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It was previously WNEW-FM for many years, after sister AM station WNEW (1130 kHz) and television station WNEW-TV, with all being owned by Metromedia. After WNEW-TV was sold to the News Corporation in 1986 (and became WNYW), and the AM station was sold to Bloomberg L.P. in 1992 (and became WBBR), 102.7 FM retained the WNEW callsign until it was changed in 2007.
On April 12, 2008, after an almost 9 year hiatus, the WNEW Rock format returned on WWFS's 102.7 HD2 subchannel and wnew.com.
Other well-known disc jockeys who worked at the station included Rosko, Dennis Elsas, Pete Larkin, Richard Neer, Dan Neer, Jim Monaghan, Pam Merly, Meg Griffin, and John Zacherle
WNEW-FM was among the first stations to give Bruce Springsteen significant airplay, and conducted live broadcasts of key Springsteen concerts in 1975 and 1978; Springsteen would sometimes call up the DJs during records. Later, Dave Herman featured a "Bruce Juice" segment each morning. John Lennon once stopped by to guest-DJ along with Dennis Elsas and appeared on-air several other times during his friend Scott Muni's afternoon slot. Members of The Grateful Dead and other groups would hang out in the studio; Emerson, Lake & Palmer's visit to Scott Muni's show is often credited for popularizing the group in America. In addition to music, youth-oriented comedy recordings such as from Monty Python would also be aired.
The station sponsored a benefit concert at Madison Square Garden each holiday season that drew reasonably big-name acts. It could fairly be said that WNEW-FM earned its slogan "Where Rock Lives". The station's television commercials during its rock years featured the song "Layla" by Derek and the Dominos and was considered the station's anthem.
The station thrived during the late 1970s when it helped boost the transition of the Punk/New Wave movement into the mainstream. During this era, the station hosted many live broadcasts from the legendary Greenwich Village night club, The Bottom Line. Among the bands featured live from the club were The Police, Joe Jackson, Squeeze, The Records, Rachel Sweet, David Johansen, Rockpile, Mink DeVille and the Tom Robinson Band. Many of these bands were being spotlighted during their debut New York City performance.
In the late 1970s the station began to feel the threat of disco. They hired Gianettino and Meredith Advertising to come up with a way to communicate with the New York area. The G&M; pitch by creative director George Meredith to station manager Mel Karmazin: "You can't tell them what you want to say, which is 'Disco Sucks,' but you can tell them that 'Rock Lives.'" And that became their battle cry.
Beginning in the mid '70s and extending into the 1980s, WNEW fielded a successful softball team, the WNEW All-Stars, playing in and around the New York metropolitan area and competing in the New York Sports and Entertainment League. Among the All-Stars were DJs Thom Morrera, Jim Monaghan, Richard Neer, Dan Neer and Pat Dawson, along with Crawdaddy editor Peter Knobler at shortstop, music business regulars Jack Hopke, Ed Vitale, Matt Birkbeck, Ralph Cuccurullo and John "Boots" Boulos in the outfield, and Michael "Chopper" Boulos at second base. The team consistently won deep into the playoffs, playing against teams led by Meat Loaf, among others.
In the 1980s, the station gradually adopted a more conventional album-oriented rock format, and sometimes seemed stodgy compared to college radio stations playing alternative rock. When long-time competitor WPLJ switched away from rock in 1983, WNEW-FM picked up some of its most popular DJs, such as Carol Miller and years later Pat St. John who would take over the morning show and programming duties.
From 1988 to 1992, a series of transactions involving WNEW-FM and its sister radio and television stations, resulted in ownership of WNEW-FM passing from Metromedia to Westinghouse and adopting the shorter WNEW call sign (former sister stations WNEW-TV became WNYW-TV under Fox, and WNEW-AM became WBBR under Bloomberg).
By the 1990s, the station was further losing relevance in the face of the popularity of grunge rock and so became more of a classic rock station. It spent its remaining music days flip flopping between a variety of classic, adult album and alternative rock.
In January 1996, the station declined to switch to classic rock when WXRK, which had a classic rock format for several years, decided to adopt an alternative rock format. In July 1996, WAXQ adopted a classic rock format. By the beginning of 1997, the station reverted to a classic rock station, becoming the second choice for the format when earlier they could have been first. At this point, many long-time fans felt WNEW-FM had completely lost its focus.
Throughout the 1990s, many of WNEW-FM's DJs defected to classic rock competitors WXRK and later WAXQ or to smaller but more freeform WFUV. Ratings remained dismal. In 1996, Westinghouse merged with CBS. Infinity Broadcasting would then merge with CBS in 1997, and CBS retained the Infinity name for its radio division. Thus ownership of this station would go from one network owner to another.
In 1998, WNEW moved to a harder-edged rock format and continued to slump in the ratings. The remaining classic DJs left on the station departed one by one during 1998. Later that year, ex-Boston shock jocks Opie and Anthony arrived from WAAF to do afternoons on WNEW. They played several songs an hour, but for the most part, the show was a typical shock-jock talk show. Opie and Anthony immediately got attention from the station by interrupting their annual "Evolution of Rock and Roll" event by refusing to play the music, or destroying the CDs. They were confronted by WNEW peer Carol Miller a few times on the air, until they were forbidden by management to make eye contact.
With Opie and Anthony's ratings soaring, the station dropped its 32-year rock format for a "hot talk" format. The final moments of the old WNEW-FM came on September 12, 1999; sole remaining long-time jock Richard Neer signed off his Sunday morning show by playing Bruce Springsteen's "Racing in the Street", and identifying the station one last time, changing the slogan to "Where Rock Lived".
By 2001, WNEW added infomercials on weekends and stopped playing music altogether, with the exception of Eddie Trunk's Friday and Saturday night hard rock-oriented shows. As was the case during this period, ratings were horrible at the station outside of Opie and Anthony. Then, bad news came for WNEW: the Opie and Anthony show was cancelled in August 2002 for encouraging a stunt involving two people allegedly engaging in sexual intercourse in a vestibule within St. Patrick's Cathedral. The FCC eventually fined Infinity $357,000—the maximum fine allowed by law, and the third largest indecency fine in American radio history at the time. FCC Commissioner Michael Copps dissented, claiming the FCC should have taken steps to revoke WNEW's license. A few months earlier, the FCC had fined Infinity $21,000 for three "patently offensive" Opie and Anthony broadcasts, including one referring to incest.
The station's ratings plummeted even further—at one point, it only netted a 0.7 rating, an unprecedented level for a major-market FM station. With the cancellation of the only show that generated any ratings for the station, management decided that the station needed to take a new direction.
Sounders during that period teased listeners about how "a new station" would soon be coming to the 102.7 frequency, and it arrived in April, when WNEW became "102.7 Blink" (keeping the WNEW call letters) and adopted an unusual "Entertainment AC" format . The station mixed old and contemporary pop hits with talk shows and entertainment news from sources such as E!; on-air personalities during this period included the morning team of Chris Booker and Lynda Lopez (who were also dating during this time) and game show host Todd Newton doing afternoon drive live from Los Angeles. Other personalities included now-MSNBC Anchor Alison Stewart, Tim Virgin, Rick Stacy, Maze, and reporters Matt Wolfe and Lisa Chase, who provided hourly entertainment updates. The station also used AOL Instant Messenger to take requests, and 24 star Kiefer Sutherland did the station IDs ("It is physically impossible not to Blink", etc.).
However, the station's ratings sank further. The station's pink logo led to the derisive nickname "Barbie Radio", and Booker & Lopez did little more on the air than talk about Jennifer Lopez, Lynda's older sister. After less than six months, the station fired most of the staff and changed its branding to "102.7 Blink FM: Music Women Love" with an (again, unusual) explicit appeal to a female audience. This format also failed to draw audiences. By October, it adopted a more mainstream adult contemporary format and ratings began to go up slightly. That November, the station (like many AC stations) adopted the increasingly popular "all Christmas music, all the time" format.
On December 31, 2005, the station underwent another ownership change after Viacom and CBS Corporation organized a split that saw the Infinity Broadcasting division go under CBS ownership, which resulted in a corporate name change to CBS Radio.
In December 2006 the station began increasing the amount of Christmas music but at the same time saw Michelle Visage being let go and Joe Causi being reduced to weekend duties, relegating him to his Sunday night Studio 54 classic Disco program. As of December 22, 2006, Paco Lopez, Efren Sifuentes, Carol Ford and Yvonne Velázquez had also been released in anticipation of an expected format change.
In 2006, WNEW launched WNEW2, an HD Radio subchannel, broadcasting 1010 WINS.
For most of the time, they would be the first station in the United States to air younger adult contemporary music until losing that title to Detroit's WNIC (a Clear Channel Communications station) in 2010.
The WWFS calls were approved on January 9, 2007 by the Federal Communications Commission, resulting in the retirement of the WNEW call letters in the New York Radio/Television spectrum for the first time since 1934. Ironically (because former sister station WNYW is owned by the Fox Television Stations Group), the legendary WNEW call letters were transferred to a CBS-owned station in South Florida in the second week of January 2007, reportedly to keep another New York station from claiming the historic calls. This station is known on the air as B106.3 and has an Urban AC format.
Until the birth of Fresh 102.7, Clear Channel's WLTW had gone unchallenged as the only adult contemporary station in New York City (along with New Brunswick, New Jersey's WMGQ, a Greater Media-owned AC station that is a New York City rimshot), and was the most listened to station in the city for years. WWFS's ratings improved after switching to the adult contemporary format, seeing increases in both the Winter 2007 and Spring 2007 ratings periods. After a peak 3.1 rating in the Spring 2007 period, WWFS settled back down to a 2.5 rating in the Summer 2007 period. Some speculate that WWFS has drawn listeners from WLTW, causing that station's ratings to decline.
As a result of the station's success, CBS Radio has since cloned the format and branding in Chicago and Washington, D.C..
Before Jim Ryan took over in spring 2010, program director Brian Thomas served double duty at WWFS and sister station WCBS-FM. (He continues to program the latter station.) Gary Berkowitz served as consultant in the station's earlier days.
WWFS-HD2 (originally WNEW-HD2) was launched in 2006 as a simulcast of all-news sister station 1010 WINS. On April 12, 2008, WWFS-HD2 flipped to a rock format, under the branding of "102.7 WNEW" Where Rock Lives and wnew.com (The website and audio stream being launched on April 14, 2008) with WXRT's Norm Winer as Program Director. In early October 2008, the WINS simulcast returned to 102.7 on WWFS-HD3.
In 2009, the rock format on WWFS-HD2 swiched to an alternative format from internet radio website last.fm known as "Last FM Discover" which airs on several CBS owned HD side channels including WXRT HD-3 in Chicago. The WNEW rock format is web exclusive at wnew.com
WFS Category:Adult contemporary radio stations in the United States Category:Metromedia Category:Radio stations established in 1949
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Leonard Cohen |
---|---|
Background | solo_singer |
Birth name | Leonard Norman Cohen |
Born | September 21, 1934Montreal, Quebec, Canada |
Instrument | Vocals, guitar, piano, keyboards, synthesizer |
Genre | Folk, folk rock, rock, spoken word |
Occupation | Musician, songwriter, poet, novelist |
Years active | 1956 - present |
Label | Columbia |
Musically, Cohen's earliest songs (many of which appeared on the 1967 album, Songs of Leonard Cohen) were rooted in European folk music. In the 1970s, his material encompassed pop, cabaret and world music. Since the 1980s, his high baritone voice has evolved into lower registers (bass baritone and bass), with accompaniment from a wide variety of instruments and female backup singers.
Over 2,000 renditions of Cohen's songs have been recorded. Cohen has been inducted into both the Canadian Music Hall of Fame and the Canadian Songwriters Hall of Fame and is also a Companion of the Order of Canada, the nation's highest civilian honour. While giving the speech at Cohen's induction into the American Rock and Roll Hall of Fame on March 10, 2008, Lou Reed described Cohen as belonging to the "highest and most influential echelon of songwriters."
After completing an undergraduate degree, Cohen spent a term in McGill's law school and then a year (1956-7) at Columbia University.
Cohen wrote poetry and fiction throughout much of the 1960s. He preferred to live in quasi-reclusive circumstances, at the time. After moving to Hydra, a Greek island, Cohen published the poetry collection Flowers for Hitler (1964), and the novels The Favourite Game (1963) and Beautiful Losers (1966). His novel The Favourite Game is an autobiographical bildungsroman about a young man who discovers his identity through writing.
Cohen's writing process, as he told an interviewer in 1998, is "...like a bear stumbling into a beehive or a honey cache: I'm stumbling right into it and getting stuck, and it's delicious and it's horrible and I'm in it and it's not very graceful and it's very awkward and it's very painful and yet there's something inevitable about it."
Cohen's first album, Songs of Leonard Cohen (1967), was widely acclaimed by folk music buffs. He became a cult name in the U.S., as well as in the UK, where the album spent over a year on the album charts. Several of the songs on that first album were covered by other popular folk artists, including James Taylor, and Judy Collins. Cohen followed up that first album with Songs from a Room (1969) (featuring the often-recorded "Bird on the Wire"), Songs of Love and Hate (1971), Live Songs (1973) and New Skin for the Old Ceremony (1974).
In 1971, Cohen's music was used in the soundtrack to Robert Altman's film McCabe & Mrs. Miller. When Cohen was on a stay in Nashville, Altman phoned to ask permission to use some tracks off Songs of Leonard Cohen. Coincidentally, earlier that same day, Cohen had seen Altman's then-current film Brewster McCloud in a local theater. He hadn't paid attention to the credits so when Altman asked permission to use Cohen's songs in his new film, Cohen had to ask him who he was. Altman mentioned his hit film MASH, but Cohen had never heard of it. When Altman mentioned his lesser-known Brewster McCloud, Cohen replied, "Listen, I just came out of the theater. I saw it twice. You can have anything of mine you want!"
In the late 1960s and early 1970s, Cohen toured the United States, Canada and Europe. Beginning around 1974, his collaboration with pianist and arranger John Lissauer created a live sound praised by the critics. During this time, Cohen toured twice with Jennifer Warnes as a back-up singer (in 1972 and 1979). Warnes would become a fixture on Cohen's future albums and she recorded an album of Cohen songs in 1987, Famous Blue Raincoat.
In 1977, Cohen released Death of a Ladies' Man (one year later, in 1978, Cohen released a volume of poetry with the coyly revised title, Death of a Lady's Man). The album was produced by Phil Spector, known as the inventor of the "wall of sound" technique, which backs up pop music with many layers of instrumentation, an approach very different from Cohen's usually minimalist instrumentation. The recording of the album was fraught with difficulty—Spector reportedly mixed the album in secret studio sessions, and Cohen said Spector once threatened him with a crossbow. Cohen thought the end result "grotesque," but also "semi-virtuous."
In 1979, Cohen returned with the more traditional Recent Songs. Produced by Cohen himself and Henry Lewy (Joni Mitchell's sound engineer) the album included performances by a jazz-fusion band introduced to Cohen by Mitchell and oriental instruments (oud, Gypsy violin and mandolin). In 2001 Cohen released an album of live recordings of songs from his 1979 tour, entitled .
In 1984, Cohen released Various Positions, including "Dance Me to the End of Love" and the frequently covered "Hallelujah". Columbia declined to release the album in the United States, where Cohen's popularity had declined in previous years. Throughout his career, Cohen's music has sold better in Europe and Canada than in the U.S. He once sarcastically expressed how touched he is at the modesty the American company showed in promoting his records.
In 1986, he appeared in the episode "French Twist" of the TV series Miami Vice. In 1987, Jennifer Warnes's tribute album Famous Blue Raincoat helped restore Cohen's career in the U.S., and the following year he released I'm Your Man, which marked a drastic change in his music. Synthesizers ruled the album and Cohen's lyrics included more social commentary and dark humour.
In the title track, Cohen prophesied impending political and social collapse, reportedly as his response to the L.A. unrest of 1992: "I've seen the future, brother: it is murder." In "Democracy", Cohen criticises America but says he loves it: "I love the country but I can't stand the scene". Further, he criticises the American public's lack of interest in politics and addiction to television: "I'm neither left or right/I'm just staying home tonight/getting lost in that hopeless little screen".
Nanni Moretti's film Caro diario (1993) features "I'm Your Man", as Moretti himself rides his Vespa along the streets of Rome.
In 1994, following a tour to promote The Future, Cohen retreated to the Mt. Baldy Zen Center near Los Angeles, beginning what became five years of seclusion at the center. The album include a recent musical setting of Cohen's "As the mist leaves no scar", a poem originally published in The Spice-Box of Earth in 1961 and adapted by Spector into "True Love Leaves No Traces" on Death of a Ladies' Man.
In September, October and November 2008, Cohen gave a marathon tour through Europe, including stops in Austria, Ireland, Poland, Romania, Italy, Germany, and Scandinavia. In London, he played two more shows in O2 Arena and two additional shows at the Royal Albert Hall.
The first concert in Australia tour took place at Rochford Winery in Victoria's Yarra Valley on January 24 in perfect weather in front of an audience of about 7,000. The Sydney Entertainment Centre show on January 28 sold out rapidly, which motivated promoters to announce a second show at the venue. The first performance was well-received, and the audience of 12,000 responded with five standing ovations. Cohen gave generous credit to his touring band, his long-time collaborator and vocalist Sharon Robinson, and the "sublime" The Webb Sisters. (Cohen now frequently introduces them as "The Sublime Webb Sisters", apparently his own epithet).
In February 2009, in response to hearing about the devastation to the Yarra Valley region of Victoria in Australia, he donated $200,000 to the Victorian Bushfire Appeal in support of those affected by the extensive Black Saturday bushfires that razed the area just weeks after his performance at the Rochford Winery in the A Day on the Green concert. Melbourne's Herald Sun newspaper reported: "Tour promoter Frontier Touring said $200,000 would be donated on behalf of Cohen, fellow performer Paul Kelly and Frontier to aid victims of the bushfires."
The US market always being difficult for Cohen, the possibilities were tested by one single show which was added to the tour itinerary immediately after the Pacific leg - on February 19, 2009, Cohen played his first American concert in fifteen years at the Beacon Theatre in New York City. The North American Tour of 2009 opened on April 1 and included the performance at the Coachella Valley Music and Arts Festival on Friday, April 17, 2009, in front of one of the largest outdoor theatre crowds in the history of the festival. His performance of Hallelujah was widely regarded as one of the highlights of the festival, thus repeating the major success of the 2008 Glastonbury appearance.
On July 1, 2009, Cohen started his marathon European tour, his third in two years. The itinerary mostly included sport arenas and open air Summer festivals in Germany, UK, France, Spain, Ireland, but also performances in Serbia in the Belgrade Arena, in the Czech Republic, Hungary, Turkey, and again in Romania. On August 3, Cohen gave an open air show at the Piazza San Marco in Venice.
On September 18, 2009, at a concert in Valencia, Spain, Cohen collapsed halfway through performing his song "Bird on the Wire", the fourth song in the two-act set list; the concert was suspended. It was reported that Cohen had stomach problems, and possibly food poisoning.
The most controversial concert during the tour was held in Tel Aviv, Israel, at Ramat Gan Stadium. The event was surrounded by public discussion due to a proposed cultural boycott of Israel. Nevertheless, tickets for the Tel Aviv concert, Cohen's first performance in Israel since 1980, sold out in less than 24 hours. It was announced that the proceeds from the sale of the 47,000 tickets would go into a charitable fund in partnership with Amnesty International and would be used by Israeli and Palestinian peace groups for projects providing health services to children and bringing together Israeli veterans and former Palestinian fighters and the families of those killed in the conflict. However, on August 17, 2009, Amnesty International released a statement saying they were withdrawing from any involvement with the concert or its proceeds. Amnesty International later stated that its withdrawal was not due to the boycott but "the lack of support from Israeli and Palestinian NGOs." The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) led the call for the boycott, claiming that Cohen was "intent on whitewashing Israel's colonial apartheid regime by performing in Israel." On September 24 at the Ramat Gan concert, Cohen was highly emotional about the Israeli-Palestinian NGO Bereaved Families for Peace. He mentioned the organization twice, saying "It was a while ago that I first heard of the work of the 'Bereaved Parents for Peace'. That there was this coalition of Palestinian and Israeli families who had lost so much in the conflict and whose depth of suffering had compelled them to reach across the border into the houses of the enemy. Into the houses of those, to locate them who had suffered as much as they had, and then to stand with them in aching confraternity, a witness to an understanding that is beyond peace and that is beyond confrontation. So, this is not about forgiving and forgetting, this is not about laying down one's arms in a time of war, this is not even about peace, although, God willing, it could be a beginning. This is about a response to human grief. A radical, unique and holy, holy, holy response to human suffering. Baruch Hashem, thank God, I bow my head in respect to the nobility of this enterprise." At the end of the show he blessed the crowd by the Priestly Blessing, a Jewish blessing offered by Kohanim. Cohen's surname derives from this Hebrew word for priest, thus identifying him as a Levite — a descendant of the ancient priestly tribe of Levi.
