Newsbeat

Genre	News
Running time	15 minutes
Country	United Kingdom
Languages	English
Home station	BBC Radio 1, BBC Radio 1Xtra
Producers	BBC News
Recording studio	Yalding House, London
Air dates	since 1973
Audio format	FM and Digital radio
Website	www.bbc.co.uk/newsbeat

Newsbeat is the flagship news programme on BBC Radio 1 and BBC Radio 1Xtra. Newsbeat is produced by BBC News but differs from the BBC's other news programmes in its remit to provide news tailored for a specifically younger audience.^[1]

Newsbeat is broadcast at 12:45 and 17:45 during the week on Radio 1, and at noon and 5pm on 1Xtra. Short bulletins are also heard throughout the day on both stations, on the half hour between 04:30 and 18:30, with extra bulletins broadcast at 07:00, 08:00, 17:00 and 22:00. During weekends, networked bulletins across both stations are broadcast on the half hour between 07:30 and 17:30.

Although unconfirmed by the BBC, it's widely thought that the name "Newsbeat" was taken from the Radio Caroline news service of the same name, as was the concept of short bulletins on the half hour. Caroline first used the name (and broadcast 1/2 hour headlines) in the 1960s.

History[link]

Newsbeat was launched in 1973 in response to the launch of a network of commercial radio stations across the UK which supplied a news service very different from the style of traditional BBC News. The programme's first presenter was the Radio 1 DJ Ed "Stewpot" Stewart and he was succeeded by Laurie Mayer and Richard Skinner.

Newsbeat's jingles were produced on-and-off by Music 4 between 1998 and 2011, and from 2005 to 2011 have been notable for using the four note Radio 1 'logo'. A new logo and jingles were introduced in June 2011 produced by Koink.

Location[link]

In keeping with its specific targeting of young audiences, Newsbeat has its own set of reporters based at Yalding House in Central London (as opposed to the main Newsroom BBC Television Centre, where most BBC News operations come from). The team's reporters are themselves young, and often report on the location of the big news stories of the day.

Presenters and reporters[link]

Current team members on Newsbeat include:

Editors[link]

The current editor and controller of Newsbeat is Rod McKenzie, himself a former presenter of the programme and the news presenter on the Simon Mayo breakfast show on Radio 1 from 1988-1993. Newsbeat's first editor was Mike Chaney - hired from The Sun by the Director-General to inject a populist flavour to the news coverage of Radio 1.

Other current duty editors include:

• Jack Baine
• Adrian Pearce
• Anubha Chaturvedi
• Debbie Randle
• Julian Marshall
• Debbie Ramsay
• Charmaine Cozier
• Gabriella O'Donnell

Newsbeat's Oddbox[link]

In 2007, Newsbeat's Oddbox was launched. A four minute video which looks at the week's strangest news, presented by Dominic Byrne and Tulip Mazumdar when he is away. It is available to watch at BBC Online, on the BBC Red Button and on the BBC News channel.

References[link]

External links[link]

• Newsbeat at BBC Online
• A different Newsbeat BBC Blogs, 17 November 2007 - A history of Newsbeat, written by editor Rod McKenzie
• BBC Odd Box Listing of Oddbox episodes

BBC portal

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John Williams
Williams at the Avery Fisher Hall in 2007
Background information
Birth name	John Towner Williams
Born	(1932-02-08) February 8, 1932 (age 80)
Origin	Flushing, Queens, New York, United States of America
Genres	Film score, Contemporary classical music, Jazz
Occupations	Composer, pianist, conductor
Years active	1952–present

John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career spanning almost six decades, he has composed some of the most recognizable film scores in the history of motion pictures, including the Star Wars saga, Jaws, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, War Horse, Home Alone and the first three Harry Potter films. He has had a long association with director Steven Spielberg, composing the music for all but two (Duel and The Color Purple) of Spielberg's major feature films.

Other notable works by Williams include theme music for four Olympic Games, NBC Sunday Night Football, the NBC Nightly News, the rededication of the Statue of Liberty, and the television series Lost in Space. Williams has also composed numerous classical concerti, and he served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993; he is now the orchestra's conductor laureate.

Williams has won five Academy Awards, four Golden Globe Awards, seven BAFTA Awards, and 21 Grammy Awards. With 47 Academy Award nominations, Williams is the second most nominated person, after Walt Disney.^[1] John Williams was honored with the prestigious Richard Kirk award at the 1999 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.^[2] Williams was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.

Early life and family[link]

John Williams was born on February 8, 1932 on Long Island, New York, the son of Esther (née Towner) and Johnny Williams.^[3] His father was a jazz percussionist who played with the Raymond Scott Quintet.

In 1948, the Williams family moved to Los Angeles where John attended North Hollywood High School graduating in 1950. He later attended the University of California at Los Angeles (UCLA), and studied privately with the Italian composer Mario Castelnuovo-Tedesco.^[4] In 1952, Williams was drafted into the U.S. Air Force, where he conducted and arranged music for the Air Force Band as part of his assignments.

After his Air Force service ended in 1955, Williams moved to New York City and entered the Juilliard School, where he studied piano with Rosina Lhévinne.^[4] During this time, Williams worked as a jazz pianist in New York's many clubs and eventually studios, most notably for composer Henry Mancini. His fellow session musicians included Rolly Bundock on bass, Jack Sperling on drums, and Bob Bain on guitar—the same lineup featured on the Mr. Lucky television series. Williams was known as "Little Johnny Love" Williams during the early 1960s, and he served as music arranger and bandleader for a series of popular music albums with the singer Frankie Laine.

Williams was married to actress Barbara Ruick from 1956 until her death on March 3, 1974. The Williamses had three children: Jennifer (born 1956), Mark (born 1958), and Joseph (born 1960). Williams' younger son (Joseph) is one of the various lead singers the band Toto. John Williams married his second wife, Samantha Winslow, on July 21, 1980.

John Williams is an honorary member of Kappa Kappa Psi, the national fraternity for college band members.

