A sample of Miorcani flint from the Cenomanian chalky marl layer of the Moldavian Plateau. (ca. 7.5 cm wide)

Pebble beach made up of flint nodules eroded out of the nearby chalk cliffs, Cape Arkona, Rügen

Neolithic flint axe, about 31 cm long

Detail of flint used in a building in Wiltshire, England.

Flint is a hard, sedimentary cryptocrystalline form of the mineral quartz,^[1][2] categorized as a variety of chert. It occurs chiefly as nodules and masses in sedimentary rocks, such as chalks and limestones.^[3][4] Inside the nodule, flint is usually dark grey, black, green, white, or brown in colour, and often has a glassy or waxy appearance. A thin layer on the outside of the nodules is usually different in colour, typically white and rough in texture. From a petrological point of view, "flint" refers specifically to the form of chert which occurs in chalk or marly limestone. Similarly, "common chert" (sometimes referred to simply as "chert") occurs in limestone.

The exact mode of formation of flint is not yet clear but it is thought that it occurs as a result of chemical changes in compressed sedimentary rock formations, during the process of diagenesis. One hypothesis is that a gelatinous material fills cavities in the sediment, such as holes bored by crustaceans or molluscs and that this becomes silicified. This theory certainly explains the complex shapes of flint nodules that are found. The source of dissolved silica in the porous media could arise from the spicules of silicious sponges.^[3] Certain types of flint, such as that from the south coast of England, contain trapped fossilised marine flora. Pieces of coral and vegetation have been found preserved like amber inside the flint. Thin slices of the stone often reveal this effect.

Puzzling giant flint formations known as paramoudra and flint circles are found around Europe but especially in Norfolk, England on the beaches at Beeston Bump and West Runton.^[5]

Flint sometimes occurs in large flint fields in Jurassic or Cretaceous beds, for example in Europe.

Uses[link]

Tools or cutting edges[link]

Flint was used for the manufacture of flint tools during the Stone Age as it splits into thin, sharp splinters called flakes or blades (depending on the shape) when struck by another hard object (such as a hammerstone made of another material). This process is referred to as knapping.

In Europe, some of the best toolmaking flint has come from Belgium (Obourg, flint mines of Spiennes),^[6] the coastal chalks of the English Channel, the Paris Basin, Thy in Jutland (flint mine at Hov), the Sennonian deposits of Rügen, Grimes Graves in England, the Upper Cretaceous chalk formation of Dobruja and the lower Danube (Balkan flint), the Cenomanian chalky marl formation of the Moldavian Plateau (Miorcani flint) and the Jurassic deposits of the Kraków area and Krzemionki in Poland. Flint mining is attested since the Palaeolithic, but became more common since the Neolithic (Michelsberg culture, Funnelbeaker culture).

To ignite fire or gunpowder[link]

Assorted reproduction firesteels typical of Roman to Medieval period.

When struck against steel, a flint edge will produce sparks. The hard flint edge shaves off a particle of the steel that exposes iron which reacts with oxygen from the atmosphere and can ignite the proper tinder. Prior to the wide availability of steel, rocks of iron pyrite would be used along with the flint, in a similar (but more time-consuming) way. These methods are popular in woodcraft, bushcraft, and among those who wish to use traditional skills.

Fragmentation[link]

While flints may be used in fire-lighting they should not be exposed to heating by fire. Stone fracturing can result from uneven molecule expansion, causing fragmentation when cohesion is exceeded.^[7]

To combat fragmentation, flint/chert may be heat-treated, being slowly brought up to a temperature of 150 to 260 °C (300 to 500 °F) for 24 hours, then slowly cooled to room temperature. This makes the material more homogenous and thus more "knappable" and produces tools with a cleaner, sharper cutting edge.

Flintlocks[link]

A later, major use of flint and steel was in the flintlock mechanism, used primarily in flintlock firearms, but also used on dedicated fire-starting tools. A piece of flint held in the jaws of a spring-loaded hammer, when released by a trigger, strikes a hinged piece of steel ("frizzen") at an angle, creating a shower of sparks and exposing a charge of priming powder. The sparks ignite the priming powder and that flame, in turn, ignites the main charge, propelling the ball, bullet, or shot through the barrel. While the military use of the flintlock declined after the adoption of the percussion cap from the 1840s onward, flintlock rifles and shotguns remain in use amongst recreational shooters in Great Britain and the United States.

Comparison with ferrocerium[link]

Use of flint and steel should not be confused with use of ferrocerium (aka "mischmetal", "hot spark", "metal match", or "fire steel"). This man-made material, when scraped with any hard, sharp edge, produces sparks that are much hotter than obtained with natural flint and steel, allowing use of a wider range of tinders. Because it can produce sparks when wet and can start hundreds or thousands of fires when used correctly, ferrocerium is a common item included in survival kits. Called "flint", ferrocerium is also used in many cigarette lighters.

As a building material[link]

Flint, knapped or unknapped, has been used since antiquity (for example at the Late Roman fort of Burgh Castle in Norfolk) up to the present day as a material for building stone walls, using lime mortar, and often combined with other available stone or brick rubble. It was most common in parts of southern England, where no good building stone was available locally, and brick-making not widespread until the later Middle Ages. It is especially associated with East Anglia, but also used in chalky areas stretching through Hampshire, Sussex, Surrey and Kent to Somerset. Flint was used in the construction of many churches, houses, and other buildings, for example the large stronghold of Framlingham Castle. Many different decorative effects have been achieved by using different types of knapping or arrangement and combinations with stone (flushwork), especially in the 15th and early 16th centuries.