The sixth leg of the 2008-2009 world tour went again to US, with fifteen shows in October and November, with the final show in San Jose. It included two new songs, Feels So Good and The Darkness.
The 2009 world tour earned a reported $9.5 million, putting Cohen at number 39 on Billboard magazine's list of the year's top musical "money makers."
The Fall leg of the European tour started in early September in Florence, Italy, and continued through Germany, Portugal, Spain, Switzerland, and Austria, where Cohen performed at the famous open-air opera stage of Römersteinbruch bei St. Margarethen im Burgenland, and then continued with dates in France, Poland, Russia (Moscow's State Kremlin Palace), Slovenia and Slovakia. In Slovenia's Arena Stožice, Cohen accepted Croatia's Porin music award for best foreign live video programme, which he won for his Live in London DVD.
The third leg of the 2010 tour started on October 28, in New Zealand, and continued in Australia, including an open-air concert at the Hanging Rock. It was the first show ever organised at the site. The tour finished with seven special dates added in Vancouver, Portland, Victoria, Oakland, with two final shows in Las Vegas' The Colosseum at Caesars Palace, on December 10 and 11. The very last concert on December 11 was the 246th show on the world tour which started on May 11, 2008.
In 2010 shows, Cohen has regularly performed three unreleased songs-in-progress, "The Darkness", "Feels So Good", and "Born In Chains", saying on his Forum they are part of the forthcoming album. At least one more song has been tried out at the daily sound checks.
Recurring themes in Cohen's work include love, sex, religion, depression, and music itself. He has also engaged with certain political themes, though sometimes ambiguously so. "Suzanne" mixes a wistful type of love song with a religious meditation, themes that are also mixed in "Joan of Arc". "Famous Blue Raincoat" is from the point of view of a man whose marriage has been broken by his wife's infidelity with his close friend, and is written in the form of a letter to that friend. "Everybody Knows" starts off with social inequality ("...the poor stay poor/ And the rich get rich"), but this is just the laying of the foundation that leads up to the real issue: Infidelity and betrayal.
"Sisters of Mercy" depicts his encounter with two women in a hotel room in Edmonton, Canada. Claims that "Chelsea Hotel #2" treats his affair with Janis Joplin without sentimentality are countered by claims that the song reveals a more complicated set of feelings than straightforward love. Cohen confirmed that the subject is Janis with some embarrassment. "She wouldn't mind", he declares, "but my mother would be appalled". "Don't Go Home with Your Hard-On" also deals with sexual themes.
Cohen comes from a Jewish background, reflected in his song "Story of Isaac", and also in "Who by Fire", whose words and melody echo the Unetaneh Tokef, an 11th century liturgical poem recited on Rosh Hashana and Yom Kippur. Broader Jewish themes sound throughout the album Various Positions. Hallelujah, which has music as a secondary theme, begins by evoking the biblical king David composing a song that "pleased the Lord", and continues with references to Bathsheba and Samson. The lyrics of "Whither Thou Goest", performed by him and released in his album Live in London, are adapted from the Bible (Ruth 1:16-17, King James Version). If it be Your Will also has a strong air of religious resignation. In his concert in Ramat Gan, Israel, on the 24 September 2009, Cohen spoke Jewish prayers and blessings to the audience in Hebrew. He opened the show with the first sentence of Ma Tovu. At the middle he used Baruch Hashem, and he ended the concert reciting the blessing of Birkat Cohanim.
In his early career as a novelist, Beautiful Losers grappled with the mysticism of the Catholic/Iroquois Catherine Tekakwitha. Cohen has also been involved with Buddhism since the 1970s and was ordained a Buddhist monk in 1996; however he is still religiously Jewish: "I'm not looking for a new religion. I'm quite happy with the old one, with Judaism."
He is described as an observant Jew in an article in The New York Times:
Mr. Cohen is an observant Jew who keeps the Sabbath even while on tour and performed for Israeli troops during the 1973 Arab-Israeli war. So how does he square that faith with his continued practice of Zen?
"Allen Ginsberg asked me the same question many years ago," he said. "Well, for one thing, in the tradition of Zen that I've practiced, there is no prayerful worship and there is no affirmation of a deity. So theologically there is no challenge to any Jewish belief."
Having suffered from depression during much of his life (although less so recently), Cohen has written much (especially in his early work) about depression and suicide. "Beautiful Losers" and "Seems So Long Ago, Nancy" are about suicide; darkly comic "One of Us Cannot Be Wrong" mentions suicide; "Dress Rehearsal Rag" is about a last-minute decision not to commit suicide. An atmosphere of depression pervades "Please Don't Pass Me By" and "Tonight Will Be Fine". As in the aforementioned "Hallelujah", music itself is the subject of "Tower of Song", "A Singer Must Die", and "Jazz Police".
Social justice often shows up as a theme in his work, where he, especially in later albums, expounds leftist politics, albeit with culturally conservative elements. In "Democracy", he laments "the wars against disorder/ … the sirens night and day/ … the fires of the homeless/ … the ashes of the gay." He concludes that the United States is actually not a democracy. He has made the observation (in Tower of Song) that, "the rich have got their channels in the bedrooms of the poor/ And there's a mighty judgment coming." In the title track of The Future he recasts this prophecy on a pacifist note: "I've seen the nations rise and fall/ …/ But love's the only engine of survival." In "Anthem", he promises that "the killers in high places [who] say their prayers out loud/ … [are] gonna hear from me."
Several Cohen songs speak of abortion, always either as something distasteful or even atrocious. In "The Future", he sings, with mordant sarcasm, "Destroy another fetus now/ We don't like children anyhow". In "Stories of the Street" Cohen speaks of "The age of lust is giving birth/ And both the parents ask/ The nurse to tell them fairy tales/ from both sides of the glass". "Diamonds in the Mine" is often described as a song about abortion because of the lyrics, "The only man of energy/ Yes the revolution's pride/ He trained a hundred women/ Just to kill an unborn child". However, research suggests these lyrics are referring to Charles Manson, his followers, and Sharon Tate's unborn baby from the Manson "Family" murders of 1969.
War is an enduring theme of Cohen's work that—in his earlier songs and early life—he approached ambivalently. Challenged in 1974 over his serious demeanor in concerts and the military salutes he ended them with, Cohen remarked: "I sing serious songs, and I'm serious onstage because I couldn't do it any other way...I don't consider myself a civilian. I consider myself a soldier, and that's the way soldiers salute." In "Field Commander Cohen" he imagines himself as a soldier of sorts, socializing with Fidel Castro in Cuba—where he had actually lived at the height of US-Cuba tensions in 1961, allegedly sporting a Che Guevara-style beard and military fatigues. This song was written immediately following Cohen's front-line stint with the Israeli air force, the "fighting in Egypt" documented in a passage of "Night Comes On". In 1973, Cohen, who had traveled to Jerusalem to sign up on the Israeli side in the Yom Kippur War, had instead been assigned to a USO-style entertainer tour of front-line tank emplacements in the Sinai Desert, coming under fire. A poetic mention of then-General Ariel Sharon, delivered in the same mode as his Fidel Castro allusions, has given birth to the legend that Cohen and Sharon shared cognac together during Cohen's term in the Sinai.
Deeply moved by encounters with Israeli and Arab soldiers, he left the country to write "Lover Lover Lover". This song has been interpreted as a personal renunciation of armed conflict, and ends with the hope his song will serve a listener as "a shield against the enemy". He would later remark, "'Lover, Lover, Lover' was born over there; The whole world has its eyes riveted on this tragic and complex conflict. Then again, I am faithful to certain ideas, inevitably. I hope that those of which I am in favour will gain." Asked which side he supported in the Arab-Israeli conflict, Cohen responded, "I don't want to speak of wars or sides ... Personal process is one thing, it's blood, it's the identification one feels with their roots and their origins. The militarism I practice as a person and a writer is another thing. ... I don't wish to speak about war."
His recent politics continue a lifelong predilection for the underdog, the "beautiful loser." Whether recording "The Partisan", a French Resistance song by Anna Marly and Emmanuel d'Astier, or singing his own "The Old Revolution", written from the point of view of a defeated royalist, he has throughout his career expressed in his music sympathy and support for the oppressed. Although Cohen's fascination with war is often as metaphor for more general cultural and personal issues, as in New Skin for the Old Ceremony, by this measure his most "militant" album.
Cohen blends pessimism about political/cultural issues with humour and (especially in his later work) gentle acceptance. His wit contends with his stark analysis, as his songs are often verbally playful and cheerful: In "Tower of Song", the famously raw-voiced Cohen sings ironically that he was "… born with the gift/ Of a golden voice." The generally dark "Is This What You Wanted?" contains playful lines "You were the whore and the beast of Babylon/ I was Rin Tin Tin." In concert, he often plays around with his lyrics ("If you want a doctor/ I'll examine every inch of you" from "I'm Your Man" sometimes becomes "If you want a Jewish doctor …"). He may introduce one song by using a phrase from another song or poem—for example, introducing "Leaving Green Sleeves" by paraphrasing his own "Queen Victoria": "This is a song for those who are not nourished by modern love."
Cohen has also recorded such love songs as Irving Berlin's "Always" or the more obscure soul number "Be for Real" (originally sung by Marlena Shaw), chosen in part for their unlikely juxtaposition to his own work.
Cohen has been married once, to Los Angeles artist Suzanne Elrod in the 1970s. He has downplayed the marriage as an important relationship, and has said that "cowardice" and "fear" have prevented him from ever actually marrying. He had two children with Elrod: a son, Adam, born in 1972 and a daughter, Lorca, named after poet Federico García Lorca, born in 1974. Adam Cohen began a career as a singer-songwriter in the mid-1990s and fronts a band called Low Millions. Elrod took the cover photograph on Cohen's Live Songs album and is pictured on the cover of the Death of a Ladies' Man album.
Cohen and Elrod had split by 1979. "Suzanne", one of his best-known songs, refers to Suzanne Verdal, the former wife of his friend, the Québécois sculptor Armand Vaillancourt, rather than Elrod. In the 1990s, Cohen was romantically linked to actress Rebecca De Mornay.
Many other cover albums have been recorded by many artists.
In 2004, fellow Canadian k.d. lang released the album Hymns of the 49th Parallel which featured Leonard's song Hallelujah. The critically acclaimed album rose to the number 2 position on the Canadian Albums Chart. She subsequently performed the song live, on February 12, 2010, at the 2010 Olympic Winter Games in Vancouver, Canada.
Jeff Buckley recorded one of the best-known versions of "Hallelujah" for his debut album Grace in 1994. to critical acclaim. It was used during the final minutes of the West Wing episode Posse Comitatus, the last episode of season 3. On March 7, 2008, Jeff Buckley's version of Cohen's "Hallelujah", went to number 1 on the iTunes chart after Jason Castro performed the song on the seventh season of the television series American Idol. Another major boost for Cohen's song exposure came when singer-songwriter Kate Voegele released her version of "Hallelujah" from her 2007 album Don't Look Away and appeared as a regular character, named Mia, on season five of the teenage television show One Tree Hill.
In December 2008, two versions of "Hallelujah" placed No. 1 and 2 in the UK Christmas singles chart, with X Factor winner Alexandra Burke at No. 1 and Jeff Buckley at No. 2, following a campaign by Buckley fans to get his version to no. 1 rather than the X Factor version. As a result, online downloads of Cohen's original version placed it at No. 36, 24 years after its initial release.
Category:1934 births Category:Living people Category:Canadian buskers Category:Canadian folk singers Category:Canadian Jews Category:Ashkenazi Jews Category:Canadian Zen Buddhists Category:Canadian Music Hall of Fame inductees Category:Canadian novelists Category:Canadian poets Category:Canadian singer-songwriters Category:Canadian people of Lithuanian descent Category:Canadian people of Polish descent Category:Companions of the Order of Canada Category:Genie Award winners Category:Jewish composers and songwriters Category:Jewish poets Category:Jewish singers Category:Jewish writers Category:Juno Award winners Category:Grammy Award winners Category:McGill University alumni Category:Rock and Roll Hall of Fame inductees Category:People from Montreal Category:People from Westmount, Quebec Category:Writers from Quebec Category:Musicians from Quebec Category:Governor General's Award winning poets Category:Canadian male singers Category:Anglophone Quebec people Category:Grand Officers of the National Order of Quebec Category:Western mystics Category:Jewish Canadian culture Category:People of Jewish descent Category:Former Scientologists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | John Cafferty and the Beaver Brown Band |
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Background | group_or_band |
Years active | 1972–present |
Origin | Narragansett, Rhode Island, United States |
Genre | Rock, heartland rock |
Label | Scotti Bros. |
Associated acts | Beaver Brown |
John Cafferty & The Beaver Brown Band is the name of an American rock band of the 1970s and 1980s, from Narragansett, Rhode Island. Originally known as simply Beaver Brown, the group (consisting of John Cafferty (born ca. 1950) on vocals and rhythm guitar, Gary Gramolini on lead guitar, Patrick Lupo on bass, Kenny Jo Silva on drums, Bobby Cotoia on piano, and Michael "Tunes" Antunes on saxophone) started out as a New England bar band and initially established a popular following throughout Rhode Island, Connecticut,and Massachusetts. They also had a following at The Fast Lane and Stone Pony in Asbury Park, New Jersey.
They achieved their greatest fame when they performed the music of a "Springsteen-esque" fictional band in the 1983 movie Eddie and the Cruisers. The soundtrack album from the film reached the top 10 on the Billboard 200 chart and produced a #7 hit single ("On the Dark Side") on the Billboard Hot 100. "On the Dark Side" also held #1 on the Mainstream Rock Tracks chart for five weeks.
The group's 1985 follow-up album Tough All Over made the top 50, getting some attention for "C.I.T.Y" and the title track, which became their second #1 single on the Mainstream Rock Tracks chart. Another song from that album, "Voice of America's Sons", was the featured theme song on the official motion picture soundtrack of the movie Cobra, starring Sylvester Stallone. Subsequent releases were mostly sequels to the Eddie and the Cruisers concept, and Cafferty and the band faded from popular consciousness.
Prior to Cobra, Cafferty's "Heart's on Fire" was featured in another Stallone film, Rocky IV, and has been used in several parodies. They have been referenced in the Sean Connery/French Stewart/Burt Reynolds edition of Celebrity Jeopardy! on Saturday Night Live.
They still tour sporadically. On September 3, 2004, keyboardist Bobby Cotoia died due to complications from liver disease at the age of 50.
Singles (Billboard Hot 100)
Category:1980s music groups Category:1990s music groups Category:American rock music groups Category:Musical groups from Rhode Island Category:Rocky music Category:People from Narragansett, Rhode Island
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Name | Yoko Ono小野 洋子 |
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Background | solo_singer |
Born | February 18, 1933 Tokyo, Japan |
Genre | Avant-garde, rock, pop, electronica, Shibuya kei, Fluxus |
Occupation | Artist, musician, film director, peace activist |
Years active | 1961–present |
Instrument | Vocals, piano |
Label | Apple, Geffen, Polydor, Rykodisc, Astralwerks, Chimera Music |
Associated acts | John LennonThe Plastic Ono BandThe Ghost of a Saber Tooth Tiger |
In 1956, she married composer Toshi Ichiyanagi. They divorced in 1962 after living apart for several years. On November 28 that same year, Ono married an American named Anthony Cox. Cox was a jazz musician, film producer and art promoter. He had heard of Ono in New York and tracked her down to a mental institution in Japan, where her family had placed her following a suicide attempt. Ono had neglected to finalize her divorce from Ichiyanagi, so their marriage was annulled on March 1, 1963 and Cox and Ono married on June 6. Their daughter, Kyoko Chan Cox, was born two months later on August 3, 1963.
The marriage quickly fell apart but the Coxes stayed together for the sake of their joint career. They performed at Tokyo's Sogetsu Hall with Ono lying atop a piano played by John Cage. Soon the Coxes returned to New York with Kyoko. In the early years of this marriage, Ono left most of Kyoko's parenting to Cox while she pursued her art full-time and Tony managed publicity. After she divorced Cox on February 2, 1969, Ono and Cox engaged in a bitter legal battle for custody of Kyoko, which resulted in Ono being awarded full custody. However, in 1971, Cox disappeared with eight-year-old Kyoko, in violation of the custody order. Cox subsequently became a Christian and raised Kyoko in a Christian group known as the Church of the Living Word (or "the Walk"). Cox left the group with Kyoko in 1977. Living an underground existence, Cox changed the girl's name to Rosemary. Cox and Kyoko sent Ono a sympathy message after Lennon's 1980 murder. Afterwards, the bitterness between the parents lessened slightly and Ono publicly announced in People Magazine that she would no longer seek out the now-adult Kyoko, but still wished to make contact with her. In 1994, Kyoko made contact with Ono and established a relationship.
Almost immediately after John Cage finished teaching at the New School for Social Research in the Summer of 1960, Ono was determined to rent a place to present her works along with works of other New York avant-garde artists. She eventually found a cheap loft in downtown Manhattan at 112 Chambers Street that she used as a studio and living space. Composer La Monte Young urged Ono to let him organize concerts in the loft, and Ono acquiesced. but Ono claims to have been eventually pushed into a subsidiary role by Young. The Chambers Street series hosted some of Ono's earliest conceptual artwork including Painting to Be Stepped On, which was a scrap of canvas on the floor that became a completed artwork upon the accrual of footprints. Participants faced a moral dilemma presented by Ono that a work of art no longer needed to be mounted on a wall, inaccessible, but an irregular piece of canvas as low and dirty as to have to be completed by being stepped on.
Ono was an explorer of conceptual art and performance art. An example of her performance art is "Cut Piece" (this instance of performance art is also known as a "happening"), first performed in 1964 at the Sogetsu Art Center in Tokyo. Cut Piece had one destructive verb as its instruction: "Cut." Ono executed the performance in Tokyo by walking on stage and casually kneeling on the floor in a draped garment. Audience members were requested to come on stage and begin cutting until she was naked. Cut Piece was one of Ono’s many opportunities to outwardly communicate her internal suffering through her art. Ono had originally been exposed to Jean-Paul Sartre's theories of existentialism in college, and in order to appease her own human suffering, Ono enlisted her viewers to complete her works of art in order to complete her identity as well. Besides a commentary on identity, Cut Piece was a commentary on the need for social unity and love. It was also a piece that touched on issues of gender and sexism as well as the greater, universal affliction of human suffering and loneliness. Ono performed this piece again in London and other venues, garnering drastically different attention depending on the audience. In Japan, the audience was shy and cautious. In London, the audience participators became zealous to get a piece of her clothing and became violent to the point where she had to be protected by security. An example of her conceptual art includes her book of instructions called Grapefruit. This book, first produced in 1964, includes surreal, Zen-like instructions that are to be completed in the mind of the reader, for example: "Hide and seek Piece: Hide until everybody goes home. Hide until everybody forgets about you. Hide until everybody dies." The book, an example of Heuristic art, was published several times, most widely distributed by Simon and Schuster in 1971, and reprinted by them again in 2000. Many of the scenarios in the book would be enacted as performance pieces throughout Ono's career and have formed the basis for her art exhibitions, including one highly publicized show at the Everson Museum in Syracuse, New York that was nearly closed by a fan riot.
In addition to conceptual art, Ono has also created participatory art, including her 1996 project entitled "Wish Tree" in Japan.
:"Wish Piece by Yoko Ono (1996)
:Make a wish :Write it down on a piece of paper :Fold it and tie it around a branch of a Wish Tree :Ask your friends to do the same :Keep wishing :Until the branches are covered with wishes".
Ono was also an experimental filmmaker who made sixteen films between 1964 and 1972, and gained particular renown for a 1966 Fluxus film called simply No. 4, but often referred to as "Bottoms". The film consists of a series of close-ups of human buttocks as the subject walks on a treadmill. The screen is divided into four almost equal sections by the elements of the gluteal cleft and the horizontal gluteal crease. The soundtrack consists of interviews with those who are being filmed as well as those considering joining the project. In 1996, the watch manufacturing company Swatch produced a limited edition watch that commemorates this film. (Ono also acted in an obscure exploitation film in 1965, Satan's Bed.)
John Lennon once described her as "the world's most famous unknown artist: everybody knows her name, but nobody knows what she does." Her circle of friends in the New York art world has included Kate Millett, Nam June Paik, Dan Richter, Jonas Mekas, Merce Cunningham, Judith Malina, Erica Abeel, Fred DeAsis, Peggy Guggenheim, Betty Rollin, Shusaku Arakawa, Adrian Morris, Stefan Wolpe, Keith Haring, and Andy Warhol, as well as Maciunas and Young.
