Dick Ayers
Dick Ayers at the April 2008 New York Comic Con.
Born	(1924-04-28) April 28, 1924 (age 88) Ossining, New York
Nationality	United States
Area(s)	Penciller, Inker
Notable works	Sgt. Fury and his Howling Commandos
Awards	National Cartoonists Society Award, 1985 Will Eisner Comic Book Hall of Fame, 2007

Richard "Dick" Ayers (born April 28, 1924) is an American comic book artist and cartoonist best known for his work as one of Jack Kirby's inkers during the late-1950s and 1960s period known as the Silver Age of Comics, including on some of the earliest issues of Marvel Comics' The Fantastic Four, and as the signature penciler of Marvel's World War II comic Sgt. Fury and his Howling Commandos.

Ayers was inducted into the Will Eisner Comic Book Hall of Fame in 2007.

Biography[link]

Early life and career[link]

Dick Ayers was born April 28, 1924 in Ossining, New York,^[1][2] the son of John Bache Ayers and Gladys Minnerly Ayers.^[3] He was in the 13th generation, he said, of the Ayers family that had settled in Newbury, Massachusetts in 1635.^[4] He published his first comic strip, Radio Ray, in the military newspaper Radio Post in 1942 while serving in the Army Air Corps during World War II.^[2]

Afterward, Ayers broke into comics with unpublished work done for Western Publishing's Dell Comics imprint. "I approached them," Ayers said in a 1996 interview. "I had a story written and drawn. They wanted to wrap a book around it.... I got into it, but Dell decided to scrap the project. ... It was an adventure thing, boy and girl; the boy wanted to be a trumpet player. The girl kept feeding the jukebox and he'd played along to Harry James or whatever sort of thing. ... It didn't make it, but it got me started where I wanted to be in the business."^[5]

Magazine Enterprises[link]

Following this, In 1947, Ayers studied under Burne Hogarth in the first class of Hogarth's new institution, New York City's Cartoonists and Illustrators School (renamed the School of Visual Arts 1956). Joe Shuster, co-creator of Superman, would visit the class, and Ayers eventually ventured to his nearby studio. "Next thing I knew," Ayers said in the same interview, "I was penciling a bit here and there."^[5] In a 2005 interview, Ayers elaborated that, "Joe had me pencil some of his Funnyman stories after seeing my drawings at Hogarth's evening class" and "sent me to [editor] Vin Sullivan of Magazine Enterprises."^[6] There, Sullivan "let me try the Jimmy Durante [humor] strip. I submitted my work and got the job."^[5]

Ayers went on to pencil and ink Western stories in the late 1940s for Magazine Enterprises' A-1 Comics and Trail Colt, and for Prize Comics' Prize Comics Western.^[7] With writer Ray Krank, Ayers created the horror-themed Western character Ghost Rider in Tim Holt #11 (1949). The character appeared in stories through the run of Tim Holt, Red Mask, A-1 Comics, Bobby Benson's B-Bar-B Riders, and the 14-issue solo series The Ghost Rider (1950–1954),^[8] up through the introduction of the Comics Code. After the trademark to the character's name and motif lapsed, Marvel Comics debuted its own near-identical, horror-free version of the character in Ghost Rider #1 (Feb. 1967), by writers Roy Thomas and Gary Friedrich and original Ghost Rider artist Ayers.^[7]

Ayers' hands appear onscreen as those of a cartoonist played by actor Don Briggs in "The Comic Strip Murders", a 1949 episode of the CBS television series Suspense.^[9]

Atlas Comics[link]

In 1952, while continuing to freelance for Magazine Enterprises, Ayers began a long freelance run at Atlas Comics, the 1950s forerunner of Marvel Comics. He drew horror stories in such titles as Adventures into Terror, Astonishing, Journey into Mystery, Journey into Unknown Worlds, Menace, Mystery Tales, Mystic, Strange Tales, and Uncanny Tales.^[7] As well, he drew the brief revival of the 1940s Golden Age of Comics superhero the Human Torch, from Marvel's 1940s predecessor Timely Comics, in Young Men # 21-24 (June 1953 - Feb. 1954). An additional, unpublished Human Torch story drawn by Ayers belatedly appeared in Marvel Super-Heroes #16 (Sept. 1968).^[7]

During the 1950s, Ayers also drew freelance for Charlton Comics, including for the horror comic The Thing and the satirical series Eh!.^[5]

Marvel Comics[link]

Ayers first teamed with penciler Jack Kirby at Atlas shortly before the company transitioned to become Marvel Comics. As the comic-book legend's second regular Marvel inker, following Christopher Rule, Ayers would ink countless Kirby covers and stories, including on such landmark comics as most of the earliest issues of The Fantastic Four, in addition to a slew of Western and "pre-superhero Marvel" monster stories in Amazing Adventures, Journey into Mystery, Strange Tales, Tales of Suspense, and Tales to Astonish.^[7] Because creator credits were not routinely given at the time, two standard databases disagree over the duo's first published collaboration: The Grand Comics Database cites the cover of Wyatt Earp #24 (Aug. 1959), which AtlasTales.com lists as inked by George Klein.^[10] Grand Comics Database tentatively lists Ayers as inker of the Kirby cover for that same month's Strange Tales #70,^[11] for which Atlas Tales credits Ayers without qualification.^[12]

Ayers himself revealed in 1996, however,

The first work I did with Jack was the cover of Wyatt Earp #25 (Oct. 1959). [Editor-in-chief] Stan Lee liked it and sent me another job, "The Martian Who Stole My Body," for Journey into Mystery #57 (Dec. 1959). I also began Sky Masters, the [syndicated] newspaper strip. There is a lot of confusion on this; people think Wally Wood inked them all, because they're signed Kirby/Wood. But that was Dave Wood, the writer [who was unrelated to artist Wally Wood]. I began Sky Masters with the 36th Sunday page; Jack's pencils, my inks, in September 1959. I ended the Sundays in January 1960. I also did the dailies for a period of [over] two years, from September of '59 to December of '61. These were complete inks; I was the only one doing it at the time. Of course, Wally Wood also worked on that strip, in the beginning, before me.^[13]

Ayers went on to ink scores of Kirby Western and monster stories, including such much-reprinted tales as "I Created The Colossus!" (Tales of Suspense #14, Feb. 1961), "Goom! The Thing From Planet X!" (Tales of Suspense #15, March 1961), and "Fin Fang Foom!" (Strange Tales #89, Oct. 1961). As Marvel introduced its superheroes in the early 1960s, Ayers inked Kirby on the first appearances of Ant-Man (Tales to Astonish #27 & 35, Jan. & Sept. 1962), Sgt. Fury and his Howling Commandos (issues #1-3, May-Sept. 1963), and the revamped Rawhide Kid (beginning with The Rawhide Kid #17, Aug. 1960); on the second and several subsequent early appearances of Thor (Journey into Mystery #84-89, Sept. 1962 - Feb. 1963); on Fantastic Four #6-20 (Sept. 1962 - Nov. 1963), and the spin-off Human Torch solo series in Strange Tales (starting with its debut in issue #101); and The Incredible Hulk #3-5 (Sept. 1962 - Jan. 1963), among other series.^[7]