• 

  Close-up of the wall of the Roman shore fort at Burgh Castle, Norfolk, showing alternating courses of flint and brick

• 

  Elaborate 15th century flint and limestone flushwork at Long Melford

• 

  A typical medieval wall (with modern memorial) at Canterbury Cathedral - knapped and unknapped ("cobble") flints are mixed with pieces of brick and other stones

• 

  Ruins of Thetford Priory show flints and mortar through the whole depth of the wall

• 

  Elaborate patterned flushwork at top (restored in 19th century) and flint and limestone chequers below. Norwich Cathedral

A flint church - the Parish Church of Saint Thomas, in Cricket Saint Thomas, Somerset, England. The height of the very neatly knapped flints varies between 3 and 5 inches (7.6 and 13 cm).

Ceramics[link]

Flint pebbles are used as the media in ball mills to grind glazes and other raw materials for the ceramics industry. The pebbles are hand-selected based on colour; those having a tint of red (indicates iron content) are discarded. The remaining blue-grey stones have a low content of chromophoric oxides and so impart lesser amounts of colouring contaminants.

In the UK, flint pebbles were traditionally an important raw material for clay-based ceramic bodies. After calcination to remove organic impurities and induce certain physical reactions, and milling to fine particle size, flint was added as a filler to pottery bodies. However, flint is no longer used and has been replaced by quartz as is used in other countries.^[8] Because of this historical use, the word "flint" is used by US potters to refer to siliceous materials which are not flint.^[9]

Jewellery[link]

Flint bracelets were known in Ancient Egypt and several examples have been found.^[10]

See also[link]

• Mineralogy
  • Agate
  • Chalcedony
  • Chert
  • Eolith
  • Jasper
  • Nodule (geology) not to be confused with Concretion
  • Obsidian
  • Onyx
  • Opal
  • Whinstone

• Archaeology
  • Clovis Points, archaeological artefacts of the Clovis culture in New Mexico
  • Grimes Graves, a prehistoric flint mine in Norfolk, England
  • Flint Ridge State Memorial, a Native American flint quarry in Hopewell Township, Licking County, Ohio
  • Flint mine

References[link]

1. ^ General Quartz Information - Webmineral.com (page contains java applets depicting 3d molecular structure)
2. ^ Flint and Chert - quartzpage.de
3. ^ ^{a b} The Flints from Portsdown Hill
4. ^ Flint vs Chert Authentic Artefacts Collectors Assn.
5. ^ Museums.norfolk.gov.uk
6. ^ Neolithic Flint Mines of Petit-Spiennes Official web site
7. ^ Scout Notebook - Building a cooking fire
8. ^ Changes & Developments Of Non-plastic Raw Materials. Sugden A. International Ceramics Issue 2 2001.
9. ^ Ceramic Glazes. 3rd edition. Parmelee C. W. The Maple Press Company. 1973; Dictionary of Ceramics. 3rd edition. Dodd A. The Institute of Materials. 1994; The Potter's Dictionary of Materials and Techniques, Hamer, F. and Hamer, J., London, A & C Black, 2004.
10. ^ Graves-Brown, Carolyn. "AB29 Flint bracelet". Swansea University. http://www.swan.ac.uk/egypt/infosheet/AB%2029%20flint%20bracelet.htm. Retrieved 13 January 2011. 

External links[link]

Wikimedia Commons has media related to: Flint

• Flint Architecture of East Anglia Book by Stephen Hart
• Flintsource.net European Artefacts - detailed site
• Flint circles and paramoudra - Beeston Bump
• Paramoudras and flint circles photograph collection
• Winchester Cathedral Close

v t e Firecraft Tinder Kindling Wood fuel/Firewood Ember/Spark Campfire Wood ash Topics Combustion Friction fire Autoignition temperature (kindling point) Smoulder Early starters Hand drill Bow drill (Pump drill) Fire saw Fire plough Burning glass (parabolic mirror) Flint & Fire striker Fire piston Modern starters Match (lucifer) (Black match) Lighter Electric match Flint spark lighter Ferro rod (Ferrocerium) Other equipment Tinderbox Char cloth Fire ring Fire pan Punk (fireworks) Related articles Control of fire by early humans Native American use of fire Pyrolysis Survival skills Portal:Fire

Sufjan Stevens
Sufjan at the Independent Music Awards, Webster Hall, New York City.
Background information
Born	(1975-07-01) July 1, 1975 (age 36)
Origin	Detroit, Michigan, United States
Genres	Indie folk, baroque pop, indie pop, electronica
Occupations	Musician, singer-songwriter
Instruments	Vocals, guitar, bass guitar, banjo, piano, xylophone, vibraphone, English Horn, oboe, drums, recorder[1]
Years active	1999–present
Labels	Asthmatic Kitty Sounds Familyre Orchard
Associated acts	Cryptacize, Danielson Famile, Denison Witmer, Marzuki, My Brightest Diamond, Rosie Thomas, The Welcome Wagon, The National, Nico Muhly, Bryce Dessner
Website	www.asthmatickitty.com/sufjan-stevens

Sufjan Stevens ( /ˈsuːfjɑːn/ SOOF-yahn; born July 1, 1975) is an American singer-songwriter and musician born in Detroit, Michigan. Stevens first began releasing his music on Asthmatic Kitty, a label co-founded with his stepfather, beginning with the 1999 release, A Sun Came. He is best known for his 2005 album, Illinois, which hit number one in the Billboard Top Heatseekers chart, and for the song "Chicago".

