2:45
Dr. Alvy Ray Smith Explains Moore's Law
Smith, the co-founder of Pixar, explains Moore's law and exponents at the DIME Symposi...
published: 18 Feb 2012
author: BOULDERFILMFEST
Dr. Alvy Ray Smith Explains Moore's Law
Smith, the co-founder of Pixar, explains Moore's law and exponents at the DIME Symposium at BIFF 2012 on 2/17.
3:31
BCM Interview with Dr. Alvy Ray Smith (Co-Founder of Pixar)
Leela Greenberg and Olivia Perez of BCM interview Dr. Alvy Ray Smith outside the Digital M...
published: 17 Feb 2012
author: BOULDERFILMFEST
BCM Interview with Dr. Alvy Ray Smith (Co-Founder of Pixar)
Leela Greenberg and Olivia Perez of BCM interview Dr. Alvy Ray Smith outside the Digital Media Symposium at BIFF 2012. 2/17/12
2:02
Alvy Ray Smith (PIXAR)
...
published: 11 Jul 2011
author: conselleriadecultura
Alvy Ray Smith (PIXAR)
101:48
Pixar - A Human Story of Computer Animation
[Recorded May 16, 2005] Brad Bird, Writer/Director, The Incredibles, Pixar Animation Studi...
published: 07 Dec 2007
author: ComputerHistory
Pixar - A Human Story of Computer Animation
[Recorded May 16, 2005] Brad Bird, Writer/Director, The Incredibles, Pixar Animation Studios, Ed Catmull, Co-Founder and President, Pixar Animation Studios, Alvy Ray Smith, Co-Founder of four centers of computer graphics excellence (Altamira, Pixar, Lucasfilm, New York Tech) and a Microsoft Fellow, Andrew Stanton, Writer/ Director, Finding Nemo, Pixar Animation Studios , and Michael Rubin, Moderator, Author of Droidmaker: George Lucas and the Digital Revolution
8:57
Entrevista al Dr. Alvy Ray Smith
Entrevista realizada al Dr. Alvy Ray Smith durante su visita a La Coruña para ser g...
published: 14 Jul 2011
author: MundosDigitalesTV
Entrevista al Dr. Alvy Ray Smith
Entrevista realizada al Dr. Alvy Ray Smith durante su visita a La Coruña para ser galardonado con el Premio Especial del Festival Internacional de Animación Mundos Digitales 2011
2:05
Where The Wild Things Are DISNEY CG Animation Test
In 1982, after the character animation program in Cal Arts JOHN LASSETER joined Disney as ...
published: 07 May 2009
author: hereitbegins
Where The Wild Things Are DISNEY CG Animation Test
In 1982, after the character animation program in Cal Arts JOHN LASSETER joined Disney as an animator; a dream job for anyone coming out of an animation school. He did a bit of animation on The Fox and the Hound. But Lasseter found something missing. He always had a feeling that Disneys animation had reached a plateau with 101 Dalmatians and though the films after that had wonderful moments and characters overall they were just the same old thing. While he was working on Mickey's Christmas Carol, another movie titled Tron was under development in Disney. John happened to watch some of the early tests and was excited, not for the quality of the stuff but for the 3d feeling it generated. He found tremendous possibilities with the use of computers and knew it was the future. Lasseter wanted to create a 3d world where the 2d characters could move around. Together with Disney animator Glen Keane and Tom Wilhite, Head of the Production, he made a 30 second test film titled Where the Wild Things Are, where they combined the hand drawn images that Glen did with a computer generated background. They moved the camera like a steady cam shot for the first time in animation, following the animated character in and around objects. And now you can watch the screen test of this wonderful piece of work here Their next dream was to make a feature in this fashion and they selected the story of The Brave Little Toaster", by Thomas Disch. Lasseter made contacts with people in the Computer <b>...</b>
9:51
Star Trek's CGI pioneers (1/2)
This documentary for the UK's Open University was made in 1987 when CGI was in its inf...
published: 18 Sep 2009
author: egregiousdave
Star Trek's CGI pioneers (1/2)
This documentary for the UK's Open University was made in 1987 when CGI was in its infancy. It starts by looking at how a dream sequence was realised in Star Trek IV: The Voyage Home.
3:01
Sunstone (1979)
One of the seminal early works of computer animation. A collaboration between artist Ed Em...
published: 28 Jul 2009
author: VintageCG
Sunstone (1979)
One of the seminal early works of computer animation. A collaboration between artist Ed Emshwiller and NYIT researchers including Alvy Ray Smith (one of the masterminds of Lucasfilm's computer graphics division, which later became Pixar).