Additionally, Ayers took over from Kirby as Sgt. Fury penciler with issue #8 (July 1964), beginning a 10-year run that — except for #13 (which he inked over Kirby's pencils), and five issues by other pencilers — continued virtually unbroken through #120 (with the series running Ayers reprints every-other-issue through most but not all from #79 on).^[7]

Later career[link]

During the late 1980s, Ayers drew at least one edition of the promotional comic-book series TRS-80 Computer Whiz Kids: Alec and Shanna, alternately titled The Tandy Computer Whiz Kids: Alec and Shanna, published by Archie Comics for Radio Shack.^{[citation needed]} The comics included references to a multitude of Radio Shack products. Ayers, inked by Chic Stone, drew the cover and the 28-page main story, written by Paul Kupperberg, for The Tandy Computer Whiz Kids: The Computers that Said No to Drugs Edition (March 1985).^[14]

Ayers' work continued into the 2000s. He contributed a pinup page to the 2001 comic The Song of Mykal, published privately by the comics shop Atlantis Fantasyworld,^[15] did inking on "Doris Danger" stories in the magazine Tabloia #572-576, plus a pinup page in the comic Doris Danger's Greatest All-Out Army Battles!^[16]

He wrote and drew the eight-page "Chips Wilde" Western story in the benefit comic Actor Comics Presents #1 (Fall 2006), provided a sketch for the benefit comic The 3-Minute Sketchbook (2007),^[17] and contributed to the tribute comic The Uncanny Dave Cockrum (2007).^[18]

In 2009, he drew a half-page biographical illustration of a 1940s character in the reference guide Marvel Mystery Handbook 70th Anniversary Special, with ^[7]

Awards and honors[link]

• Sgt. Fury and his Howling Commandoes, drawn by Ayers, won the Alley Award for Best War Title in 1967 and 1968.
• 1985 National Cartoonists Society Award for Best Comic Book
• 2007 inductee, Will Eisner Comic Book Hall of Fame

Audio[link]

• Audio of Merry Marvel Marching Society record, including voice of Dick Ayers, at Dograt.com. WebCitation archive.

References[link]

External links[link]

Wikimedia Commons has media related to: Dick Ayers

• "Dick Ayers: A Life in the 'Gowanus'". Alter Ego (interview part 1 of 2) 3 (10). Autumn 2001. Archived from the original on May 31, 2010. http://www.twomorrows.com/alterego/articles/10ayers.html. 
• Alter Ego vol.. 3, #31 (Dec. 2003): Interview with Dick Ayers (part 2 of 2)
• National Cartoonists Society Awards

Dick Morris (born November 28, 1948) is an American political author and commentator who previously worked as a pollster, political campaign consultant, and general political consultant.

A friend and advisor to Bill Clinton during his time as Governor of Arkansas, Morris became a political adviser to the White House after Clinton was elected president in 1992. Morris encouraged Clinton to pursue third way policies of triangulation that combined, to achieve maximum political gain and popularity, traditional Republican and Democratic proposals, rhetoric, and issues. He worked as a Republican strategist before joining the Clinton administration, where he helped Clinton recover from the 1994 midterm elections by convincing the President to adopt Republican policies.^[1]

The president consulted Morris in secret beginning in 1994.^[2] Clinton's communications director George Stephanopoulos has said, "Over the course of the first nine months of 1995, no single person had more power over the president."^[3] Morris went on to become campaign manager of Bill Clinton's successful 1996 bid for re-election to the office of President. His tenure on that campaign was cut short two months before the election, when it was revealed that he had allowed a prostitute to listen in on conversations with the President. Morris then turned his focus to media commentary. He now writes a weekly column for the New York Post which is carried nationwide, contributes columns and blogs to both the print and online versions of The Hill, and appears regularly on the Fox News Channel for political commentary. He is also President of Vote.com.^[4]

More recently, Morris has emerged as a harsh critic of the Clintons and has written several books that criticize them, including Rewriting History, a rebuttal to Senator Hillary Clinton's Living History. Morris said that he would leave the United States if Hillary Clinton were elected president in 2008.^[5]

Morris was the strategist for Republican Christy Mihos's failed campaign in the 2010 Massachusetts gubernatorial race.^[6]

Early life[link]

Morris is the son of writer Terry Lesser Morris, an early proponent of confessional human interest stories.^[7] He attended Stuyvesant High School in New York City,^[8] where he was active on the debate team. He managed Jerrold Nadler's campaign for class president; Nadler has since gone on to represent New York in the House of Representatives. Morris was also involved in the first campaign of Richard Gottfried for New York State Assembly in 1970. Morris graduated from Stuyvesant in 1964, then attended Columbia University where he earned a Bachelor of Arts degree, graduating in 1967.

Morris and the Clintons[link]

Morris first worked with Bill and Hillary Clinton during Bill Clinton's successful 1978 bid for Governor of Arkansas. Morris is credited by many with engineering Clinton's re-election to the Arkansas governorship after a humiliating defeat at the end of Clinton's first term. As a result, Clinton turned to Morris after the mid-term elections of 1994, when Republicans gained control of the U.S. House and Senate and Clinton's own chance for a second presidential term seemed remote. From the early months of 1995 to August 1996, Morris was a principal architect of the Clinton-Gore re-election strategy.

Morris did not have a role in Clinton's successful 1992 presidential campaign, which instead was headed by David Wilhelm, James Carville, George Stephanopoulos, and Paul Begala. After the 1994 mid-term election, in which Republicans took control of both houses of the United States Congress and gained considerable power in the states, Clinton once again sought Morris's help to prepare for the 1996 Presidential election. It was Morris who proposed a strategy that is now referred to as triangulation, in which Clinton would appeal to a diverse group of voters by distancing himself from both the Democratic and Republican parties.

Scandal[link]

On August 29, 1996, Morris resigned from the Clinton campaign after tabloid reports stated that he had been involved with a female prostitute, Sherry Rowlands, as reported by the Washington Post. A New York tabloid newspaper, the Star, had obtained and published a set of photographs allegedly of Morris and the woman on a Washington, D.C., hotel balcony. News of the impending publication broke during the third day of the 1996 Democratic Convention. The Electronic Telegraph reported unverified claims that in order to impress the woman, S. Rowlands, Morris invited her to listen in on his conversations with President Clinton.^[9][10][11] It was also alleged he had an illegitimate child from an affair with a Texas woman.^[12]

Morris resigned on the same day that Bill Clinton spoke and accepted the nomination at the Democratic National Convention. In his resignation statement, he said that "while I served I sought to avoid the limelight because I did not want to become the message. Now, I resign so I will not become the issue."^[13] In his response, President Clinton praised Morris as a "friend", and thanked him for his years of service. Privately, several of Clinton's aides were furious that in his resignation statement Morris credited himself with helping the President "come back from being buried in a landslide" and that Morris ended by comparing himself to Robert Kennedy.^[14]

Morris was featured on two consecutive covers of Time magazine. The September 2, 1996 issue, which was released before the prostitute story broke, featured Morris as "The Man Who Has Clinton's Ear".^[1] The following week, the cover featured Morris and his wife, Eileen McGann, and the headline read "The Morris Mess: After the Fall".^[14]

Later work[link]

In his 1997 book, Behind the Oval Office, Morris wrote that, following an argument in the Arkansas Governor's Mansion, he strode toward the exit and was tackled by Clinton. In 2003, Morris further stated that Clinton cocked his arm back to throw a punch, but Hillary Clinton pulled her husband off Morris. In both versions of the story, she consoled Morris and apologized to him, stating that Bill behaved such only with those he cared for most. According to Morris, she did this to keep him quiet about the incident. He says the incident was the reason for denying Bill Clinton's request to work on the 1992 campaign.