Stevens has released albums of varying styles, from the electronica of Enjoy Your Rabbit and the lo-fi folk of Seven Swans to the symphonic instrumentation of Illinois and Christmas-themed Songs for Christmas. Stevens makes use of a variety of instruments, often playing many of them himself on the same recording,^[2] and writes music in various time signatures. Though he has repeatedly stated an intent to separate his beliefs from his music,^[3][4] Stevens also freely draws from the Bible and other spiritual traditions, incorporating mystical elements into his music often.

Biography[link]

Early life[link]

Stevens was born in Detroit and lived there until the age of nine, when his family moved to Petoskey, Michigan. In Petoskey he attended the Petoskey High School, the prestigious Interlochen Arts Academy and graduated from Harbor Light Christian School. He went on to attend Hope College in Holland, Michigan and earned a Master of Fine Arts from The New School in New York City.^[5]

Sufjan is an Arabic or Persian name^[6] meaning "comes with a sword".^[7] It predates Islam and most famously belonged to Abu Sufyan, a figure from early Islamic history. The name was given to Stevens by the founder of Subud, an inter-faith spiritual community to which his parents belonged when he was born.^[8]

A multi-instrumentalist, Stevens is known for his use of the banjo, but also plays guitar, piano, drums, and several other instruments, often playing all of these on his albums through the use of multitrack recording. While in school, he studied the oboe and English horn, which he also plays on his albums. This multitude of instruments, including string and horn orchestrations, figure prominently in his compositions, giving his music a symphonic sound.

Stevens currently lives in Kensington, Brooklyn, in New York City,^[9] where he makes up the Brooklyn staff of Asthmatic Kitty Records.^[10] His brother Marzuki Stevens is a nationally recognized marathon runner.^[11]

Career[link]

Stevens performing at the Pabst Theater in Milwaukee

Stevens began his musical career as a member of Marzuki, a folk-rock band from Holland, Michigan. He also played (and continues to play) various instruments for Danielson Famile. While in school at Hope College, Stevens wrote and recorded his debut solo album, A Sun Came, which he released on Asthmatic Kitty Records. He later moved to New York City, where he was enrolled in a writing program at the New School for Social Research.

While in New York, Stevens composed and recorded the music for his second album, Enjoy Your Rabbit, a song cycle based around the animals of the Chinese Zodiac that delved into electronica.

Stevens followed this with the first album to be released as a part of his "Fifty States Project", a collection of folk songs and instrumentals inspired by his home state of Michigan. The result, the expansive Michigan included odes to cities including Detroit and Flint, the Upper Peninsula, and vacation areas such as Tahquamenon Falls. Melded into the scenic descriptions and characters are his own declarations of faith, sorrow, love, and the regeneration of Michigan.

Following the release of Michigan, Stevens compiled a collection of songs recorded previously into a side project, the album Seven Swans, which was released in March 2004.

Next he released the second in the 50 states project, titled Illinois. Among the subjects explored on Illinois are the cities of Chicago, Decatur and Jacksonville; the World's Columbian Exposition of 1893, the state's observance of a holiday in honor of Casimir Pulaski, the poet Carl Sandburg, and the serial killer John Wayne Gacy.

Over the 2005 winter holidays, Stevens recorded an album with Rosie Thomas and Denison Witmer playing banjo and providing vocals. In April 2006, Pitchfork erroneously announced that Stevens and Thomas were having a baby together, but were forced to print a retraction.^[12][13][14] Witmer and Thomas later admitted it was an April Fools' prank.^[15] In December 2006, the collaborative recordings were digitally released by Nettwerk as a Rosie Thomas album titled These Friends of Mine. The album was released in physical form on March 13, 2007.

On September 11, 2006, in Nashville, Tennessee, Stevens debuted a new composition, a ten minute-plus piece titled "Majesty Snowbird".^[16][17] On November 21, 2006, a five CD box set Songs for Christmas was released, which contains originals and Christmas standards recorded every year since 2001 (except 2004). Stevens undertook in the project initially as an exercise to make himself 'appreciate' Christmas more.^[18] The songs were the work of an annual collaboration between Stevens and different collaborators, including minister Vito Aiuto; the songs themselves were distributed to friends and family.