In 2001, YES YOKO ONO, a forty-year retrospective of Ono's work, received the prestigious International Association of Art Critics USA Award for Best Museum Show Originating in New York City, considered one of the highest accolades in the museum profession. In 2002 Ono was awarded the Skowhegan Medal for work in assorted media. In 2005 she received a lifetime achievement award from the Japan Society of New York.
Ono received an honorary Doctorate of Laws from Liverpool University in 2001. In 2002, she was presented with the honorary degree of Doctor of Fine Arts from Bard College.
In 2008, she showed a large retrospective exhibition, Between The Sky And My Head, at the Kunsthalle Bielefeld, Bielefeld, Germany, and the Baltic Centre for Contemporary Art in Gateshead, UK.
In 2009, she showed a selection of new and old work as part of her show "Anton's Memory" in Venice, Italy. She also received a Golden Lion Award for lifetime achievement from the Venice Biennale in 2009. to Yoko Ono's Wish Tree]] Wish Tree, her installation in the Sculpture Garden - Museum of Modern Art, New York (since July 2010), has become very popular with contributions from all over the world.
Another work displayed a real apple with a card reading "APPLE." When John was told that the price of the apple was £200 (approximately £2300 or $4600 in 2007 money), he later reported that he thought "This is a joke, this is pretty funny". Another display was a white board with nails in it with a sign inviting visitors to hammer a nail into its surface. Since the show was not beginning until the following day, Ono refused to allow Lennon to hammer in a nail. The gallery owner whisked her away, saying, "Don't you know who that is? He's a millionaire!" Upon returning to John, she said he could hammer in a nail for five shillings. Lennon replied, "I'll give you an imaginary five shillings if you let me hammer in an imaginary nail".
Lennon referred to Ono in many of his songs. While still a Beatle he wrote "The Ballad of John and Yoko", and he alluded to her indirectly in "Julia", a song dedicated to his mother, with the lyrics: "Ocean child calls me, so I sing a song of love" (The kanji 洋子 ("Yoko") means "ocean child").
Ono and Lennon collaborated on many albums, beginning in 1968 when Lennon was still a Beatle, with , an album of experimental and difficult electronic music. That same year, the couple contributed an experimental piece to The White Album called "Revolution 9". Ono also contributed backing vocals (on "Birthday"), and one line of lead vocals (on "The Continuing Story of Bungalow Bill") to The White Album. Many of the couple's later albums were released under the name the Plastic Ono Band. The couple also appeared together at concerts. When Lennon was invited to play with Frank Zappa at the Fillmore on June 5, 1971, Ono joined in as well.
In 1969, the Plastic Ono Band's first album, Live Peace in Toronto 1969, was recorded during the Toronto Rock and Roll Revival Festival. In addition to Lennon and Ono, this first incarnation of the group consisted of guitarist Eric Clapton, bass player Klaus Voormann, and drummer Alan White. The first half of their performance consisted of rock standards, and during the second half, Ono took the microphone and along with the band performed an avant garde set, ending with music that consisted mainly of feedback, while Ono screamed and sang.
In November 1968, Yoko miscarried a male child which they named John Ono Lennon II. Ono and Lennon married on March 20, 1969 in Gibraltar. ".]] Ono released her first solo album, Yoko Ono/Plastic Ono Band in 1970, as a companion piece to Lennon's better-known John Lennon/Plastic Ono Band. The two albums have almost identical covers: Ono's featured a photo of her leaning on Lennon, and Lennon's had a photo of him leaning on Ono. Her album included raw and quite harsh vocals that were possibly influenced by Japanese opera, but bear much in common with sounds in nature (especially those made by animals) and free jazz techniques used by wind and brass players. The performers included Ornette Coleman and other renowned free jazz performers. The personnel was supplemented by John Lennon, Ringo Starr and minor performers. Some songs consisted of wordless vocalizations, in a style that would influence Meredith Monk, and other musical artists who have used screams and vocal noise in lieu of words. The album peaked at #183 on the US charts.
In 1971, Ono released Fly – a double album. On this release Ono explored slightly more conventional psychedelic rock with tracks like "Midsummer New York" and "Mind Train", in addition to a number of Fluxus experiments. She also received minor airplay with the ballad "Mrs. Lennon". Perhaps the most famous track from the album is "Don't Worry, Kyoko (Mummy's Only Looking For Her Hand In The Snow)", an ode to Ono's kidnapped daughter.
In 1971, while studying with Maharishi Mahesh Yogi in Majorca, Ono's second husband, Anthony Cox, accused Ono of abducting their daughter, Kyoko from his hotel. A large number of accusations were then made by both parents toward each other and the matter of custody. Cox eventually moved to Houston, Texas and converted to Evangelical Christianity with his new wife, who was originally from Houston. At the end of 1971, a custody hearing in Houston went against Cox. In violation of the order, he took Kyoko and disappeared. Ono then launched a search for her daughter with the aid of the police and private investigators. Ono wrote a song about her daughter, "Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow)", which appears on Lennon and Ono's album Live Peace In Toronto 1969 and her album Fly. Both versions feature Eric Clapton on guitar. Kyoko is also referenced on the first line of "Happy Christmas (War Is Over)" when Yoko whispers "Happy Christmas Kyoko" followed by Lennon whispering "Happy Christmas Julian".
Both the press and the public were critical of her. She was blamed for the breakup of The Beatles and repeatedly criticized for her influence over Lennon and his music. Her experimental art was not popularly understood. Following the murder, she went into complete seclusion for an extended period.
Following Lennon's murder, Cox and Kyoko sent a message of sympathy to Ono but did not reveal their location. Ono later printed an open letter to Kyoko saying how she missed her but that she would cease her attempts to find her. Kyoko would later appear on the 1987 title track of American English by the British pop band Wax.
In early 1980, Lennon heard Lene Lovich and The B-52's' "Rock Lobster" in a nightclub, and it reminded him of Ono's musical sound. He took this as an indication that her sound had reached the mainstream. Indeed, many musicians, particularly those of the new wave movement, have paid tribute to Ono (both as an artist in her own right, and as a muse and iconic figure). For example, Elvis Costello recorded a version of Ono's song "Walking on Thin Ice", the B-52's who drew from her early recordings
Four months after her husband's murder, Ono began a relationship with antiques dealer and interior designer Sam Havadtoy, which lasted until 2001. She had also been linked to art dealer and Greta Garbo confidante Sam Green, who is mentioned in Lennon's will. In 1982, she released It's Alright (I See Rainbows). The cover featured Ono in her famous wrap-around sunglasses, looking towards the sun, while on the back the ghost of Lennon looks over her and their son. The album scored minor chart success and airplay with the singles "My Man" and "Never Say Goodbye".
In 1984, a tribute album titled Every Man Has a Woman was released, featuring a selection of Ono songs performed by artists such as Elvis Costello, Roberta Flack, Eddie Money, Rosanne Cash and Harry Nilsson. It was one of Lennon's projects that he never got to finish. Later that year, Ono and Lennon's final album, Milk and Honey, was released as an unfinished demo.
Ono's final album of the 1980s was Starpeace, a concept album that she intended as an antidote to Ronald Reagan's "Star Wars" missile defense system. On the cover, a warm, smiling Ono holds the Earth in the palm of her hand. Starpeace became Ono's most successful non-Lennon effort: the single "Hell in Paradise" was a hit, reaching No. 16 on the US dance charts and #26 on the Billboard Hot 100 as well as major airplay on MTV.
In 1986, Ono set out on a goodwill world tour for Starpeace, mostly visiting Eastern European countries.
Ono went on hiatus until signing with Rykodisc in 1992 to release the comprehensive six-disc box set Onobox. It included remastered highlights from all of Ono's solo albums, as well as unreleased material from the 1974 "lost weekend" sessions. There was also a one-disc "greatest hits" release of highlights from Onobox, simply titled Walking on Thin Ice. That year, she agreed to sit down for an extensive interview with music journalist Mark Kemp for a cover story in the alternative music magazine Option. The story took a revisionist look at Ono's music for a new generation of fans more accepting of her role as a pioneer in the merger of pop and the avant-garde.
In 1994, Ono produced her own musical entitled New York Rock, featuring Broadway renditions of her songs. In 1995, she released Rising, a collaboration with her son Sean and his band, Ima. Rising spawned a world tour that traveled through Europe, Japan and the United States. The following year, she collaborated with various alternative rock musicians for an EP entitled Rising Mixes. Guest remixers of Rising material included Cibo Matto, Ween, Tricky, and Thurston Moore.
In 1997, Rykodisc reissued all her solo albums on CD, from Yoko Ono/Plastic Ono Band through Starpeace. Ono and her engineer Rob Stevens personally remastered the audio, and various bonus tracks were added including outtakes, demos and live cuts.
2001 saw the release of Ono's feminist concept album Blueprint for a Sunrise. In 2002, Yoko joined The B-52's in New York for their 25th anniversary concerts. She came out for the encore and performed Rock Lobster with the band. Starting in 2002, some DJs remixed other Ono songs for dance clubs. For the remix project, she dropped her first name and became known as simply "ONO", as a response to the "Oh, no!" jokes that dogged her throughout her career. Ono had great success with new versions of "Walking on Thin Ice", remixed by top DJs and dance artists including Pet Shop Boys, Orange Factory, Peter Rauhofer, and Danny Tenaglia. In April 2003, Ono's Walking on Thin Ice (Remixes) was rated No. 1 on Billboard Magazine's "Dance/Club Play Chart", gaining Ono her first number one hit. On the 12" mix of the original 1981 version of "Walking on Thin Ice", Lennon can be heard remarking "I think we've just got your first No.1, Yoko." She returned to No. 1 on the same charts in November 2004 with "Everyman...Everywoman...", a reworking of her song "Every Man Has a Woman Who Loves Him", in January 2008, with "No No No", and in August 2008, with "Give Peace a Chance." In June 2009, at the age of 76, Ono scored her fifth No. 1 hit on the "Dance/Club Play Chart" with "I'm Not Getting Enough."
Ono released the album Yes, I'm a Witch in 2007, a collection of remixes and covers from her back catalog by various artists including The Flaming Lips, Cat Power, Antony, DJ Spooky, Porcupine Tree and Peaches, released in February 2007, along with a special edition of Yoko Ono/Plastic Ono Band. Yes I'm a Witch has been critically well-received. A similar compilation of Ono dance remixes entitled Open Your Box was also released in April of that year.
In 2009, Ono recorded Between My Head and the Sky, her first album to be released as "Yoko Ono/Plastic Ono Band" since 1973's Feeling the Space. The all-new Plastic Ono Band lineup includes Sean Lennon, Cornelius and Yuka Honda amongst others. On February 16, 2010, Sean organized a concert in Brooklyn, New York called "We Are Plastic Ono Band," at which Yoko performed her music with Sean, Clapton, Klaus Voorman and Jim Keltner, for the first time since the 1970s. Guests including Bette Midler, Paul Simon and his son Harper, and principal members of Sonic Youth interpreted her songs in their own styles.
During her career, Ono has collaborated with a diverse group of artists and musicians including John Lennon, Eric Clapton, Klaus Voormann, Cornelius (Keigo Oyamada, Naoki Shimizu and Yoko Araki), Frank Zappa, Sean Lennon, Yuka Honda, Jim Keltner, Earl Slick, Peaches, John Cage, David Tudor, George Maciunas, Ornette Coleman, Charlotte Moorman, George Brecht, Jackson Mac Low, Jonas Mekas, Fred DeAsis, Yvonne Rainer, La Monte Young, Richard Maxfield, Zbigniew Rybczyński, Yo La Tengo, and Andy Warhol (in 1987 Ono was one of the speakers at Warhol's funeral). As a dance music artist, Ono has worked with re-mixers/producers such as Basement Jaxx, Pet Shop Boys, Cat Power, Bill Kates, Tricky, Thurston Moore, Keiji Haino, Nick Vernier Band, Cibo Matto, Billy Martin, DJ Spooky, Apples In Stereo, Damien Price, The Flaming Lips, DJ Chernobyl, Bimbo Jones, DJ Dan, Craig Armstrong, Jorge Artajo, Shuji Nabara, and Konrad Behr, among others.
, Ono's residence since 1973]]
Ono performed at the opening ceremony for the 2006 Winter Olympic Games in Turin, Italy, wearing white, like many of the others who performed during the ceremony, to symbolize the snow that makes the Winter Olympics possible. She read a free verse poem calling for peace in the world. The poem was an intro to a performance of the song "Imagine", Lennon's anthem to world peace.
On December 13, 2006, Ono's bodyguard was arrested after he was taped trying to extort Ono for two million dollars, threatening to release private conversations and photographs.
On June 26, 2007, Ono appeared on Larry King Live along with Paul McCartney, Ringo Starr, and Olivia Harrison. Ono headlined the Pitchfork Music Festival in Chicago on July 14, 2007, performing a full set that mixed music and performance art. She sang "Mulberry", a song about her time in the countryside after the Japanese collapse in World War II for only the third time in her life, with Thurston Moore. Ono had previously performed the song once with John Lennon and once with Sean Lennon and told the audience of thousands that she will never perform it again.
On October 9, 2007 Ono officially lit the Imagine Peace Tower on Viðey Island in Iceland, dedicated to peace and to Lennon.
Ono returned to Liverpool for the 2008 Liverpool Biennial, where she unveiled "Sky Ladders" in the ruins of Church of St Luke, Liverpool (which was largely destroyed during World War II and now stands roofless as a memorial to those killed in the Liverpool Blitz).
In May 2009, Yoko designed a T-shirt for the second 'Fashion against AIDS' campaign/collection of HIV/AIDS awareness NGO Designers against AIDS and H&M;, with the statement 'Imagine Peace' depicted in 21 different languages.
On March 31, 2009, Yoko Ono went to the inauguration of the exhibition: "Imagine: The Peace Ballad of John & Yoko" to mark the 40th anniversary of Lennon-Ono bed-in at the Queen Elizabeth Hotel in Montreal, Canada from May 26 to June 2, 1969.
Ono appeared on-stage at Microsoft's June 1, 2009 E3 press conference with Olivia Harrison, Paul McCartney and Ringo Starr to promote video game.
Ono appears on the new Basement Jaxx album Scars, featuring on the single "Day of the Sunflowers (We March On)".
On April 1, 2010, Ono was named the first "Global Autism Ambassador" by the Autism Speaks organization. In 2009, she created a piece of artwork called Promise to mark the annual World Autism Awareness Day, which is on April 2.
On July 7, 2010, Ono appeared with Ringo Starr at New York's Radio City Music Hall in celebration of Starr's 70th birthday, performing "With a Little Help from My Friends" and "Give Peace a Chance".
In recent years an image of Ono as a strong, uncompromising survivor has emerged.
On Valentine’s Day, February 14, 2003, on the eve of the Iraqi invasion by the Americans and the British, Ono heard about a romantic couple holding a love-in protest in their tiny bedroom in Addingham, West Yorkshire. She sent the couple, Andrew and Christine Gale, some flowers and wished them the best.
In 2004, Ono remade her song "Everyman... Everywoman..." to support same-sex marriage, releasing remixes that included "Every Man Has a Man Who Loves Him" and "Every Woman Has a Woman Who Loves Her."
In 1995, after the Beatles released Lennon's "Free as a Bird" and "Real Love" with demos provided by Ono, McCartney and his family collaborated with her and Sean Lennon to create the song "Hiroshima Sky is Always Blue", which commemorates the 50th anniversary of the atomic bombing of that Japanese city. Of Ono, McCartney stated: "I thought she was a cold woman. I think that's wrong ... she's just the opposite ... I think she's just more determined than most people to be herself."
In 1997, Ono compared Lennon to Mozart while McCartney, she said, more closely resembled his less-talented rival Salieri. This remark infuriated Linda McCartney, who was battling breast cancer at the time. When she died less than a year later, McCartney pointedly did not invite Ono to a New York memorial service for her.
Accepting an award at the 2005 Q Awards, Ono mentioned that Lennon had once felt insecure about his songwriting, and asked her why other musicians "always cover Paul's songs, and never mine". Ono had responded, "You're a good songwriter; it's not June with spoon that you write. You're a good singer, and most musicians are probably a little bit nervous about covering your songs". McCartney responded by saying, "I don’t take any notice of her. She’s John’s wife so I have to respect her for that, but I don’t think she’s the brightest of buttons. She’s said some particularly daft things in her time. Her life is dedicated to putting me down but I attempt very strongly not to put her down." Ono later issued a statement claiming she did not mean any offense, as her comment was an attempt to console her husband, not attack McCartney; she went on to insist that she respected McCartney and that it was the press who had taken her comments out of context. "
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Bruce Springsteen |
---|---|
Landscape | No |
Background | solo_singer |
Alias | The Boss |
Born | September 23, 1949Long Branch, New JerseyUnited States |
Instrument | Vocals, guitar, harmonica, piano |
Genre | Rock, heartland rock, folk rock, roots rock, Americana |
Occupation | Musician, singer-songwriter |
Years active | 1972–present |
Label | Columbia |
Associated acts | E Street Band, Steel Mill, Miami Horns, The Sessions Band |
Url | brucespringsteen.net |
Notable instruments | Fender TelecasterFender EsquireTakamine GuitarsHohner Marine Band Harmonica |
Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss", is an American singer-songwriter who records and tours with the E Street Band. Springsteen is widely known for his brand of Heartland rock, poetic lyrics, and Americana sentiments centered on his native New Jersey.
Springsteen's recordings have included both commercially accessible rock albums and more sombre folk-oriented works. His most successful studio albums, Born to Run and Born in the U.S.A., showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and 120 million worldwide and he has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes and an Academy Award.
Raised a Roman Catholic, Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and included a few rock-influenced, traditional Irish-Catholic hymns.
In ninth grade, he transferred to the public Freehold Regional High School, but did not fit in there, either. Old teachers have said he was a "loner, who wanted nothing more than to play his guitar." He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony. He briefly attended Ocean County College, but dropped out.
Called for induction when he was 18, Springsteen failed his physical examination and did not serve in Vietnam. In an interview in Rolling Stone magazine in 1984, he said, "When I got on the bus to go take my physical, I thought one thing: I ain't goin'." He had suffered a concussion in a motorcycle accident when he was 17, and this together with his "crazy" behaviour at induction and not taking the tests, was enough to get him a 4F.
, New Jersey inspired the themes of ordinary life in Bruce Springsteen's music.]]
In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. Springsteen acquired the nickname "The Boss" during this period as when he played club gigs with a band he took on the task of collecting the band's nightly pay and distributing it amongst his bandmates. Springsteen is not fond of this nickname, due to his dislike of bosses, but seems to have since given it a tacit acceptance. Previously he had the nickname "Doctor". From 1969 through early 1971, Springsteen performed with Steel Mill, which also featured Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. They went on to play the mid-Atlantic college circuit, and also briefly in California. In January 1970 well-known San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: "I have never been so overwhelmed by totally unknown talent." Elwood went on to praise their "cohesive musicality" and, in particular, singled out Springsteen as "a most impressive composer." During this time Springsteen also performed regularly at small clubs in Canton, Massachusetts, Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and lyrical style: Dr Zoom & the Sonic Boom (early–mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971–mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horn sections, "The Zoomettes" (a group of female backing vocalists for "Dr. Zoom") and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B;, jazz, church music, early rock'n'roll, and soul. His prolific songwriting ability, with "More words in some individual songs than other artists had in whole albums," as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel's pressure, auditioned Springsteen in May 1972.
Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised "the great state of New Jersey" in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey and Philadelphia venues. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.
In September 1973 his second album, The Wild, the Innocent & the E Street Shuffle, was released, again to critical acclaim but no commercial success. Springsteen's songs became grander in form and scope, with the E Street Band providing a less folky, more R&B; vibe and the lyrics often romanticized teenage street life. "4th of July, Asbury Park (Sandy)" and "Incident on 57th Street" would become fan favorites, and the long, rousing "Rosalita (Come Out Tonight)" continues to rank among Springsteen's most beloved concert numbers.
In the May 22, 1974, issue of Boston's The Real Paper, music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, "I saw rock and roll future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time." Landau subsequently became Springsteen's manager and producer, helping to finish the epic new album, Born to Run. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a wall of sound production. But, fed by the release of an early mix of "Born to Run" to progressive rock radio, anticipation built toward the album's release. All in all the album took more than 14 months to record, with six months alone spent on the song "Born To Run." During this time Springsteen battled with anger and frustration over the album, saying he heard "sounds in [his] head" that he could not explain to the others in the studio. It was during these recording sessions that "Miami" Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horn section on "Tenth Avenue Freeze-Out" (it is his only written contribution to the album), and eventually led to his joining the E Street Band. Van Zandt had been a long-time friend of Springsteen, as well as a collaborator on earlier musical projects, and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.