Morris has become a vocal and regular critic of the Clintons since his departure, in particular Hillary Rodham Clinton and her bid for the presidency. Morris has written extensively about the Clintons (see below) and also contributed to Hillary: The Movie, a documentary about Rodham Clinton when she was still a 2008 Presidential candidate.^[15] Later, after former President Bill Clinton's comments about the similarities between the Obama win and the win of presidential candidate Jesse Jackson in 1988, Morris put out an article on his blog that asserted that this was Clinton's way of injecting race into the political campaign.^[16]

Other work[link]

Political consulting[link]

As of August 2009, Morris lends his name and assistance to the League of American Voters, an advocacy group for seniors to defeat the Obama health care reform. He has been described as "America's most ruthless political consultant" in the BBC documentary Century of the Self Episode 4,^[17] which chronicled how he brought lifestyle marketing to politics for the first time.

Morris has also consulted for candidates in other countries of the western hemisphere, including the campaigns of Fernando de la Rua for President of Argentina (1999), Jorge Batlle for President of Uruguay (1999), Vicente Fox for President of Mexico (2000), and Raphael Trotman for President of Guyana (2006).^[18]

Morris and his wife, Eileen McGann, are behind www.vote.com, a site intended to register non-scientific political public opinion on various issues.

Morris worked as a strategist for Christy Mihos, who sought the Republican nomination to run for Governor of Massachusetts in 2010 against incumbent Deval Patrick. Morris "oversaw strategy, polling, and advertising for Mihos".^[6] At the Republican state convention, Mihos lost to Charles D. Baker, Jr. by 89 percent to 11 percent; by failing to reach 15 percent, Mihos did not qualify for a primary against Baker.^[19]

Guest commentator and political prognosticator[link]

Since leaving Clinton's employ in 1996, Morris has said he has become profoundly "disillusioned" with the actions of the Clintons in the late 1990s. He has now formed a career as a political commentator and critic of the Clintons (particularly towards Hillary), appearing on Fox News programs such as Hannity & Colmes, Hannity, and the O'Reilly Factor, and on various local and nationally syndicated radio talk shows. Morris is also a regular columnist and Pundits Blogger for The Hill, a nonpartisan daily newspaper based in Washington, D.C., and for NewsMax.com, a conservative online news website.^[20][21][22]

Morris regularly makes predictions about candidates' chances of winning elections during these appearances. In a 2005 book on the 2008 presidential campaign, Morris stated that it was most likely that Hillary Clinton would face Condoleezza Rice for the presidency. Morris's critics reacted by mocking his mistaken predictions of past races.

Regarding the 2004 Democratic presidential nomination, he initially stated that Howard Dean's candidacy could be written off right away. While ultimately vindicated, he had earlier discussed the likelihood of Dean defeating John Kerry after early strong showings by the former Vermont governor. Kerry defeated Dean and all his other rivals and won the nomination. Additionally, in a column in "The Hill" on June 22, 2005, Morris predicted that Hillary Clinton would face her "worst nightmare" in her 2006 Senate race against moderate Republican candidate Jeanine Pirro, whose campaign subsequently collapsed within a matter of two months after repeated crushing defeats in the opinion polls due to her husband's alleged mafia ties. He even went so far as to suggest that Clinton would "give up"^{[citation needed]} and drop out to focus on her 2008 campaign.^[23][24]

Morris further wrote that Hurricane Katrina "has the capacity to shape the second Bush term in the same way September 11 shaped his first term—not only in rebuilding New Orleans but in taking preventative steps around the nation to bolster our defenses against natural and man-made disasters and terror strikes. Responding to disasters is a source of presidential strength and popularity, and Bush is about to show how it is done."^[25] Appearing on Fox News' Hannity and Colmes on January 29, 2008, Morris said that those voting for John Edwards were "at the moment... those that can't decide which they don't like more—a black or a woman getting elected".^{[citation needed]} Host Alan Colmes asked if he was "saying that Edwards voters are bigots?"^{[citation needed]}

Morris elaborated that exit polls showed some Edwards voters were unsure if a woman or a Black American, in reference to then Democratic Primary front runners Hillary Clinton and Barack Obama, could get elected to the Presidency for the first time in 2008.^[26]

After Obama won the 2008 election, Morris was critical of him. In early 2009, Morris said: "Those crazies in Montana who say, 'We're going to kill ATF agents because the U.N.'s going to take over'? Well, they're beginning to have a case."^[27][28] In April 2009, Morris keynoted an animated debate at the Yale Political Union on the topic "Resolved: Save Capitalism from President Obama".^[29]

In March 2010, About.com, owned by The New York Times Company, named Morris one of the top 20 conservatives to follow on Twitter.^[30]

In a March 2011 column for The Hill, Morris predicted that Obama would not win a second term as President.^[31] For many years a "disillusioned Democrat," Dick Morris has stated he is now a Republican.

In August 2011, Morris began a petition on his website opposing federal funding for the Park51 Muslim community center, claiming that the center is "designed to celebrate the attacks that killed 3,000 Americans", and that the center would "train the same kinds of terrorists who caused the... attacks".

Foreign political consultant[link]

Morris worked with the United Kingdom Independence Party in their campaign before the 2004 European Parliament election. The party, which advocates withdrawal from the European Union, won 12 of the United Kingdom's 78 seats.

In 2004 and 2005, he and his wife had acted as campaign consultants to the successful Yushchenko Presidential campaign in Ukraine. Morris reports that he insisted on the use of exit polls as a means of potentially exposing ballot tampering. He argues this played a significant role in forcing the government of then President Leonid Kuchma to acquiesce to a new poll when the official results of the first varied materially from the exit surveys. Interestingly, faced with a similar (though smaller) divergence between exit polling and election returns, he took the opposite stance in a 2004 article in The Hill when he suspected "foul play" on the part of the exit pollsters in the US presidential race.^[32] Mexico 2004; Morris outlined the strategy of the negative campaign that would be used against the PRD and AMLO: "The PRD would be a disaster for Mexico, the country would go in the same direction as Chávez and Castro."^{[citation needed]} That is to say, López Obrador would be "a danger to Mexico",^{[citation needed]} as Rob Allyn said in an article published on April 3, 2006, published in the New York Post.

In a November 13, 2007 press conference in Nairobi, Kenya, Morris announced that he would be offering his consultancy services pro bono for the campaign to elect Raila Odinga as President of Kenya in the 2007 Presidential election running on the Orange Democratic Movement ticket.