In April 2007, in Brooklyn and Philadelphia, Stevens made unannounced appearances on Thomas's tour in support of this album. In 2007 he did a Take-Away Show acoustic video session shot by Vincent Moon standing on a roof in Cincinnati.^[19] In 2007, he played shows sporadically, including playing at the Kennedy Center to celebrate the tenth anniversary of the Millennium Stage concerts.^[20] He was commissioned by the Brooklyn Academy of Music to create a "music and film work" titled The BQE, described as "a symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway".^[21] It premiered at BAM's Next Wave festival on November 1–3, 2007.^[22] Stevens has also worked as an essayist, contributing to Asthmatic Kitty Records' "Sidebar" feature and Topic Magazine.^[23] He wrote the introduction to the 2007 edition of The Best American Nonrequired Reading, a short story about his early childhood education and learning to read titled How I Trumped Rudolf Steiner and Overcame the Tribulations of Illiteracy, One Snickers Bar at a Time.^[24][25] That winter, he hosted an "Xmas Song Exchange Contest" in which winner Alec Duffy won exclusive rights to the original Stevens song "The Lonely Man of Winter." The track has never been uploaded, and can now only be heard by attending private listening parties at Duffy's home in Brooklyn.^[26][27]

Stevens has contributed to the music of Denison Witmer, Soul Junk, Half-handed Cloud, Brother Danielson, Danielson Famile, Serena Maneesh, Castanets, Will Stratton, Shannon Stephens, Clare & the Reasons, and Liz Janes. In 2007 alone, Stevens played piano on The National's album Boxer, produced and contributed many instrumental tracks to Rosie Thomas's album These Friends of Mine, multiple instruments on Ben + Vesper's album All This Could Kill You and oboe and vocals to David Garland's new album Noise in You.

He has contributed covers of Tim Buckley ("She Is"), Joni Mitchell ("Free Man in Paris"), Daniel Johnston ("Worried Shoes"), John Fahey ("Variation on 'Commemorative Transfiguration & Communion at Magruder Park"), The Innocence Mission ("The Lakes of Canada"), Bob Dylan ("Ring Them Bells") and The Beatles ("What Goes On") to various tribute albums. His versions of "Free Man in Paris" and "What Goes On" are notable for only retaining the lyrics of the original, as Stevens has taken his own interpretation on the melody and arrangement. His rendition of "The Star Spangled Banner" has a similar rearranged melody and arrangement as well as a whole new verse.^[28]

His song "The Tallest Man, The Broadest Shoulders" was featured in the 2006 British comedy-drama Driving Lessons, starring Harry Potter's Julie Walters and Rupert Grint. In 2008, he produced Welcome to the Welcome Wagon, the debut album of Brooklyn-based husband and wife duo Vito and Monique Auito, The Welcome Wagon.

In February 2009, Stevens contributed "You Are the Blood" to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization. In April 2009, Stevens uploaded a song about director Sofia Coppola online.^[29] This song was written while Stevens was in college, from a series of songs about names.

Stevens recalled:

"[...] A few weeks later, our dog got hit by a snowplow and I forgot all about the problem of names. Until college, when I learned to play the guitar, and, as an exercise, started writing songs (very poorly executed) in the same way that Henry Ford produced the automobile: assembly-line-style. I wrote songs for the days of the week (poor Monday!). Songs for the planets (poor Pluto!). Songs for the Apostles (poor Judas!). And, finally, when all else failed, I started a series of songs for names. [...] Each piece was a rhetorical, philosophical, musical rumination on all the possible names I had entertained years before when my parents had given me the one chance to change my own. Oh fates! I sang these songs in the privacy of my dorm room, behind closed doors, pillows and cushions stuffed in the air vents so no one would hear. And then I almost failed Latin class, my grades plummeted, my social life dissolved into ping pong tournaments in the residence halls, and, gradually, my interest in music (or anything divine, creative, fruitful, enriching) completely waned. I turned to beer. And cigarettes. And TV sitcoms. And candy bars. Oh well! A perfectly good youth wasted on junk food! That is, until a few months ago, when I came across some of the old name songs, stuffed onto tape cassettes, 4-track recorders, forgotten boxes, forgotten shelves, forgotten hard drives. It was like finding an old diary, or a high school yearbook, senior picture with lens flare and pockmarks, slightly cute and embarrassing. What was I thinking? [...]"^[30]

In September 2009, Stevens began performing four new songs while on his Fall tour, "All Delighted People", "Impossible Soul", "Too Much" and "Age of Adz".^[31] That year Stevens contributed to an album with his step father, Lowell Brams, entitled Music For Insomnia. The album was released December 8, 2009.^[32]

In November 2009, Stevens admitted to Exclaim! Magazine, in regard to the fact that he recently called his fifty-state project a joke, that "I don't really have as much faith in my work as I used to, but I think that's healthy. I think it's allowed me to be less precious about how I work and write. And maybe it's okay for us to take it less seriously."^[33]

In June 2010, The National's Bryce Dessner claimed Stevens is currently at work on his next full length album and stated the band is playing on the new album.^[34]

The Fifty States Project[link]

Beginning with Michigan, Stevens announced an intent to write an album for each of the fifty U.S. states.

