the age of 78 on April 24, 1974, at his home in Woodland Hills, Los Angeles.^[5] His wife Betty died on September 12, 1981 at the age of 79.

When Groucho Marx was asked about Abbott shortly after his death, his response was that Abbott was "the greatest straight man ever."^[6]

Honors and awards[link]

Abbott received the Lifetime Achievement Award for Acting (posthumously) from the Garden State Film Festival in 2006 and was accepted on his behalf by his daughter Vickie Abbott Wheeler.^{[citation needed]}

Abbott is a 2009 inductee of the New Jersey Hall of Fame.^[7]

Filmography[link]

As himself[link]

• ABC 2000: The Millennium (1999) (TV) (voice)
• The Century: America's Time (1999) (TV Mini Series)
• This Is Your Life (1956) (TV Series)
• Toast of the Town (1955) (TV Series)
• Screen Snapshots Series 33, No. 10: Hollywood Grows Up (1954)
• News of the Day (1952)
• The Colgate Comedy Hour (1951) (Host, 1951–1954)
• Screen Snapshots: Motion Picture Mothers, Inc. (1949)
• 10,000 Kids and a Cop (1948)
• Picture People No. 10: Hollywood at Home (1942)
• Meet the People (1941)

References[link]

External links[link]

Biography portal

Wikiquote has a collection of quotations related to: Bud Abbott

• Bud Abbott at the Internet Movie Database
• Bud Abbott at AllRovi

• Bud Abbott in the Hollywood Walk of Fame Directory

Lou Costello
Lou Costello in Africa Screams (1949)
Born	Louis Francis Cristillo (1906-03-06)March 6, 1906 Paterson, New Jersey, U.S.
Died	March 3, 1959(1959-03-03) (aged 52) Beverly Hills, California, U.S.
Cause of death	Heart attack
Occupation	Actor, Comedian
Years active	1926–59
Spouse	Anne Battler (1934–1959)

Louis Francis "Lou" Costello (March 6, 1906 – March 3, 1959) was an American actor and comedian best known as half of the comedy team of Abbott and Costello, with Bud Abbott. Costello was famous for his bumbling, chubby, clean-cut image that has appealed to many Americans over the decades, and for his shouted line of "Heeeeyyy Abbot!!"

Early life[link]

Costello was born Louis Francis Cristillo on March 6, 1906, in Paterson, New Jersey, the son of Helen (née Rege) and Sebastiano Cristillo. His father was Italian (from Caserta, Italy) and his mother was an American of Italian, [[French people|French], and Irish ancestry.^[1][2] He attended School 15^[3] in Paterson, NJ, and was considered a gifted athlete. He excelled in basketball and reportedly was once the New Jersey state foul shot champion (his singular basketball prowess can be seen in Here Come The Co-Eds (1945), in which he performs all his own tricky hoop shots without special effects). He also fought as a boxer under the name "Lou King".^[4] He took his professional name from actress Helene Costello: "There was a girl named Helene Costello, and I took her name".^[5]

Career[link]

In 1927 Costello went to Hollywood to become an actor, but could only find work as a laborer or extra at MGM and Warner Brothers. His athletic skill brought him occasional work as a stunt man, notably in The Trail of '98 (1928). He can also be spotted sitting ringside in the Laurel and Hardy film The Battle of the Century (1927).

Burlesque and Bud Abbott[link]

In 1930, discouraged by his lack of success, he hitchhiked back home but ran out of money in Saint Joseph, Missouri during the Great Depression. He took a job as a Dutch-accented comic at a local burlesque theater. Changing his name to "Costello", he went back to New York and began working in vaudeville and burlesque theaters there.^[6] Unlike many burlesque comics of the era, though, he did not use "off-color" material – an approach that continued for the rest of his career.

While working in vaudeville in the 1930s, Costello became acquainted with a talented straight man named Bud Abbott. After working together sporadically, Abbott and Costello formally teamed up in 1936. They performed together in burlesque shows, minstrel shows, vaudeville and movie houses.

Radio and Hollywood[link]

Abbott and Costello signed up with the William Morris Agency, which sought to enlarge the duo's stature by putting them on the radio. In 1938 they received national exposure for the first time by becoming featured performers on The Kate Smith Hour, a popular variety show. They were hugely successful, which ultimately led to their appearance in a Broadway play in 1939, "The Streets of Paris", and signing with Universal Studios in 1940.