With four weeks to the national elections, an editorial in one of the leading dailies called into question the legalities of Morris's consulting work from the perspective of his presence in and lack of legal ability to work in Kenya "pro bono" or "through the back door".^[33]

The outcome of the December 27, 2007 elections in Kenya is still disputed due to allegations of electoral fraud and rigging by the incumbent president, Mwai Kibaki, the Party of National Unity and erroneous reporting by the Electoral Commission of Kenya (ECK). Massive protests and tribal tensions have since erupted between the president's Kikuyu tribe and the majority of other tribes not favorably aligned to the outcome. Major mediations have commenced between concerned parties, including possible formation of a coalition and/or interim government until reelections are held.

Morris's DVD[link]

Morris has appeared in, and wrote the screenplay for, the documentary film FahrenHYPE 9/11. The film was a response to Michael Moore's 2004 film, Fahrenheit 9/11.

Tax issues[link]

Morris said that he has reached an agreement with Connecticut, and his name will be removed from the next delinquency list. Morris says that he is committed to paying his taxes: "Following a difficult period in my life, I fell into arrears. But since then, I have paid almost $3 million in state and federal taxes."^[34]

Books[link]

Morris has written several books. He authored Condi vs. Hillary (subtitled The next great presidential race) (ISBN 0-06-083913-9) in which he argues that only Condoleezza Rice could block Hillary Clinton's anticipated 2008 bid for the White House. He co-authored this book with his wife, Eileen McGann.

Previously he wrote a pair of books criticizing the Clintons, again co-authored by his wife, Eileen McGann. Rewriting History (ISBN 0-06-073668-2) was published in May 2004 as a rebuttal to Hillary Clinton's book, Living History (ISBN 0-7432-2224-5). In it, he argues that Hillary Clinton has presented a false "nice" persona in the book. Morris instead remembers her as manipulative, cold, and single-minded in her pursuit of power. Similarly, Morris and McGann wrote Because He Could (ISBN 0-06-078415-6) in response to Bill Clinton's memoir My Life (ISBN 0-375-41457-6).

Morris has also written Behind the Oval Office: Winning the Presidency in the Nineties (ISBN 1-58063-053-7), a retrospective of his work with the Clintons that was published soon after his resignation from the campaign in 1996. Other books include Power Plays: Win or Lose—How History's Great Political Leaders Play the Game (ISBN 0-06-000444-4), The New Prince (ISBN 1580631479 ),Vote.com: How Big-Money Lobbyists and the Media Are Losing Their Influence, and the Internet Is Giving Power Back to the People (ISBN 1-58063-163-0)and "Outrage" (ISBN 978-0-06-119540-2).

Dick Morris and Eileen McGann's latest collaboration is Fleeced: How Barack Obama, Media Mockery of Terrorist Threats, Liberals Who Want To Kill Talk Radio, the Do-Nothing Congress, Companies That Help Iran, and Washington Lobbyists for Foreign Governments Are Scamming Us...And What To Do About It (ISBN 9780061718663), published in June 2008. Its jacket copy states, "In this hard-hitting call to arms, Dick Morris and Eileen McGann reveal the hundreds of ways American tax-payers are routinely fleeced--by our own government; by foreign countries like Dubai that are gobbling up American interests and spending millions to influence government decisions and American public opinion; by Washington lobbying firms that are pushing the agendas of corrupt foreign dictators on Capitol Hill; and by hedge-fund billionaires collecting huge tax breaks courtesy of the IRS."

His book Catastrophe was released in June 2009.

His latest book is Revolt! How to Defeat Obama and Repeal His Socialist Programs, which was released in March 2011.

References[link]

• Conason, Joe (2008-04-09). "Daily show". comedycentral.com. http://ccinsider.comedycentral.com/cc_insider/2008/09/jon-stewart-ann.html. Retrieved 2008-03-09. 
• Conason, Joe (2003-06-12). "Setting Dick Morris straight". Salon.com. http://www.salon.com/opinion/conason/2003/06/12/morris/index.html. Retrieved 2004-10-14. 
• "Dick Morris Biography". NewsMax.com. http://www.newsmax.com/pundits/bios/Morris-bio.shtml. Retrieved 2004-10-14. 
• "Clinton ex-adviser gives boost to Britain's anti-EU party". EUBusiness. 2004-06-15. Archived from the original on June 28, 2004. http://web.archive.org/web/20040628084521/http://www.eubusiness.com/afp/040615012643.oukbjuqc. Retrieved 2004-10-14. 
• Morris, Dick (2003-06-12). "Setting the Record Straight: An Open Letter to Hillary Clinton". National Review Online. http://www.nationalreview.com/comment/comment-morris061203.asp. Retrieved 2004-10-14. 
• "NewsHour Transcript: The Morris Resignation". Online NewsHour. 1996-08-29. http://www.pbs.org/newshour/bb/election/august96/panel_morris_8-29.html. Retrieved 2004-10-14. 

External links[link]

• DickMorris.com, Dick Morris Blog and Opinion Site
• Vote.com, Dick Morris online polling site (heavily biased, it only offers options for Republican candidates, with none for Democratic ones)[1]
• Podcasts of Morris' recent articles
• Dick Morris' Pundits Blogs for The Hill

Captain America is a fictional character, a superhero who appears in comic books published by Marvel Comics. The character first appeared in Captain America Comics #1 (cover-dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics,^[1] and was created by Joe Simon and Jack Kirby. As of 2007, an estimated 210 million copies of "Captain America" comic books had been sold in 75 countries.^[2] For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers, a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon.^[3]

An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.

Steve Rogers was purportedly assassinated in Captain America vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series Captain America continued to be published,^[4] with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle, and keeping it at the insistence of Rogers, who upon his return began operating as an intelligence agent in the Secret Avengers title, and in the limited series Steve Rogers: Super Soldier, before resuming the identity after Bucky was killed in the line of duty.

Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America. Since then, the character has been featured in several other films and television series, including Chris Evans' portrayal in Captain America: The First Avenger, released on July 22, 2011, and The Avengers, released on May 4, 2012. Captain America was ranked sixth on IGN's Top 100 Comic Book Heroes in 2011.

Publication history[link]

In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume.^[5] "I wrote the name 'Super American' at the bottom of the page," Simon said in his autobiography. "No, it didn't work. There were too many 'Supers' around. 'Captain America' had a good sound to it. There weren't a lot of captains in comics. It was as easy as that. The boy companion was simply named Bucky, after my friend Bucky Pierson, a star on our high school basketball team."^[6]

Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:

I didn't have a lot of objections to putting a crew on the first issue.... There were two young artists from Connecticut that had made a strong impression on me. Al Avison and Al Gabriele often worked together and were quite successful in adapting their individual styles to each other. Actually, their work was not too far from [that of] Kirby's. If they worked on it, and if one inker tied the three styles together, I believed the final product would emerge as quite uniform. The two Als were eager to join in on the new Captain America book, but Jack Kirby was visibly upset. 'You're still number one, Jack,' I assured him. 'It's just a matter of a quick deadline for the first issue.'