Film and television scoring[link]

Williams at the Boston Symphony Hall after conducting the Boston Pops, May 2006

While skilled in a variety of 20th century compositional idioms, Williams' most familiar style may be described as a form of neoromanticism,^[5] inspired by the same large-scale orchestral music of the late 19th century—especially the compositions of Richard Wagner and its concept of leitmotif—that inspired his film music predecessors.^[6]

After his studies at Juilliard, Williams returned to Los Angeles, where he began working as an orchestrator at film studios. Among other composers, Williams worked with Franz Waxman, Bernard Herrmann, and Alfred Newman, and also with his fellow orchestrators Conrad Salinger and Bob Franklyn.^[7] Williams was also a studio pianist, performing on film scores by composers such as Jerry Goldsmith, Elmer Bernstein, and Henry Mancini. Williams recorded with Henry Mancini on the film scores of Peter Gunn (1959), Days of Wine and Roses (1962), and Charade (1963). (Williams actually played the well-recognized opening riff to Mancini's Peter Gunn theme.^[8][9]) Williams (often credited as "Johnny Williams") also composed the music for various TV programs in the 1960s: The pilot episode of Gilligan's Island,^[10] Bachelor Father (1959-1960), the Kraft Suspense Theatre, Lost in Space (1965–68), The Time Tunnel (1966–67), and Land of the Giants (the last three created by the prolific TV producer, Irwin Allen).

Working at Universal Studios, Williams shared music credit on a number of films, the most notable being The Creature from the Black Lagoon in 1954. Williams's first major film composition was for the B movie Daddy-O in 1958, and his first screen credit came two years later in Because They're Young. He soon gained notice in Hollywood for his versatility in composing jazz, piano, and symphonic music. Williams received his first nomination for an Academy Award for his film score for Valley of the Dolls (1967), and then was nominated again for his score for Goodbye, Mr. Chips (1969). Williams broke through to win his first Academy Award for his adapted score for the film Fiddler on the Roof (1971). In 1972 he composed the score for the Robert Altman psychological thriller Images (recorded in collaboration with noted percussionist Stomu Yamashta) which earned him another nomination in the category 'Best Music, Original Dramatic Score' at the 1973 Academy Awards. During the early 1970s, Williams' prominence grew thanks to his work for now–film producer Irwin Allen's disaster films, composing the scores for The Poseidon Adventure (1972) and The Towering Inferno (1974). In addition, he scored Universal's Earthquake (1974) for director Mark Robson, completing a "trinity" of scores for the highest grossing "disaster films" of the decade. He also wrote a very memorable score to The Cowboys (1972), a western starring John Wayne and directed by Mark Rydell.

In 1974, Williams was approached by director Steven Spielberg to compose the music for his feature directorial debut, The Sugarland Express. The young director had been impressed with Williams's score for the movie The Reivers (1969), and Spielberg was convinced that Williams could compose the musical sound that he desired for any of his films. They teamed up again a year later for Spielberg's second film, Jaws. Widely considered to be a classic suspense film, its film score's ominous two-note motif has become synonymous with sharks and approaching danger. The score for Jaws earned Williams his second Academy Award, his first one for an original composition.

Shortly thereafter, Williams and Spielberg began a long collaboration for their next feature film together, Close Encounters of the Third Kind (CE3K, 1977). In an unusual step for a Hollywood film, Spielberg and Williams developed their script and musical concepts simultaneously, as in the film these entwine very closely together. During their two-year-long collaboration, they crafted its distinctive five-note figure that functions both in the background music and as the communications signal of the film's extraterrestrials. Williams also used a system of musical hand signals in CE3K that were based on hand signs created by John Curwen and refined by Zoltan Kodaly.

During the same period, Spielberg recommended Williams to his friend and fellow director George Lucas, who needed a composer to score his ambitious space epic, Star Wars (1977). Williams delivered a grand symphonic score in the fashion of Richard Strauss and Golden Age Hollywood composers Max Steiner and Erich Wolfgang Korngold. Its main theme, "Luke's Theme" is among the most widely recognized in motion picture history, and the "Force Theme" and "Princess Leia's Theme" are well-known examples of leitmotif. Both the film and its soundtrack were immensely successful—it remains the highest grossing non-popular music recording of all-time—and Williams won another Academy Award for Best Original Score. In 1980, Williams returned to score The Empire Strikes Back, where he introduced "The Imperial March" as the theme for Darth Vader and the Galactic Empire. The original Star Wars trilogy concluded with the 1983 film Return of the Jedi, for which Williams's score provided most notably the "Emperor's Theme," "Parade of the Ewoks," and "Luke and Leia." Both scores earned Williams Academy Award nominations.

John Williams conducting the music score to Raiders of the Lost Ark in the Avery Fisher Hall.

Williams worked with director Richard Donner to score the 1978 film Superman. The score's heroic and romantic themes, particularly the main march, the Superman fanfare and the love theme, known as "Can You Read My Mind," would appear in the four sequel films. For the 1981 film Raiders of the Lost Ark, created and directed by Lucas and Spielberg, Williams wrote a rousing main theme known as "The Raiders March" to accompany the film's hero, Indiana Jones. He also composed separate themes to represent the Ark of the Covenant, the character Marion, and the Nazi villains of the story. Additional themes were featured in his scores to the sequel films Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008). Williams composed an emotional and sensitive score to Spielberg's 1982 fantasy film E.T. the Extra-Terrestrial. The music conveys the film's benign, childlike sense of innocence, particularly with a spirited theme for the freedom of flight, and a soft string-based, harp-featured theme for the friendship between characters E.T. and Elliott. The film's final chase and farewell sequence marks a rare instance in film history in which the on-screen action was re-edited to conform to the composer's musical interpretation. Williams was awarded a fourth Academy Award for this score.