A legal battle with former manager Mike Appel kept Springsteen out of the studio for nearly a year, during which time he kept the E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, his new songs had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen returned to the studio, and the subsequent sessions produced Darkness on the Edge of Town (1978). Musically, this album was a turning point in Springsteen's career. Gone were the raw, rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first two albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen's growing intellectual and political awareness. The cross-country 1978 tour to promote the album would become legendary for the intensity and length of its shows.
By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann's Earth Band had achieved a U.S. number one pop hit with a heavily rearranged version of Greetings' "Blinded by the Light" in early 1977. Patti Smith reached number 13 with her take on Springsteen's unreleased "Because the Night" (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit number two in 1979 with Springsteen's also unreleased "Fire".
. Drammenshallen, Drammen, Norway, May 5, 1981.]] In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album. The subsequent No Nukes live album, as well as the following summer's No Nukes documentary film, represented the first official recordings and footage of Springsteen's fabled live act, as well as Springsteen's first tentative dip into political involvement.
Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, "Hungry Heart". This album marked a shift in Springsteen's music toward a pop-rock sound that was all but missing from any of his earlier work. This is apparent in the stylistic adoption of certain eighties pop-rock hallmarks like the reverberating-tenor drums, very basic percussion/guitar and repetitive lyrics apparent in many of the tracks. The title song pointed to Springsteen's intellectual direction, while a couple of the lesser-known tracks presaged his musical direction. The album sold well, becoming his first topper on the Billboard Pop Albums chart, and a long tour in 1980 and 1981 followed, featuring Springsteen's first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.
The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However during the recording process Springsteen and producer Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album. Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including "Born in the U.S.A." and "Glory Days". According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. While Nebraska did not sell well, it garnered widespread critical praise (including being named "Album of the Year" by Rolling Stone magazine's critics) and influenced later significant works by other major artists, including U2's album The Joshua Tree. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with Nebraska's release.
During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985.
at the Radrennbahn Weißensee in East Berlin on July 19, 1988.]] The Born in the U.S.A. period represented the height of Springsteen's visibility in popular culture and the broadest audience demographic he would ever reach (aided by the release of Arthur Baker's dance mixes of three of the singles). Live/1975–85, a five-record box set (also on three cassettes or three CDs), was released near the end of 1986 and became the first box set to debut at number 1 on the U.S. album charts. It is one of the most commercially successful live albums of all time, ultimately selling 13 million units in the U.S. Live/1975–85 summed up Springsteen's career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen's difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to "Racing in the Street". Despite its popularity, some fans and critics felt the album's song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.
During the 1980s, several Springsteen fanzines were launched, including Backstreets magazine, which started in Seattle and continues today as a glossy publication, now in communication with Springsteen's management and official website.
After this commercial peak, Springsteen released the much more sedate and contemplative Tunnel of Love album (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his marriage to Julianne Phillips and described some of his unhappinesses in the relationship. Reflecting the challenges of love in "Brilliant Disguise", Springsteen sang:
The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements. During the European leg in 1988, Springsteen's relationship with backup singer Patti Scialfa became public and Phillips and Springsteen filed for divorce in 1988. Later in 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International. In the fall of 1989 he dissolved the E Street Band, and he and Scialfa relocated to California, marrying in 1991.
An electric band appearance on the acoustic MTV Unplugged television program (later released as In Concert/MTV Plugged) was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech: }}
A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song "Streets of Philadelphia", which appeared on the soundtrack to the film Philadelphia. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS. The music video for the song shows Springsteen's actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track. This technique was developed on the "Brilliant Disguise" video.
In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first Greatest Hits album (a recording session that was chronicled in the documentary Blood Brothers), he released his second (mostly) solo guitar album, The Ghost of Tom Joad, inspired by John Steinbeck's The Grapes of Wrath, Journey to Nowhere: The Saga of the New Underclass, a book by Pulitzer Prize-winners author Dale Maharidge and photographer Michael Williamson. This was generally less well-received than the similar Nebraska, due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances. During the shows Bruce did occasional take request. Rejecting some "popular" songs by saying things like "Not that old thing."Another change from the usual Springsteen concert experience, no alcohol was served at the venues.
Following the tour, Springsteen moved back to New Jersey with his family. In 1998, Springsteen released the sprawling, four-disc box set of out-takes, Tracks. Subsequently, Springsteen would acknowledge that the 1990s were a "lost period" for him: "I didn't do a lot of work. Some people would say I didn't do my best work."
Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono of U2, a favor he returned in 2005.
In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey and a ten-night, sold-out engagement at New York City's Madison Square Garden which ended the tour. The final two shows were recorded for an HBO Concert, with corresponding DVD and album releases as . A new song, "American Skin (41 Shots)", about the police shooting of Amadou Diallo which was played at these shows proved controversial.
During the early 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and played an annual series of winter holiday concerts there to benefit various local businesses, organizations, and causes. These shows were explicitly intended for the devoted fans, featuring numbers such as the E Street Shuffle outtake "Thundercrack", a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song "My City of Ruins" was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected "My City of Ruins," which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to "Rise up!" The song became associated with post-9/11 New York, and he chose it to close The Rising album and as an encore on the subsequent tour.
At the Grammy Awards of 2003, Springsteen performed The Clash's "London Calling" along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt's bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!. In 2004, Springsteen and the E Street Band participated in the "Vote for Change" tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians. All concerts were to be held in swing states, to benefit the liberalism political organization group America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International, and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan "Born in the U.S.A." flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen's "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.
performance at the Festhalle Frankfurt, June 15, 2005.]] Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation. Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, a couple of them being performed then but never released. The title track concerns an ordinary soldier's feelings and fears during the Iraq War. Starbucks rejected a co-branding deal for the album, due in part to some sexually explicit content but also because of Springsteen's anti-corporate politics. The album entered the album charts at No. 1 in 10 countries (United States, Austria, Switzerland, Sweden, Denmark, Italy, Germany, the Netherlands, the United Kingdom, and Ireland). Springsteen began the solo Devils & Dust Tour at the same time as the album's release, playing both small and large venues. Attendance was disappointing in a few regions, and everywhere (other than in Europe) tickets were easier to get than in the past. Unlike his mid-1990s solo tour, he performed on piano, electric piano, pump organ, autoharp, ukulele, banjo, electric guitar, and stomping board, as well as acoustic guitar and harmonica, adding variety to the solo sound. (Offstage synthesizer, guitar, and percussion were also used for some songs.) Unearthly renditions of "Reason to Believe", "The Promised Land", and Suicide's "Dream Baby Dream" jolted audiences to attention, while rarities, frequent set list changes, and a willingness to keep trying even through audible piano mistakes kept most of his loyal audiences happy.
In November 2005, Sirius Satellite Radio started a 24-hour, seven-day-a-week radio station on Channel 10 called E Street Radio. This channel featured commercial-free Bruce Springsteen music, including rare tracks, interviews, and daily concerts of Bruce Springsteen & the E Street Band recorded throughout their career.
performing on their tour at the Fila Forum, Milan, Italy on May 12, 2006.]] In April 2006, Springsteen released , an American roots music project focused around a big folk sound treatment of 15 songs popularized by the radical musical activism of Pete Seeger. It was recorded with a large ensemble of musicians including only Patti Scialfa, Soozie Tyrell, and The Miami Horns from past efforts. In contrast to previous albums, this was recorded in only three one-day sessions, and frequently one can hear Springsteen calling out key changes live as the band explores its way through the tracks. The Bruce Springsteen with The Seeger Sessions Band Tour began the same month, featuring the 18-strong ensemble of musicians dubbed The Seeger Sessions Band (and later shortened to The Sessions Band). Seeger Sessions material was heavily featured, as well as a handful of (usually drastically rearranged) Springsteen numbers. The tour proved very popular in Europe, selling out everywhere and receiving some excellent reviews, but newspapers reported that a number of U.S. shows suffered from sparse attendance. By the end of 2006, the Seeger Sessions tour toured Europe twice and toured America for only a short span. , containing selections from three nights of November 2006 shows at The Point Theatre in Dublin, Ireland, was released the following June.
behind him, on the Magic Tour stop at Veterans Memorial Arena, Jacksonville, Florida, August 15, 2008.]] Springsteen's next album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it featured 10 new Springsteen songs plus "Long Walk Home", performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), "Terry's Song", a tribute to Springsteen's long-time assistant Terry Magovern, who died on July 30, 2007. The first single, "Radio Nowhere", was made available for a free download on August 28. On October 7, Magic debuted at number 1 in Ireland and the UK. Greatest Hits reentered the Irish charts at number 57, and Live in Dublin almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on Channel 10 on September 27, 2007, in anticipation of Magic. Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material. However, Clear Channel Adult Alternative (or "AAA") station KBCO did play tracks from the album, undermining the allegations of a corporate blackout. The Springsteen and E Street Band Magic Tour began at the Hartford Civic Center with the album's release and was routed through North America and Europe. Springsteen and the band performed live on NBC's Today Show in advance of the opener. Longtime E Street Band organist Danny Federici left the tour in November 2007 to pursue treatment for melanoma from which he would die in 2008
Springsteen supported Barack Obama's 2008 presidential campaign, announcing his endorsement in April 2008 and going on to appear at several Obama rallies as well as performing several solo acoustic performances in support of Obama's campaign throughout 2008, culminating with a November 2 rally where he debuted "Working On A Dream" in a duet with Scialfa. At an Ohio rally, Springsteen discussed the importance of "truth, transparency and integrity in government, the right of every American to have a job, a living wage, to be educated in a decent school, and a life filled with the dignity of work, the promise and the sanctity of home...But today those freedoms have been damaged and curtailed by eight years of a thoughtless, reckless and morally-adrift administration."
Following Obama's electoral victory on November 4, Springsteen's song "The Rising" was the first song played over the loudspeakers after Obama's victory speech in Chicago's Grant Park. Springsteen was the musical opener for the on January 18, 2009 which was attended by over 400,000. He performed "The Rising" with an all-female choir. Later he performed Woody Guthrie's "This Land Is Your Land" with Pete Seeger.
On June 18, 2008, Springsteen appeared live from Europe at the Tim Russert tribute at the Kennedy Center in Washington, D.C., to play one of Russert's favorite songs, "Thunder Road." Springsteen dedicated the song to Russert, who was "one of Springsteen's biggest fans."
On January 11, 2009, Springsteen won the Golden Globe Award for Best Song for "The Wrestler", from the Mickey Rourke film by the same name. After receiving a heartfelt letter from Mickey Rourke, Springsteen supplied the song for the film for free.
Springsteen performed at the halftime show at Super Bowl XLIII on February 1, 2009, agreeing to do it after many previous offers A few days before the game, Springsteen gave a rare press conference, where he promised a "twelve-minute party." His 12:45 set, with the E Street Band and the Miami Horns, included abbreviated renditions of "Tenth Avenue Freeze-Out"", "Born to Run", "Working on a Dream, and "Glory Days", the latter complete with football references. The set of appearances and promotional activities led Springsteen to say, "This has probably been the busiest month of my life."
Springsteen's Working on a Dream album was released in late January 2009 and the supporting Working on a Dream Tour ran from April 2009 until November 2009. The tour featured few songs from the new album, with instead set lists dominated by classics and selections reflecting the ongoing late-2000s recession. The tour also featured Springsteen playing songs requested by audience members holding up signs as on the final stages of the Magic Tour. and Hard Rock Calling in the UK. Several shows on the tour featured full album presentations of Born to Run, Darkness on the Edge of Town, or Born in the U.S.A. The band performed a stretch of five final shows at his homestate Giants Stadium, opening with a new song highlighting the historic stadium, and his Jersey roots, named "Wrecking Ball". The tour ended as scheduled in Buffalo, NY in November 2009 amid speculation that it was the last performance ever by the E Street Band, but during the show Springsteen said it was goodbye “for a little while.” A DVD from the Working of a Dream Tour entitled was released in 2010.
In addition to his own touring, Springsteen made a number of appearances at tribute and benefit concerts during 2009, including The Clearwater Concert, a celebration of Pete Seeger's 90th birthday, the Rock and Roll Hall of Fame's 25th anniversary benefit concert, a benefit for the charity Autism Speaks at Carnegie Hall. On January 22, 2010, he joined many well-known artists to perform on , organized by George Clooney to raise money to help the victims of the 2010 Haiti earthquake.
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In 2009, Springsteen performed in The People Speak a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's "A People's History of the United States".
Springsteen was among the recipients of the Kennedy Center Honors, an annual award to figures from the world of arts for their contribution to American culture, in December 2009. President Obama gave a speech in which he talked about how Springsteen has incorporated the life of regular Americans in his expansive pallette of songs and how his concerts are beyond the typical rock-and-roll concerts, how, apart from being high-energy concerts, they are "communions". He ended the remark "while I am the president, he is The Boss". Tributes were paid by several well-known celebrities including Jon Stewart (who described Springsteen's "unprecedented combination of lyrical eloquence, musical mastery and sheer unbridled, unadulterated joy"). A musical tribute featured John Mellencamp Ben Harper and Jennifer Nettles, Rob Mathes band. Melissa Etheridge Eddie Vedder and Sting, The Joyce Garrett Choir
The 2000s ended with Springsteen being named one of eight Artists of the Decade by Rolling Stone magazine and with Springsteen's tours ranking him fourth among artists in total concert grosses for the decade.
In September 2010, a documentary about the making of his 1978 album "Darkness on The Edge of Town" was premiered at the Toronto International Film Festival. The film, The Promise: The Making of Darkness on the Edge of Town, will be included in a box set reissue of the album, entitled The Promise: The Darkness on the Edge of Town Story to be released in November 2010. The Documentary, "The Promise: The Making of ‘Darkness on the Edge of Town" aired on HBO on October 7th, 2010. The documentary explored Springsteen's making of the acclaimed album, and his role in the production and development of the tracks.
Bruce Springsteen draws on many musical influences from the reservoir of traditional American popular music, folk, blues and country. From the beginning, rock and roll has been the dominant influence. On his debut album, Greetings from Asbury Park, New Jersey, the folk-influence is clear to hear. An example of the influence of this music genre to Springsteen's music is his song "This Hard Land" which demonstrates a clear influence of the style of Woody Guthrie.
He expanded the range of his musical compositions on his second album, The Wild, the Innocent & the E Street Shuffle. Elements of Latin American music, jazz, soul, and funk influences can be heard; the song "New York City Serenade" is even reminiscent of the music of George Gershwin. These two records prominently featured pianist David Sancious, who left the band shortly into the recording of Springsteen's third album, Born To Run. This album, however, also emphasized the piano, the responsibility now of Roy Bittan.
Later in his career, Springsteen has focused more on the rock elements of his music. He initially compressed the sound and developed Darkness On The Edge Of Town just as straightforward as concise musical idiom, for the simple riffs and clearly recognizable song structures are dominant. His music has been categorized as heartland rock, a style typified by Springsteen, John Fogerty, Tom Petty, Bob Seger, and John Mellencamp. This music has a lyrical reference to the U.S. everyday and the music is kept rather simple and straightforward. This development culminated with Springsteen's hit album Born in the U.S.A., the title song of which has a constantly repeating, fanfare-like keyboard riff and a pounding drum beat. These sounds fit with Springsteen's voice: it cries to the listener the unsentimental story of a disenchanted angry figure. Even songs that can be argued to be album tracks proved to be singles that enjoyed some chart success, such as "My Hometown" and "I'm on Fire", in which the drum line is formed from subtle hi-hat and rim-clicks-shock (shock at the edge of the snare drum).
In recent years, Springsteen has changed his music further. There are more folk elements up to the gospel to be heard. His last solo album, Devils and Dust, drew rave reviews not only for Springsteen's complex songwriting, but also for his expressive and sensitive singing.
On the album Springsteen performs folk classics with a folk band, rather than his usual E Street Band. On his ensuing tour he also interpreted some of his own rock songs in a folk style.
The 2007 album Magic was a reflection on the old stadium rock attitude and with its lush arrangements was almost designed to be performed at large stadiums, which also succeeded on the corresponding tour.
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Often described as cinematographic in their scope, Springsteen's lyrics frequently explore highly personal themes such as individual committment, dissatisfaction and dismay with life in a context of every day situations.
It has been recognized that there was a shift in his lyrical approach starting with the album "Darkness on the Edge of Town", in which he focused on the emotional struggles of working class life.
Springsteen's music has often contained political themes, and he has publicly campaigned for several causes, including his opposition to the Iraq War and support for the presidential campaigns of Senator John Kerry and President Barack Obama. He is also noted for his support of various relief and rebuilding efforts in New Jersey and elsewhere, and for his response to the September 11 attacks in 2001, on which his album The Rising reflects. A Democrat, his work has often stirred controversy and caused some to identify his music with modern American liberalism.
In 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International.
Springsteen has been associated with various local food banks, particularly with the New Jersey Food bank for many years. During concerts, he usually breaks the routine to announce his support and later matches the total collection during the concert with his own money. During his Charlotte, North Carolina concert on November 3, 2009, he started with a $10,000 donation for the local food bank to start the collections process - which he again matched later.
He has made substantial financial contributions to various workers' unions both in America and in Europe.
Springsteen married Julianne Phillips (born May 6, 1960) in Lake Oswego, Oregon on May 13, 1985. The marriage helped her acting career flourish, although the two were opposites in background, and his traveling took its toll on their relationship. The final blow came when Bruce began an affair with Patti Scialfa (born July 29, 1953), whom he had dated briefly in 1984 shortly after she joined the band. Phillips and Springsteen separated in the spring of 1988, and on August 30, 1988, Julianne filed for divorce. The Springsteen/Phillips divorce was finalized on March 1, 1989.
After his wife filed for divorce in 1988, Bruce began living with Scialfa. Springsteen received press criticism for the hastiness in which he and Scialfa took up their relationship. In a 1995 interview with The Advocate, Springsteen spoke about the negative publicity the couple subsequently received. "It's a strange society that assumes it has the right to tell people whom they should love and whom they shouldn't. But the truth is, I basically ignored the entire thing as much as I could. I said, "Well, all I know is, this feels real, and maybe I have got a mess going here in some fashion, but that's life." In 1990, Springsteen and Scialfa welcomed their first child, son Evan James. They were expecting their second child, daughter Jessica Rae (born December 30, 1991), when Bruce and Patti married on June 8, 1991. "I went through a divorce, and it was really difficult and painful and I was very frightened about getting married again. So part of me said, Hey, what does it matter? But it does matter. It's very different than just living together. First of all, stepping up publicly- which is what you do: You get your license, you do all the social rituals- is a part of your place in society and in some way part of society's acceptance of you...Patti and I both found that it did mean something."
They have three children: Evan James (b. 1990), Jessica Rae (b. 1991) and Sam Ryan (b. January 5, 1994). The family lives in Rumson, New Jersey, and owns a horse farm in nearby Colts Neck. Springsteen also owns two adjacent homes in Wellington, Florida, a wealthy horse community near West Palm Beach. His eldest son, Evan, atttends Boston College in Chestnut Hill, a village in Newton, Massachusetts. His daughter Jessica Springsteen is a nationally-ranked champion equestrian and attends Duke University.
In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.
Springsteen has led a relatively quiet and private life for a well-known popular performer and artist. He moved from Los Angeles to New Jersey in the early 1990s specifically to raise a family in a non-paparazzi environment. It has been reported that the press conference regarding the 2009 Super Bowl XLIII half-time show was his first press conference for more than 25 years. However, he has appeared in a few radio interviews, most notably on NPR and BBC. 60 minutes aired his last extensive interview on TV before his tour to support his album, Magic.
Prior to signing his first record deal in 1972, Springsteen was a member of several bands including Steel Mill. In October 1972 he formed a new band for the recording of his debut album Greetings from Asbury Park, N.J., which became known as The E Street Band, although the name was not officially introduced until September 1974. The E Street Band performed on all of Springsteen's recorded works from his debut until 1982's Nebraska, a solo album on which Springsteen himself played all the instruments. The full band returned for the next album Born in the USA, but there then followed a period from 1988 to 1999 in which albums were recorded with session musicians. The E Street band were briefly reunited in 1995 for new contributions to the Greatest Hits compilation, and on a more permanent basis from 1999, since which time they have recorded 3 albums together (The Rising, Magic and Working on a Dream) and performed a number of high profile tours.
The 2005 album Devils & Dust was largely a solo recording, with some contribution from session musicians and the 2006 folk rock album was recorded and toured with another band, known as The Sessions Band.