They only had supporting roles in their first picture, One Night in the Tropics (1940), but stole the film with their classic routines, including a much-shortened version of "Who's On First?" (a more complete version was performed in The Naughty Nineties, released in 1945). The duo became famous for that routine, in which Abbott enumerated the names of a mythical baseball team, whose members have nicknames of "Who" who plays first base, "What" on second base and "I don't know" on third, etc. This confounds Costello when they are addressed simply as "Who", "What" and "I don't know". The sketch was so popular that it was enshrined in the Baseball Hall of Fame^[7], with a plaque, gold record and transcript of this famous sketch included in the museum collection--although they were not actually inducted into the Hall of Fame--over their less well-known and more sadistic "Ninth Inning Steal" routine in which Bud and Lou rob an unsuspecting person by distracting him with a sensational baseball game recounting, unaware that someone else has already robbed the intended target using the same distraction. A modified version of the "Ninth Inning Steal" is shown in the movie Pardon My Sarong when bus drivers Bud and Lou try to steal gas from a gas station attendant.

The team's breakout picture, however, was Buck Privates, released early in 1941. They immediately became the top-ranking comedy stars in Hollywood and fans looked forward to each of their pictures as a major event. Costello's child-like demeanor was strictly acting, and he aggressively battled with the more easy-going Abbott as well as the studio. Universal upped the duo's salary, but refused Costello's demand to reverse the billing, stating that it had hired Abbott and Costello, not Costello and Abbott. Most moviegoers had never seen the duo's burlesque routines, and so their dated but hilarious material seemed fresh. Many of their films cast them as bumbling servicemen such as In The Navy and Keep 'Em Flying (amusingly enough, the Japanese military showed these films to their soldiers to "show" the ineptitude of American soldiers).^{[citation needed]}

Stardom[link]

The duo made 36 films between 1940 and 1956, and were among the most popular and highest-paid entertainers in the world during World War II. Among their most popular films are Buck Privates, Hold That Ghost, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet Frankenstein and Abbott and Costello Meet the Invisible Man.

The team also appeared on radio throughout the 1940s. On October 8, 1942, the team launched their own weekly show on NBC sponsored by Camel cigarettes. They moved to ABC (the former NBC Blue Network) from 1947-49.

In 1951 the duo became one of the rotating hosts of The Colgate Comedy Hour (Eddie Cantor and Bob Hope were among the others) and the following year they inaugurated their own situation comedy, The Abbott and Costello Show. Costello owned the half-hour series, with Abbott working on salary. The show, which was loosely adapted from their radio program, ran for two seasons, from 1952 to 1954, but found a new life as syndicated reruns.

Lou Costello being surprised on This Is Your Life.

They were forced to withdraw from Fireman Save My Child in 1954 due to Costello's poor health--he had been plagued by heart problems all his life due to a childhood bout of rheumatic fever--and were replaced by lookalikes Hugh O'Brian and Buddy Hackett. They were dropped by Universal the following year.

Costello was surprised and honored by Ralph Edwards on NBC's This Is Your Life in 1956.^[8]

Split up[link]

Abbott and Costello split up in July 1957, after troubles with the Internal Revenue Service forced both men to sell off their large homes and the rights to some of their films. Costello then pursued a solo stand up career, including stints in Las Vegas, and sought out film projects for himself. He appeared several times on Steve Allen's television show, but most often in variations of his old routines, with Louis Nye or Tom Poston taking on the straight man role.

Family and death of son[link]

On January 30, 1934, Costello married Anne Battler, a burlesque dancer. Their first child, Patricia "Paddy" Costello, was born in 1936, followed by Carole on December 23, 1938, and Lou Jr. (nicknamed "Butch") on November 6, 1942.

In March 1943, after completing Hit the Ice, Costello had an attack of rheumatic fever and was unable to work for six months. On November 4 of that year he returned to the team's popular radio show, but a tragic event overshadowed his comeback. Upon arriving at the NBC studio, Lou received word that his infant son Lou Jr. had accidentally drowned in the family pool. The baby was just two days short of his first birthday. Lou had asked his wife to keep Butch up that night so the boy could hear his father on the radio for the first time. Rather than cancel the broadcast, Lou said, "Wherever he is tonight, I want him to hear me," and went on with the show. No one in the audience knew of the death until after the show when Bud Abbott explained the events of the day, and how the phrase "The show must go on" had been epitomized by Lou that night.

In 1947, their last child, Christine, was born.

Death[link]

After making one solo film, The 30 Foot Bride of Candy Rock, Costello died of a heart attack at Doctors' Hospital in Beverly Hills on March 3, 1959, three days before his 53rd birthday. A funeral Mass was said at his parish, St. Francis de Sales Catholic Church in Sherman Oaks.^[9] He is interred at the Calvary Cemetery in East Los Angeles, California. His last words as reported in the March 4, 1959 Los Angeles Times and Los Angeles Evening Mirror News were "I think I'll be more comfortable," according to a private nurse who was the only person in the room with him at the time.^[10][11] The widely reported claim that he died in the presence of friends and that his last words were actually "that was the best ice-cream soda I ever tasted" appears to have been fabricated some time after the event, possibly as a dig against Costello's weight.^[12] Anne, his wife, was at his side most of the day, but was sent home by her assuring husband only an hour before his death at 3:55pm.^{[citation needed]}

That same year on December 5, Lou's widow Anne died at age 47.