Stevens spent the second half of 2004 researching and writing material for the second of these projects, this time focusing his efforts on Illinois. As with Michigan, Stevens used the state of Illinois as a leaping-off point for his more personal explorations of faith, family, love, and location. Though slated for general release on July 5, 2005, the album was briefly delayed by legal issues regarding the use of Superman in the original album cover artwork. In the double vinyl release, a balloon sticker has been placed over Superman on the cover art of the first 5,000 copies. The next printings had an empty space where the Superman image was, as with the CD release.^[35]

The widely acclaimed Illinois was the highest-rated album of 2005 on the Metacritic review aggregator site, based on glowing reviews from Pitchfork Media, The Onion A/V Club, Spin, Billboard, Entertainment Weekly, Rolling Stone, The New York Times, KEXP, and The Guardian.^[36] The 2006 PLUG Independent Music Awards awarded Stevens with the Album Of The Year, Best Album Art/Packaging, and Male Artist Of The Year. Pitchfork Media, No Ripcord, and Paste Magazine named Illinois as the editors' choice for best album of 2005 and Stevens received the 2005 Pantheon prize, awarded to noteworthy albums selling fewer than 500,000 copies, for Illinois.^[37] In April 2006, Stevens announced that 21 pieces of music he had culled from the Illinois recording sessions would be incorporated into a new album, called The Avalanche,^[38] which was released on July 11, 2006.

The next states to be taken on in the project have been reported as Oregon and Rhode Island.^[39] In late 2005 and early 2006 Stevens played a new instrumental track titled "The Maple River". There are various Maple Rivers in the U.S., in Minnesota, Iowa, North or South Dakota. There is also evidence to suggest the possibility of a New York album. Not only is Stevens's current residence in New York City, but at the footnote of his writing piece titled "Friend Rock", Stevens stated that he was reading a biography on Robert Moses, who is a notable New Yorker.^[40] In late 2007, Stevens debuted several new songs about New York, including "BQE", a track about the Brooklyn-Queens Expressway, one of many urban developments designed and spearheaded by Robert Moses.

Stevens made brief mention to a possible collaboration with Asthmatic Kitty labelmate Rafter on an album about California.^[41] Stevens also recorded "The Lord God Bird"^[42] about the reported sighting of an ivory-billed woodpecker, thought to be extinct, in Arkansas (known as the 'lord god' or 'great god' bird because of its breathtaking appearance). This was in connection with a National Public Radio piece in which "independent radio producers Dan Collison and Elizabeth Meister were curious about how Stevens writes his songs."

"Sufjan Stevens is not going to write a record for each of the 50 states after all" was the original text included on the online liner notes for their Mews Too: An Asthmatic Kitty Compilation disc released on February 7, 2006.^[43] This statement was possibly included as a joke, as the text has since been removed and the current liner notes related to Stevens reads, "18. Sufjan Stevens can fold a fitted-sheet (he once worked as a professional folder in a commercial laundromat)."

In an article published on February 24, 2008, in New York Magazine, Stevens implied that New Jersey could be the target of his next state project. After he gave a brief quote about the New Jersey Turnpike, he was asked, "So is this the next musical project?" Sufjan joked, "New Jersey, the musical—an ode to the turnpike."^[44]

The Guardian published an interview with Stevens on October 27, 2009, in which he stated in relation to the Fifty States Project: "I have no qualms about admitting it was a promotional gimmick".^[45]

[edit] The BQE

On May 31, 2007, Asthmatic Kitty announced that Stevens would be premiering a new project titled The BQE in early November 2007. The project, dubbed a "symphonic and cinematic exploration of New York City's infamous Brooklyn-Queens Expressway", was manifested in a live show. The BQE featured an original film by Stevens (shot in Super 8 mm film and standard 16 mm), while Stevens and a backing orchestra provided the live soundtrack. The performance used 36 performers which included a small band, a wind and brass ensemble, string players, horn players, and hula hoopers. There were no lyrics to the music. The BQE was commissioned by the Brooklyn Academy of Music as part of their Next Wave Festival and performed on three consecutive nights from November 1–3, 2007.

The performance sold out the 2,109 seat BAM Opera House without any advertising.^[46] After three weeks of rehearsing the piece with the three dozen musicians^[47] involved, he presented the 30-minute composition. The BQE was followed by an additional one hour of concert by Stevens and his orchestra. The BQE won the 2008 Brendan Gill Prize.^[48]

The multimedia package was released on October 20, 2009. The release included a CD of the show's soundtrack, a DVD of Brooklyn-Queens Expressway footage that accompanied the original performance (not a film of the performance itself), a 40-page booklet with liner notes and photos, and a stereoscopic 3D View-Master reel. A limited edition version that features the soundtrack on 180-gram vinyl and a 40-page BQE-themed comic book starring the show's hula hooping wonder women, the Hooper Heroes, was also released.

[edit] Run Rabbit Run

On October 6, 2009 Stevens' label released an album of versions of his 2001 album Enjoy Your Rabbit rearranged for strings and performed by the Osso String Quartet, entitled Run Rabbit Run.^[49]

[edit] All Delighted People and The Age of Adz

Stevens returned to recording and touring in 2010 after a hiatus—he's pictured here performing in 2011

In 2010, Stevens was featured on The National's album High Violet, released in May, and sang backing vocals for the band on The Late Show with David Letterman.^[50] Following the release of High Violet, band frontman Matt Berninger mentioned that Stevens was recording a new album in the band's studio and that The National would appear on some of the tracks. In early August, Stevens announced North American tour dates across dozens of cities. On August 20, 2010, Stevens suddenly and unexpectedly released a new collection of tracks, the All Delighted People EP, for digital download. The EP is built around two versions of the title track, "All Delighted People."^[51] The EP surprisingly rose to #27 on the Billboard 200 albums solely through its digital sales.^[52] On August 26, Asthmatic Kitty announced that Stevens would release his newest full length album, The Age of Adz, on October 12.^[53] NPR streamed the album until it was released on October 12, 2010.^[54]

The two albums featured a wide range of arrangements, from orchestral to electronic. Song lengths were also extended; the track "Djohariah" from All Delighted People is 17 minutes long, while "Impossible Soul" from The Age of Adz is 25 minutes long. The albums also feature many styles from disco to folk.