'I'll make the deadline,' Jack promised. 'I'll pencil it [all] myself and make the deadline.' I hadn't expected this kind of reaction ... but I acceded to Kirby's wishes and, it turned out, was lucky that I did. There might have been two Als, but there was only one Jack Kirby.

I wrote the first Captain America book with penciled lettering right on the drawing boards, with very rough sketches for figures and backgrounds. Kirby did his thing, building the muscular anatomy, adding ideas and pepping up the action as only he could. Then he tightened up the penciled drawings, adding detailed backgrounds, faces and figures.^[6]

Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.^[7]

Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."^[8]

Captain America Comics #1 — cover-dated March 1941 and on sale in December 1940, a year before the attack on Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw; it sold nearly one million copies.^[9] While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of... threatening letters and hate mail. Some people really opposed what Cap stood for."^[8] The threats, which included menacing groups of people loitering out on the street outside of the offices, proved so serious that police protection was posted with Mayor Fiorello La Guardia personally contacting Simon and Kirby to give his support.^[10]

Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II,^{[citation needed]} as evidenced by the unusual move at the time of premiering the character in his own title instead of an anthology title first. This popularity drew the attention and a complaint from MLJ that the character's triangular shield too closely resembled the chest symbol of their Shield character. In response, Goodman had Simon and Kirby create a distinctive round shield for issue 2, which went on to become an iconic element of the character.^[11] With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Stanley Lieber, now better known by his pen name Stan Lee, contributed to the character in issue #3 in the filler text story "Captain America Foils the Traitor's Revenge," which introduced the character's use of his shield as a returning throwing weapon.^[12] Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty."^[8]

Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines like Time during the period.^[13] After the Simon and Kirby team moved to DC in late 1941, having produced Captain America Comics through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was also featured in All Winners Comics #1-19 (Summer 1941 – Fall 1946), Marvel Mystery Comics #80-84 and #86-92, USA Comics #6-17 (Dec. 1942 – Fall 1945), and All Select Comics #1-10 (Fall 1943 – Summer 1946).

In the post-war era, with the popularity of superheroes fading, Captain America led Timely's first superhero team, the All-Winners Squad, in its two published adventures, in All Winners Comics #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 Captain America story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. Captain America Comics ended with issue #75 (Feb. 1950), by which time the series had been titled Captain America's Weird Tales for two issues, with the finale being a horror/suspense anthology issue with no superheroes.

Atlas Comics attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in Young Men #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in Young Men #24-28 and Men's Adventures #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure,^[14] and the character's title was canceled with Captain America #78 (Sept. 1954).

Silver Age revival[link]

In the Human Torch story titled "Captain America" in Marvel Comics' Strange Tales #114 (Nov. 1963),^[15] writer-editor Stan Lee and artist and co-plotter Jack Kirby depicted the brash young Fantastic Four member Johnny Storm, the Human Torch, in an exhibition performance with Captain America, described as a legendary World War II and 1950s superhero who has returned after many years of apparent retirement. The 18-page story ends with this Captain America revealed as an impostor: it was actually the villain the Acrobat, a former circus performer the Torch had defeated in Strange Tales #106, who broke two thieves out of jail, hoping to draw the police away while trying to rob the local bank. Afterward, Storm digs out an old comic book in which Captain America is shown to be Steve Rogers. A caption in the final panel says this story was a test to see if readers would like Captain America to return.

Captain America was then formally reintroduced in The Avengers #4 (March 1964), which explained that in the final days of WWII, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. The hero found a new generation of readers as leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."^[16]

After then guest-starring in the feature "Iron Man" in Tales of Suspense #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue. Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky. Kirby drew all but two of the stories in Tales of Suspense, which became Captain America with #100 (April 1968); Gil Kane and John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inker John Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title Captain America continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called Captain America and the Falcon from #134-222 (although the Falcon's name was not on the cover for issues #193, 200, and 216).

This series — considered Captain America volume one by comics researchers and historians,^[17] following the 1940s Captain America Comics and its 1950s numbering continuation — ended with #454 (Aug. 1996).

After the Silver Age[link]

This series was almost immediately followed by the 13-issue Captain America vol. 2 (Nov. 1996 – Nov. 1997, part of the "Heroes Reborn" crossover),^[18] the 50-issue Captain America vol. 3 (Jan. 1998 – Feb. 2002),^[19] the 32-issue Captain America vol. 4 (June 2002 – Dec. 2004),^[20] and Captain America vol. 5 (Jan. 2005 – July 2009).^[21] Beginning with the 600th overall issue counting these series, Captain America resumed its original numbering, as if the series numbering had continued uninterrupted after #454.

As part of the aftermath of Marvel Comics' company-crossover storyline "Civil War", Steve Rogers was ostensibly killed in Captain America vol. 5, #25 (March 2007). Series writer Ed Brubaker remarked, "What I found is that all the really hard-core left-wing fans want Cap to be standing out on and giving speeches on the street corner against the George W. Bush administration, and all the really right-wing fans all want him to be over in the streets of Baghdad, punching out Saddam Hussein."^[22] The character's co-creator, Joe Simon, remarked, "It's a hell of a time for him to go. We really need him now."^[22] Artist Alex Ross designed a slightly revised Captain America costume that former sidekick Bucky Barnes began to wear as the new Captain America in vol. 5, #34 (March 2008)^[23]

The storyline of Rogers' return began in issue #600.^[24][25] Rogers, who was not dead but caroming through time, returned to the present day in the six-issue miniseries Captain America: Reborn (Sept. 2009 – March 2010).^[26]

After Rogers' return, Barnes, at Rogers' insistence, continued as Captain America, beginning in the one-shot comic Captain America: Who Will Wield the Shield? (Feb. 2010). While Bucky Barnes continued adventuring in the pages of Captain America, Steve Rogers received his own miniseries (Steve Rogers: Super-Soldier) as well as taking on the leadership position in a new Secret Avengers ongoing series.

Spinoff series included Captain America Sentinel of Liberty (Sept. 1998 – Aug. 1999) and Captain America and the Falcon (May 2004 – June 2005). The 1940s Captain America appeared alongside the 1940s Human Torch and Sub-Mariner in the 12-issue miniseries Avengers/Invaders.^[27][28] The 2007 mini-series Captain America: The Chosen, written by David Morrell and penciled by Mitchell Breitweiser, depicts a dying Steve Rogers' final minutes, at S.H.I.E.L.D. headquarters, as his spirit guides James Newman, a young American Marine fighting in Afghanistan. The Chosen is not part of the main Marvel Universe continuity.^[29][30]

Marvel stated in May 2011 that Rogers, following the public death of Bucky Barnes in the Fear Itself miniseries, would resume his Captain America identity in a sixth volume of Captain America, by writer Ed Brubaker and artist Steve McNiven.^[31]

Fictional character biography[link]

This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2011)

1940s[link]

Steve Rogers was born July 4, 1920, in the Lower East Side of Manhattan, New York City, to Irish immigrants Sarah and Joseph Rogers.^[32] Joseph Rogers died when Steve was only a child and his mother, Sarah, died of pneumonia while Steve was a teen. By early 1940, before America's entry into World War II, Rogers is a tall but scrawny fine arts student specializing in illustration, and a comic book writer and artist, a career he willingly set aside upon his transformation into Captain America. Despite some forays into graphics, Steve Rogers never created another character^[33]