The 1985 film The Color Purple is the only theatrical feature directed by Steven Spielberg for which John Williams did not serve as composer. The film's producer, Quincy Jones, wanted to personally arrange and compose the music for the project. Williams also did not score Twilight Zone: The Movie, but Spielberg had directed only one of the four segments in that film; the lead director and producer of the film, John Landis, selected Jerry Goldsmith as composer. The Williams-Spielberg collaboration resumed with the director's 1987 film Empire of the Sun, and has continued to the present, spanning genres from science fiction thrillers (1993's Jurassic Park), to somber tragedies (1993's Schindler's List, 2005's Munich), to Eastern-tinged melodramas (2005's Memoirs of a Geisha, directed by Rob Marshall). Spielberg has said, "I call it an honorable privilege to regard John Williams as a friend."^[11]

In 1999 George Lucas launched the first of a series of prequels to the original Star Wars trilogy. Williams was asked to score all three films, starting with The Phantom Menace. Along with themes from the previous movies, Williams created new themes to be used as leitmotifs in Attack of the Clones (2002) and Revenge of the Sith (2005). Most notable of these was "Duel of the Fates," an aggressive choral movement utilizing harsh Sanskrit lyrics that broadened the style of music used in the Star Wars films. Also of note was "Anakin's Theme," which begins as an innocent childlike melody and morphs insidiously into a quote of the sinister "Imperial March" of the prior trilogy. For Episode II, Williams composed "Across the Stars," a love theme for Padmé Amidala and Anakin Skywalker (mirroring the love theme composed for the second film of the previous trilogy, The Empire Strikes Back). The final installment combined many of the themes created for the series' previous movies, including "The Emperor's Theme," "The Imperial March," "Across the Stars," "Duel of the Fates," "The Force Theme," "Rebel Fanfare," "Luke's Theme," and "Princess Leia's Theme," as well as new themes for General Grievous and the film's climax, entitled "Battle of the Heroes." Few composers have scored an entire series of this magnitude: The combined scores of all six Star Wars films add up to more than 14 hours of orchestral music.

In the new millennium, Williams was asked to score the film adaptations of the widely successful book series, Harry Potter. He went on to score the first three installments of the film franchise. As with his Superman theme, the most important theme from Williams's scores for the adaptations of J. K. Rowling's Harry Potter series, dubbed Hedwig's Theme, has been used in the fourth, fifth, sixth, seventh and eighth films (Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2), scored by Patrick Doyle, Nicholas Hooper and Alexandre Desplat respectively. Like the main themes from Star Wars, Jaws, Superman, and Indiana Jones, fans have come to identify the Harry Potter films with Williams's original compositions. Williams was asked to return to the film franchise to score the final installment, Harry Potter and the Deathly Hallows – Part 2, but director David Yates stated that "their schedules simply did not align" as he would have had to provide Williams with a rough cut of the film sooner than was possible.

In 2006 Superman Returns was completed under the direction of Bryan Singer, best known for directing the first two movies in the X-Men series. Although Singer did not request Williams to compose a score for the intentionally Donner-esque film, he employed the skills of X2 composer John Ottman to incorporate Williams's original Superman theme, as well as those for Lois Lane, Krypton and Smallville. Don Davis performed a similar role for Jurassic Park III, recommended to the producers by Williams himself. (Film scores by Ottman and to a lesser extent Davis are often compared to those of Williams, as both use similar styles of composition.)

In 2008 Williams returned to the Indiana Jones series to score the fourth film—The Kingdom of the Crystal Skull. He received a Grammy nomination for his work on the film. During 2008, he also composed music for two documentaries, Warner at War,^[12] and A Timeless Call,^[13] the latter of which was directed by Steven Spielberg.

After a three year absence from film scoring, Williams composed the scores for Spielberg's The Adventures of Tintin: The Secret of the Unicorn and War Horse in 2011. Both scores received overwhelmingly positive reviews,^{[14][15][16][17][18][19]} with both scores earning Oscar nominations,^[20] and the latter being nominated for a Golden Globe.^[21] The Oscar nominations are Williams' 46th and 47th, making him the most nominated musician in Academy Awards history (having previously been tied with Alfred Newman's 45 nominations), and the second most nominated overall, following Walt Disney. Williams won an Annie Award for his score for The Adventures of Tintin: The Secret of the Unicorn in 2012.

Williams is next scheduled to score Spielberg's 2012 film Lincoln.

Conducting and performing[link]

Williams signing an autograph after a concert

From 1980 to 1993, Williams succeeded Arthur Fiedler as Principal Conductor of the Boston Pops Orchestra. Williams never met Fiedler in person but spoke with him by telephone. His arrival as the new leader of the Pops in the spring of 1980 allowed him to devote part of the Pops' first PBS broadcast of the season to presenting his new compositions for The Empire Strikes Back, in addition to conducting many Fiedler audience favorites.

Williams almost ended his tenure with the Pops in 1984.^[22] Considered a customary practice of opinion, some players hissed while sight-reading a new Williams composition in rehearsal; Williams abruptly left the session and turned in his resignation. He initially cited mounting conflicts with his film composing schedule, but later admitted a perceived lack of discipline in and respect from the Pops' ranks, culminating in this latest instance. After entreaties by the management and personal apologies from the musicians, Williams withdrew his resignation and continued as principal conductor for nine more years.^[23] In 1995 he was succeeded by Keith Lockhart, the former associate conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra.

Williams is now the Laureate Conductor of the Pops, thus maintaining his affiliation with its parent, the Boston Symphony Orchestra (BSO). Williams leads the Pops on several occasions each year, particularly during their Holiday Pops season and typically for a week of concerts in May. He conducts an annual Film Night at both Boston Symphony Hall and Tanglewood, where he frequently enlists the Tanglewood Festival Chorus, official chorus of the BSO....

