Vidalia may refer to:

• Vidalia (alga), a genus of red algae in the family Rhodomelaceae
• Vidalia (fruit fly), a genus of tephritid or fruit flies in the family Tephritidae

Places

• Vidalia, Georgia
  • Vidalia micropolitan area, an area in Georgia defined by the United States Census Bureau
  • Vidalia Regional Airport, in Georgia
• Vidalia, Louisiana
  • Natchez–Vidalia Bridge, two twin cantilever bridges carrying US Routes 65 , 84 and 425 across the Mississippi River between Vidalia, Louisiana and Natchez, Mississippi
• Vidalia High School (disambiguation)
  • Vidalia Comprehensive High School in Vidalia, Georgia
  • Vidalia High School (Louisiana)

other

• Vidalia onion, a sweet onion of certain varieties, grown in a production area defined by law in Georgia
• Vidalia project, a software program which is a cross-platform controller GUI for Tor, built using the Qt toolkit
• Vidalia (song), a song recorded by Sammy Kershaw

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

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Sammy Kershaw
Background information
Birth name	Samuel Paul Kershaw
Born	(1958-02-24) February 24, 1958 (age 54)[1] Kaplan, Vermilion Parish, Louisiana, United States
Genres	Country
Instruments	Vocals Guitar
Years active	1991–present
Labels	Mercury, Audium/Koch, Category 5, Boomerville/Big Hit
Associated acts	Doug Kershaw, Lorrie Morgan
Website	www.sammykershaw.com

Samuel Paul "Sammy" Kershaw (born February 24, 1958, Kaplan, Louisiana, United States) is an American country music artist. He has released ten studio albums, with three RIAA platinum certifications and two gold certifications among them. More than twenty-five singles have entered Top 40 on the Billboard Hot Country Songs charts, including the number one hit "She Don't Know She's Beautiful" and ten more Top Ten hits: "Cadillac Style", "Anywhere but Here", "Haunted Heart", "Queen of My Double-Wide Trailer", "I Can't Reach Her Anymore", "National Working Woman's Holiday", "Third Rate Romance", "Meant to Be", "Vidalia", and "Love of My Life".

Early life and career[link]

Sammy Kershaw was born in Kaplan in Acadiana in south Louisiana.^[1] At the age of eleven, Sammy received his first guitar, a gift from his grandfather. However, his father died that same year. Thereafter young Kershaw worked a variety of jobs by day while playing roadhouses at night to support his family.

He began performing in Acadiana with Louisiana legend J.B. Pere. Subsequently, he opened shows for Ray Price, Merle Haggard and George Jones while barely into his teens. When the pressures of growing up fast took their toll in the form of a serious drug and alcohol problem, he quit his bad habits in 1988 and took a break from music to work as a remodeling supervisor at Wal-Mart.^[2]

Musical career[link]

One of Kershaw's demonstration tapes made its way to Mercury Records, which released his debut album Don't Go Near the Water in 1991. This album was certified platinum by the RIAA, and it produced four hit singles. The lead-off, "Cadillac Style", went to #3 in late 1991-early 1992, followed by the #12 title track, "Yard Sale" at #17, and finally "Anywhere but Here" at #10. Kershaw was initially reluctant to release "Cadillac Style" because he felt that it was not suitable for his style; however, his co-producer, Buddy Cannon, convinced him to give the song a chance.^[2] Kershaw's often honky-tonk material and singing voice led to critical comparisons to George Jones,^[2] and one of Jones's early singles, "What Am I Worth", was covered on his debut as well.^[3]

Kershaw's second album, Haunted Heart, followed in 1993. Its lead-off single, "She Don't Know She's Beautiful", became his only Number One hit in April of that year. Following it were the title track, the Dennis Linde-penned "Queen of My Double-Wide Trailer", and "I Can't Reach Her Anymore", all of which hit the Top Ten as well. Although Kershaw had been told by others that radio audiences might not identify with the subject matter on "Queen of My Double-Wide Trailer", Kershaw had wanted to release the song because he had an experience similar to its story line.^[2] Like his debut, Haunted Heart was also a platinum album.^[1] In mid-1994, Kershaw also covered the Lynyrd Skynyrd song "I Know a Little" on the tribute album Skynyrd Frynds, which included country music covers of Lynyrd Skynyrd songs. Also in 1994, Kershaw contributed the song "Fire and Rain" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.