Disturbed by the rise of the Third Reich, Rogers attempts to enlist, only to be rejected due to his physically frail body. His resolution however allows him to be noticed by U.S. Army General Chester Phillips and "Project: Rebirth." Rogers is used as a test subject for the Super-Soldier project, receiving a special serum made by "Dr. Josef Reinstein",^[34][35] later retroactively changed to a code name for the scientist Abraham Erskine.^[36]

The serum, coupled with the stabilizing "Vita-Rays," is a success, and transforms the frail Steve Rogers into a perfect specimen--a nearly perfect human being with peak strength, agility, stamina, and intelligence. The success of the program leaves Erskine wondering about replicating the experiment on other human beings.^[35] The process itself however has been inconsistently detailed: while in the original material Steve Rogers is shown receiving injections of the Super-Serum, when the origin was retold in the sixities, the Comic Code Authority had already put a veto over graphic description of drug intake and abuse, and thus the Super-Serum was retconned into an oral formula.^[37] Later accounts hints at a combination of oral and intravenous treatments, culminating in the Vita-Ray exposure and a strenuous training regimen.

Erskine refused to write down every crucial element of the treatment, leaving behind a flawed, imperfect knowledge of the needed steps. Thus, when the Nazi spy Heinz Kruger killed him, Erskine's method of creating new Super-Soldiers died as well. Captain America, in his first act after his tranfsormation, avenges Erskine. In the 1941 origin story and in Tales of Suspense #63, Kruger dies when running into machinery but is not killed by Rogers; in the Captain America #109 and #255 revision, however, Rogers causes the spy's death by punching him into machinery.^[35]

Unable to create new Super-Soldiers, and willing to hide the Project Rebirth fiasco, the U.S.A. Government casts the now-powerful Rogers as a patriotic superhero, able to counter the menace of the Red Skull as a counter-intelligence agent. As such, he's supplied with a patriotic uniform (designed by Rogers himself) ^[32]) a bulletproof shield, a personal side arm, and the codename Captain America, while Steve Rogers himself poses as a clumsy infantry private at Camp Lehigh in Virginia. He forms a friendship with the camp's teenage mascot, James Buchanan "Bucky" Barnes.^[34]

Eventually Barnes learns of Rogers' dual identity and offers to keep the secret if he can become Captain America's sidekick, being trained himself to act as the perfect partner. During their adventures, Franklin D. Roosevelt presents Captain America with a new shield, forged from an alloy of steel and vibranium, fused by an unknown catalyst, so effective that it replaces his own firearm.^[36] Throughout World War II, Captain America and Bucky fight the Nazi menace both on their own and as members of the superhero team the Invaders (as seen in the 1970s comic of the same name).^[38] Captain America also battles a number of criminal menaces on American soil, including a wide variety of costumed villains: the Wax Man,^[39] the Hangman,^[40] the Fang,^[40] the Black Talon,^[41] and the White Death,^[41] among others.

In late April 1945, during the closing days of World War II, Captain America and Bucky try to stop the villainous Baron Zemo from destroying an experimental drone plane. Zemo launches the plane with an armed explosive on it, Rogers and Barnes in hot pursuit. The pair reach the plane just before take off. When Bucky tries to defuse the bomb, it explodes in mid-air. The young man is believed killed. Rogers is hurled into the freezing waters of the North Atlantic. Neither is found, and both are presumed dead. It is later revealed that neither character actually died.^[42]

Late 1940s to 1950s[link]

Captain America continued to appear in comics for the next few years changing from World War II-era hero fighting against the Nazis to trying to defeat the United States' newest enemy, Communism. The revival of the character in the mid-1950s is short-lived, and events during that time period are later retconned to show that multiple people operated using the code name in order to explain the changes in the character. These Post World War II successors are listed as William Naslund and Jeffrey Mace.

The last of these other official Captains, William Burnside,^[43] was a history graduate enamored with the Captain America's mythos, going so far to have his appearance surgically altered to resemble Rogers and legally change his name into "Steve Rogers", becoming the new "1950s Captain America".^[44] Furthermore, he self-administered to himself and his pupil James "Jack" Monroe a flawed, incomplete copy of the Super-Serum, which made no mention about the necessary Vita-Ray portion of the treatment. As a result, while Burnside (now known as Steve Rogers) and Monroe became the new Captain America and Bucky, they also became violently paranoid, often raving about innocent people being communist sympathizers during the height of the Red Scare of the 1950s. Their insanity forced the US Government to place both of them in indefinite cryogenic storage by the US Government until they could be cured of their mental illness.^[45] The 1950s Bucky would be cured ^[46] and go on to be the original Steve Rogers' Captain America partner for a time under the Nomad identity.

1960s to 1970s[link]

Years later,^[42] the superhero team the Avengers discovers Steve Rogers' body in the North Atlantic, the Captain's uniform under his soldier's fatigues and still carrying his shield. After he revives, they piece together that Rogers had been preserved in a block of ice since 1945, surviving in such a state only because of his enhancements from Operation: Rebirth. The block had begun to melt after the Sub-Mariner, enraged that an Arctic Inuit tribe is worshiping the frozen figure, throws it into the ocean. Rogers accepts membership in the Avengers, and although long out of his time, his considerable combat experience makes him a valuable asset to the team. He quickly assumes leadership,^[47] and has typically returned to that position throughout the team's history.

Captain America is plagued by guilt for having been unable to prevent Bucky's death—a feeling that does not ease for some time. Although he takes the young Rick Jones (who closely resembles Bucky) under his tutelage, he refuses for some time to allow Jones to take up the Bucky identity, not wishing to be responsible for another youth's death. Insisting that his hero finally move on from that loss, Jones eventually convinces Rogers to let him don the Bucky costume,^[48] but this partnership lasts only a short time; a disguised Red Skull, impersonating Rogers with the help of the Cosmic Cube, drives Jones away.

Rogers also reunites with his old war comrade Nick Fury, who is similarly well-preserved due to the "Infinity Formula." As a result, Rogers regularly undertakes missions for the security agency S.H.I.E.L.D. for which Fury is public director.^[49] Through Fury, Rogers befriends Sharon Carter, a S.H.I.E.L.D. agent,^[50] with whom he eventually begins a romantic relationship.

Rogers later meets and trains Sam Wilson, who becomes the superhero the Falcon,^[51] the first African-American superhero in mainstream comic books.^[52] The characters established an enduring friendship and adventuring partnership, sharing the series title for some time as Captain America and the Falcon.^[53] The two later encounter the revived but still insane 1950s Captain America.^[54] Although Rogers and the Falcon defeat the faux Rogers and Jack Monroe, Rogers becomes deeply disturbed that he could have suffered his counterpart's fate.

