Joe Budden

Joe Budden (born August 31, 1980) is an American rapper from Jersey City, New Jersey, who, in addition to being a solo artist, is a member of the American hip hop supergroup Slaughterhouse, alongside fellow rappers Royce da 5'9", Joell Ortiz, and Crooked I.

His most commercially successful single is the 2003 hit song "Pump It Up", from his self-titled album, which contains production from Just Blaze. He was formerly signed to major record label Def Jam, but left for personal reasons and for them pushing back his album releases. After his splitting from Def Jam, he began recording and releasing mixtapes and albums on independent labels. He released No Love Lost (2013). His follow-up album "Some Love Lost" was released November 4, 2014. Most recently, he released "All Love Lost" on October 16, 2015. Budden also co-stars on the VH1 reality show Love & Hip Hop.

Life and career

Early life

Budden was born in Harlem, New York. but was raised in Jersey City, New Jersey. Uninterested in school, he began abusing drugs. After an emotional confrontation with his mother, Budden willingly went into rehab on July 3, 1997. Budden began freestyling, first at his high school with acquaintances against whom he claims that he always won battles. He eventually made appearances on several New York mixtapes with the likes of DJ Clue, DJ Kayslay, and Cutmaster C.

The Album

The Album may refer to:

See also

Achozen

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Achozen [pronounced: UH-choh-zen] (occasionally typeset as AcHoZeN) is a project by System of a Down bassist Shavo Odadjian, Wu-Tang Clan member RZA, Killarmy member Kinetic 9, and Wu-Tang Clan affiliates Reverend William Burke. The group's debut album has been completed and set for release for several years now, and it is unknown when or if the album will be released, considering Odadjian's commitments to System of a Down, who reunited in 2011. In July of 2015, the group released a boombox digital collection of 8 songs recorded over the last few years. A standard album is still in the making, though songs are already available. After both Wu-Tang and System of a Down organized their respective reunions, material was released.

Achozen's music style

The music of Achozen is described by one writer as "space hip hop, rap without a coast or even a planet. Instead, each song revolves around a solar system of feeling. The album explores and exorcises a spectrum of emotions, as each track delves into either pain, ecstasy, hate or hope. Utilizing sitar and violin, Shavo breaks the mold, playing live instruments across the album, as he constructs beats with a cosmic fluidity".

ABBA: The Album

ABBA: The Album is the fifth studio album by the Swedish pop group ABBA. It was released in Scandinavia on 12 December 1977 through Polar Music, but due to the massive pre-orders the UK pressing plants were not able to press sufficient copies before Christmas 1977 and so it was not released in the UK until January 1978. The album was released in conjunction with ABBA: The Movie, with several of the songs featured in the film.

The album contained two UK number-one singles, "Take a Chance on Me" and "The Name of the Game", as well as European hits "Eagle" and "Thank You for the Music".

Overview

The album includes three songs from ABBA's 1977 tour mini-musical The Girl with the Golden Hair. These songs are "Thank You for the Music", "I Wonder (Departure)" and "I'm a Marionette". Altogether the album contained just nine songs—the least of any ABBA album, but were longer in length than previous albums (opening track "Eagle" runs to nearly six minutes).

ABBA: The Album reached No. 1 in many territories. In the UK it debuted at the top and remained there for seven weeks, ending up as the third biggest selling album of the year (behind the movie soundtrack LPs of Saturday Night Fever and Grease). In the US it became their highest charting album, where during 1978 ABBA undertook a big promotional campaign. Due to the Cold War, Western music was actively discouraged throughout Eastern Europe at the time. Despite this, ABBA: The Album sold an unprecedented one million copies in Poland in 1977, exhausting the country's entire allocation of foreign currency. In Russia, only 200,000 copies were permitted to be pressed; however, demand within the USSR indicated they could have sold 40 million copies.