- Order:
- Duration: 6:46
- Published: 19 Sep 2008
- Uploaded: 28 Jan 2011
- Author: TubeTales1
Name | Tube Tales |
---|---|
Caption | DVD Cover |
Writer | Amy Jenkins Stephen Hopkins Armando Iannucci Gaby Dellal Ed Allen Paul Fraser Atalanta Goulandris Mark Greig Nick Perry Harsha Patel |
Cinematography | Sue Gibson Brian Tufano David Johnson |
Editing | Liz Green Niven Howie |
Distributor | Amuse Video Inc. |
Released | 16 November 1999 (UK) |
Runtime | 84 min |
Language | English |
Tube Tales is a collection of nine short films based on the true-life experiences of London Underground passengers as submitted to Time Out magazine. The stories were scripted and filmed independently of each other. Filming took place on the London Underground network in 1999 by nine directors including Stephen Hopkins, Charles McDougall and Bob Hoskins, with directorial debuts by Ewan McGregor and Jude Law. The project was produced by Richard Jobson.
Category:1999 films Category:British films Category:1990s drama films Category:Anthology films Category:Films set in London Category:Films directed by Bob Hoskins Category:Films directed by Jude Law
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Rip Slyme |
---|---|
Background | group_or_band |
Origin | Kanagawa, Japan |
Genre | Hip hop |
Years active | 1994–present |
Label | Warner Music Group |
Url | Official website |
Current members | Ryo-Z Ilmari Pes Su Fumiya |
Past members | (DJ) Shige (DJ) Shouji |
Rip Slyme (often stylized as RIP SLYME) is a Japanese hip hop group. It is composed of 4 MCs; Ryo-Z, Ilmari, Pes & Su, and 1 DJ, Fumiya. Their sound derives its influences from old school hip hop and other Hip Hop such as The Pharcyde, De La Soul, Public Enemy, Jurassic 5, the Beastie Boys, DJ Premier, Leaders of the New School.
They became ever more successful and signed to Warner Music Group in 2000. By then they had release several indie singles include their EP "Underline No. 5" and "Mata Au Hi Made" which had received the help of Fantastic Plastic Machine. "Mata Au Hi Made" was released on Warner Music Group's Indies label. Their first major single was "Stepper's Delight" released 22 March 2001. The title was a play on The Sugarhill Gang's "Rapper's Delight".
In general, Fumiya composes most of the music, while Ryo-Z, Pes, Ilmari, and Su write their own lyrics. However, before Fumiya became a member, Pes composed most of the songs. Each member has tried their hand at composing music for Rip Slyme, and Pes occasionally plays guitar on some tracks (Such as Home and More & More, for example). Allegedly, Pes was in a rock band before being introduced to hip hop music by Ilmari and Ryo-Z.
In 2002 they received MTV Video Music Awards Japan for "Best Newcomer" and "Best Hip-hop Group".
The same year they released a big-budget album "Tokyo Classic", which became Japan's first million-selling hip-hop album, with a sound compared to James Brown's soul and funk. Two singles from the album, "Funkastic" and "Rakuen Baby" collected MTV awards in 2003. "Super Shooter", featured as a B-side to their single "Galaxy", is the theme song for the anime Gantz.
To date they have released 6 indies singles with 17 major singles. They as well have released 2 indie albums, 7 major albums, 1 live album, 1 indies collection album, and 1 best of album.
From late 2005 (after the release of Good Job in August) through 2006, DJ Fumiya has been on extended break, citing illness. For performances, a friend of the band by the name of DJ Soma has been standing in. Fumiya's break has led to several interesting side projects and collaborations from other members. Fumiya is supposed to have returned to activity for concerts in late summer 2006. He has returned for the latest Rip Slyme release, Epoch.
On 7 July 2007 Rip Slyme performed their single "Nettaiya" at Live Earth in Kyoto, Japan. Later that year, they would go on to release their fifteenth major single, Speed King, and their seventh Warner album, Funfair, shortly after.
In summer 2008, they released Taiyou to Bikini, their only single that year. Later that year, three digital singles would debut, all of which would be on the February 2009 single Stairs. Rip Slyme released their eighth album, Journey, on June 10, 2009.
Rip Slyme has provided voiceover work as well as the ending theme for the Japanese dub of SpongeBob Squarepants. The episode aired on May 6, 2009.