The series also dealt with the Marvel Universe's version of the Watergate scandal, making Rogers so uncertain about his role that he abandons his Captain America identity in favor of one called Nomad, emphasizing the word's meaning as "man without a country". During this time, several men unsuccessfully assume the Captain America identity.^[55] Rogers eventually re-assumes it after coming to consider that the identity could be a symbol of American ideals and not its government; it's a personal conviction epitomized when he later confronted a corrupt Army officer attempting to manipulate him by appealing to his loyalty, "I'm loyal to nothing, General... except the [American] Dream." Jack Monroe, cured of his mental instability, later takes up the Nomad alias.^[56] During this period, Rogers also temporarily gains super strength.^[57] Immediately after witnessing Number One's suicide, he is summoned to the future to participate in the Destiny War between Kang the Conqueror and Immortus (it is revealed over the course of the story that Rogers was selected from this time frame as, had he been taken from any other time period, his strong personality- shaken at this point by the events he had just witnessed- would have dominated the team and deprived them of the flexibility required to succeed in their mission, although his presence alone still brought cohesion to the group).^[58] He also learns of the apparent death of Sharon Carter.^[59]

1980s to 1990s[link]

The early 1980s included runs from such creators as Roger Stern, John Byrne, and J. M. DeMatteis. Stern had Steve Rogers consider a run for President of the United States in Captain America #250 (June 1980), and introduced a new love interest, law student Bernie Rosenthal, in Captain America #248 (Aug. 1980). Stern also revisited and expanded Captain America's origin story.

DeMatteis revealed the true face and full origin of the Red Skull in Captain America #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time.^[56] It is also around this time that the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries Secret Wars

Also during the 1980s, Mark Gruenwald wrote 137 issues of the book for 10 consecutive years from 1985 to 1995, the most issues by any single author in the character's history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included new love interest Diamondback.,^[60] Super Patriot (who would go on to become a replacement Captain America in a two-year story arc ^[61] and became USAgent at that arc's conclusion), and some short-lived new partners that included Demolition Man.^[62]

Gruenwald explores numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher;^[63] and vigilantism when he hunts the murderous Scourge of the Underworld.^[64] Homophobia was also dealt with as Steve Rogers runs into a childhood friend named Arnold Roth who is gay.^[65][66]

Rogers receives a large back-pay reimbursement dating back to his disappearance at the end of World War II, and a government commission orders him to work directly for the U.S. government. Already troubled by the corruption he had encountered with the Nuke incident in New York City,^[67] Rogers chooses instead to resign his identity,^[68] and then takes the alias of "the Captain".^[69] A replacement Captain America, John Walker, struggles to emulate Rogers' ideals until pressure from hidden enemies helps to drive Walker insane. Rogers returns to the Captain America identity^[70] while a recovered Walker becomes the U.S. Agent.^[71]

Sometime afterward, Rogers avoids the explosion of a methamphetamine lab, but the drug triggers a chemical reaction in the Super-Soldier serum in his system. To combat the reaction, Rogers has the serum removed from his body, and trains constantly to maintain his physical condition.^[72]

A retcon later establishes that the serum was not a drug per se, which would have metabolized out of his system, but in fact a virus-like organism that effected a biochemical and genetic change. This additionally explained how arch-nemesis Red Skull, who at the time inhabited a body cloned from Rogers' cells, also has the formula in his body.

Because of his altered biochemistry, Rogers' body begins to deteriorate, and for a time he must wear a powered exoskeleton and is eventually placed again in suspended animation. During this time, he is given a transfusion of blood from the Red Skull, which cures his condition and stabilizes the Super-Soldier virus in his system. Captain America returns both to crime fighting and the Avengers.^[73]

Following Gruenwald's departure on the book, Mark Waid took over and resurrected Sharon Carter as Cap's love interest. The book was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement. Following Waid's run, Dan Jurgens took over and introduced new foe Protocide, a failed recipient of the Super Soldier serum prior to the experiment that successfully created Rogers.

2000s[link]

In the aftermath of the September 11 terrorist attacks, Rogers reveals his identity to the world and establishes a residence in the Red Hook neighborhood of Brooklyn, New York, as seen in Captain America vol. 4, #1-7 (June 2002 – Feb. 2003). Following the disbandment of the Avengers in the "Avengers Disassembled" story arc, Rogers, now employed by S.H.I.E.L.D., discovers Bucky is alive, having been saved and deployed by the Soviets as the Winter Soldier. Rogers also resumes his on-again, off-again relationship with S.H.I.E.L.D. agent Sharon Carter.

In the 2006-2007 company-wide story arc "Civil War", and its anchoring, seven-issue miniseries, Civil War (July 2006 - Jan. 2007), Rogers opposes the new mandatory federal registration of super-powered beings, and leads the underground anti-registration movement. He adopts the alias "Brett Hendrick", a mall security guard. After significant rancor and danger to the public as the two sides clash, Captain America voluntarily surrenders and orders the Anti-Registration forces to stand down.

In the story arc "The Death of Captain America", Rogers is indicted on criminal charges for his anti-registration efforts, and in Captain America vol. 5, #25 (April 2007) is shot outside a federal courthouse; taken to a hospital, he is pronounced dead. The assassination, orchestrated by the Red Skull, involves Crossbones as a sniper and Dr. Faustus, who poses as a S.H.I.E.L.D. psychiatrist and gives Carter a hypnotic suggestion to surreptitiously shoot Rogers at close range during the chaos surrounding the sniper shot.

The miniseries Fallen Son: The Death of Captain America #1-5 (June–Aug. 2007) follows the stunned superhero community after the apparent assassination. Captain America is purportedly laid to rest in Arlington National Cemetery, but Tony Stark (Iron Man) and others have actually returned Rogers' body to the Arctic where Rogers had been found years before.

In vol. 5, #30 (Sept. 2007), Stark receives a letter containing Rogers' request that Bucky become the next Captain America, which Bucky agrees to do four issues later. Adopting the original shield, he dons a new costume incorporating a pistol and a knife. The Norse god superhero Thor communicates with what appears to be Rogers' spirit on the first anniversary of Rogers' death, in Thor vol. 3, #11 (Oct. 2008).

Captain America: Reborn #1 (Aug. 2009) reveals that Rogers did not die, and that the gun Sharon Carter had been hypnotized to use had actually caused Rogers to phase in and out of space and time, appearing at events in his lifetime and fighting battles. The Skull returns Rogers to the present, where he takes control of Rogers' mind and body. Rogers eventually regains control, and with help from his allies, defeats the Skull in the fourth and final issues of this miniseries. In the subsequent one-shot comic Captain America: Who Will Wield the Shield?, Rogers formally grants Bucky his Captain America shield and asks his former sidekick to continue as Captain America. The American President grants Rogers a full pardon for his anti-registration actions.

2010s[link]

Following the company-wide "Dark Reign" and "Siege" story arcs, the Steve Rogers character became part of the "Heroic Age" arc.^[74] The U.S. president appoints Rogers, in his civilian identity, as head of the nation's security, replacing Norman Osborn. The Superhuman Registration Act is repealed and Rogers reestablishes the superhero team the Avengers. In the miniseries Steve Rogers: Super Soldier, he encounters Jacob Erskine, the grandson of Professor Abraham Erskine and the son of Tyler Paxton, one of Rogers' fellow volunteers in the Super-Soldier program. Shortly afterward, Rogers becomes leader of the Secret Avengers, a black-ops superhero team.