Stevens has stated in interviews that in 2009/10, he suffered from a mysterious debilitating virus infection that affected his nervous system. He experienced chronic pain and was forced to stop working on music for several months.^[55] He said: "The Age of Adz, is, in some ways, a result of that process of working through health issues and getting much more in touch with my physical self. That's why I think the record's really obsessed with sensation and has a hysterical melodrama to it."^[56]

On October 12, 2010, Stevens began his North American tour in Montreal, featuring virtually all new material. The tour lasted just over a month and ended on November 15, 2010 in New York.

Stevens toured Australia and New Zealand in early 2011, featured as part of The Sydney Festival, and appeared on-stage with The National during the last of three sold-out Auckland shows.^[57] He also toured Europe and the United Kingdom in April and May 2011, playing there for the first time in five years.^[58] His shows mostly consisted of new material, but he did play many older tracks from Seven Swans and Illinois. Stevens ended the Age of Adz tour with two shows in Prospect Park, Brooklyn, New York.

On February 27, 2012, it was announced Stevens would release a collaborative EP called Beak & Claw on March 20th with artists Son Lux and Serengeti under the name s / s / s on the Anticon record label.^[59]

Themes[link]

Stevens' stage shows feature elaborate lighting, costumes, and choreography

Many of his songs have spiritual allusions. He says he does not try to make music for the sake of preaching. "I don't think music media is the real forum for theological discussions," says Stevens. "I think I've said things and sung about things that probably weren't appropriate for this kind of forum. And I just feel like it's not my work or my place to be making claims and statements, because I often think it's misunderstood."^[4]

Such themes are most notable on his album Seven Swans, the songs "Abraham", "Seven Swans", "To Be Alone with You", "He Woke Me Up Again", "We Won't Need Legs to Stand" and "The Transfiguration" refer to Christian themes. In "Abraham", Stevens recounts the Old Testament story in the Book of Genesis. The lyrics of "The Transfiguration" appear to follow the Biblical accounts of Matthew 17:1–8, Mark 9: 1–8, and Luke 9:28–36. The title of "All the Trees of the Fields Will Clap Their Hands" is a quote from Isaiah 55:12.^[60]

During a 2004 interview with Adrian Pannett for Comes with a Smile magazine, when asked how important faith was to his music, he responded, "I don't like talking about that stuff in the public forum because, I think, certain themes and convictions are meant for personal conversation."^[3]

Sufjan's most recent music features less clear statements about religion and spirituality, arousing question of his current ideas on spirituality. In an interview released on October 12, 2010 (the same day as Sufjan's album The Age of Adz released), Sufjan confirmed he is a Christian.^[61]

Discography[link]

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (January 2011)

Wikimedia Commons has media related to: Sufjan Stevens

• Sufjan Stevens – official site
• Asthmatic Kitty – label page
• Sounds Familyre – label page
• Purevolume – official Purevolume site
• Sufjan Stevens – Rateyourmusic
• Photos from Town Hall
• Interview with Vish Khanna
• Interview with Sufjan Stevens by Gerry Visco, New York Press, "Give Me Your Ugly"
• "All Quiet on the Midwestern Front," Cover Story by Susan Moll, Stomp & Stammer, September 2005
• Sufjan Stevens performance from Austin City Limits, September 17, 2006
• Live concert from the Sydney Opera House, Sydney Festival, January 2011 Sufjan Stevens: "Age of Adz", Sydney Opera House, January 2011.

Flint Rasmussen in 2007

Flint Rasmussen (January 25, 1968-) is perhaps the most famous "rodeo clown" or "rodeo barrelman" in the sport of bull riding.^[1] Rasmussen and his wife, Katie, have two daughters, Shelby and Paige. Flint and his family currently reside in Choteau, Montana in the United States.^[2][3]

A former high school math and history teacher, Rasmussen signed a contract with Professional Bull Riders and currently provides entertainment at their events. Long associated with the Professional Rodeo Cowboys Association, Rasmussen earned the title of PRCA Clown of the Year for eight consecutive years and won the Coors Man in the Can honors seven times.^[2][3]

Early Life[link]

On January 25, 1968, Stan and Tootsie Rasmussen had their youngest child, Flint, in Havre, Montana. ^[4] Flint Rasmussen grew up in Choteau, Montana, where he started his career in sports ^{[4] [5]} Rasmussen was an All-State football player and track star for Choteau High School. ^{[4] [5]} After high school, Rasmussen attended college the University of Montana Western where he completed a double major in history and math as an honor student. As the public radio sports announcer for the UMW Bulldogs, Rasmussen had his voice heard for the first time by an audience. ^[4] To help with the expenses of college, Rasmussen worked as a barrel clown in western Montana. ^[4] Rasmussen made his first appearance as a rodeo clown in Superior, Montana, at the age of 19.^[4] Flint had his first thoughts about being a rodeo clown when he told his father and brother that he could do better than the rodeo clowns at the time.^[4] “I just thought it needed a new energy, a young guy who could relate and get young people to get back to rodeo,” Rasmussen said. ^[5] After he completed college, Flint Rasmussen returned to the town he was born, Havre, and taught at Havre High School in addition to coaching football and track.^[5] After two years of teaching and coaching, Rasmussen grew restless and started his career as a barrel man. ^[5]