Williams has written many concert pieces, including a symphony; a Concerto for Horn written for Dale Clevenger, principal hornist of the Chicago Symphony; a Concerto for Clarinet written for Michele Zukovsky (Principal Clarinetist of the Los Angeles Philharmonic) in 1991;^[24] a sinfonietta for wind ensemble; a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra at Tanglewood in 1994; concertos for the flute and violin recorded by the London Symphony Orchestra; and a trumpet concerto, which was premiered by the Cleveland Orchestra and their principal trumpet Michael Sachs in September 1996. His bassoon concerto, "The Five Sacred Trees", which was premiered by the New York Philharmonic and principal bassoon player Judith LeClair in 1995, was recorded for Sony Classical by Williams with LeClair and the London Symphony Orchestra. He is also an accomplished pianist, as can be heard in various scores in which he provides solos, as well as a handful of European classical music recordings.

Williams was the subject of an hour-long documentary for the BBC in 1980, and was featured in a story for ABC's newsmagazine 20/20 in 1983.^[25]

Stanley Donen (left) and John Williams at Avery Fisher Hall

In 1985, Williams was commissioned by NBC to compose a television news music package for various network news spots. The package, which Williams named "The Mission", consists of four movements, two of which are still used heavily by NBC today for The Today Show, NBC Nightly News, and Meet the Press. Williams also composed the "Liberty Fanfare" for the rededication of the Statue of Liberty, "We're Lookin' Good!" for the Special Olympics in celebration of the 1987 International Summer Games, and themes for the 1984, 1988, 1996, and 2002 Olympic games. His most recent concert work, "Seven for Luck", for soprano and orchestra, is a seven-piece song cycle based on the texts of former U.S. Poet Laureate Rita Dove. "Seven for Luck" was given its world premiere by the Boston Symphony under Williams with soprano Cynthia Haymon.

Williams conducting at Hollywood Bowl.

Williams makes annual appearances with the Los Angeles Philharmonic at the Hollywood Bowl, and took part as conductor and composer in the orchestra's opening gala concerts for the Walt Disney Concert Hall in 2003.

In 2004, Williams both served as the Grand Marshall for the Rose Parade, and directed the Star Spangled Banner at the beginning of the Rose Bowl.

In April 2005, Williams and the Boston Pops performed "The Force Theme" from Star Wars at opening day in Fenway Park as the Boston Red Sox, having won their first World Series championship since 1918, received their championship rings. For Game 1 of the 2007 World Series, Williams conducted a brass-and-drum ensemble through a new dissonant arrangement of the "Star Spangled Banner."^[25]

In April 2004, February 2006, and September 2007, he conducted the New York Philharmonic at Avery Fisher Hall in New York City. The initial program was intended to be a one-time special event, and featured Williams's medley of Oscar-winning film scores first performed at the previous year's Academy Awards.^[26] Its unprecedented popularity led to two concerts in 2006: fundraising gala events featuring personal recollections by film directors Martin Scorsese and Steven Spielberg.^[27] Continuing demand fueled three more concerts in 2007, which all sold out. These featured a tribute to the musicals of film director Stanley Donen, and had the distinction of serving as the opening event of the New York Philharmonic season.^[28] After a four-season absence, Williams conducted the Philharmonic once again in October 2011.^[29]

Awards[link]

John Williams has won five Academy Awards, and four Golden Globe Awards. He has also been nominated for 22 Golden Globes, winning four, and 59 Grammys, winning 20. With 47 Oscar nominations, Williams currently holds the record for the most Oscar nominations for a living person,^[30][31] and is the second most nominated person in the history of the Academy Awards behind only Walt Disney's 59. Forty-two of Williams' Oscar nominations are for Best Original Score and five are for Best Original Song. He won four Oscars for Best Original Score and one for Best Adapted Score (Fiddler on the Roof).

Williams has received three Emmy Awards and five nominations, seven BAFTAs, twenty Grammy Awards, and has been inducted into the American Classical Music Hall of Fame and the Hollywood Bowl Hall of Fame. In 2004 he received a Kennedy Center Honor. He won a Classical Brit award in 2005 for his soundtrack work of the previous year.

Notably, Williams has won the Grammy Award for Best Instrumental Composition for his scores for Star Wars, Close Encounters of the Third Kind, Superman, The Empire Strikes Back, E.T. The Extraterrestrial, Angela's Ashes (1999), Munich (2005), and Indiana Jones and the Kingdom of the Crystal Skull. The competition includes not only composers of film scores, but also composers of instrumental music of any genre, including composers of classical fare such as symphonies and chamber music.

In 2003, the International Olympic Committee accorded Mr. Williams its highest individual honor, the Olympic Order.^[32]

In 2009, Williams received the National Medal of Arts in the White House in Washington for his achievements in symphonic music for motion pictures, and "as a pre-eminent composer and conductor [whose] scores have defined and inspired modern movie-going for decades."^[33]

John Williams was made an honorary brother of Kappa Kappa Psi at Boston University in the late 80's. ^[34]

AFI[link]

Williams's richly thematic and highly popular 1977 score to Star Wars Episode IV: A New Hope was selected in 2005 by the American Film Institute as the greatest American movie score of all time. His scores for Jaws and E.T. also appeared on the list, at No. 6 and No. 14, respectively.^[35] He is the only composer to have three scores on the list. Williams' scores for the following films were nominated for the list:

• A.I. Artificial Intelligence (2001)
• Close Encounters of the Third Kind (1977)
• The Cowboys (1972)
• Harry Potter and the Sorcerer's Stone (2001)
• Raiders of the Lost Ark (1981)
• Schindler's List (1993)
• Superman (1978)
• The Witches of Eastwick (1987)

List of awards[link]

Discography[link]

Charting hits (U.S., Billboard)[link]

• 1975 - "Theme From Jaws", #32
• 1977 - "Star Wars Theme - Main Title", #10
• 1978 - "Theme From Close Encounters Of The Third Kind", #13
• 1979 - "Theme From Superman", #81

See also[link]

• List of compositions by John Williams
• Star Wars music
• Superman music
• Harry Potter music

References[link]

Further reading[link]

• Moormann, Peter (2010) (in German). Spielberg-Variationen: die Filmmusik von John Williams. Baden-Baden: Nomos, Edition Reinhard Fischer. p. 797. ISBN 978-3-8329-5355-3. 
• Aschieri, Roberto (1999) (in Spanish). Over The Moon: La Mứsica de John Williams Para El Cine. Santigo, Chile: Función Privada, sponsored by Universidad Diego Portales. p. 400. ISBN 978-4-89799-246-4. 