During the Fear Itself storyline, Steve Rogers is present when the threat of the Serpent is known.^[75] Following the apparent death of Bucky at the hands of Sin (in the form of Skadi), Steve Rogers ends up changing into his Captain America outfit.^[76] When the Avengers and the New Avengers are fighting Skadi, the Serpent ends up joining the battle and breaks Captain America's shield with his bare hands.^[77] Captain America and the Avengers teams end up forming a militia for a last stand against the forces of the Serpent.^[78] When it comes to the final battle, Captain America uses Thor's hammer to fight Skadi until Thor manages to kill the Serpent. In the aftermath of the battle, Iron Man presents Captain with his reforged shield now stronger for its uru-infused enhancements despite the scar it bears.^[79] It is then revealed that Captain America, Nick Fury, and Black Widow are the only ones who know that Bucky actually survived the fight with Skadi as Bucky resumes his identity as Winter Soldier.^[80]

Powers and abilities[link]

Captain America has no superhuman powers, although as a result of the Super-Soldier Serum and "Vita-Ray" treatment, he is transformed from a frail young man into a "perfect" specimen of human development and conditioning.^[81] Captain America's strength, endurance, agility, speed, reflexes, durability, and healing are at the zenith of natural human potential. Rogers' body regularly replenishes the super-soldier serum; it does not wear off.^[82]

The formula enhances all of his metabolic functions and prevents the build-up of fatigue poisons in his muscles, giving him endurance far in excess of an ordinary human being. This accounts for many of his extraordinary feats, including bench pressing 1200 pounds (545 kg) and running a mile (1.6 km) in 73 seconds (49 mph/78 kph).^[83] Furthermore, his enhancements are the reason why he was able to survive being frozen in suspended animation for decades. Rogers cannot become intoxicated by alcohol, drugs, or impurities in the air and is immune to terrestrial diseases.^{[citation needed]} He is also highly resistant to hypnosis or gases that could limit his focus.^[84] The secrets of creating a super-soldier were lost with the death of its creator, Dr. Abraham Erskine.^[85] However, in the ensuing decades there have been numerous secret attempts to recreate Erskine's treatment, only to have them end in failure. Even worse, the attempts have instead often created psychopathic supervillains of which Captain America's 1950s imitator and Nuke are the most notorious examples.

Rogers' battle experience and training make him an expert tactician and an excellent field commander, with his teammates frequently deferring to his orders in battle. Thor so highly regards Rogers' courage, leadership, and combat abilities that he has stated that Rogers is one of the very few humans he will take orders from and follow "through the gates of Hades".^[86] Rogers' reflexes and senses are also extraordinarily keen. He has blended judo, western boxing, kickboxing, and gymnastics into his own unique fighting style and is a master of multiple martial arts. Years of practice with his indestructible shield make him able to aim and throw it with almost unerring accuracy. His skill with his shield is such that he can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. In canon, he is regarded by other skilled fighters as one of the best hand-to-hand combatants in the Marvel Universe, limited only by his human physique.^[87][88] Although the super-soldier serum is an important part of his strength, Rogers has shown himself still sufficiently capable against stronger opponents, even when the serum has been deactivated reverting him to his pre-Captain America physique.^[89]

Rogers has vast U.S. military knowledge and is often shown to be familiar with ongoing, classified Defense Department operations. He is an expert in combat strategy, survival, acrobatics, military strategy, piloting, and demolitions. Despite his high profile as one of the world's most popular and recognizable superheroes, Rogers also has a broad understanding of the espionage community, largely through his ongoing relationship with S.H.I.E.L.D. He occasionally makes forays into relatively mundane career fields, including commercial arts, comic book artistry, education (high school history), and law enforcement.

Although he lacks superhuman strength, Captain America is one of the few mortal beings who has been deemed worthy enough to wield Thor's hammer.^[90]

Weapons and equipment[link]

Captain America uses several shields throughout his history, the most prevalent of which is a nigh-indestructible disc-shaped shield made from an experimental alloy of steel and the fictional vibranium.^[91] The shield was cast by American metallurgist Dr. Myron MacLain, who was contracted by the U.S. government, from orders of President Franklin Delano Roosevelt, to create an impenetrable substance to use for tanks during World War II.^{[citation needed]} This alloy was created by accident and never duplicated, although efforts to reverse-engineer it resulted in the discovery of adamantium.^{[citation needed]}

Captain America often uses his shield as an offensive throwing weapon. The first instance of Captain America's trademark ricocheting shield-toss occurs in Stan Lee's first comics writing, the two-page text story "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 (May 1941).^[92]

The legacy of the shield among other comics characters includes the time-traveling mutant superhero Cable telling Captain America that his shield still exists in one of the possible futures; Cable carries it into battle and brandishes it as a symbol.^[93]

When without his trademark shield, Captain America sometimes uses other shields made from less durable metals such as steel,^{[volume & issue needed]} or even a photonic energy shield designed to mimic a vibranium matrix.^{[volume & issue needed]} Rogers, having relinquished his regular shield to Barnes, carried a variant of the energy shield which can be used with either arm, and used to either block attacks or as an improvised offensive weapon able to cut through metal with relative ease.^[94] Much like his vibranium shield, the energy shield can also be thrown, including ricocheting off multiple surfaces and returning to his hand.^[95]

Captain America's uniform is made of a fire-retardant material, and he wears a lightweight, bulletproof "duralumin" scale armor beneath his uniform for added protection.^[36] Originally, Rogers' mask was a separate piece of material, but an early engagement had it dislodged, thus almost exposing his identity. To prevent a recurrence of the situation, Rogers modified the mask with connecting material to his uniform, an added benefit of which was extending his armor to cover his previously exposed neck. As a member of the Avengers, Rogers has an Avengers priority card, which serves as a communications device.

Captain America has also used a custom specialized motorcycle, modified by the S.H.I.E.L.D. weapons laboratory, as well as a custom-built battle van, constructed by the Wakanda Design Group with the ability to change its color for disguise purposes (red, white and blue), and fitted to store and conceal the custom motorcycle in its rear section with a frame that allows Rogers to launch from the vehicle riding it.

Enemies[link]

Captain America has faced numerous foes in over 60 years of published adventures. Many of his recurring foes embody ideals contrary to the American values Captain America is shown to strive for and believe. Some examples of these opposing values are Nazism (Red Skull, Baron Zemo), Neo-Nazism (Crossbones, Doctor Faustus), technocratic fascism (AIM, Arnim Zola), Communism (Aleksander Lukin), anarchism (Flag Smasher and Viper), and international and domestic terrorism (HYDRA).

Other versions[link]

In other media[link]

Collected editions[link]

The contents of Captain America Comics #1-10 were previously published as Captain America: The Classic Years two hardcover slipcase set in 1990. These were later re-issued as trade paperbacks in the late 1990s once again under the title Captain America: The Classic Years featuring new cover art by Kevin Maguire re-creating classic covers. Previous editions of War and Remembrance, The Bloodstone Hunt, Operation Rebirth, Man Without a Country, and To Serve and Protect were released prior to new 2010 editions leading up to the Captain America: The First Avenger feature film.

References[link]