Michael Laurence Nyman,
CBE (born in Stratford, London 23 March 1944) is an English composer of
minimalist music, pianist,
librettist and
musicologist, known for the many film
scores he wrote during his lengthy collaboration with the
filmmaker Peter Greenaway, and his
multi-platinum soundtrack album to
Jane Campion's ''
The Piano''. His operas include ''
The Man Who Mistook His Wife for a Hat'', ''
Letters, Riddles and Writs'', ''
Noises, Sounds & Sweet Airs'', ''
Facing Goya'', ''
Man and Boy: Dada'', ''
Love Counts'', and ''
Sparkie: Cage and Beyond'', and he has written six
concerti, four
string quartets, and many other
chamber works, many for his
Michael Nyman Band, with and without whom he tours as a performing pianist. Nyman has stated his preference for writing opera to other sorts of music.
Biography
Nyman was born in
Stratford, London into a Jewish family, and was educated at the
Sir George Monoux Grammar School, Walthamstow. He studied at
King's College, London under
Alan Bush., and was accepted at the
Royal Academy of Music in September, 1961, and studied with Bush and
Thurston Dart, focusing on piano and seventeenth-century
baroque music. He won the
Howard Carr Memorial Prize for composition in July 1964.
In 1969, he provided the libretto for Harrison Birtwistle's opera, ''Down by the Greenwood Side'' and directed the short film ''Love Love Love'' (based on, and identical length to, The Beatles' "All You Need Is Love") before settling into music criticism, where he is generally acknowledged to have been the first to apply the term "minimalism" to music (in a 1968 article in ''The Spectator'' magazine about the English composer Cornelius Cardew). He wrote introductions for George Frideric Handel's Concerti Grossi, Op. 6 and conducted the most important interview with George Brecht in 1976.
Nyman drew frequently on early music sources in his scores for Greenaway's films: Henry Purcell in ''The Draughtsman's Contract'' and ''The Cook, the Thief, His Wife & Her Lover'' (which included Memorial and Miserere Paraphrase), Heinrich Ignaz Franz von Biber in ''A Zed and Two Noughts'', Wolfgang Amadeus Mozart in ''Drowning by Numbers'', and John Dowland in ''Prospero's Books'', largely at the request of the director.
Nyman says he discovered his aesthetic playing the aria, "Madamina, il catalogo è questo" from Mozart's ''Don Giovanni'' on his piano in the style of Jerry Lee Lewis, which "dictated the dynamic, articulation and texture of everything I've subsequently done."
He has scored numerous films, the majority of them European art films, including several of those directed by Peter Greenaway. His few forays into Hollywood have been ''Gattaca'', ''Ravenous'' (with musician Damon Albarn), and ''The End of the Affair''. He wrote settings to various texts by Wolfgang Amadeus Mozart for "Letters, Riddles and Writs", part of ''Not Mozart''. He has also produced a soundtrack for the silent film ''Man with the Movie Camera''. Nyman's popularity increased after he wrote the score to Jane Campion's award-winning 1993 film ''The Piano''. The album became a classical music best-seller. He was nominated for both a British Academy Award and a Golden Globe.
Among Nyman's other works are the opera ''Noises, Sounds & Sweet Airs'' (1987), for soprano, alto, tenor and instrumental ensemble (based on Nyman's score for the ballet ''La Princesse de Milan''); ''Ariel Songs'' (1990) for soprano and band; MGV (Musique à Grande Vitesse) (1993) for band and orchestra; concertos for saxophone, piano (based on ''The Piano'' score), violin, harpsichord, trombone, and saxophone & cello recorded by John Harle and Julian Lloyd Webber; the opera ''The Man Who Mistook His Wife for a Hat'' (1986), based on a case-study by Oliver Sacks; and four string quartets. In 2000, he produced a new opera on the subject of cloning on a libretto by Victoria Hardie titled ''Facing Goya'', an expansion of their one-act opera ''Vital Statistics''. The lead, a widowed art banker, is written for contralto and the role was first created by Hilary Summers. His newest operas are ''Man and Boy: Dada'' (2003) and ''Love Counts'' (2005), both on libretti by Michael Hastings.