External links[link]

Wikiquote has a collection of quotations related to: John Williams

Wikimedia Commons has media related to: John Williams

• John Williams at the Internet Movie Database
• John Williams Fan Network
• Music by John Williams
• The John Towner Touch (1957) (First solo album)
• The John Williams Web Pages
• Hollywood Bowl's Hall of Fame
• John Williams Music Network
• John Williams discography at MusicBrainz
• John Williams at Soundtrackguide.net
• John Williams on SoundtrackNet
• John Williams Discography at SoundtrackCollector.com
• The John Williams Collection
• John Williams Sheet Music and Scores
• Timelines John Williams (Article Part 1 of 6)
• Part 1 Part 2 Part 3 Part 4 Part 5 Part 6
• Critical review of Williams's career by Anthony Tommasini at New York Times (2005)
• John Williams Fan Site (Chinese language)
• John Williams on Pandora

Imran Khan Niazi عمران خان نیازی
Personal details
Born	(1952-11-25) 25 November 1952 (age 59) Lahore, West Punjab, Dominion of Pakistan
Political party	Pakistan Tehreek-e-Insaf
Spouse(s)	Jemima Khan (1995–2004)
Children	Sulaiman Qasim Khan
Residence	Lahore, Punjab, Pakistan
Alma mater	Keble College, Oxford
Occupation	Politician Philanthropist Cricketer
Religion	Islam
Website	PTI

Imran Khan Niazi (Urdu: عمران خان نیازی; born 25 November 1952) is a Pakistani politician and former cricketer, playing international cricket for two decades in the late twentieth century. After retiring, he entered politics. Currently, besides his political activism, Khan is also a philanthropist, cricket commentator, Chancellor of the University of Bradford and Founder and Chairman Board of Governors of Shaukat Khanum Memorial Cancer Hospital & Research Centre.

Arguably Pakistan's most successful cricket captain, Khan played for the Pakistani cricket team from 1971 to 1992 and served as its captain intermittently throughout 1982–1992.^[1] After retiring from cricket at the end of the 1987 World Cup, he was called back to join the team in 1988. At 39, Khan led his teammates to Pakistan's first and only World Cup victory in 1992. He has a record of 3807 runs and 362 wickets in Test cricket, making him one of eight world cricketers to have achieved an 'All-rounder's Triple' in Test matches.^[2] On 14 July 2010, Khan was inducted into the ICC Cricket Hall of Fame.^[3]

In April 1996, Khan founded and became the chairman of a political party Pakistan Tehreek-e-Insaf (Movement for Justice).^[4] He represented Mianwali as a member of the National Assembly from November 2002 to October 2007.^[5] Foreign Policy magazine has described him as "Pakistan's Ron Paul".^[6]

Through worldwide fundraising, he has also helped establish the Shaukat Khanum Memorial Cancer Hospital & Research Centre in 1996 and Mianwali's Namal College in 2008.

Family, education, and personal life[link]

Imran Khan was born in Lahore, the only son of Ikramullah Khan Niazi, a civil engineer, and his wife Shaukat Khanum.^[7] Although long settled in Mianwali in Punjab, the family were of Pashtun ethnicity and belonged to the Niazi Shermankhel tribe.^[8] A quiet and shy boy in his youth, Khan grew up with his four sisters in relatively affluent (upper middle-class) circumstances^[9] and received a privileged education. He was educated the Cathedral School in Lahore, the Royal Grammar School Worcester in England, where he excelled at cricket, and at Aitchison College, Lahore. In 1972, he enrolled to study Philosophy, Politics and Economics at Keble College, Oxford, where he graduated with a second-class degree in Politics and a third in Economics.^[10] Khan's mother hailed from the Burki family which had produced several successful hockey players,^[7] as also cricketers such as Javed Burki and Majid Khan.^[8] Early in life, Khan developed an interest in cricket, which is an extremely popular sport in Pakistan.

Marriage to Jemima Marcelle Goldsmith[link]

On 16 May 1995, Khan married Jemima Goldsmith, in an Islamic ceremony in Paris. A month later, on 21 June, they were married again in a civil ceremony at the Richmond register office in England, followed by a reception at the Goldsmiths' house in Surrey.^[11] . The marriage, described as "tough" by Khan,^[8] produced two sons, Sulaiman Isa (born 18 November 1996) and Kasim (born 10 April 1999).^[12] As an agreement of his marriage, Khan spent four months a year in England. On 22 June 2004, it was announced that the Khans had divorced because it was "difficult for Jemima to adapt to life in Pakistan".^[13] The marriage ended amicably. Imran has regular access to his children and his relationship with his ex-wife is friendly. Khan now resides in Bani Gala, Islamabad, where he built a farmhouse with the money he gained from selling his London flat. He grows fruit trees, wheat, and keeps cows, while also maintaining a cricket ground for his two sons, who visit during their holidays.^[8]

Cricket career[link]

Pride of Performance Award Recipient
Imran Khan was recipient of the Pride of Performance Award 1983
Presented by	Islamic Republic of Pakistan
Date	1983
Country	Islamic Republic of Pakistan

Khan made a lacklustre first-class cricket debut at the age of sixteen in Lahore. By the start of the 1970s, he was playing for his home teams of Lahore A (1969–70), Lahore B (1969–70), Lahore Greens (1970–71) and, eventually, Lahore (1970–71).^[14] Khan was part of Oxford University's Blues Cricket team during the 1973–75 seasons.^[10] At Worcestershire, where he played county cricket from 1971 to 1976, he was regarded as only an average medium pace bowler. During this decade, other teams represented by Khan include Dawood Industries (1975–76) and Pakistan International Airlines (1975–76 to 1980–81). From 1983 to 1988, he played for Sussex.^[2]