;Warner singles # 2001-03-22 Steppers's Delight # 2001-06-27 雑念エンタテイメント (Zatsunen Entertainment) # 2001-10-11 One # 2002-03-27 Funkastic # 2002-06-26 楽園ベイベー (Rakuen Baby) # 2002-11-27 Blue Be-Bop # 2003-06-18 Joint # 2004-03-17 Dandelion # 2004-07-07 Galaxy # 2004-10-06 黄昏サラウンド (Tasogare Surround) # 2006-01-25 Hot Chocolate A limited edition of 5000 vinyl records along with 7 inch CDs made entirely of chocolate were given for Meiji's 100% Chocolate Cafe Promotion # 2006-04-26 Hey, Brother This was written as the theme song of Mamiya kyodai, a movie directed by Yoshimitsu Morita # 2006-10-25 ブロウ (Blow) # 2007-07-25 熱帯夜 (Nettaiya) # 2007-11-07 Speed King # 2008-07-30 太陽とビキニ (Taiyou to Bikini) # 2009-02-25 Stairs # 2010-06-30 マタ逢ウ日マデ2010~冨田流~ (Mata Au Hi Made 2010 - Tomita Ryu)
;Warner albums # 2001-07-25 Five # 2002-07-24 Tokyo Classic # 2003-07-16 Time to Go # 2004-11-03 Masterpiece # 2006-11-29 Epoch #4 1st week Sales: 78,012 # 2007-11-28 Funfair # 2009-06-10 Journey
;Live albums # 2002-07-25 O.T.F Live at Budokan Limited release
;Compilation albums # 2003-10-10 Yapparip A compilation of indies tunes # 2005-08-31 グッジョブ! (Good Job!) A best of album # 2005-12-07 グッジョブ! Christmas Edition (Good Job! Christmas Edition) # 2010-08-04 Good Times The second best of album # 2010-12-01 Bad Times A "ura" (B-sides) best of album
;Other albums # 2003-02-26 Orchestra Plus A recorded album completely of orchestrate compositions & poetry recitals from famous celebrities-
2003
2004
2006
2007
2008
2009
Category:Japanese hip hop groups Category:Musical groups established in 1994
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Margaret Mead |
---|---|
Birth date | December 16, 1901 |
Birth place | Philadelphia, Pennsylvania |
Death date | November 15, 1978 |
Death place | New York City |
Education | A.B., Barnard College (1923) M.A., Columbia University (1924) Ph.D., Columbia University (1929) |
Occupation | Anthropologist |
Spouse | Luther Cressman (1923-1928) Reo Fortune (1928-1935) Gregory Bateson (1936-1950) |
Children | Mary Catherine Bateson (b. 1939) |
Margaret Mead (December 16, 1901 – November 15, 1978) was an American cultural anthropologist, who was frequently a featured writer and speaker in the mass media throughout the 1960s and 1970s.
She was both a popularizer of the insights of anthropology into modern American and Western culture, and also a respected, if controversial, academic anthropologist. Her reports about the attitudes towards sex in South Pacific and Southeast Asian traditional cultures amply informed the 1960s sexual revolution. Mead was a champion of broadened sexual mores within a context of traditional western religious life.
An Anglican Christian, she played a considerable part in the drafting of the 1979 American Episcopal Book of Common Prayer.
She was a recognized figure in academia.
Both of Mead's surviving sisters were married to well-known men. Elizabeth Mead (1909–1983), an artist and teacher, married cartoonist William Steig, and Priscilla Mead (1911–1959) married author Leo Rosten. Mead also had a brother.
Mead`s observation skills came from her grandmother and her mother. When Mead was a child they would observe and record her actions in a notebook. Mead realized the importance of observing and recording important findings.
Her third and longest-lasting marriage (1936–1950) was to Englishman Gregory Bateson, also a Cambridge graduate, with whom she had a daughter, Mary Catherine Bateson, who would also become an anthropologist. Her pediatrician was Benjamin Spock early in his career. Spock's subsequent writings on child rearing incorporated some of Mead's own practices and beliefs acquired from her ethnological field observations which she shared with him; in particular, breastfeeding on the baby's demand rather than a schedule. She readily acknowledged that Gregory Bateson was the husband she loved the most. She was devastated when he left her, and she remained his loving friend ever after, keeping his photograph by her bedside wherever she traveled, including beside her hospital deathbed. While Margaret Mead never openly identified herself as lesbian or bisexual, the details of her relationship with Benedict have led others to so identify her. In her writings she proposed that it is to be expected that an individual's sexual orientation may evolve throughout life. clearly express a romantic relationship.