Feelin' Good Train was the title of Kershaw's third album, released later in 1994. This album also produced four more hits, including two consecutive #2's in "National Working Woman's Holiday" and "Third Rate Romance" (the latter a cover of the Amazing Rhythm Aces hit from 1975),^[1] with the #27 "Southbound" and #18 "If You're Gonna Walk, I'm Gonna Crawl" following in 1995. The album also included a duet with George Jones on "Never Bit a Bullet Like This", which had previously been released from Jones's 1993 album High-Tech Redneck. Feelin' Good Train, which was certified gold, was followed by a Christmas album Christmas Times A Comin' and his first greatest-hits package, Greatest Hits, Volume 1, both in 1995. The latter produced a #47-peaking single in "Your Tattoo" (written by Kostas and Jack Tempchin), the first single of his career not to reach Top 40.

Mid-late 1990s[link]

Kershaw's fourth studio album, the gold-certified Politics, Religion and Her, was issued in 1996. It produced Top Ten hits in "Meant to Be" and "Vidalia", the latter of which Kershaw also considered a risky song, saying "If radio will play this one more than twice—so people can get the story and learn what a Vidalia onion is—it'll be a smash."^[2] These songs were followed by "Fit to Be Tied Down" and the title track, both of which hit Top 30. Also included on Politics, Religion and Her were covers of Chuck Berry's "Memphis, Tennessee" and Sammy Johns' "Chevy Van". The same year, Kershaw briefly took ownership of a NASCAR Busch series team (now Nationwide Series), with driver Randy Porter and Unifirst uniforms as the primary sponsor.^{[citation needed]}

Labor of Love was issued later in 1997 as his fifth album. Unlike his previous albums, this one was predominantly composed of ballads.^[1] It produced a #2 in "Love of My Life", and although none of the other three singles ("Matches", "Honky Tonk America" and "One Day Left to Live") reached higher than #22, the album was nonetheless certified platinum as well. His next album, Maybe Not Tonight, brought a Top 20 duet with Lorrie Morgan.^[1] Kershaw stated that he enjoyed working with Morgan on the song, telling Country Weekly magazine, "I knew our vocals would match up… Plus, we have fun together. We're friends and we have been friends for a long time."^[2] Maybe Not Tonight was commercially less successful than its predecessors, however, and it became the first album of Kershaw's career not to achieve an RIAA certification. Following "Maybe Not Tonight" were the singles "When You Love Someone" and "Me and Maxine", both of which peaked in the thirties. "Louisiana Hot Sauce", the final release from Maybe Not Tonight, was also the first single of his career not to enter the charts.

In 2000, Kershaw released an album of cover songs entitled Covers the Hits. This album comprised ten cover songs that Kershaw had recorded in his career. Some of the songs on it, such as the single "Third Rate Romance", were previously found on Kershaw's studio albums, while others came from various tribute albums (such as Skynyrd Frynds) to which he had contributed. Covers the Hits also included a rendition of Dr. Hook's "Little Bit More", a previously unreleased cover which Kershaw had recorded during the sessions for Labor of Love.

2000s[link]

By 2001, Kershaw and Morgan had married. The two recorded a vocal duet album in 2001 entitled I Finally Found Someone (the title track being a cover of the Bryan Adams/Barbra Streisand duet). This album was even less successful commercially, with its only Top 40 hit being the #39 "He Drinks Tequila". Shortly afterward, a second Greatest Hits package was released, and Kershaw left Mercury's roster.

In 2003, Kershaw signed to Audium Entertainment to release the album I Want My Money Back.^[1] This album produced a #33-peaking in its title track, but the second single fell short of the Top 40. The third and final single, "Beer, Bait & Ammo" (which failed to chart), was previously recorded and written by Kevin Fowler on his 2000 debut album of the same name, and would later be recorded by Mark Chesnutt on his 2004 album Savin' the Honky Tonk.

After Audium closed its Nashville division, Kershaw signed to Category 5 Records, then a newly-established independent label, in 2006. His first release for the label and first chart single in three years, "Tennessee Girl", fell three spaces short of the Top 40 that year. It was the first release from his 2006 album Honky Tonk Boots. The album's only other single, a cover of Mel McDaniel's Number One hit "Baby's Got Her Blue Jeans On", failed to chart, and financial difficulties caused the label to close in 2007. In October of the same year, he divorced Morgan, citing irreconcilable differences.