Family legacy in the entertainment industry[link]

Costello's sister, Marie Katherine Cristillo (1912–1988) was married to actor Joe Kirk (Nat Curcuruto), who portrayed "Mr. Bacciagalupe" on the Abbott and Costello radio and television shows and appeared in supporting roles in several of the team's films.

Lou and Anne's second daughter, Carole, appeared in uncredited baby roles in several Abbott and Costello films. She went on to become a contestant coordinator for the game show Card Sharks as well as a nightclub singer. She died of a stroke on March 29, 1987 at age 48.

Carole's daughter, Marki Costello, is an actress, director and producer in film and television.

Lou and Anne's youngest daughter, Chris, wrote Costello's biography, Lou's On First, in 1981.

Memorials[link]

On June 26, 1992, the city of Paterson, New Jersey--in conjunction with the Lou Costello Memorial Association--erected a statue of Costello in the newly named Lou Costello Memorial Park in the city's historic downtown section. The statue has had brief appearances in two episodes of The Sopranos: "Big Girls Don't Cry" and "Cold Stones".

In 2005 Madison Street, in the Sandy Hill section of Paterson, where Costello was born, was renamed Lou Costello's Place.

The centennial of Costello's birth was celebrated in Paterson on the first weekend in March 2006.

Between June 24, 2006, and June 26, 2006, the Fort Lee (NJ) Film Commission held a centennial film retrospective at the Fine Arts Theatre in Hollywood. Films screened included the premiere of a digital film made by the teenagers of the present day Lou Costello Jr. Recreation Center in East Los Angeles. Also premiered was a 35mm restored print of the Lou Costello-produced 1948 short film 10,000 Kids and a Cop, which was shot at the Lou Costello Jr. Youth Center in East Los Angeles.

In 2009 Costello was inducted into the New Jersey Hall of Fame.

Filmography[link]

Television[link]

• March 21, 1958 General Electric Theater, episode Blaze of Glory.
• October 22, 1958 Wagon Train, episode The Tobias Jones Story.

References[link]

External links[link]

Biography portal

Wikimedia Commons has media related to: Lou Costello

• Lou Costello at the Internet Movie Database

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (August 2009)

Olympic medal record
Competitor for  United States
Women's Softball
Olympic Games
Silver	Beijing 2008	Softball

Monica Cecilia Abbott (born July 28, 1985) is an American athlete who pitched for the University of Tennessee Lady Volunteers softball team from 2004 to 2007. In 2008, Abbott participated in the Beijing Olympics with Team USA. On May 4, 2010, she and catcher Shannon Doepking were traded by the Florida Pride to the Tennessee Diamonds in exchange for pitcher Cat Osterman and catcher Megan Willis.

During her senior season in college, she set the record for the most strikeouts in a Division I softball season and became the NCAA Division I Softball all-time leader in career wins, strikeouts, shutouts, innings pitched, games started and games pitched. She was the recipient of the 2007 Honda Sports Award for the sTop Collegiate Softball Player in the country and was named the 2007 USA Softball Collegiate Player of the Year. She was also named the 2007 Women's Sports Foundation Sportswoman of the Year.^[1]

Early life[link]

Abbott was born in Santa Cruz, CA and attended North Salinas High School from 1999 to 2003; her parents are Bruce and Julie Abbott, and her siblings are Jessica (born 1984), Jared (born 1988) and twins Bina and Gina (born 1991).

College career[link]

Abbott pitched for the University of Tennessee Lady Volunteers softball team from 2004 to 2007.

500 Strikeouts in a Season for the Fourth Time[link]

On April 21, in Abbott's 33rd game started of the season, Abbott struck out her 500th batter of the season, thus becoming the first pitcher in NCAA Division I history to record 500 strikeouts in all four years of her collegiate career. Before Abbott started her collegiate career, only two pitchers had ever reached the 500-strikeout mark in any season (Courtney Blades and Cat Osterman). During Abbott's career from 2004 to 2007, Alicia Hollowell, Brooke Mitchell, Taryne Mowatt, Angela Tincher (twice) and Cat Osterman (twice more) would end up surpassing the 500-strikeout mark as well.

College National Player of the Year awards[link]

Abbott finished her college career with significant season awards as the USA Softball Collegiate Player of the Year and the winner of the Honda Award for Top Collegiate Softball Player.^[1]

On October 16, 2007, Abbott won the Women's Sports Foundation Sportswoman of the Year award for Team Sports athletes.^[1][2]

Post-Collegiate Career[link]

After the conclusion of her senior season, Abbott went on to find success at both the professional and international levels.