In 1971, Khan made his Test cricket debut against England at Birmingham. Three years later, he debuted in the One Day International (ODI) match, once again playing against England at Nottingham for the Prudential Trophy. After graduating from Oxford and finishing his tenure at Worcestershire, he returned to Pakistan in 1976 and secured a permanent place on his native national team starting from the 1976–77 season, during which they faced New Zealand and Australia.^[14] Following the Australian series, he toured the West Indies, where he met Tony Greig, who signed him up for Kerry Packer's World Series Cricket.^[2] His credentials as one of the fastest bowlers of the world started to establish when he finished third at 139.7 km/h in a fast bowling contest at Perth in 1978, behind Jeff Thomson and Michael Holding, but ahead of Dennis Lillee, Garth Le Roux and Andy Roberts.^[2]

As a fast bowler, Khan reached the peak of his powers in 1982. In 9 Tests, he got 62 wickets at 13.29 each, the lowest average of any bowler in Test history with at least 50 wickets in a calendar year.^[15] In January 1983, playing against India, he attained a Test bowling rating of 922 points. Although calculated retrospectively (ICC player ratings did not exist at the time), Khan's form and performance during this period ranks third in the ICC's All-Time Test Bowling Rankings.^[16]

Khan achieved the all-rounder's triple (securing 3000 runs and 300 wickets) in 75 Tests, the second fastest record behind Ian Botham's 72. He is also established as having the second highest all-time batting average of 61.86 for a Test batsman playing at position 6 of the batting order.^[17] He played his last Test match for Pakistan in January 1992, against Sri Lanka at Faisalabad. Khan retired permanently from cricket six months after his last ODI, the historic 1992 World Cup final against England at Melbourne, Australia.^[18] He ended his career with 88 Test matches, 126 innings and scored 3807 runs at an average of 37.69, including six centuries and 18 fifties. His highest score was 136 runs. As a bowler, he took 362 wickets in Test cricket, which made him the first Pakistani and world's fourth bowler to do so.^[2] In ODIs, he played 175 matches and scored 3709 runs at an average of 33.41. His highest score remains 102 not out. His best ODI bowling is documented at 6 wickets for 14 runs.

Captaincy[link]

At the height of his career, in 1982, the thirty-year-old Khan took over the captaincy of the Pakistan cricket team from Javed Miandad. Recalling his initial discomfort with this new role, he later said, "When I became the cricket captain, I couldn’t speak to the team directly I was so shy. I had to tell the manager, I said listen can you talk to them, this is what I want to convey to the team. I mean early team meetings I use to be so shy and embarrassed I couldn’t talk to the team."^[19] As a captain, Khan played 48 Test matches, out of which 14 were won by Pakistan, 8 lost and the rest of 26 were drawn. He also played 139 ODIs, winning 77, losing 57 and ending one in a tie.^[2]

In the team's second match under his leadership, Khan led them to their first Test win on English soil for 28 years at Lord's.^[20] Khan's first year as captain was the peak of his legacy as a fast bowler as well as an all-rounder. He recorded the best Test bowling of his career while taking 8 wickets for 58 runs against Sri Lanka at Lahore in 1981–82.^[2] He also topped both the bowling and batting averages against England in three Test series in 1982, taking 21 wickets and averaging 56 with the bat. Later the same year, he put up a highly acknowledged performance in a home series against the formidable Indian team by taking 40 wickets in six Tests at an average of 13.95. By the end of this series in 1982–83, Khan had taken 88 wickets in 13 Test matches over a period of one year as captain.^[14]

Imran Khan's test career bowling statistics

This same Test series against India, however, also resulted in a stress fracture in his shin that kept him out of cricket for more than two years. An experimental treatment funded by the Pakistani government helped him recover by the end of 1984 and he made a successful comeback to international cricket in the latter part of the 1984–85 season.^[2]

In 1987, Khan led Pakistan to its first ever Test series win in India, which was followed by Pakistan's first series victory in England the same year.^[20] During the 1980s, his team also recorded three creditable draws against the West Indies. India and Pakistan co-hosted the 1987 World Cup, but neither ventured beyond the semi-finals. Khan retired from international cricket at the end of the World Cup. In 1988, he was asked to return to the captaincy by the President Of Pakistan, General Zia-Ul-Haq, and on 18 January, he announced his decision to rejoin the team.^[2] Soon after returning to the captaincy, Khan led Pakistan to another winning tour in the West Indies, which he has recounted as "the last time I really bowled well".^[8] He was declared Man of the Series against West Indies in 1988 when he took 23 wickets in 3 tests.^[2]

Khan's career-high as a captain and cricketer came when he led Pakistan to victory in the 1992 Cricket World Cup. Playing with a brittle batting line-up, Khan promoted himself as a batsman to play in the top order along with Javed Miandad, but his contribution as a bowler was minimal. At the age of 39, Khan scored the highest runs of all the Pakistani batsmen and took the winning last wicket himself.^[14]

Post-retirement[link]

In 1994, Khan had admitted that, during Test matches, he "occasionally scratched the side of the ball and lifted the seam." He had also added, "Only once did I use an object. When Sussex were playing Hampshire in 1981 the ball was not deviating at all. I got the 12th man to bring out a bottle top and it started to move around a lot."^[21] In 1996, Khan successfully defended himself in a libel action brought forth by former English captain and all-rounder Ian Botham and batsman Allan Lamb over comments they alleged were made by Khan in two articles about the above-mentioned ball-tampering and another article published in an Indian magazine, India Today. They claimed that, in the latter publication, Khan had called the two cricketers "racist, ill-educated and lacking in class." Khan protested that he had been misquoted, saying that he was defending himself after having admitted that he tampered with a ball in a county match 18 years ago.^[22] Khan won the libel case, which the judge labelled a "complete exercise in futility", with a 10–2 majority decision by the jury.^[22]