He has also composed the music for the children's television series ''Titch'' which is based on the books written and illustrated by Pat Hutchins.
Many of Nyman's works are written for his own ensemble, the Michael Nyman Band, a group formed for a 1976 production of Carlo Goldoni's ''Il Campiello''. Originally made up of old instruments such as rebecs and shawms alongside more modern instruments like the saxophone in order to produce as loud a sound as possible without amplification, it later switched to a fully amplified line-up of string quartet, three saxophones, trumpet, horn, bass trombone, bass guitar and piano. This line up has been variously altered and augmented for some works.
Nyman also published an influential book in 1974 on experimental music called ''Experimental Music: Cage and Beyond'' (Catalan, Spanish and French translations), which explored the influence of John Cage on classical composers.
In the 1970s, Nyman was a member of the Portsmouth Sinfonia – the self-described World's Worst Orchestra – playing on their recordings and in their concerts. He was the featured pianist on the orchestra's recording of ''Bridge Over Troubled Water'' on the Martin Lewis-produced ''20 Classic Rock Classics'' album on which the Sinfonia gave their unique interpretations of the pop and rock repertoire of the 1950s–1970s. Nyman created a similar group called Foster's Social Orchestra, which specialised in the work of Stephen Foster. One of their pieces appeared in the film ''Ravenous'' and an additional work, not used in the film, appeared on the soundtrack album.
He has also recorded pop music with the Flying Lizards; a version of his ''Bird List'' from the soundtrack to Peter Greenaway's ''The Falls'' (1980) appears on their album ''Fourth Wall'' as "Hands 2 Take."
On 7 July 2007 Nyman performed at Live Earth in Japan. On 2008 Nyman realised, in collaboration with the cultural association Volumina, Sublime, an artist's book that unified his music with his passion for photography.
In a collaboration with friends Max Pugh and Marc Silver, Nyman is now beginning to exhibit his films and photography. Nyman’s video works are filmed with a hand-held camera, often before and after concerts and as part of his international travels, featuring everyday moments. Some works are left relatively unedited whilst others undergo split screens and visual repetition. Soundtracks to some of the video works use location sounds, whilst others recycle existing scores from his archive or a combination of both.
In October 2009, Nyman released The Glare, a collaborative collection of songs with David McAlmont, which cast his work in a new light. The album – recorded with the Michael Nyman Band – finds McAlmont putting lyrics based on contemporary news stories to 11 pieces of Nyman music drawn from different phases of his career.
"David did the research and chose most of the musical pieces," Nyman explains. "I suggested a few pieces,too but I really didn't do very much, although I think it's a true collaboration. You can identify who was responsible for what, but both aspects create a perfect synergy in which neither element can exist without the other."
Although the album was recorded in just two days, there was a huge amount of preparation and rewriting before they entered the studio. "They're third generation songs and when you listen to them, you ask 'Is it Nyman?' 'Is it soul?' 'Is it rock'n'roll?' It's all and none of them," the composer says. "I think we've created a new musical language. I'm no good at writing pop cliché – when I try, it invariably comes out sounding quite different."
The project has a long gestation for the pair first met in 2004 at a exhibition opening and talked about working together. Nothing came of it for almost five years until they got together again via Facebook, met up for lunch – and the idea for The Glare was born.
"I was surprised and delighted by what we've came up with," Nyman says. "So much so, that when I now play these pieces solo, it sounds like something's missing and the music needs David's voice and approach. That's a remarkable thing, because I've been playing these pieces for years. Of all the many collaborations I've been involved in, none has ever given me more pleasure and I'm desperate to take it on the road and play these."
Personal life
He was married to Aet Nyman and has two daughters, Molly and Martha. His first string quartet quotes "
Unchained Melody" in homage to Aet, who appears in Greenaway's ''
The Falls'', for which he also composed music.
Molly is a composer in her own right; in collaboration with
Harry Escott she has written several film scores including for ''
The Road to Guantanamo'' by her father's frequent collaborator,
Michael Winterbottom. Martha is a development researcher for the
BBC.
Career highlights
1961–67 – Studies at the Royal Academy of Music and King's College London.
1968–78 – Works as music critic (becoming first person to apply the word "minimalist" to music).