Current members:
{| class="wikitable sortable" |- ! Film !! Year of film release !! Song(s) !! Notes |- | Dead End Street || 1982 || "Point Blank", "Hungry Heart" and "Jungleland" || First use of Springsteen's music in film |- | Light of Day || 1987 || (Just Around the Corner to the) Light of Day || Song written for the film. |- | In Country || 1989 || I'm On Fire || Film also contained many Springsteen references |- | Baby, It's You || 1983 || "It's Hard To Be A Saint In The City", "The E Street Shuffle", "She's The One" and "Adam Raised A Cain". || Film directed by John Sayles who later directed music videos for songs from Born in the U.S.A. and Tunnel of Love. |- | High Fidelity (film) || 2000 || "The River" and Blues Guitar Riff || Played by Springsteen, on-screen during his cameo appearance. |- | The Perfect Storm || 2000 || "Hungry Heart" || |- | The Wedding Singer || 1998 || "Hungry Heart" || |- | Risky Business || 1983 || "Hungry Heart" || |- | Thunderheart|| 1992 || "Badlands" (instrumental version) || |- | Reign Over Me || 2007 || "Drive All Night" and "Out In The Streets" || The album The River was also well mentioned in the movie. |- | Cop Land || 1997 || "Drive All Night" and "Stolen Car"|| Sylvester Stallone's character plays the songs on his turntable. |- | Jerry Maguire || 1996 || "Secret Garden" || |- | The Crossing Guard || 1995 || "Missing" || Song later was released in 2003 on The Essential Bruce Springsteen. |- | 25th Hour || 2002 || "The Fuse" || |- | Philadelphia || 1993 || "Streets of Philadelphia" || Song written for film. Won an Oscar. |- | Dead Man Walking || 1995 || "Dead Man Walkin'" || Song written for film. Nominated for a Oscar. |- | In the Land of Women || 2007 || "Iceman" || |- | The Wrestler || 2008 || "The Wrestler" || Written for film. The song was awarded a Golden Globe Award for Best Original Song and nominated for the MTV Movie Award as "Best Song From a Movie". |- | The Heartbreak Kid || 2007 || "Rosalita (Come Out Tonight)" || |- | Lucky You || 2007 || "Lucky Town" || |- | Big Daddy || 1999 || "Growin' Up" || Played over a montage near the end of the film. |- | Limbo || 1999 || "Lift Me Up" || A John Sayles film. |- | Honeymoon in Vegas || 1992 || "Viva Las Vegas" || A 1964 song recorded by Elvis Presley. |- | Food, Inc. || 2009 || This Land Is Your Land || Live version, Bruce Springsteen's performance of the Woody Guthrie song |}
In September 2010, a documentary about the making of his 1978 album "Darkness of The Edge of Town" was premiered at the Toronto International Film Festival. and named his film Jersey Girl after the Tom Waits song which Springsteen made famous. The song was also used on the soundtrack.
Polar Music Prize in 1997. Inducted into the Rock and Roll Hall of Fame, 1999. Inducted into the Songwriters Hall of Fame, 1999. Inducted into the New Jersey Hall of Fame, 2007. "Born to Run" named "The unofficial youth anthem of New Jersey" by the New Jersey state legislature; something Springsteen always found to be ironic, considering that the song "is about leaving New Jersey". The minor planet 23990, discovered Sept. 4, 1999, by I. P. Griffin at Auckland, New Zealand, was officially named in his honor. Ranked #23 on Rolling Stone magazines 2004 list of the 100 Greatest Artists of All Time. Ranked #36 on Rolling Stone magazines 2004 list of the 100 Greatest Singers Of All Time. Made Time magazine's 100 Most Influential People Of The Year 2008 list. Won Critic's Choice Award for Best Song with "The Wrestler" in 2009.
For Springsteen's influence on academic writers, see "Library of Hope and Dreams":a comprehensive annotated bibliography of published Springsteen scholarship in English. Note, bibliography is indexed by song, album, author and subject keywords.
Category:1949 births Category:Living people Category:American baritones Category:American folk singers Category:American male singer-songwriters Category:American people of Dutch descent Category:American people of Irish descent Category:American people of Italian descent Category:American rock guitarists Category:American rock singers Category:Best Song Academy Award winning songwriters Category:BRIT Award winners Category:Columbia Records artists Category:Grammy Award winners Category:American musicians of Italian descent Category:Jersey Shore musicians Category:Kennedy Center honorees Category:New Jersey Democrats Category:People from Monmouth County, New Jersey Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:Sony/ATV Music Publishing artists Category:The E Street Band members
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Muni then spent almost 50 years at stations in New York City. He became a Top 40 broadcaster at WMCA in the late 1950s, just before the start of their "Good Guys" era, and did a number of record hops in the New York area. In 1960, he moved to rival Top 40 station WABC. There he did an early evening show called "Scottland's Yard" and was the first WABC DJ to capture the attention of the teenage audience the station would become famous for. He also participated in the competition to cover The Beatles on their first visits to the United States, and thus began a long association with them.
In 1965, Muni left WABC and ran the Rolling Stone Night Club while doing occasional fill-in work for WMCA. Muni had explored some opportunities beyond radio: he had recently co-hosted a local weekly television show on WABC-TV with Bruce "Cousin Brucie" Morrow, and he would go on to record the spoken single "Letter to an Unborn Child", about a soldier with a premonition, which was released in 1967 to little acclaim.
So a return to radio was in order, and in 1966, Muni joined WOR-FM, one of the earliest pioneers of freeform-based progressive rock radio. The notion did not last at that station, but in 1967 Muni moved to legendary rock station WNEW-FM, where the format really took hold. Muni stayed there for three decades as the afternoon DJ and sometimes program director. Muni was described by fellow WNEW-FM DJ Dennis Elsas as "the heart and soul of the place". Under assorted management changes during the 1990s WNEW-FM lost its way, and in 1998 Muni ended up as a one-hour noontime classic rock personality at WAXQ "Q104.3", where he worked until suffering a stroke in early 2004.
Muni's low, gravelly voice was instantly recognizable and often lampooned, both by other disc jockeys and by impressionists such as on Imus in the Morning. The voice combined with Muni's encyclopedic knowledge of rock music made him one of the most famous disc jockeys worldwide. He was often known to his listeners by the nicknames "Scottso" or "The Professor", the latter to emphasize both his rock expertise and his age difference with most of his audience. While he sometimes spoke in roundabout phrases and succumbed to progressive rock radio clichés such as "That was a tasty cut from ...", he also conveyed on the air and in his professional relationships a gruff immediacy that was a by-product of both his time in the Marines and his earlier Top 40 skills.
A bizarre exchange occurred in 1972 when a hostage-holding bank robber called Muni on the air and engaged him in a long, often nonsensical conversation; the two peppered their post-hippie speech with discussions of Bob Dylan music and requests to hear the Grateful Dead. This incident was later one of the inspirations for the 1975 film Dog Day Afternoon.
Muni specialized in playing records from up-and-coming, or sometimes just-plain-obscure, acts from the United Kingdom on his weekly Friday "Things from England" segment. He also hosted the syndicated radio programs Ticket to Ride and Scott Muni's World of Rock.
Muni often referred to "we interviewed so and so," making reference to himself and either "Black" Earl Douglas or another producer. Indeed, Muni was friendly with many of the musicians whom he played, and they would often stop by the studio to visit on-air. He played poker in the studio with the Grateful Dead, and he would let Emerson, Lake & Palmer browse the station's huge record library and put on whatever they liked. An oft-related story tells that he was interviewing Jimmy Page when the guitarist suddenly passed out from the aftereffects of the Led Zeppelin lifestyle. Muni calmly put on a record, revived Page, and completed the interview on the studio floor.
Muni was close to John Lennon and his family, and after Lennon's murder he vowed to always open his show with a Lennon or Beatles record, a pledge that he kept for the balance of his career.
In addition to radio broadcasting, Muni also did voice-over work for radio and television; the most known were a commercial for Rolaids antacid ("How do you spell relief?") and promos for Monday Night Football. His voice is also heard giving the introduction on the 1971 live album Chicago at Carnegie Hall.
Muni was married twice and had five children. He died at the age of 74 in New York City and is buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey. Muni is included in an exhibit display of important disc jockeys at the Rock and Roll Hall of Fame. The DJs at Q104.3 keep Muni's promise to New York listeners and still start their noon hour with the "12 o'clock Beatles Block".
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Name | Patty Smyth |
---|---|
Background | solo_singer |
Born | June 26, 1957New York City, New York, United States |
Instrument | Vocals |
Genre | Rock |
Years active | 1981–present |
Label | Columbia, MCA |
Associated acts | Scandal, Don Henley |
Patty Smyth (born June 26, 1957) is an American rock and roll musician. She first enjoyed mainstream success in 1982 as lead singer of the band Scandal. That band's self-titled debut release became Columbia Records' biggest selling EP.
Smyth dated punk musician Richard Hell for two years; their daughter, Ruby, was born in 1985. In April 1997, Smyth married former tennis star John McEnroe. They presently live in New York City and have six children between them (three from his previous marriage to Tatum O'Neal, Smyth's daughter Ruby, and two together: daughters Anna and Ava).
She subsequently co-wrote the 1994 song "Look What Love Has Done", nominated for a Grammy and an Academy Award after its inclusion in the soundtrack to the feature film Junior. Further soundtrack commissions resulted in her penning the theme tune, "Wish I Were You", to the 1998 feature film Armageddon. (Smyth's husband, John McEnroe, claims in his autobiography that she was inspired to write the song by his own attempt at a musical career: she was struck by his excitement at playing music, when her feelings about the music industry were far more ambivalent.)
In 2004, VH1 recruited the surviving members of Scandal for a Bands Reunited episode resulting in a small reunion tour in 2005. In 2006, Columbia/Legacy released a new Scandal compilation CD as part of the We Are The 80's series. The new compilation contained three unreleased tracks from the 1982 recording sessions ("Grow So Wise", "If You Love Me", "I'm Here Tonight") as well as "All My Life", previously available on the flip side of "Goodbye To You".
Smyth was briefly considered by Edward Van Halen to be the replacement for David Lee Roth in the band Van Halen prior to the hiring of Sammy Hagar.
Category:1957 births Category:Living people Category:American female singers Category:People from New York City Category:Scandal (band) members Category:Female rock singers Category:Columbia Records artists
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Name | Patti Smith |
---|---|
Landscape | yes |
Background | solo_singer |
Birth name | Patricia Lee Smith |
Birth date | December 30, 1946 |
Birth place | Chicago, Illinois |
Origin | New York City, New York,United States |
Instrument | Vocals, guitar, clarinet |
Genre | Protopunk, Punk Rock, Art Rock |
Occupation | Singer-songwriter, poet, artist |
Years active | 1971–present |
Label | Arista, Columbia |
Associated acts | Tom Verlaine |
Url | www.pattismith.net |
Patricia Lee "Patti" Smith (born December 30, 1946) is an American singer-songwriter, poet and visual artist, who became a highly influential component of the New York City punk rock movement with her 1975 debut album Horses. Called the "Godmother of Punk", her work was a fusion of rock and poetry. Smith's most widely known song is "Because the Night", which was co-written with Bruce Springsteen and reached number 13 on the Billboard Hot 100 chart in 1978. and in 2007, she was inducted into the Rock and Roll Hall of Fame. On November 17, 2010, she won the National Book Award for her memoir Just Kids.
Smith was briefly considered for the lead singer position in Blue Öyster Cult. She contributed lyrics to several of the band's songs, including "Debbie Denise" (inspired by her poem "In Remembrance of Debbie Denise"), "Baby Ice Dog", "Career of Evil", "Fire of Unknown Origin", "The Revenge of Vera Gemini" (on which she performs duet vocals), and "Shooting Shark". She was romantically involved at the time with the band's keyboardist Allen Lanier. During these years, Smith also wrote rock journalism, some of which was published in Rolling Stone and Creem.
By 1974, Patti Smith was performing rock music herself, initially with guitarist and rock archivist Lenny Kaye, and later with a full band comprising Kaye, Ivan Kral on bass, Jay Dee Daugherty on drums and Richard Sohl, on piano. Ivan Kral was a refugee from Czechoslovakia, fleeing in 1968 after the fall of Alexander Dubček. Financed by Sam Wagstaff, the band recorded a first single, "Hey Joe / Piss Factory", in 1974. The A-side was a version of the rock standard with the addition of a spoken word piece about fugitive heiress Patty Hearst ("Patty Hearst, you're standing there in front of the Symbionese Liberation Army flag with your legs spread, I was wondering were you gettin' it every night from a black revolutionary man and his women..."). The B-side describes the helpless anger Smith had felt while working on a factory assembly line and the salvation she discovered in the form of a shoplifted book, the 19th century French poet Arthur Rimbaud's Illuminations. As the popularity of punk rock grew, Patti Smith Group toured the United States and Europe. The rawer sound of the group's second album, Radio Ethiopia, reflected this. Considerably less accessible than Horses, Radio Ethiopia initially received poor reviews. However, several of its songs have stood the test of time, and Smith still performs them regularly in concert.
On January 23, 1977, while touring in support of Radio Ethiopia, Smith accidentally danced off a high stage in Tampa, Florida and fell 15 feet into a concrete orchestra pit, breaking several neck vertebrae. The injury required a period of rest and an intensive round of physical therapy, during which time she was able to reassess, re-energize and reorganize her life. Patti Smith Group produced two further albums before the end of the 1970s. Easter (1978) was her most commercially successful record, containing the single "Because the Night" co-written with Bruce Springsteen. Wave (1979) was less successful, although the songs "Frederick" and "Dancing Barefoot" both received commercial airplay.
Before the release of Wave, Smith, now separated from long-time partner Allen Lanier, met Fred "Sonic" Smith, former guitar player for Detroit rock band MC5 and his own Sonic's Rendezvous Band, who adored poetry as much as she did. (Wave's "Dancing Barefoot" and "Frederick" were both dedicated to him.) The running joke at the time was that she only married Fred because she would not have to change her name. They had a son, Jackson (b. 1982), who would go on to marry The White Stripes drummer, Meg White in 2009, and a daughter, Jesse (b. 1987). Through most of the 1980s Patti Smith was in semi-retirement from music, living with her family north of Detroit in St. Clair Shores, Michigan. In June 1988, she released the album Dream of Life, which included the song "People Have the Power". Fred Smith died on November 4, 1994 of a myocardial infarction. Shortly afterward, Patti faced the unexpected death of her brother Todd After release of Gone Again, Patti Smith had recorded two new albums: Peace and Noise in 1997 (with the single "1959", about the invasion of Tibet) and Gung Ho in 2000 (with songs about Ho Chi Minh and Smith's late father). Songs "1959" and "Glitter in Their Eyes" were nominated for Grammy Award for Best Female Rock Vocal Performance. A box set of her work up to that time, The Patti Smith Masters, came out in 1996, and 2002 saw the release of Land (1975–2002), a two-CD compilation that includes a memorable cover of Prince's "When Doves Cry". Smith's solo art exhibition Strange Messenger was hosted at The Andy Warhol Museum in Pittsburgh on September 28, 2002.
,Rio de Janeiro, October 28, 2006]]
On April 27, 2004 Patti Smith released Trampin' which included several songs about motherhood, partly in tribute to Smith's mother, who had died two years before. It was her first album on Columbia Records, soon to become a sister label to her previous home Arista Records. Smith curated the Meltdown festival in London on June 25, 2005, the penultimate event being the first live performance of Horses in its entirety. Guitarist Tom Verlaine took Oliver Ray's place. This live performance was released later in the year as Horses/Horses.
On July 10, 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture.
Smith was inducted into the Rock and Roll Hall of Fame on March 12, 2007. From November 2006 - January 2007, an exhibition called 'Sur les Traces' at Trolley Gallery, London, featured polaroid prints taken by Patti Smith and donated to Trolley to raise awareness and funds for the publication of Double Blind, a book on the war in Lebanon in 2006, with photographs by Paolo Pellegrin, a member of Magnum Photos. She also participated in the DVD commentary for Aqua Teen Hunger Force Colon Movie Film for Theaters. From March 28 to June 22, 2008, the Fondation Cartier pour l'Art Contemporain in Paris hosted a major exhibition of the visual artwork of Patti Smith, Land 250, drawn from pieces created between 1967 and 2007. At the 2008 Rowan Commencement ceremony, Smith received an honorary doctorate degree for her contributions to popular culture.
Smith is the subject of a 2008 documentary film, . A live album by Patti Smith and Kevin Shields, The Coral Sea was released in July 2008. On September 10, 2009, after a week of smaller events and exhibitions in the city, Smith played an open-air concert in Florence's Piazza Santa Croce, commemorating her performance in the same city 30 years earlier. In 2010, Patti Smith's book, Just Kids, a memoir of her time in 1970s Manhattan and her relationship with Robert Mapplethorpe, was published. On April 30, 2010 Patti Smith headlined a benefit concert headed by band-mate Tony Shanahan, for The Court Tavern of New Brunswick. Smith's set included "Gloria", "Because the Night" and "People Have the Power."
On May 17, 2010, Patti Smith received an honorary doctorate in fine arts from Pratt Institute, along with architect Daniel Libeskind, MoMA director Glenn Lowry, former NYC Landmarks Commissioner Barbaralee Diamonstein-Spielvogel, novelist Jonathan Lethem, and director Steven Soderbergh. Following the conferral of her degree, Smith delivered the commencement address and sang/played two songs accompanied by long-time band member Lenny Kaye. In her remarks, Smith explained that in 1967 when she moved to New York City (Brooklyn), she would never have been accepted into Pratt, but most of her friends (including Mapplethorpe) were students at Pratt and she spent countless hours on the Pratt campus. She added that it was through her friends and their Pratt professors that she learned much of her own artistic skills, making the honour from the institute particularly poignant for Smith 43 years later.
Furthermore, Smith has been a supporter of the Green Party and backed Ralph Nader in the 2000 United States presidential election. She led the crowd singing "Over the Rainbow" and "People Have the Power" at the campaign's rallies, and also performed at several of Nader's subsequent "Democracy Rising" events. Smith was a speaker and singer at the first protests against the Iraq War organized by Louis Posner of Voter March on September 12, 2002, as U.S. President George W. Bush spoke to the United Nations General Assembly. Smith supported Democratic candidate John Kerry in the 2004 election. Bruce Springsteen continued performing her "People Have the Power" at Vote for Change campaign events. In the winter of 2004/2005, Smith toured again with Nader in a series of rallies against the Iraq War and calls for the impeachment of George W. Bush. Louise Jury, writing in The Independent, characterized them as "an emotional indictment of American and Israeli foreign policy". Song "Qana"
In an interview, Smith stated that Kurnaz's family has contacted her and that she wrote a short preface for the book that he was writing. Kurnaz's book, "Five Years of My Life," was published in English by Palgrave Macmillan in March 2008, with Patti's introduction.
On March 26, 2003, ten days after Rachel Corrie's death, Smith appeared in Austin, Texas, and performed an anti-war concert. She prefaced her song "Wild Leaves" with the following comments and subsequently wrote a new song "Peaceable Kingdom" which was inspired by and is dedicated to Rachel Corrie.
In 2009, in her Meltdown concert in Festival Hall, she paid homage to the Iranians taking part in post-election protests by saying "Where is My Vote?" in a version of the song "People Have the Power".
In 2004, Shirley Manson of Garbage spoke of Smith's influence on her in Rolling Stone's issue "The Immortals: 100 Greatest Artists of All Time", in which Patti Smith was counted number 47. The Smiths members Morrissey and Johnny Marr shared an appreciation for Smith's Horses, and reveal that their song "The Hand That Rocks the Cradle" is a reworking of one of the album's tracks, "Kimberly". In 2004, Sonic Youth released an album called Hidros 3 (to Patti Smith). U2 also cites Patti Smith as an influence. In 2005 Scottish singer-songwriter KT Tunstall released the single "Suddenly I See" as a tribute of sorts to Patti Smith. Canadian actress Ellen Page frequently mentions Smith as one of her idols and has done various photo shoots replicating famous Smith photos. In 1978 and 1979, Gilda Radner portrayed a character called Candy Slice on Saturday Night Live based on Smith.
{| class="toccolours" border=1 style="border-collapse: collapse" |- ! style="background:#e7ebee;"| 1974 |
{| |- |width=200| Studio albums
Category:1946 births Category:American female guitarists Category:American human rights activists Category:American poets Category:American punk rock singers Category:American rock singer-songwriters Category:American spoken word artists Category:Columbia Records artists Category:American rock music groups Category:1970s music groups Category:Commandeurs of the Ordre des Arts et des Lettres Category:Female punk rock singers Category:Living people * Category:Patti Smith Group members Category:Musicians from Chicago, Illinois Category:People from Gloucester County, New Jersey Category:Protopunk musicians Category:Rock and Roll Hall of Fame inductees Category:Rowan University alumni
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Name | John Lennon |
---|---|
Img alt | A bearded, bespectacled man in his late twenties, with long black hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him. |
Background | solo_singer |
Birth name | John Winston Lennon |
Born | October 09, 1940Liverpool, England, UK |
Died | December 08, 1980New York, New York, US |
Instrument | Vocals, guitar, piano, banjo, harmonica, Mellotron, six-string bass, percussion |
Genre | Rock, pop |
Occupation | Musician, singer-songwriter, record producer, artist, writer |
Years active | 1957–1975, 1980 |
Label | Parlophone, Capitol, Apple, EMI, Geffen, Polydor |
Associated acts | The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, John & Yoko/Plastic Ono Band |
Notable instruments | Rickenbacker 325Epiphone CasinoGibson J-160EGibson Les Paul Junior |
Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". Lennon disengaged himself from the music business in 1975 to devote time to his family, but re-emerged in 1980 with a new album, Double Fantasy. He was murdered three weeks after its release.
Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, and he became controversial through his political activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while his songs were adopted as anthems by the anti-war movement.
As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 27 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital, to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth. He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother, but the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea. After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946, Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. It would be 20 years before he had contact with his father again.
Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, playing "Ain't That a Shame" by Fats Domino.
In September 1980 he talked about his family and his rebellious nature: }}
He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).
Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl, but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."
His mother bought him his first guitar in 1957, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.
Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."
McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.
George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.
Brian Epstein, the Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon/McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".
The Beatles achieved mainstream success in the UK around the start of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.
" with The Beatles in 1967 to 400 million viewers of "Our World".]] Deprived of the routine of live performances after their final commercial concert in 1966, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year." According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity". 1967 saw the release of "Strawberry Fields Forever", hailed by Time magazine for its "astonishing inventiveness", and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon/McCartney's early years.
In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.
The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.
At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: (known more for its cover than for its music), and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".
Lennon left the Beatles in September 1969. He agreed not to inform the media while the band renegotiated their recording contract, and was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with Rolling Stone, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"
With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-70s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and the Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".
Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.
Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.
In 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson soon made the headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation ‘towel’ on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album Pussy Cats and Pang rented an L.A. beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than thirty years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).
Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There".
Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. He and Ono were reunited shortly afterwards. The same month, Elton John topped the charts with his own cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. Soon afterwards, "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June. Playing acoustic guitar, and backed by his eight-piece band BOMF (introduced as "Etcetera"), Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine". The band wore masks on the backs of their heads, making them appear two-faced, a dig at Grade, with whom Lennon and McCartney had been in conflict because of his control of the Beatles' publishing company. (Dick James had sold his majority share to Grade in 1969.) During "Imagine", Lennon interjected the line "and no immigration too", a reference to his battle to remain in the United States.
He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984). Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".
Ono issued a statement the next day, saying "There is no funeral for John," ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second degree murder and was sentenced to 20 years to life; as of 2010, he remains in prison, having been repeatedly denied parole.
Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.
Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Mahesh Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.
Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".
Lennon's first son, Julian, was born as his commitments with the Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with the Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten the Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'" Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song." McCartney corroborated Lennon's explanation that Julian innocently came up with the name. Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into the Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."
Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."
In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.
Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar. Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of the Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in." The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".
Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.
During Lennon's last two years in the Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in the Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by the Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on the Beatles' last album, Abbey Road. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971. They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.
According to author Albert Goldman, Ono was regarded by Lennon as an "almost magical being" who could solve all his problems for him, but this was a "grand illusion", and she openly cheated on him with gigolos. Eventually, writes Goldman, "both he and Yoko were burnt out from years of hard drugs, overwork, emotional breakdowns, quack cures, and bizarre diets, to say nothing of the effects of living constantly in the glare of the mass media." After their separation, "no longer collaborating as a team, they remained in constant communication. ... No longer able to live together, they found that they couldn’t live apart either."
On moving to New York, they "prepared a spare room" in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.
Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get the Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."
Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he couldn't get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."
Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.
Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).
Following the Bloody Sunday massacre in 1972, in which 27 civil rights protesters were shot by the British Army during a Northern Ireland Civil Rights Association march, Lennon said that given the choice between the army and the IRA he would side with the latter. Lennon and Ono wrote two songs protesting England's actions in the Northern Irish political situation on their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a pro-IRA slant.
According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".
John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!
On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York chapter of the American Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon. Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.
Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around the Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".
In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.
As his Beatles era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing the Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."
In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.
The Lennon/McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 27 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. Double Fantasy, released shortly before his death, and his best-selling, post-Beatles studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
, Liverpool]]
Category:1940 births Category:1980 deaths Category:1960s singers Category:1970s singers Category:1980s singers Category:Apple Records artists Category:Alumni of Quarry Bank High School Category:Best Original Music Score Academy Award winners Category:BRIT Award winners Category:British anti-war activists Category:British people murdered abroad Category:Capitol Records artists Category:COINTELPRO targets Category:Critics of religions or philosophies Category:Deaths by firearm in New York Category:English expatriates in the United States Category:English experimental musicians Category:English film actors Category:English-language singers Category:English male singers Category:English murder victims Category:English pacifists Category:English people of Irish descent Category:English rock guitarists Category:English rock pianists Category:English rock singers Category:English singer-songwriters Category:Feminist artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:Members of the Order of the British Empire Category:Murdered musicians Category:Musicians from Liverpool Category:Nonviolence advocates Category:People convicted of drug offenses Category:People murdered in New York Category:Plastic Ono Band members Category:Religious skeptics Category:Rhythm guitarists Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:The Beatles members Category:The Dirty Mac Category:The Quarrymen members Category:Yoko Ono
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Name | John Cale |
---|---|
Landscape | yes |
Background | solo_singer |
Birth name | John Davies Cale |
Born | March 09, 1942, Garnant, Ammanford, Carmarthenshire, Wales, UK |
Instrument | Viola, violin, vocals, guitar, bass guitar, organ, piano, harpsichord, keyboards, harmonica, cello, saxophone, celesta |
Genre | Art rock, classical, drone music, experimental rock, folk rock, protopunk, spoken |
Occupation | Musician, composer, singer-songwriter, record producer, visual artist |
Years active | 1965–present |
Label | SPY Records, Ze Records, Island, Reprise, Beserkly, A&M;, Rhino |
Associated acts | Theater of Eternal Music, The Velvet Underground, John Cage, Phil Manzanera, Nico, Lou Reed, Brian Eno, Kevin Ayers |
Url | Official website |
John Davies Cale, OBE (born 9 March 1942) is a Welsh musician, composer, singer-songwriter and record producer who was a founding member of the experimental rock band The Velvet Underground.
Though best known for his work in rock music, Cale has worked in various genres including drone and classical. Since departing from The Velvet Underground in 1968 he has released approximately 30 albums. Of his solo work, Cale is perhaps best known for his album Paris 1919, plus his mid-1970s Island Records trilogy of albums: Fear, Slow Dazzle, and Helen of Troy.
Cale has produced or collaborated with Lou Reed, Nico, La Monte Young, John Cage, Terry Riley, Cranes, Nick Drake, Kevin Ayers, Brian Eno, Patti Smith, The Stooges, The Modern Lovers, Manic Street Preachers and frontman James Dean Bradfield, Marc Almond, Squeeze, Happy Mondays, Ambulance LTD and Siouxsie and the Banshees.
Arriving in New York City, he met a number of influential composers. On 9 September 1963, with John Cage and several others, Cale participated in an 18-hour piano-playing marathon that was the first full-length performance of Erik Satie's "Vexations". After the performance, Cale appeared on the television panel show I've Got a Secret. Cale's secret was that he had performed in an 18-hour concert, and he was accompanied by a man whose secret was that he was the only audience member who had stayed for the duration.
Cale also played in La Monte Young and Tony Conrad's ensemble the Theater of Eternal Music also known as the Dream Syndicate, (not to be confused with the 1980s band of the same name). The heavily drone-laden music he played there proved to be a big influence in his work with his next group, the Velvet Underground. One of his collaborators on these recordings was Velvet Underground guitarist Sterling Morrison. Three albums of his early experimental work from this period would remain unreleased until 2001.
The very first commercially available recording of The Velvet Underground, an instrumental track called "Loop" given away with Aspen Magazine, was a feedback experiment written and conducted by Cale. He then appears on the Velvet Underground's first two albums, The Velvet Underground & Nico (recorded in 1966, released in 1967) and White Light/White Heat (recorded in 1967, released in 1968). On these albums he plays viola, bass guitar and piano, and sings occasional backing vocals. White Light/White Heat features Cale on organ (on "Sister Ray") as well as two vocal turns: "Lady Godiva's Operation", an experimental song where he shares lead vocal duties with Reed, and "The Gift", a long spoken word piece written by Reed. Though Cale co-wrote the music to several songs, his most distinctive contribution is the electrically amplified viola.
Cale also played on Nico's 1967 debut album, Chelsea Girl, which features songs co-written by Velvet Underground members Cale, Reed and Morrison, who also feature as musicians. Cale makes his debut as lyricist on "Winter Song" and "Little Sister".
Apart from appearing on these three albums, he also played organ on the track "Ocean" during the practice sessions to produce demos for the band's fourth album Loaded, nearly two years after he left the band. He was enticed back into the studio by the band's manager, Steve Sesnick "in a half-hearted attempt to reunite old comrades", as Cale put it. Although he does not appear on the finished album, the demo recording of "Ocean" was included in the 1997 re-issue. Finally, five previously unreleased tracks recorded in late 1967 and early 1968 were included on the outtakes compilations VU (1985) and Another View (1986).
Cale is said to have influenced the group's early sound much more than any other members (and often disagreed forcefully with Reed about the direction the group should take). When Cale left, he seemed to take the more experimentalist tendencies with him, as is noticeable in comparing the noise-rock experimental White Light/White Heat (which Cale co-created) to the more pop-oriented The Velvet Underground, recorded after his departure. However, it is noteworthy that his first four solo albums are noticeably quiet and accessible. Cale's tendency towards confrontational and "noisy" music would take four years to reemerge.
In 1970, in addition to his career as a producer, Cale began to make solo records. His first, the pastoral Vintage Violence, is generally classified as folk-pop. Shortly thereafter, his collaboration with another classical musician, Terry Riley, on the mainly instrumental Church of Anthrax, was released, although it was actually recorded almost a year prior. His classical explorations continued with 1972's The Academy in Peril. He would not compose in the classical mode again until he began composing for soundtracks in the 1980s.
In 1972, he signed with Reprise Records as performer and in-house producer. His The Academy in Peril was his first project for Reprise. His fourth solo record Paris 1919 (1973) steered back towards the singer-songwriter mode. Paris 1919, made up of songs with arcane and complex lyrics, has been cited by critics as one of his best. Artists he produced while at Reprise included Jennifer Warnes' third album, Jennifer, as well as albums by Chunky, Novi & Ernie and The Modern Lovers, which Reprise chose not to release (it was subsequently released by Beserkley Records).
Cale's work as a producer continued and in 1974 he joined Island, working on records with Squeeze, Patti Smith, and Sham 69, among others. He produced a number of important protopunk records, including debuts by Smith and The Modern Lovers. During this period, he also worked as a talent scout with Island's A&R; department.
Moving back to the United Kingdom, Cale made a series of solo albums which moved in a new direction. His records now featured a dark and threatening aura, often carrying a sense of barely-suppressed aggression. A trilogy of albums - Fear, Slow Dazzle, and Helen of Troy were recorded with other Island artists including Phil Manzanera and Brian Eno of Roxy Music, and Chris Spedding, who featured in his live band. This era of Cale's music is perhaps best represented by his somewhat disturbing cover of Elvis Presley's iconic "Heartbreak Hotel", featured both on Slow Dazzle and the live album 1 June 1974, recorded with Kevin Ayers, Nico and Eno, and by his frothing performance on "Leaving It Up To You", a savage indictment of the mass media first released on Helen of Troy (1975), but quickly deleted from later editions of the record due perhaps to the song's pointed Sharon Tate reference. It's also worth noting that both "Leaving It Up To You" and "Fear Is A Man's Best Friend" (from Fear) begin as relatively conventional songs that gradually grow more paranoid in tone before breaking down into what critic Dave Thompson calls "a morass of discordance and screaming."
In 1977, he released the Animal Justice EP, notable particularly for the epic "Hedda Gabler", based very loosely on the Ibsen play. His often loud, abrasive and confrontational live performances fitted well with the nascent punk rock developing on both sides of the Atlantic Ocean. Cale took to wearing a hockey goaltender's mask onstage; see the cover of the Guts compilation (1977). This look predated Friday the 13th's villain, Jason Voorhees, by several years. During one gig he chopped the head off a dead chicken with a meat cleaver, and his band walked offstage in protest. Cale's drummer — a vegetarian — was so bothered he quit the group. Cale mocks his decision on "Chicken Shit" from the Animal Justice EP. Cale has admitted that some of his paranoia and erratic behaviour at this time was associated with heavy cocaine use.
In December 1979, Cale's embrace of the punk rock ethic culminated in the release of Sabotage/Live. This record, recorded live at CBGB that June, features aggressive vocal and instrumental performances. The album consists entirely of new songs, many of which grapple confrontationally with global politics and paranoia. The band used includes Deerfrance on vocals and percussion. An earlier live set, consisting mostly of new material, was recorded at CBGB the previous year. It was released in 1991 as Even Cowgirls Get the Blues. The band on that recording includes Ivan Kral of the Patti Smith Group on bass and Judy Nylon on vocals.
He signed with Ze Records, a company he had influenced the creation of and which had absorbed Spy Records, the label he had cofounded with Jane Friedman. The next year, Cale released the sparse Music for a New Society. Seeming to blend the refined music of his early solo work with the threatening music that came later, it is by any standard a bleak, harrowing record. It's been called "understated, and perhaps a masterpiece."
He followed up with the album Caribbean Sunset, also on Ze Records. This work, with much more accessible production than Music for a New Society, was still extremely militant in some ways. It has never seen release on CD. A live album, John Cale Comes Alive, followed it and included two new studio songs, "Ooh La La" and "Never Give Up On You". His daughter Eden Cale was born in July 1985.
In a last effort at commercial success, Cale recorded Artificial Intelligence for Beggars Banquet records. This album, written in collaboration with Larry "Ratso" Sloman, was characterized by synthesizers and drum machines and is entirely written in the pop idiom. It was not significantly more successful than its predecessors, despite the relative success of the single "Satellite Walk". However, "Dying on the Vine" is generally regarded as one of Cale's best songs.
In part because of his young daughter, Cale took a long break from recording and performing. He made a comeback in 1989 with vocal and orchestral settings of poems by Dylan Thomas. Notable among these is "Do Not Go Gentle Into That Good Night", which he performed on stage in the concert held in Cardiff in 1999 to celebrate the opening of the Welsh Assembly. The music was recorded in 1992 with a Welsh boys' choir and a Russian orchestra, on an Eno produced album: Words for the Dying. This album also included a pair of electric piano "Songs Without Words" and a Cale/Eno collaboration, "The Soul of Carmen Miranda".
In 1992, Cale performed vocals on the song "First Evening" on French producer Hector Zazou's album Sahara Blue. All lyrics on the album were based on the poetry of author Arthur Rimbaud. In 1994, Cale performed a spoken word duet with Suzanne Vega on the song "The Long Voyage" on Zazou's album Chansons des mers froides. The lyrics were based on the poem "Les Silhouettes" by author Oscar Wilde and Cale co-wrote the music with Zazou. It was later released as a single (retitled "The Long Voyages" as it featured several remixes by Zazou, Mad Professor, and more).
Songs for Drella saw him reunited with Reed, in a tribute to one-time Velvet Underground manager and mentor Andy Warhol. In his autobiography, Cale revealed that he resented letting Lou take charge of the project. The collaboration eventually led to the brief reunion of the Velvet Underground in 1993.
Nico, an instrumental ballet score and tribute to the singer was performed by Scapino Rotterdam plus an added selection from The Marble Index in 1998, with the score released as Dance Music. That same year, Cale was also the organizer of the "With a Little Help from My Friends" festival that took place at the Paradiso in Amsterdam. The concert was shown on Dutch national television and featured a song specially composed for the event and still unreleased, "Murdering Mouth" sung in duet with Siouxsie Sioux.
Cale has also written a number of film soundtracks, often using more classically influenced instrumentation. His autobiography, What's Welsh for Zen?, was published in 1999.
With 2003's EP Five Tracks and the album HoboSapiens, Cale again returned as a regular recording artist, this time with music influenced by modern electronica and alternative rock. The well received album was co-produced with Nick Franglen of Lemon Jelly. That record was followed with 2005's album BlackAcetate. 's Royce Hall, 2010]]
In 2005, Cale produced Austin singer-songwriter Alejandro Escovedo's eighth album, The Boxing Mirror, which was released in May 2006. In June 2006, Cale released a radio and digital single, "Jumbo in tha Modernworld", that was unconnected to any album. A video was created for the song as well.
In March 2007 a 23-song live retrospective, Circus Live, was released in Europe. This two-disc album, composed of recordings from both the 2004 and 2006 tours, featured new arrangements and reworkings of songs from his entire career. Of particular interest is the Amsterdam Suite, a set of songs from a performance at the Amsterdam Paradiso in 2004 (archived by the venue on their Internet performance repository). A studio-created drone has been edited into these songs. The set also included a DVD, featuring electric rehearsal material and a short acoustic set, as well as the video for "Jumbo in tha Modernworld", a 2006 single.
In May 2007, Cale contributed a cover of the LCD Soundsystem song "All My Friends" to the vinyl and digital single releases of the LCD Soundsystem original. Cale has continued to work with other artists, contributing viola to the forthcoming Danger Mouse-produced second album by London psychedelic trio The Shortwave Set and producing the second album of American indie band Ambulance Ltd.
On 11 October 2008, Cale hosted an event to pay tribute to Nico called "Life Along the Borderline" in celebration of what, five days later, would have been her 70th birthday. This event featured many artists including James Dean Bradfield, Mark Lanegan, Mark Linkous of Sparklehorse, The Fiery Furnaces, Guillemots, Nick Franglen of Lemon Jelly, Peter Murphy, Liz Green, and Lisa Gerrard of Dead Can Dance. The event was reprised at the Teatro Communale in Ferrara, Italy on 10 May 2009, with Mercury Rev, Mark Lanegan, Lisa Gerrard, Peter Murphy, Soap&Skin; and Mark Linkous.
Cale represented Wales at the 2009 Venice Biennale, collaborating with artists, filmmakers, and poets, and focusing the artwork on his relationship with the Welsh language.
In January 2010 Cale was invited to be the first Eminent Art in Residence (EAR) at the Mona Foma festival curated by Brian Ritchie held in Hobart, Tasmania, Australia. His work for the 2009 Venice Biennale 'Dyddiau Du (dark days)' was shown at the festival, along with a number of live performances at venues around Hobart.
The Paris 1919 album was performed, in its entirety, in Cardiff on 21 November 2009, at the Royal Festival Hall in London on 5 March 2010, and the Theatre Royal in Norwich on 14 May 2010. These performances will be repeated in Paris on 5 September 2010, Brescia, Italy on 11 September 2010, and Los Angeles on 30 September 2010 at UCLA's Royce Hall.
Cale was appointed Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours.
Also in 1971, Cale met Cynthia "Cindy" Wells, better known as Miss Cindy of The GTOs. They wed soon afterward. Their marriage was rocky, and they divorced in 1975.
On 6 October 1981, Cale married his third wife, Risé Irushalmi. They had one child together, Eden Myfanwy Cale, born 14 July 1985. They divorced in 1997.
Category:1942 births Category:Living people Category:Alumni of Goldsmiths, University of London Category:British experimental musicians Category:British rock violists Category:Officers of the Order of the British Empire Category:People from Carmarthenshire Category:Protopunk musicians Category:Reachout International Records recording artists Category:The Velvet Underground members Category:Welsh male singers Category:Welsh record producers Category:Welsh rock bass guitarists Category:Welsh rock musicians Category:Welsh singer-songwriters Category:Welsh songwriters Category:Welsh-speaking people Category:ZE Records artists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Howard Stern |
---|---|
Caption | Howard Stern in 1996. |
Birth name | Howard Allan Stern |
Birth date | January 12, 1954 |
Birth place | Jackson Heights, New York, U.S. |
Occupation | Radio personality, humorist, television host, author, actor |
Years active | 1975–present |
Spouse | Alison Berns (1978–2001; div.)Beth Ostrosky (2008–present) |
Website | www.howardstern.com |
Howard Allan Stern (born January 12, 1954) is an American radio personality, humorist, television host, author and actor, best known for his long-running radio show, The Howard Stern Show. He gained national recognition in the 1990s when he was labelled a "shock jock" for his outspoken and sometimes controversial style. Stern wished for a radio career since he was five; his father, a recording and radio engineer, being a big influence. While studying at Boston University, Stern worked at its campus station WTBU before making his professional début in 1975 at WNTN.