Family[link]

Flint Rasmussen comes from a rodeo family with three other siblings. He has two brothers, Will and Pete, and a sister, Linda White.^[4] Flint’s parents are Stan and Tootsie Rasmussen.^[4] Stan Rasmussen, Flint’s father, was a rodeo announcer and his brother, Will, followed in his father’s footsteps as a rodeo announcer.^[4] Will still is a top PRCA rodeo announcer.^[4] Flint met his wife, Linda, who was a barrel racer, while he was touring.^[6] Flint and Linda have two daughters, Shelby and Paige, who also barrel race. ^{[4] [6]} In Choteau, Montana, Flint and his family run a ranch called the Cowboy's Way Performance Horses.^[5]

The Rodeo Clown[link]

According to the Journal of Folklore Research, “The clown of the rodeo qualifies as the clown of cowboy society, and thus in the rodeo he exaggerates, satirizes, rearranges, and challenges the assumptions upon which the social and natural relations of the cowboy world operate.” ^[7] The rodeo clown goes back to the old western stories, where cowboys play tricks and tell lies ^[7]. The rodeo clown’s main act comes at the last event bull riding.^[7] During the ride, the clown faces the bull and plays the bullfighter, but after the ride, resumes his role and the jokester and story teller.^[7]

Achievements[link]

“I think it’s hard to come into this sport cold at 25 and try to learn it,” Rasmussen said^[6] . But that did not stop him. Flint Rasmussen’s did his first Wrangler National Finals Rodeo (NFR) in 1998.^[4] That same year, he was a barrel clown at the Pendleton Round Up, and thirteen years later, in 2011, Rasmussen was induced into the Pendleton Hall of Fame.^[4] When Flint signed with the Professional Bull Riders (PBR) in 2005, the contract was exclusive and Rasmussen now only works for the PBR. Before signing with the PBR, Rasmussen was the Professional Rodeo Cowboys Association (PRCA) Clown of the Year for eight consecutive years.^[4] Along with those honors, he was the Coors Man in the Can seven times.^[4] Rasmussen not only excels in the arena but also outside it, too. In 2010, Rasmussen made a special appearance as the Pendleton High School graduation speaker.^[4]

Late 2000's[link]

On March 11, 2009, Flint Rasmussen, at the age of 41, suffered a heart attack at his house in Choteau, Montana.^[8] After a couple of procedures, he was back in the arena in a short time.^[9] “The No. 1 thing that surprised me was the crowd reaction... and I’ve missed these people,” ^{[8] [9]} Rasmussen said on returning to the arena after his heart attack. Flint got back to the arena with only a few differences; he had to wear a heart rate monitor and had to take a couple breaks when his heart rate jumped above 140.^{[9] [8]}

References[link]

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The Foggy Mountain Boys were an influential bluegrass band founded by Lester Flatt and Earl Scruggs in 1948, shortly after leaving Bill Monroe’s band. They recorded and performed together up until 1969.

Biography[link]

Lester Flatt and Earl Scruggs met as members of Bill Monroe's band, the Blue Grass Boys, in 1946. The two left that band early in 1948, and within a few months had formed their own group, the Foggy Mountain Boys. Scruggs' banjo style and Flatt's rhythm guitar style as well as his vocals, gave them a distinctive sound that won them many fans. In 1955, they became members of the Grand Ole Opry. Many of the songs on their albums are credited to "Certain and Stacey". These songs were in fact written by Flatt, Scruggs, and various other members of the Foggy Mountain Boys. Certain and Stacey are the maiden names of the wives of Flatt and Scruggs (Louise Certain, wife of Earl Scruggs, and Gladys Stacey, wife of Lester Flatt).

Scruggs, who had always shown progressive tendencies, experimented on duets with saxophonist King Curtis and added songs by the likes of Bob Dylan to the group's repertoire. Flatt, a traditionalist, did not like these changes, and the group broke up in 1969. Following the breakup, Lester Flatt founded the Nashville Grass and Scruggs led the Earl Scruggs Revue. Flatt died in 1979, at the age of 64. Flatt and Scruggs were elected to the Country Music Hall of Fame in 1985.

In 2003, they ranked #24 on CMT's 40 Greatest Men of Country Music, one of only four non-solo artists to make the list (The Eagles, Alabama, and Brooks & Dunn are the others).

In the film O Brother, Where Art Thou?, the band formed by the heroes is called the "Soggy Bottom Boys" as a tribute to the band.