On June 13, 2007, Kershaw announced his candidacy for lieutenant governor of Louisiana in the October 20 jungle primary. The position was held by the incumbent Democrat, Mitch Landrieu. Kershaw also faced a second Republican candidate, State Representative Gary Beard of Baton Rouge, an engineer first elected to the state House in a 2001 special election. Kershaw finished second with 30 percent of the vote, but Landrieu won re-election with a majority on the first ballot.

In 2008, Sammy Kershaw was inducted into The Louisiana Music Hall of Fame in honor of his career achievements and was also inducted into the Louisiana Songwriters Association Hall Of Fame in 2010.

Kershaw's first single in two years, "Real People", was released in late 2008 in the Boomerville/Big Hit label. However, the single failed to chart. His tenth studio album, Better Than I Used to Be, was released on August 31, 2010.

Watching his state embroiled in the Gulf Oil Spill in April 2010, Kershaw, a Lafayette resident, became the official spokesperson for protectourcoastline.org, a non-profit dedicated to providing relief to the fisherman and shrimpers affected most by the spill.

On August 28, 2010, Kershaw announced his second bid for lieutenant governor in the October 2 special election to replace Mitch Landrieu, who left office in May after being elected mayor of New Orleans. Kershaw's intraparty rivals included state Republican chair Roger F. Villere Jr. of Metairie, St. Tammany Parish president Kevin Davis of Slidell, and Secretary of State Jay Dardenne of Baton Rouge. Kershaw polled 19 percent and carried 31 (more than any other candidate)^[4] of the 64 parishes but ran third behind Dardenne and Democrat Caroline Fayard; Kershaw then endorsed fellow Republican Dardenne in the runoff election^[5] and joined Dardenne at campaign events, giving Dardenne a "bear hug" at Dardenne's victory celebration.^[6]

In the 2011 race for lieutenant governor, Kershaw endorsed Dardenne's opponent, fellow Republican Billy Nungesser. Dardenne ultimately defeated Nungesser 53%-47%. ^[7]

Discography[link]

Louisiana portal

References[link]

External links[link]

• The Official Sammy Kershaw website
• NashvillePost.com story on bankruptcy filing, Feb. 2007
• Sammy Kershaw candidate website

Andrew Bird
Andrew Bird with violin, 2009
Background information
Born	(1973-07-11) July 11, 1973 (age 38) Chicago, Illinois, United States
Genres	Indie rock, indie folk, folk rock, baroque pop
Occupations	Musician, songwriter
Instruments	Voice, whistling, violin, guitar, glockenspiel
Years active	1996–present
Labels	Rykodisc, Righteous Babe, Fat Possum, RCRD LBL, Bella Union, Earwig Music, Waterbug, Carrot Top, Delmark, Mom+Pop
Associated acts	Andrew Bird's Bowl of Fire, Squirrel Nut Zippers, Kevin O'Donnells Quality Six, Dosh
Website	andrewbird.net

Andrew Wegman Bird (born July 11, 1973) is an American musician, songwriter, and multi-instrumentalist.

History[link]

Early life and the Bowl of Fire (1973–2002)[link]

Trained in the Suzuki method from the age of four,^[1] Bird graduated from Lake Forest High School in 1991 and Northwestern University with a bachelor's degree in violin performance in 1996. That same year he self-released his first solo album, Music of Hair. Vastly different from his later work, this album showcased his violin skills and paid tribute to his fascination with both American and European folk traditions, as well as jazz and blues. Following this, his initial commercial exposure came through collaborative work with the band Squirrel Nut Zippers, appearing on three of their albums (Hot, Sold Out, and Perennial Favorites) between 1996 and 1998.

Taking on the role of bandleader, Bird released Thrills on Rykodisc in 1997 with his group Andrew Bird's Bowl of Fire, shortly followed by second album Oh! The Grandeur in 1998. Both albums were heavily influenced by traditional folk, pre-war jazz, and swing, with Bird relying on the violin as his primary musical instrument, as well as providing vocals along with his trademark verbose lyrics. The Bowl of Fire featured musicians from Bird's home town of Chicago, including Kevin O'Donnell, Joshua Hirsch, Nora O'Connor, Andy Hopkins, Jimmy Sutton, Colin Bunn, and Ryan Hembrey. During this period, Andrew Bird was a member of the jazz group Kevin O'Donnells Quality Six, for which he was the lead singer and violinist and contributed to arrangements and songwriting for the albums Heretic Blues (Delmark 1999) and Control Freak (Delmark 2000) (both Delmark albums were produced by Raymond Salvatore Harmon).