In 1977, Stern worked at WRNW in Briarcliff Manor, New York performing on-air, production and managerial duties. After his departure in 1979 he began to develop a more open personality working mornings at WCCC in Hartford, Connecticut. In 1980, he moved to WWWW in Detroit, Michigan, where he earned his first Billboard radio award. Stern relocated to WWDC in Washington, D.C. in 1981, where he was paired with current show newscaster and co-host Robin Quivers. He moved to WNBC in New York City to host afternoons until his firing in 1985. Stern returned to the city's airwaves on WXRK for the next 20 years until his move to Sirius XM in December 2005. In this time, The Howard Stern Show would be syndicated to 60 markets while reaching a peak audience of 20 million listeners. The show was the highest-rated morning program from 1994 to 2001 in the New York market. Stern is an eight-time winner of the Billboard Nationally Syndicated Air Personality of the Year award (1994–2002). He is the highest-paid radio figure, including the most fined, after a history with the Federal Communications Commission (FCC) over alleged indecency resulted in $2.5 million being issued to station owners that carried his show.
Stern describes himself as the "King of All Media" for his work outside radio. Since 1987, he has hosted numerous late night television shows, pay-per-view events and home video releases. His two books, Private Parts (1993) and Miss America (1995), spent 20 and 16 weeks respectively on The New York Times Best Seller list. The former was adapted into Private Parts (1997), a biographical comedy film starring Stern and his radio show staff as themselves, which made a domestic gross of $41.2 million. The film's topped the the Billboard 200 chart.
Stern was born into a Jewish family who resided in Jackson Heights, Queens in New York City. His parents Ben and Ray (née Schiffman) are children of Austro-Hungarian immigrants, and his sister Ellen is four years his senior.
Stern developed an interest in radio at the age of five. While Ray was a homemaker and later an inhalation therapist, Ben was a co-owner of Aura Recording, Inc., a recording studio in Manhattan where cartoons and commercials were produced. When he made visits with his father, Stern saw the likes of Wally Cox, Don Adams and Larry Storch voice his favourite cartoon characters, influencing the young Stern to talk on the air, rather than playing records. Ben was also an engineer at WHOM, a radio station in Manhattan. The family moved to nearby Rockville Centre in June 1969, and Stern was transferred to South Side High School. After his graduation in 1972, he began the first two of four years at Boston University in the College of Basic Studies. In 1973, he worked up the courage to work at WTBU, the campus radio station where he spun records, read the news and hosted interviews. Stern gained admission to the School of Public Communications in 1974. The diploma he earned in July 1975 at the Radio Engineering Institute of Electronics in Fredericksburg, Virginia, allowed him to apply for a first class FCC radio-telephone license. With the certificate, Stern made his professional debut at WNTN in Newton, Massachusetts, performing airshift, newscasting and production duties between August and December. Stern graduated magna cum laude in May 1976 with a Communications degree,
In 1979, Stern spotted an advertisement for a "wild, fun morning guy" at WCCC, a rock station in Hartford, Connecticut. He showcased a more wild audition tape, playing Robert Klein and Cheech and Chong records mixed with flatulence routines and one-liners. Stern was hired with no change in salary, but a busier schedule. After four hours on the air, he voiced and produced commercials for another four. On Saturdays, following a six-hour show, he did production work for the next three. In addition, as the public affairs director, he hosted a Sunday morning talk show, which he favoured. Fred Norris, the overnight disc jockey, became Stern's producer and writer in late 1981. In the summer of the 1979 energy crisis, Stern held a two-day boycott of Shell Oil Company which attracted media attention. Stern left the station in early 1980 after he was declined a $25 weekly pay increase.
Management at rock outlet WWWW in Detroit, Michigan praised Stern's audition tape for a new morning man. Accepting a salary of $30,000, Stern began on April 21, 1980. He learned to become more open on the air. "I decided to cut down the barriers...strip down all the ego...and be totally honest", he later told Newsday. Stern's efforts earned him a Billboard award for "Album-Oriented Rock Personality of the Year For a Major Market" and the Drake-Chenault "Top Five Talent Search" title. The station however, was declining in listenership. A fall in Stern's Arbitron ratings, in addition to tough competition with other rock stations, led to WWWW switch to a country music format on January 18, 1981. Much to his dislike, Stern left the station soon after.
On April 2, 1982, a news report by Douglas Kiker on raunch radio featuring Stern aired on NBC Magazine. The piece stimulated discussion among NBC management to withdraw Stern's contract. When he began his afternoon program in September, management closely monitored Stern, telling him to avoid talk of a sexual and religious nature. In his first month, Stern was suspended for several days for "Virgin Mary Kong", a segment featuring a video game where a group of men pursued the Virgin Mary around a singles bar in Jerusalem. On September 30, Stern and Quivers were fired for what management claimed were "conceptual differences." said program director John Hayes, who Stern nicknamed "The Incubus". In 1992, Stern believed Thornton Bradshaw, chairman of WNBC's owner RCA, heard his "Bestiality Dial-a-Date" segment ten days earlier and ordered his firing.
Stern returned to afternoons on New York City rock station WXRK on November 18, 1985. On February 18, 1986, Stern moved to the morning shift and entered national syndication on August 18 when the show was simulcast on WYSP in Philadelphia. In the New York market, The Howard Stern Show was the highest-rated morning program from 1994 to 2001. In 1994, Billboard magazine added the "Nationally Syndicated Air Personality of the Year" category to its annual radio awards, based on entertainment value, creativity and ratings success. Stern was awarded the title from 1994 to 2002. Stern retained his morning position until December 16, 2005, where he began his contract at Sirius in 2006. In this 20-year period, he would be heard in over 60 markets across the United States and Canada while gaining a peak audience of around 20 million.
In May 1987, Stern recorded five television pilots of The Howard Stern Show for Fox when the network planned to replace The Late Show hosted by Joan Rivers. The series was never picked up; one executive having described the show as "poorly produced", "in poor taste" and "boring". Stern hosted his first pay-per-view event on February 27, 1988, Howard Stern's Negligeé and Underpants Party. On September 7, 1989, over 16,000 fans packed out Nassau Coliseum for Howard Stern's U.S. Open Sores, a live event that featured a tennis match between Stern and his radio show producer, Gary Dell'Abate. In February 1991, Stern released Crucified by the FCC, a collection of censored radio segments following the first fine issued to Infinity by the FCC. Stern released his third video tape, Butt Bongo Fiesta, in October 1992 that sold 260,000 copies.
Stern appeared at the 1992 MTV Video Music Awards as Fartman, a fictional superhero that first appeared in the National Lampoon magazine in the mid-1970s. He rejected multiple scripts for a proposed 1993 release of The Adventures of Fartman, until a verbal agreement was reached with New Line Cinema. Screenwriter J. F. Lawton had prepared a script before relations soured over the film's rating, content and merchandising rights. The project was then cancelled.
On March 21, 1994, Stern announced his candidacy for Governor of New York under the Libertarian Party ticket, challenging Mario Cuomo for re-election. He planned to reinstate the death penalty, stagger highway tolls to improve traffic flow, and limiting road work to night hours. At the party's nomination convention in Albany on April 23, Stern won the required two-thirds majority on the first ballot, receiving 287 of the 381 votes cast (75.33%). James Ostrowski finished second with 34 votes (8.92%). To place his name on the November ballot, Stern was obliged to state his home address and to complete a financial disclosure form under the Ethics in Government Act of 1987. Arguing the law violated his right to privacy and freedom of association, Stern was denied an injunction on August 2. He withdrew his candidacy two days later. Cuomo was defeated in the gubernatorial election on November 8 by George Pataki, whom Stern backed. In 1995, Pataki signed "The Howard Stern Bill" which limited construction on state roads to night hours in New York and Long Island.
In June 1994, six robot cameras were installed in Stern's radio show studio to film a condensed half-hour program on the E! network. Howard Stern ran for 11 years, until the last taped episode was broadcast on July 8, 2005. In conjunction with his move to Sirius, Stern launched Howard Stern on Demand, a subscription video-on-demand service, on November 18, 2005. The service was fully launched as Howard TV on March 16, 2006.
Stern signed an advance contract with ReganBooks worth $3 million in 1995 to write his second biographical book, Miss America. Stern wrote about his cybersex experiences on the Prodigy service, a private meeting with Michael Jackson, and his past suffering with obsessive-compulsive disorder (OCD). The book sold 33,000 copies at Barnes & Noble stores on November 7, the day of its release, setting a new one-day record. Publishers Weekly reported over 1.39 million hardcover copies were sold by the end of 1995, ranking it the third best-seller of the year. Miss America spent a total of 16 weeks on The New York Times best-seller list. The film premiered at The Theatre at Madison Square Garden on February 27, 1997, where Stern performed "The Great American Nightmare" with Rob Zombie. Private Parts made its general release on March 7, 1997, where it topped the box office in its opening weekend with a gross of $14.6 million, and $41.2 million in total. Rotten Tomatoes gave the film a score of 79%. For his performance, Stern won a Blockbuster Entertainment Award for "Favorite Male Newcomer" and nominated for a Golden Satellite Award for "Best Performance by an Actor in a Motion Picture (Comedy)" and a Golden Raspberry Award for "Worst New Star".
On October 8, 1997, Stern filed a $1.5 million lawsuit against Ministry of Film Inc., claiming it recruited him for a film titled Jane starring Melanie Griffith, while knowing it had insufficient funds. Stern, who was unpaid when production ceased, accused the studio of breach of contract, fraud and negligent representation. A settlement was reached in 1999, with Stern receiving $50,000.
In 1994, Stern launched the Howard Stern Production Company for original and joint production and development ventures. He intended to make a film adaptation of Brother Sam, the biography of the late comedian Sam Kinison. In September 1999, UPN announced the production of Doomsday, an animated science-fiction comedy series executively produced by Stern. Originally set for a 2000 release, Stern starred as Orinthal, a family dog. The project was eventually abandoned. From 2000 to 2002, Stern was the executive producer of Son of the Beach, a sitcom which ran for three seasons on FX. In late 2001, Howard Stern Productions was reportedly developing a new sitcom titled Kane. The pilot episode was never filmed. In 2002, Stern acquired the rights to comedy films Rock 'n' Roll High School (1979) and Porky's (1982). Neither has yet been re-made. In March 2003, Stern filed a $100 million lawsuit against ABC and the producers of Are You Hot?, claiming the series was based on a radio show segment known as "The Evaluators". A settlement was reached on August 7.
Stern announced in early 2004 of talks with ABC to host a prime time interview special, which never materialized. In August 2004, cable channel Spike picked up 13 episodes of Howard Stern: The High School Years, a second animated series Stern was to executive produce. On November 14, 2005, Stern announced the completion of episode scripts and 30 seconds of test animations. Stern eventually gave the project up. On September 10, 2007, he explained the episodes could have been produced "on the cheap" at $300,000 each, though the quality he demanded would have instead cost over $1 million. Actor Michael Cera was cast as the lead voice.
On October 6, 2004, Stern announced his contract with Sirius Satellite Radio, a medium free of FCC regulations, starting from January 2006. The move followed a crackdown on perceived indecency in broadcasting that occurred following the controversy surrounding the Super Bowl XXXVIII halftime show in February. The incident prompted tighter control over content by station owners and managers, leading to Stern feeling "dead inside" creatively. The five-year deal allows Stern to produce up to three channels on Sirius with a $100 million per year budget for all production, staff and programming costs including the construction of a dedicated studio. On January 9, 2006, the day of his first broadcast, Sirius issued 34.3 million shares of stock worth $218 million to Stern and his agent for exceeding a subscriber target set in 2004. A second stock incentive was paid on January 9, 2007, with Stern earning 22 million shares worth $82.9 million. Following his move, Time magazine included Stern in the Time 100 list in May 2006. He also ranked seventh in Forbes' "World's Most Powerful Celebrities" list a month later.
On February 28, 2006, CBS Radio (formerly Infinity Broadcasting) filed a 43-page lawsuit against Stern, his agent and Sirius. The suit claimed Stern had misused CBS broadcast time to promote Sirius for unjust enrichment during his last 14 months on terrestrial airwaves. In a press conference held hours before the suit was filed, Stern said it was nothing more than a "personal vendetta" against him by CBS president Leslie Moonves. A settlement was reached on May 25, with Sirius paying $2 million to CBS for control of Stern's broadcast archives since 1985.
On December 9, 2010, Stern announced the signing of a new five-year contract with Sirius which ends in 2015.
From 1990 to 2004, the Federal Communications Commission (FCC) has fined owners of radio stations that carried The Howard Stern Show a total of $2.5 million for indecent programming.
While attending Boston University, Stern developed an interest in Transcendental Meditation, which he practices to this day. He credits it with aiding him in quitting smoking and achieving his goals in radio. Stern has interviewed Maharishi Mahesh Yogi, the founder of the technique, twice in his career. Stern also plays on the Internet Chess Club, and has taken lessons from Dan Heisman, a chess master from Philadelphia.
{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Album ! style="background:#B0C4DE;" | Label ! style="background:#B0C4DE;" | Notes |- | 1982 | 50 Ways to Rank Your Mother | Wren Records | Re-released as Unclean Beaver (1994) on Ichiban and Citizen X labels |- | 1991 | Crucified By the FCC | Infinity Broadcasting | |- | 1997 | | Warner Brothers | Billboard 200 Number-one album from March 15–21, 1997 |}
Category:1954 births Category:Actors from New York City Category:American actor-politicians Category:American comedians Category:American actors Category:American Jews Category:American libertarians Category:American radio personalities Category:American talk radio hosts Category:American television personalities Category:American television producers Category:American television talk show hosts Category:American writers Category:Free speech activists Category:Boston University alumni Category:Jewish comedians Category:Jewish comedy and humor Category:Living people Category:Obscenity controversies Category:People from Jackson Heights, Queens Category:People from Nassau County, New York Category:People from New York City Category:Radio personalities from New York City Category:Sirius Satellite Radio Category:Transcendental Meditation practitioners
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Name | Billy Joel |
---|---|
Background | solo_singer |
Birth name | William Martin Joel |
Alias | Bill Joel,Bill Martin |
Birth date | May 09, 1949 |
Birth place | The Bronx, New York City, |
Origin | Hicksville, New York, |
Instrument | Vocals, piano/keyboards, guitar, harmonica, accordion |
Genre | Rock, pop, jazz, classical |
Occupation | Singer-songwriter |
Years active | 1964–present |
Label | Columbia,Family Productions,Famous Music,Sony Classical |
Associated acts | Echoes,The Hassles,Attila,Elton John,Bruce Springsteen |
Url | |
Notable instruments | Piano |
William Martin "Billy" Joel (born May 9, 1949) is an American musician and pianist, singer-songwriter, and classical composer. Since releasing his first hit song, "Piano Man", in 1973, Joel has become the sixth best-selling recording artist and the third best-selling solo artist in the United States, according to the RIAA.
Joel had Top 40 hits in the 1970s, 1980s, and 1990s; achieving 33 Top 40 hits in the United States, all of which he wrote singlehandedly. He is also a six-time Grammy Award winner, a 23-time Grammy nominee and has sold over 150 million records worldwide. He was inducted into the Songwriter's Hall of Fame (1992), the Rock and Roll Hall of Fame (1999), the Long Island Music Hall of Fame (2006) and the Hit Parade Hall of Fame (2009). Joel "retired" from recording pop music in 1993 but continues to tour (often with Elton John).
Joel's father was an accomplished classical pianist. Billy reluctantly began piano lessons at an early age, at his mother's insistence; his teachers included the noted American pianist Morton Estrin and musician/songwriter Timothy Ford. His interest in music, rather than sports, was a source of teasing and bullying in his early years. (He has said in interviews that his piano instructor also taught ballet. Her name was Frances Neiman, and she was a Juilliard trained musician. She gave both classic piano and ballet lessons in the studio attached to the rear of her house, leading neighborhood bullies to mistakenly think he was learning to dance.) As a teenager, Joel took up boxing so that he would be able to defend himself. He boxed successfully on the amateur Golden Gloves circuit for a short time, winning twenty-two bouts, but abandoned the sport shortly after having his nose broken in his twenty-fourth boxing match.
Joel attended Hicksville High School, class of 1967. Joel however did not graduate from Hicksville. Due to playing at a piano bar, he was one English credit short of the graduation requirement; he overslept on the day of an important exam, owing to his late-night musician's lifestyle. He left high school without a diploma to begin a career in music. "I told them, 'the hell with it. If I'm not going to Columbia University, I'm going to Columbia Records and you don't need a high school diploma over there'." Columbia did, in fact, become the label that eventually signed him. In 1992, he submitted essays to the school board and was awarded his diploma at Hicksville High's annual graduation ceremony—25 years after he had left.
Joel began playing recording sessions with the Echoes in 1965, when he was 16 years old. Joel played piano on several recordings produced by Shadow Morton, including (as claimed by Joel, but denied by songwriter Ellie Greenwich) the Shangri-Las' Leader of the Pack, as well as several records released through Kama Sutra Productions. During this time, the Echoes started to play numerous late-night shows.
Later, in 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. For two years, Joel played sessions and performed with the Lost Souls. In 1967, he left that band to join the Hassles, a Long Island band that had signed a contract with United Artists Records. Over the next year and a half, they released The Hassles in 1967, Hour of the Wolf in 1968, and four singles, all of which failed commercially. Following The Hassles' demise in 1969, he formed the duo Attila with Hassles drummer Jon Small. Attila released their eponymous debut album in July 1970, and disbanded the following October. The reason for the group's break-up has been attributed to Joel's affair with Small's wife, Elizabeth, whom Joel eventually married.
Popular cuts such as "She's Got a Way" and "Everybody Loves You Now" were originally released on this album, although they did not gain much attention until released as live performances in 1981 on Songs in the Attic. Since then, they have become favorite concert numbers. Cold Spring Harbor gained a second chance on the charts in 1984, when Columbia reissued the album after slowing it down to the correct speed. The album reached #158 in the US and #95 in the UK nearly a year later. Cold Spring Harbor caught the attention of Merrilee Rush ("Angel of the Morning") and she recorded a femme version of "She’s Got a Way (He’s Got a Way)" for Scepter Records in 1971.
Joel gigged locally in New York City in the fall of 1971 and moved out to Los Angeles early in 1972, adopting the stage name Bill Martin. While in California he did a six month gig in The Executive Room piano bar on Wilshire Boulevard. It was there he composed his signature hit "Piano Man" about the various patrons of the lounge. Subsequently he toured with his band members (Rhys Clark on drums, Al Hertzberg on guitar, and Larry Russell on bass) until the end of June 1972 throughout the US and Puerto Rico, opening for headliners such as J. Geils Band, The Beach Boys and Taj Mahal. At the Mar y sol festival in Puerto Rico, he electrified the crowd and got a big boost for his career., returning to New York City in 1975.
The touring band changed as well, Don Evans replacing Al Hertzberg on guitar, and Patrick McDonald taking over the bass position, to be replaced in 1974 by Doug Stegmeyer, who remained with Billy until 1989. Tom Whitehorse on banjo and pedal steel and then Johnny Almond on sax and keyboards rounded out the band. Billy's infectious spirit and talent galvanized the band into a tight performing unit, touring the U.S. and Canada extensively and appearing on the popular music shows of the day. Joel remained in Los Angeles to write Streetlife Serenade, his second album on the Columbia label. It was around this time that Jon Troy, an old friend from the New York neighborhood of Bedford-Stuyvesant, acted as Joel's manager although he would soon be replaced by Joel's wife Elizabeth. References to both suburbia and the inner city pepper the album.
The stand-out track on the album is "The Entertainer", a #34 hit in the U.S. which picks up thematically where "Piano Man" left off. Joel was upset that "Piano Man" had been significantly edited down to make it more radio-friendly, and in "The Entertainer," he refers to the edit with sarcastic lines such as "If you're gonna have a hit, you gotta make it fit, so they cut it down to 3:05", alluding to shortening of singles for radio play, as compared with the longer versions that appear on albums. Although Streetlife Serenade is often considered one of Joel's weaker albums (Joel has confirmed his distaste for the album), it nevertheless contains some notable tracks, including the title track, "Los Angelenos" and the instrumental "Root Beer Rag", which was a staple of his live set in the '70s and was resurrected frequently in 2007 and 2008. Streetlife Serenade also marks the beginning of a more confident vocal style on Joel's part.
In late 1975, he played piano and organ on several tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album.
Disenchanted with the L.A. music scene, Joel returned to New York in 1976. There he recorded Turnstiles, for which he used his own hand-picked musicians in the studio for the first time, and also adopted a more hands-on role. Songs were initially recorded at Caribou Ranch with members of Elton John's band, and produced by famed Chicago producer James William Guercio, but Joel was dissatisfied with the results. The songs were re-recorded in New York, and Joel took over, producing the album himself.