Scruggs died from natural causes on March 28, 2012, in a Nashville hospital.^[1][2]

Members[link]

• Lester Flatt (guitar)
• Earl Scruggs (banjo, guitar)
• Paul Warren (fiddle)
• John Ray "Curly" Seckler (mandolin), guitar)
• Josh Graves (Dobro, bass)
• English P. “Cousin Jake” Tullock (bass)
• Chubby Wise (fiddle)
• Jim Shumate (fiddle)
• Benny Martin (fiddle)
• Benny Sims (fiddle)
• Howdy Forrester (fiddle)
• Art Wooten (fiddle)
• Howard Watts aka "Cedric Rainwater" (bass)
• Charles Johnson aka "Little Jody Rainwater" (bass)
• Frank "Hylo" Brown (bass, guitar)
• Charles “Little Darlin’” Elza (bass)
• Joe Stuart (bass)
• Ernie Newton (bass)
• Bob Moore (bass)
• Everette Lilly (mandolin)
• Jim Eanes (guitar)
• Mac Wiseman (guitar)
• Billy E. Powers (guitar)
• Johnny Johnson (guitar)
• Earl Taylor (mandolin and harmonica)

Notable songs[link]

• "Foggy Mountain Breakdown" - an instrumental originally released in 1949 and used in many rural car chase movie sequences, notably in Bonnie and Clyde. It has won two Grammy awards. Parts of the song can be heard in the Monty Python's Flying Circus "Killer Sheep" sketch in the episode entitled "The Attila The Hun Show."
• "The Ballad of Jed Clampett" (listen) - used as the theme for the Beverly Hillbillies television series. The song reached #42 on the record charts during the series' debut season of 1962. It was #1 on the country charts in January 1963, their only one of their career, and one of only two TV theme songs to ever do that on the country charts (Waylon Jennings' "The Good Ol' Boys" theme from The Dukes of Hazzard in the late 1970s was the other.).
• Martha White jingle (still used in advertising today).

Discography[link]

Albums[link]

Singles[link]

References[link]

• Rosenburg, Neil V. (1998). "Flatt & Scruggs and the Foggy Mountain Boys". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 173–4.

Lester Raymond Flatt (June 19, 1914 – May 11, 1979) was a bluegrass musician and guitarist and mandolinist, best known for his membership in the Bluegrass duo The Foggy Mountain Boys, also known as "Flatt and Scruggs," with banjo picker Earl Scruggs. Flatt's career spanned multiple decades; besides his work with Scruggs, he released multiple solo and collaboration works. Flatt also served as a member of Bill Monroe's band during the 1940s.

Biography[link]

Flatt was born in Duncan's Chapel, Overton County, Tennessee, to Nannie Mae Haney and Isaac Columbus Flatt. A singer and guitarist, he first came to prominence as a member of Bill Monroe's Blue Grass Boys in 1945. In 1948 he started a band with fellow Monroe alumnus Earl Scruggs, and for the next twenty years Flatt and Scruggs and the Foggy Mountain Boys were one of the most successful bands in bluegrass. When they parted ways in 1969, Flatt formed a new group, the Nashville Grass, hiring most of the Foggy Mountain Boys. His role as lead singer and rhythm guitar player in each of these seminal ensembles helped define the sound of traditional bluegrass music. He created a role in the Bluegrass Boys later filled by the likes of Jimmy Martin, Mac Wiseman, Peter Rowan and Del McCoury. His rich lead voice is unmistakable in hundreds of bluegrass standards.

Lester Flatt memorial in Sparta, Tennessee

He is also remembered for his library of compositions. The Flatt songbook looms titanic for any student of American acoustic music. He continued to record and perform with that group until his death in 1979 of heart failure, after a prolonged period of ill health. Flatt was posthumously inducted into the Country Music Hall of Fame in 1985 with Scruggs. He was posthumously made an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. His hometown of Sparta, Tennessee, held a bluegrass festival in his honor for a number of years, before being discontinued a few years prior to the death of the traditional host, resident Everette Paul England; Lester Flatt Memorial Bluegrass Day is part of the annual Liberty Square Celebration held in Sparta.^[1]

Flatt and Scruggs were ranked #24 on CMT's 40 Greatest Men of Country Music in 2003. They performed "The Ballad of Jed Clampett", which was used as the theme for the television show The Beverly Hillbillies.

Discography[link]

! Year ! Single ! US Country ! Label |- [[Folsom Prison Blues

References[link]

Further reading[link]

• Rosenberg, Neil V. (1998). "Flatt & Scruggs and the Foggy Mountain Boys". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 173–4.
• Samuelson, Dave. (1998). "Lester Flatt & the Nashville Grass". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. p. 173.

External links[link]

• Country Music Hall of Fame and Museum
• Lester Flatt biography

v t e Bluegrass music Typical instruments Acoustic guitar · Banjo · Dobro · Fiddle · Mandolin · Upright bass Stylistic origins Blues · Country music · Folk music · Old-time music Sub- and fusion genres Traditional bluegrass · Progressive bluegrass · Bluegrass gospel · Czech bluegrass Notable festivals Bill Monroe's Bean Blossom Festival · California Bluegrass Association Father's Day Bluegrass Festival · Delfest · Grey Fox Bluegrass Festival · High Sierra Music Festival · Kentucky Festival of the Bluegrass · Merlefest · San Francisco Bluegrass & Old Time Festival · South Carolina State Bluegrass Festival · River City Bluegrass Festival · Rockygrass · Telluride Bluegrass Festival · Wintergrass Other International Bluegrass Music Museum · International Bluegrass Music Association · International Bluegrass Music Hall of Fame · Society for the Preservation of Bluegrass Music in America · Bluegrass Unlimited Category · Portal