In 2001, the Bowl of Fire released their third album, The Swimming Hour, a dramatic departure from their previous recordings. It featured a mixture of styles, from the zydeco-influenced "Core and Rind" to more straightforward rock songs such as "11:11". Due to this eclectic nature, Bird has often referred to it as his "jukebox album". Although gaining critical praise (The Swimming Hour received a 9.0 from indie music website Pitchfork^[2]), the band failed to attain commercial success or recognition, playing to audiences as small as 40 people.^[3] In 2002, Bird was asked to open for a band in his hometown of Chicago, but fellow Bowl of Fire members were unavailable for the date. The reluctant Bird performed the gig alone, and the surprising success of this solo show suggested potential new directions for his music.^[3]

Early solo career (2003–2005)[link]

Andrew Bird in concert 2005

The Bowl of Fire unofficially disbanded in 2003, and Bird went on to radically re-invent himself as a solo artist. His two subsequent albums were released on Ani Difranco's Righteous Babe Records label. 2003's Weather Systems (originally released on Grimsey Records) was a sparse record with a dramatic change in musical direction. It featured the tracks "Skin" and "I", proto-versions of songs that would later become "Skin Is, My" (The Mysterious Production of Eggs) and "Imitosis" (Armchair Apocrypha).

The Mysterious Production of Eggs (2005) continued a progression towards an eclectic indie–folk sound, and both records formed a stark stylistic break with Bird's earlier work, swapping the lush backing of a full band for carefully layered samples of sound constructed using multitrack recorders and loop pedals. As his sound changed, Bird made increasing use of guitar, glockenspiel, and whistling in his songwriting, in addition to his traditional violin and vocals.

Bird is noted for improvising and reworking his songs during live performance, as can be seen in his series of self-released live compilations entitled Fingerlings, Fingerlings 2, and Fingerlings 3, the first of which was released in 2002. Each Fingerlings EP was released prior to a studio album, and presented a mixture of live performances from different shows, including old tracks, covers, and previously unreleased songs, some of which have since appeared on studio albums. Fingerlings 3, released in October 2006, also featured studio outtakes. Fingerlings 2 provided Bird with an unexpected boost in recognition in 2004 when it was named album of the month by Mojo.^[1]

In 2005, co-collaborator Martin Dosh joined Bird's line-up, adding percussion and keyboards to his sound.^[1] Jeremy Ylvisaker was later added to the group on bass and backup vocals.

Signed to Fat Possum Records (2006–2011)[link]

Bird performing at the 2007 Coachella Valley Music and Arts Festival

In September 2006, Bird signed to Fat Possum Records, and in March 2007 he released his third post-Bowl of Fire album, Armchair Apocrypha.^[4] The album was recorded in collaboration with electronic musician Martin Dosh, and includes a track composed by Dosh (with lyrics by Bird) entitled "Simple X". This song first appeared without Bird's lyrics as "Simple Exercises" on Dosh's 2004 release Pure Trash. The album was produced by Ben Durrant (who had worked on Dosh's The Lost Take), and also featured Haley Bonar and Chris Morrissey.^[5] In advance of the March release date, Armchair Apocrypha was leaked to the Internet in January 2007. The album went on to sell over 100,000 copies.^[1]

As publicity for Armchair Apocrypha, Bird made his network television debut on April 10, 2007, performing "Plasticities" (from the new album) on the Late Show with David Letterman. He also appeared on Late Night with Conan O'Brien on June 14, 2007, performing "Imitosis" from the same album. In April 2007, he did a Take-Away Show acoustic video session shot by Vincent Moon. These appearances were accompanied by an extensive tour, which ended with sell-out performances at the Beacon Theater, New York and the Orpheum Theater, Los Angeles.^[1]

In January 2007, Andrew Bird made an appearance on the Noggin television network's Jack's Big Music Show, playing the part of Dr. Stringz and appearing in order to mend a character's broken dulcimer. Bird sang a brief song called "Dr. Stringz", written specially for the show. He now often plays it live as an introduction to the song "Fake Palindromes".^[6][7]

On May 20, 2007, National Public Radio aired a live concert by Bird from Washington, D.C.'s 9:30 Club^[8] He also worked with Reverb, a non-profit environmental organization, for his 2007 spring tour.^[9]

Five of his songs – "Banking on a Myth" from "The Mysterious Production of Eggs," a medley of "I" from Weather Systems and "Imitosis" from "Armchair Apocrypha," and "Skin" and "Weather Systems" from Weather Systems – have been licensed for use by Marriott Residence Inn.^[10]