Mead was featured on two record albums published by Folkways Records. The first, released in 1959, An Interview With Margaret Mead, explored the topics of morals and anthropology. In 1971, she was included in a compilation of talks by prominent women, But the Women Rose, Vol.2: Voices of Women in American History.
She is credited with the pluralisation of the term "semiotics."
In later life, Mead was a mentor to many young anthropologists and sociologists, including Jean Houston.
Mead died of pancreatic cancer on November 15, 1978. She was buried at Trinity Episcopal Church in Buckingham, Pennsylvania.
"Courtesy, modesty, good manners, conformity to definite ethical standards are universal, but what constitutes courtesy, modesty, very good manners, and definite ethical standards is not universal. It is instructive to know that standards differ in the most unexpected ways."
Boas went on to point out that at the time of publication, many Americans had begun to discuss the problems faced by young people (particularly women) as they pass through adolescence as "unavoidable periods of adjustment". Boas felt that a study of the problems faced by adolescents in another culture would be illuminating.
And so, as Mead herself described the goal of her research: "I have tried to answer the question which sent me to Samoa: Are the disturbances which vex our adolescents due to the nature of adolescence itself or to the civilization? Under different conditions does adolescence present a different picture?" To answer this question, she conducted her study among a small group of Samoans — a village of 600 people on the island of Ta‘u — in which she got to know, live with, observe, and interview through an interpreter 68 young women between the ages of 9 and 20. She concluded that the passage from childhood to adulthood — adolescence — in Samoa was a smooth transition and not marked by the emotional or psychological distress, anxiety, or confusion seen in the United States.
As Boas and Mead expected, this book upset many Westerners when it first appeared in 1928. Many American readers were shocked by her observation that incest was common in the Samoan culture and her claim that young Samoan women deferred marriage for many years while enjoying casual sex but eventually married, settled down, and successfully reared their own children.
In 1983, five years after Mead had died, New Zealand anthropologist Derek Freeman published Margaret Mead and Samoa: The Making and Unmaking of an Anthropological Myth, in which he challenged Mead's major findings about sexuality in Samoan society, citing statements of her surviving informants' claiming that she had coaxed them into giving her the answers she wanted. After years of discussion, some anthropologists argue that Mead's account is for the most part reliable, and their published accounts of the debate attacked Freeman's critique. Freeman's New York Times obituary stated that "His challenge was initially greeted with disbelief or anger, but gradually won wide -- although not complete -- acceptance," but further said that "many anthropologists have agreed to disagree over the findings of one of the science's founding mothers, acknowledging both Mead's pioneering research and the fact that she may have been mistaken on details."
Mead`s findings suggested that the community ignores both boys and girls until they are about 15 or 16. Before than, children have no social standing within the community. Mead also found that marriage is regarded as a social and economic arrangement where wealth, rank, and job skills of the husband and wife are taken into consideration.
Mead stated that the Arapesh people, also in the Sepik, were pacifists, although she noted that they do on occasion engage in warfare. Her observations about the sharing of garden plots amongst the Arapesh, the egalitarian emphasis in child rearing, and her documentation of predominantly peaceful relations among relatives are very different from the "big man" displays of dominance that were documented in more stratified New Guinea cultures — e.g., by Andrew Strathern. They are a different cultural pattern.
In brief, her comparative study revealed a full range of contrasting gender roles:
She also cofounded the Parapsychological Association, a group advocating for the advancement of parapsychology and psychical research.
In addition, there are several schools named after Margaret Mead in the United States: a junior high school in Elk Grove Village, Illinois, an elementary school in Sammamish, Washington and another in Sheepshead Bay, Brooklyn, New York.
;As editor or coauthor
* Shore, Brad. (1982) Sala'ilua: A Samoan Mystery. New York: Columbia University Press.
Category:1901 births Category:1978 deaths Category:Ageism Category:American anthropologists Category:American anthropology writers Category:American curators Category:American Episcopalians Category:American women writers Category:Barnard College alumni Category:Columbia University alumni Category:Writers from Philadelphia, Pennsylvania Category:Presidential Medal of Freedom recipients Category:Kalinga Prize recipients Category:Psychological anthropologists Category:Systems scientists Category:Visual anthropologists Category:Youth empowerment individuals Category:Women anthropologists Category:Deaths from pancreatic cancer Category:Cancer deaths in New York Category:People associated with the American Museum of Natural History
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Isabel Allende |
---|---|
Caption | Allende in Barcelona, 2008 |
Birthdate | August 02, 1942 |
Birthplace | Lima, Peru |
Nationality | Chilean American |
Occupation | Author, Journalist |
Notableworks | The House of the Spirits |
Website | http://www.isabelallende.com/ |
Isabel Allende Llona (born in Lima, Peru on August 2, 1942) is a Chilean writer with American citizenship. Allende, whose works sometimes contain aspects of the "magic realist" tradition, is famous for novels such as The House of the Spirits (La casa de los espíritus) (1982) and City of the Beasts (La ciudad de las bestias) (2002), which have been commercially successful. Allende has been called "the world’s most widely read Spanish-language author". In 2010 she received Chile's National Literature Prize. In 2004, Allende was inducted into the American Academy of Arts and Letters.