1976 – Founds the Campiello Band (now the Michael Nyman Band) and embarks on eleven-film collaboration with Peter Greenaway.
1981 – Releases first Michael Nyman Band album.
1993 – Soundtrack for ''The Piano'' wins an Ivor Novello Award, Golden Globe, BAFTA and American Film Institute award and goes on to sell over three million copies.
2002–2005 – Composer-in-Residence at Badisches Staatstheater in Karlsruhe, Germany, who performed three Nyman operas and more tunes for his daughters.
2007 – Performed on 7 July from Kyoto, Japan as part of the Live Earth global environmental awareness musical event.
Honours
Nyman was appointed
Commander of the Order of the British Empire (CBE) in the 2008 Birthday Honours.
Nyman was awarded an honorary doctorate (DLitt) from The University of Warwick on 30 January 2007. At the ceremony The University of Warwick Brass Society and Chamber Choir, conducted by Paul McGrath, premiered a specially composed procession and recession fanfare composed by Nyman.
Works
1963 – ''Introduction and Allegro Concertato for Wind Quartet'' (lost)
1963 – ''Divertimento for Flute, Oboe and Clarinet''
1965 – ''Canzona for Flute''
1974 – ''Bell Set No. 1'' (multiple metal percussion)
1976 – ''1–100'' (4–6 pianos)
1976 – (First) ''Waltz in D'' (variable)
1976 – (Second) ''Waltz in F'' (variable)
1977 – ''In Re Don Giovanni'' (ensemble)
1978 – ''The Otherwise Very Beautiful Blue Danube Waltz'' (multiple pianos)
1979 – ''"The Masterwork" Award Winning Fish-Knife'' (ensemble)
1980 – ''A Neat Slice of Time'' (choir)
1981 – ''Think Slow, Act Fast'' (ensemble)
1981 – ''Five Orchestral Pieces for Opus Tree'' (band*) (based on Anton Webern's Five Orchestral Pieces, Op. 10)
1981 – ''M-Work'' (band)
1981 – ''2 Violins''
1982 – ''Four Saxes (Real Slow Drag)'' (saxophone quartet)
1983 – ''A Handsome, Smooth, Sweet, Smart, Clear Stroke: Or Else Play Not At All''
(orchestra)
1983 – ''Time's Up'' (chamber ensemble)
1983 – ''I'll Stake My Cremona to a Jew's Trump'' (electric violin and viola, both players also simultaneously singing)
1983 – ''Love is Certainly, at Least Alphabetically Speaking'' (soprano and band)
1984 – ''The Abbess of Andouillets'' (choir)
1985 – ''Nose-List Song'' (soprano and orchestra) [this and the above three works are from an unfinished opera setting of Laurence Sterne's ''The Life and Opinions of Tristram Shandy, Gentleman'', which Nyman has repeatedly cited as his all-time favourite book]
1985 – ''Childs Play'' (2 violins; harpsichord)
1985 – ''String Quartet No. 1''
1986 – ''Taking a Line for a Second Walk'' (for orchestra (''Basic Black'') or piano duet)
1986 – ''The Man Who Mistook His Wife for a Hat'' (opera; libretto by Christopher Rawlence; adapted from the Oliver Sacks case study by Nyman, Rawlence, and Michael Morris)
1986 – ''And Do They Do'' (modern dance, 1986)
1987 – ''Vital Statistics'' (opera; libretto by Victoria Hardie)
1988 – ''String Quartet No. 2''
1989 – ''Out of the Ruins'' (choir)
1989 – ''La Traversée de Paris'' (soprano and band)
1989 – ''The Fall of Icarus'' (band)
1989 – ''L'Orgie Parisienne'' Arthur Rimbaud setting (soprano or mezzo soprano and orchestra)
1989 – ''La Sept'' (band)
1990 – ''Shaping the Curve'' (soprano saxophone, string quartet or piano)
1990 – ''Six Celan Songs'' (contralto and orchestra)
1990 – ''Polish Love Song'' (soprano and piano)
1990 – ''String Quartet No. 3''
1990 – ''The Kiss and Other Movements''
1991 – ''The Michael Nyman Songbook'' A collection of songs based on texts by Paul Celan, Wolfgang Amadeus Mozart, William Shakespeare, and Arthur Rimbaud and recorded with vocalist Ute Lemper.