Since March 2008, Bird has contributed to "Measure for Measure,"^[11] a New York Times blog in which musicians write about their songwriting process. In it, he has charted the development of the song "Oh No," previewing samples at various stages of development through to the finished album recording. He also discussed the conception of the song "Natural Disaster," the recording of instrumental piece "Hot Math," and previewed "Master Sigh." The first two songs were later released on Bird's 2009 album "Noble Beast," whilst the latter two appeared on its bonus disc "Useless Creatures."^[12]

In December 2008, Bird appeared in the second series of Nigel Godrich's From the Basement alongside Radiohead and Fleet Foxes. His performance included a preview of new song "Section 8 City," a ten minute re-imagining of "Sectionate City," which originally appeared on the "Soldier On EP."^[13]

Bird's fifth solo album, "Noble Beast," was released on January 20, 2009, and contained fourteen new songs, with bonus tracks available for download from iTunes and eMusic. "The Privateers" is a re-imagining of a very early song entitled "The Confession" from 1999's "Oh! The Grandeur."^[1] A limited deluxe edition of the album included alternate packaging and artwork, as well as an all-instrumental companion disc entitled "Useless Creatures." The entirety of "Useless Creatures" was made available via Bird's website during the run-up to the release. "Noble Beast" has been met with generally favourable reviews, receiving a score of 79 out of 100 from review collation site Metacritic.^[14]

In 2009, Bird contributed a cover of the song "The Giant of Illinois" to the HIV and AIDS benefit album "Dark Was the Night" produced by the Red Hot Organization. On May 11, 2009, Bird released the EP "Fitz and the Dizzy Spells." It contains "Fitz and the Dizzyspells" from "Noble Beast," as well as other songs from that album's recording sessions. Some of the songs on the EP were previously available for download from iTunes and eMusic as bonus tracks to "Noble Beast."

In 2010, Bird recorded with the Preservation Hall Jazz Band, contributing vocals and violin on a cover of "Shake It and Break It" on "Preservation: An Album to Benefit Preservation Hall & The Preservation Hall Music Outreach Program."

Andrew Bird currently uses custom-made Schroeder amplifiers.^[15]

Break It Yourself (2011–present)[link]

In late 2011 Bird signed to the record label Mom+Pop. Andrew Bird's first release for the label was the soundtrack to the film Norman, which included his original score as well as songs by other artists.^[16] Bird sequenced the soundtrack to flow as a stand-alone album rather than a compilation of music from the film.^[16] Its music supervisor, Peymon Maskan, told HitQuarters: "The best compliment I've heard is that without having seen the film, you can imagine it by listening to the soundtrack. The sequence is a big part of that effect."^[16]

On December 6 Bird announced a new album Break it Yourself, the follow up to 2009's Noble Beast.^[17]

Influences[link]

Growing up, Bird was surrounded by classical music. As a child, he was interested in Irish tunes and bluegrass. He also cites English and Scottish folk music as an early influence.^[18] His early jazz influences were Johnny Hodges, Lester Young, and Fats Waller.^[19][20] He has also had a number of classical influences such as Claude Debussy, Maurice Ravel, and Bela Bartok.^[21] Other influences included jazz, swing, calypso, and folk. Bird has stated that, at 22, he found a lot of indie rock and pop music repetitive and boring, but now understands it better.^[22]

Discography[link]

Bowl of Fire albums[link]

• Thrills (1998)
• Oh! The Grandeur (1999)
• The Swimming Hour (2001)

Solo albums[link]

• Music of Hair (1996)
• Weather Systems (2003)
• & the Mysterious Production of Eggs (2005)
• Armchair Apocrypha (2007, Fat Possum) #76 US
• Noble Beast (2009, Fat Possum) #12 US
• Break it Yourself (2012, Bella Union [UK]; Mom+Pop [US]) #10 US, #46 CAN

Companion album[link]

• Useless Creatures (2010) (bonus disc to Noble Beast)

Live albums[link]

• Fingerlings (2002, Grimsey Records)
• Fingerlings 2 (2004, Grimsey)
• Fingerlings 3 (2006, Grimsey)
• Live at Austin City Limits Music Festival 2007: Andrew Bird (2007, Austin City Limits Music Festival)
• Live In Montreal (2008, Bella Union)
• Fingerlings 4 (2010, Wegawam Music Co.)