0:32
BIFF Digital Media Symposium 2012
BCM reporters Leela Greenberg and Olivia Perez interviewed many guests at the annual Bould...
published: 18 Feb 2012
author: BOULDERFILMFEST
BIFF Digital Media Symposium 2012
BCM reporters Leela Greenberg and Olivia Perez interviewed many guests at the annual Boulder International Film Festival DIME (Digital Media) Symposium including Bill Plympton and Dr. Alvy Ray Smith. Full interviews are available in the BIFF 2012 Playlist.
1:52
First Ever Pixar Short Movie The Adventures of André and Wally B 1984 HD
The Adventures of André and Wally B. is an animated short made in 1984 by the Lucas...
published: 13 Nov 2009
author: oceanbluesky
First Ever Pixar Short Movie The Adventures of André and Wally B 1984 HD
The Adventures of André and Wally B. is an animated short made in 1984 by the Lucasfilm Computer Graphics Project, which was later spun out as a startup company called Pixar. Although it is technically not a Pixar short, the animation was by John Lasseter (who had originally made it for his son), who was working on his first computer animated project and would move on to be a pivotal player at Pixar. Although the film terrified Lasseter's son, the animation was groundbreaking at the time, and helped spark the film industry's interest in computer animation. Plot: The short involves a character named André (their names are only known by the title, they are never mentioned in the film) being awakened in a forest by a pesky bee named Wally B. André distracts the bee so that he can run away. Wally B. chases André and eventually catches up with him then stings him off screen. Wally B. later reappears with a bent stinger. Soon though, Wally B. gets hit by André's tossed hat as a last laugh. Production: The credits for the piece are concept/direction Alvy Ray Smith, animation John Lasseter, technical lead Bill Reeves, technical contributions by Tom Duff (who designed the animation program called md, short for "motion doctor"), Eben Ostby, Rob Cook, Loren Carpenter, Ed Catmull, David Salesin, Tom Porter, and Sam Leffler, filming by David DiFrancesco, Tom Noggle, and Don Conway, and computer logistics by Craig Good. The title is a tribute to the film My Dinner with André, starring <b>...</b>
2:56
Emshwiller-Ed_Sunstone_1979.avi
video experimental produzido em 1979 por Ed Emshwiller em parceria com Alvy Ray Smith, New...
published: 23 Nov 2008
author: gavranhas
Emshwiller-Ed_Sunstone_1979.avi
video experimental produzido em 1979 por Ed Emshwiller em parceria com Alvy Ray Smith, New York Institute of Technology. Esse vídeo é uma das primeiras experiências com computação gráfica. keyframebrasil.wordpress.com
0:31
Digital Media Symposium 2012
Colorado's Third Annual Digital Media Symposium is the premier showcase of innovators ...
published: 22 Mar 2012
author: DenverMindMedia
Digital Media Symposium 2012
Colorado's Third Annual Digital Media Symposium is the premier showcase of innovators and technology in Colorado's digital entertainment industry and features national and local visionaries, both creative and technical. The DiMe is a great place to learn and forge new relationships with your peers, brands, executives, developers, content providers and technologists. DiMe 2012 included Dr. Alvy Ray Smith, 2-time Academy Award Winner and co-founder of Pixar, as the keynote speaker and Don Hahn, Academy Award-nominated Producer of such digitally-animated films as 'Beauty and the Beast', 'The Lion King' and 'The Nightmare Before Christmas' as the moderator.
53:25
Authors@Google: Robert Sutton
If you are a boss who wants to do great work, what can you do about it? Good Boss, Bad Bos...
published: 05 Oct 2010
author: AtGoogleTalks
Authors@Google: Robert Sutton
If you are a boss who wants to do great work, what can you do about it? Good Boss, Bad Boss is devoted to answering that question. Stanford Professor Robert Sutton weaves together the best psychological and management research with compelling stories and cases to reveal the mindset and moves of the best (and worst) bosses. This book was inspired by the deluge of emails, research, phone calls, and conversations that Dr. Sutton experienced after publishing his blockbuster bestseller "The No Asshole Rule." He realized that most of these stories and studies swirled around a central figure in every workplace: THE BOSS. Sutton discovered that most bosses -- and their followers -- wanted a lot more than just a jerk-free workplace. They aspired to become (or work for) an all-around great boss, with the skill and grit to inspire great work, commitment, and dignity among their charges.