Since retiring, Khan has written opinion pieces on cricket for various British and Asian newspapers, especially regarding the Pakistani national team. His contributions have been published in India's Outlook magazine,^[23] the Guardian,^[24] the Independent, and the Telegraph. Khan also sometimes appears as a cricket commentator on Asian and British sports networks, including BBC Urdu^[25] and the Star TV network.^[26] In 2004, when the Indian cricket team toured Pakistan after 14 years, he was a commentator on TEN Sports' special live show, Straight Drive,^[27] while he was also a columnist for sify.com for the 2005 India-Pakistan Test series.^[28] He has provided analysis for every cricket World Cup since 1992, which includes providing match summaries for BBC during the 1999 World Cup.^[28]

In November 2009 Khan underwent emergency surgery at Lahore's Shaukat Khanum Cancer Hospital to remove an obstruction in his small intestine.^[29]

Social work[link]

For more than four years after retiring from cricket in 1992, Khan focused his efforts solely on social work. By 1991, he had founded the Shaukat Khanum Memorial Trust, a charity organisation bearing the name of his mother, Mrs. Shaukat Khanum. As the Trust's maiden endeavour, Khan established Pakistan's first and only cancer hospital, constructed using donations and funds exceeding $25 million, raised by Khan from all over the world.^[4] Inspired by the memory of his mother, who died of cancer, the Shaukat Khanum Memorial Cancer Hospital & Research Centre, a charitable cancer hospital with 75 percent free care, opened in Lahore on 29 December 1994.^[8] Khan currently serves as the chairman of the hospital and continues to raise funds through charity and public donations.^[30]

During the 1990s, Khan also served as UNICEF's Special Representative for Sports^[31] and promoted health and immunisation programmes in Bangladesh, Pakistan, Sri Lanka and Thailand.^[32]

On 27 April 2008, Khan's brainchild, a technical college in the Mianwali District called Namal College, was inaugurated. Namal College was built by the Mianwali Development Trust (MDT), as chaired by Khan, and was made an associate college of the University of Bradford (of which Khan is Chancellor) in December 2005.^[33] Currently, Khan is building another cancer hospital in Karachi, using his successful Lahore institution as a model. While in London, he also works with the Lord’s Taverners, a cricket charity.^[4]

Political work[link]

Imran Khan, Chairman, Pakistan Tehreek-e-Insaf in World Economic Forum

In 1996, Khan founded a political party, Pakistan Tehreek-e-Insaf (PTI), which emphasized on anti-corruption policies.^[8][34] The newly formed party was unable to win a seat during the 1997 Pakistani general election.^[35] Khan supported General Pervez Musharraf's military coup in 1999,^[36] believing Musharraf would "end corruption, clear out the political mafias".^[37] According to Khan, he was Musharraf's choice of prime minister in 2002 but turned down the offer.^[38] The 2002 Pakistani general election were held in October across 272 constituencies. Khan anticipated doing well in the elections and was prepared to form a coalition if his party did not get a majority of the vote.^[39] He was elected from the NA-71 constituency of Mianwali and being the only party member to have secured a seat, PTI won only 0.8% of the popular vote. Khan, who was sworn in as an MP on 16 November,^[40] remained part of the Standing Committees on Kashmir and Public Accounts, and expressed legislative interest in Foreign Affairs, Education and Justice.^[41]

On 6 May 2005, Khan became one of the first Muslim figures to criticise a 300-word Newsweek story about the alleged desecration of the Qur'an in a U.S. military prison at the Guantánamo Bay Naval Base in Cuba. Khan held a press conference to denounce the article and demanded that Gen. Pervez Musharraf secure an apology from the American president George W. Bush for the incident.^[42]. In June 2007, the federal Parliamentary Affairs Minister Dr. Sher Afghan Khan Niazi and the Muttahida Qaumi Movement (MQM) party filed separate ineligibility references against Khan, asking for his disqualification as member of the National Assembly on grounds of immorality. Both references, filed on the basis of articles 62 and 63 of the Constitution of Pakistan, were rejected on 5 September.^[43]

On 2 October 2007, as part of the All Parties Democratic Movement, Khan joined 85 other MPs to resign from Parliament in protest of the Presidential election scheduled for 6 October, which General Musharraf was contesting without resigning as army chief.^[5] On 3 November 2007, Khan was put under house arrest at his father's home hours after President Musharraf declared a state of emergency in Pakistan. Khan had demanded the death penalty for Musharraf after the imposition of emergency rule, which he equated to "committing treason". The next day, on 4 November, Khan escaped and went into peripatetic hiding.^[44] He eventually came out of hiding on 14 November to join a student protest at the University of the Punjab.^[45] At the rally, Khan was captured by students from the Jamaat-i-Islami political party, who claimed that Khan was an uninvited nuisance at the rally, and they handed him over to the police, who charged him under the Anti-terrorism act for allegedly inciting people to pick up arms, calling for civil disobedience, and for spreading hatred.^[46].

On 30 October, 2011, Imran Khan changed the political picture of the country by addressing more than 100,000 supporters, challenging the policies of the current government, calling this new change a "tsunami" against the ruling parties,^[47] followed by another successful public gathering in Karachi on 25 December, 2011.^[48] Since then Imran Khan has become a real threat for the current ruling parties and future political prospect in Pakistan. According to International Republican Institute (IRI)'s survey, Imran Khan’s Pakistan Tehreek-e-Insaf (PTI) tops the list of popular parties in Pakistan both at the national as well as provincial level, leaving Pakistan Muslim League-Nawaz (PML-N) and Pakistan Peopleís Party (PPP) behind.^[49]

Ideology[link]

Khan's proclaimed political platform and declarations include: Islamic values, to which he rededicated himself in the 1990s; liberal economics, with the promise of deregulating the economy and creating a welfare state; decreased bureaucracy and the implementation of anti-corruption laws, to create and ensure a clean government; the establishment of an independent judiciary; overhaul of the country's police system; and an anti-militant vision for a democratic Pakistan.^[18][26][50]