EPs and singles[link]

• The Ballad of the Red Shoes (2002)
• Sovay (2005, Fargo Records) – single
• Live at Bonnaroo Music Festival (2006, Live at Bonnaroo Music Festival) – Live EP
• Soldier On (2007) – European tour EP
• Fitz and the Dizzy Spells (2009)
• Anonanimal (2009) – Download only single
• Fake Conversations (2012) – 2011 Tour Live EP

Other album appearances[link]

• Kiltartan Road – Joy to the Morning (1995)
• Kat Eggleston – Outside Eden (1996, Waterbug Records)
• Lil Ed and Dave Weld with The Imperial Flames – Keep On Walkin' (1996, Earwig Music)
• Andrew Calhoun – Phoenix Envy (1996, Earwig Music)
• Charlie Nobody – Soup (1996)
• Squirrel Nut Zippers – Hot (1996, Mammoth Records)
• Squirrel Nut Zippers – Perennial Favorites (1998, Mammoth)
• Rose Polenzani – Dragersville (1998, The Orchard)
• Pinetop Seven – Rigging the Toplights (1998)
• Extra Virgin – Twelve Stories High (1999)
• Kevin O'Donnell – Heretic Blues (1999, Delmark Records)
• Andrew Calhoun – Where Blue Meets Blue (1999, Waterbug)
• Sally Timms – Cowboy Sally's Twilight Laments for Lost Buckaroos (1999, Bloodshot Records)
• Squirrel Nut Zippers – Bedlam Ballroom (2000, Hollywood Records)
• The Blacks – Just Like Home (2000, Bloodshot)
• The Handsome Family – In the Air (2000, Carrot Top Records)
• Devil in a Woodpile – Division Street (2000, Bloodshot)
• Kevin O'Donnell – Control Freak (2000 · Delmark Records)
• Neko Case – Canadian Amp (2001)
• The Verve Pipe – Underneath (2001, RCA Records)
• Jenny Toomey – Antidote (2001, Misra Records)
• Kelly Hogan – Because It Feel Good (2001, Bloodshot)
• Sinister Luck Ensemble – Anniversary (2002, Perishable Records)
• Abandon Jalopy – Mercy (2002)
• WYEP Live and Direct: Volume 4 – On Air Performances – "Core and Rind" (2002)
• Kristin Hersh – The Grotto (2003)
• The Autumn Defense – Circles (2003, Arena Rock Recording Co.)
• Bonnie 'Prince' Billy – Sings Greatest Palace Music (2004, Drag City)
• Bobby Bare, Jr. – From the End of Your Leash (2004, Bloodshot)
• Nora O'Connor – Til the Dawn (2004, Bloodshot)
• Ani DiFranco – Knuckle Down (2005, Righteous Babe Records)
• My Morning Jacket – Z (2005, ATO Records)
• Bobby Bare – The Moon Was Blue (2005, Dualtone Music Group)
• Emily Loizeau – London Town (in French and English) (2006)
• Dosh – The Lost Take (2006, anticon.)
• Candi Staton – His Hands (2006, Astralwerks)
• Magnolia Electric Co. – The Black Ram (2007, Secretly Canadian)
• KFOG Live From the Archives Volume 14 – (2007)
• Song of America – "How You Gonna Keep 'Em Down On the Farm" (2007, Split Rock Records/Thirty One Tigers)
• Charlie Louvin – "Sings Murder Ballads and Disaster Songs" (2008, Tompkins Square)
• Todd Sickafoose – "Tiny Resistors" (2008, Cryptogramophone)
• Dosh – Wolves and Wishes (2008, anticon.)
• Final Fantasy – Plays to Please (2008, Blocks Recording Club)
• Dianogah – Qhnnnl (2008, Southern Records)
• Loney, Dear – Dear John^[23] (2009)
• Dark Was the Night – "The Giant of Illinois" (Red Hot Organization, 2009)
• Live at KEXP Vol.5 – Oh No (2009)[5]
• Thao with the Get Down Stay Down – Know Better Learn Faster (2009, Kill Rock Stars)
• Dosh – Tommy
• Twistable Turnable Man: A Musical Tribute to Shel Silverstein – The Twistable, Turnable Man Returns (2010, Sugar Hill Records)
• Muppets: The Green Album – "Bein' Green" (2011, Walt Disney Records)
• Norman (Original Motion Picture Soundtrack) (2011, Mom + Pop Music)
• The Muppets: Original Soundtrack – "The Whistling Caruso" (2011, Walt Disney Records)

References[link]

External links[link]

Wikimedia Commons has media related to: Andrew Bird

• Official site