1991 – ''Where the Bee Dances'' (soprano saxophone and orchestra)
1991 – ''Fluegelhorn and Piano''
1992 – ''Time Will Pronounce'' (violin, cello, and piano)
1992 – ''For John Cage'' (brass ensemble)
1992 – ''Self-Laudatory Hymn of Inanna and Her Omnipotence'' (alto and string orchestra or countertenor and viol consort)
1992 – ''The Convertibility of Lute Strings'' (solo harpsichord)
1992 – ''Anne de Lucy Songs'' (soprano and piano)
1992 – ''Le Mari de la Coiffeuse (The Hairdresser's Husband)''
1992 – ''The Upside-Down Violin'' (orchestra/ensemble)
1993 – ''MGV: Musique à grande vitesse'' (band and orchestra)
1993 – ''The Piano Concerto'' (piano and orchestra)
1993 – ''Noises, Sounds & Sweet Airs'' (1993; opera-ballet setting William Shakespeare's ''The Tempest'')
1993 – ''Yamamoto Perpetuo'' (violin solo)
1993 – ''Songs for Tony'' (saxophone quartet)
1994 – ''To Morrow'' (soprano or soprano saxophone, organ)
1994 – ''3 Quartets'' (ensemble)
1994 – ''Concerto for Trombone'' (trombone, orchestra, and steel filing cabinets)
1995 – ''String Quartet No. 4''
1995 – ''Tango for Tim (In memoriam Tim Suster)'' (harpsichord)
1995 – ''The Waltz Song'' (unison voices)
1995 – ''Viola and Piano''
1995 – ''Grounded'' (mezzo-soprano, saxophones, violin, piano)
1995 – ''HRT [High Rise Terminal]'' (chamber ensemble)
1995 – ''Concerto for Harpsichord and Strings''
1995 – ''Double Concerto for Saxophone and Cello'' (saxophone, cello, and orchestra)
1996 – ''After Extra Time'' (ensemble)
1996 – ''Enemy Zero'' (game music)
1997 – ''Enemy Zero – Original Soundtrack''
1997 – ''Strong on Oaks, Strong on the Causes of Oaks'' (orchestra)
1997 – ''The Promise'' (piano)
1997 – ''Gattaca''
1998 – ''Titch'' (worked on the main opening/closing piano theme).
1998 – ''Cycle of Disquietude (Coisas, Vozes, Lettras)'' (soprano, mezzo-soprano, and band)
1998 – ''Orfeu'' (band)
1998 – ''De Granada A La Luna'' (band)
1999 – ''The Commissar Vanishes'' (band)
1999 – ''The End of the Affair''
2000 – ''Facing Goya'' (opera; libretto by Victoria Hardie)
2001 – ''a dance he little thinks of'' (orchestra)
2003 – ''Violin Concerto'' (violin and orchestra)
2003 – ''Man and Boy: Dada'' (opera; libretto by Michael Hastings)
2005 – ''Love Counts'' (opera; libretto by Michael Hastings)
2006 – ''gdm for Marimba and Orchestra'' (concerto)
2006 – ''Acts of Beauty''' (song cycle)
2007 – ''A Handshake in the Dark'' (choral piece with orchestra; text by Jamal Jumá [world premiere 8 March 2007, Barbican, London, performed by the BBC Symphony Chorus and Orchestra, John Storgards conducting])
2007 – ''Interlude in C'' (expansion of a theme from ''The Libertine'' for Accent07 touring ensemble)
2007 – ''Eight Lust Songs'' song cycle
2008 – ''Yamamoto Perpetuo for Solo Flute'' (arranged by Andy Findon)
2009 – ''Sparkie: Cage and Beyond'' opera with Carsten Nicolai
2009 – ''The Musicologist Scores'' (band)
2010 – ''2Graves''
2010 – ''Vertov Sounds''
*originally recorded by Nyman, Ned Sublette, Susan Krongold, Barbara Benary, Jon Gibson, Richard Cohen, Virgil Blackwell, Peter Zummo, and Peter Gordon at The Kitchen, and intended for Peter Greenaway's short film, ''The Tree''.