The minor hit "Say Goodbye to Hollywood" echoed the Phil Spector sound, and was covered by Ronnie Spector (in a 2008 radio interview, Joel said he does not perform "Say Goodbye to Hollywood" in his live shows anymore because it is in too high a key and "shreds" his vocal cords.) The album also featured the song "New York State of Mind", a bluesy, jazzy epic that has become one of Joel's signature songs, and which was later covered by fellow Columbia labelmates Barbra Streisand, on her 1977 Streisand Superman album, and as a duet with Tony Bennett, on his 2001 album. Other songs on the album include "Summer, Highland Falls", "Miami 2017 (Seen the Lights Go Out on Broadway)" and "Say Goodbye to Hollywood", which became a Top 40 hit in 1981 in a live version. Songs such as "Prelude/Angry Young Man" would become a mainstay of his concerts for years.
The Stranger netted Joel Grammy nominations for Record of the Year and Song of the Year, for "Just the Way You Are", which was written as a gift to his wife Elizabeth. He received a late night phone call to his hotel room in Paris (he was on tour) in February 1979, letting him know he had won in both categories.
Joel faced high expectations on his next album. 52nd Street was conceived as a day in Manhattan, and was named after the famous street of same name which hosted many of the world's premier jazz venues and performers throughout the 1930s, 40s, and 50s. Fans purchased over seven million copies on the strength of the hits "My Life" (#3), "Big Shot" (#14), and "Honesty" (#24). This helped 52nd Street become Joel's first #1 album. "My Life" eventually became the theme song for a new US television sitcom, Bosom Buddies, which featured actor Tom Hanks in one of his earliest roles. The album won Grammys for Best Pop Vocal Performance, Male and Album of the Year. 52nd Street was the first album to be released on compact disc when it went on sale alongside Sony's CD player CDP-101 on October 1, 1982, in Japan.
Despite the publicity photos and album cover showing Joel holding a trumpet, he does not play the instrument on the album, though two tracks on the album do feature some well-known jazz trumpeters. Freddie Hubbard plays two solos in "Zanzibar," and Jon Faddis joins Michael Brecker and Randy Brecker in the horn section for "Half a Mile Away".
In 1979, Billy Joel travelled to Havana, Cuba, to participate in the historic Havana Jam festival that took place between March 2–4, alongside Rita Coolidge, Kris Kristofferson; Stephen Stills, the CBS Jazz All-Stars, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnegan, Weather Report, plus an array of Cuban artists such as Irakere, Pacho Alonso, Tata Güines and Orquesta Aragón. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79.
The Nylon Curtain went to #7 on the charts, partially due to heavy airplay on MTV for the videos to the singles Allentown and Pressure. Allentown spent six weeks at a peak position of #17 on the Billboard Hot 100, making it one of the most-played radio songs of 1982, pushing it into 1983's year-end Top 70, and making it the most successful song from The Nylon Curtain album, besting "Pressure," which peaked at #20 (where it resided for three weeks) and Goodnight Saigon which reached #56 on U.S. charts.
The resulting album, An Innocent Man, was compiled as a tribute to the rock and roll music of the 1950s and 1960s, and also resulted in Joel's second Billboard #1 hit, Tell Her About It, which was the first single off the album in the summer of 1983. The album itself reached #4 on the charts and #2 in UK. It also boasted 6 top-30 singles, the most of any album in Joel's catalog. At the time the album came out that summer, WCBS-FM began playing The Longest Time both in regular rotation and on the Doo Wop Shop. Many fans wanted this to be the next single released in the fall, but that October, Uptown Girl would be released, peaking at #3 and ranking at #20 on Billboard's 1983 Hot 100 year-end chart. Also, the James Brown-inspired song "Easy Money" would be featured in the 1983 Rodney Dangerfield film of the same name.
In December the title song, An Innocent Man, would be released as a single and would peak at #10 in the U.S. and #8 in the UK, early in 1984. That March The Longest Time would finally be released as a single, peaking at #14 on the Hot 100 and #1 on the Adult Contemporary chart. That summer, Leave a Tender Moment Alone would be released and hit #27 while Keeping the Faith would peak at #18 in January 1985. In the video for Keeping the Faith, Christie Brinkley also plays the "redhead girl in a Chevrolet". An Innocent Man was also nominated for the Album of the Year Grammy, but lost to Michael Jackson's Thriller. Billy Joel also participated in the USA For Africa We Are The World project in 1985.
Following the success of An Innocent Man, Joel had been approached to release an album of his most successful singles. This was not the first time this topic had come up, but Joel had initially considered "Greatest Hits" albums as marking the end of one's career. This time, he agreed, and Greatest Hits Vol. 1 and 2 was released as a 4-sided album and 2-CD set, with the songs in sequence of when they were released. The new songs "You're Only Human (Second Wind)" and "The Night Is Still Young" were recorded and released as singles to support the album; both reached the top 40, peaking at #9 and #34, respectively. Greatest Hits was highly successful and has since been certified double diamond by the RIAA for over 10.5 million copies (21 million units) sold. To date it is the sixth best selling album in American music history according to the RIAA.
Coinciding with the Greatest Hits album release, Joel released a 2-volume Video Album that was a compilation of the promotional videos he had recorded from 1977 to the present time. Along with videos for the new singles off the Greatest Hits album, Joel also recorded a video for his first hit, "Piano Man", for this project.
Though it broke into the Top Ten, The Bridge was not a success in relation to some of Joel's other albums, but it yielded the hits "A Matter of Trust" and "Modern Woman" from the film Ruthless People, a dark comedy from the directors of Airplane! (both #10). In a departure from his "piano man" persona, Joel is shown in its video playing a Les Paul-autographed Gibson guitar. The ballad "This is the Time" also charted, peaking at #18, and has been a favorite on the prom circuit ever since. The reason "Modern Woman" has been left off many of Joel's compilation sets (the exception appears to be My Lives) is that he has since said in interviews he doesn't care for the song.
On November 18, 1986, an extended version of the song "Big Man On Mulberry Street" was used on a season three episode of Moonlighting. The episode itself was also titled "Big Man on Mulberry Street". In a dream sequence, Maddie Hayes envisions David Addison with his ex-wife. An extra horn solo was added to the song. The Bridge was also Joel's last album to carry the Family Productions logo, finally severing his ties with Artie Ripp.
At around this time, Joel completed voice work on Disney's Oliver & Company, released in 1988, a loose adaptation of the Charles Dickens novel Oliver Twist. Joel brought both his acting and musical talents to the film as Dodger. For the film, Joel recorded a song titled "Why Should I Worry?" Critics were generally positive toward the film, and pointed to Joel's acting contribution as one of its highlights, despite it being his first acting job. In interviews, Joel explained that he took the job due to his love of Disney cartoons as a child.
Joel has also stated in many interviews, most recently in a 2008 interview in Performing Songwriter magazine, that he does not think The Bridge is a good album.
Most of that audience took a long while to warm up to Joel's energetic show, something that never had happened in other countries he had performed in. According to Joel, each time the fans were hit with the bright lights, anybody who seemed to be enjoying themselves froze. In addition, people who were "overreacting" were removed by security.
The album КОНЦЕРТ (Russian for "Concert") was released in October 1987. Singer Peter Hewlitt was brought in to hit the high notes on his most vocally challenging songs, like "An Innocent Man." Joel also did versions of The Beatles' classic "Back in the U.S.S.R." and Bob Dylan's "The Times They Are a-Changin'". It has been estimated that Joel lost more than $1 million of his own money on the trip and concerts, but he has said the goodwill he was shown there was well worth it.
The first single for the album "We Didn't Start the Fire", was released in September 1989 and it became Joel's third and most recent US #1 hit, spending two weeks at the top; it was also Billboard's second-last #1 single of the 1980s. Storm Front was released in October, and it eventually became Joel's first #1 album since Glass Houses, nine years earlier. Storm Front was Joel's first album since Turnstiles to be recorded without Phil Ramone as producer. For this album, he wanted a new sound, and worked with Mick Jones of Foreigner fame. Joel also revamped his backing band, firing everyone, save drummer Liberty DeVitto, guitarist David Brown, and saxophone player Mark Rivera, and bringing in new faces, including talented multi-instrumentalist Crystal Taliefero. Storm Front's second single, "I Go to Extremes" made it to #6 in early 1990. The album was also notable for its song "Leningrad", written after Joel met a clown in the Soviet city of that name during his tour in 1987, and "The Downeaster Alexa", written to underscore the plight of fishermen on Long Island who are barely able to make ends meet. Another well-known single from the album is the ballad "And So It Goes" (#37 in late 1990). The song was originally written in 1983, around the time Joel was writing songs for An Innocent Man; but "And So It Goes" did not fit that album's retro theme, so it was held back until Storm Front.
In the summer of 1992 Joel filed another $90 million dollar lawsuit against his former lawyer Allen Grubman, alleging a wide range of offences including fraud, breach of fiduciary responsibility, malpractice and breach of contract but the case was eventually settled out of court for an undisclosed sum.
Joel started work on River of Dreams in early 1993. Its cover art was a colorful painting by Christie Brinkley that was a series of scenes from each of the songs on the album. The eponymous first single was the last top 10 hit Joel has penned to date, reaching #3 on the Billboard Hot 100 & ranking at #21 on Billboard's 1993 year-end Hot 100 chart. In addition to the title track, the album includes the hits "All About Soul" (with Color Me Badd on backing vocals) and "Lullabye (Goodnight, My Angel)", written for his daughter, Alexa. A radio remix version of "All About Soul" can be found on The Essential Billy Joel (2001), and a demo version appears on My Lives (2005). The song "The Great Wall of China" was written about his ex-manager Frank Weber and was a regular in the setlist for Joel's 2006 tour. "2000 Years" was prominent in the millennium concert at Madison Square Garden, December 31, 1999, and "Famous Last Words" closed the book on Joel's pop songwriting for more than a decade.
1997's "To Make You Feel My Love" and "Hey Girl" both charted from Joel's Greatest Hits Volume III album. Joel wrote and recorded the song "Shameless" that was later covered by Garth Brooks and reached number 1 on Billboard's country charts. Joel performed with Brooks during his Central Park concert in 1997 with an estimated 980,000 people in attendance, the largest audience to attend a U.S. concert.
In 2001, Joel released Fantasies & Delusions, a collection of classical piano pieces. All were composed by Joel and performed by Richard Joo. Joel often uses bits of these songs as interludes in live performances, and some of them are part of the score for the hit show Movin' Out. The album topped the classical charts at #1. Joel performed "New York State of Mind" live on September 21, 2001, as part of the benefit concert, and on October 20, 2001, along with "Miami 2017 (Seen the Lights Go Out on Broadway)", at the Concert for New York City in Madison Square Garden. That night, he also performed "Your Song" with Elton John.
In 2005, Columbia released a box set, My Lives, which is largely a compilation of demos, b-sides, live/alternate versions and even a few Top 40 hits. The compilation also includes the Umixit software, in which people can remix "Zanzibar", "Only the Good Die Young", "Keepin' The Faith", and live versions of "I Go to Extremes" and "Movin' Out (Anthony's Song)" with their PC. Also, a DVD of a show from the River of Dreams tour is included.
On January 7, 2006, Joel began a tour across the United States. Having not written, or at least released, any new songs in 13 years, he featured a sampling of songs from throughout his career, including major hits as well as obscure tunes like "Zanzibar" and "All for Leyna". His tour included an unprecedented 12 sold-out concerts over several months at Madison Square Garden in New York City. The singer's stint of 12 shows at Madison Square Garden broke a previous record set by New Jersey native Bruce Springsteen, who played 10 sold-out shows at the same arena. The record earned Joel the first retired number (12) in the arena owned by a non-athlete. This honor has also been given to Joel at the Wachovia Center in Philadelphia where a banner in the colors of the Philadelphia Flyers is hung honoring Joel's 46 Philadelphia sold-out shows. He also had a banner raised in his honor for being the highest grossing act in the history of the Times Union Center (formerly the Knickerbocker Arena and Pepsi Arena) in Albany, New York. This honor was given to him as part of the April 17, 2007, show he did there. On June 13, 2006, Columbia released 12 Gardens Live, a double album containing 32 live recordings from a collection of the 12 different shows at Madison Square Garden during Joel's 2006 tour.
Joel visited the United Kingdom and Ireland for the first time in many years as part of the European leg of his 2006 tour. On July 31, 2006, he performed a free concert in Rome, with the Colosseum as the backdrop. Organizers estimated 500,000 people turned out for the concert, which was opened by Bryan Adams.
Joel toured South Africa, Australia, Japan, and Hawaii in late 2006, and subsequently toured the Southeastern United States in February and March 2007 before hitting the Midwest in the spring of 2007. On January 3 of that year, news was leaked to the New York Post that Billy had recorded a new song with lyrics—this being the first new song with lyrics he'd written in almost 14 years. The song, entitled "All My Life", was Joel's newest single (with second track "You're My Home", live from Madison Square Garden 2006 tour) and was released into stores on February 27, 2007. On February 4, Joel sang the national anthem for Super Bowl XLI, becoming the first to sing the national anthem twice at a Super Bowl. and on April 17, 2007, Joel was honored in Albany, New York, for his ninth concert at the Times Union Center. He is now holding the highest box office attendance of any artist to play at the arena. A banner was raised in his honor marking this achievement.
On December 1, 2007, Joel premiered his new song "Christmas in Fallujah". The song was performed by Cass Dillon, a new Long Island based musician, as Joel felt it should be sung by someone in a soldier's age range. The track was dedicated to servicemen based in Iraq. Joel wrote it in September 2007 after reading numerous letters sent to him from American soldiers in Iraq. "Christmas in Fallujah" is only the second pop/rock song released by Joel since 1993's River of Dreams. Proceeds from the song benefitted the Homes For Our Troops foundation.
On March 10, Joel inducted his friend John Mellencamp into the Rock and Roll Hall of Fame in a ceremony at the Waldorf Astoria Hotel in New York City. During his induction speech, Joel said:
Joel's staying power as a touring act continues to the present day. He sold out 10 concerts at the Mohegan Sun Casino in Uncasville, Connecticut from May to July 2008. Mohegan Sun honored him with a banner displaying his name and the number 10 to hang in the arena. On June 19, 2008, he played a concert at the grand re-opening of Caesars Windsor (formerly Casino Windsor) in Windsor, Ontario, Canada to an invite-only crowd for Casino VIPs. His mood was light, and joke-filled, even introducing himself as "Billy Joel's dad" and stating "you guys overpaid to see a fat bald guy." He also admitted that Canadian folk-pop musician Gordon Lightfoot was the musical inspiration for "She's Always A Woman".
On July 16, 2008, and July 18, 2008, Joel played the final concerts at Shea Stadium before its demolition. His guests included Tony Bennett, Don Henley, John Mayer, John Mellencamp, Steven Tyler, Roger Daltrey, Garth Brooks, and Paul McCartney. McCartney ended the show with a reference to his own performance there with the Beatles in 1965, the first major stadium concert of the rock and roll industry.
On December 11, 2008, Joel recorded his own rendition of "Christmas in Fallujah" during a concert at Acer Arena in Sydney and released it as a live single in Australia only. It is the only official release of Joel performing "Christmas in Fallujah", as Cass Dillon sang on the 2007 studio recording and the handful of times the song was played live in 2007. Joel sang the song throughout his December 2008 tour of Australia.
On May 19, 2009, Joel's former drummer, Liberty DeVitto, filed a lawsuit in NYC claiming Joel and Sony Music owed DeVitto over 10 years of royalty payments. DeVitto has never been given songwriting credit on any of Joel's songs, but he claims that he helped write some of them. In April 2010, it was announced that Joel and DeVitto amicably resolved the lawsuit.
Joel married Christie Brinkley on March 23, 1985. Their daughter, Alexa Ray Joel, was born December 29, 1985. Alexa was given the middle name of Ray after Ray Charles, one of Joel's musical idols. Joel and Brinkley divorced on August 25, 1994, although the couple remain friendly.
On October 2, 2004, Joel married 23-year-old Katie Lee. At the time of the wedding, Joel was 55. Joel's daughter, Alexa Ray, then 18, served as maid-of-honor. Joel's second wife, Christie Brinkley, attended the union and gave the couple her blessing. Lee works as a restaurant correspondent for the PBS show, George Hirsch: Living it Up!. In 2006, Katie Lee hosted Bravo's Top Chef. She did not return for a second season, instead going on tour with her husband. She then began writing a weekly column in Hamptons magazine, and became a field correspondent for the entertainment television show Extra. On June 17, 2009, both confirmed that they have split after five years of marriage.
Joel plans to open 20th Century Cycles in Oyster Bay, Long Island that will sell custom made retro styled motorcycles and accessories and serve as a hangout for enthusiasts.
On November 16, 2010, in an interview on the Howard Stern Show, Billy Joel said that he doesn't believe in a god, and that he is an atheist.
These various influences have in part led to his broad success over a long period of time but have also made him difficult to categorize in popular music today.
Among many of Joel's influences are: Beethoven, The Beatles, Joel has been presented with multiple honorary doctorates:
His High School Diploma was finally awarded 25 years after he left High School by the School Board.
Joel was inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio in 1999.
Joel was also named MusiCares Person of the Year for 2002, an award given each year at the same time as the Grammy Awards. At the dinner honoring Joel, various artists performed versions of his songs including Nelly Furtado, Stevie Wonder, Jon Bon Jovi, Diana Krall, Rob Thomas and Natalie Cole. He was inducted into the Long Island Music Hall of Fame on October 15, 2006. In 2005, Joel received a star on the Hollywood Walk of Fame.
Joel has banners in the rafters of the Times Union Center, Nassau Coliseum, Madison Square Garden, Mohegan Sun Arena in Uncasville, CT, Wachovia Center in Philadelphia, and Hartford Civic Center in Hartford. (Joel is erroneously cited as the first artist to perform a concert at Yankee Stadium in New York City; The Isley Brothers first performed there in 1969, and the Latin supergroup, The Fania All-Stars played and recorded live albums at the stadium during the 1970s.)
He has also sponsored the Billy Joel Visiting Composer Series at Syracuse University.
Joel is the only performing artist to have played both Yankee and Shea Stadiums, as well as Giants Stadium.
Category:Rock and Roll Hall of Fame inductees Category:Grammy Award winners Category:2010s singers Category:2000s singers Category:1990s singers Category:1980s singers Category:1970s singers Category:English-language singers Category:American pop rock singers Category:American rock singer-songwriters Category:American pop pianists Category:American rock pianists Category:American people of German descent Category:American people of English descent Category:American atheists Category:Jewish atheists Category:New York Democrats Category:Musicians from New York Category:People from Long Island Category:People from the Bronx Category:1949 births Category:Living people
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Alison Steele |
---|---|
Caption | The NightbirdAlison Steele of WNEW-FM |
Birthname | Ceil Loman |
Birth date | January 26, 1937 |
Birth place | Brooklyn, New York, USA |
Death date | September 27, 1995 |
Death place | New York, New York, USA |
Station | WNEW-FM, WBBR, WXRK |
Style | Disk Jockey |
Spouse(s) | Ted Steele |
Children | Heather Steele |
Web | }} |
Alison Steele (born Ceil Loman on January 26, 1937; died September 27, 1995) was a pioneering American disc jockey in Manhattan at what would become the archetypal progressive rock radio station in the United States, WNEW-FM. She was commonly known as "The Nightbird". She also became a writer, television producer, correspondent, and an entrepreneur.
Steele began her show by reciting poetry over Andean flute music, before introducing her show in her well-known sultry, smoky voice with,
:“The flutter of wings, the shadow across the moon, the sounds of the night, as the Nightbird spreads her wings and soars, above the earth, into another level of comprehension, where we exist only to feel. Come, fly with me, Alison Steele, the Nightbird, at WNEW-FM, until dawn.”
She then made a transition to recordings of some of the more exceptional and experimental music being recorded at the time, as well as featuring the best of the familiar favorites of her audience.
If it was raining on a Monday night, she always would play The Doors classic, "Riders on the Storm" as her first song, setting the mood for that night's show. She always ended her shows with The Beatles instrumental song, "Flying", over which she would say her goodbye message.
According to Jimi Hendrix's manager, Michael Jeffery, the song "Night Bird Flying", recorded by him and released posthumously on the album, The Cry Of Love, was inspired by Allison's late night Manhattan radio program. and a poem in his handwriting reads; Hello night bird. How was your day? Did you visit the gods in the valleys far away? What did you bring me, in your visit from the sea? The song originally was intended to be the flip-side of a planned single.
Her show became an instant hit and did much to push WNEW-FM into the forefront of progressive rock radio. At one point, she also served as the music director of the station. Steele became the first woman named as Billboard Magazine FM Personality of the Year.
From 1989 to 1995, she was on WXRK along with some work for VH1, as well as running the cat boutique Just Cats with her sister, Joyce Loman, on East Sixtieth Street in Manhattan. Steele provided the voice-over narration for one of Howard Stern's most famous bits, "Larry Fine at Woodstock", where the former member of the Three Stooges was voiced by Billy West.
Steele died of stomach cancer in 1995, aged 58.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.