Khan told Britain's Daily Telegraph, "I want Pakistan to be a welfare state and a genuine democracy with a rule of law and an independent judiciary."^[18] Other ideas he has presented include a requirement of all students to spend a year after graduation teaching in the countryside and cutting down the over-staffed bureaucracy in order to send them to teach too.^[51] "We need decentralisation, empowering people at the grass roots," he has said.^[52]

Criticism[link]

Khan had a child out of wedlock with Ana-Luisa White (Sita White).^[53] This was confirmed by a judgement of paternity rendered by a Superior Court of the State of California for the county of Los Angeles in favour of White^[54] wherein it was held that Khan was the father of a female child born on June 15, 1992.^{[55][56][not in citation given]} Khan did not challenge that judgement and in 2004 accepted the child as his daughter. He and his wife Jemima became the girls guardians.^{[57][58] [59] [60] [61]}

During the 1970s and 1980s, Khan became known as a socialite due to his "non-stop partying" at London nightclubs such as Annabel's and Tramp, though he claims to have hated English pubs and to never drink alcohol.^{[4][8][26][42]} He gained notoriety in London gossip columns for romancing young debutantes such as Susannah Constantine, Lady Liza Campbell and the artist Emma Sergeant.^[8]

Khan is often dismissed as a political lightweight^[45] and a celebrity outsider in Pakistan,^[19] where national newspapers also refer to him as a "spoiler politician".^[62] The Muttahida Qaumi Movement, has asserted that Khan is "a sick person who has been a total failure in politics and is alive just because of the media coverage".^[63] Political observers say the crowds he draws are attracted by his cricketing celebrity, and the public has been reported to view him as a figure of entertainment rather than a serious political authority.^[51]

Declan Walsh in The Guardian newspaper in England in 2005 described Khan as a "miserable politician," observing that, "Khan's ideas and affiliations since entering politics in 1996 have swerved and skidded like a rickshaw in a rainshower... He preaches democracy one day but gives a vote to reactionary mullahs the next."^[64] The charge constantly raised against Khan is that of hypocrisy and opportunism, including what has been called his life's "playboy to puritan U-turn."^[19] Political commentator Najam Sethi, stated that, "A lot of the Imran Khan story is about backtracking on a lot of things he said earlier, which is why this doesn’t inspire people."^[19]. He is also criticized for being a puppet of Pakistan's 'establishment'.^[65]

Awards and honours[link]

Khan in Germany

• Khan is featured in the University of Oxford's Hall of Fame and has been an honorary fellow of Oxford's Keble College.^[31]
• In 1976 as well as 1980, Khan was awarded The Cricket Society Wetherall Award for being the leading all-rounder in English first-class cricket.
• In 1983, he was also named Wisden Cricketer of the Year
• In 1983, he had received the President’s Pride of Performance Award
• In 1985, Sussex Cricket Society Player of the Year
• In 1990, Indian Cricket Cricketer of the Year^[14]
• In 1992, Khan was given Pakistan's civil award, the Hilal-i-Imtiaz
• On 8 July 2004, Khan was awarded the Lifetime Achievement Award at the 2004 Asian Jewel Awards in London, for "acting as a figurehead for many international charities and working passionately and extensively in fund-raising activities.^[66]
• On 7 December 2005, Khan was appointed the fifth Chancellor of the University of Bradford, where he is also a patron of the Born in Bradford research project.
• On 13 December 2007, Khan received the Humanitarian Award at the Asian Sports Awards in Kuala Lumpur for his efforts in setting up the first cancer hospital in Pakistan.^[67]
• On 5 July 2008, he was one of several veteran Asian cricketers presented special silver jubilee awards at the inaugural Asian cricket Council (ACC) award ceremony in Karachi.^[68]
• In 2009, at International Cricket Council's centennial year celebration, Khan was one of fifty-five cricketers inducted into the ICC Hall of Fame.^[69]
• In 2011 he was given Jinnah award.

Writings by Khan[link]

Khan has published six works of non-fiction, including an autobiography co-written with Patrick Murphy. He periodically writes editorials on cricket and Pakistani politics in several leading Pakistani and British newspapers. It was revealed in 2008 that Khan's second book, Indus Journey: A Personal View of Pakistan, had required heavy editing from the publisher. The publisher Jeremy Lewis revealed in a memoir that when he asked Khan to show his writing for publication, "he handed me a leatherbound notebook or diary containing a few jottings and autobiographical snippets. It took me, at most, five minutes to read them; and that, it soon became apparent, was all we had to go on."^[70]

Books

• Khan, Imran (1989). Imran Khan's cricket skills. London : Golden Press in association with Hamlyn. ISBN 0-600-56349-9. 
• Khan, Imran & Murphy, Patrick (1983). Imran: The autobiography of Imran Khan. Pelham Books. ISBN 0-7207-1489-3. 
• Khan, Imran (1991). Indus Journey: A Personal View of Pakistan. Chatto & Windus. ISBN 0-7011-3527-1. 
• Khan, Imran (1992). All Round View. Mandarin. ISBN 0-7493-1499-0. 
• Khan, Imran (1993). Warrior Race: A Journey Through the Land of the Tribal Pathans. Chatto Windus. ISBN 0-7011-3890-4. 
• Khan, Imran (2011). Pakistan: A Personal History. Bantam Press. ISBN 0-593-06774-6. 

Articles

• Guardian comments, political and cricket commentary by Khan
• Telegraph columns, sports articles penned by Khan from 2000 to present
• We must address the root causes of this terror, Khan's editorial in the Independent following the 11 September attacks
• Benazir Bhutto has only herself to blame, Khan's 2007 editorial on Bhutto's return to Pakistan

In popular culture[link]

After the permission from him, Kaptaan is a biographical film about him.

References[link]