Nyman's music re-used
Nyman's "The Heart Asks Pleasure First" (from ''The Piano'') is the music on which Italian
rock noir band
Belladonna's song "
Let There Be Light" is based. Released in December 2010, the track features Michael Nyman himself on piano.
Nyman's "The Heart Asks Pleasure First" (from ''The Piano'') was used as backing music for one of the bank advertisements for Lloyds TSB broadcast on television. It has also been featured in episodes of ''20/20''.
Music from ''Ravenous'' has been used at least once on WFYI's ''Across Indiana'', in a segment titled "On the Trail of John Hunt Morgan", produced by Scott Andrew Hutchins.
Nyman's soundtrack for ''Carrington'' is mostly based on his own ''String Quartet No. 3''.
''A Cock and Bull Story'' contains music from ''The Draughtsman's Contract'', as well as Nyman's arrangements of classical music used in Stanley Kubrick's ''Barry Lyndon'' (it does not use any music from Nyman's ''Tristram Shandy'' opera).
Nyman's music for Peter Greenaway's films has been used in the Japanese television program ''Iron Chef''.
Popular "Chasing Sheep is Best Left to Shepherds" (from ''The Draughtsman's Contract'') constituted the main theme of Spanish TV program ''Queremos Saber'', presented by Mercedes Milà in the nineties.
Nyman features in '9 Songs' (Michael Winterbottom, 2004) playing at the Hackney Empire on his 60th birthday.
Nyman's MGV: Musique à grande vitesse was used in November 2006 for a new one-act ballet for the Royal Ballet in London, DGV (danse à grande vitesse) by Christopher Wheeldon.
Nyman's "The Heart Asks Pleasure First" was covered by the Finnish symphonic metal band Nightwish. Nyman had refused to release the song initially; he later authorised its use.
Time Lapse was used in Sky's 2008 'Heroes' advert
Selections from Nyman's catalogue formed part of the soundtrack for James Marsh's 2008 documentary, ''Man on Wire'', a film about Philippe Petit, a Frenchman, who in 1974 illegally strung a tightrope between the top of the WTC buildings and danced between them for 45 minutes, thus committing the "artistic crime of the 20th century".
Nyman's piece "Car Crash" from Zed & Two Thoughts movie intro was used for once on the final episode of a Greek series called 'To Kafe Tis Xaras'
Recordings
''Man and Boy: Dada'' – MN Records 102
''The Very Best of Michael Nyman: Film Music 1980-2001'' – Virgin EMI CDVED957
''String Quartets 1–3'' – Decca 4730912
''Decay Music'' EMI CVE964 2004
References
External links
Michael Nyman official site
Michael Nyman's homepage at Chester Music
The Power of the Cadence: Michael Nyman in conversation with Robert Davidson
'The Case Against Nyman Revisited' Recent article on Michael Nyman's use of pre-existing music
Nyman à grande vitesse'', review article in ''The Oxonian Review''
Michael Nyman judged The Film of the Month competition in June 2009 on the independent filmmakers networking site Shooting People
An Evening with Michael Nyman, BAFTA event video
Listening
Michael Nyman audio at Internet Archive
Category:20th-century classical composers
Category:21st-century classical composers
Category:Alumni of King's College London
Category:Alumni of the Royal Academy of Music
Category:Commanders of the Order of the British Empire
Category:Contemporary classical music performers
Category:English classical pianists
Category:English composers
Category:English film score composers
Category:English musicologists
Category:Ivor Novello Award winners
Category:Minimalist composers
Category:People from Stratford, London
Category:Postmodern composers
Category:1944 births
Category:Living people
Category:Jewish classical musicians
ca:Michael Nyman
cs:Michael Nyman
da:Michael Nyman
de:Michael Nyman
es:Michael Nyman
fr:Michael Nyman
gl:Michael Nyman
it:Michael Nyman
lt:Michael Nyman
hu:Michael Nyman
nl:Michael Nyman
ja:マイケル・ナイマン
pl:Michael Nyman
pt:Michael Nyman
ro:Michael Nyman
ru:Найман, Майкл Лоуренс
sk:Michael Nyman
fi:Michael Nyman
sv:Michael Nyman
uk:Майкл Лоуренс Наймен