Allende's novels are sometimes based upon her own personal experiences and often pay homage to the lives of women, while weaving together elements of myth and realism. She has lectured and toured many American colleges to teach literature. Allende adopted American citizenship in 2003 and has lived in California with her husband since 1989.
in 1990]]
In 1945, after Tomás had disappeared," Between 1953 and 1958, Allende's mother married Ramón Huidobro and moved often. Huidobro was a diplomat appointed to Bolivia and Beirut. In Bolivia, Allende attended a North American private school; and in Beirut, Lebanon she attended an English private school. The family returned to Chile in 1958. Allende was also briefly home-schooled. In her youth, she read widely, particularly the works of William Shakespeare.
In 1970 Salvador Allende appointed Huidobro as ambassador to Argentina. However, she was fired for making unauthorized changes to the dialogue of the heroines to make them sound more intelligent as well as altering the Cinderella endings to let the heroines find more independence and do good in the world.
Allende and Frías' daughter Paula was born in 1963. In 1966, Allende again returned to Chile and her son Nicolás was born there that year.
Reportedly, "the CIA-backed military coup in September of 1973 (that brought Augusto Pinochet to power) changed everything" for Allende because "her name meant she was caught up in finding safe passage for those on the wanted lists" (helping until her mother and stepfather, a diplomat in Argentina, narrowly escaped assassination). When she herself was added to the list and began receiving death threats, she fled to Venezuela, where she stayed for 13 years. In Venezuela she was a columnist for El Nacional, a main newspaper. In 1978 she began a temporary separation from Miguel Frías. She lived in Spain for two months, then returned to her marriage.
In Allende's time in Venezuela, she was a freelance journalist for El Nacional in Caracas from 1976 to 1983 and an administrator of the Marrocco School in Caracas from 1979 to 1983. She writes using a computer, working Monday through Saturday, 9:00 A.M. to 7:00 P.M. "I always start on January 8," Allende stated; "a tradition she began in 1981 with a letter she wrote to her dying grandfather that would become the groundwork for her first novel, The House of the Spirits." Allende is also quoted as saying:
Allende's book Paula (1995) is a memoir of her childhood in Santiago, Chile and the following years she spent in exile. It is written in the form of a letter to her daughter Paula, who was being treated at a hospital in Spain following a porphyria-induced coma. In 1991, an error in medication resulted in severe brain damage and left Paula in a persistent vegetative state. Allende had her moved to a hospital in California where she died on 6 December 1992.
Allende's novels have been translated into over 30 languages and sold more than 56 million copies. There are three movies based on her novels currently in production — Aphrodite, Eva Luna and Gift for a Sweetheart. In an article published in Entre paréntesis, Bolaño writes that Allende's literature is anemic and compares it to a person on his deathbed. Bolaño has been one of her harshest critics, saying that it is to give her credit to call her a writer and that she is rather a "writing machine". Of Bolaño, Allende said to El Clarín that she is honoured to be represented by him as a Chilean, although she remembered Bolaño regarded her as trash. In the same interview, Allende recognises that she has rarely had good criticism in Chile and that Chilean intellectuals "detest" her. Novelist Gonzalo Contreras says that "she commits a grave error, to confuse the commercial success with literary quality". Allende disagrees with these assessments of her, and she has also been quoted as saying:
Alternatively, it has been noted that "Allende's impact not only on Latin American literature but also on world literature cannot be overestimated."
Category:1942 births Category:Living people Category:People from Lima Category:20th-century women writers Category:American people of Chilean descent Category:American people of Portuguese descent Category:Chilean memoirists Category:Chilean novelists Category:Chilean women writers Category:Chilean people of Basque descent Category:Chilean people of Spanish descent Category:Chilean people of Portuguese descent Category:Hispanic and Latino American writers Category:Magic realism writers Category:Chilean immigrants to the United States Category:Members of the American Academy of Arts and Letters Category:Naturalized citizens of the United States Category:National Prize for Literature (Chile) winners
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.