2008 Summer Olympics in Beijing, China[link]

Abbott was selected for the final 15-person Olympic squad as one of three pitchers. On August 11, 2008, Abbott made her Olympic debut for Team USA, pitching the final inning (in relief of starter Jennie Finch) of a 5-inning no-hit victory by Team USA over Venezuela. On August 18, 2008, Abbott pitched 5 perfect innings, striking out 8, as Team USA defeated the Netherland 8-0 to extend its Olympic winning streak to 20 games. In its first six matches of the Beijing games, the USA pitching staff (Finch, Osterman, Abbott) had allowed a total of one hit. Team USA finished with a silver medal, losing to Japan in the championship game, which was started by Osterman and finished by Abbott.

2009[link]

On February 2, 2009, Abbott announced her signing with Toyota Motor Corporation on a six-month contract to play professional softball in Japan.

High School Awards[link]

• 2000 North Salinas High School MVP
• 2000 North Salinas High School Freshman of the Year
• 2000 All League Pitcher of the Year
• 2000 All County Pitcher of the Year
• 2000 All Central Coast Section Co-Pitcher of the Year
• 2001 North Salinas High School MVP
• 2001 North Salinas High School Sophomore of the Year
• 2001 All League Player of the Year
• 2001 All County Player of the Year
• 2001 All Central Coast Section Player of the Year
• 2002 North Salinas High School Junior of the Year
• 2002 Cal-Hi Sports Bay Area Player of the Year
• 2002 San Jose Mercury Player of the Year
• 2002 All League MVP
• 2002 All County MVP
• 2002 All Central Coast Section MVP
• 2003 North Salinas High School MVP
• 2003 North Salinas High School Player of the Year
• 2003 Canada Cup 18-Under MVP
• 2003 Large School State Player of the Year
• 2003 All League MVP
• 2003 All League Pitcher of the Year
• 2003 All Central Coast Section MVP
• 2003 All Central Coast Section Pitcher of the Year
• 2003 All County MVP
• 2003 Cal-Hi Softball Athlete of the Year

Collegiate Awards[link]

• 2004 Louisville Slugger/NFCA First Team All-American
• 2004 SEC Freshman of the Year
• 2004 SEC Pitcher of the Year
• 2004 All-SEC First Team
• 2005 Louisville Slugger/NFCA First Team All-American
• 2005 SEC Co-Pitcher of the Year
• 2005 All-SEC First Team
• 2005 WCWS All-Tournament Team
• 2006 Louisville Slugger/NFCA First Team All-American
• 2006 All-SEC Second Team
• 2006 WCWS All-Tournament Team
• 2007 Louisville Slugger/NFCA First Team All-American
• 2007 SEC Pitcher of the Year
• 2007 All-SEC First Team
• 2007 WCWS All-Tournament Team
• 2007 USA Softball Collegiate Player of the Year
• 2007 Honda Award - Top Collegiate Softball Player
• 2007 Women's Sports Foundation Sportsman of the Year
• 2007 Roy F. Kramer SEC Female Athlete of the Year

Career statistics[link]

United States National Team[link]

University of Tennessee Lady Volunteers[link]

Single Game Accomplishments[link]

• 2nd highest 7-inning strikeout total of alltime (20), set on March 26 of her freshman year vs Liberty University
• 6 games of at least 17 strikeouts in a 7-inning game, a mark only accomplished 20 times in NCAA Division I history (including Abbott's performances)

Season Accomplishments[link]

• 2007 USA Softball Collegiate Player of the Year
• Only Player with more than one 50-win season in a career (2)
• Only Player with four seasons of 40+ wins in a career
• Only Player with four 500-strikeout seasons (and two 600-strikeout seasons) in a collegiate career
• Most strikeouts in a season (2007) - 724
• Most games pitched in a season (2005) - 69
• Most wins and most strikeouts in a season by a freshman (2004) - 45 wins and 582 strikeouts

Career Accomplishments[link]

• 2,440 career NCAA Division I strikeouts (1st alltime)
• 189 career NCAA Division I wins (1st alltime)
• 112 career shutouts (1st alltime)
• 253 career games pitched (1st alltime)
• 206 career games started (1st alltime)
• 1448 career innings pitched (1st alltime)
• 178 career complete games (2nd alltime)
• 11.80 career strikeouts per 7 innings (3rd alltime)
• .848 career win percentage (10th alltime)
• 16 career saves (tied-8th alltime)
• 23 career NCAA Division I no-hitters
• 6 career NCAA Division I perfect games

Notes[link]

External links[link]

• Official Website of Monica Abbott